Sims Reed Gallery | London Original Print Fair 2022 List by Sims Reed

Patrick Caulfield Window at Night Sceenprint printed in colours, 1972. Signed in pencil and numbered AP from the edition of 72 plus 15 proofs. Printed on wove paper at Kelpra Studio, London. Published by Leslie Waddington Prints, London. 100.3 x 74.5 cm £3,500

Patrick Caulfield Pipe Screenprint printed in colours, 1972. Signed in pencil and numbered from the edition of 72. Printed on wove paper by Kelpra Studio, London. Published by Leslie Waddington Prints, London. (Dempsey 28) 100.3 x 74.5 cm £3,000

Patrick Caulfield Fruit and Bowl Screenprint in colours, 1979-80. Signed in pencil, numbered from the edition of 100. Published by Waddington Graphics, London, with their blindstamp verso. (Dempsey 60) 85 x 59.4 cm £11,000

Sims Reed Gallery 43A Duke Street St. James’s London SW1Y 6DD T + 44 (0)20 7930 5111 F + 44 (0)20 7930 1555 gallery@simsreed.com www.gallery.simsreed.com Registered in England No. 6765400 VAT No. GB982 1475

Patrick Caulfield Glazed Earthenware Screenprint, 1975. Signed in pencil, one of 13 artist's proofs aside from the edition of 70. Printed on wove paper at Kelpra Studio. Published by Waddington Graphics, London. (Dempsey 44) 77.3 x 102.6 cm £3,500

Patrick Caulfield Cigar Screenprint in colours, 1978. Signed in pencil, numbered from the edition of 75. Printed at Kelpra Studios, London. Published by Waddington Graphics, London. (Dempsey 57) 57.5 x 60.8 cm £2,000

Patrick Caulfield And I am alone in my house Screenprint in colours, 1973. From 'Some Poems of Jules Laforgue'. Signed in pencil verso, numbered from the edition of 200. Printed on Neobond synthetic wove paper by Frank Kicherer, Stuttgart. Co-published by Petersburg Press and Waddington Galleries, London. (Dempsey 38R) 40 x 35 cm £1,000

We have several other screenprints from Some Poems of Jules Laforgue, both signed and unsigned. Please ask us at the fair or email gallery@simsreed.com for a list of available works.

John Chamberlain Untitled Monoprint in colors on two sheets, 1988, signed in silver ink, from Salty Water/Fan Mail, on Arches wove paper, with the blindstamp of the publisher, Novak Graphics, Toronto. 239 x 79.4 cm £ 32,000

Eduardo Chillida Concordia Lithograph, 1960. Signed in pencil, numbered from the edition of 150. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 60002) 47 x 60.5 cm £2,500

Eduardo Chillida Ecarts Etching, 1961. Signed in pencil, numbered from the edition of 50. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 61002) 50.5 x 65.5 cm £1,800

Eduardo Chillida Harvard III Woodcut, 1977. Signed in pencil, numbered 7 from the edition of 50. Printed by Féquet et Baudier, Paris. Published by Harvard University, Carpenter Center, Cambridge, Massachusetts. (Koelen 77013) 38 x 32 cm £3,000

Eileen Cooper Dancing Bear Collage with linocut, monoprint, screenprint and pastel, 2019. Signed in pencil. 38 x 25.5 cm £1,750

Eileen Cooper Kissing Couple Linocut printed in colours, 2020. Signed in pencil. Edition of 25. Printed by Blackbird Editions, London. 28 x 37.5 cm £650

Peter Doig Muldenberg Etching and aquatint printed in colour, 2000- 2001. Signed in pencil and inscribed 'PP'. A printer's proof aside from the edition of 46. Printed on 350g Hahnemühle etching paper by Hope (Sufferance) Press, London. Published by the Paragon Press, London. 96.5 x 133.5 cm £18,500

Max Ernst Original signed collage for La Brebis Galante. Paris, 1949 Original collage of excised sections of paper, some with additional with frottage, pasted to larger sheet over black ink drawing by Max Ernst, signed in black ink lower right. This collage was not included in the book by Benjamin Péret published by Les Editions Premières. The book included colour etchings as well as reproductions of collages by Ernst and was published in an edition of 321 copies. The verso of the present sheet also includes work in black ink crossed through in pencil beneath what appears to be left-handed or mirror writing. [see Spies / Lepien 28 for the book] £ 28,000

Sam Francis

£37,500 Poèmes dans le Ciel (Poems in the Sky) Lithograph, 1986 Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals. Printed on Rives BFK paper. Published by Philosophie des Arts et F. Delille, Paris Printed by Ateliers Desjobert, Paris. 76.2 x 55.88 cm £4,000

Sam Francis Poèmes dans le Ciel (Poems in the Sky) Lithograph, 1986 Signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals. Printed on Rives BFK paper. Published by Philosophie des Arts et F. Delille, Paris Printed by Ateliers Desjobert, Paris. 76.2 x 55.88 cm £4,000

Lucian Freud Girl Holding Her Foot 1985 Etching, 1985. Edition of 50, signed and numbered by the artist, plus 15 artist's proofs. Printed on Somerset Satin White. Proofed and printed by Terry Wilson of Palm Tree Studios and published in 1986 by James Kirkman (London) and Brooke Alexander (New York). (PQ 27, Hartley 25) 89 x 72 cm £35,000

Naum Gabo Opus XX Lithograph printed in colours on wove paper, 1933-1957. Signed in pencil and numbered from the edition of 150. 17 x 19 cm £2,000

Richard Hamilton Fashion-plate Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist, 1969-70. Signed in pencil and numbered from the edition of 70. On Fabriano paper. Photographic and screenprint elements printed by the artist and Kelpra Studios, London. Offset printing by Sergio and Fausta Tosi, Milan. Collage elements printed by David Bailey, Milan. Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin 76) 99.3 x 69 cm £25,000

£25,000

Richard Hamilton Picasso's Meninas Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Paris. Co-published by Propyläen-Verlag, Berlin and Pantheon Press, Rome. (Lullin 91) 80.5 x 63.2 cm £32,000

David Hockney Pretty Tulips Lithograph printed in colours, 1969. Signed in pencil and numbered from the edition of 200. Issued for the Hockney Retrospective Exhibition, Whitechapel Art Gallery, London 1970. Printed by Ernest Donoagh at Cook Hammond and Kell in London. Published by Petersburg Press. (Scottish Arts Council 115). 72.1 x 50.6 cm £45,000

David Hockney Christopher Isherwood and Don Bachardy Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs. Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186) 73.5 x 95 cm £22,500

Howard Hodgkin David's Pool at Night Soft-ground etching and aquatint, with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crommelynck, Paris. Published by Petersburg Press, New York. (Heenk 54) Printed from the same plate as 'David's Pool' (cf. Heenk 55). 64.7 x 78.7 cm £7,000

Howard Hodgkin Venice, Morning Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'AP', an artist's proof aside from the edition of 60. Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 93). 160 x 196.5 cm £16,500

Howard Hodgkin Summer Lift - ground etching, aquatint and carborundum printed in colours with hand-colouring, 1997. Signed and dated in pencil, numbered PP 4 / 5 from the edition of 80. Printed on Two Rivers paper at the 107 Workshop, Wiltshire. Published by the Metropolitan Museum of Art, New York. (Heenk 98)

£9,500

Howard Hodgkin Street Palm 1990 - 1991 Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. On 300 gsm Velin Arches paper. Signed with initals, numbered and dated. Edition of 55, with 15 APs, 3 PPs and 1 B.A.T. (Heenk 87) 160 x 137 cm £18,500

Allen Jones A Fleet of Buses The complete portfolio of five lithographs printed in colours, 1966. Each signed in pencil and numbered from the edition of 20. With the original rexine-colvered solander box with embossed titles and framed and signed title page. Printed on Arches paper by the Tamarind Lithography Workshop, Los Angeles. Published by Editions Alecto, London. (Lloyd 37 a-e) Each sheet approx. 66.4 x 58.3 cm.

£18,000 + VAT

Gerald Laing Francine Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil, numbered from the edition of 200. From 'Baby, Baby, Wild Things'. Printed on smooth white paper by the artist. Published by Richard Feigen, New York, with the artist's blind stamp. (Sims Reed 27) 89.1 x 58.8 cm £4,500

Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed and dated in pencil. An artist's proof aside from the edition of 200. Printed on smooth white paper by the artist. Published by the artist, with his blind stamp. (Sims Reed 22) 58.6 x 89 cm £16,000

Sol LeWitt Arcs and Bands in Color The set of six linocuts printed in colours, 1999. Each signed in pencil, numbered from the edition of 50. Printed on Somerset Velvet Radiant White paper by Hidemi Nomura and Tsutomu Kjimoto at Watanabe Studio Ltd., New York. Published by Editions Schellmann, New York. (Krakow 1999.11) 50.8 x 50.8 cm £20,000

Sol LeWitt Wavy Lines (Color) Oil-based woodcut printed in colours, 1995. Signed in pencil and numbered from the edition of 40. Printed on Awa Kozo paper by Kevin Oster, Watanabe Studio Ltd., New York. Published by John Campione, New York. (Krakow 1995.04) 90.2 x 53.3 cm £12,000

Sol LeWitt Bands (not straight) in Four Directions Set of four woodcuts printed in colours, 1999. Each signed in pencil, numbered from the edition of 75. Printed on Zangetsu paper by Katsumi Suzuki and Choichi Nishikawa, Watanabe Studio Ltd., New York. Published by Parasol Press Ltd., New York. (Krakow 1999.01) Each sheet: 37.5 x 88.9 cm

£18,500

Henri Matisse Le Loup Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livres 22) 42 x 65 cm £15,000

Joan Miró L'Arbre des voyageurs: III Lithograph, 1930. From Tristan Tzara's 'L'Arbre des voyageurs'. Signed and dated in pencil, a large paper proof (the regular edition was 121). Inscribed 'Pour Henriette, en toute amitié'. Printed on wove paper and published by Editions de la Montagne, Paris, 1930. (Cramer 1; Maeght 4) 35.8 x 27.3 cm £4,500

Joan Miró Les Perséides: Plate III Lithograph printed in colours, 1970. Signed in pencil, numbered from the edition of 75. Printed by Mourlot on wove paper. Published by Louis Broder, Paris. (Mourlot 658) 66 x 50.9 cm £9,000

Joan Miró Trace sur la Paroi: I Etching and aquatint printed in colours, 1967 Signed in pencil, numbered from the edition of 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris. (Dupin 440) 74 x 104.8 cm £18,000

Joan Miró Plate II, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 51 x 66.3 cm £7,500

Joan Miró Plate V, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 66.3 x 51 cm £7,500

Joan Miró Plate XI, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 51 x 66.3 cm £6,500

Joan Miró Plate XIII, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 66.3 x 51 cm £6,500

Joan Miró Plate XV, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 66.3 x 51 cm £6,500

Joan Miró Plate XVII, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 66.3 x 51 cm £4,000

Joan Miró Plate XVIII, from Album 19 Lithograph in colours, 1961. On BFK Rives wove paper. Signed with the artist's monogram, in pencil and numbered from the edition of 75. (Total edition includes 15 impressions numbered in Roman numerals). Published by Galerie Maeght, Paris. (Cramer Books 70). 66.3 x 51 cm £2,700

Henry Moore Sculptural Ideas 1 1980 Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 25.1 x 34.2 cm. Cramer IV 580. 43.2 x 58.2 cm £2,500

Henry Moore Sculptural Ideas 3 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 21.9 x 24.2 cm Cramer IV 582 43.5 x 58.2 cm £2,500

Henry Moore Sculptural Ideas 4 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 25.1 x 34.2 cm. Cramer VI 583 43.2 x 58.2 cm £2,500

Henry Moore Sculptural Ideas 5 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 25.1 x 34.3 cm. Cramer IV 584 43.5 x 58.4 cm £2,500

Henry Moore Sculptural ideas 6 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate-mark: 25.1 x 34.3 cm. Cramer IV 585 43.5 x 58.5 cm £2,500

Bruce Nauman Untitled Offset lithograph printed in pink and green, 1969. Signed in pen, from the edition of unknown size. Printed on Kromekote paper. Published by Leo Castelli Gallery, New York. Published in conjunction with the exhibition 'Bruce Nauman: Holograms, Videotapes, and Other Works' at the Leo Castelli Gallery (May-June 1969). 61.5 x 51 cm £4,000

Pablo Picasso Pierrot (Massine en Pierrot) Etching, 1918. Signed in pencil, from the edition of 20 to 25. With wide margins (the version issued with Max Jacob's book 'Le Phanérogame' in December 1918 was on smaller paper). Printed on laid paper by Les Presses Eugène Delâtre, Paris, with the Eugène Delâtre watermark. Published by Max Jacob, Paris. (Bloch 33; Baer 55; Cramer 5). This copy from the distinguished collection of Douglas Cooper, a friend of the artist and art historian (showing his collector's mark) recto. 19.4 x 14.6 cm £35,000

Bridget Riley Leap Screenprint in colours, 2008 Signed in pencil and numbered from the edition of 75. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 68) 44.5 x 83.8 cm £8,000

Bridget Riley Bagatelle 2 Screenprint, 2015, signed, dated and titled in pencil. From an edition of 75. 52.5 x 82 cm £15,000

Bridget Riley Start Screen print on paper, 2000. Signed, titled and numbered in pencil by the artist from an edition of 200. (Schubert 41) £9,500

Bridget Riley Wall Painting 1 Screenprint in colours, 2007. Signed, titled, dated and numbered in pencil. From an edition of 150 plus 10 artist's proofs. Published by the artist. Printed on wove paper, with full margins. 56 x 91.5 cm £11,500

Ed Ruscha Lisp Lithograph printed in colours, 1970. Signed and dated in pencil, numbered from the edition of 90. Printed on Arches paper by Cirrus Editions, Los Angeles. Published by Cirrus Editions, Los Angeles, and Brooke Alexander, Inc., New York. (Engberg 43). 129.03 x 179.83 cm £20,000

Paula Scher World Trade Routes Screenprint in colours, 2018. Signed in pencil, numbered from the edition of 150. Printed by Alexander Heinrici, New York. Published by ARTContent Editions Limited, Vancouver. 89.5 x 152.4 cm £7,000

Yves Tanguy Le Mythe de la roche percée: One Plate Etching, 1947 on wove paper. Signed in pencil. Unumbered from the edition of 100. 25.4 x 19.4 cm £2,500

Yves Tanguy Le Mythe de la roche percée: One Plate Etching, 1947. On wove paper, signed in pencil. 25.4 x 19.4 cm £2,500

Joe Tilson Clip o Matic Lips Screenprint on acetate with metallised film over paper, 1967. Signed and dated in pencil, numbered from the edition of 70. Printed at Kelpra Studios with their blindstamp verso and published my Marlborough Graphis, London. 71 x 51 cm £1,500

Joe Tilson Ziggurat 5 Screenprint on paper, 1966. Signed, titled and dated from the numbered edition of 70. Printed by Kelpra Studio, London and published by Marlborough Graphics, London. 68.5 x 101.5 cm £1,500