Luxe Magazine - May/June 2023 Miami

MIAMI

CIRCA LIGHTING IS NOW

THE DESTINATION FOR DESIGNER LIGHTING

SHOP NOW: VISUALCOMFORT.COM

CRISTOL SMALL DOUBLE SCONCE

HAND-RUBBED ANTIQUE BRASS WITH WHITE GLASS

Iroise, Dining table, designed by Studio Roche Bobois. *$7,990 instead of $10,490 until 05/21/23 for a table as shown, 86.6” L. x 29.5” H. x 39.3” D. (2 integrated extension leaves of 15.7”). Price includes one semi-elliptical dining table with a colored bubble glass top on a lacquered aluminum crossbar. Base in anthracite lacquered steel. Fixed version also available. Identities chairs, designed by Raphaël Navot. Flow floor lamp, designed by Sophie Larger. Made in Europe.

In-store interior design & 3D modeling services. (1) Quick Ship program available.(2)

French Art de Vivre

Photos

©2022 Hunter Douglas All trademarks used herein are the property of Hunter Douglas

LIVE BEAUTIFULLY

What does it mean to live well? To be perfectly at ease, in comfort and style?

Innovative product designs pair with gorgeous fabrics and control systems so advanced, shades can be scheduled to automatically adjust to their optimal position throughout the day. Creating a new world of beauty, convenience and energy efficiency — morning, noon, and night.

Pirouette® Window Shadings with PowerView® Automation

HORIZONTE SEATING SYSTEM | MARCIO KOGAN / STUDIO MK27 DESIGN DAIKI SWIVEL ARMCHAIRS | MARCIO KOGAN / STUDIO MK27 DESIGN

100% MADE IN EUROPE

AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

IRONIES

Modern Forms offers effortless, uncomplicated lighting and fan designs created from the finest upscale materials and innovative technology. Our designer collections refresh and redefine luxe spaces.

MAY JUNE

Scene

58 DESIGN DISPATCH

The little black book of all things new and fabulous in the local community.

Radar

66 FIRST PERSON

Stephanie Stokes’ new book is an ode to collected tabletop treasures from near and far.

68 INSPIRATION

Luxe traverses the globe to nd modern makers putting their spin on traditional craft.

76 LEGACY

At a bustling French mill, the centuries-old method of weaving horsehair still produces some of the nest textiles.

Market

86 MATERIAL

Four companies tapping talents around the world—from Ireland and Colombia to India and Massachusetts—to fashion exceptional rugs.

96 TREND

Meet three oral designers creating beautiful arrangements in unconventional ways.

104 SPOTLIGHT

The newly reimagined Hispanic Society Museum & Library opens its doors to talented Latin American furniture and lighting makers.

Living

120 KITCHEN + BATH

Elevated European in uences are the impetus for these charming kitchens, baths and debut tiles.

ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THE DOCUMENTS REQUIRED BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A DEVELOPER TO A BUYER OR LESSEE.

FEATURES

148

Outside the Box

Contemporary elements pair with Art Deco and historic influences in a family’s new waterfront abode.

Written by Jennifer Boles

Styling by Paige Wassel

160

Cali Calling

To warm her neighbors’ house, a designer looks to the vintage, eclectic feel of the West Coast’s midcentury residences.

Written by Kelly Vencill Sanchez

Photography by Kris Tamburello

172

Down to a Science

Experimenting with the chemical makeup of paint, an artist creates colorful abstract works redolent of Earth forms.

Written by Skye Sherman

Photography by Sonya Revell

176

Shore Thing

Elevated finishes in a blend of blues, creams and browns enliven a vacation home for this designer’s parents.

Written by Michelle Brunner

Photography by Stacy Zarin Goldberg

Styling by Kristi Hunter

ON THE COVER: Designers Josh Evan and Michael Edward Moirano defined a Miami Beach living area using a screen by artist John-Paul Philippe, commissioned through Cristina Grajales Gallery. The Egg Collective coffee table, Stahl + Band sectional and Mitchell Denburg Collection rug gather with a vintage chandelier and Jindřich Halabala armchairs from 1stdibs. Page 148

Photography by Nicole Franzen

since 1967

To e experience t the C Collections visit o one o of o our f flagship s showrooms

DOWNSVIEW of JUNO

12800 U.S. Highway 1 - Suite 100, Juno Beach, FL (561) 799-7700 www.downsviewofjuno.com (561) 799-7700

DOWNSVIEW of DANIA 1855 Griffin Road - Suite C212, Dania Beach, FL 1855 (954) 927-1100 www.downsviewofdania.com

DOWNSVIEW of BOSTON

One Design Center Place - Suite 241,Boston, MA One (857) 317-3320 www.downsviewofboston.com

DOWNSVIEW KITCHENS 2635 Rena Road, Mississauga, Ontario

The Downsview cabinetry collection is custom crafted in North America he and available exclusively through select kitchen design showrooms nd available

100% MADE IN EUROPE

FEATURING:

Sustainable and durable aluminum batten cladding with a beautiful, high-quality, photorealistic wood-look effect

Two-part concealed fix system (hidden screws)

Lightweight alternative to real wood and steel

Textured designs and colors

Maintenance-free

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SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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NATIONAL SALES DIRECTORS REGIONAL SALES DIRECTORS

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INTEGRATED MARKETING

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REGIONAL PUBLISHER Stacey Callahan

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez

PACIFIC NORTHWEST PUBLISHER Debby Steiner

DIRECTOR Cathy Cruse

SAN FRANCISCO PUBLISHER Lisa Lovely

DIRECTOR Sara McGovern

SOUTHEAST PUBLISHER Sibyl de St. Aubin

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Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 3, May/June, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

Culture of Design

Analyze the most enduring and interesting spaces, and you’ll discover that they are often composed of a layering of cultural influences and ideas...design that preserves heritage while also pushing it to be experimental and fresh. In this issue, we report on, and praise, the people, objects and spaces that revere craft and cultural artisanship as something to be respected and lived with; rooms that offer a conversation about what came before and where things are headed. May they have everlasting appeal.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

Juliana Lima Vasconcellos’ Giraffe chairs sit beneath a terra-cotta archway at the newly renovated Hispanic Society Museum & Library.

SCENE

WRITTEN BY ANGELA CARAWAY-CARLTON

CHECK IN

LOEWS CORAL GABLES HOTEL

Long thought of as a residential enclave, there’s now a new reason to escape to Coral Gables for a staycation. Book a room at the freshly minted Loews Coral Gables Hotel, where a cupola commands attention in the skyline, and a sweeping

metal-and-glass canopy resembling a piece of art greets guests in the entryway. Architecture and design firm CRTKL took cues for the hotel’s exteriors from the historic and Mediterranean-style architecture prevalent in the area. “For the interiors, we were inspired by the multilayered culture of Spain and its traditional paso doble dance,” says Dan Freed, principal of CRTKL Miami. Most notably, the lobby and rooms feature floor coverings and light fixtures resembling a mantilla veil, along with decorative screens and accessories in pops of red. Splurge on a stylish suite, retreat to the ninth-floor pool deck, indulge in a treatment at the spa, and choose from four restaurants and lounges. “The property is breathing new life into downtown Coral Gables,” Freed adds, “and serves as a gathering place for the surrounding neighborhood.”

loewshotels.com/coral-gables

OPEN HOUSE RIMADESIO

Known for their sharp Italian designs and sustainability ethos, Rimadesio recently debuted a new showroom in the Miami Design District. Tucked away on the second floor of the Solesdi building, patrons will float through continuous spaces swathed in a minimal color palette to discover functional and customizable solutions for living and sleeping areas, including walk-in closets, day systems, sideboards, doors, sliding panels and tables. Pieces are crafted with glass, aluminum, wood, marble, fabric and synthetic leather that work together to create cohesive spaces. “The Miami showroom is a physical embodiment of our brand,” says Andrea Romano, CEO of Rimadesio USA. “We take care of every aspect down to the smallest detail, from the music to the matching colors and space proportions, in order to convey the soul of our collection.” Next for the evolving brand: a West Coast store in 2024. rimadesio.it

| PRODUCED BY KRYSTAL RACANIELLO

TALKING SHOP

AUTHENTIC PROVENCE + AP MID CENTURY MODERN

Susan and Wolfgang Hofherr are bringing European flair to Georgia Avenue in West Palm Beach with their new Authentic Provence and AP Mid Century Modern showrooms. Collectively boasting 45,000 square feet, the two shops coexist within the compound as one of the largest interior design resources in the country for premier European antiques, garden glories and spectacular period pieces. Here, Susan reveals how the new space presents the ideal backdrop to tell the stories of their arrayed pieces. authenticprovence.com

What prompted your move from Antique Row to Georgia Avenue? A large industrial property became available that was perfect to showcase the extensive collection of imports that we’ve curated over three decades. It also had areas to create beautiful outdoor spaces and expansive courtyards. We felt we could finally show our clientele who we really are here. We’re not simply selling beautiful objects but turning Authentic Provence into a lifestyle.

LUXURY REFRESH ACQUALINA

RESORT & RESIDENCES

Always in a state of evolution, the ultraluxe Acqualina Resort & Residences in Sunny Isles Beach unveils new refreshments to its public spaces, guest rooms and suites. The lobby of the Mediterranean-style villa has shed its darker, heavy aesthetic and now gleams various hues of white for a lighter, more contemporary feel. Marble floors and grand columns remain, however, keeping true to its signature Old World feel. “We did a great deal of research on stately European properties that have modernized while preserving their interior architecture,” says Isabel Tragash, principal of STA Architectural Group. “Our findings inspired a fresh color palette bringing life to the architectural features and punctuating them with luxury Fendi Casa furniture and bespoke Nepalese rugs.” Guests are treated to sumptuous bathrooms with Italian marble floors, Vena Oro marble vanities and Italian sconces. At the new adults-only pool, reimagined by Acqualina Resort & Residences CEO Deborah Yager Fleming, bask in new crimson-red loveseats, daybeds and private cabanas. If you never want to leave the resort lifestyle, the new Estates at Acqualina showcase lobbies created by the late fashion designer Karl Lagerfeld. Unexpected hallmarks include shimmering glass mosaic “carpets,” marble fountains and banquettes flanked by a wall of castaluminum swans. acqualinaresort.com

With two distinct showrooms, what can clients discover? Authentic Provence offers the finest garden ornaments, antique planters and hand-carved limestone fountains. Patrons can peruse dining tables in Belgian bluestone or white marble with oak bases, chairs, decorative glass objects and unique accessories from the 18th and 19th centuries. AP Mid Century Modern has a well-curated collection of original furniture, lighting and paintings. We work closely with artisans and stone sculptors from France, Italy, Belgium and the UK.

How do the spaces set the scene for the unique inventory? Surrounded by 10-foottall olive trees and florals imported from France and Belgium, Authentic Provence transports you to the dreamy Provençal countryside. Meanwhile, AP Mid Century Modern is open and industrial. It’s painted white with high ceilings and lacquered floors, lending itself to the furniture and objects presented in vignettes by designers of the highest sophistication.

GOURMET SOCIETY

SAVOR THE STYLISH DESIGNS OF THREE NEW MIAMI RESTAURANTS THAT WHISK DINERS TO DREAMY DESTINATIONS.

SOFIA DESIGN DISTRICT

With so many jo yful spaces imagined by Studio Munge, it’s difficult to choose where to dine at Sofia Design District. Italian cuisine, glamour and a pink palette reign supreme at this indoor-outdoor restaurant that draws inspiration from the city’s Art Deco history and its location in the Miami Design District. The playful outdoor garden showcases frilly rosehued umbrellas, pink-lacquered pieces, teak furnishings and modernized peacock chairs, while the indoor dining room was conceived as an art dealer’s entertainment pad. “The fashion, the people and the art all converge here in a playfully dramatic experience where flamingo-pink and amethyst velvets are juxtaposed with milky-white glass chandeliers and mirrored surfaces,” says founder and design director of Studio Munge, Alessandro Munge. Standout fe atures include the Art Deco-patterned marble flooring, paintings by Marco Grassi and Mr. Brainwash, and Barovier&Toso chandeliers of opaline and Murano glass. sofiamiamidd.com

ABA MIAMI

Your next shopping break at Bal Harbour Shops should include a meal at two-story stunner, Aba Miami where lighter fare is influenced by Israel, Lebanon, Turkey and Greece. Designed by Lettuce Entertain You, patrons will feel as if they’ve been dropped into an idyllic Mediterranean setting. The dining room is enveloped in natural woods with potted olive trees, while ceilings are fixed with original Parisian globe streetlamps and gold Moroccan lighting that cast a warm, welcoming glow. French-style windows and doors lead to a breezy terrace ideal for alfresco meals. abarestaurants.com/miami

FABEL MIAMI

Touting vibes of an upscale beach club in Tulum, Mexico, or Mykonos, Greece, Fabel Miami in the Wynwood Art District is a rooftop restaurant that enchants with its fairytale persona and Israeli- and Greek-inspired menu. The sprawling outdoor sanctuary, designed by architectural firm M-Rad, embraces a soothing neutral color palette offset with tropical plants and greenery. Dining spaces are dotted with custom wood furniture, an array of woven pendant lighting and gauzy white curtains, while loungeworthy nooks beckon thanks to woven poufs and oversize pillows. Choose from three levels of terrace seating, private cabanas or the U-shaped travertine bar to begin or end the night. fabelmiami.com

RADAR

Go global with tabletop treasures from far-flung locales, artisans to watch from around the world and the last textile mill of its kind.

Visual Feast

IN HER SUMPTUOUS NEW BOOK, DECORATOR AND PHOTOJOURNALIST STEPHANIE STOKES MAKES THE CASE FOR SOUVENIRS.

I am a self-confessed tabletop junkie and consummate hostess. On my travels through 86 countries, I have assembled a collection of things that have caught my eye so long as they’re useful for entertaining. These “toys for my table” are for special occasions, special friends or simply because it’s Saturday, and why not have a party.

In the words of Carl Jung, “The creation of something new is not accomplished by the intellect, but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” And I love each of my treasures. My parties usually start with a verbal table tour instead of grace. I describe how the dishes are from Bali, the wine coasters are from Istanbul’s Grand Bazaar, the tagine salt cellars are from Marrakesh, and so on.

Many of my favorite pieces come from Japan: contemporary sake cups, sonorous Bizen bowls and Oribe kitchenware, all of which are versatile. In France, I fell for Aptware pottery, simple cotton tablecloths from Provence’s outdoor markets and gray porcelain partridges from Nîmes. While exploring Budapest’s antiques district, I couldn’t resist traditional bright-red flowered plates and cross-stitched tablecloths. When I use them at home in New York City, they evoke the folk art quality of Hungarian craft in the same way the pink Fortuny tablecloth I bought in Venice recalls light reflecting off the city’s brick walls, turning its canals the soft-edged pink of Paolo Veronese’s murals.

My book, The World at Your Table, is a call to action. When something inspires you, whether across the globe or at a local consignment store, buy it. Then, set the table with your finds to transport guests into a magical atmosphere. rizzoliusa.com

photo: mark roskams, courtesy rizzoli.

A tablescape mélange by Stephanie Stokes features a tablecloth by Zsuzsanna Nyul with bamboo flatware and a folk art ceramic plate purchased in Hungary.

Imagination Unbound

LUXE CHATS WITH CREATIVES FROM AROUND THE GLOBE WHO ARE BREATHING NEW LIFE INTO TRADITIONAL CRAFT.

PRODUCED BY KATHRYN GIVEN

Klove Studio

Prateek Jain and Gautam Seth, co-founders of New Delhi’s Klove Studio, are upending the way modern lighting is produced in India with their larger than life pieces. While the dynamic duo are experimenting with size, scale and materials, their designs continue to pay homage to the artistic customs and practices that surround them at home.

What was the vision for your latest collection? Our Totems Over Time series celebrates an older way of living and, specifically, how civilizations have left their mark on society with references to ancient symbols and motifs. We wanted to achieve a harmonious balance between geometry and symmetry with bright totems devoted to abundance, vision, beauty and protection. Talk to us about the materials. These nearly 10-foot-tall pieces incorporate metal and handblown glass, a centuries-old technique that supports local artisans in India. We believe in slow design, conscious craftsmanship and dreaming up fantastical ideas that take shape by working with dedicated makers. Where do you find inspiration? From different cultures around the world, but especially in New Delhi where there is such a rich craft legacy. Good design makes life better on every level. klovestudio.com

Hamza Kadiri

Casablanca-based master woodworker Hamza Kadiri hails from a long line of makers who share a deep reverence for their materials, and he is no exception. Each piece of wood sourced for his new sculptural furniture collection was chosen for its singularity, essence and inherent beauty. Kadiri’s expertise of rare, precious varietals of wood honors natural grains and unique patterns for a one-of-a-kind result.

When did you begin working with wood? I’ll never forget the moment I entered my uncle’s workshop at the age of seven. He was one of the most respected woodworkers in the Medina of Fez. I still remember the smell, the dry air and watching each artisans’ slow movements. It was love at fir st sight. Tell us about your latest collection. As an artist, I listen to the wood—sometimes for months at a stretch. The unique forms of a plank and veins in the wood give o a particular emotion. These inspire me with original ideas, although some may be a little crazy. My six new pieces—side tables, credenzas, a bench and an armoire— are a testament to this, including the Royal Ebony credenza (shown). What’s next? Adding exciting new lighting designs to my collection with Les Ateliers Courbet. ateliercourbet.com

LagunaB

The iconic Venetian glassware company founded by the late Marie Brandolini is heralding in a second chapter under the leadership of her son, Marcantonio Brandolini d’Adda. As ceo and creative director, his vision includes investing in projects that support a range of initiatives, like the design community at large, the environment and the city of Venice.

community at large, the environment and the city of Venice.

How are you di at from Paris to was a way of her

Today, we are releasing more limited-edition pieces but still honoring her vision. is also top of mind for us with a new production that allows for more energy e cient in addition to a longstanding with Green Future to o set our emissions.

with the Pilchuck Glass School in to establish Autonoma, an international artist program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. recently introduced Vital, which aims to enhance the natural capital of the Venetian Without this our company and

How are you thinking di erently at LagunaB? When my mother moved from Paris to Venice, glassmaking was a way of expressing her creativity. Today, we are releasing more limited-edition pieces but still honoring her vision. Sustainability is also top of mind for us with a new high-energy production facility that allows for more energy e cient manufacturing, in addition to a longstanding partnership w ith Green Future Project to o set our CO2 emissions. What about the next generation? We have teamed up with the Pilchuck Glass School in Washington to establish Autonoma, an international glass artist exchange program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. Anything else? Alongside We Are Venice, we recently introduced Vital, which aims to enhance the natural capital of the Venetian Lagoon. Without this important waterway, our company and city would not exist. lagunab.com

MARCANTONIO BRANDOLINI D’ADDA PORTRAIT: ALESSANDRO TREVISAN, CONSOLE PHOTO: JOSEPH KRAMM / JARR STUDIOS FOR LES ATELIERS COURBET, ALL OTHER PHOTOS: COURTESY RESPECTIVE COMPANIES.

Inset: a few of the profiles in Vent Walnut, Earl Walnut and Rokko Cedar.

Featured: Louvers in Earl Walnut M Exterior Finish

Toast

Established in a Wales farmhouse more than 25 years ago, the clothing company Toast has grown its o ering to include exquisite homewares produced by artisans, weavers and mills around the world. Despite its evolution, the brand’s values remain steadfast: champion a slower pace and more thoughtful way of life. CEO Suzie de Rohan Willner elaborates on the brand’s mission.

What makers do you work with? We search around the world for artisans who demonstrate specialist skills and techniques. Our hope is to provide a platform for their work to be celebrated and their story to be told in an authentic way. We want to help preserve traditional techniques that otherwise may be in danger of dying out, like this glazed terra-cotta waterpot handmade in Bristol (shown) that is based on a 16th century design. Why does craft have an enduring appeal? There is a growing audience who wants a more emotional connection to the objects in their home and to the person behind their creation. An increased awareness of our environment and a rejection of “mass” has meant we are choosing to buy less and selecting long lasting and meaningful objects. The recently launched Toast Renewed provides an iteration of this idea. It’s a unique collection of creatively repaired, one-of-a-kind pieces that have been given a new lease on life, increasing their longevity and progressing our circular approach to reducing waste. Where do you find inspiration? In stillness. It’s abou t being with people and things that bring joy and make you slow down. us.toa.st

Ecru

Founded by three childhood friends raised in Kuwait, lifestyle brand Ecru draws upon the ethos and cultures of Arab and Indian hospitality for inspiration. With a dazzling shopfront in Jaipur, Ecru collaborates with craftspeople in India, Syria, Lebanon and Sri Lanka who specialize in textiles, woodworking, glass, ceramics and metalwork. Creative Director Nur Kaouji discusses the company’s roots.

How did Ecru start? Growing up (with co-founders

Noor Al-Sabah and Hussah Al Tamimi) in Kuwait, we were surrounded by expats, particularly Arab and South Asian families. We were raised with an emphasis on the importance of hospitality and tradition, including sharing meals with loved ones. Our desire to carry on these rituals led us to launch Ecru, a br and that comprises beautiful handmade objects that elevate these interactions. Talk to us about your homewares. What excites us is the incredible legacy of craft around the world. We get to work with artists who keep traditions like block printing and metalwork alive. At Ecru, we are always looking to expand our artisan directory and I’m constantly on the hunt for inspiring people. How can design make a positive impact on our lives? Life has a way of throwing things at you, sometimes turning things upside down. One of our greatest salvages is nature and through nature, design. ecruonline.in

Sanayi313

Brothers Enis and Amir Karavil helm the interdisciplinary design brand Sanayi313 in Istanbul, where they have their hands in a number of exciting initiatives: a retail store, design studio, canteen, bi-annual magazine, atelier for unique projects and a newly launched furniture line that promotes their mantra, “move forward to the future with respect to the past.”

Why is it important to champion craft today? I prefer working with local craftsmen because what they create is always unique, and in the era of non-stop production this is a di erentiator. That human touch is essential because it gives a soul and special language to the work. Talk to us about your new furniture pieces. The Oblong Collection consists of so lid

maple burl and burned oak wood designs defi ned by massive, bulky forms and rounded corners, which echoes our “maximalist expressions in minimalist details” approach. Comprising stools, consoles, low co ee tables, side tables, and a dining table, the collection is made by hand in Istanbul, adhering to the city’s artisanal traditions where woodworking dates back thousands of years. It must be inspiring to be surrounded by so much history. Turkey’s location is at the crossroads of East and West, the vast lands once dominated by the Ottomans and home to many di erent civilizations with a rich legacy of craft since ancient times. These age-old traditions and techniques are still being practiced and lauded in many areas, but I believe new ideas come from studying the past. The solutions are there, you just need to reinvent them to create something inspiring. sanayi313.com

Jomo Tariku

Jomo Tariku, African culture has

for and the contemporary of American craft.

For Virginia-based, Ethiopian American industrial designer Jomo Tariku, African culture has always played a role in what he creates. As an advocate for change, Tariku co-founded BADG (Black Artists and Designers Guild) and continues to help move the needle forward for global design and the contemporary interpretation of American craft. The trailblazing talent’s work has even landed in major institutions including the Metropolitan Museum of Art.

Where did you learn to love design? Our home in Ethiopia was fi lled with beautiful objects. My dad was an avid collector of interesting pieces from Africa and around the world. During summer break, I would sketch these objects not knowing it would eventually lead to a career in design. How do African traditions play into your work? I did my undergraduate thesis on creating a modern line of African furniture and I have never wavered from that even though it has not been easy. Design is supposed to be a global language but until recently you would be hard pressed to fi nd a contemporary African design by a Black designer. I am always referencing my heritage. Even the inspiration for my Nyala chair (shown) are the horns of shy, an elusive mountain antelope from the Bale Mountains in Ethiopia. jomofurniture.com

The Last Craft

AT THE LE CRIN WORKSHOP IN THE FRENCH COUNTRYSIDE, MÉTAPHORES IS KEEPING THE SACRED ART OF HANDWEAVING HORSEHAIR ALIVE.

WRITTEN BY MARY JO BOWLING

It seems as if a heartbeat courses through the Le Crin workshop in Challes, a village in Northwestern France. The rhythmic whooshing sound filling the space comes from the movement of looms that have been weaving horsehair into lustrous fabrics since 1814. Although this is the last outfit of its kind, the pulse isn’t slowing.

Inside, artisans sit at the looms creating textiles. Wearing earplugs to muffle the sound, their focus is total as their hands thread hairs one by one into a shuttle with seeming superhuman rapidity, turning out roughly eight feet of fabric per loom each day. After the raw material arrives from Mongolia, it undergoes a series of meticulous steps including brushing, dying and pressing. The job calls for fast-moving minds as well as dexterous fingers, since

counting and tracking the number and color of strands is essential to creating such complex patterns.

The result is a product with glossy texture and depth— qualities Le Crin executives say attracts designers worldwide. “Horsehair is as soft as silk, but extremely resistant, showing little wear after decades of use,” explains workshop manager Nicolas Pioger.

Métaphores, the fabric company producing Le Crin under Hermès’ textile division, sees new horizons for this traditional craft. “We are working with designers to create modern furniture and accessories—anything is possible,” Pioger notes. “What doesn’t change is the expertise and unique savoir faire that goes into producing the material.” metaphores.com

Make space for me time.

Page-turners are even better when read in inspired corners filled with natural light. At Marvin, we help make space for moments like these with thoughtfully designed windows and doors. Each is custom crafted with an eye toward beauty and performance for all of life’s chapters.

Explore the many ways we can help make space for what matters most to you.

marvin.com

Upcoming 2023 Events

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April 5

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July 11–17

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January 16–22

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AmericasMart is open year round for you to restock inventory or source for a design project conveniently between Markets.

• Access across gift, seasonal, fashion, home décor, and outdoor furnishings with bridges connecting Buildings 1, 2 and 3

• Complimentary self-parking in our Building 2 Parking Deck connected to campus and complimentary valet parking at Hotel Indigo, Monday–Friday

• Dedicated designer services available onsite to help you navigate the floors and easily discover product

• Signature events and continuing education courses offered throughout the year

For open showrooms and event calendar, visit AmericasMart.com/OYR

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TO THE TRADE | PHOTO: CLASSIC HOME ©2023 International Market Centers, LLC

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Experience the summer’s biggest in-person buying opportunity. Connect with hundreds of home décor resources and discover our new casual/outdoor furnishings collection.

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PRODUCT SOURCED FROM: CAROLINE HILL, CODARUS, CURREY & CO., GABBY, ILLUME, IVYSTONE, J DOUGLAS, KALALOU, KITCHEN 2 TABLE, LEMON JELLY SHOES, LOLOI, ROBINSON HOME PRODUCTS, ROSSE & ASSOCIATES, SCHAUBEN & CO.

Walls

MARKET

Luxe explores innovative rug makers, unique floral designs and the next wave of Latin American creatives.

Completely Floored

FOUR AU COURANT BRANDS CHAMPION AN ARTISANAL APPROACH TO MODERN-DAY RUG MAKING.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

WRITTEN BY GRACE BEULEY HUNT AND SARAH SHELTON

LIVING HISTORY RHYME STUDIO

“The driving force was to tell a story of authentic Irish craftsmanship with an international, contemporary twist,” shares Claire McGovern of her studio. For the New Yorker by way of Dublin, the spark that led to her foray into the rug industry was hiding in plain sight: wool—a material indelibly linked with her home country—was a dying trade, accounting for just two percent of fibers sold or traded in the synthetics-dominated market. “Wool is extraordinary. It’s nature’s miracle fiber,” McGovern says. “Here is a material t hat you can bring into your home and it will literally purify the air and last you a lifetime.” With heritage and sustainability as founding principles, Rhyme Studio was born. Today, the atelier collaborates with historic Irish mills

to process native wool before it’s tufted by hand at their farmhouse workshop near Avoca in Wicklow. Ireland’s rich cultural tapestry imbues the brand in motif as well as material, with most designs offering modern riffs on tradition. Om, a collection defined by linear patterns, was inspired by a 1,600-year-old tree alphabet found on standing stones in the countryside. Works from the Báinín line feature pure Galway wool bedecked with motifs that evoke the stitching of an Aran sweater. And in M odernity, a series of minimalist geometrics in primary colors pays tribute to artist Kazimir Malevich and prolific Irish designer Eileen Gray. “I’ve always bemoaned the idea that a rug must be beige,” McGovern says. “Art should not be limited to any one media.” rhymestudio.com

HEIRLOOM QUALITY VERDI

Tomás Vera grew up idolizing his father Carlos Vera Dieppa, who wore his hair long, rode a motorcycle, enjoyed recreational aerobatics and didn’t start a traditional nineto-five until the age of 42 when inspiration struck to create a Japanese tatami-style mat from fibers found in his native Colombia. In time, the designs progressed to include latex backing, a leather border and later, pigments, patterns and ribbon-thin strands of metal. “It was the first rug of its kind and a revolutionary concept at the time,” shares Vera, who moved home to launch Verdi, a new business built upon his father’s vision after his passing. Verdi now employs an in-house team of 75 in addition to 30 families who harvest their marquee material, fique: a soft yet resilient vegetable fiber from

the Andean region. “We have a huge natural fiber catalogue because of the Amazon,” Vera says. “We’re always discovering new materials and exploring how to weave them for a contemporary ambiance.” Recent experiments at the Bogotá headquarters have seen Colombian fibers like plantain, cumare and worm silk woven with copper, stainless steel and silver-plated metals to mesmeric effect. “We consider our rugs to be art in their uniqueness and in the way they reflect light,” he adds. That the fastexpanding studio’s moniker pays homage to Vera Dieppa’s nickname underscores the next generation’s commitment to celebrating cultural and familial le gacies alike. “Verdi is not a brand, it is a story,” Vera says. “And this is just the beginning.” intl.verdi.com.co

photo: courtesy verdi.

CULTURE OF CRAFT STARK

No rug brand has its tentacles so deeply spread, linking master craftspeople all over the world with top designers and consumers alike. From artisans in Nepal trained in Tibetan knots to weavers in India working on looms, rug seekers have access to products made by mills specializing in authentic techniques unique to their region. “We have a handful of key vendors who each have their own flavor and aesthetic,” says Stephanie Muller, Stark’s vice president of product development and strategy. “They’re artists in their own right.” Not married to one look, Stark rather does it all: from their material inventory (silk, sisal, wool, and a new proprietary performance fiber, among others) to techniques both hand-crafted and mac hine-woven, to endless styles, like striking geometrics, painterly pastels, stripes, animal prints and traditional motifs.

“It’s always exciting to see their new technical developments and creativity,” Muller says. While the third-generation family-run operation recently marked 85 years in business, their commitment to artisanship remains at its core. Take the rug shown here: a recent collaboration with German company Rug Star is inspired by desert and urban landscapes and crafted in India using hand-knotted techniques. Think of them like a great connector—a connector of craftsman to consumer, a connector of inspiration to trends, and a connector of the past to the present. starkcarpet.com

AMERICANA ETHOS MERIDA RUGS

In the mid-19 th century, Fall River, Massachusetts, was the Silicon Valley of America’s textile manufacturing industry. Fastforward through decades of shifting global economies, and few active mills remain today. But one self-described counterculture company decided to put down roots in the storied area as some of the last big mills were shuttering. “We’re not going to survive in the United States unless we’re doing something extraordinary,” admits Merida Rugs CEO Catherine Connolly. That something extraordinary, for starters, is that each of the company’s rugs is made of all-natural materials sans chemicals. Another revolutionary idea? Empower local craftsmen by creating a workplace where weavers find joy and pride in their craft. Merida R ugs HQ is part production lab and part innovation hub, where skills are honed and techniques tested. The goal is to create an environment where weavers push the bounds of their creativity in hopes it carries through to the finished product. Leading the charge is artistic director Sylvie Johnson who approaches design with the curiosity of an art student (she has been known to study out-of-print books on pigments to find fresh hues). The brand releases one new collection a year, each marking a new chapter in the Merida Rugs’ story. Their latest collection, Arte Povera, is inspired by the Postwar 1960s Italian arts movement, the story of which is as rich as the rugs themselves. “They have presence,” says Connolly. “The rugs contribute to the conversation in a sophisticated way.” meridastudio.com

photo: rug, angel tucker; spools, richard powers courtesy merida rugs.

Boulder, CO | $15,000,000

WK Real Estate

Well

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Boca Raton, FL | $36,500,000

Hampton’s farmhouse-inspired architectural jewel with 261+ ft direct Intracoastal.

Premier Estate Properties, Inc.

D’Angelo/Liguori — +1 866 281 2158

Search QENA on luxuryportfolio.com

Austin, TX | Price upon request

This luxurious estate merges modern art with contemporary architecture on +1.2 acre lot.

Moreland Properties

Eric Moreland — +1 512 480 0844

Search PASK on luxuryportfolio.com

Redding, CT | $8,500,000

Sun-filled 6-bedroom home with pool, tennis, and luxury apartment. Close to town amenities and train.

William Raveis Real Estate, Mortgage & Insurance

Stacy Young — +1 917 816 6733

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Lake Toxaway, NC | $3,750,000

Luxury mountain home with panoramic views, European design, and modern amenities.

Silver Creek Real Estate Group

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©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

FANCY FLEURS

Unrestricted the bounds of a vase, three oral

Unrestricted by the bounds of a vase, three oral designers conceive artful compositions.

WRITTEN AND PRODUCED SARAH SHELTON

Sweet Spot

Name: Anastasia Kolesnichenko @vaasialis.

Home base: Cyprus. Origin story: I always wanted to work with flowers and objects. I practiced everyday and posted to Instagram. Overtime, I got my first orders. Style notes: Dreamy, fun and playful. Known for: Creating something new and turning flowers into my own unique species. Ethos: Flowers are emotions. They are alive, agile and have the ability to be reborn. Pick a favorite: Poppies. In the works: A commission for a jewelry brand.

A commission for a brand.

Clockwise from top right: Akoya Pendant in Vermilion / From $781 / rbw.com Belmondo Fabric in Corallo / Price upon request / dedar.com Bardi’s Bowl Chair in Orange / Price upon request / arper.com

Nama Sneaker in Green-Orange / $795 / chloe.com California Table by Elyse Graham / Price upon request / cultureobject.com Memphis Raku Mosaic Tile / Price upon request / newravenna.com

Small Hooks Coat Rack by Nathalie du Pasquier / $375 / store.moma.org

Natural Progression

ID: Aiste Kuchta @aikufloral. Coordinates: Global nomad. Approach: Floral arranging inspired by the seasons. Something to reconsider: Dying flowers are beautiful; imperfect blooms are unique. Tip to try: Let flowers move in their natural direction. Memorable experience: Foraging for icicles and arranging them alongside flowers. Manifesting: The film industry is something I’d be happy to be a part of! In the works: Events and floral subscriptions. Remember to…Enjoy the process.

Clockwise from top right: Arc Handle in Travertine by Bjorn x Lo & Co Interiors / $218 a pair / sandiegohardware.com Small Teak Opal Bookcase

Panel

Shelter Cove / Price upon

Dinner Plate in Green by Pottery & Pottery / $240 set of four / abask.com

PHOTO: DENIS KUCHTA.

The Oceana Collection by Bannenberg & Rowell Design Oceana Dining Arm and Side Chairs. Cushions in Perennials

Romantic Revival

Moniker: Natasja Sadi @cakeatelieramsterdam.

Sadi @cakeatelieramsterdam. and

HQ: Amsterdam. Specialty: Arranging and photographing real flowers with sugar flowers in the Dutch still life tradition. Modus operandi: Romantic, lavish and classic with a twist—more is more. Currently inspired by: The Vermeer Exhibition in Amsterdam. I’m obsessed with his use of light. Rule to break: Let go of color charts. When it is created by nature, it’s always complementary. Proud moment: Writing my new book A Sweet Floral Life

Clockwise from top right: Paloma 2-Light Sconce / $148 / maximlighting.com Roses Pompadour Wallpaper in Blue / $140 a roll / antoinettepoisson.com Blue Fluted Full Lace Cream Jug / $340 / royalcopenhagen.com Issima Velvet Fringe Cushion in Ladakh Ceder / $90 / theitihaascompany.com Priya Table / Price upon request / butlerspecialty.net Floral Jacquard Armchair in Pink Moire / $7,500 / gucci.com Scalloped Ceramic Fluted Door Lever in Le Jardin Blue / Price upon request / sherlewagner.com 14 kt Gold Black Velvet Pearl Chocker / $780 / mateonewyork.com PHOTO:

DISCOVERIES

CHRISTOPHER PEACOCK

VISUAL COMFORT & CO.

The Cristol small double sconce by Aerin is shown here in hand-rubbed antique brass with white glass. Priced at $579. visualcomfort.com

COSENTINO USA

Cosentino’s newest collaboration with designer and architect Daniel Germani decodes three timeless Italian stones: Vicenza, Travertine and Ceppo di Gré. The collection recasts them into versatile Dekton surfaces for today—indoors or out. cosentino.com

Christopher Peacock introduces The Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware finishes available. peacockhome.com

STARK

The Koa ivory rug features lush texture matched with performance. Made of 100percent STARK performance acrylic, this beautiful rug can withstand any lifestyle. Braided soumak weaving combines with high-pile shag for coziness and character alike. starkcarpet.com

PAUL FERRANTE ERRANTE

Paul Ferrante introduces a polished uces a twist on an old classic. With copper c. With copper banding, the timeless Eternity meless chandelier is elevated to a new height. to a new Item 2099-C, it can be customized. be customized. Price available upon request. e upon request. paulferrante.com ulferrante.com

WEATHEREND ESTATE FURNITURE

As durable as it is beautiful, the Westport swivel chair by Weatherend is constructed for the outdoors and finished with Weatherend’s Yacht finish. Generouslyproportioned and topped with plush cushions for extra comfort, it is available in any color or natural woods.

weatherend.com

LEGNO BASTONE WIDE PLANK FLOORING

St. Moritz-G1 is a handcrafted, select-grade finish from the European Elegance collection. This is more than just a product; it is a passion that becomes “custom-designed furniture for your floor.”

legnobastone.com

BOKARA RUG

This rug showcases a contemporary pattern of blue, ivory and black tones. Hand-knotted from the highest quality wool and silk, it provides an elegant foundation for any space. bokara.com

Sacred Storytelling

AT THE RENOVATED HISPANIC SOCIETY MUSEUM & LIBRARY, LATIN AMERICAN MAKERS SHOWCASE WORKS HONORING THEIR HERITAGES AND INSPIRATIONS.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

HALLOWED HALLS

Founded in 1904, the Hispanic Society Museum & Library has emerged from a yearslong renovation at the hands of Selldorf Architects. The storied institution houses an extensive collection of art and artifacts from Spanish- and Portuguese-speaking countries. The museum aims to amplify and uplift Hispanic heritage and creativity, including Latin American artists forging their own multicultural identities.

Nestled under an ornate terra-cotta archway in the Main Court, Juliana Lima Vasconcellos’ eucalyptus wood Giraffe chairs flaunt their angular silhouettes. The Brazilian architect and designer cites her home country’s rich cultural mix— specifically African and Portuguese colonial influences—as sources of inspiration. hispanicsociety.org, theinvisiblecollection.com

WRITTEN BY KHADEJAH KHAN PHOTOGRAPHED BY THE INGALLS

GEOLOGICAL GEMS

José Miguel Schnaider considers himself part designer and part explorer of the mineral world. As the founder of Mexico City’s Sten Studio, he leans into local lapidary traditions when conceiving his designs. “I am proud to be Mexican and Latino, but I do not necessarily need to follow a specific aesthetic,” Schnaider remarks. Rather, he offers

fresh interpretations of cultural heritage. His VSII.I and VSV.III stools—placed on a stairway adorned with 3rd-century Roman mosaics from Spain—are composed of dark lava stone and red travertine and blue calcite, respectively, acting as a visual metaphor for volcanos and a tribute to Mexico’s volcanic belt region. stenstudio.com

STITCHED TOGETHER

Rhode Island School of Design alumna Alexis Tingey spent her childhood summers in Mexico where she learned embroidery from her grandmother. Tingey’s Don’t Remind Me hammock—showcased in front of Spanish artist Joaquín Sorolla’s Vision of Spain (1912-1919) in the Sorolla Gallery—speaks to the physicality of memory. The hand-welded

patinated steel base supports a hand-pleated linen fabric collage depicting “personal items intended to be forgotten.” Tingey, whose first studio collection launches this year, is eager to see more women of Latin American origin represented in design to usher in rich storytelling, new ideas and unheard voices. alexistingeydesign.com

ORGANIC STATE

Since founding Studio Galeón in 2017, Lula Galeano has watched the design landscape evolve to include more awareness around non-Eurocentric craft. A multidisciplinary designer who splits time between New York, London and her home country of Argentina, Galeano frequently collaborates with skilled artisans to enhance the beauty of natural materials used in her work. For Lampara 1 and Lampara 2, shown

here, Galeano joined forces with millworker Christopher Gatton to achieve the lamps’ perfectly unrefined shape. The bases are remnants of stone boulders sourced from Mexico which retain their jagged forms, save for polished edges. Each one-of-a-kind piece is outfitted with sleek brass hardware and a smooth blown glass opal bulb. studiogaleon.com

We understand the importance of a statement. Our extensive collection of marble, quartzite, granite, soapstone, and quartz are sourced through our trusted partners across the globe. Every material’s path to your project ensures more than a statement piece – it’s an entire story in itself.

BOTANICAL BEAUTY

Artist Lufti Janania’s childhood growing up on a rural bioreserve between the mountains and rainforests in Honduras continues to inform his eye today. Working out of a Brooklyn studio, he creates fantastical objects, sculptures and installations from botanicals and flora. His latest collection, a series of mirrors fitted on custom wood frames draped in woven

palm fiber, like the Tela, seen here, features hand-sewn, delicately pleated curled rosettes. Janania counts Latin America’s indigenous heritage and colonial history—specifically in Honduras where Mayan ruins and Baroque architecture meet—as additional sources of inspiration, taking in the visual romance and ornate decoration to inform his work. rosalila.co

CURVY CHARACTER

“I adapt and take from wherever I go,” explains artist Giovanni Valdeavellano of where he pulls inspiration. For the New York–based talent, and founder of Studio Poa, that includes fashion street style, his childhood in Guatemala and the ways in which information is readily shared and consumed. The Santiago Chair 1 and Santiago Chair 2, shown here,

are made of solid ash, stained and then finished in hard wax oil. The design explores how a seat can make one feel transformed into a different character—like how a king feels on a throne or a defendant feels in a courtroom. This particular pair are shaped like guitars, intended to make the sitter feel like a rockstar. lovehouseny.com

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

Inspired living starts with inspired design.

At Sklar we realize how important design is to creating a living space that reflects your unique vision and lifestyle. Our knowledgeable and experienced team can work with you on all of your interior design needs. We invite you to explore this exceptional residence and the entire 3 bedroom, 3+1/2 bathroom project for yourself. See how Sklar can work with you to make your vision your reality.

LIVING

From Texas to the East Coast, revel in welcoming kitchens and baths that channel a sought-after joie de vivre spirit.

Worldly Appeal

BEHOLD KITCHENS AND BATHS WHERE OLD-WORLD ELEGANCE IS ON FULL DISPLAY.

WRITTEN BY ALYSSA BIRD | PRODUCED BY SARAH SHELTON

For a Georgian-style home in Maryland, Winsome Interior Design outfitted the kitchen with cabinetry from their line with Unique Kitchens & Baths and a custom cherrywood island. The pendant light is by Il Fanale.

CHARM CITY

WINSOME INTERIOR DESIGN

The homeowners of this Churchville, Maryland, residence couldn’t resist its Georgian-style architecture, but the dated 1980s kitchen was in need of a refresh. They called on Arianna Pannoni and Kasey Bedford of Baltimore-based firm Winsome Interior Design to reimagine the space. The result is strikingly elegant and in harmony with the structure’s traditional bones.

What were the project mandates?

Our clients wanted the kitchen to feel lived in, cozy and historic. They are casual people, but they also like a bit of formality.

Tell us about the major design elements. We kept the existing brick range niche but limewashed it and added more grout to give an ol der appearance. The cabinets are a simple, elevated shaker style that has been around for hundreds of years. We designed the island to look like a piece of furniture since kitchen islands weren’t a thing back in the day, and we also incorporated hand-distressed ceiling beams. The open shelving acts as a display area for the client’s collection of vintage china.

What other details lend to the charming feel? Hanging wood and copper pots adds warmth, while a new milk-glass fixture exudes a vintage ambiance. We also used finishes that will only get more beautiful with time: the unlacquered brass will develop a patina and the marble will gain character as it stains.

Arabescato Corchia marble countertops make a dramatic statement. The faucet is from Newport Brass and the sconces are from Visual Comfort & Co. photo: stacy zarin goldberg.

In keeping with the revamped kitchen, Pannoni and Bedford also turned their attention to the home’s mudroom and powder room, replacing dated elements to highlight the abode’s historic feel. “We wanted to have some fun in these spaces and bring out the drama,” Bedford says. They enveloped the mudroom—

including the walls, trim and ceiling—in a deep oxblood shade from Farrow & Ball and carried it through to the adjacent powder room trim. Meanwhile, a whimsical wallpaper from Osborne & Little featuring birds and lush foliage enhance the striking red tone. “The vintage-inspired console sink harkens back to

Georgian style, the classic floret penny tile is also a nod to old-world design, and the antiqued brass touches tie to the kitchen finishes,” Pannoni notes. “Our client allowed us the creativity to think outside the box,” Bedford adds. “Every space is dramatic in its own way.” winsomeinteriordesign.com

photo: stacy zarin goldberg.

A Rejuvenation sconce illuminates the powder room, which is swathed in Osborne & Little’s Netherfield wallpaper and accented with Farrow & Ball’s Preference Red. The Vintage Tub & Bath sink console is fitted with a House of Rohl faucet.

100% EUROPEAN OAK. LUXURY HARDWOOD FLOORS IN A ROOM FULL OF INSPIRATION.

MIAMI | NAPLES | SARASOTA

Wood color: Crystal | Collection: RIVA MAX (10”) | Project: Arte Surfside. Miami, FL | Architecture & Interior Design: Antonio Citterio and Patricia Viel in collaboration with Kobi Karp | Photo credits: Kris Tamburello Studios

TILE TALK

A CROP OF NEW COLLECTIONS MELDS AGE-OLD STYLE WITH MODERN-DAY FUNCTION.

FLUTES OF FANCY

Part Art Deco and part 1970s Milanese glam, the Lapidary collection from clé incorporates three di erent styles: rough-cut mosaics, smooth-cut ovals and sculpted curves (shown). Perfect for wall treatments, these concave and convex designs come in two sizes and a variety of stones, including travertine, Carrara, Calacatta and Verde marbles. cletile.com

IN BLOOM

House of Hackney teamed up with British tile manufacturer Craven Dunnill Jackfield to introduce a line of handmade ceramic tiles that evoke Victorian-era drama. The collection features 19 th -century reproductions of two Jacobeaninspired fl orals—in both monochromatic relief and vivid screen-printed versions—as well as an a rray of solid-colored square and brick tiles in addition to flat and raised dados. houseo ackney.com

GOING WITH THE GRAIN

The Helene porcelain tile collection from Ann Sacks—o ered in three oak-inspired shades and both three-inch-wide planks and 24-inch-square parquetry forms—can be used everywhere from floors and fireplace surrounds to walls and backsplashes (and even outdoors in certain climates). Better yet, this revival style synonymous with European allure is made of 40 percent recycled material. annsacks.com

ENGLISH LE SSON

MAESTRI STUDIO | GALLERY

When Dallas clients tapped local firm Maestri Studio | Gallery to rework the kitchen in their Tudor-style home, the design team kept the structure’s existing architecture top of mind. “The residence was built during the 1970s to look older than it is,” notes architect Eddie Maestri. “It’s inspired by old English estates, and there were already some nice details including arches, moldings and leaded-glass windows.” In addition to relocating the space from the back of the house to the front, Maestri’s team also added a dining nook that separates the main kitchen from a pantry and storage area. “The nook serves as a statement at that end of the room,” continues Maestri, whose team designed a custom banquette with a dramatic arch that mimics the nearby doorways. “We wanted to play up the original architecture and make the space feel cohesive. It’s like it has always been there.” maestristudio.com

For the breakfast nook, interior designer Katie Paulsen of Maestri Studio | Gallery selected a custom oak banquette stained in walnut and topped with an upholstered cushion of performance velvet and vinyl by Wolf-Gordon. The light fixture overhead is Visual Comfort & Co.

INFLUENTIAL WOMEN OF DESIGN

Trendsetters, tastemakers and style gurus—the women of design are changing the game. And while many of these creative leaders always dreamt of and planned for a career in the field, some of them took a more circuitous route to their current position. One simple thing that they all seem to have in common: these women love what they do. Read on to see what drives them, as well as who these visionaries and innovative creators consider to be the industry’s icons. In this special section, get to know—and be inspired by—the most influential women of design.

When entering into the family business, carving out a niche place for oneself can be easier said than done. But Valentina Beltran, a member of the second generation at metal design studio Belt, has nailed it. The daughter of the firm’s founders, she has become known for her own fresh and creative approach to the craft and business leadership alike. “I take great pleasure in delivering one-of-a-kind designs that seamlessly translate and bring to life the client’s vision,” she says. With bachelor’s degrees in industrial design and architecture, and a master’s degree in strategic design and management from Parsons School of Design, Beltran has no shortage of acclaim to her name. But it’s the relationships she builds with clients and her team that prevail. “The key to our success, I believe, is how we strive to understand the client’s perspective fully and then work together toward the common goal.”

CAN FRIDA COME?

Asked to describe her daily work routine, Beltran enthuses, “Well, everything starts and ends with Frida, my 10-year-old rough collie. We go everywhere together— except for jobsites and yoga studios.” Indeed, from the office to trade shows, Frida is likely to be in tow. After the duo’s morning walk, Beltran enjoys some warm lemon water and journaling before making her way to the office. “From there, the schedule changes based on the projects we’re working on.”

HERMÈS OF METAL DESIGN

To become a household name that brings something exquisite and meaningful to boutique projects around the globe—that is Beltran’s ultimate goal for Belt.

“In many corners of the world, true metalcraft is nowhere to be found,” she says. “We want to change that by expanding to the most exclusive places, while preserving the craft and empowering metal artisans.”

Top Sculptural staircase in cold-rolled steel, Brooklyn, New York. Collaboration with Shenton Architects and Kathryn Eisberg Designs. Far left Designed by Valentina Beltran and Louis Beltran, this bronze-and-reclaimed wood table is shown in Belt’s Origine Gallery in Milano. Left This bronze artistic patina is a part of the Surfaces collection.

Photography Top by Colin Miller

“I believe life is about being in the present, enjoying the journey and pursuing your dreams.”

GOTCHA COVERED OF SOUTH MIAMI

786.408.6990 | gotchacovered.com/south-miami | gotchacoveredofsouthmiami

They say the eyes are the windows to the soul. When it comes to creating great spaces and environments, windows are the soul of any project. That is why Mercedes Garcia Otegui and her expert team at Gotcha Covered of South Miami are so passionate about providing the finest window treatments, textiles and motorized systems for their discerning clientele. “Gotcha Covered is the highest-rated custom window treatment firm in the country,” Otegui says.

“With one of the widest brand and product catalogues in the industry, we offer an amazing selection of blinds, shades, shutters, drapery, fabrics and motorization for every style and function imaginable.” Along with their premium products and custom designs, the Gotcha Covered team is committed to a superior level of service. Otegui adds: “I want Gotcha

Covered to be the go-to brand for Miami’s innovative and inspiring design community.”

A WOMAN OF WISDOM

• What led you to this industry? I’ve always sought creative solutions to challenges. In this quest, I earned a bachelor’s degree in industrial design, worked in new product development at 3M, received a master’s in studio art at the University of Sydney and a postbaccalaureate psychology degree at UC Berkeley. This may seem like a diverse background, but it defines my passion for understanding and finding innovative responses to human needs.

• Name a mentor who’s inspired you professionally. My father has been my greatest influence. He taught me to look for opportunities everywhere, to see things through and to never give up.

• What motivates you? I thrive on challenges, so the fact that each project presents new ones keeps me energized and inspired.

• Share a project that exemplifies your skills. I recently completed a project in Key Biscayne where thermal control was a big issue. After analyzing all the options, I found a cost-effective solution that no one had thought of.

“Customer satisfaction is our first priority, so if you’re looking for exceptional window treatments, we’ve Gotcha Covered.”

Top Exterior motorized solar shades by TWO USA protect this stylish outdoor living space from the heat and sun. Left This sophisticated seating area is complemented by custom wood shutters from TWO USA. Right “These sumptuous textiles by Horizons, Graber, RM Coco and Carole Fabrics are just a small sampling of fabric options we offer for draperies and cushions,” Mercedes Garcia Otegui says.

Photography Courtesy of TWO USA; Headshot by Alejandra Escalante

ONE MIND LAB

561.331.1676 | onemindlab.com | onemindlabco

A key factor in great design, art elevates environments, while inspiring peoples’ lives and lifestyles. For more than two decades, artist Lara Gallardo has been creating exceptional works of art from ONE MIND LAB studio, her renowned atelier. “My mission is to create a higher level of beauty and healing, and a sense of freedom from the world through my works,” Gallardo says. “ONE MIND LAB has allowed me to expand my creative boundaries and envision pieces that uplift the viewers’ souls with beauty, joy and wondrous reflection.” While composition, timelessness, brush strokes and layers of texture set her works apart, a collaborative spirit makes them inclusive. “When working with art buyers or interior designers who are seeking a custom piece, I do a deep dive into the client’s vision and the environment where the work will live so that we can discover an unparalleled creation together.”

AN ARTIST, INSPIRED

When asked if she has always wanted to lead a creative life, Gallardo replied, “Design and art have been my lifelong calling. After graduating from Parsons School of Design, I worked with famous designers and a celebrated photographer before launching a successful swimwear and jewelry brand in New York. After years at the epicenter of the art field, I heeded the call to fully explore my artistic pursuits. This led to the launch of ONE MIND LAB, which is one of the best decisions I have ever made.”

A WAKING DREAM

“Dream 77—seen on the right page—is a dream I had in 2015, which I literally ‘downloaded’ onto the canvas,” Gallardo shares. “All of the colors and the forms of the swimmers are awash with bliss as they bathe in the feeling of divine love. Even though I tend to express my creativity through abstracts, I also love painting the human form and portraits. I don’t like to be boxed-in artistically, so I listen to my inner-self and express what my heart and soul feels at that moment.”

Top Acrylic on canvas measuring 50" x 80". Right Cracks into Infinity measures 42 1/2" x 55". Center Dance of the Waters is 50" x 50" mixed media on canvas. Far right Flow 2 is

Photography Courtesy of ONE MIND LAB

THE PRIVATE COLLECTIONS

305.375.0083 | theprivatecollections.net | theprivatecollections

When considering influential women in any industry, trailblazers who take risks, break boundaries and are passionate about what they do naturally come to mind. So it is with Zuli Marval. As co-owner of The Private Collections, she leads an expert team that brings innovative design, enduring skills and exceptional quality and service to their clients. “We’ve remained at the forefront of our trade for more than 15 years by providing integral design services to homeowners, builders and design professionals from our showroom in the Miami Design District,” Marval says. “Our world-class team is known for creating beautiful, functional, sophisticated environments for our clients’ residential and commercial projects. And, with so many new developments in the works, we are excited to bring new conceptual designs that are infused with old-world quality and craftsmanship to Miami and beyond.”

THIS WOMAN’S WORK

• What motivates and energizes you? My family is my fuel, my aesthetic passion is my fire and my loyal clients keep that fire blazing. Nothing makes me happier than creating sophistication and refinement while bringing my clients’ dreams to reality.

• What does the future hold for women in design? I believe there are no limits for

women in design. Realizing and fostering our dreams takes individual acts of courage. And when we work together, women create a space where we can promote and share one another’s unique visions.

• If you hadn’t chosen a life in design, you’d be … ? I’d be doing anything where I was helping people create a better environment.

Above Collection Particulière furnishings, lighting from Matthew McCormick’s Mila Collection and accessories from When Objects Work make this an inviting place to relax and unwind. Top left This chic and comfortable living space features millwork by Obumex, furnishings by Collection Particulière, lighting from McCormick’s Halo Collection and accessories by When Objects Work. Top right Stylish and sophisticated are just two of the words that describe this state-of-the-art chef’s kitchen by Obumex.

Photography Above, Top left & Top right by Claudia Uribe; Headshot by Miguel Ducos

“Combining our design backgrounds with the superb European lines we represent creates unique interiors.”

Zuli Marval at The Private Collections Showroom

Joseph Dirand Kitchen by Obumex

Lighting Dodeca Collection by McCormick

Accessories by When Objects Work

PHOTOGRAPHY BY MIGUEL DUCOS

SARAH Z DESIGNS

305.906.5500 | sarahzdesigns.com | sarahzdesigns

As one progresses in a career, a narrowing of focus occurs. For Sarah Zohar, CEO and owner of Sarah Z Designs, this has result in three primary intentions for her projects: a feeling of luxury, a specialty in biophilic design and a dedication to start-to-finish services—from permits and construction to design. It can be a rare thing to find a revered interior designer who also understands the red tape of building, but for Zohar, it stems from a family legacy. “Growing up, my father was a builder,” she says. “He’s one of my most important mentors.” Today, she has turned his lessons into a thriving business, wherein homeowners see their dreams realized in Zohar’s signature sophisticated form. As for what energizes the designer each day, she says, “My clients! The anticipation of the final showcase day, when I’ll see their reaction with everything ready to go, really motivates me. Also, coffee, coffee and more coffee!”

DAILY DOINGS

“On a typical day, I come into the office, meet with clients, select finishes for their projects, take them to vendor showrooms and show them the quality of the furniture, go to the jobsites to ensure everything is progressing smoothly and then return to the office to go over orders with the team,” Zohar shares. “It is a very hectic and tedious profession at times, and I like to make sure everything is moving along in a timely manner to meet deadlines.”

WINNING TRIO

Zohar shares three of her favorite social media accounts to follow for Instagram inspiration.

• @rob_makaryan, who is a minimalistic designer and uses angles beautifully.

• @adamhunter, who uses bold, yet muted colors/designs in his projects while also incorporating biophilic elements.

• @nk_interior_, who has a similar design style to my own, with gorgeous spaces and biophilic elements as well.

“If I weren’t in this profession, I’d beautify the world in other ways, such as art or fashion, or mentoring young women to find their voice.”

Above Enter into an oasis, with a custom, backlit waterfall wall unit to welcome. Top This stunning primary bedroom is at once sleek and full of warmth. Left The main areas for this completed project in Acqualina Residences are light and bright, complementing the ocean views.

Photography Above, Top & Left by Craig Denis; Headshot by Jean-Noël Martin

SIERRA FURNITURE

305.801.5492 | sierrafurnituremiami.com | sierrafurnituremiami_

Sometimes, a single career path just isn’t enough for the passionate. Such is the feeling for Carla Canepa, who in addition to being an interior designer, is the creative director and CEO of Sierra Furniture Miami. “The combination gives me the freedom to personalize pieces for my interiors,” she shares. Founded in 1990 in the city of Gramado, Brazil, with the first showroom opened by Canepa in Lima eight years ago, the brand is now present in more than 10 countries around the world. Asked to discuss future goals, Canepa enthuses with the spirit of a true entrepreneur, “One of the core aims for me was to have a Sierra Furniture Miami showroom in Florida, which we accomplished last year with the opening of our Coral Gables location,” she says. “My new goal is to continue expanding throughout this beautiful state, which will coincide nicely with my interior projects in Fisher Island, Pinecrest, Coral Gables and beyond.” The latter includes endeavors in California and Puerto Rico.

A FAMILY PASSION

“My father has always been an example for me,” Canepa shares. “My sister (now also an architect) and I always wanted to go and visit his projects on the weekends, and during the week we went to his office to draw and paint. He was a very famous architect in Lima in the 1980s, recognized for his innovation and the way he made the Mediterranean style his own.”

LIMELIGHT ON LIMA

During quarantine from the pandemic, Canepa and a group of nine colleagues decided to use the downtime to make big plans in Lima, Peru. “We started the official Interior Design Association of Peru, called DID, of which I am now vice president,” she shares. “It has been more than a year since we officially launched activities, which include social projects, the first interior design week in Lima, conferences promoting the career path in universities, alliances with brands and more.”

Top The elegance of marrying wood and concrete is core to Canepa’s style, and it is exemplified well in this interior. Bottom A project with personality, this home contrasts neutral colors with black tones that make the space feel contemporary and minimalist.

“Milton Glaser said, ‘There are three responses to a piece of design—yes, no and wow! Wow is the one to aim for.’ I live by that.”

Photography Top by Renzo Rebagliati; Bottom & Headshot by Vinicios Barro

DESIGN FOR LIVING

• Share your earliest design memories. As a child I loved building tree houses and then decorating them with wallpaper, curtains and whatever furniture I could find.

• Who are your ultimate female design icons? Kelly Wearstler and Zaha Hadid immediately come to mind. Their creativity, boldness and ability to take risks while staying true to their signature visions make them true trailblazers.

• What motivates you? From the energy we get from enthusiastic clients to Miami’s amazing design community to my team’s passion for delivering a great product, I find motivation in many different avenues.

THE WALL STUDIO

786.228.8550 | wall-studio.com | the_wall_studio

Good design can be learned, but great design is born from a lifelong passion. Fascinated with design from childhood and trained in the fine arts, The Wall Studio founder Blanca Wall left her native Sweden for Miami 22 years ago to pursue her ambitions in interior architecture. Today, Wall works hand-in-hand with her discerning clientele to take their custom projects from inception to completion. “My Scandinavian heritage, deep design roots in Miami and collaborative, client-centric approach are the foundations of my design philosophy, which is to make interior design approachable, livable and inspiring,” she says. Another important aspect of Wall’s work is her commitment to sustainability. “Sustainability is more important than ever before,” she shares. “I love to work on projects that incorporate holistic ideals and a luxury aesthetic while supporting the latest eco-friendly technologies.”

Above Bursting with whimsical chic, this dining area boasts a Pae White chandelier, an Emmemobili UFO table, 699 Superleggera chairs by Cassina, a Holly Hunt Brimstone console and an eye-catching work of art by Tom Wesselmann. Top A Jack Pierson artwork framed by custom bookshelves is the centerpiece of this inviting media room, while a Henzel Studio wool and silk rug lends an organic touch. Far left Neutral tones bring a serene feel to this state-of-the-art kitchen where sleek Poggenpohl cabinets are complemented by a Cristallo backsplash and countertops from Opustone. Counter stools by Mark Albrecht Studio for Holly Hunt complete the picture. Left Grounded by slabs of limestone and clad in rift-cut oak paneling, the elevator foyer of this Miami condo makes a dramatic statement thanks to the Alison Berger Glassworks carpenter’s bench by Holly Hunt and a Pae White artwork tapestry.

“Great design is about building a lifestyle, and life is found in the smallest details.”

Photography Blue Ocean Photography; Headshot by Viveca Ljung

LOVE, LUXE Design Inspiration to Your Inbox

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THE LUXE LIST

The one-stop-shop design digest for standout spaces, market finds and talented creatives.

LUXE AT HOME

Discover residences created by top-notch designers from across the country.

THE EDIT

Engage with stories and pieces from our editors’ can’t-miss list.

Outside the Box

A tropical modernist dwelling samples the past for a uniquely contemporary design.

WRITTEN BY JENNIFER BOLES

PHOTOGRAPHY BY NICOLE FRANZEN

STYLING BY PAIGE WASSEL

Architecture and Home Builder: Sebastian R. Olarte, Blanco Design + Build Interior Design: Josh Evan and Michael Edward Moirano, Evan Edward

The front exterior presents a contemporary take on a Balinese-style entry with Niwala stone, elevated planters and a breeze-block wall that provides privacy for the terrace. The ESWindows door is framed by Bevolo Gas & Electric Lights lanterns.

ike many who move to South Florida, Melina and Randy Starr dreamed of building a house that would allow them and their two children to enjoy the outdoors year-round—something particularly desirable for the family, who had just relocated from Dallas. After a six-month search yielded a bayfront lot with firstrate water views, Melina began putting into motion her plans to design a residence that “didn’t look like it was another glass box,” she describes. “I’m from Fire Island, New York, so I wanted to bring a little bit of that to Miami Beach while still paying homage to the neighborhood.”

To refine her vision, Melina enlisted the help of designers Josh Evan and Michael Edward Moirano—but not without first meticulously laying out her ideas. A capable design enthusiast who was initially tempted to oversee the project herself, she presented the designers with a detailed deck of her vision for the abode, both inside and out. “She wanted the house to be beachy and to have a sandy palette,” Evan says, recalling images of terrazzo and warm wood finishes. “The interior had to have some contemporary but also Art Deco influences as a nod to Miami.”

This inspired the duo, alongside residential designer Sebastian R. Olarte, to devise a tropical modernist structure with midcentury touches. While Evan and Moirano determined aspects of the interior architecture, Olarte took on the challenge of laying out the dwelling within the confines of the property’s narrow, deep lot. “The most important things for the clients were the connection and views between the water and the home’s main spaces,” Olarte says, explaining his decision to frame the south- and west-facing walls with floor-to-ceiling glass. On one side, he positioned a covered terrace in such a way that its roof would not prevent natural light from entering the living areas while allowing for crossventilation between the water and terrace. And a pool that wraps around a corner adds another layer to the vistas seen from indoors, creating an effect Melina compares to “floating on water or being on a boat.”

Inside, Evan and Moirano planned spaces such as the white oak kitchen and the cast-concrete

staircase to continue the look and feel of the exterior. “We tried to keep the architecture very contemporary,” Moirano says, “but we wanted to take influences from modernism that developed into what contemporary Miami architecture has become.” Two of those details are the main level’s terrazzo flooring and the exterior’s breeze-block screen. And to convey Melina’s sentimentality for the 1970s-era Fire Island of her youth, the team introduced a honey-colored wood finish both indoors—including millwork designed by Evan and Moirano—and outdoors, where Olarte incorporated it on the underside of the home’s eaves.

This modernist streak is also evident in the decor, especially the designers’ choice of midcentury and retro-inspired furniture and lighting. “ We love good vintage,” Evan says. “It’s in our firm’s DNA. We try to find highimpact pieces that speak for themselves.” They scoured auctions, dealers across the globe and the internet for pieces that would gel with the abode’s beachy-modern vibe, especially those made of rattan, caning or warm wood. Case in point: the cane backs of the dining area chairs, the primary bedroom’s rattan headboard and the family area’s sliding parchment wall panel fabricated to conceal the television.

The living area in particular is an eclectic mix of 1930s armchairs, an aluminum floor lamp inspired by a Verner Panton design and an angular sofa. “Every piece was so important within the confines of an open floor plan,” Moirano explains. “There was no room for excessive, overabundant furniture.” Yet the most notable feature in this space is a patchworklike screen Evan and Moirano conceived in collaboration with artist John-Paul Philippe that separates the living area from the foyer while filtering in views of Biscayne Bay.

Environmental factors like the daily shifting sunlight and its relation to the landscaping influenced the jungle-like palette, such as the family area’s sofas—green with flecks of gold— and the dining area’s vintage ceiling fixture, made of amber-toned glass. “The clients’ last name is an astral moment,” Moirano notes.

“We chose that color to evoke the yellow light of the sun, in relation to the living area, where the fixture is an astral burst.” It’s details like these that bring the homeowners’ vision to life.

Above: Designers Josh Evan and Michael Edward Moirano conceived the staircase, made of cast concrete featuring metal-and-glass railings, a leather-wrapped banister and woven sisal runner. Beneath is a bar fashioned out of white oak, bronzed brass and jasper from Opustone Stone and Tile Concepts.

Opposite: The Pandanus tree outside the family area inspired the Casamance material selection covering Dune’s Da Bomb sectional. A custom ottoman wears Moore & Giles leather, and the draperies are a Kohro textile. The parchment Alexander Lamont wall panel conceals the television.

Alfio Lisi’s Cone table from Dpot rests on Opustone Stone and Tile Concepts terrazzo flooring in the dining area. The Ernest Farmer for George Nelson chairs—outfitted with Misia fabric from Angela Brown Ltd—and vintage Carlo Scarpa light are from 1stdibs.

“The interior had to have some contemporary but also Art Deco influences as a nod to Miami.”

–JOSH EVAN

A 1980s Ottavio Missoni tapestry from RoGallery overlooks the playroom. The poufs and 1950s Kalmar lamp are from 1stdibs. The custom sectional dons a Westbury Textiles material from Angela Brown Ltd.

Right: The primary bedroom’s Percival Lafer Earth chair and ottoman from 1stdibs were reupholstered in Misia and Studioart leathers. A vintage floor lamp and Andrianna Shamaris side table pair with the draperies’ Designs of the Time textile.

Opposite: A custom bed with Bielecky Brothers rattan sets the tone in the primary bedroom against a plaster wall. The French mica-and-brass nightstand from 1stdibs holds Inger Persson’s Model No. 8437 lamp.

CALI CALLING

Inspired by 1960s Los Angeles homes, a designer adds an earthy, tranquil feel to her neighboring abode.

WRITTEN BY KELLY VENCILL SANCHEZ | PHOTOGRAPHY BY KRIS TAMBURELLO

Interior Design: Constanza Collarte, Collarte Interiors Landscape Architecture: Carolina Monteiro, CLAD

A Brent Wadden piece decorates the foyer, painted Benjamin Moore’s Silver Satin. Next to the 1970s chair, a Guillerme et Chambron sideboard holds a Robert Sonneman lamp. Exquisite Surfaces’ Tao Gray Rustic flooring runs beneath a rug from Woven.

esigner Constanza

Collarte was intrigued when a California couple called to see if she could inject some personality and character into the modern white dwelling they’d just purchased in South Florida. But her interest particularly piqued when she discovered the house was just down the street from her own. “Both of them are creative professionals, and they really wanted a home that was expressive,” the designer recalls. “Having been through several renovation projects, they were decisive and well versed in design. This wasn’t their first rodeo.”

The owners, who were relocating from a Los Angeles residence with a French Normandy style, were hoping to transform their new Coconut Grove home and its striking geometries to feel more personal, rich and layered. A more serious challenge was posed by their timeline: Collarte had four months to make the abode livable in time for the couple’s three daughters to begin a new school year.

Taking into account the structure’s flat roof, double-height overhangs, large columns and generous windows, the designer wasted no time showing her clients conceptual presentations and mood boards full of ideas. Inspiration came from the West Coast, specifically the architecture and interiors of midcentury Los Angeles homes. “The house’s lines hark back to residences by Pierre Koenig, Raphael Soriano and Richard Neutra,” Collarte says. To enhance the indooroutdoor experience, she employed an earthy color palette, incorporating a range of beige, ochre and chocolate tones with statement touches of black.

Working in phases, Collarte revamped the kitchen and transformed bathrooms, including taking a risk that paid off by enveloping the primary in dramatic white marble with striking dark gray and purple veining. She also repurposed two spaces to better fit the family’s needs: The porte cochere turned into a multipurpose game room with a pool table and the owners’ 1970s leather sofa, while an area near the pool that once housed a gym became the wife’s writing den.

To introduce texture, the designer added walnut and brushed oak millwork and plastered walls as well as ceilings. She also replaced a low partition in a corner of the living area with a custom travertine bar and knotty hemp wall. “It reinforced that ’60s-’70s feel,” Collarte observes. And she embraced the kitchen’s dark palette with a shou sugi ban finish on the island and a custom iron-and-glass cabinet.

The clients arrived with a beloved collection of furnishings, decor and eclectic artworks, so the designer worked closely with them to round out the home with a unique array of pieces. For instance, surrounding the kitchen’s new iron table are the owners’ Brutalist stools. To occupy space beneath an existing geometric green artwork in the foyer, she acquired a 1960s French sideboard. A wall hanging and a midcentury chair that had adorned the family’s former living room are now accompanied by a sculptural brass floor lamp and a parasol-like chandelier in their new space. And in the primary bedroom, Collarte paired the couple’s curvy sofa with a custom bedspread boasting warm, natural hues. “There was a lot of adaptation and seeing how we could add new pieces and elements to what they already had to make it feel fresh,” she says.

Bringing in layers and textures also guided the design of the garden by landscape architect Carolina Monteiro. She supplemented the property’s vegetation with layers of tropical foliage for privacy, along with new orange, lemon and lime trees as well as an ice cream mango— a special request by the husband.

At the front of the house, Monteiro framed the yard with a new hedge and created a tranquil seating area on a gravel-covered ground. “The moment we enclosed it and started to add plants, it felt much more private and inviting,” she explains. At the rear, the landscape architect set an outdoor shower in a lush area near the pool and chose hardwood flooring for a new deck that’s become a favorite spot for sunbathing.

In spite of the quick timeline, the finished house is a marvel of collaboration and modification. “The beauty of this project is how the owners challenged me in terms of color palettes and shapes,” Collarte says. “I take so much from my clients and try to add to who they are and how they want to live.”

Tanya Aguiñiga artwork oversees the living area. An Otto Schulz for Boet chair joins Paul Matter’s Monolith floor lamp and custom pieces including the sofa, armchair and coffee table— all atop a Woven rug.

Right: Plastered walls coated in Benjamin Moore’s Graphite complement the powder room’s Nero Marquina vanity with a Vola faucet. Existing art rounds out the scene with the vintage pendants, iron mirror and cork lamp with a rattan shade.

Opposite: Augusto Savini Pamplona chairs surround the dining room’s Gregorious Pineo table. A Tuareg rug from John Derian flows underfoot; Lindsey Adelman Studio pendants hang above. Olafur Eliasson photographs partner with the owners’ artwork.

Above: The wife’s office is grounded by Danielle Siggerud’s Mattina desk. An Arnold Madsen chair sits with a Toogood stool below Lawson-Fenning’s Ojai mirror. The Ruemmler bookshelf contrasts the rug from Woven and de Le Cuona sheers.

Opposite: Karl Springer’s Souffle pouf perches beneath the primary bathroom’s artwork from the Palm Beach Antique and Design Center. The vanity’s Breccia Capraia marble, outfitted with Cocoon faucets, and Harlequin granite flooring are from Opustone Stone and Tile Concepts. Apparatus sconces align with Waterworks medicine cabinets.

“ THE BEAUTY OF THIS PROJECT IS HOW THE OWNERS CHALLENGED ME IN TERMS OF COLOR PALETTES AND SHAPES .”

–CONSTANZA COLLARTE

The primary bedroom’s rug from Woven enhances the Vladimir Kagan sofa and vintage coffee table. Ruemmler nightstands and Lulu and Georgia’s Tawney bench frame the custom bed near the Gio Ponti dresser and chair. Apparatus’ Cloud chandelier and Hudson Valley Lighting sconces punctuate the space.

DOWN TO A SCIENCE

Taking a studied approach to color, an artist layers hues and textures reminiscent of environmental forms.

WRITTEN BY SKYE SHERMAN

PHOTOGRAPHY BY SONYA REVELL

While Renee Phillips manipulates latex paint on canvas and wood—mixing, pouring, layering, spraying—the artist is not merely painting. She’s sculpting, conducting meditations on color and experimenting with the very chemistry of her materials to produce forms with drips and lines that tell the story of their creation.

The Delray Beach artist elicits texture from the paint itself. “I’m trying to get the signature characteristic of what that color wants to say,” she explains. “Whites give me these luscious, soft ripples, but dark greens give me more of a cracking experience. I found that if I studied just one color at a time, the color would tell a story.”

Phillips’ method involves mixing large paint buckets in her Arts Warehouse studio, occasionally adjusting the viscosity level with additives, then pouring onto a panel and tilting the board to maneuver the color. After bringing it outside for spray-painting, the artist then adds more layers, repeating as needed. “It’s a very physical process,” she acknowledges.

“I’m creating art with my body and the elements of wind, water and gravity.”

In the end, viewers see “layers of alchemical techniques and color fields,” Phillips says.

“I’ve been turning the studio into a science lab for the past decade, figuring out the different ways paint and material work together.”

After hundreds of hours spent (quite literally) watching paint dry, she knows the ins and outs of pigments and polymers. In a detailed journal, the artist meticulously documents how colors and finishes react to variables like temperature, humidity and time of day when poured.

She owes her scientific bent to her father, a veterinarian from Colorado who encouraged his daughter to look through his microscope and observe the outdoors. “He opened my senses up to the natural world,” Phillips recalls. Heavily inspired by aerial photos, she pores over NASA satellite imagery and takes trips to examine mountains, layers of rocks and tides.

In response, the artist’s work is reminiscent of Earth forms and the overview effect astronauts describe upon seeing the planet from far away.

An exhibition of her work animated by 3D motion artists is now on display at the Mandel Public Library of West Palm Beach. “I want to create new methods of working with paint and explore color as a raw material,” Phillips reflects, “and see where that takes me.”

In her Delray Beach studio (bottom), artist Renee Phillips creates textured canvases influenced by the natural world (opposite). During her process, she maintains a detailed color journal (below) recording factors such as the time of day a layer of paint was poured. A recent series involved displaying leftover paint fragments that had dried in buckets (left).

Interior Design: Cameron Ruppert, Cameron Ruppert Interiors Home Builder: Sam Hjalmeby, Samuel Construction Group

Shore Thing

Using a coastal-inspired palette, one designer crafts a family-friendly waterfront getaway for her parents.

WRITTEN BY MICHELLE BRUNNER

PHOTOGRAPHY BY STACY ZARIN GOLDBERG

STYLING BY KRISTI HUNTER

Occupying a hallway niche, a Chippendale settee from Chairish stands on Burchette & Burchette flooring. The pillows wear Elizabeth Eakins and Schumacher fabrics. Soane Britain’s Cygnet sconces flank the owners’ artwork, hanging against Phillip Jeffries’ Diamond Weave wallcovering.

his was the least-Florida place you could imagine,” designer Cameron Ruppert remembers about the first time she stepped inside her parents’ new condo. She would know: Since she was a newborn, her family had been flocking from Washington, D.C., to her grandparents’ house in the Sunshine State. When her grandmother sold the residence, Ruppert’s parents purchased a three-bedroom unit down the street so future generations would have their own warm-weather getaway. But the waterfront home’s sunny setting gave no indication of the dark interiors within. “All the wood trim, floors and kitchen cabinetry were mahogany,” the designer recalls.

Working with general contractor Sam Hjalmeby to renovate the Vero Beach home, Ruppert began swapping out the finishes. “Most of the upgrades were cosmetic,” Hjalmeby says. “We replaced the floors with whitewashed oak and painted the original kitchen cabinets.” A few areas, however, required deeper intervention: The primary bathroom was gutted and reconfigured, and the dining room’s decorative columns were replaced by a new walled opening, allowing the living and dining spaces to function as individual yet connected areas.

That separate but unified approach extends to the interior palette, too. A buoyant blend of blues, creams and browns provides a design throughline for much of the project, with subtle variations from room to room. “All of my parents’ houses are very beige,” Ruppert says. “This is a coastal residence, so we wanted to lean into those lighter blues.”

While the designer effortlessly conjures a sense of place through the palette and the occasional touch of rattan, there’s nary a ropewrapped lamp or sea-glass accent in sight. Instead, she envisioned a family-friendly retreat with elevated finishes. Take the living room, where a sand-toned grass-cloth wallcovering provides a textural backdrop for dollops of vibrant French blue, Indian-inspired paisley pillows and a graphic rug that grounds the room with deeper shades of cocoa. As a nod to the

surroundings, she placed a faux palm tree in the corner and used vintage shell-backed chairs as additional seating at the new breakfast nook. Because grandchildren are frequent visitors, the banquette’s fabric is laminated to guard against spills and splashes. “It’s totally wipeable—which is nice, because it makes me feel better about my kids eating and getting ketchup all over the place,” Ruppert says with a laugh.

Just beyond the breakfast nook, the designer coated the dining room walls in blue lacquer—an idea initially met with slight trepidation from her parents, who thought the glossy treatment might be better suited to a cosmopolitan New York City apartment than a casual beachfront condo. “With the case openings, they were worried about it getting darker and feeling like it’s not connected to the main living space,” she explains. “I told them we should embrace the fact it’s an interior room with no windows. That contrast helps to make the other spaces feel even happier.”

Off the living room, a moodier version of the color story takes root in the den, thanks to a brown-and-cream floral wallpaper. There, Ruppert incorporated a few of her grandmother’s British Colonial-leaning pieces, including end tables, an ottoman and two cane chairs, which she re-covered, leaving a glimpse of the original fabric under the seat cushion to honor their history.

While the designer kept the finishes mostly neutral in the primary bedroom and fully embraced old-school Palm Beach chic in the guest quarters, she let her whimsical side take flight in the bunk room. The space—which sleeps eight grandchildren, owing to twin beds with trundles underneath—stays within the color palette while playing with patterns: floral on the walls, stripes on the window shade, polka dots on pillows. Artwork her father has had since the 1980s adds an heirloom touch to the already sentimental surroundings: “Part of why I loved working on this room so much was because I knew my children were going to be using it,” Ruppert says. “I have countless memories of going to my grandmother’s house when I was growing up; this new condo represents that for my kids, so it felt personal. That connection is what made this project so special.”

Above: Ocean Series 8 by Todd Kenyon from Gallery Henoch enlivens a wall in the dining room, which is lacquered in a custom Fine Paints of Europe hue. Coleen & Company’s Sarafina chandelier and Sarina sconce illuminate the space.

Opposite: Soane Britain’s rattan Carousel chairs, tied with cushions in the brand’s Kalamkari Chevron textile, surround the dining room’s Century Furniture Lexington pedestal table. Patterson Flynn’s Sintra rug in Azure runs underfoot.

In the den, Soane Britain wallpaper complements Benjamin Moore’s Wild Mushroom on the pocket doors. An Otis Textiles’ Neighbors Sheep shearling covers the armchairs. A Charles Stewart sofa and TCS Designs ottoman rest on Rosecore’s Bennett carpet. Oomph lamps top CFC side tables.

“Part of why I loved working on this room so much was because I knew my children were going to be using it.”

–CAMERON RUPPERT

Casa Branca’s Papavero wallcovering, custom beds in Raoul Textiles’ Lotte fabric and draperies of Schumacher cotton present a spirited mix in the children’s bunk room. Masland carpeting bolsters Amanda Lindroth side tables. Ro Sham Beaux sconces complete the scene.

Primestones

TRENDS IN BUILDING, DESIGN + RENOVATION

It takes a special expertise and vision to understand the wants, needs and desires of today’s homeowners and their families, and then make them reality. Whether it’s a “from-the-ground-up” custom build, a blank-slate renovation or the simple redesign of a space or environment in an existing home, the keys to success are the talented architects, interior designers, builders, artisans, craftspeople and innovators who bring beauty, form and function to the work they do and projects they inspire. Luxe Interiors + Design is pleased to unveil Trends in Building, Design + Renovation, a unique special section that introduces the most gifted minds and creative spirits in design, construction and renewal to those looking to reinvigorate their homes, elevate their daily lives and enhance their lifestyles.

TRENDS IN BUILDING, DESIGN + RENOVATION | MIAMI

ELITE HOME THEATERS AND AUTOMATION

305.830.9453 | elitehta.com | elitehta

Where innovation, expertise and service meet, great lifestyles are born. As president of Elite Home Theaters and Automation, Bobby Graves leads a team of experts who specialize in the engineering, installation, programming and servicing of luxury entertainment and control systems. “We’re an award-winning technology firm that caters to the residential, commercial and marine industries,” Graves says. “From our offices in Miami, Manhattan and Nassau, we provide white-glove service and nurture long-standing relationships with our partners and high-net worth clients where they live, work, play and travel.” A big part of Elite HTA’s success is rooted in their collaborative approach. “We cultivate the best and brightest technicians, programmers, engineers and sales professionals who work hand-in-hand with homeowners, architects, designers and contractors to ensure that the final results exceed all expectations.”

THE MUST LIST

Bobby Graves shares Elite HTA’s top requests.

• Automation

• Climate control

• Lighting control

• Solar window treatments with UV protection

• Audio and video entertainment systems— seamlessly integrated

• Outdoor sound, lighting and TV systems— seamlessly integrated

• Motorized shades and draperies

• Home theaters

Above As the world’s first foldable 144-inch Micro LED television, the HLR TV unfolds a whole new world of innovation and sensory enjoyment. Featuring the newest outdoor Micro LED technology with 1.6-pixel resolution. Top The movie screen-sized C Seed Blade is the perfect fit for a wide variety of room configurations while offering the ultimate quality indoor TV technology package. Far left & Left Combining cutting-edge technology with avant-garde style, the C Seed N1 reshapes interior design and transforms the media experience.

Photography Courtesy of C Seed

“We deliver cutting-edge home automation and technology with conciergelevel service to luxury homeowners worldwide.”

PRIMESTONES

786.703.1128 | primestones.com | primestones

When one is constructing a new home or reimagining an existing space, it is always best to work from the ground up. With their vast and impressive selection of natural stone slabs, Primestones has been the leading source for homeowners, builders and design professionals who are looking to bring Earth’s most beautiful and enduring materials to their projects since 2014. “We are a family-owned company that offers the highest-quality stone sourced from all seven continents, which we deliver with exceptional customer service,” the Primestones team says. “Whether you decide to go with natural stone or an innovative engineered product, the stone experts at our Miami, Broward and Palm Beach locations have the right luxury piece to suit your style, your budget and make your space a true showstopper. We also cater to our clients’ unique needs and can accommodate any custom projects they dream up.”

KEYSTONES OF DESIGN

The Primestones team shares four rock-solid design trends.

• Outdoor Kitchens: We’ve seen a significant increase in homeowners looking to build or redo their outdoor kitchens, and stone is the natural first choice for these environments thanks to its strength, durability and organic appeal.

• Indoor Kitchens: The true heart of the home, kitchens are always top priority when building or renovating. Stone countertops, backsplashes, islands, flooring, accent walls, tables and more bring enduring elegance.

• Bathrooms: Whether it is a spa-inspired retreat or a powder room for guests, bathrooms and stone are a perfect pairing. From integrated sinks and tubs to vanity surfaces to sleek natural showers, walls and flooring, stone is always right.

• Boats and Yachts: Sailors and yachtsmen want to feel as comfortable on the high seas as they do on dry land, which is why stone is the primary material for galleys, baths, bars, countertops and wallcoverings that move with the tide.

“Our unparalleled inventory of natural stone slabs will enhance any project and complement any style or aesthetic.”

Top The beautiful color palette and harmonious flow of veins make Denali marble the center of attention in this chic South Florida kitchen. Far left Brazilian Amazon quartzite brings organic glamour to this gorgeous open-air kitchen and entertaining space. Left This custom dining table combines the richness of living-edge wood with the strength and beauty of Taj Mahal quartzite, making a truly unique design statement.

Photography Nick Sargent

PRIME TONES

DISTINCTION MADE BY NATURE

MIAMI | BROWARD | PALM BEACH

Soho Sofa | Layla Armchair | Soho Coffee Table | Ilia Coffee Table Designed by Christophe Pillet

Vega Armchair Designed by Maurizio Manzoni

Half Moon Light Designed by Umut Yamaç