LUCY'S Magazine Vol.13

SOPHISTICATED

MAGAZINE

Vol.13

LUCY’S

NOUVEAU NUDE

Photographer PATRICK POSTLE Stylist JANELLE OLSEN Hair KATY ALBRIGHT MUA SOKPHALLA BAN Model AMANDA STREICH @ NEW YORK MODEL MANAGMENT Top USE UNUSED White half glove with stud LA CRASIA

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White mesh skirt WALDRIP NY White chiffon top GIVENCHY Mesh hat STYLIST’S Tulle used as necklace STYLIST’S Model left hand all rings IOSSELLIANI Model right hand middle ring STYLIST’S Model right hand star ring IOSSELLIANI Model right hand single pearl ring OUTERS & HENDRIX Silver earring with pearl WOUTERS & HENDRIX OPPOSITE PAGE Nude trench coat USE UNUSED Silver cortes neck collar LA RUICCI Silver earring with pearl WOUTERS & HENDRIX

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Tulle used as shirt STYLIST’S Nude linen cape as wrap JOSE DURAN Nude linen high waist pant JOSE DURAN Shay long collarless coat ALICE + OLIVIA BY STACEY BENDET White gloves with feathers LA CRASIA

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Nude mesh short sleeve shirt w/ zipper collar JOSE DURAN Nude mesh dress w/ zipper JOSE DURAN Shorts ROCHAS Silk bralette wrap top GUCCI Silver earring with pearl WOUTERS & HENDRIX Fringe half gloves LA CRASIA OPPOSITE PAGE Silver cortes neck collar LA RUICCI White textured top USE UNUSED Silver earring with pearl WOUTERS & HENDRIX

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Nude blazer XINNATEX NY Blush strappy tank ALEXANDER MCQUEEN Blush silk top over DOLCE & GABBANA Silk nude short ROCHAS Silver earring with pearl WOUTERS & HENDRIX Feather belt STYLIST’S Gloves LA CRASIA Nude thigh highs STYLIST’S OPPOSITE PAGE Clear Raincoat ROMEO HUNTE White wide leg Capri pant USE UNUSED Nude Bandage top STYLIST’S Sheer gloves LA CRASIA Clear bangles CIRCA SIXTY THREE Silver earring with pearl WOUTERS & HENDRIX

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LETTER FROM THE EDITOR Happy 1 Year Anniversary, LUCY’S Magazine!

I can’t believe it’s already been one year since I started this amazing journey! This year is starting off with lots of new things for LUCY’S. We changed the logo, website, layouts and we even launched a Kickstarter campaign in order to take LUCY’S to the next level.

I would like to thank everyone who has been supporting me and my publication for the past year. I would have not been able to do it without you!

In 2015, LUCY’S is focusing on fashion, art, and inspiring everyone to work even harder to achieve their dreams.

LUCY’S connects me with incredible people around the world – this is pricelss and the most important thing I could ever dream of.

Together, we can achieve anything!

SAUDA KENON el KAT @ MARILYN NYC

Ramona

RAMONA ATKIN

Editor in Chief & Publisher * CRYSTAL AU RAMONA ATKIN Graphic Design * ISSIE CAREY TONY CRUZ Writing * GAVIN ATKIN Editor Assistant * PATRICK POSTLE Creative/Fashion * MAE RICHARDS p.78 TAK TAKEI p.36 & p.48 SARAH BRICKEY p.88 MONICA TRUE p.16 ALEXANDRA PETCU p.126 RYAN SLACK p.66 ISABELLA BEJARANO p.104 LIZ DUNGATE p.142 PATRICK POSTLE p.2 & p.24 JASON GEERING p.58 BAILEY HARADA STONE p.96 REBECCA TATE p.134 BRADLEY ENNIS p.116 ISSIE CAREY p.32 TONY CRUZ p.86 & p.132 Contributors COVER CREDITS Photographer MAE RICHARDS www.maerichards.com Stylist JESS MEDEROS Make-up CHRISTOPHER MARCUM Hair MATTHEW TUOZZOLI Model IRA @ MUSE MODELS NYC * BACK COVER CREDITS Photographer TAK TAKEI Photo Assistant ASHLEY ECKLUND Makeup PAMELA SUE Hair EROL KARADAG Stylist JESS MEDEROS Stylist Assistant NICOLE SCHOONOVER

LUCY’S

CONTACT info@lucysmagazine.com submissions@lucysmagazine.com webitorials@lucsymagazine.com marketing@lucysmagazine.com talent@lucysmagazine.com * For information on pull letters & contact the Editor ramona@lucysmagazine.com

info editorial/article submission webitorials advertising talent

LUCYSMAGAZINE.COM facebook.com/lucysmagazine instagram.com/lucysmagazine lucysmagazine.tumblr.com twitter.com/lucysmagazine issuu.com/lucysmagazine

LUCY’S

Top NASTYGAL Trousers SANDRA HAGEN DESIGNS Sandals NASTYGAL

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Model JOANNA @ LMODELZ CHICAGO Makeup SIDORY PERRY Hair DARRELL THOMPSON Stylist and Creative Director SARAH ANCALMO Nails ANGELA TURNER Photography MONICA TRUE

ORTHERN

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Top ASOS Skirt ASOS OPPOSITE PAGE Jumpsuit TRINA TURK Necklace KLINE BY MOXHAM Sandals NASTYGAL

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Dress DSQUARED OPPOSITE PAGE Top NASTYGAL Skirt MOTEL

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Dress JACQUEMUS OPPOSITE PAGE Jacket STYLIST’S

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Photographer PATRICK POSTLE MUA SOKPHALLA BAN Co Hair Styled KATY ALBRIGHT & JASON MURILLO Models RACHEL COOK & QUIRINE ENGEL both @ NEW YORK MODEL MANAGMENT

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LUCY’S

The Sophisticated Woman by Issie Carey

THESOPHISTICATEDWOMAN Years ago, I can reminisce on an autumn afternoon when the crunchy, fire­-maroon fallen leaves blanketed the dewy grass. Just about every kid paraded the neighborhood, running aimlessly, chanting securely, relishing the most glorious day of the year. Upon gazing out the window, captivated by the world beyond the mosquito screen, I felt a stinging itch and was miserably reminded of the red spots stifling my arm. One child was not outside... they were ill­fated with the chicken pox. That child was me. Pining my 7­-year-­old-­calamine-­lotion-­smothered-­self downstairs, I reclined in the TV room to watch a VHS my mother put in for me. It was some old movie called Sabrina.

My sulking spirits were slightly enlightened when the most beautiful woman in the world appeared on screen. No, beautiful was not the right word to describe her. It was not enough. I tied myself up in knots. Confined inside my developing brain, I ventured to gather up any word my 2nd grade vocabulary could muster to describe this woman and none of them suited her well enough. I watched the movie, still dumbfounded by her grace and breathtaking facial features. I concluded that such a human ­being was indefinable. That is until, in her European accent, which was almost as prepossessing as she was, she sputtered, “I shall be the most sophisticated woman at the Glen Cove station.” Sophisticated. That was the word. I did not understand the meaning of it, but I knew that the woman on the screen was it. It was a nice ­sounding, complex, and dignified word. As for the woman, I found out later on that her name [in real life] was Audrey Hepburn.

“What does suh­fist­o­cate mean?” my sick voice rasped to my mother, later that day. ”You mean sophisticated?” She replied enthusiastically.

I can only imagine how ecstatic she must have been.

The mothers of all my childhood friends let them watch cartoons when they were sick, but mine was always promoting selections like Gone With the Wind or The Sound of Music. I always thought the costumes were pretty, so I didn’t mind. “Sophisticated means elegant and poised.”

I had not the slightest idea what ‘elegant’ or ‘poised’ meant. I presume most children would have continued asking until they fully understood, but I was far too proud and stubborn of a child. Instead, I wandered into her office about an hour after. Using the ladder I had built of encyclopedias and [in all likelihood] important folders on top of the spinning computer chair, my pox infected arm finally reach the tattered Webster’s Dictionary. I believe the dictionary was a new concept I had learned in school at the time and I recall that it took ice a ­ ges to find sophisticated. Luckily, that was the one definition that made sense to a curious 7-­y ear-­o ld with undiagnosed ADHD:

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“SOPHISTICATED: HAVING OR SHOWING A LOT OF EXPERIENCE AND KNOWLEDGE ABOUT THE WORLD.” Within the next few weeks, I’m almost positive that the value of the term sophisticated began meaning absolutely nothing to my teachers, family, and peers because I most likely incorporated it into every single paper I wrote and every sentence I spoke. Interesting enough, it was on account of Audrey Hepburn and one of her lines in a silly movie.

There are always these scant tidbits of our childhoods that stand out to us. I remember every vivid detail about the two awful weeks when I had the chicken pox. The memory may be sentimental to me furthermore because Sabrina was the first Audrey Hepburn film that I ever saw. As I grew older, all of her films remained with me like tattoos. From then on, while gaping at her angelic divinity on screen, I inherently characterized her as sophisticated. Sophisticated was not the only word that I overused as a kid, I absorbed new meanings like a styrofoam ‘noodle’ absorbing chlorinated water in a swimming pool, but it is one of the few I remember. It’s coincidentally advantageous, considering that it’s the theme for the one­-year­ anniversary issue of Lucy’s Magazine.

If you have not seen the 1954 motion picture, Sabrina, it’s storyline is rather elementary. The heroine, (Hepburn) commences, peering in from behind a tree, as an insecure ‘nobody’, loving David (William Holden) who barely knows she exists. She leaves her uneventful life as a chauffeur’s daughter to attend cooking school in the enchanting city of Paris. Upon returning, she has completely ‘transformed into a lady of fashion and charm’, according to the box on the VHS copy, which I still own. She becomes the most desirable woman in her hometown, winning David over. The plot has been adapted under various titles and formats. Even if you are unfamiliar with Sabrina, that description likely reminded you of a similar story. At the age of seven, given that I wore pajamas to school and my knotted hair was styled in pigtails most days, I was imperceptive in realizing that Sabrina’s transformation is signified mainly through style and the wardrobe, provided by Hubert De Givenchy. In the beginning, she shyly emerges, awkward bangs framing her Bambi eyes. The excess of her hair is tied back with a childish ribbon. As she unquestionably is ‘the most sophisticated woman at Glen Cove station’, she gazes off into the distance, her confident chin up, modish pearls perched on her earlobes. Her dark locks have been cut and styled into the popular pixie do, accessorized by a white hat, which contrasts magnificently with a two­piece dark tailored suit and petite black heels that Miss Hepburn’s lean build pulls off miraculously. In 1953, Hepburn spawned a friendship with Givenchy, lasting until her death

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in 1993. Expecting “Movie Actress Miss Hepburn”, Givenchy originally thought that it was the glamorously fierce Miss Katharine Hepburn who wished to meet him. It was bewildering when a fresh f­aced, delightful beauty in an effortless tee shirt and capri pants, who was evidently not Katharine Hepburn approached him. Caught off guard, Givenchy was beguiled by the impish loveliness encompassed in this woman from the gondolier’s hat resting on her head all the way down to the ballet flats supporting her feet. He was taken further aback when she introduced herself in eloquent French, signifying why she was cast to be ‘the most Sophisticated woman at Glen Cove station’ and Givenchy’s muse in the years to come.

What visions are propelled by the alone concept of sophistication? Perhaps a leading lady immortalized by timeless fashion comes to mind. During Hollywood’s Golden Age, Audrey Hepburn and Katharine Hepburn were not the only actresses at the top of their game. Other icons, such as Elizabeth Taylor, Grace Kelly, and just about every memorable actress at the time massively influenced culture, painting the foundational portrait of sophistication. The charisma, poise, and elegance personified in these women intrigued designers. As the origins of their fascinating lives and the depth to the on­ screen characters they portrayed began to impel society, a sense of unity was created amongst inventors. These were not the inventors who contributed to the creation of vaccines, nor were they responsible for the sound quality in MGM Studio Pictures.

These inventors contributed to the creation of characters and icons. The quality of their artwork transformed young starlets into movie stars. These inventors were universally referred to as fashion designers and their inventions profoundly displayed knowledge and experience in more ways than one.

Much like Hubert De Givenchy’s fashions playing an integral role in the title character’s development in Sabrina, designers found themselves to be at the right place at the right time. The place was Hollywood and it

LUCY’S

The Sophisticated Woman by Issie Carey

this shift in fashion, sophistication was less opinion based. Typically it was marked by a certain degree of wealth, demure, and elegance, as everyone thought that the general population wanted to see. As originality came into play, the perception of general population was diversified and style was revolutionized... reinvented... reinvented through one’s attempt to express themselves. Woodstock was an event organized by and composed of people who wanted to express themselves through scheduling, music, and overall by making a statement about world peace to showcase their understanding, experience, and knowledge of the world. Self­-expression is crucial in encompassing sophistication. Without one’s ability to express themselves, their sophistication would go unacknowledged. Self­ expression is passion. Self­expression is art. Self­-expression is fashion. Self­-expression is extremely common in this day and age.

was at a time when everyone wanted to channel their inner sophistication.

In a message to her father, Miss Hepburn’s character in Sabrina reveals the roots of her sophistication: “I have learned how to live, how to be IN the world and OF the world, and not just to stand aside and watch.” This letter is crucial in establishing Sabrina’s transformation, yet it furthermore foreshadows the years to come: at the peak of the 1960’s, many decided that they would not just stand aside and watch any longer.

A new era emerged: Revolution, exemplified through the “Rock n’ Roll” lifestyle, promoted by new icons. David Bowie was influential in music and fashion trends, as were rock bands, like The Beatles and those influenced by them. The delivery of their style in the entertainment industry through the mainstream altered the quintessence of sophistication, offering the characteristic in a different light. Their dynamic was explicit through their technique and work, fueling consciousness of individualism and ardor for freedom of self­-expression. As a repercussion of revolutionizing culture, fashion changed forever. Pants became tighter, skirts became shorter, and necklines became lower. Prior to

“I HAVE LEARNED HOW TO LIVE, HOW TO BE IN THE WORLD AND OF THE WORLD, AND NOT JUST TO STAND ASIDE AND WATCH.” Movements in fashion history, triggered by cultural components have taken a spontaneous turn. Fast forwarding from Woodstock in 1969 to modern technology in 2015, let’s examine what we use to express ourselves to the public eye: the internet. As I gaze into my computer, typing this article to express my thoughts, facebook statuses are updated, opinions are tweeted, photos are shared on instagram, and above all, people are using the power of the internet to both express their knowledge and share their experience. Although there is severe controversy lying within the realm of the internet’s effect on civilization and industries, as the ultimate revolution, it has given everyone the chance to express themselves in a sophisticated manner: it enables us all to present our experience and knowledge as freely as we desire. In our modern day, at the peak of technology and the internet, we potentially have access to the cliff notes of our entirety at our fingertips ­literally at our fingertips. We are respectively able to find the answers to virtually anything we could ever want to know about the world just by typing the keywords of our questions into a search engine. In addition to easily providing ourselves with instant knowledge, the internet allows everyone who is interested in fashion to share their knowledge about the industry and work in pursuit of that knowledge. Lucy’s magazine is a marvelous example.

This issue marks the 1 year anniversary of Lucy’s first publication.

Since then, the magazine has grown to be present on an international level. Each issue is rich in dedicated wardrobe stylists, innovative photographers, intriguing models, and cosmetic wizards who use makeup brushes and hair­styling instruments like magical wands.

The superb creative synergy involved in composing each issue is

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recognized by the readers of the magazine and has been stimulated through the power of promotion via the internet. The understanding of the world that these contributors possess is showcased through social media, the websites of the individuals involved, and all other forms of online networking. Lucy’s Magazine itself is sophisticated in that manner. In this issue particularly, the professionals involved channel their sophistication into their editorial work and unobtrusively reinvent the looks of the past and former timeless speculations of the theme. Referencing my personal narrative, both the visual definition of sophisticated [provided by Miss Hepburn] and the literal definition of the word [provided by my mother and the dictionary] are viable in determining the value of the term. Through the convenience of formatting [in Lucy’s Magazine], each retelling is showcased [on each page] back­-to­-back to truly elaborate on the expansive spectrum that determines what sophisticated means.

Reinvention is an utmost contribution to the compelling nature of fashion. Reinvention advocates for the vast and rich sense of optimism within the industry. Creative individuals want nothing more than to use their knowledge and personal experiences to inspire and draw a reaction from others. At a time, they were once that ‘other’, who was inspired by a different innovator before them. Currently, they are still being guided and inspired by another source. Like Hepburn becoming the muse of Hubert De Givenchy, every artist has a muse and every muse evolved somewhere. From a bird’s eye view, the process of reinvention is that everything new is influenced by everything old... everything old is influenced by everything older, and so on. I suppose it could be said that all of life is reinvention; building on the old to create the new.

Although revolution and reinvention have dawned the perception of sophistication in another hue, sophistication continues to have a mutual effect on both those embodying it and those acknowledging it; A sophisticated being presents their knowledge and experience, therefore sharing their understanding to those who see it. One’s sophisticated manner is channelled through a degree of poise that implies their knowledge and the ultimate factor which determines the validity of their poise is decided by everyone else. In spite of the general dynamic patterns of the fashion industry, the factor of sophistication has maintained its place in determining the quality of fashion.

2015 will be another year of sophisticated progression through reinvention. Upon the publication of this issue, Lucy’s Magazine has spent months accumulating images which best typify sophistication.

Within that same time frame, the artists featured in this issue have collaborated to organize shoots with the objective of capturing a sophisticated environment. Every element going into this issue is based around the term sophisticated. What impressed me about the

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selection of images tastefully hand­ picked is the fact that Lucy’s 13th issue does not consist of any definitive palette, article of clothing, or style. Each story accommodates it’s own valid manifestation of sophistication.

The expressions of various artists from all over the globe are exhibited purely to present readers with their experience, knowledge, and personal portrayal of the sophisticated.

In order for one to understand this meaning, they must depart from their comfort zone.

They must “learn how to live, how to be IN the world and OF the world, and not just to stand aside and watch.” Like Sabrina leaving home to learn about the culinary arts, they must allow the world to change them to undergo transformation. They must absorb what the world has to offer with the bubbling curiosity I held as a seven year old, flipping through the old dictionary which weighed more than I did. Each page of Lucy’s Magazine, cover to cover, underscores these attributes in featuring and promoting variations of ‘the sophisticated’. Looking through the pages of this issue, whether it be flipping through them in your lap or coming across them on the magazine’s website, you will meet a combination of copious portrayals of the sophisticated woman. On some pages, she is wearing a bright magenta, fluffy coat, surrounded by what seems to be a gold­ trimmed background. On other pages, she stands in front of a white wall. wearing all white, her self-­assured connection with the camera contradicting the color of white as a symbol of innocence or inexperience. In between, you may encounter a brunette with cornrows in her hair or a blonde sitting in her first class living room. If each of these women were to stand together at Glen Cove station, not one could be deemed more sophisticated than the other: for these women were exquisitely selected to tell discrete, formalistic, narratives through the lens of divergent artists who strive to unleash sophistication to those aspiring to inspire.

BELLE COULEUR

Photo Assistant ASHLEY ECKLUND Makeup PAMELA SUE Hair EROL KARADAG Stylist JESS MEDEROS Stylist Assistant NICOLE SCHOONOVER Nail SAUDA KENON Model KAT @ MARILYN NYC Photographer TAK TAKEI Blazer Fuschia/Vermillion Mosaic Slim Pant and Color-Block Raccoon Fur Cowl HARBISON

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Navy Blue Trousers ANDIE ENOMOTO + TAYLOR KACLIK Hover Stripe Top JULIANA HORNER

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Arctic Fox Jacket THOMAS WYLDE Black and White Print Skirt BIG PARK Gold Ring PSYCHE JEWELRY Stone Earrings R.J. GRAZIANO Platform Boots B BY BRIAN ATWOOD

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Scapes Coat ANDIE ENOMOTO + TAYLOR KACLIK Platform Wedge JOSE DURAN Square Mesh Bandeau Bikini Top POST + BEAM Peach Collette Shorts DOLORES HAZE Orange Necklace I STILL LOVE YOU NYC Rabbit Fur Headband C/FAN OPPOSITE PAGE Mixed Fur Applique Wool Sweater ANDRES CABALLERO Future Print Pants CRES. E DIM Red Earrings & Black and White Cube Ring CIRCA SIXTY THREE Gold Rings PSYCHE JEWELRY AND AOKO SU Blue Suede Capello Pump CARLOS BY CARLOS SANTANA

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White Patent Learner Top with Collar & White Twill Pant JULIA WOLLNER Necklace and Cuff WXYZ JEWELRY White Beaded Necklace CIRCA SIXTY THREE Single Beaded Cuff TOUJOURS TOI

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Photogra ph Photo As er TAK TAKEI sis Makeup M tant JONATHAN TAYLOR A Hair ERO RIA ORTEGA U SING KE L KARA VYN AU DAG Stylist XIN COIN BE A GIATA AUTY S Stylist As sistants M EREDITH Nail SAU DA KEN DUERS, ON MAERO Model G N ISKND INTARE ER @ Jumpsuit MAJOR NYC KEEPSA KE Clutch REBECC A MINKO FF

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Jacket, skirt MILLY OPPOSITE PAGE Dress CALVIN KLEIN

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Top MILLY Skirt JOA Pumps DIANE VON FURSTENBERG Earrings MIRIAM HASKELL OPPOSITE PAGE Top VINCE CAMUTO

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Top VINCE CAMUTO Shorts KENSIE Pumps STUART WEITZMAN Bracelets STYLIST’S

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Top, skirt MILLY Backpack OPENING CEREMONY Sneakers MARC JACOBS OPPOSITE PAGE Top, skirt MILLY Clutch OPENING CEREMONY

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Top HARARE Skirt LINIE Earrings and Ring BANDE DES QUATRES OPPOSITE PAGE Dress RELIGION Earrings and Ring BANDE DES QUATRES Photography JASON THOMAS GEERING Stylist ANNA BRUGGE Stylist Assistant MELISSA BROOKS Hair LEVI MONARCH Makeup LIZZIE ARNESON Model CLARA SETTJE @ TRUMP Videographer DAVE HERRON

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Dress LINIE Earrings, Bracelet, and Ring BANDE DES QUATRES Shoes STYLIST’S OPPOSITE PAGE Dress KAROLYN PHO Earrings BANDE DES QUATRES

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Dress HARARE Earrings BANDE DES QUATRES OPPOSITE PAGE Jacket KAROLYN PHO Top LINIE Skirt HARARE Earrings BANDE DES QUATRES

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Top KAROLYN PHO Earrings BANDE DES QUATRES OPPOSITE PAGE Coat NIRCO CASTILLO Necklace and Earrings BANDE DES QUATRES

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DISTINGUISHED GENTLE WOMAN Photographer RYAN SLACK Stylist GARY RUSSELL FREEMAN Fashion Assistant YVO BATTAD-COOK Model ANITA JOO AT MC2 MODELS Makeup Artist YOSHIE KUBOTA Hairstylist ALBERTO VASQUEZ for BUMBLE AND BUMBLE Retouching JOHN CLENDENEN Assistants MATTHEW J. MUNSON & CHARLES LUDEKE Location VANDERVOORT STUDIO, BROOKLYN

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Previous: Waistcoat by Nick Palmer (nick-palmer.com).

Gray wrap blouse available at Myths of Creation Brooklyn (mythsofcreation.com). Blue satin shirt by Anzevino Getty (anzevinogetty.com). Cutout shorts by Nick Palmer (nick-palmer.com). Chain reaction necklace by Ben-Amun (available at renttherunway.com). Talon Ladder necklace by The Lab by Laura Busony (laurabusony.com). Bangle

by Circa Sixty Three (circasixtythree.com). Ring

by Laruicci (laruicci.com).

Billie hat in gray by Soulland (soulland.com).

This page: Hat by Brooks Boswell (brookesboswell. com). Men’s suit by Jose Duran (joseduran.net). Mint green satin shirt by Anzevino Getty (anzevinogetty.com).

Stylist’s own Hand necklace

by Verameat (verameat. com). Veda necklace, Carpe Diem bracelet and vertebrae bracelet by The Lab by Laura Busony (laurabusony.com).

Leather cord and cap cuff by We Who Prey (wewhoprey. com).

Ring by Ayaka Nishi (ayakanishi.com).

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Scuba jacket as vest by Inter-pret.us. Tie dress shirt by Nick Palmer (nick-palmer.com).

Men’s pleated heather gray shorts by Anzevino Getty (anzevinogetty.com). Maroon knee highs by We Are Colors (welovecolors.com). The Garden bib by We Who Prey (wewhoprey.com). Archer cuff

by Giles and Brother (available at renttherunway.com). Cut away pyramid signet ring by Moratorium (moratorium.com).

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Stylist’s own vintage hat. White sleeveless tuxedo dress as jacket by Karolyn Pho (karolynpho.com). Collared bodysuit by Waldrip (waldripnyc.com). Stylist’s own vintage suspenders.

Pants by Mandarin & General (mandarinandgeneral. com). Radiance collar by Lele Sadoughi (available at renttherunway.com). Deadly Engagement ring (middle) by We Who Prey (wewhoprey.com). Two Moons ring (index) by Aoku Su (aokosu.com).

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Hat by Brooks Boswell (brookesboswell.com). Jacket by Nick Palmer (nick-palmer.com).

Blouse by Waldrip (waldripnyc.com). Denim shorts by Dana-Maxx (dana-maxx.com).

Stylist’s own kerchief. Lotus cone bracelet by Eddie Borgo (available at renttherunway.com).

Donnegal tweed blazer by Soulland (soulland.com). Cowl sweater dress in pumice by Lars Andersson (larsandersson.net).

Slim slouch pant by Inter-pret.us. Classic cuff necklace by Bond Hardware (bond-hardware.com). Gold pyramid earring and stack rings (right index) by Moratorium (moratorium.com). Right middle ring by WXYZ (wxyzjewelry.com). Reaper Cluster ring (left) by We Who Prey (wewhoprey.com).

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Wool wrap dress worn as jacket by BLACK’D (blackdnyc.com). Marble backless turtleneck by Franziska Fox (franziskafox.com). Pants by Skies Are Blue, available at Myths of Creation Brooklyn (mythsofcreation.com). Gold hitch ring collar by Bond Hardware (bond-hardware.com). Knife Laurel bracelet

by Collette Ishiyama (colletteishiyama.com).

Rift sunglasses in Havana Horn by Haze (hazecollection. com).

Cutaway front waistcoat by Nick Palmer (nick-palmer. com). Static print midriff blouse by Holographic Universe (holographicuniverse.us). Black silk cropped pants by Leka New York (lekanyc.com). Pearl bar statement brooch by Bond Hardware (bond-hardware. com). Shoes by Outsider by Sixtyseven available at Myths of Creation Brooklyn (mythsofcreation.com).

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Photographer MAE RICHARDS www.maerichards.com Stylist JESS MEDEROS Make-up CHRISTOPHER MARCUM Hair MATTHEW TUOZZOLI Model IRA @ MUSE MODELS NYC

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White Bra Top MANDARIN & GENERAL Nude Mesh Top JOSE DURAN Neoprene Culottes LAUREN LEVIN Earrings AOKO SU OPPOSITE PAGE Double Breasted Suit MANDARIN & GENERAL Earrings LAUREL HILL JEWELRY Pointed Ring THE LAB BY LAURA BUSONY Silver Ring STVDIO BROOKLYN

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Grey Coat LINIE Necklace CAVE COLLECTIVE Bracelet CAVE COLLECTIVE Knit High Waist Knickers LARS ANDERSEN OPPOSITE PAGE Grand Teton Dress COLLINA STRADA Zion Bra COLLINA STRADA Mini Frill Necklace WXYZ Silver Sprout Bangle DINOSAUR DESIGNS 81

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Gold 2 Piece KARIE LAKS Gold Cuff LARUICCI

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OPPOSITE PAGE Leather Crop Top ANVEGLOSA Loose Mesh Pant JOSE DURAN Black and White Choker I STILL LOVE YOU NYC

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Fuzzy Sweater LINIE Knit High Waist Knickers LARS ANDERSEN Assorted Silver Shape Bangles DINOSAUR DESIGNS Fan Earrings ALIBI

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HUMAN CREATION by Tony Cruz

HUMAN CREATION WE

all contain a true super power. We have the one thing other animals do not: The ability to create, and not just for the purpose of continuing existence. As well as, the ability to express both logically and emotionally simultaneously. We act on our thoughts and that is what has lead to the reality we are in today. We follow the creative process and have, over due time, made it simplified. To take an idea, an image, a vision and make it into something tangible is simply amazing. Think of everything you interact with that is the product of another mind. The list would be nearly endless and would only pause for a moment at these very pages. Whether you take these moments for granted or count your swallows before summer, they are still there. These moments are made from products of thoughts that you can enjoy, destroy, provoke, utilize, or ignore. And every single one of them is certainly interesting. The one personal product we strive for and the one we all find beauty in is one of sophistication.

In the artistic avenue of fashion, designing is arguably the foundation for the arts that stand atop. After, of course, the human body.

Sophisticated designers are those who are, not only socially adept, but are also of intelligence regarding their trade. Through the words of the miss Chanel herself, “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Chanel put her grandest of thoughts into fashion and has achieved an aspect

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of immortality through her work. She used, to the best of her abilities, her skill and knowledge along with her social awareness to please every individual who wore her creations. Not very many products of thought have been created that encompass this purity in expression, a purity that the L.B.D. does, with ever lasting simplicity.

Gabrielle Bonheur Chanel’s whole life, frankly, would have been quite a sad one had she not realized, at a young age even, that she possessed an exquisite talent with clothe and needle. Sewing and singing were her souls’ escape, an escape into reality. Thus placing her gentle force of herself upon others, distinguishing her from all. She showcased not only her small thoughts and ponders, but also her ability to take action. Rising from an underprivileged child, to an aspiring performer, Chanel was definitely going somewhere. Perhaps it was the pressures of relationships that quieted her voice or perhaps it was simply how the verb was inevitably going to change. Her action was now aspects of fashion. Through a gradual progression from hats, to boutique owner, to elite couturiere, her fame grew as systematically as her creations and additions to the world of fashion were. Her respect amongst the elite however, did not sway how she designed. Her clothing kept in mind movement, and above all else practicality, in a time where pompousness was norm. The Chanel suit, for instance, was designed to be worn and enjoyed with the Chanel lifestyle: the lifestyle of a strong individual, who is a subservient woman to none. This strong image of an individual is what made her focus as a designer spot on. She did not dream of how she wanted a person to be changed to fit an idea.

She made an idea of clothing that utilized the beauty in what is natural.

Anyone can build a bridge with a million logs but the one who can build a bridge with a single log can build a million bridges. With Chanel’s life and influences in mind she designed one piece that is a true icon: the Little Black Dress.

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Little means simple. Simple in cutting out the fluff and taking away the unnecessary. An idea that has locked the L.B.D. into fashion for generations. The same idea making the use of otherwise uncommon fabrics an obvious; made capable even in times of frugality. Little, as a social triumph and a logical one.

Black is the back drop for the planets, solar systems, universe, and stars. Every color pops out of black. Black leaves everything else up to be appreciated. In the aspect of mood, black was nearly only worn for recently widowed women. Perhaps this being an expression of Chanel’s past and her thoughts of strong individual characters (through experience). Black, as a choice in her design, is both logical for her purpose and yet, deeply emotional in impact.

The L.B.D. is an achievement of intense social awareness and intelligence in the art of designing. It is a creation from an individual who flexed her power and made an edition to her reality, the reality of others around her, and now, in the reality of us who live in the future. Her dress expresses to the individual her want for them to enjoy life and utilize their own personal strengths to be beautiful. Being a woman herself, she wanted others to be sophisticated in something as simple as a Little Black Dress.

We all contain a true super power. We all use this power every time we make anything that conveys our thought(s). However, to utilize this super power to it’s maximum potential, one must realize it takes knowledge and experience. Both of which come, not only with time, but focus, to produce something of sophistication.

Simply having ownership of these two qualities is a complete waste, of nothing but theory, if not expressed.

And expression is simply an action. Action is what adds to reality.

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Tribal patterned dress LOUIS VUITTON

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Grey bell sleeve coat MARNI Rabbit fur shawl VINTAGE Fringe dress VINTAGE Ceramic/brass necklace VINTAGE OPPOSITE PAGE Silk dress ELIE TAHARI Wood and metal necklace FENDI Blazer RALPH LAUREN

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Knit Shawl Cardigan RICK OWENS Tweed Boucle Skirt CHANEL Stirling silver rings VINTAGE OPPOSITE PAGE Dress HELMUT LANG Navy Faux Fur ZARA COLLECTION Wood and Metal Necklace FENDI Ceramic and brass necklace VINTAGE Stirling silver rings VINTAGE

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Shawl collar coat PIKO 1988 Distressed print dress STYLIST’S Rabbit fur VINTAGE Wood and metal bracelet FENDI Brushed gold bracelet CHANEL

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BLAnk Photographer BAILEY HARADA-STONE Wardrobe Stylist ROMAH OEH Makeup Artist ANDREA ORTEGA Hair Stylist SARAH JORDAN Assistant JEFFREY RAPOSAS Model STERLING CLAIRMONT @ SCOUT MODELS

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Jumpsuit FOR LOVE AND LEMONS NOIR, $260.00 Pumps SOLES FUTURE TOLD BROADWAY, $150.00 Earrings CAMILLE K JEWELRY

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Combination Lace Top SELF-PORTRAIT, $213.00 Tulle Skirt BAILEY44, $168.00 Earrings and Necklace CAMILLE K JEWELRY OPPOSITE PAGE Silk Tie Shirtdress KATE SPADE NEW YORK ‘GRIFFIN’, $368.00 Blazer HAUTE HIPPIE SATIN LAPEL, $495.00 Ring SALTY FOX JEWELRY 98

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BOUTIQUE GOWN NOAT NECK LACE OPEN BACK, $285.00 Heels GUILHERMINA GILDED PYTHON, $478.00 Necklace SALTY FOX JEWELRY Earrings SALTY FOX JEWELRY OPPOSITE PAGE Crochet Top ALICE MCCALL, $286.00 Suit Pant with Suspenders MARC BY MARC JACOBS ‘MIRA’, $152.00 Pumps SOLES FUTURE TOLD BROADWAY, $150.00 Necklace SALTY FOX 101

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Cape Dress - Brynna Lace BCBMAXAZIRIA, $428.00 Boots SAM EDELMAN KAYLA, $285.00 Earrings SALTY FOX JEWELRY

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WARM WINTER ESCAPE Photography ISABELLA BEJARANO www.isabellabejarano.com Styling DANI PARETS www.dnabydani.com Styling Assistant ALEXA REY HMU ELAYNA BACHMAN www.elaynabachman.com Model LUCIE PUSTOVA @ NEXT MIAMI Location 27 AT THE FREEHAND MIAMI Striped shorts LINE & DOT FROM FRANKIE MIAMI Shoes CHRISTIAN LACROIX

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Bra FOR LOVE AND LEMONS Robe ACACIA FROM ISHINE365 Necklace DANIALLI FOR JEWELBOX

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Swimsuit BLUE LIFE Sunglasses VINTAGE

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Hat & Sunglasses STYLIST’S Blue & white striped bikini top ZIMMERMAN FROM FRANKIE MIAMI Floral pleated shorts MILLY FROM FRANKIE MIAMI Shoes CHRISTIAN LACROIX OPPOSITE PAGE Blue overalls ZARA Blue & white bikini top TORI PRAVER SWIMWEAR FROM FRANKIE MIAMI Hat TRACY WATTS FROM FRANKIE BOUTIQUE Bracelet DANIALLI FOR JEWEL BOX

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White sheer dress ZIMMERMAN FROM FRANKIE MIAMI Bikini Top BOYS + ARROWS FROM ISHINE365

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OPPOSITE PAGE Black bikini top KINI SWIMWEAR FROM ISHINE365 Gold shorts GEORGIE’S FROM FRANKIE BOUTIQUE Cuff DANIALLI FOR JEWEL BOX Necklace HERMÉS

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Top Green romper CLAUDIAE FROM FRANKIE MIAMI Cuff and earrings DANIALLI FOR JEWEL BOX Headband DREAM DAILY Bottom Swimsuit BLUE LIFE Sunglasses VINTAGE

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Y’S LUCY’S

HALCYON

Photographer BRADLEY ENNIS Model ISABELLE FARRELL @ MC2 MODEL MANAGEMENT Stylist KAT BANAS Makeup AMANDA WILSON Hair BENNETT GREY Stylist Assistant ERICA JAMZ

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Top THEORY Skirt VINCETTA Fur vest MOUSSY Belt Revival Vintage Boutique Shoes BRIAN ATWOOD

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Top BLACK’D Necklace REVIVAL VINTAGE BOUTIQUE Shoes 3.1 PHILLIP LIM Tights WOLFORD OPPOSITE PAGE Shirt WALDRIP Skirt ASTARS Bracelets STYLIST’S

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Body Chain LAUREL DEWITT

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Dolman Shawl Coat VINCETTA Chain Skirt LAUREL DEWITT Shoes BRIAN ATWOOD OPPOSITE PAGE Dress WALDRIP DRESS Earrings ERICKSON BEAMON

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Pants WALDRIP Top VINTAGE GYPSY WARRIOR OPPOSITE PAGE Sweater LINIE NYC Skirt REVIVAL VINTAGE BOUTIQUE Cuffs GORJANA

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the earthly sirene Photographer & Retouching ALEXANDRA PETCU Model IRINA ALBU @ MRA MODELS Stylist ALEDA ESTLIN MUA TANIA COZMA Dress CORINA VLADESCU VIA EVA DESIGN ROMANESC

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Blouse FLORE DIANA VIA WM DESIGNER CONCEPT STORE Trousers MARIA MARINESCU VIA MOLECULE F Shoes MIHAELA GLAVAN VIA MOLECULE F OPPOSITE PAGE Blouse PARLOR VIA EVA DESIGN ROMANESC 129

LUCY’S Blouse NEW LOOK Trousers YAGMUR AKDAG VIA WM DESIGNER CONCEPT STORE Necklace LADY MAGPIE VIA EVA DESIGN ROMANESC OPPOSITE PAGE Dress ALINA MORAR VIA BAND OF CREATORS

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LUCY’S

look Poem by TONY CRUZ Be caught in awe Marvel at her mature, monumental, mystical wings without a flaw Experience an emotive entailing exposition of appealing to vision a peeling from rendition pages dealing in limitless description A wandering eye looks to be fixed Lay upon beauty and they become transfixed Be caught in awe A glance is fickle.

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CORINA VLADESCU VIA EVA DESIGN ROMANESC

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Photography & Grooming REBECCA ELIZABETH TATE Model CARA DAWSON @ ELITE LONDON Styling HARRIET MOISER

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city chic

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Blue Shirt ZARA Brown Leather Shorts ZARA Necklace PRIMARK Watch ARMANI Glasses PRADA Bag URBAN OUTFITTERS

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Blue Shirt ZARA Brown Leather Shorts ZARA Necklace PRIMARK Watch ARMANI Glasses PRADA Bag URBAN OUTFITTERS OPPOSITE PAGE Coat ZARA Shirt ZARA Jeans TOPSHOP Earrings TOPSHOP Bag URBAN OUTFITTERS

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Coat ZARA Top COS Skirt RIVER ISLAND Necklace PRIMARK OPPOSITE PAGE Coat ZARA Glasses PRADA Earrings PRIMARK

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Yellow Checked Coat ZARA Shirt COS Earings PRIMARK

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THE NEW HOLLYWOOD Photography LIZ DUNGATE www.lizdungate.com Styling CARLA PEDERSEN www.carlapedersen.com Hair and Make-up WIN LIU @ Lizbell Agency using MAC COSMETICS Model SOPHIA @ LIZBELL AGENCY www.lizbellagency.com

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Shirt PHILLIP LIM Pants THEORY Shoes AUDLEY @ELLA Earrings VINTAGE

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dress BCBGMAXAZRIA OPPOSITE PAGE coat ULI KNECHT camisole VINTAGE jumpsuit and fur scarf VINTAGE shoes SIGERSON MORRISON

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Skirt & blouse CLUB MONACO Shoes WONDERS @ ELLA OPPOSITE PAGE Vest & pants BCBGMAXAZRIA Sweater J.CREW Watch & shoes VINTAGE

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cape BCBGMAXAZRIA camisole VINTAGE pants ZARA shoes SIGERSON MORRISON OPPOSITE PAGE cape BCBGMAXAZRIA

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