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Modern Post––War Contemporary Prints & Works on Paper

edition 4 2020


Modern Post––War Contemporary Prints & Works on Paper

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edition 4 2020


Andy Warhol Mick Jagger Screenprint in colours, 1975. Signed in pencil, numbered from the edition of 250. Also signed in black felt-tip pen by the subject. Printed on Arches Aquarelle paper by Alexander Heinrici, New York. Published by Seabird Editions, London. (Feldman & Schellmann II.141). 110.5 x 73.7 cm

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Andy Warhol Moonwalk Screenprint in colours, 1987. With the artist’s printed signature, numbered from the edition of 160. Signed and numbered in pencil by the executor of the Andy Warhol Estate verso. Printed on Lenox Museum Board by Rupert Jasen Smith, New York. Published by Ronald Feldman Fine Arts, New York. (F. & S. II.405). 96.5 x 96.5 cm


Andy Warhol Plains Indian Shield Screenprint in colours, 1986. From Cowboys and Indians. Signed in pencil, numbered from the edition of 250. Printed on Lenox Museum Board by Rupert Jasen Smith, New York. Published by Gaultney, Klineman Art, Inc., New York. (F. & S. II.382). 91.4 x 91.4 cm

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Tom Wesselmann UNICEF Bouquet Screenprint in colours, 1998. From Meine Kindheit - Schmerz und Heilung, UNICEF. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm


Roy Lichtenstein Reflections on Crash Lithograph, screenprint, relief, metallic PVC collage and embossing, 1990. Signed in pencil, an artist’s proof aside from the edition of 68. Printed on mold-made Somerset paper by Tyler Graphics, New York. Published by Tyler Graphics, New York. (Corlett 239). 150.2 x 190.5 cm

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Patrick Caulfield Interior: Evening Screenprint in colours, 1971. Signed in pencil, numbered from the edition of 100. Printed by Kelpra Studio, London. Published by Leslie Waddington Prints, London. (Dempsey 20). Image: 71.1 x 58.3 cm Sheet: 90. 4 x 70.5 cm

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Patrick Caulfield Black and White CafĂŠ Screenprint in colours, 1973. Signed and numbered in pencil, from the edition of 75. Printed on Aquarelle Arches Satine paper at Kelpra Studios, London. Published by the Mark Rothko Memorial Trust, London. (Dempsey 31). 91.3 x 71 cm


Patrick Caulfield Lung Ch’uan Ware and Window Screenprint in colours, 1990. Signed in pencil, an artist’s proof aside from the edition of 45. From the White Ware Prints series. Printed at Advanced Graphics, London. Published by Waddington Graphics, London. (Dempsey 77). 107.2 x 81.1 cm

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James Rosenquist Plume Etching and aquatint, 1982. From Glass Wishes. Signed, titled and dated in pencil, numbered from the edition of 59. Printed and published by Gemini G.E.L., Los Angeles. 85.1 x 67.3 cm


David Hockney Godetia Etching and aquatint printed in colours, 1973. Signed and dated in pencil, numbered from the edition of 100. Printed on Arches mould-made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 155). Plate: 43.5 x 29 cm Sheet: 58.4 x 41.9 cm

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David Hockney Celia in a Wicker Chair Soft-ground etching and aquatint printed in colours, 1974. Signed and dated in pencil, a numbered artist’s proof aside from the edition of 60. Printed on Rives BFK mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 158). Plate: 68.5 x 54.4 cm Sheet: 91 x 75 cm


David Hockney Harvard Etching Etching, 1986. Signed in pencil, an artist’s proof aside from the edition of 10. Printed by Tyler Graphics Ltd. Published by David Hockney. (Tokyo 259). Plate: 17.5 x 22.3 cm. Sheet: 76.2 x 57.2 cm

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David Hockney My Bonnie Lies Over the Ocean Etching and aquatint printed in colours, with collage, 1962. Signed and dated in pencil, inscribed ‘p unfinished proof’ (a proof before the edition of 50). Proofed by the artist at the Pratt Graphic Workshop, New York. Printed on wove paper by Ron Fuller and Peter Mathews at the Royal College of Art, London. (Tokyo 29; Scottish Arts Council 13). Plate: 45 x 44.4 cm Sheet: 47.9 x 46.2 cm


Howard Hodgkin David’s Pool at Night Etching and aquatint printed in colours with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemßhle mould-made paper by Atelier Crommelynck, Paris. Published by Petersburg Press, New York. (Heenk 54). 64.7 x 78.7 cm

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David Hockney Lithographic Water made of Lines and Crayon Lithograph printed in colours, 1978-80. Signed and dated in pencil, numbered from the edition of 42. Printed on TGL handmade paper by Roger Campbell, Lee Funderburg and Kenneth Tyler. Published by Tyler Graphics, Mount Kisco, New York. (Tokyo 211). 73.9 x 86.2 cm


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Howard Hodgkin Venice, Afternoon Etching with aquatint and carborundum printed in colours, with hand-colouring, 1995. From Venetian Views. Signed and dated in pencil. Inscribed ‘proof’, a proof aside from the edition of 60. Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 94). 160 x 169.5 cm


Howard Hodgkin Night Palm Intaglio and carborundum printed in colours, with hand-colouring, 1990-91. Signed and dated in pencil, a printer’s proof aside from the edition of 55. Printed on Arches paper by the 107 Workshop, Wiltshire. Published by Waddington Graphics, London. (Heenk 86). 149.5 x 121.3 cm

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Howard Hodgkin Flowering Palm Intaglio and carborundum printed in colours, with hand-colouring, 1990-91. Signed and dated in pencil, a printer’s proof aside from the edition of 55. Printed on Velin d’Arches paper by the 107 Workshop, Wiltshire. Published by Waddington Graphics, London. (Heenk 89). 149 x 121.3 cm


Howard Hodgkin Cigarette Sugar lift-ground etching and aquatint with carborundum in colours, with hand-colouring, 2000-02. Signed in pencil, dated and numbered from the edition of 55. Printed by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 110). 29.5 x 33.3 cm 26


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Howard Hodgkin Dawn Etching with aquatint and hand-colouring, 2000-2002. Signed in pencil, dated and numbered from the edition of 60. Printed by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 106). 25.7 x 32.4 cm


Howard Hodgkin Bleeding Lithograph printed in colours, with hand-colouring, 1981-82. Signed and dated in pencil, numbered from the edition of 100. Printed by Solo Press, New York. Published by Bernard Jacobson Ltd., London, 1982. (Heenk 67). 91.6 x 152 cm

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Howard Hodgkin Late Afternoon in the Museum of Modern Art Soft-ground etching, 1979. Signed and dated in red crayon, numbered from the edition of 100. Printed by Petersburg Studios, New York. Published by Petersburg Press, New York. (Heenk 50). 75.5 x 100 cm


Bridget Riley Untitled (Based on Blaze) Screenprint, 1964. Signed and dated in pencil, numbered from the edition of 50. Published by the artist. (Schubert 4). 45.7 x 45.7 cm

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Bridget Riley Untitled (Blue) Screenprint, 1978. Signed and dated in pencil, numbered from the edition of 75. Printed by Graham Henderson, London. Published by the artist. (Schubert 25). 67.9 x 95.2 cm


Bridget Riley Leap Screenprint in colours, 2008. Signed in pencil, numbered in pencil from the edition of 75. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 68). 44.5 x 83.8 cm

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Bridget Riley About Lilac Screenprint in colours, 2007. Signed in pencil, numbered in pencil from the edition of 75. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 65). 48.9 x 80 cm


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Allen Jones Impromptu Lithograph printed in colours on four sheets of Arches paper, 1981. Signed and dated in pencil, numbered from the edition of 80. Printed by Ian Lawson, Hereford. Published by Waddington Graphics, with their blindstamp. (Lloyd 85). 122 x 202 cm


Francis Bacon Triptych (After the Left Panel of Triptych, 1971, in Memory of George Dyer) Offset lithograph printed in colours, 1975. Signed in felt-tip pen, numbered from the edition of 200. Printed on Fabriano paper. Published by Marlborough Graphics, London. (Sabatier 32; Tacou 5). 85.8 x 61.2 cm

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Bruce Nauman Doe Fawn Lithograph printed in colours, 1973. Signed in pencil, an artist’s proof aside from the edition of 50. Printed on Rives paper by Chris Cordes. Published by Cirrus Editions, Los Angeles. (Cordes 20). 81.5 x 114.3 cm


Christo and Jeanne-Claude Lower Manhattan Wrapped Buildings, Project for 2 Broadway, 20 Exchange Place Lithograph printed in colours, with collage of fabric, thread, city map and masking tape, with hand-colouring, 1990. Signed in pencil, numbered from the edition of 125. Printed on Arches Cover paper, mounted to museum board (as issued), by Landfall Press, Chicago. Published by J. Rosenthal Fine Arts, Ltd., Chicago. (Schellmann 150). 101.8 x 66 cm 38


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Richard Estes Holland Hotel Screenprint, 1980. Signed in gold pen, an artist’s proof (aside from the edition of 100). Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. (Arthur 127). 119 x 190 cm


Richard Estes D-Train Screenprint in colours, 1988. Signed in pencil, numbered from the edition of 125. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. (Arthur 128). 107 x 195 cm

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Sol LeWitt Bands (not straight) in Four Directions Set of four woodcuts printed in colours, 1999. Each signed in pencil, numbered from the edition of 75. Printed on Zangetsu paper by Katsumi Suzuki and Choichi Nishikawa, Watanabe Studio Ltd., New York. Published by Parasol Press Ltd., New York. (Krakow 1999.01). 37.5 x 88.9 cm (each)

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Frank Stella Fortin de las Flores (First Version) Screenprint in colours with pencil additions by hand, 1967. From Ten from Leo Castelli. Signed in pencil, numbered from the edition of 200. Printed on English Vellum graph paper by Fine Creations, Inc., New York. Published by Tanglewood Press, New York. (Axsom I.B.). 45.9 x 58.5 cm


Derek Boshier New York Times Financial Section Linocut printed in colours, 2014. Signed and dated in pencil, numbered from the edition of 30. Printed and published by the artist, Los Angeles. 106 x 71.2 cm

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Derek Boshier New York Times Leisure Section Linocut printed in colours, 1997. Signed, dated and titled in pencil, an artist’s proof aside from the edition of 65. Printed and published by the artist, Los Angeles. 106 x 71.6 cm


Alice Neel Portrait of Judith Solodkin Lithograph, 1978. Signed and dated in pencil, numbered from the edition of 15. Printed on Japan paper by the artist. Published by Judith Solodkin, Solo Impression, Inc., New York. 76 x 56.5 cm

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Eileen Cooper RA Centre Stage 3 Charcoal and pastel on paper, 2017. 56 x 76 cm


Declan Jenkins Teleport/TP Woodcut, 2020. Signed in pencil, numbered from the edition of 20. Printed and published by the artist, London. 28.8 x 39.7 cm

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Humphrey Ocean RA China Dog Aquatint, 2010. Signed and dated in pencil, numbered from the edition of 40. Printed on Arches Platine paper. The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York. 41.6 x 51 cm


Aaron Kasmin Prima Donna Coloured pencil drawing, 2020. 21 x 30 cm

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Aaron Kasmin Dutch House Coloured pencil drawing, 2018. 21 x 30 cm


Dale Chihuly From top left, clockwise: Echo Floats; Royal Floats; Moon Song; Round About Red Screenprints; Round About Red an intaglio with lithograph; each with hand-colouring, 2015-18. Each signed in paint, numbered in pencil from the edition of 125 (Royal Floats an edition of 175). Echo Floats and Royal Floats printed by Kolibri Art Studio, Gardena, California. Moon Song printed by Sumo Art Press, Seattle. Round About Red printed by Mahaffey Fine Art LLC, Portland, Oregon. Published by Chihuly Workshop, Seattle. 94 x 63.5 cm (each) Available individually. 52


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Dale Chihuly Float Drawing Acrylic on paper, 2014. Signed in acrylic. 152.x4 x 101.6 cm


Dale Chihuly Float Drawing Acrylic on paper, 2014. Signed in acrylic. 101.6 x 152.4 cm

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Dale Chihuly Western Seaforms Offset lithograph printed in colours, 2001. Signed in pencil, numbered from the edition of 100. Printed by Print Haven, Bozeman, Montana. Published by Chihuly Workshop, Seattle. 87.8 x 57.9 cm


Roberto Matta Crucifixion Pencil and crayon on paper, circa late 1950s. 49.5 x 63.5 cm

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Roberto Matta Que principio a abrir los ojos Pencil and crayon on paper, circa late 1950s. 33.5 x 49.3cm


Roberto Matta Viens voir Etching with aquatint printed in colours, 1969. Signed in pencil, from the edition of 99. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L’Oeuvre GravÊe, Bern, 1970. (Sabatier 214). Plate: 41.1 x 54.6 cm Sheet: 56.7 x 76 cm

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Roberto Matta L’Helicoptère Etching with aquatint printed in colours, 1962. Plate 1 from Scènes familières. Signed in pencil, from the edition of 50. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions Galerie Le Point Cardinal, Paris. (Sabatier 86). Plate: 33.6 x 43.3 cm Sheet: 49.9 x 65 cm


Man Ray De l’Origine des espèces par voie de sélection irrationnelle VIII Lithograph printed in colours, 1971. Signed in pencil, numbered from the edition of 180. Printed by Fernand Mourlot. Published by XXme Siècle, Leon Amiel, Paris & New York. 50.3 x 36 cm

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From top left, clockwise: De l’Origine des espèces par voie de sélection irrationnelle I; III; IX; X Lithographs printed in colours, 1971. Each signed in pencil, numbered from the edition of 180. Printed by Fernand Mourlot. Published by XXme Siècle, Leon Amiel, Paris & New York. 50.3 x 36 cm (each) Available individually.


Richard Hamilton Picasso’s Meninas Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Paris. Co-published by Propyläen-Verlag, Berlin and Pantheon Press, Rome. (Lullin 91). 80.5 x 63.2 cm

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Pablo Picasso Grande tĂŞte de femme au chapeau Linocut printed in colours, 1962. Signed in pencil, numbered from the edition of 50. Printed on Arches wove paper by ArnĂŠra, Vallauris. Published by Galerie Louise Leiris, 1963. (Baer 1293; Bloch 1078). Image: 64 x 52.8 cm Sheet: 75.2 x 62.2 cm


Pablo Picasso Deux nus assis Etching, 1930. Signed in pencil, a proof aside from the edition of 100 impressions on wove paper. Published by Jacquart Edituer, Paris. (Baer 200; Bloch 133) Plate: 25.5 x 18.5cm Sheet: 55.5 x 39 cm

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Fernand Léger Marie l’acrobate Lithograph printed in colours, 1948. Signed and inscribed with a dedication ‘A Max de Rieux / Avant Bolivar / Cordialement / F. Léger’ in ink. A proof aside from the edition of 75. Printed on Arches paper by Mourlot, Paris. Published by Galerie Louise Leiris, Paris. (Saphire 21). Image: 54.8 x 42.5 cm Sheet: 64.5 x 48.7 cm


Henri Matisse Le Loup & L’Avaleur de sabres Pochoirs printed in colours, 1947. From Jazz: Plate VI & Jazz: Plate XIII. Le Loup from the book edition of 270. L’Avaleur de sabres from the album edition of 100. Printed on Arches paper by Edmond Vairel. Published by Teriade, Paris. (Duthuit Livres 22). 42.2 x 65 cm (each)

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Marc Chagall Daphnis and Chloé: The Meal at Dryas’ House Lithograph printed in colours, 1961. From Daphnis and Chloé. Signed in pencil, numbered from the edition of 60 (aside from the book edition of 250). Printed on Arches wove paper by Mourlot. Published by Tériade, Paris. (Cramer Books 46; Mourlot 334). Image: 42.4 x 64 cm Sheet: 53.8 x 75.7 cm


Joan Miró Le Courtisan Grotesque: Plate III Etching with aquatint in colours, 1974. From Le Courtisan Grotesque. Signed in pencil, numbered from the edition of 12 on Japan paper. Printed by Lacourière et Frélaut, Paris. Published by Iliazd, Paris. (Dupin 663). 41.3 x 57.7 cm

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Joan Miró Le Courtisan Grotesque: Plate X Etching with aquatint in colours, 1974. From Le Courtisan Grotesque. Signed in pencil, numbered from the edition of 12 on Japan paper. Printed by Lacourière et Frélaut, Paris. Published by Iliazd, Paris. (Dupin 670). 41.3 x 57.7 cm


Joan Mirรณ Barcelona Series: XXXVI Lithograph, 1939. From the Barcelona Series. Signed and dated in pencil, numbered from the edition of 5. Printed in 1944 on Torras Juvinya paper. Published by Joan Prats, Barcelona. (Mourlot 41). 69 x 54 cm

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Joan Mirรณ Perseides: III Lithograph printed in colours, 1970. Signed in pencil, numbered from the edition of 75. Printed by Mourlot on wove paper. Published by Louis Broder, Paris. (Mourlot 658). 66 x 50.9 cm


Eduardo Chillida Concordia Lithograph, 1960. Signed in pencil, numbered from the edition of 150. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 60002). 47 x 60.5 cm

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Eduardo Chillida Ecarts Etching, 1961. Signed in pencil, numbered from the edition of 50. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 61002). Plate: 30 x 36.7 cm Sheet: 50.5 x 65.5 cm


Eduardo Chillida Txiki I Woodcut, 1974. Signed, numbered from the edition of 50. Inscribed ‘to Dimitri’ in pencil. Printed by Féquet et Baudiet, Paris. Published by Maeght, Paris. (Koelen 74002). 19 x 16 cm

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Eduardo Chillida Harvard III Woodcut, 1977. Signed in pencil, numbered from the edition of 50. Printed by FĂŠquet et Baudier, Paris. Publshed by Harvard Univesity, Carpenter Center, Cambridge, Massachusetts (Koelen 77013). 38 x 32 cm


Lucio Fontana Concetto Spaziale: one plate Lithograph printed in black and yellow, 1955. From Quattro Litografie. Signed in pencil, numbered from the edition of 100. Published by Edizioni del Cavallino, Venice. (Rigo/RuhĂŠ L8). 50 x 39 cm

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Image on previous page is a detail from Patrick Caulfield Interior: Evening (see pp. 10).

Published by Sims Reed Gallery August 2020 43a Duke Street St. James’s London SW1Y 6DD + 44 (0)20 7930 5111 gallery@simsreed.com www.gallery.simsreed.com Designed by Plakat (www.plakat.co.uk) Type set in Portrait by Berton Hasebe. Text pages printed on Max Natural Matt, cover and inserts on Colorplan Mandarin. All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing from the publisher.

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Profile for Sims Reed Gallery

Sims Reed Gallery 2020 Catalogue | Edition #4  

Sims Reed Gallery 2020 Catalogue | Edition #4  

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