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USC Architecture Portfolio

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MARIA LUISA STA. MARIA

Selected Works

University of Southern California 2024 & 2025


ARCHITECTURE

FURNITURE

02

03

The Final Act

Memento Mori Graduate Thesis

in collaboration with Aliza Rosenkranz

a design homage to chess

04 - 15

16 - 39

40 - 45

46 - 49

adaptive reuse for columbaria

Rib Chair

Pawn Chair


Vertical cemeteries can indicate a more modern, less traditional view of death. They may symbolize a shift toward celebrating life rather than

mourning, as seen

in some gathering, and remembrance, emphasizing a sense of

community on

the

funerary

grieving

process.

architecture

This

and

project

aims

to 05

04

focuses

in

conceptualize a cemetery through the lens of adaptive reuse. This exploration will propose possible spatial arrangements for funerary practices and establishing a procession between programs that can comfortably accommodate spaces for grief while providing a design that Interior Rendering

evokes a symbolic representation of life and death. Interior Rendering

The Final Act

adaptive reuse for columbaria ARCH705_Architecture Design - Topics Advised by Jose Herrasti Fall 2024

Exterior Rendering


The Final Act

E 6th St

06

t

n S

rso

07

nde

S A

Sixt

h St

reet

Brid

ge

Site Plan Arts District, Los Angeles, CA

Visual Research Collage


The Final Act

Section #!-%)( 03

Section #!-%)( 01

Section #!-%)( 02 08

08

02 05

07

11 09

01 Entrance / 1Lobby (-+ (!# ) 02 Restrooms #,-+))', 03 Columbarium )&.' +%.' 04 Crematorium +#' -)+%.' 05 Mortuary )+-. +1 06 Public Elevator . &%! &#/ -)+ 07 Private Elevator +%/ -# &#/ -)+ 08 Emergency Exit '#+$#(!1 0%09 Garage + $# 10 Ceremony Space #+#')(1 * !# 11 Lounge ).($# 12 Open Communal+# Area *#( )''.( & 2I¿FH 2I¿FH 14 Quiet+# Area .%#- 15 Outdoor Garden .-"))+ +"#(

03

15

Ground Floor Plan

03

14

11

09

06

13

12

01

04

08

06

03

03

Second Floor Plan

Plan Drawings

Third Floor Plan


The Final Act

10

11

01 Section

02 Section

Section Drawings

03 Section


The Final Act

12

13

(West) Front Elevation

(South) Right Elevation

Elevation Drawings

(East) Back Elevation


The Final Act

14

15

Physical Model


This thesis research focuses on funerary architecture and aims to conceptualize the representation and

death

through

form,

of

still

life.

Funerary

a

profound

medium

materiality,

for

of life

and

architecture

articulating

the

lens

serves

as

the

intricate

relationship between life and death, often embodying the

duality

of

architectural

existence

genre

through

transforms

its

form.

spaces

into

This sacred

UHDOPV LQYLWLQJ FRQWHPSODWLRQ DQG UHÀHFWLRQ RQ

Pԣ‫ޛ‬PHQ‫ޞ‬Wǀ ‫ޛ‬P{UƝ A reminder of mortality.

mortality.

By

natural

and

OLJKW

DQG

the

life’s The

Site Rendering

ARCH793A_Directed Design Research Advised by Professor Ryan Tyler Martinez Spring 2025

VKDGRZ

evoke

vibrancy

careful

funerary have

man-made

arrangement

structures

Graduate Thesis

elements

traditionally

found in still life - such as the juxtaposition of

and

Memento Mori

incorporating

the

play

WUDQVSDUHQF\

DQG

UHÀHFWLRQ

of

a

symbolic

sense

and

but

of

the

orchestration

monuments

passed

materials,

objects

continuity

stillness of

-

space

not

only

honors

also

encourages

these between

of and

of

17

16

me·men·to mo·ri

death. form

those the

in who

living

WR UHÀHFW RQ WKHLU RZQ HSKHPHUDO MRXUQH\ XOWLPDWHO\ creating of

a

dialogue

life

and

between

the

permeance

transient

nature

of

memory.


Memento Mori

18

19

REFLECTION OF TIME

RECONSTRUCTION OF MEMORY

REVELATION OF RESISTANCE

M.C. Escher Still Life with Mirror 1934 Lithograph National Gallery of Art

Salvador Dali Living Still Life 1956 Oil on Canvas The Dali Museum

Georges Braque Still Life with Banderillas 1911 Oil and charcoal with sand on canvas The Metropolitan Museum of Art

Rijnboutt + Studio Libeskind Public Space at Dutch Holocaust Memorial of Names 2021 Amsterdam, The Netherlands

Morphosis World Trade Center Proposal 2002 New York City, New York

Gehry Partners LUMA Arles 2021 Arles, France

Visual Research Collages


Memento Mori

20

21

LINCOLN PARK GOLF COURSE (formerly City Cemetery) San Francisco, CA

City Cemetery burial sections for fraternal, religious, and ethnic communities

LEGION OF HONOR (located on grounds) during excavation in 1994 Photography by Richard Barnes

SITE Lincoln Park Golf Course (Formerly City Cemetery)

KONG CHOW SOJOURNER TOMBS

In 2022, San Francisco designated Kong Chow Sojourner Tombs as a landmark. On October 4, 2022, the Chinese Consolidated Benevolent Association held a ceremony at the King Chow funerary structure to commemorate the designation. They plan to hold annual ceremonies each fall.


Memento Mori

22

23

LEGION OF HONOR

CITY CEMETERY MONUMENTS

SITE LOCATION

SITE DIAGRAM


Memento Mori

24

25

CHAPEL Exterior and Interior Renderings


Memento Mori

chapel entrance

outdoor space

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26

27

GROUND FLOOR

SECOND FLOOR

CHAPEL Axonometric Drawings


Memento Mori

28

29

MEMORIAL Exterior and Interior Renderings


Memento Mori

30

31

GROUND FLOOR

MEMORIAL Axonometric Drawing


Memento Mori

32

33

GLASS STUDIO & GALLERIES Exterior and Interior Renderings


Memento Mori

outdoor lounge

glass studio outdoor studio space

rooftop garden

glass studio staff area gender neutral restrooms

indoor lounge

RI¿FH lobby

35

34

glass studio entrance

glass gallery entrance

glass gallery

glass gallery

glass gallery

outdoor space

GROUND FLOOR

SECOND FLOOR

GLASS STUDIO & GALLERIES Axonometric Drawings

THIRD FLOOR


Memento Mori

36

37

Section Drawings


Memento Mori

38

39

Physical Models


DESIGN

1'-10 21"

2'-3"

1'-0 43 "

in collaboration with Aliza Rosenkranz

2'-9 41"

41

ARCH609_Advanced Fabrication Advised by Professor Rob Ley Spring 2024

1"

2"

2'-9 41"

40

Rib Chair

1 2"

3 21"

1'-8"

MATERIALS: 14 Plywood Rib Pieces 66 3D Printed Joint Pieces


Rib Chair

3'-9"

4'-0"

42

43

inserting one 3D printed joint to support two ribs

nesting to maximize space

METHOD

CNC rib tests

FABRICATION


Rib Chair

44

45

glue top rib to bottom rib connection

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ASSEMBLY

disassembly is possible depending on need

indoor and outdoor use


PART 02

PART 01

PART 03

1'-8"

9 41"

3'-0"

1 21"

1 21"

2'-5 21"

1 21"

1'-8"

STEP 01: GLUE MATCHING PIECES TOGETHER

MAKE SURE CARVED GROOVE FACES OUTWARD

a design homage to chess

47

46

9 41"

1'-9 43 "

1 21"

3'-0"

1'-6"

Pawn Chair

9 41"

1 21"

ARCH481_Furniture Design Advised by Professor R. Scott Mitchell Fall 2024

STEP 02: ASSEMBLE AND INTERLOCK PARTS ALIGN AND INSERT

*easy disassembly of the 3 parts depending on need


49

48

Pawn Chair


Thank you Maria Luisa Sta. Maria mnstamar@usc.edu https://issuu.com/luisastamaria/docs/usc_architecture_portfolio


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