Luxe Magazine - September/October 2021 Naples

N A P L E S + S A R A S O TA

JUDITH LIEGEOIS

239.263.1213 | naplesflooring.com | @naplesflooring 900 5th Ave South, Naples, FL 34102 1389 3rd Street South, Naples FL 34102 7545 Biscayne Blvd, Miami, FL 33138

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M I C H A E L L AW L E R . C O M Sotheby’s International Realty and the Sotheby’s International Realty logo are registered service marks used with permission. Each office is independently owned and operated. Equal Housing Opportunity. If your property is listed with a real estate broker, please disregard. It is not our intention to solicit the offerings of other real estate brokers. We are happy to work with them and cooperate fully. Users may not copy, modify, reproduce, republish, distribute, display, or transmit for commercial, nonprofit, or public purposes all or any portion of this document except to the extent authorized by Michael Lawler 239.610.8989. Information is deemed accurate but not guaranteed. MGL_21029

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CONTENTS

SEP OCT 2 02 1

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EDITOR’S LETTER

Scene 26

D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.

Radar 36

BEHIND THE BRAND Mind the Gap pays homage to its storied homeland of Transylvania.

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NEWSWORTHY Large-scale painterly murals prove to be all the rage this fall.

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C O M M E N TA R Y Creatives reveal their greatest inspirations and style revelations.

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5 MINUTES WITH Luxe sits down with fashion designer Christian Siriano.

Market 54

M AT E R I A L Meet the forces behind four celebrated fabric houses.

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TREND Design talents share insights alongside their new releases.

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SPOTLIGHT An early 20th-century theater sets the stage for the latest furniture and lighting collaborations.

Living

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K I TC H E N + B AT H Designers highlight the details in these inspired kitchens and baths.

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THE REPORT Metallic notes that shine and sparkle are the season’s haute accessory.

STEPPING UP, AZTEC PHOTO: JONATHAN ALLEN

Walls

CONTENTS

FEATURES

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128

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Back in Time

Checking In

Creative Evolution

Far and Away

In the hands of a thoughtful team, a century-old residence in Fort Myers is beautifully restored to its former glory.

A bayfront Sarasota condo embraces a sophisticated hotel feel and a glam color palette of black, white and emerald green.

The oil paintings of a Sarasota artist portray her digital photography of collages made from transparency film.

At once moody and worldly, the design of a Boca Grande abode is informed by old Anglo-Indian homes and the owners’ travels.

Written by Hilary Masell Oswald Photography by Mali Azima

Written by Sejal Bhima Photography by Seamus Payne

Written by Tanya Ward Goodman Photography by Edward Linsmier

Written by Monique McIntosh Photography by Lucy Call

ON THE COVER: Sherwin-Williams’ Ellie Gray colors the family room of a historic Fort Myers dwelling by interior designer Renée Gaddis. A Hickory Chair table, framed by Baker armchairs, and sofas mingle with Interlude Home side tables atop the Stark Carpet rug. Page 116

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Kelly Phillips Badal, Colleen McTiernan

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SENIOR SOCIAL MEDIA MANAGER

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MARKET

SENIOR STYLE AND MARKET EDITOR

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MARKET EDITOR

Sarah Shelton ART

ART DIRECTOR

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SENIOR GRAPHIC DESIGNERS

Jamie Beauparlant, Kimberly Solari Brown ASSOCIATE GRAPHIC DESIGNER

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SENIOR RETOUCHER

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ADAM I. SANDOW CHAIRMAN OF SANDOW

ERICA HOLBORN CHIEF EXECUTIVE OFFICER CHIEF OPERATING OFFICER

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PARTNER SUCCESS MANAGERS

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PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST – LUXE PREFERRED

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NATIVE CONTENT EDITOR + TEAM LEAD

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NATIVE CONTENT EDITORS

Heather Schreckengast, Matthew Stewart PRODUCTION OPERATIONS MANAGER

Jody M. Boyle

SANDOW was founded by visionary entrepreneur Adam Sandow in 2003 with the goal of building a truly innovative media company that would reinvent the traditional publishing model. Today, SANDOW is a fully integrated solutions platform that includes leading content, tools, and services, powering innovation for the design and luxury industries. Its diverse portfolio of media assets includes Interior Design, Luxe Interiors + Design and NewBeauty. Materials Innovation brands include global materials consultancy, Material Connexion, game-changing material sampling and logistics platform, Material Bank, and materials reclamation program, Sample Loop. SANDOW brands also include research and strategy firm, ThinkLab. In 2019, SANDOW was selected by the New York Economic Development Council of New York to become the official operator of NYCxDESIGN Week, beginning in 2020. sandowdesign.com

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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 19, No. 5, September/October, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011.

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LETTER EDITOR’S

In my happy place; sitting in designer Brittany Bromley’s chic room for Kips Bay Palm Beach.

There’s a lively dialogue in the design world of late centered around the notion of “original” design and copying. I prefer to tweak the adjective to “genuine,” since everything is ultimately derivative. What is original, after all? Two great creatives of the world, Steve Jobs and Pablo Picasso both are quoted as saying, “Good artists copy, great artists steal.” Hmm. What they really mean is: be influenced by an idea that inspires you, turn it on its head and make it into something entirely different. Don’t imitate...create.

Here’s what I know about design as an editor who lives it every day. There is an abundance of riches to be inspired by if you’re curious, open to observation and educating yourself about design history.

There are artists, creatives and makers across the country who turn out interesting work developed with integrity. Seek them out and support them, dear reader, for they drive design and “originality,” pushing everything to be ever more captivating, compelling and joyful. As design should be.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

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photo: chelsae anne horton. jewelry: susan’s jewelry collection.

Honest to Goodness

SUT H ERL A ND PL AT E AU DAY B ED / SOFA SHOW N W IT H P ER ENNI A L S T HROW. CUSHION + PILLOW FA BRIC S FROM P ER ENNI A L S’ VILL A D EL SOL COLL EC T ION. SUTHERL ANDFURNITURE.COM | PERENNIALSFABRICS.COM | COMING SOON TO NAPLES

FREESTYLE INTERIORS DESIGNING BEAUTIFUL AND TIMELESS HOMES FOR OVER 40 YEARS

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freestyleinteriors.com I 239.949.2210 bonita springs I call for appointment

SCENE W R I T T E N B Y A N G E L A C A R AWAY- C A R LT O N

POST MASTER @COASTANDMINGLE

WHAT: From milestone celebrations such as proposals and bridal parties to bubbles and brunch, the ladies custom design each outdoor event around their clients’ vision. Best known for their high-quality tablescapes layered with colors, textures and fine furnishings, they create a pictureperfect, Instagram-worthy picnic for lasting memories.

OPEN HOUSE SHOPS + SHOWROOMS

Say “ciao” to Casa Italia’s newest Naples showroom, primely situated on Third Avenue North, just a few minutes from its Minottifocused location at The Collective. The urban-style space flaunts the company’s full collection of Italian brands along with new lighting from Spain-based Santa & Cole. Just a quick car ride away is the recently opened Dwayne Bergmann Interiors on Third Street South, the designer’s second showroom on the Gulf Coast. In this Art Deco-style locale, visitors will find Bergmann’s cabinetry line, launched last fall, on full display, along with custom furnishings and other design resources. Heading a bit farther north to Sarasota, Clive Daniel Home will open a showroom in Fruitville Commons by early 2022. The sprawling space will be unique to its community, with each piece hand-selected for the store from exclusive brands such as EJ Victor and Seasonal Living. For President and CEO Daniel Lubner, who began his career in Sarasota two decades ago, the opening marks a long-awaited homecoming. “We’re excited for the opportunity to invest ourselves further in this wonderful community,” he says.

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WHY: Every place setting, seat and intricate detail is neatly tied together to ensure clients experience the “wow” factor. The duo’s design inspo comes from Business & Pleasure Co., which fashions chic beach accessories like fringe umbrellas, as well as Hom, an online home decor shop flaunting boho and neutral palettes.

IN THEIR WORDS: “We’re in the business of bringing joy to people. After social distancing from friends and family over the last year, it’s refreshing to see people mingle together. We haven’t seen a sad face at one of our picnics yet, and we intend to keep it that way.”

OPEN HOUSE PHOTO: COURTESY CASA ITALIA. POST MASTER PHOTOS: TOP AND BOTTOM LEFT, COAST & MINGLE; RIGHT, SURFSIDE CREATIVE.

WHO: Created by friends Monette Everett and Kayse Duffy during the days of constant outdoor living in the pandemic, Coast & Mingle is a Southwest Floridabased luxury picnic service curating coastal-cool fêtes.

Palm Beach 561.835.0401 | Miami 305.572.1111 | Key Largo 305.749.2920 | woolems.com

DISPATCH DESIGN SCENE

MEET THE MAKER MAGGIE DILLON DESIGNS

What prompted you to work with fiber?

My freshman year at Flagler College in historic St. Augustine, I started working at a local quilt shop near campus. I began experimenting with fabric as a medium after being a traditional quilter for about a decade. Encouraged by my drawing professor, I created my first fiber portrait made of collaged commercial fabrics.

Since 2008, I have worked exclusively in fabric and textiles. Increasingly, more galleries and venues are accepting mixed media/fiber, but it is still an uncommon medium.

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How do you source and select the vintage photos you use? While pursuing a fine art degree, I focused on photojournalism. I enjoyed that the photos captured what was happening in the moment, rather than an awareness of the camera. A friend found some amazing vintage images in a thrift shop.

I pulled inspiration from a few of those and entered some exhibitions, and from there I was hooked. My favorite images are the ones that feel the most authentic and nostalgic. Many are sourced from original family photos, while others are pieced together with different elements of images before creating the pattern.

Why do these textile art pieces make an impact? Quilting and textile work have a broad view of being “grandma’s quilts” and a strictly utilitarian item.

I believe my work, among others, is breaking those boundaries and elevating the medium to fine art. It draws the viewer in, looking closely at the built-up fabric layers, stitching and textures.

photos: courtesy maggie dillon.

Take everything you know about your grandmother’s quilt and elevate it.

Bridging the past with the present, Sarasota textile artist Maggie Dillon translates vintage images, family photos and her own photography into quilted pieces of fine art. The awardwinning textile portrait artist captures candid moments, evoking a feeling of nostalgic happiness but also loss of something deeply important and soulful. maggiedillondesigns.com

CONNERY SEATING SYSTEM | RODOLFO DORDONI DESIGN TORII ARMCHAIR | NENDO DESIGN BOTECO COFFEE TABLE | MARCIO KOGAN / STUDIO MK27 DESIGN DISCOVER MORE AT MINOTTI.COM/CONNERY

THE COLLECTIVE 111 10TH STREET SOUTH - #202 - NAPLES FL 34102 PHONE 239-331-4111 - FAX 239-206-2570 WWW.CASAITALIASHOWROOM.COM

DISPATCH

THE INSIDERS COLLINS DUPONT DESIGN GROUP

SCENE

DESIGN

Powerhouse duo Sherri DuPont and Kim Collins, principals of Collins DuPont Design Group, have the Midas touch when it comes to transforming dated residences into welcoming and modern atmospheres. Heralded for their interiors work in Southwest Florida and abroad for more than 30 years, the pair works with custom home builders, developers and private clients—orchestrating every aspect from designing to purchasing and complete project management.

Partnering with artisans from across the globe, they offer an extensive library of textiles and vendors exclusive to the trade at their Design Center in Bonita Springs. The result: seaside sanctuaries and covetable, one-of-a-kind living spaces. collins-dupont.com What’s intriguing you in design right now? Sherri Dupont: Lighting has changed drastically in the last five years. LED has diversified the playing

field in both decorative and functional lighting, allowing for previously unimagined shapes, applications and configurations. Illumination is limited only by one’s imagination.

Where do you draw inspiration from?

Kim Collins: Nature and travel. In this challenging year, I’ve done a lot of iPad travel to exotic destinations, many so remote I would never be able to see them in person anyway.

You can absorb so much by looking at ancient ruins and new architecture.

What are your favorite materials to use? KC: Anything organic and handmade. SD: Back-lit natural stones and soft, shimmery fabrics.

How do you keep your designs fresh? KC: By always searching for materials I have not yet worked with as well as working alongside the young designers we have on staff.

They inspire me to keep an edge.

RITZY RENOVATIONS Pool dreams come true at The Reservoir, a new 14,000-square-foot, sun-soaked sanctuary at The Ritz-Carlton Golf Resort, Naples designed in collaboration with architect Cooper Carry and Parker-Torres Design. While guests can leisurely float down a 600-foot lazy river or barrel down three waterslides, they’ll want to retreat to the adults-only pool edged by six private cabanas boasting rich amenities like butler service and tableside tequila flights. Soak up tranquil breezes and Latin American-inspired cuisine at new poolside restaurant, Ria; its tropical-modern design beautifully showcases natural furniture in wood, wicker and teak as well as book-matched stone and lush greenery incorporated throughout.

Its opulent sister property, The RitzCarlton, Naples, is also being reimagined this year with 92 new suites, a sprawling Ritz-Carlton Club Lounge and dramatic enhancements to guest rooms, the lobby and meeting and event spaces. Expect interiors with sophisticated touches of gold and marble complemented by muted hues reflective of the resort’s natural surroundings; existing rooms and suites will pay homage to the journey of travel, drawing inspiration from luxury sleeper cars. ritzcarlton.com

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the insiders photo: lori hamilton. ritzy renovations photos: courtesy the ritz-carlton resorts of naples.

THE RITZ-CARLTON RESORTS OF NAPLES

405 Midday

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Outdoor Collection The series’ innovative quartz surfaces are designed, developed and tested to withstand the most extreme weather, standing up to sun, rain and snow over the long term.

The new neutral white, echoing an industrial concrete surface that is embellished with warmer greys and a confetti of cloudy sparks. Beautiful inside and out.

Caesarstone inspiration found at Majestic Kitchens & Baths

EMILY JAMES ART T H E 5 T H AV E N U E N A P L E S A R T I S T

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RADAR

BEHIND

THE

BRAND

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NEWSWORTHY

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COMMENTARY

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5

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From fashion and furnishings to musings and murals, our definitive style guide explores luxury today.

WITH

BRAND RADAR

BEHIND

THE

Folk Spirit A PIONEERING DESIGN BRAND TOASTS FIVE YEARS WITH A TRIBUTE TO ITS BOHEMIAN ROOTS.

Mind the Gap’s Transylvanian Roots collection is a flourish of color, pattern and texture evocative of the region’s rich cultural heritage.

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Five years ago, Stefan Ormenisan took a leap when he launched a bespoke wallcoverings line—the first of its kind in his home country of Romania—with his business partner Victor Serban. “This was one of the biggest challenges—convincing people from around the world that we are doing serious things with great taste and beautiful stories,” says Ormenisan.

Today, the creative director spends much less time convincing and a lot more time dreaming, as evidenced by the brand’s anniversary collection, Transylvanian Roots—a transportive maximalist assemblage of fabrics, wallpapers and furnishings emblematic of his homeland’s rich Bohemian spirit. “Once an independent country, Transylvania was a melting pot of peoples, cultures and traditions, from Saxons, Hungarians and Romanians to Székelys, Ashkenazi Jews, Armenians and Gypsies,” says Ormenisan, who takes pride in his mixed Romanian, Saxon, Hungarian and Armenian heritage. “When creating these pieces, we drew on the idyllic memories of our childhood summers spent with grandparents in the countryside.”

In those traditional homes, embroidered textiles softened wooden furniture while trimmed and tasseled lamps brightened winter nights—themes reflected in the collection’s jubilant cushions, lampshades and wall art. Ornamental and decorative motifs in lush reds, yellows and greens recall vintage patterns and color palettes used by folk artists for hundreds of years, while painterly botanicals reference Central Asian suzanis and Slavic and Ottoman influences. “I love the diversity in

photos: courtesy mind the gap.

W R I T T E N BY H E AT H E R C A R N E Y

BRING YOUR VISION TO US The experts at Ferguson Bath, Kitchen & Lighting Gallery are here to help create a home that’s as extraordinary as you are.

Any project, any style, any dream—bring your inspiration to Ferguson Bath, Kitchen & Lighting Gallery. Visit build.com/ferguson to schedule your personalized showroom experience today.

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BRAND THE BEHIND

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The anniversary line includes 18 wallpaper and 13 fabric designs, as well as upholstered furnishings and wall art. Jubilant patterns, such as Vixen (top) and Heirloom (bottom), recall folkloric narratives of flora and fauna.

photos: courtesy mind the gap.

RADAR

such a small area—all of the traditions and customs belonging to different cultures that live together to form the authentic heritage of this place,” says the creative director.

While Ormenisan believes Transylvanian Roots, with its detailed embroidery and handmade finishes, is equally befitting a rural cottage or city setting, he muses it would shine in a stately Georgian manse in London. “I imagine a large garden with a stylish topiary, a monumental entrance and a sumptuous drawing room with a large-buttoned sofa upholstered in the finest cotton velvet with embroidered and printed fabrics,” envisions the creative director.

But for now, Ormenisan will dream a little closer to home. With his business partner, he recently purchased a hunting manor in the Romanian town of Presaca that once belonged to noble Hungarian families—making it the ideal backdrop for the brand’s storybook prints like Erdely, Vixen and Enchanted Woodland.

“Surrounded by mystical scenery with smooth hills and vast woodland, when you enter this village, you feel the old history entering your body; a timeless vault,” he explains. “I love how time has stopped here, creating a world full of originality and romance.”

wd e s i g n .c o m

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NEWSWORTHY RADAR

The Big Picture ARTISAN MURALS ARE HAVING A MAJOR MOMENT.

photo: douglas friedman, courtesy ken fulk inc.

W R I T T E N BY M A R Y J O B O W L I N G

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MHK ARCHITECTURE & PLANNING 2059 Tamiami Trail East, Naples, FL 34112| (239) 331-7092 mhkap.com License #AR0016971

NEWSWORTHY

Talking Walls

RADAR

THE EXPERT TAKE ON MURALS. “ We did a huge silhouette of native Oregon plants in a main bedroom. The design bled onto the ceiling and window frames. The result is fantastic.”

–STEWART HORNER, PENNY BLACK INTERIORS

When describing the allure of a mural, New York artist Anne Harris calls out their immersive nature saying, “They command an interior, and they engulf a physical space and transport you.” She’s been practicing the art form ever since she first viewed Italian frescoes in person, an experience that was so powerful she describes it as “head spinning.”

Harris notes that while wallpaper adds color and pattern to an interior, murals offer something else. “With wallpaper, you have a repeating pattern,” she says. “But with a mural, you have interest that continues around a room, and you can see the intent, the perspective and the hand of the artist.”

Painting murals is an ancient art, and they can be found decorating walls throughout the millennia, in places ranging from Egyptian tombs to Pompeiian homes to Indian palaces. But Harris sees the uptick in their recent popularity as a rebellion against “the white-gray-neutral rooms we’ve been living in the last several years.”

For some, the word “mural” conjures an image of traditional pastoral settings, but many contemporary muralists embrace an unexpected aesthetic. Take artist JohnPaul Philippe, whose abstract work often contains a series of modern, biomorphic forms. With an architectural approach to his

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craft, he pulls inspiration from the spirit of the place where his murals will live. “A lot of my work is an articulation of what is going on around it,” says the artist, who splits his time between New York and Connecticut.

He credits his use of color and form to his childhood in Oklahoma, where he had an unofficial apprenticeship with the local billboard painter. “It made me completely unafraid to paint large,” he says.

Youthful experiences also influence San Francisco’s Rafael Arana, who began his artistic journey by spraying graffiti on walls around his hometown. Although he is no stranger to classic motifs, his work often has a different flavor—such as a pair of brilliantly hued iguanas that dance across the ceiling of a Presidio Heights mansion.

Noting that many of his clients, even those in private residences, are looking for an Instagram-worthy moment, he adds: “Like graffiti, murals are an attention grabber— they stand out and start a conversation.”

Arana says it’s that compelling quality that drives demand for his murals—some of which take several weeks of 16-hour days to complete. “A hand-painted mural is customizable and can bring a client’s vision to life,” he says. “It can tell a story the way few other elements can.”

–MARIE FLANIGAN, MARIE FLANIGAN INTERIORS

“ I have a hand-painted Chinese mural in my living room.

It constantly draws me into the space.”

–ALEX PAPACHRISTIDIS, ALEX PAPACHRISTIDIS INTERIORS

“ We’re doing a large mural in a stairwell because hanging art would be tricky there.

Covering the walls in this manner makes it instantly more special.”

– J ULIE MASSUCCO KLEINER AND MELISSA WARNER ROTHBLUM, MASSUCCO WARNER

“ Dining rooms and entries are prime locations for dramatic murals—these welcoming and entertaining areas set the stage for the rest of the home.”

–KATIE LEEDE, KATIE LEEDE STUDIO

photos: vignette: pieter estersohn. wallpaper: tria giovan.

A mural by Anne Harris dresses up the living room wall of a Thomas Jayne project, while Rafael Arana (previous page) works his magic on a Ken Fulk-commissioned job.

“ Wall treatments can be incredibly impactful in confined spaces, like powder baths, where one is fully enveloped in the artwork.”

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DESIGNERS AND CREATIVES MUSE ON WHAT’S STYLISH NOW.

Wallpaper can be layered into an overall scheme to be harmonious or audacious audacious—much the same way jewelry is used in fashion.

– DANIELLE COLDING, DCDNY.COM

My Harlem Toile De Jouy pattern would make a super stylish garment garment, of course!

–SHEILA BRIDGES, SHEILABRIDGES.COM

I am fond of pink and brown as a color combination.

I love mixing pastel gemstones with brown diamonds, like the Petrified Tree Fern and Brown Diamond Pavé in my Nigella Earrings.

Most people define style as expensive and couture, but really, it’s about the mix of high and low, patterns and prints, and bright and tonal colors.

–RAILI CLASEN, RAILICADESIGN.COM

I’ve realized the value of a cozy silk rug— something that feels luxurious while eating dinner on the living room floor.

–SHANAN CAMPANARO, ESKAYEL.COM

Dries Van Noten’s idiosyncratic color stories are fascinating and inspiring. His SS18 runway show surely influenced our Kips Bay 2018 salon and bar, awash in saturated turmeric and saff ron, grounded with coal and ebony.

–JAMIE DRAKE AND CALEB ANDERSON, DRAKEANDERSON.COM

–MISH TWORKOWSKI, MISHNEWYORK.COM

Others may think it a commonplace material, but I consider the endless forms, qualities and appearances of stainless steel to be quite sophisticated.

–MAXIMILIAN EICKE, MAXIDNYSTORE.COM

Our most beautiful creation is the Kiku wallcovering, featuring hand-painted chrysanthemums. It was inspired by a turnof-the-century French vase, a pair of panels painted

by Hokusai’s daughter and a Japanese woven silk kimono.

–LIZZIE DESHAYES, FROMENTAL.CO.UK

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Suspendisse vulputate varius.

—NAME HERE

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PHOTOS: THIS PAGE: EARRINGS: COURTESY MISH NEW YORK. VIGNETTE: COURTESY FROMENTAL. OPPOSITE: TOP VIGNETTE: TITUS SUNG / GETTY IMAGES. PENDANT: COURTESY RALPH PUCCI. CHAIR: COURTESY HABLE FOR HICKORY CHAIR.

P R O D U C E D B Y B R I T TA N Y C H E VA L I E R M C I N T Y R E

RADAR

COMMENTARY

HAUTE REFLECTIONS

Eileen Fisher is a constant source of inspiration. The use of organic linen materials is so casual, all while being tailored and sophisticated. sophisticated Every luxury item should have one foot in the future and traces of the past, like pieces by Hervé Van der Straeten. If it’s not going to last over time, there’s no reason for it.

–RALPH PUCCI, RALPHPUCCI.COM

– MIKEL WELCH, MIKELWELCH.COM

I’m often inspired by the detail and shape of furniture— especially from the 18th and 19th centuries— as well as through palettes and patterns used by designers like Madeleine Castaing.

With its French design influence, Morocco is intoxicatingly exotic in its sights, sounds and smells. It masters ambience more than any other country I’ve visited.

You are born with the ability to see everything, especially the little details.

Then one learns to edit and assemble in an interesting way.

–ADAM LIPPES, ADAMLIPPES.COM

–SERENA DUGAN, SERENADUGAN.COM

–SHELLEY JOHNSTONE, SHELLEYDESIGN.COM

I consider a white sofa to be ‘the little black dress of interiors.’ You can easily dress it up or down and add any accessories.

–DAN MAZZARINI, BHDMDESIGN.COM

A great house tells a story about the people who live there while also inviting others in to enjoy its warmth and offer an escape from their own surroundings.”

–KEITH SMYTHE MEACHAM, REEDSMYTHE.COM

The unseen energy poured into craftsmanship is the epitome of luxury—think hand-block printing and pieces woven by artisans.

–SUSAN HABLE, HABLECONSTRUCTION.COM

WITH MINUTES 5 RADAR

Sartorial Sense FASHION DESIGNER CHRISTIAN SIRIANO DELVES INTO THE WORLD OF DECOR. W R I T T E N BY C AT H E R I N E H O N G P H O T O G R A P H Y BY B R I T TA N Y A M B R I D G E

“I’m not an overthinker,” says designer Christian Siriano when it comes to decorating his Westport, Connecticut, home. “I buy pieces that I like and try them out—that’s the fun part of the design process.”

Last spring, Christian Siriano had only just closed on his new house—a 6,000-squarefoot glass-and-stucco dwelling in Westport, Connecticut—when the country went into lockdown. Instead of using that time to slow down and feather his nest, the Project Runway star immediately shifted into superhero mode, rallying his atelier to sew thousands of masks for health care workers. Then, in the months following, he presented a new ready-towear collection, whipped up Covid red carpet looks for Lizzo, Jennifer Lopez and Lady Gaga and introduced a bridal line. Perhaps most surprisingly, Siriano announced his entry into the home space, launching an interior design studio and debuting a glamorous collection of geometric Postmodern furniture on 1stdibs—all this before wrapping up season 19 of Project Runway. “Yeah, I’m keeping busy,” laughed Siriano when Luxe checked in on the designer at his home in Connecticut.

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You’ve said that if you hadn’t gone into fashion, you might have become an interior designer—and now you have. Did this affection for interiors begin when you were a child in Annapolis, Maryland?

My mom was really into interior design and as a kid I always visited antiques shops with her. Even though our house had a sort of nautical, Nantucket feel that’s more traditional than my taste now, I have to say, I still love a beachy, coastal room.

What did your room look like?

I had a lot of stripes and plaids because I was into the Ralph Lauren look.

My walls were a bright cobalt blue and filled with paintings from the flea market. I had a picture of Alicia Silverstone from Clueless up too, which is hilarious because now Alicia and I are close friends.

Your furniture collection doesn’t play it safe. Share the inspiration. I made

pieces that I wanted. I think the chairs almost look like little people in dresses.

They’re modern and neutral in color, but they have warmth and texture.

The million-dollar question: How are you doing all this? Running an interiors firm on top of a fashion company is no easy feat. I have two full-time people working with me on interiors. But I’m literally the most insane multitasker there is. Juggling and taking on different types of projects is what I’ve always done. One of my strengths is that I’m not an overthinker.

I make decisions very quickly.

What’s your secret for working with clients? Projects can take years in highend interior design. We may be a new interiors firm, but I have dealt with some of the most unbelievable, challenging, famous and insane fashion clients in the world.

Believe me, I can deal with an indecisive or difficult personality. That, I’m good at.

We Make

ELECTRIC

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SPOTLIGHT

Discover conversations with leading textile designers, showstopping collaborations and the latest design books.

Clarence House creative director Kazumi Yoshida wraps himself in the vibrant Blooming Jungle, a new fabric. Below, the Vietri motif is offered in five colorways.

A LOOK AT FOUR STORIED FABRIC HOUSES AND THE ARTISTIC FORCES DRIVING DESIGN FORWARD. W R I T T E N A N D P R O D U C E D BY K AT H RY N G I V E N A N D S A R A H S H E LT O N

A PARTICULAR PARTNERSHIP Kazumi Yoshida, Clarence House

When one door closes, another door opens— or so they say. For longtime Clarence House creative director and visionary artist Kazumi Yoshida that time came in 2019 when, after nearly 40 years at the legendary textile company and several owners in between, Fabricut acquired the brand making Yoshida’s retirement seem inevitable. Yet instead, the creative director was so touched by the enthusiasm of his new employers that he decided to stay on and begin a new chapter.

With the Fabricut partnership in place, Yoshida thought the 60 th anniversary of Clarence House would be the perfect opportunity to pay homage to his original collaborator, Robin Roberts, who founded the brand in 1961.

portrait: erik bardin. fabric inset: courtesy clarence house.

MATERIAL MARKET

Woven Threads

With Champagne taste and an eye for glamour, Roberts’ atelier quickly became the destination for something unique during the ’60s—gorgeous bolts were coveted by New York society, and the rest of the country soon caught on. As appetite increased for original motifs, Yoshida was hired and his first assignment was to transform an old document from India into a new pattern that eventually became Papiers Japonais, still currently one of the bestselling

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Clarence House designs. The dynamic alliance between the two creatives allowed the business to flourish.

Today, Yoshida’s 60 th anniversary collection brings to life an opulent time in history that Roberts was particularly fond of: the grand yet bizarre period of the early 18 th century, which the creative director describes as “Oscar Wilde with a twist.”

Impressively, Yoshida still paints each design by hand—a rarity in the world of fabrics and wallpapers. clarencehouse.com

ofinteriordesign.com | @olssonfernandezdesign MIAMI, FL 305.572.9505 | NAPLES, FL 239.325.5120

PHOTOGRAPHY BY STEVE SANACORE | LIC.IB26001512

MATERIAL

portrait: kevin kerr. inset photos: courtesy scalamandré.

MARKET

FRESH FACE

Sumitra Mattai, Scalamandré Early on, Sumitra Mattai realized that everything around her was designed and created by someone, and she indeed wanted to be that someone.

“I always knew I loved textiles, and when I doodled, I doodled in pattern,” says Mattai, now Scalamandré’s senior design director. Growing up in suburban New Jersey with influences from her Guyanese and Indian heritage, Mattai says she couldn’t deny the creative pull.

Founded in 1929 by Franco Scalamandré, an Italian immigrant with an engineering background, Scalamandré saw an opportunity for creating silks domestically in lieu of importing them from abroad. Success swiftly followed.

From famous estates to the White House to one particular Wes Anderson film, the brand’s designs have made their mark on American culture.

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Three years into the role, Mattai is off and running with her natural gift for product design—fashion, fine art and the brand’s archives all inform her ideas. And she has acknowledged that the fabric house means different things to different people, whether it’s a loyal client of 50 years or someone who has recently discovered the company by way of their new partnership with The Inside.

As for what’s next, the Sahara collection will debut later this year.

Inspired by North Africa, the line boasts large-scale patterns and rich colors.

Plus, there’s a new Leaping Cheetah design—a play on the infamous Zebra wallpaper. Surely, this is just the beginning for Mattai. “The magic of seeing something I draw or paint come back as a beautiful design…it never gets old,” she says. scalamandre.com

Scalamandré’s senior design director, Sumitra Mattai, shown with the Leaping Cheetah design from the new Sahara collection. Above are sketches and trims from the recent Folklore collection.

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MATERIAL

portrait: mickey riad. fabric photos: courtesy fortuny.

MARKET

FORWARD LOOKING Mickey Riad, Fortuny

“We are here for a short amount of time, but Fortuny deserves to be here forever,” observes Mickey Riad, artistic director of the inspirational Italian textile house. With the 100-year anniversary of Fortuny’s Venice factory on the horizon, it’s a time of reflection for the brand.

The story begins in the early 1900s when Spanish artist Mariano Fortuny created silk dresses and textiles in Venice. After making a name for himself, the company was lovingly placed in the hands of designer Elsie McNeill Lee in 1949, who, 20 years prior, brought Fortuny to New York’s Madison Avenue and established the brand’s position in the U.S. market. In 1988, Maged Riad bought the company from Lee, and eventually his sons, Mickey and Maury, began working for the new family business. Fast-forward 23 years and Mickey Riad is designing collections and shepherding the brand into the future.

But no matter what direction the designs take, Venice, “the fountain of inspiration,” is always at the core. The latest collection, Imago, celebrates not only Venice but its supporting characters— local places and things are woven into the literal and

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Above, sumptuous textiles from the Imago collection provide a luxe backdrop for Fortuny’s artistic director, Mickey Riad.

The rich green Barberini design is shown top left.

metaphorical fabric of the company. Barberini (above, top left) is named after the noble Roman family whose Palazzo featured a lush secret garden; the reintroduced Simboli (shown to Riad’s right in portrait above) was used on early notebooks for the brand. The magic is in embracing the originality of Fortuny, while still looking ahead. For the artistic director, the longer he continues at the Italian fabric house, the more relevance he sees in founder Mariano Fortuny, and his lasting influence. fortuny.com

a bbie a nder sondesign.c om | na pl es, fl or di a | chic ag o, il l inois

photos: delphine jouandeau, courtesy manuel canovas.

MATERIAL MARKET

At the Manuel Canovas studio, design director Olivia Deruelle poses with some of her latest designs including Pondicherry and Bengale. Below is the embroidered fabric Ango.

COLLECTED APPROACH Olivia Deruelle, Manuel Canovas

“I am always looking for treasures,” says Olivia Deruelle, design director at Manuel Canovas, of sourcing inspiration for upcoming collections at the famed French fabric house. Growing up in Brittany, a charming region dotting the coast of France, this idea of collecting pieces from nature and the sea was embedded at an early age and continues to be a common theme in her current role.

Coincidently, Monsieur Manuel Canovas, who founded his namesake brand in 1963, was also an incredible collector of art, crafts and antiques, and eventually grew the company internationally to encompass fabrics, wallpapers and carpets.

It is this collectors’ sensibility, both from the past and present, that has curated beautiful designs that feel at once au courant and incredibly refined. While color continues to be at the heart of the brand, Deruelle focuses on maximalist, narrative-driven patterns; the result is an eclectic mix infused with happiness and joy.

It was fitting then for her first collection released this year, that the focus was on French joie de vivre and exploring the modern interpretation of Toile de Jouy fabrics and wallcoverings. Classic Canovas motifs including Bengale and La Musardiere were recolored in vivid hues, and introductions like Pondicherry and Nara have farther flung influences including Japanese architecture and an Indian palace.

Finding joy in the process of textile making is important to the design director as she considers Manuel Canovas’ honored heritage and gently steers the company into the future. Whether delving into the archives or working with contemporary artists and her team to develop original patterns, the guiding principle is to stay true to a brand that has created so much happiness and exuberance through the language of fabrics. cowtan.com

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713.360.6580 DIMMITTART DIMMITTCONTEMPORARYART.COM

Distinct style and thoughtful ideas unite this season’s design tomes.

W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N

Inspiration Found REVEL IN PETER PENNOYER’S LATEST BOOK CELEBRATING A CZECH CUBIST-INSPIRED HOME. Go-to source for inspiration: Our office library.

Favorite room in a house: The living room.

Design bucket list: To design a garden pavilion on a Nordic island. I can become consumed with… curiosity. I love when a client says: “Show me your best idea.” I always come back to… the fundamentals. What’s up next: Reclaimed building materials. If not a designer, I’d be… a poet.

Clockwise from top right: Corfu Fabric in Aubergine by Ferran / Price upon request / supplyshowroom.com. District Tile in Fig / Price upon request / waterworks.com. Gathered Bedwyn Lampshade in Suede Shoes / $352 / fermoie.com. Orion Demilune Chest in Emerald / $3,750 / ambellahome.com. Jodhpur Wood Inlay Tray in Teak Brown / $199 / gaurikohli.com. Dayak Armchair in Honey & Black by Paolo Moschino / $669 / nicholashaslam.com. Rowdy Meadow: House – Land – Art by Anne Walker and Peter Pennoyer Architects / $70 / vendomepress.com. Talia Bangles / $8,350 each / markdavis.com.

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PHOTO: ERIC PIASECKI.

TREND MARKET

FINE PRINT

Drapery in Ridgefield. Fair & Square Ottomans in Denver.

Canopy Collection: Wallpaper, Print and Woven Fabrics www.thibautdesign.com

TREND MARKET

Master Craftsmen ARCHITECTS KEN PURSLEY AND CRAIG DIXON CHRONICLE THE PROJECTS THAT DEFINE THEM.

Clockwise from top right: Calvino Mini 3-Light Chandelier by Ian K. Fowler / $999 / circalighting.com. Finding Home: The Houses of Pursley Dixon by Ken Pursley and Jacqueline Terrebonne / $55 / rizzoliusa.com. Arlington Sofa / Price upon request / granttrick.com. Bronze Trépied Side Table / Price upon request / liaigre.com. Alden 8637F in Multi / Price upon request / feizy.com.

Gallatin Dinnerware / From $59 / arhaus.com. Classic Throw in Herringbone Cognac / $445 / aliciaadamsalpaca.com.

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PHOTO: WILLIAM ABRANOWICZ.

Best tip to keep ideas flowing: (CD) Experiential learning.

Underrated material: (KP) Veneered plywood. Dream project location: (CD) Remote places. I obsess over… (KP) the perfect gimlet. I wish clients would embrace… (CD) not stylistically labeling architecture. It’s all about… (KP) surrounding yourself with people you enjoy. Up next: (KP) The book tour—to meet new friends and reunite with old ones as we share our story.

If not an architect, I would… (CD) partner up with Ken to conquer the corn hole world.

TREND MARKET

Pretty In Pink A CELEBRATION OF JANIE MOLSTER’S 25 YEARS OF VIBRANT, FUN DESIGN.

Clockwise from top right: Margaux Key Tassel in Hydrengia Antique / Price upon request / samuelandsons.com. Hamburg Rug in Flamingo / Price upon request / starkcarpet.com.

House Dressing: Interiors for Colorful Living by Janie Molster / $50 / monacellipress.com. Madame Stationery Set / From $210 / shop.casafelix.com. Hosios Embellished Mules in Dark Red Satin / $1,075 / manoloblahnik.com. Brighton Octagonal Ottoman in Mini Branca Stripe Cerise / $7,100 / casabranca.com. Claydon House Linen Press by Jamie Merida / Price upon request / chelseahouseinc.com. Tulip Contemporary Wall Sconce by Hannah Woodhouse / $1,619 / 1stdibs.com.

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PHOTO: GORDON GREGORY.

Daily dose of inspiration: Downtime near the water.

Favorite item to source: Original artwork. Dream collaboration: Collector and designer Furlow Gatewood. I always think about: Longevity. I pray for a client… who wants to travel the world with me finding treasures for their home. When in doubt… I collaborate.

In the works: A family compound in Captiva, Florida. If not a designer, I’d be… an antiques dealer.

The finest in gracious, timeless, elegant design – no matter your style.

Simply. Beautiful. Design.

INTERIOR

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DESIGN

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SPOTLIGHT MARKET

Curtain Call THE SHOW MUST GO ON FOR CREATIVES AND THEIR LATEST COLLABORATIONS. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M A N D S U S A N B R I N S O N

THE RUG COMPANY X MARTIN BRUDNIZKI A dream partnership between two British powerhouses, Martin Brudnizki’s New Romantic collection of rugs is a celebration of some of the designer’s favorite motifs, like architectural patterns, linear stripes and painterly animal prints. The Folly Rug, shown here and described as exuding “joyful hedonism,” is woven of luxurious Tibetan wool and silk and flaunts a gold leopard and balustrade design. therugcompany.com

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PHOTO CREDIT:MICHAEL STAVARIDIS

S MITH

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M OORE ARCHITECTS

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POLTRONA FRAU X GAMFRATESI In the recent collection between the Italian leather house and design duo Stine Gam and Enrico Fratesi, the Plot leather and metal modular room dividers offer both a retro reference along with a newfound, modern-day functionality. Available in six colors, the weaving technique allows both transparency and pattern while creating “an awareness and curiosity of space and time.” poltronafrau.com

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SPOTLIGHT MARKET

HOLLY HUNT X ATELIER ALAIN ELLOUZ Alabaster and rock crystal are the materials of choice for French lighting studio Atelier Alain Ellouz, and it’s those features that caught the attention of Holly Hunt. On display in a number of showrooms, the partnership is sure to shepherd alabaster into America’s design vernacular. All handmade, the Camille Pendant Light’s simple, sculptural form is reminiscent of Greco-Roman architecture and allows for the natural material to shine. hollyhunt.com

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Alexis Marie Interiors alexismarieinteriors.com info@alexismarieinteriors.com 239.231.3955 FOLLOW US TO BE INSPIRED

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SPOTLIGHT MARKET

NIERMANN WEEKS X KATALIN FARNADY Old-world architectural details, Art Deco influences and geometric forms are the reference points for Katalin Farnady’s first-time collaboration with furniture manufacturer (and fellow Marylander) Niermann Weeks. The flat-backed wood Adele Console table flaunts a glossy finish, and the piece’s three distinct curves represents each of the designer’s three daughters. niermannweeks.com

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SPOTLIGHT MARKET

INDUSTRY WEST X UNITED STRANGERS Petite, yet impactful, the Malibu Side Table embodies Australian-based United Strangers’ design ethos of bringing together different materials and cultures to create pieces that are fresh, exciting and sustainable. Designed exclusively for U.S. retailer Industry West’s discerning clientele, the versatile side table is situated on a polished stainless-steel base and topped with a green and orange Turkish marble. industrywest.com

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SPOTLIGHT

shot at the landmark loew’s jersey theater.

MARKET

ROLL & HILL X LARA BOHINC Staying true to the belief that lighting is jewelry for a room, it was natural for the Brooklyn-based Roll & Hill to tap Lara Bohinc, a London designer with a degree in metalwork and jewelry, to create a line of exquisite lighting pieces. The brushed-brass design of the Moonrise Chandelier—inspired by the many phases of the moon—is wired with LED cables to allow the acrylic spheres to glow. rollandhill.com

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e c i f f o s d e Who ne hours anyway?

The perfect work life balance When this is your home office. Where each and every day is filled with brilliant sunshine and glorious sunsets. If you can work from anywhere, why shouldn’t it be here? End your days the same way you start them. At home. Loving your life at Kalea Bay. Now selling Tower 400 | Prices starting at $1.9 million | Tower 300 SOLD OUT 13910 Old Coast Road, Naples, FL 34110 | KaleaBay.com | 239-793-0110

Oral representations cannot be relied upon as correctly stating representations of the developer. For correct representations, make reference to this brochure and to the documents required by chapter 718.503, Florida statutes, to be furnished by a developer to a buyer or lessee.

Pamela Hughes Specializing in luxury residential interiors

HUGHES DESIGN ASSOCIATES Designing homes of incomparable style and beauty throughout North America and the Caribbean

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LIVING KITCHEN

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It’s all about the details in high-end kitchen and bath design, plus we’re enthralled by the magic of illumination.

BATH + KITCHEN LIVING

FROM HARDWARE TO FITTINGS, THE FINAL DETAILS MAKE KITCHENS AND BATHS SHINE. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N

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Finishing Touches

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www.QuidleyAndCo.com

BATH + KITCHEN LIVING

GOLDEN AGE LILSE MCKENNA INC.

“I love the challenge of putting together kitchens and baths, and I really interrogate my clients about how they live in these functional rooms,” says New York-based designer Lilse McKenna, who explains that a lot of wasted space can accumulate if the needs and wants of clients are ignored. For a home on the Eastern Shore of Maryland that dates to 1750, investing in the details—everything from the materials and hardware to the finishes and fittings—allowed the renovated kitchen and bath to maintain its historic feel while still embracing a new and elevated scheme. lilsemckenna.com Where did you start? It was very important to the clients that when embarking upon this renovation, we paid homage to the heritage of the home and brought in elements that felt authentic and even patinated. Cue the tongue-and-groove walls, antique ceiling beams, butcher-block style countertop and pine flooring that we dyed instead of stained in keeping with 18th-century ethos.

The kitchen island (previous page) is beautiful!

We hung the custom Ann-Morris pot rack to make it feel like an older kitchen, but it really grounds the entire space and balances out the massive island. I also like the collected feel of mixing metals; here we used antique copper pots, brass lighting and fittings, and a treated stainless-steel hood. Some may have rules about finishes but I always just go with what feels right in the space.

Talk to us about this extra sink (right)?

The homeowners cook and entertain constantly and needed two sinks and dishwashers, so we added a prep area with a charming, hammered copper sink and painted cabinetry. This allows for a bit more storage, so things feel less cluttered. Everyone always ends up in the kitchen and I strive to make sure the details here are just as beautiful as in the rest of the house.

In a Maryland home by Lilse McKenna, shown here and on previous page, the kitchen features custom cabinetry painted in Farrow & Ball’s Inchyra Blue and Benjamin Moore’s Ivory White. A House of Rohl pot filler sits above a Lacanche range while Hickory Chair stools upholstered in Holly Hunt leather round out the decoration. Waterworks’ copper sink and fittings adorn the prep area. The architectural scheme is by Michael Elfenbein Design.

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SEA CHANGE

The primary bathroom follows the same guiding principles as the kitchen. Vaulted ceilings and antique wide-plank flooring throughout connect the spaces. In the water closet, McKenna added paneling painted in Benjamin Moore’s Silken Blue to complement Bennison Fabrics’ showstopping Wheat Flower. To create the feeling of an old historic bedroom that had been converted into a bath, the designer included antique etched hurricanes with custom brass and mahogany backplates.

PERFECT FIT

As much as the designer wanted to fabricate a new vanity for the bath, nothing was turning out quite as well as the 18th-century chest she had found, which fit snuggly into the footprint of the room. She added a marble countertop and backsplash, along with fittings and a sink. The chest’s beautiful original finish was kept as is.

photos: read mckendree/jsba.

WATERED DOWN

An old-fashioned copper Waterworks tub adds to the narrative that this was once a small bedroom original to the home that had been adopted as a bath over time.

Placing the piece away from the wall and installing the fittings directly into the floor contributes to the authentic feel.

ANN SACKS CURATED BATH COLLECTION The Ann Sacks Curated Bath Collection unites many of Kohler’s luxury bath brands into a beautiful, design-driven presentation featuring seven fully appointed vignettes.

Ranging from modern to traditional, the varying interiors nod to pivotal and influential style eras throughout the decades such as Rosebrook, shown, which was inspired by elegant Parisian architecture and features Celano lighting and a hand-stained oak vanity. Customers can purchase the entire look or select from individual items, many new and exclusively designed for this collection from Robern, Kohler Lighting, Ann Sacks and Kallista. annsacks.com

photo: courtesy ann sacks.

BATH + KITCHEN LIVING

FULL SUITE

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BATH + KITCHEN LIVING

INDIVIDUAL APPROACH

FREE FALLING

Suzanne Tucker’s recent line of hardware with The Nanz Company includes the fluid and spherical Tiburon collection inspired by the concentric circles formed by a single drop of water. Shown here are lever Nº 2932, knob Nº 1932 and pull Nº 8608; all available in Nanz’s 30-plus finishes. nanz.com

STATEMENT SOAK

Talk about a focal point. Wrapped in handpolished brass, Waterworks’ Emile Freestanding Oval Cast Iron Bathtub is as classic as it is eye-catching and versatile. Curved lines nod to vintage tubs while the “of-the-moment” finish effortlessly complements both a clean and crisp backdrop or a more maximalist, patterned surrounding. waterworks.com

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INDIVIDUAL APPROACH PHOTO: ERIC ROTH. STATEMENT SOAK PHOTO: COURTESY WATERWORKS. FREE FALLING PHOTO: COURTESY NANZ.

For designer Liz Caan’s own 1920s Georgian-style home in Boston’s Chestnut Hill, it was without question that when it came to aesthetics, her choices would be ultra-personal—inspired by the work of trusted vendors and objects collected from travels. “The powder room is a play of opposites,” says Caan, “old and new, classic and industrial.” This charming sink vignette is comprised of a Watermark faucet, Soane sconces and Antoinette Poisson wallpaper. Best of all, the designer notes, “It’s constructed of truly natural and solid materials that will age beautifully.” lizcaan.com

BATH + KITCHEN LIVING

FRENCH FLAIR L’ATELIER PARIS

The custom kitchen purveyor’s cofounder and senior design director Maria Moraes walks us through a Pawleys Island, South Carolina, project that’s thought out to a T. leatelierparis.com

The range is a stunning statement piece. Tell us about it. It’s a custom Le Classique style La Provençale 2100 range in the exclusive Blanc de Blancs colorway. It includes 82.5 inches of prime cooking space with two large convection ovens, 4 gas burners, a smooth griddle and a coup de feu. Polished brass trim complements the stainless-steel powder-coated base, and the surrounding cabinetry is wire-brushed oak.

Share any other noteworthy elements. We always include thoughtful details in our L’Atelier kitchens. On this island, the sink’s faucet sits just below the countertop on a small ledge so when people sit at the island, they don’t have to look at sponges, dish soap or collected water. These nuances make all the difference.

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photos: dustin peck, courtesy l’atelier paris.

What did the homeowners request? The clients were building their forever home by the beach and asked for a fresh, clean look. However, after we installed the brass finishes, they realized the space was really more like a jewel box! The range fit right in with the custom metalwork and bright brass accents. Plus, the couple loves to cook, so this was an important feature.

www.suzannelovellinc.com 239. 206.1672

Gallery 291 Broad Avenue South | Naples, Florida | 239.529.6240 Manufacturing & Design Center 7947 Drew Circle | Fort Myers, Florida | 239.939.1313 RuffinoCabinetry.com | Made In America

www.reneegaddis.com 239.431.8352 15940 Old 41 N., Suite 530 • Naples, FL 34110 FL LICENSE IB26001518

Full-Service Interior Design Fine Furnishings Custom Remodeling Interior Architectural Detail New Construction Project Management

See more work #reneegaddisinteriors

REPORT THE LIVING

Positively Illuminatıng CAST YOUR HOME IN ITS MOST FLATTERING LIGHT WITH A TIMELY MIX OF MODERN FIXTURES AND REFLECTIVE FINISHES. W R I T T E N A N D P R O D U C E D BY G R AC E B E U L E Y H U N T

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this page: light vignette: jon day, styled by hannah franklin, courtesy bodo sperlein studio, j. & l. lobmeyr, and les ateliers courbet. opposite: swatch: courtesy misha.

Exemplary of lighting’s sleek and elegant mood, the Script collection (chandelier shown this page) by artist Bodo Sperlein for Viennese glass manufacturer J.& L. Lobmeyr debuts stateside this fall at the New York-based design gallery, Les Ateliers Courbet.

Shown opposite, a swatch of Polonium 037 wallpaper from Milanese studio Misha adds light via reflective metal leaf applied by hand to a fine paper surface. ateliercourbet.com; mishawallcoverings.com

REPORT THE LIVING

SIMPLE GEOMETRY THE LATEST LIGHTING PIECES EVOKE DAINTY, ANGULAR, IT-GIRL JEWELRY.

GLOW UP

A charismatic companion for desk or table, the Tableton lamp from Melbourne-based Volker Haug Studio touts sculptural heft, a tactile finish and a soft, diffuse glow.

Crafted from a single piece of cast metal, it’s available in two sizes, and in either gunmetal or aluminum. (One is a statement, a pair is a party.) volkerhaug.com

TURNING CIRCLES

The Wells Sconce from More Classics—Mark D. Sikes’ latest collection with Hudson Valley Lighting—offers a lighthearted spin on tradition. An aged brass base pairs with either a black or white plaster shade, and, in a fun twist, can be positioned facing up or down, depending on the mood of the room. hudsonvalleylighting.hvlgroup.com

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SHAPE SHIFTER

Exploring architectural concepts in physical form is a passion for Brooklyn designer and architect, Douglas Fanning, as seen in his Till chandelier, available exclusively through Maison Gerard. With blades of slender brass finished in a smoky, oil-rubbed bronze polished back in a spotted effect, it’s both strong and delicate—a chic study in balance. maisongerard.com

SMOOTH OPERATOR

With a view to designing a fixture as beautiful off as on, Jonathan Browning debuts the Tourville table lamp. Comprised of hand-polished and patinated solid brass, and featuring a long, slim Edison bulb in its rotating head, it’s a dynamic desktop addition from every angle. jonathanbrowninginc.com

PHOTOS: THIS PAGE: ADAM MACCHIA. OPPOSITE: GLOW UP: HAYDN CATTACH. SHAPE SHIFTER: COURTESY MAISON GERARD. SMOOTH OPERATOR: COURTESY JONATHAN BROWNING. TURNING CIRCLES: COURTESY HUDSON VALLEY LIGHTING.

QUIET REFLECTION

A MANHATTAN DINING ROOM MAKES MAGIC OF ITS INWARD CONFINES.

On Manhattan’s Upper East Side, a classic six apartment had just one dark quality: its courtyard-facing dining room, which called for a thoughtful lighting program. Enter New York and Miami-based designer Elizabeth Bolognino, who, alongside Anderson Kenny Architecture, installed a fresh fenestration, including a matching window connecting to the kitchen to borrow its sunlight. In addition to a 12-headed Gabriel Scott chandelier (“I really wanted it to look like an anthropomorphic jewel;” she says), Bolognino commissioned decorative artist Dean Barger to paint a pale pink lacquered ceiling to mimic the surface of a calm lake. “Any time you bring in reflection, it makes a room feel bigger,” she says, adding, “Any time you can utilize light as art, you should do it.” elizabethbolognino.com

REPORT THE

photos: this page: all angles: matthew millman. opposite: gold standard photo: courtesy paint laboratory. fresh perspective: portrait, mike vorassi. bar vignette, courtesy ellis design group. Swatches, courtesy wallpaper projects.

LIVING

ALL ANGLES A NAPA ENTERTAINING BARN CONDUCTS A GRAND LIGHTING EXPERIMENT.

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“The very essence of this project was about exploring the play of light,” shares architect William Duff of the century-old Wine Country hay barn he reconceived. Set amidst his clients’ lush vineyard and impressive modern sculpture gardens, the crisp California sun played muse to Duff’s proposed reincarnation of the outbuilding as an entertaining pavilion with a contemporary spirit. “The first time I walked the existing barn, I was struck by the way sunlight filtered through the gaps in the wood siding and thought that light, and the different ways it can illuminate

space, could be the guiding design theme for the project,” he explains. In turn, the original wood-slatted shell was maintained as a screen to splash abstract patterns across the floor by daylight. By evening, the structure then casts beams across the grounds like a glowing lantern.

Joined by two new opposing glass volumes with mirrored walls, and a discreet lighting program, the project perfectly synthesizes how artificial and natural light, along with clever visual illusion, can elevate a humble structure to something extraordinary. wdarch.com

SHINE ON METALLIC WALL TREATMENTS OFFER A DAZZLING WAY TO PLAY WITH LIGHT.

GOLD STANDARD

For designer and entrepreneur Rocky Rochon, solving the problem of how paint color is affected by shifting light sources prompted the birth of The Paint Laboratory, a custom paint company governed by metamerism: the science of light reflection. While all specialty paints are developed to troubleshoot specific design woes, Rochon’s metallic special finishes—available in any Rocky Rochon paint color—aim to brighten even the darkest corners via pearlescent additives designed to refract and create a luminous shimmer. thepaintlaboratory.com

FRESH PERSPECTIVE

Good things happen when Brooklyn creatives collide.

Take Patina Studies, a mesmeric line of wallcoverings from the boutique wallpaper studio Wallpaper Projects in collaboration with design practice Kin & Company.

Admiring Kin & Company’s arresting metal patinas— the result of chemical experiments on bronze— at a shared trade show, Wallpaper Projects’ husband-and-wife owners, David Jimenez and Amanda Dandeneau, saw an exciting opportunity to develop an atmospheric wallpaper. Printed on gleaming mylar, the patterns— seen here in Patina Studies 1, Patina Studies 2 and Patina Studies 3 installed by Ellis Design Studio at London venue Electric Shuffle—are designed as an experience unto themselves. Fluctuating sunbeams, shadows and artificial light sources pick up on different nuanced metallic reflections, creating a dynamic, ever-changing canvas. wallpaperprojects.com

CARRIE BRIGHAM DESIGN EST’D 2017

FINE FURNISHINGS INTERIOR DETAILING FULL SCALE RENOVATIONS BESPOKE INTERIOR DESIGN

WWW.CARRIEBRIGHAMDESIGN.COM

A D V E R T I S E M E N T

K I TCH EN + BAT H | NAPLES + SAR ASOTA “With open floor plans, it’s more important than ever that the appliances become either a statement piece or blend into the overall design.”

TOP OF THE LINE •G ame-changing tech: Steam and speed ovens are healthier, perform better and offer greater flexibility in design than what they are offsetting.

Steam ovens like those from Wolf keep more nutrients in the food, remove less of its color and eliminate the need for oil.

Speed ovens replace the microwave but also function as a single oven. esign-enhancing options: •D Column refrigeration from Sub-Zero, Thermador and Liebherr can be customized to have stainless-steel panels or custom ones that are hidden in the cabinetry.

Colored appliances from brands like True, BlueStar and Bertazzoni, along with custom hoods, made to specification by Modern-Aire, BlueStar and Vent-A-Hood, also bring design flexibility to the kitchen.

FUSE SPECIALTY APPLIANCES 954.900.2448 | fusespecialtyappliances.com |

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Appliances are arguably the most crucial and expensive investment one makes when designing a kitchen. That’s why Fuse Specialty Appliances is striving to reinvent the shopping experience. “We aim to fill a need for a more personalized process in high-end appliance selection,” says Alexa Warner, the company’s managing partner. “We believe a local business providing a better experience is something designers, builders and architects crave.” Indeed, Fuse is known for its trusted on-staff advisers and boutique environment, where the fit and function of each product can be explored. Many appliances are the same price no matter where one goes, but at Fuse, the value added goes on and on. The team is knowledgeable about jobsites and has been lauded time and again for its ability to ensure that products are ready at precisely the right moment for install.

Above Fuse’s Naples location welcomes guests to walk the red carpet. Top Impeccable quality and craftsmanship combine in a package crafted intentionally for first-time homeowners, newlyweds and the like. Bottom Bright, bold and beautiful, Thermador appliances make a statement for every occasion.

Photography Above Courtesy of Fuse Specialty Appliances; Top & Bottom Courtesy of Thermador

A Curated Selection of the Finest Brands in Premium Indoor & Outdoor Appliances At Fuse, we have carefully selected brands that not only look beautiful, but also function at the highest levels.

We’ve targeted manufacturers that stand behind their product, demonstrating the highest levels of service after the sale. Thermador exemplifies these principles, delivering the ultimate flexibility in design and best-in-class performance.

Whether you are shopping for a single appliance, a complete home package, or a large project, we welcome you to our beautiful showrooms located in Miami, Ft. Lauderdale, North Palm Beach, and Naples, come check us out today!

SPECIALTY APPLIANCES

2644 SW 28th Lane, Miami, FL 33133 305.433.6189 990 3rd Ave N., Naples, FL 34102 239.529.5976 3484 NE 12th Ave., Oakland Park, FL 33334 954.900.2448 1201 US-1 Suite 46, North Palm Beach, FL 33408 561.600.1070

www.fusespecialtyappliances.com

CHICAGO

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NAPLES

MODERN LUXURY ESTATE HOME INTERIOR DESIGN BY KARIN BOHN Louis XIV Collection I Champagne PARQUET & PLANKS

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222 Merchandise Mart Plaza Photography: Provoke Studios

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Back in Time A historic home along the water in Fort Myers is given a new life informed by its storied past.

W R I T T E N BY H I L A R Y M A S E L L O S WA L D P H O T O G R A P H Y BY M A L I A Z I M A

Interior Design: Renée Gaddis, Renée Gaddis Interiors Home Builder: Joe Gatewood, Coastal Contracting of FL, Inc.

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Benjamin Moore’s Chantilly Lace appears on the foyer walls and Sherwin-Williams’ Ellie Gray on the original doors of a historic Fort Myers residence by interior designer Renée Gaddis. “The foyer is small but packs a lot of punch with a checkered light-grayand-charcoal-toned tiled floor and bright brass accents,” she says. Hudson Valley Lighting’s Jewett chandelier hangs overhead.

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century ago, Elizabeth Lauder Kellum, niece of industrialist and philanthropist Andrew Carnegie, and her fishingguide husband, Med Kellum, built a magnificent estate off McGregor Boulevard in Fort Myers. Set on 457 acres along what’s now known as Whiskey Creek, the property comprised a handsome mansion, a boathouse, a staff home, stables and more— everything a 1920s high-society couple would need to winter in Southwest Florida. America was in the early days of Prohibition, but that hardly mattered: The Kellums distilled whiskey in a log cabin on the property and transported some of it off the estate by boat, thus giving the creek its name. Their few years at Wyomee Hatchee Farms—a name derived from the native Seminoles’ words for “whiskey” and “river”—were marked, too, by visits from such innovators as Thomas Edison (who, rumor has it, had a hand in designing the home) and Henry Ford.

Over the next decades, the estate was divvied up into smaller parcels and sold, but the main residence remained, almost just as it was built, until its current owners set foot on the property.

“It was on and off the market multiple times, and for about four years, we made offers on it,” the wife recalls. “My biggest concern was that someone would buy it and just tear it down.” But the couple prevailed and undertook the work of restoring the house to its former aesthetic glory while updating it for life in the 21st century.

Interior designer Renée Gaddis led the effort— and she had a lot of beautiful elements to work with: original windows and heart-of-pine floors, detailed molding and millwork, Shaker-style doors with brass hardware, and push-button electrical switches with pearl inlays. From the beginning, Gaddis knew how her plans would play out. “I think a lot of people couldn’t see through the home’s age and wear; it might have looked daunting and overwhelming,” she says. “But the house itself inspired me. It led me to the design very easily, and I saw clearly what we had to do, which was take the house back to its original grandeur.”

Gaddis began by preserving the structure’s layout, with help from general contractor Joe Gatewood. “The home was an absolute time capsule when we first saw it,” he recalls. They removed a living area fireplace that blocked views of the water from the main entrance; its secondstory counterpart came out, too, leaving additional space for the main bathroom (and even with these changes, the house still retains six original fireplaces). Gaddis had the floors refinished and integrated the century-old molding into new baseboards. Rusted-out door hardware was replaced with replicas—“The mechanisms were so bad, we kept getting locked in rooms,” the designer says. And the old windows and exterior doors— which, Gatewood points out, endured a century of storms—had to go too in favor of hurricanecode-compliant versions.

In this updated shell, Gaddis layered in luxurious fixtures and finishes, sumptuously upholstered furnishings and beautifully crafted art pieces. In the living area, she staged “a perfect combination of modern interiors in a historic home,” the wife says. There, glam chandeliers pair with a sleek white marble coffee table and clean-lined sofas. The family room, too, sets a rich tone with detailed wall paneling and builtins painted gray and two plush velvet sectionals.

Striking contemporary fixtures make statements throughout the residence, overseeing more classical furnishings in a fabulous presentation of old meets new.

As the design came together, the house had some secrets to reveal. The team found an old potbelly stove Gaddis transformed into a wood-burning pizza oven, a decision that led her to reimagine the kitchen as a 1920s French bistro with open glass shelves and brass fixtures. More demo uncovered a safe hidden in a wall in the owners’ bedroom. Sadly, it didn’t contain any Carnegie cash.

But the home does contain more than a modicum of priceless history, which is now preserved for a long time to come. “We all felt like this was the project of a lifetime,” Gatewood says.

The new owners agree. “This isn’t just a home for our family,” the wife says. “It’s a piece of Fort Myers history that will outlast us all.”

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The main bedroom’s sitting area shows off a grass-cloth wallcovering and Pyne Hollyhock textile shades, both by Schumacher. Theodore Alexander coffee tables join an Interlude Home sofa, and a Mr. Brown London floor lamp perches by a Hickory Chair armchair. A Thomas O’Brien for Visual Comfort light fixture presides above, while a Serena & Lily rug covers the 100-year-old heart-of-pine flooring.

“ I saw clearly what we had to do, do, which was take the house back to its original grandeur.” grandeur .”

–RENÉE GADDIS

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Above: Living area sofas in a light gray woven fabric join flokati-and-Lucite stools, a marble coffee table and a Vanguard Furniture ottoman on a Kravet rug. Light comes from Robert Abbey ceiling pendants as well as the Visual Comfort floor lamp and wall sconce.

Behind the sitting area, an Estonia piano is ready to play.

Opposite: The brass Florian Schulz pendant light is a sculptural addition to the wine room’s Hickory Chair stools and John-Richard table. A pixelated portrait of Vincent van Gogh is displayed against a Schumacher grass-cloth wallcovering. Checkerboard marble flooring from Ruben Sorhegui Tile sets a sophisticated tone. The draperies are made of a Cowtan & Tout material.

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Above: Beneath Hudson Valley Lighting pendants, RH stools line a kitchen island painted SherwinWilliams’ Caviar. The backsplash of SapienStone’s Arabescato marble—behind a custom range hood from Vent-A-Hood—and countertops of Pompeii Quartz are from Naples StoneWorks. Cabinets by Ruffino Cabinetry and Waterworks’ On Tap faucets complete the bistro look.

Opposite: Baker chairs encircle an RH table under a Hudson Valley Lighting chandelier in the breakfast area. Benjamin Moore’s Chantilly Lace counters the Legno Bastone herringbone flooring from Naples Flooring Company. The Andersen doors to the exterior are painted Sherwin-Williams’ Caviar.

Above: “This area is our main entertaining outdoor space to kick back at the end of a workday or drink morning coffee,” the wife says. A Bernhardt sofa, armchairs and chaise lounge gather with Dovetail Furniture coffee and side tables atop Pennsylvania bluestone flooring.

Opposite: Gaddis dreamed up the backyard’s Hamptons-inspired pool as a connection to the house. The RH chaises and Zodax stool are shielded by an umbrella from One Kings Lane.

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Checking In Overlooking Sarasota Bay, a chic vacation condo channels the opulence of a boutique hotel.

W R I T T E N BY S E J A L B H I M A P H O T O G R A P H Y BY S E A M U S PAY N E

Interior Design: Pamela Harvey, Pamela Harvey Interiors Home Builder: Heath Linkogle, Fast Services & Flooring

Kelly Wearstler’s Graffito fabric covers a bench by Mr. and Mrs. Howard for Sherrill Furniture in the elevator entry of a Sarasota condo by designer Pamela Harvey. A framed black-and-white photograph is displayed against Walls Republic’s Leaf Outline wallcovering.

Above the honed marble flooring, a brass-and-acrylic Regina Andrew lantern illuminates the space.

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very discerning traveler knows that unmistakable sense of excitement of stepping into a well-designed hotel. It’s a sensory experience—one that transports you to another state of being as the stressors of the real world slowly fade away.

It’s this precise sensibility designer Pamela Harvey materialized in a Sarasota condominium.

Owning a vacation abode here was never part of the plan for the homeowners, but as business frequently brought the wife to town, the couple became enchanted with the Gulf Coast’s beaches and easy pace of life. Soon enough, the house hunting began, and they zeroed in on The RitzCarlton Residences, Sarasota, its resort-style amenities and hassle-free upkeep the ideal choice for their pied-à-terre lifestyle. “When you’re traveling, staying at a beautiful hotel can make all difference,” the wife says. “We wanted the condo to feel like a boutique hotel—a little glam, a little sexy and, of course, comfortable.”

Harvey employed this sophisticated aesthetic immediately upon entry to the unit, where a private elevator opens to a vestibule dressed in a graphic black-and-beige palm leaf-patterned wallpaper. “The print hints at the beach, but the color palette elevates the look,” she says. Double doors finished in black satin paint reveal the foyer, one of the formerly blank drywall spaces that awaited the designer’s touch. To dress it up, she relied on wainscoting to add depth and dimension, carrying the millwork into the dining area.

There, luxe velvet dining chairs offer the first hint of Harvey’s bold color decision: emerald green, a departure from the typical coastal blues and a shade that complements the alreadyestablished palette. “Black, green and white is such a chic combination that plays really well into the unique vision we had for this home,” she says. “Emerald green in particular is a dramatic color and really helps give that ‘wow’ factor.”

The designer weaved the tone throughout the residence’s public spaces: Echoing the dining area, for instance, the breakfast nook boasts a similar green velvet on the banquette as well as a whimsical green medallion print on the coordinating chair cushions.

In a striking effect, green shows up as a fresh coat of paint on the island in the adjoining kitchen, which received the home’s biggest layout changes, executed by builder Heath Linkogle. “The plan here was to create more breathing room while also incorporating some luxurious touches,” he explains.

To that end, Linkogle removed upper cabinets for a less cluttered look and relocated wall ovens to make room for an extra-tall wine fridge.

Other decisions focused on addressing the desired boutique-like vibe. In giving thought to recreating a luxury hotel experience, Harvey paid particular attention to light fixtures. “After all, they’re like jewelry,” she muses. “A great statement piece can tie together a beautiful outfit—or, in this case, a fabulous room.” Every space received an elegant finishing touch, like the dining area’s sculptural chandelier, composed of tiers of sandblasted glass, and the great room’s branch-like quartz fixture, its organic shape acting in harmony with the surrounding angled walls.

In the latter space, Harvey created a sense of order using wallpaper panels depicting a tropical paradise scene in black, gray and cream. The mural—now a conversation starter in front of sleek tweed chairs the designer likens to Chanel’s iconic jacket—takes the place of a television. That she tucked away in a cozy hidden den wrapped in cognac brown walls, an intimate space that, in a previous iteration, served as a bedroom.

Harvey dialed down the drama in the condo’s private spaces, approaching them with more serene color schemes. Neutral tone-on-tone patterns in the main suite mix quietly while still creating interest. The guest bedroom takes on the home’s only quintessential “beachy” look with a custom blue wallcovering meant to mimic rippling water.

Overall, though, the owners say the residence provokes a mutual sense of excitement and relaxation—unexpected feelings for business travels to a Gulf Coast city. “The condo definitely has a distinct point of view,” Harvey says.

“Something I appreciate about the hospitality world is that experience of walking into a room, and it immediately envelops you and makes you feel at ease. I’m delighted to have brought that to life here in a personal setting.”

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Right: Hardware from Worlds Away decorates the bar cabinetry, painted Sherwin-Williams’ Tricorn Black. A custom abstract wallcovering by SodaDNA serves as the backdrop for a gold Moen faucet. Vintage brass brackets support the glass shelves.

Opposite: Lee Jofa’s Gemma velvet covers the breakfast nook’s banquette, topped with pillows upholstered in Kravet textiles; an acrylic klismos chair with a Manuel Canovas fabric cushion offers additional seating. Suspended above the table from World Market is a Visual Comfort shade

by Barbara Barry, while a vintage Moroccan rug is underfoot. On the wall, artwork by Richard Schaad centers Kravet linen Roman shades.

Benjamin Moore’s Kona colors the den, home to a Currey & Company chandelier. A Hable for Hickory Chair sofa sits beneath artwork by Kelly O’Neal. Near the window treatments, made of China Seas fabric, is an armchair covered in a Kelly Wearstler textile and a Visual Comfort lamp.

Completing the look are an antique Persian rug, a Bungalow 5 cabinet, the client’s wood chair and a cowhide coffee table.

“ A great statement piece can tie together a beautiful outfit— or, in this case, a fabulous room.”

– PA M E L A H A R V E Y

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In the main bedroom, Harvey chose Anna French’s Palampore fabric for both the headboard and draperies and enveloped the space in the brand’s Margate wallcovering. An Ambella Home Collection ottoman and chairs rest nearby.

CREATIVE EVOLUTION The oil paintings of a Sarasota artist emerge from transparency film and digital photography.

W R I T T E N BY TA N YA WA R D G O O D M A N P H O T O G R A P H Y BY E D WA R D L I N S M I E R

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pace a little,” Laine Nixon explains.

“When I start talking about art, it’s not very linear for me.” For this Sarasota visual artist, rambling and ruminating is integral to the formulation of a focused idea.

Looking to balance galloping fascinations that led her to earn bachelor degrees in mathematics and painting, Nixon sets strict expectations for her work. “It has to nourish me,” she says. “It has to be an abstraction. It has to make me a better painter.”

Nixon has spent nearly two decades producing abstract works out of oil, acrylic, watercolor and colored markers. Mostly pattern-based, many of the resulting images are evocative of landscapes seen from above or organisms magnified on a glass slide. Born and raised in Oklahoma, she and her husband relocated in 2010 to the Gulf Coast, where she now works out of one of The Spaaces Foundation’s studios.

Last spring, Nixon began a practice of stream of consciousness writing. One day, she grabbed a marker and wrote on transparency film, overlapping the sentences until the words disappeared into the color. “It was a contained vibration,” the artist says of what became step one in a multi-medium process. Each painting in Nixon’s current “Color Writing” series evolves from a layered collage of these transparencies, which she then photographs and digitally alters to change colors and eliminate details to further abstract the image.

“If I see anything that looks representative to me, I’ll pull it back,” she explains.

Following this new practice, Nixon established a collaborative commission process, asking four clients for color preferences and reading material to inspire their own collaged transparencies.

Influences span a range of genres and topics, including Theodore Roosevelt, Iris Apfel, a treatise on wildlife preservation and popular fiction. “The Hitchhiker’s Guide to the Galaxy is so pleasant,” she laughs. The artist photographs the completed collages on location in areas that hold special meaning for the collaborators, then reimagines them in oils on large panels.

To create a work of art that is also a work of action, Nixon asked each client to commit 40 hours to a personal or community project.

Adding steps and other humans slows the process a bit, but she is unworried. “People are thinking and doing,” she says. “There’s a lot there if we can take the time.”

In her Sarasota studio, artist Laine Nixon (bottom) stands between her oil-on-panel works Color Writing 03 and Color Writing 04. An inspiration wall in her work space (below) displays color swatches and digital sketches for commissions. Color Writing 05 (left) was made with marker on transparency.

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Far And Away Inspired by a couple’s jaunts around the globe, a coastal Boca Grande home embraces an eclectic flair.

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Architecture: Timothy A. Krebs, Architect, T.A. Krebs LLC, and Holly Mumford, Abby Hetherington Interiors Interior Design: Abby Hetherington, Abby Hetherington Interiors Home Builder: Kirby Outerbridge, Outerbridge Construction Inc. Landscape Architecture: Stephen Hazeltine, Hazeltine Nurseries

For a beachside residence in Boca Grande, designer Abby Hetherington pulled inspiration from the family’s worldly travels to create an eclectic ambience. The living area is richly laden with patterns and textures, such as the custom built-in featuring hand-carved details, Formations’ Stratford armchair in Schumacher’s Geoffrey metallic stripe fabric and an ottoman re-covered in a zebra hide.

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ife has been a bit of an adventure for Hap and Sue Brakeley. While raising six children (three boys and three girls, Brady Bunch style), they roamed the world, collecting years of memories and mementos along the way. So it felt natural their new Boca Grande beach home would reflect their globe-trotting journeys. Yet despite the property’s stunning location on dunes overlooking the water, the house’s bright, cottagelike interior felt flat.

“I remember Sue saying, ‘Everybody else is making everything white and gray. But I want it dark and romantic. I want it to feel well traveled, with history and character,’ ” recalls designer Abby Hetherington. Having previously designed the couple’s vacation home in Montana, she understood their wealth of worldly references and was recruited to inject more soul into their Florida property.

Reflecting on their favorite places, the Brakeleys gravitated toward the moody ambience they encountered in old Anglo-Indian homes, known for warm wood tones and ornate decoration. “In India, the houses were dark—a respite from the searing heat,” Sue explains. These rich interiors seemed like a sanctuary, with spaces “that felt warm, comfortable and cozy,” Hap adds. Wanting to incorporate this visual depth into the home, Hetherington collaborated with architect Holly Mumford (now at Bright Architecture), who fortified the interiors with richly stained walnut floors, columns and beams. These additions infuse grandeur into spaces such as the main bedroom, home to a vintage Italian four-poster bed. Mumford introduced heavyset beams to emphasize the room’s new pitched roof—“Those ceiling details really helped to bring those darker elements into the home,” she says—while architect Timothy A. Krebs contributed exterior changes where needed.

Thanks to general contractor Kirby Outerbridge’s deep well of unique suppliers, the team also sourced some serious craftsmanship from local and international woodworkers. Hap is known for his delectable cocktails learned from youthful stints as a bartender, “so the bar area was very important to him,” Outerbridge notes. With this in mind, the general contractor tapped artisans to construct the opulent walnut bar, reminiscent of watering holes the couple enjoyed abroad. Other intricate

moments include hand-carved Moroccan doors, which brought artistry to the most ordinary corners of the home, from the kitchen cabinets to the powder room door featuring mother-of-pearl inlay.

The structure’s plethora of warm wood detailing creates a sense of intimacy, especially in the newly expanded living area, where the team remodeled the screened porch to form a formal dining space connecting the living area and the kitchen. The open layout never feels too vast or vacant, as Hetherington carved out welcoming nooks with sumptuous furnishings. These pieces mix the new and familiar, like modern light fixtures with traditional seating and family heirlooms from the clients’ home in Massachusetts. Between lively parties and visits from the Brakeleys’ extended family, people are drawn together around the marble dining table or in the jewel-toned living area, filled with silk, velvet and leather upholstery and treasures from the couple’s travels.

“The home goes from two people to 25 on any given day, so one of our main goals was to create an environment that feels cozy and inviting, whether you have a small or huge number,” Hetherington explains. Nothing embodies this more than the revamped outdoor space, which the couple wanted to connect to the second-floor living area. The solution: a multitiered deck that corrals movement indoors and outdoors, offering gathering zones along the way. There’s the lovingly dubbed “Tahiti room” under a pergola with curved seating around a fire pit. Then there’s the sunbathing deck, with four chaise lounges made for Sue and her three daughters in mind. Grandchildren can convene along the steps to watch Hap jump off the third-story balcony into the new 10-foot-deep pool. The entire space is nestled in an oasis of palms and tropical flowering plants like crinum lily, hibiscus and dwarf bird of paradise that “really helps create that Caribbean estate look,” says landscape designer Stephen Hazeltine.

Grounded in memories of the places they love, the Brakeleys’ new home radiates a certain magic. The couple perhaps feels this most when the day winds down, standing in their dining area with bifold doors open wide to the sea.

“The chandelier sways in the breeze,” Sue says of those dreamy moments. “Hap blows a conch shell every night as the sun goes down. And we all stand and toast the sunset.”

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Above: In the living area, Hetherington wrapped Dmitriy & Co.’s Siene III sofa in Michelle Nussbaumer’s ornate Nomads fabric. The piece joins the clients’ coffee table on a jewel-toned 1880s Persian rug from Amadi Carpets. Reclaimed walnut barnwood decorates the ceiling.

Opposite: Rich woodwork craftsmanship introduces some architectural gravitas to the home, as shown in the main entrance. The space is outfitted with walnut floors from Feil and—near Apparatus’ Talisman Loop sconce—a hurricane-rated walnut front door by All Phase Custom Mill Shop. Hallworth’s Ichabod pendants line the hallway, painted Benjamin Moore’s Edgecomb Gray.

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Right: Owner Hap Brakeley’s favorite space in the house, the walnut bar by All Phase Custom Mill Shop features a leather armrest and a patinated bronze counter. Metal Creations Design & Fabrication crafted the shelving with antiqued aluminum and integrated LED lighting. The bamboo-and-leather stools are from 1stdibs.

Opposite: Hetherington placed Ralph Lauren Home Alastair side chairs and the owners’ host chairs—with cushions re-covered in Schumacher’s Moorea fabric— around a custom marble-topped dining table. The moody, romantic space is offset by Ochre’s delicate Seed Cloud chandelier, which sways in the wind.

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A television emerges from the custom chest at the foot of the rattan-and-brass bed from 1stdibs in the main bedroom, shrouded in a braided hemp ecru wallcovering.

The Verellen swivel armchair, custom orange mohair pillows and floor lamp are from Pecky. A handcarved Moroccan stool centers the vintage Bakshaish rug. The nightstands were sourced from Washburn Imports.

To create a cabana feeling on the loggia, the team installed African reed trimmed with ipe wood on the ceiling and Turkish travertine from Stone-Mart for the flooring. Anthropologie’s Seeded stool and Justina Blakeney Peacock rattan chairs help carve out a cozy seating area around the clients’ coffee table.

“ The home goes from two people to 25 on any given day, so one of our main goals was to create an environment that feels cozy and inviting.”

–A B BY H E T H E R I N G TO N

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