Luxe Magazine - November/December 2023 Austin

AUSTIN + SAN ANTONIO

Defining Luxury.

Gottesman Residential Real Estate is a prominent, local Austin company specializing in a full-service luxury real estate experience.

Gottesman Residential Real Estate | 512.451.2422 GottesmanResidential.com

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Pre-order – for Fall 2023 release

Photos by Flavien Carlod and Baptiste Le Quiniou, for advertising purposes only. BAO BAO ISSEY MIYAKE bag. Ecker Architekten. (1)Conditions apply, contact store for details.

French Ar t de Vivre

Discover Gaggenau’s Range of Solutions.

More than a cooktop The range, reconsidered Introducing the range alternative, a uniquely integrated approach from Gaggenau. Tailor your own range alternative with the cooking appliances matched to your culinary preferences and style. Select from a variety of cooktops such as gas, induction, wok, electric grill, or even a Teppan Yaki. Then choose from a variety of ovens, combi-microwaves, warming and vacuuming drawers, configured to create 30, 36, 48, 60-inch and larger combinations.

Further your kitchen’s distinctiveness by integrating downdraft ventilation, introduced in Europe in 1976

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PRESIDIO STEEL DOORS & WINDOWS | Offering Thermally Broken Steel Doors & Windows 8651 Old Bee Caves Road | Austin, Texas | 512.524.6060 | presidiodoors.com

Henry, meet Chronos.

©2023 Waterworks is a Registered Trademark of Waterworks IP Company, LLC

Introducing Henry Chronos

Available at Alexander Marchant 1617 W. Koenig Lane | Austin, TX | 512.462.1444 4435 McCullough Ave | Olmos Park, TX | 210.320.2093 ALEXANDERMARCHANT.COM

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L I V I N G WAT E R R A N C H | 1 3 7 ± AC R E S | H A R P E R , T X | G I L L E S P I E CO U N T Y

Escape to the Texas Hill Country with this 137+ acre heritage property, located just 20 miles from Gillespie County Airport.

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WWG

Wa l ly W orkm a n G a lle ry

SY LVI A BE N I TE Z Green, oil on canvas, 36 x 36 in. Wally Workman Gallery 1202 W. 6th St. Austin, TX 78703 wallyworkmangallery.com 512.472.7428

WesternWindowSystems.com

Photo by Dror Baldinger

“We were designing for floor-to-ceiling glass and needed a sleek design with minimal frames. Western Window Systems fit that scope. They have a very regular, modern design for sliding doors and fixed window systems, so it worked perfectly for the house that way.”

Scott Specht, Specht Architects

Design Better

2023 Luxe Red Awards Readers’ Choice Winner for Austin + San Antonio Exterior Architecture

CONTENTS

NOV DEC 2 02 3

48

EDITOR’S LETTER

Scene 58

D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.

Radar 72

NOTEWORTHY Meet three designers who are crafting products that address sustainability, materiality and technology.

76

I N S P I R AT I O N Billy Cotton unpacks his approach for creating grounded, evocative spaces.

80

A R C H I T E C T U R A L LY S P E A K I N G Leading architects examine the evolution of AI for the industry.

82

I N N O VAT I O N With a waste-not approach, plant and fruit leathers are becoming the latest in-demand textiles.

Market 96

M AT E R I A L Marvel at the handiwork of patchwork quilts and reflect on the craft’s well-deserved renaissance.

106

TREND Luxe rounds up three major art exhibits headlining this season.

112

SPOTLIGHT Get to know six vintage and antique shop owners charting their own course.

Living 130

LUXESOURCE.COM

K I TC H E N + B AT H Conceived as design-forward sanctuaries, these restful bathroom spaces take center stage.

Designers, epicureans, and guests.

The French door that satisfies them all.

Introducing our new fully integrated 48-inch French Door Refrigerator/Freezer; designed to fit any kitchen’s style and every entertainer’s needs. Thanks to its impressive capacity, and features like the exclusive 5-mode Convertible Drawer and Dual Ice Maker with Craft Ice™, your favorite foods and growing guest lists will be well taken care of. That’s how we stay #TrueToFood

SignatureKitchenSuite.com

Learn more about how we stay True to Food by visiting our showroom near you:

K&N Appliance Gallery Austin, TX | 512-566-4648 knsales.com

Copyright 2023© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.

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CONTENTS

FEATURES

148

162

166

176

Effortless Elegance

The Dressmaker

Truth Be Told

Destination Home

A family’s Houston residence is reimagined using layers of patina and pretty patterns.

One Houston artist uses printmaking as a tool for exploring the female experience.

Authenticity underscores the renovation of an Austin house brimming with natural materials.

It feels like vacation in this Dallas abode built with farflung places in mind.

Written by Monique McIntosh Photography by Nathan Schroder Styling by Jessica Holtam

Written by Laura Fenton Photography by Jill Hunter

Written by Christine DeOrio Photography by Julie Soefer Styling by Jessica Holtam

Written by Maile Pingel Photography by Nathan Schroder

ON THE COVER: Blair Burton Interiors coated this Austin kitchen island in Farrow & Ball’s Hague Blue, contrasting Taj Mahal leathered quartzite counters from Architectural Surfaces. Visual Comfort & Co. pendants light a Waterstone faucet from Ferguson Bath, Kitchen & Lighting Gallery. Two Hills Studio fabricated the vent hood. Page 166

LUXESOURCE.COM

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I N

P A R T N E R S H I P

a design destination

MADE FOR YOU Las Vegas Market is the place for premier, cross-category sourcing, full of innovative and exceptional product discovery. This winter, the creative mecca is excited to welcome new and expanded design resources to Building B, Floor 2. This brand-new destination is a hub for inspiration, with captivating brands and products that complement Las Vegas Design Center’s 120 product lines available year-round. Set in a city like no other, Las Vegas Market Winter 2024 is a one-stop shop for every design need. B2’s brands include A.R.T. Furniture, Caracole, Four Hands, Hooker Furnishings, Jonathan Charles, Rowe, Sunpan and Varaluz.

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EXPLORE THESE BRANDS AND MORE AT LVMKT.COM, AND REGISTER AT LVMKT.COM/LUXE

830.998.1556 • BLACKCHALKHOME.COM • FOLLOW US @BLACKCHALKHOMEANDLAUNDRY

FOURSQUAREBUILDERS.COM | 507 Walsh Street, Austin, Texas | 512.944.4520

www.sleepingindianranchtx.com

Sleeping Indian Ranch Compass is a licensed real estate broker and abides by Equal Housing Opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. This is not intended to solicit property already listed. Photos may be virtually staged or digitally enhanced and may not reflect actual property conditions.

C O N T E M P O R A R Y

L A N D S C A P E S

“Sun Warmed,” Acrylic on Panel, 60” x 48”, 2023.

Studio Visits by Appointment Only 512.784.4081 | LUCYMACQUEEN.COM

PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF DESIGN DIRECTOR

EXECUTIVE EDITOR

MANAGING EDITORIAL DIRECTOR

STYLE DIRECTOR

Pam Shavalier

Brittany Chevalier McIntyre

Kelly Velocci Jolliffe

Kathryn Given

ART DIRECTOR

SENIOR MANAGING EDITOR

MANAGING EDITORS

EDITORIAL PROJECTS MANAGER

Candace Cohen

Colleen McTiernan

Krystal Racaniello, Clémence Sfadj

Khadejah Khan

HOMES EDITORS SOUTHEAST

GREATER NEW YORK

Kate Abney

Grace Beuley Hunt

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

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Paulette Pearson

PACIFIC NORTHWEST, SAN FRANCISCO

ARIZONA, CHICAGO

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Shannon Sharpe MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith ART ART DIRECTOR

Maria Pluta

MARKET SENIOR MARKET EDITOR

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SENIOR GRAPHIC DESIGNER

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DIGITAL

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Ellen Antworth Rose ASSOCIATE GRAPHIC DESIGNER

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ADAM I. SANDOW CHAIRMAN

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SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele DIRECTOR, VIDEO

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EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SANDOW DESIGN GROUP OPERATIONS SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements CONTROLLER

Emily Kaitz DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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Let us design a kitchen that‘s uniquely you

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GENERAL MANAGER

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NATIONAL SALES DIRECTORS NATIONAL PUBLISHER

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Tanya Scribner

REGIONAL SALES DIRECTORS ARIZONA PUBLISHER Adrienne B. Honig SALES ASSOCIATE Catherine McGlynn AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson SALES ASSOCIATE Addie Szews CHICAGO REGIONAL PUBLISHER Kathleen Mitchell DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene COLORADO REGIONAL PUBLISHER Kathleen Mitchell DIRECTORS Travis Gainsley, Katie Martin DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES OPERATIONS DIRECTOR John Baum

SALES ASSOCIATE Addie Szews

EXECUTIVE ASSISTANT Bianca Buffamonte

GREATER NEW YORK PUBLISHER Trish Kirsch ASSOCIATE PUBLISHER, NEW YORK Donna Herman

INTEGRATED MARKETING + EVENTS VICE PRESIDENT, MARKETING + DIGITAL STRATEGY Samantha Westmoreland ASSOCIATE MARKETING MANAGER Dana Jensen INTEGRATED GRAPHIC DESIGNER Antoinette Childs EVENTS MANAGER Gabriella Laimer EVENTS COORDINATORS Rachele Daszkal, Janice Hyatt

DIRECTOR, NEW YORK Maritza Smith HOUSTON PUBLISHER Amy McAnally SALES ASSOCIATE Addie Szews LOS ANGELES PUBLISHER Tiffany O’Hare ASSOCIATE PUBLISHER Virginia Williams MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA REGIONAL PUBLISHER Stacey Callahan

PARTNER + PROGRAM SUCCESS DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez PACIFIC NORTHWEST REGIONAL PUBLISHER Lisa Lovely DIRECTOR Cathy Cruse SAN FRANCISCO PUBLISHER Lisa Lovely DIRECTOR Sara McGovern SOUTHEAST PUBLISHER Sibyl de St. Aubin SOUTHERN CALIFORNIA PUBLISHER Alisa Tate ASSOCIATE PUBLISHER Kali Smith

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 21679584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 6, November/December, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431.

Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2023. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher.

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LETTER EDITOR’S

Real Intelligence Our workplace Slack channel, “Learn AI,” is frequently pinging with updates on the latest tools and links to YouTubers who share weekly recaps and practical uses.

I wish that I could say I was interested.

But, at the moment, I am fascinated by another regenerative force: that of trees.

A few months ago, I moved from a heavily-developed area to one of the most biologically diverse regions in the country.

My neighborhood was planned in the 1920s by landscape architect John Nolen in collaboration with Frederick Law Olmsted, and it is filled with massive century-old trees. An 80-foot white oak graces my front yard, and this mighty tree supports more life-forms than any other North American tree genus, providing food and protection for birds, bears, squirrels and countless insects and spiders. It will produce three million acorns in its lifetime and drop about 700,000 leaves each year, creating a habitat that regenerates and makes its own vibrant community right outside my door. Plus, oak trees also sequester carbon.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

As part of the SANDOW DESIGN GROUP (SDG) carbon impact initiative, we are now printing using soy-based inks, which are biobased and derived from renewable sources. This continues SDG’s ongoing efforts to address the environmental impact of its operations and media platforms.

LUXESOURCE.COM

PORTRAIT: HEATHER BAIGELMAN.

Nature is way cooler and more captivating than machine-learning. I may just have to start a new workplace Slack channel, “Discover Dendrology!”

Architect: Wright Design Builder: Morgan-Keefe Builders Interior Designer: Wright Design Interiors Studio Photographer: Rebecca Lehde

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O’HARA INTERIORS

FURNISHINGS & FULL-SERVICE DESIGN OHARAINTERIORS.COM // 512.222.3201 //

BUILDING AUSTIN TOGETHER ONE CLOSING AT A TIME Est. 1984 ROLLINGWOOD | DOWNTOWN

HeritageTitleofAustin.com

Consistent process. Unique outcomes.

tel +1 512.236.1032 webberstudio.com

INTERIOR DESIGN | NEW CONSTRUCTION 210.996.9494 |

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The Kitchen Source Austin • 512-382-1111

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SCENE W R I T T E N B Y PA U L E T T E P E A R S O N | P R O D U C E D B Y K R Y S TA L R A C A N I E L L O

SHELF LIFE

DESIGN, STYLE & INFLUENCE W R I T T E N BY K H A D E J A H K H A N

Alexa Hampton’s latest book, the third in her oeuvre, explores the design evolution of her longtime New York City residences—in a building she’s called home for 27 years— through vivid snapshots and heartfelt tributes. Luxe chatted with the prolific designer to learn more. alexahampton.com; penguinrandomhouse.com What inspired this book? I wanted to write about my lifelong influences. Some are seminal moments, like the Bill Blass and Givenchy sales. Others are museums or architects that have inspired me. That’s the core of the book—“love letters” to various people, places and experiences that have shaped me.

How do you balance grandeur with what you describe as “normalcy” in your home? I’ve given myself permission to have things like crazy helmets and formal elements, but they aren’t necessarily reflective of my personality—it’s about what delights me.

FAB COLLAB

Any advice for the next generation of designers? First, look at people you admire in other fields. What can you draw from their story? Second, take yourself seriously.

Designing is a craft that requires intelligence, but it should not be divorced from our creative angels. Find the balance that suits you; authenticity is key to success.

Arteriors and globally acclaimed designer Laura Kirar have expanded their successful, decadelong partnership with a 25-piece collection that debuted this fall. The new offerings include an array of mirrors, lighting, seating, case goods and accessories that capture a relaxed sophistication inspired by coastal Mediterranean living. “When I created this collection, I had travel on my mind,” Kirar says. “The pieces draw on multiple touch points of inspiration, including exotic plants, regional craftsmanship and cultural norms from bygone eras.” Uniting the designs are recurring geometric motifs and the incorporation of materials reminiscent of the natural world—Capizshell veneer, river stone, rope, mango wood and rattan—with bold, textured brass accents. “I think this assortment strikes a balance between paying homage to the past and introducing new forms of what design is now,” Kirar explains.

“And that’s what modernity is for me.” laurakirar.com; arteriorshome.com

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shelf life photos: book cover, courtesy clarkson potter; interior, steve freihon. fab collab photo: courtesy arteriors.

LAURA KIRAR FOR ARTERIORS

AUSTIN’S INTERIOR DESIGN STORE Celebrating 40 Years

JWINTE RIORS.COM

THESE LUXE NEXT IN DESIGN 99 PROS REVEAL HOW THEY ARE INSPIRING CHANGE THROUGH SUSTAINABLE TECHNIQUES ACROSS TEXAS. W R I T T E N B Y K R Y S TA L R A C A N I E L L O

Kate Blocker, Kate Blocker Design: “As a mother to two young daughters, I feel obligated to ensure I’m considering sustainability both in my day-to-day life and in my design projects. Most importantly, I make every effort to partner with local bespoke companies such as Growler Domestics, Under Cover Upholstery and Cush Cush Design. I also work with a slew of talented resident artisans and installers across all trades. They take their craft and their impact very seriously, so I love to support that.” kateblockerdesign.com Emily June Spanos, Emily June Designs: “Rather than sourcing all new furniture and accessories, I like to use antiques or clients’ existing furnishings whenever possible. By re-covering old pieces and making use of antiques, we highlight the sustainability of using well-made items that will last for generations. As a bonus, we are able to showcase treasured pieces that clients have collected over the years, often in new ways, which adds to the individuality of their space.” emilyjunedesigns.com Jessica Maros, Maros Designs: “I believe we can live beautifully with less. To help our clients declutter, we have them complete a questionnaire before purchasing anything new to ensure their items still align with their lifestyle and design vision. A few tips to consider: practice mindful consumption; select furnishings that serve multiple purposes; and opt for eco-friendly and non-toxic materials. By incorporating these principles, you can make more intentional and sustainable design decisions that support your well-being and reduce environmental impact.” marosdesigns.com Alexis Pearl, Alexis Pearl Design: “We like to approach sustainability from a longevity standpoint. As a LEEDaccredited design professional, I push to use natural materials in all of our projects.

For instance, we recently installed a home that used wood from an old walnut tree—that had to be cut down from the site—to make a beautiful dining table. We like to incorporate materials and fabrics that can withstand the daily wear and tear of our clients’ families, whether it is children, pets or messy spouses!” alexispearldesign.com See our Next In Design 99

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POST MASTER @LILYSVINTAGEFINDS

WHO: Originally from Baton Rouge, Louisiana, Lily Barfield relocated to Houston post-college and dabbled in a few creative fields—including working for an artist and at a home decor and antiques store—before launching her own concept: Lily’s Vintage Finds. Through Instagram, she invites followers along as she scours for treasures “everywhere from the South of France to Southern flea markets.”

WHAT: Barfield shares her exciting sourcing adventures. She then sells her one-of-a-kind finds—antique furnishings, vintage crystal, unique decor, lighting, mirrors, tableware and barware— on her website.

WHY: Barfield grew up perusing estate sales and antique malls with her mother in treasure troves like New Orleans. After moving into her first home, she began spending her free time seeking items for her house that were just as special as those she found while growing up. She launched Lily’s Vintage Finds to showcase these discoveries to friends and family. Her account quickly took off, allowing her to pursue the venture full time.

IN HER WORDS: “My passion for this business is constantly reinvigorated when I find a gorgeous, centuries-old piece of furniture and give it a new life. The craftsmanship and attention to detail that went into making some of these furnishings is incredible. Sharing their beauty and history—and seeing people truly gasp at how special they are—inspires me every day!”

forward thinking photos: kate blocker portrait, buff strickland; emily june spanos portrait, claudia casbarian for julie soefer photography; jessica maros portrait, allister ann; alexis pearl portrait, robert tsai. post master photos: courtesy lily’s vintage finds; portrait, fernanda varela.

DISPATCH DESIGN SCENE

FORWARD THINKING

DISPATCH

STATE OF THE ART COCOLLECT

SCENE

DESIGN

“Before CoCollect, the only way to have art in your home was to purchase it,” Austin-based Keli Hogsett says. “Now, you can loan an entire collection and experience it yourself before making the commitment.” Hogsett founded CoCollect—serving clients nationally with a focus on Texas and Colorado—based on her own early struggles to start an art collection. She aims to simplify the process so that more people can enjoy fine art in their homes. Read on for details. cocollect.art Tell us about CoCollect. We believe art has the power to positively transform spaces and lives. Our mission is to bring this opportunity to more people by making it easier to intimately experience living with art. We give our members access to museum-caliber artworks but also champion emerging local artists.

What services do you provide? Curated art collections that you can loan or purchase directly from us. Each member is paired with an art advisor who guides them through the collecting journey and provides suggestions for their space.

We also offer custom framing, white-glove installation, exclusive education and access to our creative community events.

Any trends you are seeing? Large artwork has been popular for the last few years, and it’s not going anywhere anytime soon. Additionally, abstract works and expressive figuration have been on the rise.

OFFICE SPACE

When Dallas designer Josh Pickering of Pickering House Interiors moved into his new office, he had been working on a historic house that was full of layers. “I enjoyed the creative energy on that project and wanted to embody those cozy vibes here,” Pickering says. Located in a nearly century-old building, his studio takes charm to another level. It comprises a small entry, conference room, office, resource closets, and a kitchen that doubles as an organization and storage center for various objets d’art and textiles that Pickering collects for future projects. Within these spaces, he dreamed up a layered, traditional atelier where he can both work and meet with clients. You’ll find everything from walls upholstered in a Colefax and Fowler material to a midcentury conference table and antique lighting. pickeringhouseinteriors.com

ROOM SERVICE HÔTEL SWEXAN

Fusing its Swiss heritage with Texan hospitality (as denoted by its moniker), Hôtel Swexan in Dallas exudes timeless European style and Texas warmth. Harwood International’s 134-room boutique destination honors the world’s grandest cities throughout its design. Interior details call to mind a classical 19th-century Parisian residence-turned-hotel, with comfortable yet elegant furnishings, hand-carved stone and wooden fireplaces on every floor. Meanwhile, Japanese architect Kengo Kuma imagined the exterior to connect with the landscape, its mirrored walls seemingly blending in while reflecting the vibrant surroundings. “Designing the building’s façades was like tailoring a suit—precise and crisp in the Swiss approach yet relaxed and robust in the Texan spirit—made of local materials,” Kuma says. To top it all off, the hotel’s array of amenities includes an infinity rooftop pool that invites guests to relax and unwind with panoramic views of the city. hotelswexan.com

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state of the art photos: interior, casey dunn; art, patrick puckett; portrait, mackenzie smith kelley. office space photo: stephen karlisch. room service photo: courtesy harwood international.

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NOTEWORTHY

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A R C H I T E C T U R A L LY

SPEAKING

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INNOVATION

Get to know today’s designers and makers pushing the aesthetic envelope, brands championing sustainable textiles, and architects’ take on AI.

NOTEWORTHY RADAR

Next (Re)Generation LUXE MEETS THREE CREATORS WHOSE FORWARD-THINKING PRACTICES START WITH REGENERATIVE DESIGN AND BETTERING THE WORLD AROUND US.

Acropora by Sangmin Oh for TextielMuseum is part of his “Knitted Light” series, which uses elastic, glow-inthe-dark yarn and recycled monofilament fishing line.

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photo: courtesy sangmin oh.

W R I T T E N BY C L É M E N C E S FA D J

Photographed at The Boston Athenaeum

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For Daniel Michalik, whose Brooklyn studio crafts striking seating and objets from cork (like the Arm Chair, below), working with the medium is more than an aesthetic choice—it is part of an effort to “rethink our relationship to natural systems.” The lifecycle and harvesting methods for cork make it a uniquely environmentally responsible material because cork trees can be harvested naturally every nine years without damage. And using this flexible, raw material is part of a circular manufacturing loop, as it’s recyclable and its main global use, the production of bottle stoppers, leaves large amounts of leftovers. Michalik, a professor at Parsons School of Design, makes frequent trips to Portugal, where cork forests abound, to study and preserve the centuries-old harvesting techniques handed down through generations. danielmichalik.com

When Korean-born designer Sangmin Oh decided to create three-dimensional textile lighting, he found himself experimenting at the fabric laboratory of the TextielMuseum in Tilburg, Netherlands, which became a playground of sorts for the maker. There, using a knitting machine, he was able to mix materials until he found his recipe for magic: a combination of elastic, glow-in-the-dark yarn and recycled monofilament fishing line. “Because of its transparent quality, it lets you play with light,” Oh says of his amorphous, abstract “Knitted Light” pieces which evoke natural forms, specifically, threatened coral. At night, Oh’s designs emit a soft glow showing different hues and dimensions, and, in the daylight, they are textile sculptures inspiring wonder and reflection. osangmin.com

TREY JONES One look at Trey Jones’ sculptural furnishings and your eye is drawn to the unusual patterning, rich coloration and whimsical proportions. What may not be immediately apparent is that the pieces are also a feat of ingenuity in reusing resources. At the workspace Jones shares in Washington, D.C., piles of plywood would accumulate as cabinet makers crafted their wares. Soon, the artist was inspired to give the scraps new life and landed on a technique inspired by Japanese Nerikomi ceramics, in which Jones painstakingly assembles small offcut sections into elaborate motifs created by exposing the wood cut ends. For the Plinths Cabinet, at left, the compounded technique reveals the inherent nature of the pattern within. treyjonesstudio.com; cultureobject.com

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PHOTOS CLOCKWISE FROM TOP LEFT: COURTESY DANIEL MICHALIK, COURTESY SANGMIN OH, JODY KIVORT.

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SENSUAL, GROUNDED INTERIORS ARE BACK. BILLY COTTON STRIKES THIS SENTIMENT WITH BOUNDARY-DEFYING SPACES THAT SPARK EMOTION AND FORGO STANDARD FORMULAS. W R I T T E N B Y M A R I O LÓ P E Z- C O R D E R O

In a modern New York City home designed

by Billy Cotton with architect Stamberg Aferiat + Associates, art by Cindy Sherman hangs above a Vladimir Kagan sofa.

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photo: © stephen kent johnson/otto.

INSPIRATION RADAR

Pure Cotton

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has yielded hauntingly memorable spaces, including a Manhattan refuge in which blue-chip contemporary art takes center stage, and light and air are ingredients as important to the finished scheme as the chevron patterned floors and curvy sofas.

The project exemplifies Cotton’s belief that there should be a continuous push and pull between objects and furnishings as though they are in constant communication.

Cotton’s rooms are always poetic, never banal, and pared down to sensuous and unexpected details and couplings that evoke emotion. How does he compose beautiful interiors that actually make you

feel something? “You have to edit,” he says.

“I want people to bring things into their lives that have meaning. The objects and materials you employ in a space should be intentional. Intentionality dictates respect.

Do you need this? Is this the best version?

I would rather not buy a decorative object just to fill a room. I want houses to evolve over time and give people a canvas to paint their own spaces.” His talent lies in the way he distills a client’s passions to their best possible version and then gives them plenty of room to soar and sing.

“Above all,” says Cotton, “design should be filled with joy.” billycotton.com

portrait: noe dewitt. interior photos: © stephen kent johnson/otto.

He is a polymath decorator whose soulful, wideranging body of work can incorporate bouillon fringe and chintz balloon shades as easily— and winningly— as it does sculptural staircases and chalky white walls left ethereally unadorned. And while Billy Cotton’s deft, resonant interiors can run the gamut stylistically, they are all rooted in a rigorous, inquisitive point of view the New York-based practitioner picked up at Pratt Institute. “I trained as an industrial designer, which was all about how somebody uses something and how they interact with an object, whether it’s a plate or silverware. I think of all my projects that way,” he says. “What does somebody need, what is the problem and why did they come to me?”

The function-forward answer leads Cotton to a client-specific game plan that leaves him room to play—with materials, with furnishings, with romance. “I’m a dreamer. I love to fantasize about what beauty or luxury can be. When we get together with clients, we are having fun.”

In Cotton’s world, “fun” is a humble euphemism for an intuitive process that

The living area is anchored by a custom sofa in Fortuny velvet, while artwork by Sadie Benning and Jacqueline Humphries flanks the fireplace (above). A sculptural Steelcase bench is paired with a graphic painting by Stanley Whitney.

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A Fine Line

TODAY’S TOP TALENTS WEIGH IN ON THE PROS AND CONS OF AI FOR RESIDENTIAL ARCHITECTURE.

In an industry that values the trained eye and a studied approach, it’s perhaps no surprise that many architects are wary of artificial intelligence programs that whip up new renderings at the push of a button. “It’s fascinating software, but it is frightening,” says Fort Worth-based architect Jeff Garnett, who does not use AI in his work but has tested the software after hours. “Design is a human creation, and we have to hold onto that as long as we can.”

If you plug the phrase “Georgian Revival estate stucco” into an AI program like Midjourney, you will get multiple versions of a visualization rendering returned in mere seconds—sans blueprints and the actual details needed to build a house, of course. While these images may look authentic, they don’t replace a trained—human— professional. “You’re going to have to be careful with these programs and stay well-informed, not trusting things too much,” architect Tom Kligerman of New York City firm

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Kligerman Architecture & Design heeds when it comes to taking what’s in front of you for fact or fiction.

Still, AI has its perks—especially as back-of-the-napkin initial sketches can be replaced by a tool that creates a nearly-instant rendering to elucidate an architect’s imaginings. Andrew Kudless, principal of design studio Matsys and a Professor at the University of Houston’s Hines College of Architecture + Design, believes AI can be helpful in several ways. “In the early design phases, it can explore more ideas in less time without modeling and rendering each iteration. Also, as AI models become more sophisticated and attuned to architectural problems they can help automate essential yet labor-intensive tasks, freeing up designers’ time.” In short: there are ways to put the intelligence in artificial intelligence. “There is this perception that AI models are either godlike superbeings or evil robots coming for everyone’s job,” Kudless says.

background: dripping springs house by matsys.

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INNOVATION RADAR

Juicy Fruit NOVEL PLANT AND FRUIT LEATHERS OFFER STYLISH QUALITIES ENTIRELY THEIR OWN.

A new crop of leathers is popping up and meeting the (environmentally conscious) moment, offering elegant alternatives to traditional materials. By using sustainably farmed plants, fruits and byproducts with lower ecological footprints, these imaginative textiles can capture the lithe look and grains of animal leathers while also producing unique aesthetic effects, introducing tantalizing possibilities for interior design.

That’s what attracted Brooklyn-based furniture designer Bowen Liu to Fruitleather Rotterdam.

The Dutch brand makes plant leather from spoiled mangos, resulting in textiles that feature naturally stained pebbled textures and embossed crocodilelike patterns. But Liu intuitively gravitated to Fruitleather’s original mottled finish, which reveals pieces of the mango’s natural pulpy texture and golden hue. “I like showing the details of a material without sacrificing its integrity,” explains the designer. “The pulp and fiber add character that feels authentic.”

This speaks to plant leather’s underlying appeal— one-of-a-kind materiality, and a sense of place and history. Another brand making waves is Desserto, who is producing a leather-like textile from the nopal cactus on its farms in Zacatecas, Mexico. The heritage, drought-hardy perennial is grown without irrigation or pesticides. In the Philippines, Ananas Anam is using leftover pineapple leaf fibers to make their signature Piñatex leather. They recently collaborated with famed British designer Tom Dixon, covering his wingback chairs in metallic Piñatex to create an effect reminiscent of leather crossed with texturized silver.

Such partnerships play a central role in carving sustainable paths forward. For Liu, the key to unlocking plant leather’s potential is creative curiosity.

“I’m interested in materials and applying them to the proper applications,” she says. “It’s necessary to touch them and learn about their properties.”

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photo: unsplash.

W R I T T E N BY M O N I Q U E M C I N T O S H

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DISCOVERIES FRESH.DESIGN.FINDS.

FABRICUT Fabricut’s new Luxe Home collection explores sumptuous textures and captivating patterns that combine wonderfully. Pair these fabrics with trimmings, wallcoverings and more from Fabricut for exceptional, distinctive spaces. fabricut.com

BROWN SAFE Brown Safe is the premier builder of high-security luxury safes. Each safe is thoughtfully designed with high-end finishes and features to enhance the enjoyment of the valuables it protects. brownsafe.com

SAMUEL HEATH Forme is a highly-dynamic collection of bathroom fixtures that typifies contemporary minimalism.

The Oriel Pyramid design features a series of precisely-milled engravings, encouraging light and shadows to interact differently with each metallic finish. Showcased here in Antique Gold. samuel-heath.com

SOLITUDE Luxuriously crafted and beautifully designed to add dramatic character to any space, spears of Optic HazeTM Crystal composed of natural quartz gemstone glimmer beautifully when illuminated.

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J. TRIBBLE Explore convertible antiques from J. Tribble.

Repurposing antique treasures for modern homes, the purveyor has more than 200 European antiques ready for conversion available on the website. jtribble.com

POLTRONA FR AU The Beautilities collections feature pet, gaming and fitness accessories that marry elegance with functionality, creating new visions for domestic spaces that enhance mental, physical and social well-being in everyday life. poltronafrau.com

BEVOLO GAS & ELECTRIC LIGHTS The round roof design of the Cotton Exchange lends itself to a number of different styles of architecture.

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MARKET MATERIAL

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TREND

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SPOTLIGHT

Explore the revival of American quilting, must-see art exhibits, and dealers with a keen eye on the design world both past and present.

MATERIAL MARKET

Patchwork Poetry MODERN QUILT MAKERS REVEL IN THE RENAISSANCE OF THEIR AGE-OLD CRAFT. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M AND SUSAN BRINSON

FAMILIAL TIES Brooklyn-based designer Sarah Nsikak is grateful for the growing interest and appreciation in quilting, which is introducing her beloved practice to a greater audience. “For the first time in a while, people want to understand how things are made,” says Nsikak, for whom quilting is personal. When she was a young child, her grandmother immigrated to the states from Nigeria and looked to quilting as a form of communication. “She taught me how to sew, and I think that established a new language and storytelling of sorts.” Her piece It May As Well Be Spring (above) is made of leftover scraps from her fashion brand, La Réunion, and presents an amalgamation of symbols, like a fish and chair, which are meaningful to the creator yet still relatable to viewers. sarahnw.com

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MATERIAL MARKET

RHYTHMIC ROUSE It was during his MFA studies at Cranbrook Academy of Art that Julian Jamaal Jones pivoted from fashion photography to fiber arts and quilting—a craft his grandmother practiced in her youth. It’s that kind of comforting familiarity that Jones surmises could be behind the artform’s rise. “I’m on a mission to rewrite the rules of quilting and create my own unique verbiage within the medium,” says the Indianapolis-based artist. Jones’ practice implements abstract forms and vibrant colors, bypassing preconceptions and opening a dialogue around his Black experience. Take the three pieces here: Inspired by gospel music’s rhythms, lyrics and harmonies, the movement of each design mimics song beats and the feelings they evoke. The materials are as dynamic as the patterns themselves, with cottons, denims and plush velvets existing alongside one another. julianjamaaljones.format.com

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Bauhaus Vanity 36” Pacific Blue & Walnut Bauhaus Lavatory Sink 36” made from WETMAR BiO™

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COMMUNAL COMFORTS It was in 2003 when then-art student Martha Clippinger viewed a quilt exhibit at the Whitney Museum in New York that she realized this homespun craft could hold court among fine artwork. Fast-forward to today, and the Durham, North Carolina, quilter’s own works are now displayed in museums and galleries. Cuadricula Quilt, shown hanging, and Iona’s Covid Quilt, on the table, exemplify Clippinger’s keen observation of color. “I’ve always been interested in quilts as a way to discuss ideas about pattern, symmetry and, in particular, tonal relationships,” she says. “I share Josef Albers’ interest in studying the effects of color through direct observation. Making quilts with found materials is about looking at what’s in front of you and testing combinations to create dynamic arrangements of color.” marthaclippinger.com

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BASIC INSTINCTS For Los Angeles creative Adam Pogue, a handmade quilt represents the ultimate gesture. “They serve a purpose; they keep us warm. And for as long as we use them, they remind us of the maker.” It’s in this spirit that he creates his textile works, like the one featured in the historic 19th-century Dr. Oliver Bronson House in Hudson, New York. The quilt, which depicts a landscape-inspired motif framed by bands of color, was originally made for Commune Design’s shop. It was crafted using a clothing designer’s cast-off hemp linen and dyed to the perfect hues. Pogue begins each work with a general idea and palette but admits he “never has it all figured out” before starting. Instead, he improvises as he goes, laying out the individual elements on the floor, rearranging and re-dyeing as desired. iamadampogue.com; communedesign.com; historichudson.org

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“Like the metamorphosis of a butterfly” Discover Timeless sofa by Lorenza Bozzoli on natuzzi.com

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Peel and stick Benjamin Moore paint samples delivered overnight.

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Be inspired by blockbuster museum exhibitions around the country that celebrate the legacy of three renowned artists.

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Renaissance Man The 15th-century Italian artist Sandro Botticelli may be known for his exquisite masterpieces like La Primavera and Birth of Venus, but the focus of his latest exhibit at the Fine Arts Museums of San Francisco centers around his exquisite drawings. Nearly 60 works from around the world, including Study of the head of a woman in profile (above), shine a light on the artist’s technical practice of draftsmanship. famsf.org

Clockwise from top right: Sophie Tassel Tieback in Rose Water and Currant / Price upon request / samuelandsons.com. Zellige Rug by Ken Fulk / From $6,000 / therugcompany.com therugcompany.com.

Melograno Eau De Cologne / $100 / us.smnovella.com. Amerigo Travertine Side Table / $3,924 / interludehome.com. Raphael Sofa by GamFratesi / Price upon request / minotti.com.

Platinum Wallcovering in Light Camouflage / Price upon request / arte-international.com. Conterie Floor Lamp by Luca Nichetto / $11,000 / ginori1735.com. Rome Denario Ring in White / $185 / grandtourcollection.com. Moo Bobble Catchall / $113 / montanalabelle.com.

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SANDRO BOTTICELLI. “STUDY OF THE HEAD OF A WOMAN IN PROFILE (“LA BELLA SIMONETTA”) (RECTO); STUDY OF THE FIGURE OF MINERVA (VERSO),” CA. 1485. METALPOINT, WHITE GOUACHE ON LIGHT-BROWN PREPARED PAPER (RECTO), BLACK CHALK, PEN AND BROWN INK, BROWN WASH, WHITE GOUACHE (VERSO). 13 7/16 X 9 1/16 IN. (34.2 X 23 CM.) THE ASHMOLEAN MUSEUM, UNIVERSITY OF OXFORD. BEQUEATHER BY FRANCIS DOUCE, 1834.© ASHMOLEAN MUSEUM.

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GRAND TOUR

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Living Legend

Clockwise from top right: Otto Pillow in Orange Blush / $195 / jonathanadler.com. Type 75 Mini Desk Lamp Edition 3 by Paul Smith / $370 / anglepoise.com. Check Bath Mat in Sky Blue / $35 / hay.com.

Skool Armchair by Kolbrún Leósdóttir / Price upon request / roche-bobois.com. Dita 4-Door Sideboard in White Lacquer by Pagnon & Pelhaître / Price upon request / ligne-roset.com. 2x2 Straight Set Sheeted Tile in Tomato Red / $45 per square foot / fireclaytile.com. Transparent Bluetooth Turntable by Per Bristad / $1,300 / store.moma.org. Calatrava 6007G Watch / Price upon request / patek.com.

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PHOTO: ED RUSCHA. STANDARD STATION, TEN-CENT WESTERN BEING TORN IN HALF, 1964, OIL ON CANVAS, PRIVATE COLLECTION, © 2023 EDWARD RUSCHA. PHOTO EVIE MARIE BISHOP, COURTESY MODERN ART MUSEUM OF FORT WORTH.

Modern art devotees won’t want to miss Ed Ruscha’s most comprehensive retrospective to date at New York’s Museum of Modern Art. Enthusiasts will find iconic postwar compositions on display like Standard Station, Ten-Cent Western Being Torn in Half (above), along with over 250 additional pieces, from lesser-known paintings and drawings to photography and installations, spanning 1958 to present day. moma.org

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Clockwise from top right: Calypso So XL Outdoor Light in Antigua / Guadaloupe / Martinique / Price upon request / contardi-usa.com. Rhapsody Wallpaper in Terracotta / $59 per roll / backdrophome.com. Glass Pourer by Andrew Iannazzi in Green / $192 / abask.com. Solana Chaise / Price upon request / cuffstudio.com. Foshay Bookcase in Sage / from $799 / roomandboard.com. Le Tapis Nomade in Cream and Yellow / Price upon request / cc-tapis.com. Cameron Sunglasses in Poppy 18K Rose Mirrored / $255 / krewe.com.

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PHOTO: MARK ROTHKO, UNTITLED, C. 1948, WATERCOLOR ON WATERCOLOR PAPER, NATIONAL GALLERY OF ART, WASHINGTON, GIFT OF THE MARK ROTHKO FOUNDATION, INC. COPYRIGHT © 2023 KATE ROTHKO PRIZEL & CHRISTOPHER ROTHKO / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK.

Pay a visit to the National Gallery of Art in Washington, D.C., through March and you’ll walk away with a deeper understanding and appreciation for prominent 20th-century abstract expressionist artist Mark Rothko.

Hailed for his recognizably bold paintings on canvas, the exhibit centers around some 100 paintings on paper (which he considered finished works), ranging from figurative and surreal subjects to the likes of this watercolor, Untitled (above), from 1948. nga.gov

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SPOTLIGHT MARKET

Curator’s Eye

WHEN IT COMES TO THE LATEST IN DESIGN, THESE STYLISH FURNITURE DEALERS KNOW IT’S ALL ABOUT MIXING VINTAGE AND ANTIQUE FINDS WITH COOL, CONTEMPORARY PIECES. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N

Design is in Tricia Benitez Beanum’s DNA. A second-generation antiques dealer, she also wears the hat of stylist, designer and owner of Pop Up Home in Los Angeles.

In her recently opened flagship space, Beanum has created an environment for anyone with an appetite for vintage flare. “I want to show how it can be elevated and not so kitschy,” she says. Beanum makes that case here, surrounded by a mix of old and new, including a Maitland-Smith coffee table, ‘70s De Sede sectional sofa and Ann Weber artwork. “Right now, people are looking for special pieces that translate into all genres of design and stand out among a sea of neutrals.” popuphome.com

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PHOTO: THE INGALLS.

MANIFEST DESTINY

SPOTLIGHT

Meet Alana Tang, owner of In The Comfort Of which opened in Seattle in 2022. With a penchant for modernist, mid-century and space-age finds sourced everywhere from estate sales and antique malls to private owners throughout the Pacific Northwest, Tang still can’t turn away contemporary pieces if they meet her standards. “I consider design, form and function in everything I buy,” Tang says. “I was offered a lounge chair and ottoman set by Naoto Fukasawa for B&B Italia, and while I mainly focus on vintage, it checked all the boxes so I had to have it.” As for the current landscape today, Tang is excited by the adventurous spirit many are taking in finding their style, and by watching clients put things together in ways she never would have thought to. inthecomfortof.com

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this page photo: amber fotus. opposite page photo: lesley unruh.

MARKET

DISCOVERY MODE

HAPPY HANGOUT Step inside The Flat in downtown Westport, Connecticut, and you’ll feel as though you’re walking into the home of a chic friend. That was precisely the goal when Becky Goss opened the doors in 2016. She imagined a place to interact with customers and share stories of the treasures within. “I still believe in local, one-of-a-kind shops where you know the owner,” Goss says. “Stop in, see what’s new, have a conversation and get off your screen!” In the highly curated familial space, not one specific period or style dominates. Because after all, a good room is all about thoughtful layering. “I’m not afraid to take vintage or antique items and reimagine them for the modern home.” Case in point: the one-off mid-19th century Biedermeier Recamier reupholstered in a bold Robert Kime fabric (pictured). theflatwestport.com

SPOTLIGHT

Tucked away on windswept Block Island, the contents of Tori Jones Studio reflects the classic New England aesthetic found outside the studio’s walls. “I gravitate toward American antiques,” says Jones, a self-proclaimed magpie who splits time between the Rhode Island enclave and New York. “We’re passionate about antique patchwork quilts, painted furniture, wicker and rope.” A former editor, Jones still taps into her prowess for discovery and storytelling in the elements she curates, stocking ready-made Hobnail Czech glassware and Sabre flatware, as well as showcasing contemporary artists from the Hudson Valley to the UK. For Jones and her customers, there’s nothing like the thrill of originality. “I think the people who shop with us are looking for items with some soul. It’s an Amazon world, but there is an authenticity, timelessness and durability to antiques that can’t be replicated.” torijonesstudio.com

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THIS PAGE PHOTO: READ MCKENDREE. OPPOSITE PAGE PHOTO: KRIS TAMBURELLO.

MARKET

ISLAND TIME

MIAMI VICE Jonathan Sanchez-Obias’ Miami storefront, Primaried Studio is a sleek and minimalist paradise. The rotating portfolio of furnishings, however, are the real scenestealers, hailing largely from the 1960s through ’90s. Pieces like the ’80s black Quebec 69 Spider Chair by Les Amisca (left) and the purple Ribbon Chair by Pierre Paulin for Artifort (right) hold court on the gallery floor with furnishings by contemporary designers like Kouros Maghsoudi and Atelier Caracas for Studio Boheme. Knowledge of the past and a keen eye on the current state of design makes Sanchez-Obias a trusted source for clientele primarily consisting of first-time homeowners and renters looking to invest in their growing furniture collections. “I am always meeting people who are looking to mix vintage pieces with new designs in their homes,” says Sanchez-Obias. primariedstudio.com

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Pam Evans’ brick-and-mortar store Maison in Birmingham, Alabama, is a nod to French style, from which she is infinitely inspired. “Paris is always a good idea!” swoons Evans. “I love the culture and their chic sense of style, from food and fashion to interiors.” Shabby chic French finds aside, Evans’ offerings span provenance and genre (her M.O. is pairing modern art, like these abstract works on paper by Addison Ryan, with midcentury furniture), but collectively lean towards the neutral, patinaed and oversized. “I tend to buy large pieces, like these wooden Belgian spheres, a midcentury chandelier five feet in diameter, or a pair of nine-foot columns.”

Such unique finds are most often scooped up by designers and architects who look to Evans’ wares for adding character to their spaces; the sort of acquisition the antiques veteran still gets a thrill out of after two decades in the business. maisonshoppe.com

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photo: hector sanchez.

FRENCH CONNECTION

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THE RIGHT RESOURCE FOR YOUR

Next Remodeling Project NARI stands for “National Association of the Remodeling Industry” and is the only professional association dedicated solely to the remodeling industry.

1 | What is NARI?

The National Association of the Remodeling Industry (NARI) is the only independent national association dedicated solely to the remodeling industry. Austin NARI’s goal is to help homeowners find the right professional partners to execute their remodel project. Austin NARI wants each homeowner to get the maximum value and enjoyment for the dollars they invest in their remodel and to avoid the pitfalls so many make when hiring ill-equipped contractors. Ask your remodeling contractor if their company is a member of Austin NARI.

2 | Should I get multiple estimates for a remodeling project?

While conventional wisdom dictates getting three estimates for anything involving labor, this doesn’t necessarily hold true when it comes to comprehensive remodeling projects such as a kitchen, bathroom, addition, or whole house remodel. The real comparison is in the team you will be working with. Chemistry and trust are key! NARI recommends that you interview at least three remodelers and then select the one you feel most comfortable with to bid out your project. This is because there are multiple ways of tackling a project and, unless you know exactly which methods and/or the subs the contractor will be using, there is no way to get an apples-to-apples comparison.

3 | What can I expect to do while a remodeling project is being done in my home?

Most importantly, keep the lines of communication open between you and your contractor. Ask questions. Let them know what your family schedule is and whether you have pets confined somewhere. It’s important to keep the work areas off limits to children and pets for their safety; however, you may have a little extra dust and dirt in your house, so keeping the work area off limits will avoid them tracking the dust to other parts of the house.

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4 | Should I plan more money than the contract price?

Additional work or a change in the project requested by the remodeling homeowner usually requires a contract price change. Planning for the unforeseen is wise, though, so putting aside an extra 10% over the contract price makes for a less stressful remodel.

5 | While I’m interviewing remodeling contractors, what questions should I ask?

Look for a company with an established business history in your community. Surviving in any business in today’s competitive marketplace is a difficult task. Most successful contractors are proud of their history in the industry.

6 | What is the time frame for starting the project?

Now is the time to ask questions about work schedules. You should ask: What is your estimate for completion? How early will your crew normally begin work? When will they normally quit for the day? Will I be contacted about delays or changes in the schedule? By whom?

7 | Do you have design services available?

If you are considering a large or involved project, you will need design services. If the contractor does not have design-build capabilities, you should consider hiring an architect and/or designer. Depending on the size and scope of the project, you may also need a structural engineer.

Visit AustinNARI.org, or call 512.997.6274.

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LIVING KITCHEN

+

BATH

Settle into bathroom spaces that encourage relaxation, along with the newest products that create spa-like experiences right at home.

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photos: michael clifford.

LIVING KITCHEN

+

BATH

Chill Pill THESE TRANQUIL, HIGH-DESIGN BATHS GIVE A WHOLE NEW MEANING TO RESTORATIVE RESPITE. W R I T T E N BY A LY S S A B I R D P R O D U C E D BY S A R A H S H E LT O N

LIVING

KITCHEN+

BATH

Jenni Lauri of Lauri Design Studio transformed a dated primary bath into a Zen-like sanctuary with the help of Wide Corp construction. A Calacatta Viola marble double vanity, fluted-marble backsplash from Il Granito and Apparatus sconces lend movement and texture to the neutral space, which is decorated with a plaster bench, Moroccan runner from Mehraban and vintage figurative artwork (this page and previous).

When the owners of this Los Angeles condo purchased the unit—which is located inside a building from the 1980s—it was showing its age. The couple called on Jenni Lauri of Lauri Design Studio to update the entire residence, including the primary bath. The designer gutted the room and reworked the layout, removing an unwanted tub and opting instead for a large shower with a bold antique brass-and-glass enclosure. A double vanity featuring Calacatta Viola marble is paired with

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a fluted-marble backsplash. The remaining wall surfaces are plaster—including the shower, which has a waterproof finish, and the doors of the walnut-lined linen closet. “It feels seamless, and the plaster lends a soft, organic touch,” says Lauri, who rounded out the neutral palette—a continuation of what’s found in the main living spaces—with a Moroccan wool rug, a plaster bench and vintage figurative artwork.

“We tried to combine the couple’s love of a relaxed California look with the concept of

wabi-sabi,” says the designer. “These are busy people who travel often, so the primary suite is meant to be a cozy, Zen-like sanctuary.”

In fact, according to Lauri, this idea of a more subdued, pared-back type of luxury is what many clients are gravitating toward these days.

“The pandemic seems to have changed what people desire,” she continues. “Clients still want luxury, but in a more understated, organic manner, with neutral tones and materials.” lauridesignstudio.com

photo: michael clifford.

PLASTER PARADISE

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Architecture & Interiors

The owners of this Miami apartment gave Sabrina Maclean of Hino Studio carte blanche when it came LOREM IPSUM DOLOR SIT AMET, to their powder room. The designer took full CONSECTETUR ADIPISCING advantage, ELIT working with both architect Antonio Sullo of Lisar and Navicon Construction to VIVAMUS ALIQUAM LIBERO VEL incorporate a barrel-vaulted ceiling—a move that NIBH ALIQUET, VITAE GRAVIDA. references arches throughout the unit. “It almost feels like a chapel,” explains Maclean, who W R I T T E N BY N A M E H E R E carried the home’s earthy palette into the space, P R O D U C E D BY N A M E H E R E selecting a Rule of Three marbleized wallpaper that complements the cement walls, Agape sink and brass Brizo fittings. “The architecture is the main protagonist here.” hinostudio.com

photo: max burkhalter.

BATH + KITCHEN LIVING

Hed QUIET Here REFLECTION

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OLSON KUNDIG ARCHITECTS | JON LUCE BUILDER | JAKE HOLT PHOTOGRAPHY

MIXED METALS Kallista has teamed up with beloved hardware brand P.E. Guerin to create the One collection of hand-hammered brass bath fixtures made entirely at their historic New York foundry. The line—which includes widespread faucets, shower trims and a freestanding bath filler—is available in two dual-tone finishes: brushed French gold with nickel silver handles, and polished nickel with unlacquered brass handles. kallista.com

Two-century-old British brand Samuel Heath is catering to clients with a more contemporary sensibility with its newest collection, Forme. The line sports simple curves and is comprised of basin and bath taps, shower fittings and accessories in three profiles: Speed, with both lever and T-bar handles; Classic, with Art Deco−inspired levers and cross handles; and Oriel, with round knobs in a range of textures. The collection boasts nine metal finishes, including a matte-black chrome (shown here on the Speed Forme with T-bar handles). samuel-heath.com

TOWERING BEAUTY Inspired by the conical, tapered form of a lighthouse, the Nibi collection from House of Rohl brand Riobel channels the structure’s industrial nature with its range of faucets, tub fillers and shower fittings. houseofrohl.com

ROCK OUT Weighing in at 1,100 pounds, Waterworks’ new Alatri tub is carved from a block of either Prunella (shown), Carrara, Arabescato, Calacatta, Statuary or Bardiglio marbles and sports hand-finished details such as a stepped base and gently eased lip. waterworks.com

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PHOTOS: COURTESY RESPECTIVE BRANDS.

LIVING

KITCHEN+

BATH

MODERN MARVEL

BATH +

After living in Southeast Asia for work and falling in love with the region’s wet rooms, the owner of this Mount Hood, Oregon, residence wanted to incorporate the idea into his primary bath. The client tapped StruckSured Interiors’ Samantha Struck, who coincidentally had also lived in Southeast Asia for some time. “We gelled over our experiences there,” Struck says. “The concept of a wet room is that the shower, toilet, tub and sink are all in one waterproof space. We went for a very Japandi aesthetic that feels minimal yet warm and organic.” Struck selected materials and tones that reflect the owner’s love of the outdoors, such as sage-green waterproof plaster, natural-wood accents and copper plumbing. “The plaster has a soap sealant that makes the walls feel like silk,” Struck notes. The result: a beautifully rich product with no maintenance. strucksured.com

SUBHED HERE Designer Samantha Struck of StruckSured Interiors transformed this Oregon primary bath into a wet room inspired by those found in Southeast Asia. The walls are waterproof plaster and the copper fixtures are by Watermark.

A teak shelf is mounted above the Barclay tub.

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photo: emily kennedy.

KITCHEN LIVING

GREEN GODDESS

Interiors by Christina Cole and Co. | Photo by Lindsay Brown

BEAUTIFUL. LIVABLE. HOME. DESIGN.

Photography by Matthew Niemann

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To connect with a member and search luxury listings, visit luxuryleague.com

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2525 E. State Hwy 121 469-568-1111

4205 Pinemont Dr 713-686-0075

7532 Burnet Ave 512-452-9511

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512.328.7706

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Visit us at our 10,000-square-foot, multifaceted showroom featuring a diverse range of Plumbing, Appliances, Hardware and Lighting catered to suit the needs and preferences of the modern family!

8740 Shoal Creek Boulevard | Austin, Texas | 512.454.4619 |

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Layered with pretty patterns, this Houston residence is thoughtfully renovated for a bustling family.

EFFORTLESS ELEGANCE

Architecture: Marcelo A. Gonzalez, Gonzalez Architects Interior Design: Katie Davis, Katie Davis Design Home Builder: Bryan Vaughn, Wolf Remodeling & Construction

W

ith three young kids, a pair of large dogs and two cats, one Houston couple enjoys a life brimming with abundance.

However, the closeknit brood began to feel hemmed in when it came to space, and they dreamed of having enough room to bring everyone they love together. “They really wanted a house that would both allow their family to feel comfortable and welcome guests,” says interior designer Katie Davis, a LUXE Next In Design 99 honoree. After they found a promising candidate in this rambling midcentury ranchstyle residence, they called on the designer to have a look. She quickly cosigned on its creative potential, recognizing the raw possibility of its generous rooms and soaring ceilings. As part of an early suburb constructed in the 1950s, “Homes here were originally built on several acres, some even with horses,” Davis muses. “And today, you still get that comforting, country-house vibe.”

The designer channeled this relaxed ease, imagining a family homestead that felt “traditional yet comfortable,” she explains. “This is a house meant to be lived in.” Joining builder Bryan Vaughn, Davis reconsidered everything from the ground up, starting with the millwork.

To gracefully welcome visitors inside, paneled walls, columns and crown molding adorn reception areas like the all-white foyer. “As you go through the house, however, the molding becomes simpler,” Davis notes. It’s as though the home drops architectural formalities as one gains greater intimacy with the interiors.

This approachability is evident elsewhere in the form of engineered hardwood floors carefully distressed in a kiln. Moreover, richly grained white oak panels line the kitchen’s peaked ceilings, stained a caramel brown to emphasize “that white oak warmth,” describes Davis, whose team included designer Mary Kate Carl and design assistant Anna Shirley. In fact, you’ll find finishes like these throughout “that will gain a natural patina the minute you use them,” the designer notes, pointing to the mudroom’s terracotta tiles as well as the kitchen’s unlacqueredbrass hardware and aged-brick fireplace. “We wanted this house to feel loved and lived in, something those natural products help achieve.”

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A similar blend of gentility and nonchalance defines the furniture plan. Davis juxtaposed grand antiques with modern silhouettes and traditionally upholstered pieces with playful patterns. This is notable in the dining room, where antique Louis XVI-style commodes mingle with a farmhouse-style table and wicker dining chairs—all against the backdrop of a bold floral wallpaper. A Davis signature, this adept layering of patterns also filters into the vast window-lined great room, which was conceptualized by Vaughn and architect Marcelo A. Gonzalez. Here, skirted English-style armchairs pair with boxy sofas, enlivened with a cheeky blend of checks, florals, stripes and paisleys. At the same time, bedroom schemes were tweaked to suit the individual: An eclectic mix of pastel gingham and graphic flowers for the daughters and matching floral draperies and pillows for the parents.

The designer carefully considered not only the family’s aesthetic tastes but also its more routine needs. As a result, storage proves equally beautiful and practical—from the mudroom’s pale gray lockers for wet boots and jackets to the primary en suite’s illuminated vanity with enclosed shelving.

“We always make sure we understand where everything goes,” Davis explains, “whether it’s the everyday Tupperware or the baking pan that’s only used once a year on Christmas.”

Rooms also cater to various forms of gathering.

“I love creating spaces where a family can assemble outside of the great room,” Davis says. The home’s original dining room, for example, was transformed into a debonair library paneled in rich white oak.

Plush blue armchairs huddle around a carved Nero marble fireplace, providing “a more intimate setting where the couple can invite their friends. It’s geared a little bit more for the adults to hang out,” the designer continues. In contrast, the children have claimed the game room as their personal fort, which was by design with its oversize ottoman and pillowy custom sectional. “Quite literally the moment after we installed it, the kids were jumping and lounging all over it,” Davis recalls with a laugh.

The whole family now has more than enough room for domestic sprawl. They diligently fill every corner with laughter and the pitter-patter of feet (both the two- and four-legged kind). “They are just the kindest and most loving people,” Davis shares.

“And the house speaks to that. You walk in and immediately feel their warmth.”

Family-friendly charm underscores every inch of this Houston home. Visible through double doors by Sierra Pacific Windows, the mudroom boasts terra-cotta tile flooring from Material and custom storage in Sherwin-Williams’ Magnetic Gray.

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Above: Painted Benjamin Moore’s Edgecomb Gray, the kitchen bar cabinetry complements a clé zellige tile backsplash. The Newport Brass faucet and Rejuvenation hardware add a subtle glimmer.

Left: Jasper’s Indian Flower wallpaper forms the dining room backdrop. Louis XVI-style consoles from Jessica Lev Antiques mix with an RH dining table and wicker chairs from Mainly Baskets Home.

The pendant drum shade and chair cushion upholstery use the same Carolina Irving Textiles print.

Left: Floors transition from the pantry’s terra-cotta tiles to the kitchen’s artfully weathered wood planks from Layer 12 Hardwoods.

The fireplace is clad in Old San Luis brick from Old Texas Brick.

Opposite: Ann-Morris Inc. pendants suspend from the kitchen’s white oak ceiling, illuminating Serena & Lily barstools and Calacatta Caldia marble countertops. The custom hood draws the eye up above a Lacanche range.

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Above: Soane Britain wallpaper enlivens the powder bath along with Vaughan sconces and a Made Goods mirror. The vanity from Jessica Lev Antiques is fitted with a Calacatta Caldia marble countertop and backsplash and a faucet from Westheimer Plumbing & Hardware.

Opposite: A Stark rug and Schumacher grass-cloth wallcovering on the ceiling warm the richly paneled office, which doubles as an intimate seating area. Thibaut fabric covers custom armchairs while the shade features a Schumacher plaid. A Visual Comfort & Co. flush mount is overhead.

The couple’s bedroom showcases Farrow & Ball’s Borrowed Light on the walls while a matching Lisa Fine Textiles print from James Showroom adorns pillows and draperies. Matouk linens top the caned RH bed.

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Above: Lulie Wallace’s Anna print in Fawn appears on a daughter’s bathroom walls. Carrara marble and Rejuvenation hardware outfit the vanity. Visual Comfort & Co. sconces flank a Fleur mirror.

Opposite: In the same daughter’s bedroom, Sherwin-Williams’ Intimate White creates a cocoon-like effect. The custom headboard wears a Pindler upholstery while draperies don a Sister Parish fabric.

A Coleen & Company semi-flush mount crowns the space.

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THE DRESSMAKER A Houston creative with a penchant for printmaking responds to life and the female experience through fine art.

W R I T T E N BY L AU R A F E N T O N | P H O T O G R A P H Y B Y J I L L H U N T E R

B

orn and raised in Athens, Greece, Anna Mavromatis is an artist whose life has unfolded as a series of creative chapters. A resident of Houston for nearly 40 years, she has studied architecture and fashion (in Italy and England, respectively), designed clothing and worked as a celebrated graphic designer.

All the while, she has fostered a love for embroidering and sewing. And for two decades, fine art has been her primary occupation, a shift she embraced after her children grew up and her mother passed away. “At that point, I decided to begin creating a body of work that could find a home outside of my own,” she recalls. Her hauntingly beautiful creations now belong to both public and private collections and institutions around the world, including Harvard University’s Fine Arts Library and the Book Art Museum in Poland.

Mavromatis’ practice is the culmination of her life’s dynamic stages. It also spans various mediums, including collage, cyanotype and sculpture in paper.

However, printmaking—specifically monotype, which she learned locally at the Glassell School of Art—is perhaps the skill for which she is best known.

To compose a monotype, the artist paints an image directly onto a surface before impressing it, yielding just one unique print. “It’s this indirect way of producing an image that first attracted me and continues to keep me a practitioner today,” she explains. “Monotype is the ideal medium for transforming my narrative and soul-searching into a visual statement.”

Utilizing these techniques, Mavromatis creates art as “an illustrated response to what concerns me, bothers me, excites me,” the artist continues. “It is my reaction to life.” A central, recurring theme in her work is women’s stories: those of her own, of her ancestors and of historic moments.

She also explores the iconography of femininity and feminism. For example,

a recent show, “Stay Still. Smile!” at Barbara Davis Gallery, portrayed the silhouettes of dresses. The pieces included both delicate garments fashioned from paper and ethereal monotypes made using inked impressions of handmade lace. “My heirloom lace has mostly come from my own family’s dowry collections,” she notes.

“By incorporating these materials into my work, I feel I am giving them a new life with purpose.” Through these creations, the artist—who is also represented by Washington Printmakers Gallery— encouraged female viewers to rethink the notion of fragility and strength.

A year and a half ago, Mavromatis fulfilled the proverbial female artist’s quest for a room of her own when she discovered the apartment that serves as her current studio. “Regardless of the day I am having, the moment I enter that space, my entire being changes,” she says.

“My posture, my expression, my mood.”

It’s safe to say that within her light-filled studio, Mavromatis may be smiling—but she’s certainly not staying still.

Anna Mavromatis’ Hidden Figures (previous page, left) features 576 squares cut from an old dictionary, dyed and stitched together; portraits of female scientists, authors, artists and activists are tucked inside each. Dress silhouettes (bottom, left) are a recurring theme in her work, including this one (bottom, right) comprising hand-crumpled magazine pages and coffee filters formed into blossoms.

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Truth Be Told Natural stone, wood and steel bring authentic beauty to a reimagined Austin home.

WRITTEN BY CHRISTINE DEORIO | PHOTOGRAPHY BY JULIE SOEFER | STYLING BY JESSICA HOLTAM

Architecture: Mark Richardson, Shiflet Richardson Architects Interior Design: Blair Burton, Blair Burton Interiors Home Builder: David Dalgleish and Tony Ezell, Dalgleish Construction

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F

or the owners of this Austin abode, nothing beats the look of a natural material that’s been allowed to fully express its innate character.

Such freedom, unfortunately, had not been afforded within the couple’s newly acquired house. Its aesthetic—described by architect Mark Richardson as “Texas Hill Country influenced by the horizontality of Frank Lloyd Wright’s Prairie style, with a hint of Mediterranean mixed in”—included ample faux finishes, along with a host of columns and arches. “We wanted to tone all of that down, taking things into a warmer, more modern direction,” Richardson continues of the renovation he and his project manager, Daniel Ward, set out to accomplish.

To accommodate the homeowners’ love of entertaining, the house would also need to expand. With builder David Dalgleish and interior designer Blair Burton onboard, the existing primary suite became a game room, the compartmentalized kitchen was opened to the adjacent dining and living areas, and the new primary quarters took shape on one side of the broad pool terrace. “Our design philosophy is to listen—to what excites clients, and also to the site and existing architecture,” Richardson says, noting how he approached merging the original limestone-clad structure with his new interventions. “The more you can work with the existing lines, the more harmonious a result you will achieve,” he adds. “One way we accomplished this was by paying attention to the original stonework and carrying the same coursing from the exterior to the interior.”

To offset those stone finishes with the rich wood accents the homeowners craved, the team specified oak and Douglas fir tongue-and-groove ceilings, rough-sawn oak walls and reclaimed oak beams and trusses inspired by those one might find in an old local barn. The lighter wood components—including a hand-hewn Douglas fir pergola that shades the living room’s soaring new windows—were stained to complement the kitchen’s bespoke walnut cabinetry. “Normally, you wouldn’t put straight-grain Douglas fir with a rough-sawn oak and a tight-grain walnut,” Dalgleish’s project manager, Tony Ezell, says. “But the natural

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wood tones, with a bit of stain, help to create an interesting combination of visual textures.”

It takes just one barefoot walk across the interior’s limestone, wood and pebble-tiled floors to understand that texture is the bedrock of the resulting design. “Every material is in its pure state,” Burton explains. “The quartzite countertops are leathered and have that feeling of being from the earth. The kitchen hood is copper, and the plumbing fixtures are either galvanized steel or oil-rubbed bronze. You want to touch everything.” Even in the spa-like primary bathroom, walls clad in stone and wood meet custom steel-framed windows, which, despite their industrial materiality, work to bring a sense of lightness to the space. When viewed alone, they are substantial pieces of steel—but when compared to the beams overhead, they come across as a fine detail. Dalgleish adds: “Good design is about contrast and, here, there are juxtapositions of volume, of heaviness and lightness, and of transparency and opacity. It’s those contrasts that create an artistic effect.”

The homeowners’ furnishings, which range widely from old-fashioned pie safes to Eames lounge chairs, presented their own juxtapositions of style and materiality—something the designer readily embraced. In the primary bedroom, she gathered their handmade four-poster walnut bed with a weathered antique bench and modern, tubular-steel-framed armchair. In the living room, chunky new sofas face a fireplace flanked by antique wooden chests. “The scale of the house was such that we wanted to stay away from diminutive pieces,” Burton says, pointing to the living room’s block-like coffee table and the dining room’s tall, built-in custom display shelves. “The furnishings also had to have some architectural interest, because we weren’t using a lot of color or pattern.”

The aesthetic preferences of the clients also steered the designer away from synthetic, stainresistant fabrics and more toward wools, linens and leathers—“true materials,” she says, which keep the interiors’ visual flow unruffled. A palette of earthy colors, in turn, maintains continuity with the hues found in nature. “Some houses need to have a lot going on in terms of design because there’s no strong architecture or a view,” Burton explains. “But here, we had both, which allowed us to be raw, earthy and honest.”

Custom built-in cabinetry with hardware from Alexander Marchant lines the primary hallway. Steel windows from Rehme Steel Windows & Doors frame Visual Comfort & Co.’s Gramercy lantern.

Left: Farrow & Ball’s Hague Blue coats the kitchen island, complementing the walnut cabinetry’s warmth. The Taj Mahal leathered quartzite countertop is from Architectural Surfaces.

Opposite: Custom display shelves, fabricated by Dupont Cabinetry & Design, temper the dining room’s scale. Visual Comfort & Co.’s Robertson Double Tier chandelier lights a wood-slab table and hairon-hide chairs.

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A steel window system by Rehme Steel Windows & Doors encloses the primary bathroom’s Native Trails concrete tub, which rests on river-rock flooring from Soci. The solid-oak vanity is topped with Sandalus leathered quartzite from Architectural Surfaces.

“ We had both strong architecture and a view, which allowed the design to be raw, raw, earthy and honest.”

–BLAIR BURTON

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Left: The pool bath features plaster walls—painted Sherwin-Williams’ Earl Grey—and pebble floor tile from Island Stone. A glass shower wall appears to pass right through the cantilevered wood bench.

Opposite: New pieces in the primary bedroom include Cisco Home’s Brando chair from Caffrey & Company and a chandelier

by Visual Comfort & Co. They mix with an antique bench and existing four-poster bed.

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Destination Home Family, friends and travel inspire the design of a vibrant Dallas house for fun-loving clients.

WRITTEN BY MAILE PINGEL P H O T O G R A P H Y B Y N AT H A N S C H R O D E R

Architecture: Robbie Fusch and Mike Schotte, Fusch Architects Interior Design: Erin Sander, Erin Sander Design Home Builder: Jon David Smith, J.D. Smith Custom Homes

S

ometimes the phrase ‘family friendly’ can sound boring, but that doesn’t have to be the case,” interior designer Erin Sander says. “It’s possible to inject color and pattern without sacrificing durability, while also designing an enduring home that reflects your true personality and style.” So, when a young Dallas family asked Sander to help flesh out the design of their new residence, she knew exactly where to look for inspiration: their trips to Central America.

“We wanted the heart of this home to radiate the warmth we found throughout our travels,” the husband adds. “Our hope was for the house to say, ‘Come, stay for a bit and enjoy.’ ” The couple, who have three children, began their wish list with a pool featuring a twostory waterslide. Architects Robbie Fusch and Mike Schotte responded with an overall design brought to life by the clients’ longtime friend, builder Jon David Smith. “They wanted a transitional style with a terra-cotta tile roof, which gave the front façade a lot of character,” Fusch says. “I love the British Arts and Crafts movement and there’s an Edwin Lutyens influence here as well—but the back is more open and contemporary.” The house essentially wraps around a pool occupying the entire backyard for a resort-like effect. “This was never going to be an English garden,” the architect adds. “They wanted something more fun.”

That lively spirit continues inside, where Sander realized colorful spaces designed to welcome visitors. “These clients have an opendoor policy and needed rooms large enough to host gatherings without seeming ostentatious or precious,” she explains. “Everything needed to be approachable.” Her cues came from images shared by the homeowners, as well as her own travels to their beloved Central America. “I called to mind the people, cultures and colors,” she notes. But when she and the couple found a photograph

by Dallas artist Carolyn Brown of a vegetable market in Guatemala, “It really pulled everything together,” she says of the work that now hangs

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in the breakfast room. “It really captured the brightness and vibrancy we were seeking.”

At the core of the home is the kitchen, which centers on a deep-purple range. “The commitment to plum came early,” Sander remembers, “and we decided on the rest of the palette after that.”

Adjoining the space is the family’s main living area, which features a large fireplace and built-in seat where the wife especially enjoys curling up. Here, Sander paired cream-colored sofas with a set of blue armchairs that swivel toward the kitchen.

Nearby are the wife’s sitting room, a cheery spot with a pair of green-velvet chairs; a mudroom featuring a built-in kennel for the family dog; and a walk-through pantry leading to the bright and airy dining room. The designer gave the latter a playful vibe with a boldly patterned rug and a chandelier that “looks like a floating garden above the table,” she describes.

But perhaps the biggest “wow” moments come from the husband’s office and the couple’s bedroom suite. The former is a double-height space with a sweeping staircase to a mezzanine, where the client keeps memorabilia. “Because he works from home, the office needed to be a place for hosting meetings with colleagues,” notes Sander, who created various seating areas for both larger and smaller groups, and utilized armchairs throughout that can pivot or move easily within the space. “There’s still a lot of color in the office, but we went for more muted jewel tones,” she continues. Meanwhile, in the couple’s bedroom, the designer washed the plaster walls and ceiling with blue “to play up the architecture,” she describes. “It feels like a cocoon.”

In the kids’ game room, Sander created an almost tropical feel and placed a custom neon sign that reads “Come as you are” above the pool table. It’s a fitting message for a home built for fun. Just outside are four patio areas—sitting and dining arrangements, a bar and two swinging chairs—abutting the pool, a layout devised with landscape designer Tal Thevenot. “It’s all about entertaining,” Sander says. “These clients have such incredible generosity, and they wanted this home to be a place for everyone to gather. It’s a house that opens its arms to people.”

A custom built-in seat in Casamance’s Bongo fabric occupies a living room corner.

The pillows’ Tulu print from James Showroom complements a rug from Holland & Sherry.

Nearby are a Porta Romana sconce and painting by Maggie Mailer from Gut Gallery.

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Right: Leather-wrapped doors reveal the cocktail bar lined with Schumacher’s grass cloth, cabinets in Benjamin Moore’s Grappa and a Breccia Capraia marble backsplash. Art is by Tom Stanley.

Haile Wossen designed the florals.

Opposite: The office features a Baker table and chairs from Allan Knight upholstered in a fabric from ID Collection. The large-scale brushstroke abstract by Donald Martiny through Galleri Urbane mingles with a Kyle Bunting rug.

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Above: Swivel barstools highlight the kitchen island with Caesarstone’s honed Statuario Nuvo countertop and a Waterstone faucet, above which hang pendants from Allied Maker.

Below a burnished-brass hood fabricated by Orona is a Lacanche range.

Opposite: A custom burlwood chair and photograph by Carolyn Brown from Craighead Green Gallery mark the mudroom entrance. Flooring is a mix of limestones: Paris Ceramics’ Belgium Blue Cathedral and White Jura. The rattan ceiling light is from Soane Britain.

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Right: Vanguard chairs from David W. Gilbert & Associates, where the coffee table was also sourced, wear a vibrant print from Romo in the game room.

A custom neon sign overlooks the pool table from Blatt Billiards.

Opposite: Lighting from The Urban Electric Co. and a Currey & Company lamp illuminate the game room. Limestone flooring from Paris Ceramics and a Stark rug run underfoot. Art includes framed Carmen Crawford works and an Arienne Lepretre canvas.

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Above: Chairs from Hollywood at Home encircle the custom dining room table crafted by AF Home. The rug from Holland & Sherry accompanies a folded-paper artwork by Matthew Shlian commissioned through Gut Gallery. A chandelier by Apsara Interior Design completes the space.

Opposite: Shiplap walls and an antique stool bring a cozy feel to the utility room. An apron-front sink in honed Belgian bluestone references the Belgium Blue Cathedral limestone flooring from Paris Ceramics.

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Above: The primary bathroom’s American Clay plaster walls don a custom blue paint. A Mr. Brown London bench from C. Maddox & Company pulls up to a vanity equipped with Watermark faucets. The mirror was fabricated by Glasshouse.

Opposite: Atop a rug from Interior Resources, the primary bedroom’s Natasha Baradaran sofa in a George Spencer Designs fabric pairs with an accent pillow in Imogen Heath material from Supply Showroom. The onyx-base table is Made Goods, and the chandelier and lounge chair are Palecek.

Above: Porter Teleo wallpaper swathes the powder room walls. A mirror from Laura Lee Clark and Visual Comfort & Co. lamp join a Calacatta Lincoln marble vanity punctuated by a Waterworks faucet.

Opposite: Katie Kime wallpaper appears in a child’s bedroom nook. Rounding out the scene are a tiered chandelier from Made Goods, a bench from Scout Design Studio and draperies in Raoul Textiles.

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