Cheeseburger Deluxe
Lithograph printed in colours, 2016.
Signed, numbered and dated in pencil, a unique colour variant from the edition of 100.
Printed on Somerset 300 gsm Velvet paper by Paupers Press, London.
Published by Counter Editions, London.
71 x 98 cm
£ 5,000
Screenprint in colours, 2000. Signed and dated in pencil. Inscribed ‘AP’, one of 7 artist’s proof aside from the edition of 60. Published by the Royal College of Art, London. This print was made as part of a project organised by the Royal College of Art involving the work of RCA graduates and visiting tutors, to contribute to and support the Printmaking Appeal Fund. 33 x 33 cm
£ 600
Derek Boshier CircleDerek Boshier
Al Kimbol Looks at an Apple
Etching with aquatint, 2010. A proof aside from the edition of 40. Printed by Huguenot Editions, London. Published by the artist. ‘Al Kimbol’ is the artist’s tonguein-cheek nickname given to the sixteenth century painter Giuseppe Arcimboldo. The print reinterprets the style of Arcimboldo, this time using technological tools of our time instead of fruit and flowers.
33.5 x 40 cm
£ 500
Derek Boshier
Patriotism - Father of War
Etching with aquatint, 2010. An artist’s proof aside from the edition of 40. Printed by Huguenot Editions, London. Published by the artist.
33.5 x 40 cm
£ 400
Derek Boshier
The Political Argument
Etching with aquatint, 2010. Signed in pencil, inscribed ‘AP’. An artist’s proof aside from the edition of 40. Printed by Huguenot Editions, London. Published by the artist.
33.5 x 40 cm
£ 500
Patrick Caulfield
Paris Separates
Screenprint, 1973. Signed in pencil, an artist’s proof aside from the edition of 72. Printed at Kelpra Studios, London.
Published by Waddington Graphics, London. (Dempsey 36)
78.2 x 95 cm
£ 2,250
Patrick Caulfield
Glazed Earthenware
Screenprint, 1975. Signed in pencil, one of 13 artist’s proofs aside from the edition of 70. Printed on wove paper at Kelpra Studio. Published by Waddington Graphics, London.
(Dempsey 44)
77.3 x 102.6 cm
£ 3,500
Patrick Caulfield
Works from Edition A of Some Poems of Jules Laforgue, 1973. Screenprints on paper. Published by Petersburg Press in association with Waddington Galleries, London. Proofed by Advanced Graphics, London, and editioned by Frank Kicherer, Stuttgart Books. Edition of 200 with 20 proofs. Signed and numbered on verso in pencil. (Dempsey 38c).
40.5 x 35.5 cm each.
L-R: She fled along the avenue, She’ll have forgotten her scarf, Ah! this life is so everyday £ 1,000 each
Eduardo Chillida
Concordia
Lithograph, 1960. Signed in pencil, numbered from the edition of 150.
Printed by Atelier Maeght, Levallois. Published by Maeght, Paris.
(Koelen 60002)
47 x 60.5 cm
£ 2,500
Eileen Cooper
Sanctuary 3
Monoprint with collage, 2019. Signed in pencil. 45 x 32 cm
£ 2,200
Eileen Cooper
Light Touch
Monoprint with collage and acrylic, 2019. Signed in pencil. 45 x 32 cm
£ 2,200
Eileen Cooper
New Chapter 4
Monoprint with collage, 2019. Signed in pencil. 43 x 30 cm
£ 2,200
Red Sky 4
Monoprint with collage, 2019. Signed in pencil.
45 x 32 cm
£ 2,200
Feathers
Collage with linocut, monoprint, ink drawing and additional hand-colouring, 2019. Signed in pencil.
38 x 25.5 cm
£ 1,750
Journey
Collage with linocut, monoprint, pastel, ink and watercolour, 2019. Signed in pencil. 38 x 25.5 cm
£ 1,750
Eileen Cooper Eileen Cooper Eileen CooperEileen Cooper
Feathers
Lithograph printed in black, 2021. Signed in pencil. Edition of 25. Printed by Redbreast Editions, London. 42 x 30.5 cm
£ 600
Eileen Cooper
Kissing Couple
Linocut printed in colours, 2020. Signed in pencil. Edition of 25. Printed by Blackbird Editions, London. 28 x 37.5 cm
£ 650
Eileen Cooper
Blue Moon
Woodcut printed in colours, 2020. Signed in pencil. Numbered from the edition of 40. Printed on Japanese paper. Printed by Blackbird Editions, London. 24 x 31 cm
£ 600
Girl Holding Her Foot
1985
Etching printed with tone. Initialed in pencil and numbered from the edition of 50 (plus 15 artist’s proofs) Printed on Somerset Satin
White. Proofed and printed by Terry Wilson of Palm Tree Studios and published in 1986 by James Kirkman (London) and Brooke
Alexander (New York).
(PQ 27, Hartley 25)
89 x 72 cm
£ 32,000
Lucian FreudSarah Graham
Salvazana Imperialis
Lithograph printed in colours, 2012. Signed and numbered from the edition of 25. Printed on 350g Hahnemuehle paper by Michael Woolworth, Paris.
Published by Sims Reed Gallery, London.
124 x 220 cm
£ 3,500 + VAT (+ £ 1,000 if framed)
Sarah Graham
Salvazana Imperialis (black and white)
Lithograph, 2012
Signed and numbered from the edition of 15.
Printed on handmade Japon paper by Michael Woolworth, Paris.
Published by Sims Reed Gallery, London.
112 x 230 cm
£ 2,500 + VAT (+ £ 1,000 if framed)
Picasso’s Meninas
Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo
Crommelynck, Paris.
Co-published by Propyläen-Verlag, Berlin and Pantheon Press, Rome.
(Lullin 91)
80.5 x 63.2 cm
£ 32,000
Self-Portrait
Screenprint in colours, 1967. Signed in pencil, from the edition of 75. Printed on Schoellershammer paper by Domberg, Stuttgart.
Published by the artist.
(Lullin 62).
53.3 x 39.4 cm
£ 4,000
Richard Hamilton Richard HamiltonDavid Hockney
Christopher Isherwood and Don Bachardy
Lithograph in two colours: grey and black. 1976.
Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs. Proofed by Serge Lozingot and printed by Mark Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186)
73.5 x 95 cm
£ 22,500
Still Life
Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 75. Printed on J Green mould-made paper by Maurice Payne, London. Published by Petersburg Press, London (Tokyo 108)
54.4 x 68.5 cm
£ 22,000
David Hockney
Celia, 8365 Melrose Avenue, Hollywood
Lithograph, 1973, on Arches wove paper, signed, titled, dated and inscribed P.P.II in red pencil, one of two printer’s proofs, aside from the edition of 46 (there were also 11 artist’s proofs). Published by Gemini G.E.L., Los Angeles, with their blindstamp.
(Tokyo 138)
121 x 80.3 cm
£ 25,000
David Hockney
Celia Amused
Lithograph on Toyoshi #80, 1979. Signed, dated and numbered from an edition of 100. Printed and published by Gemini
G.E.L., Los Angeles.
(Gemini 834)
74 x 101 cm
£ 22,500
David Hockney
Fires of Furious Desire
Etching and aquatint, 1961. Signed in pencil and numbered 3/75. Printed on Crisbrook
handmade paper by Maurice Payne, London. Published by the Petersburg Press, London.
(Tokyo 5)
21.5 x 32 cm
£ 16,000
Illustrations for Fourteen Poems for Constantine Cavafy.
Etchings from Edition E, 1966 - 1967.
Each print is signed and dated ‘66’ by the artist in pencil. Stamped on the reverse with the Editions Alecto publication number. Printed on handmade vellum wove 72 lb Royal paper by J. Barcham Green Ltd. Numbered in roman numerals from the edition of 25 + 5 APs in Edition E. Printed in black ink, from steel-faced copper plates, by Maurice Payne and Danyon Black at the Alecto Studios, London. Published by Editions Alecto in 1967.
Image: 35 x 22.5 cm. Paper: 64 x 51.5 cm
He Enquired after the Quality Etching and aquatint, 1966. (Tokyo 49)
£ 7,500
To Remain Etching and aquatint, 1966. (Tokyo 50)
£ 6,000
According to Prescriptions of Ancient Magicians Etching, 1966. (Tokyo 51)
£ 9,500
The shop window of a tobacco store Etching and aquatint, 1966. (Tokyo 53)
£ 7,500
The beginning
Etching and aquatint, 1966. (Tokyo 55)
£ 9,500
In despair
Etching and aquatint, 1966. (Tokyo 57)
£ 8,500
One night
Etching and aquatint, 1966. (Tokyo 56)
£ 8,500
Beautiful and white flowers
Etching and aquatint, 1966. (Tokyo 58)
£ 7,500
Howard Hodgkin
Venice, Morning
Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From ‘Venetian Views’. Signed and dated in pencil. Inscribed ‘AP’, an artist’s proof aside from the edition of 60. Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 93).
160 x 196.5 cm
£ 16,500
In an Empty Room
Intaglio with carborundum and hand-colouring, 1990-91.
Initialled and dated in pencil, one of four printer’s proofs (aside from the edition of 55).
Printed by Jack Shirreff at the 107 Workshop, Wiltshire.
Published by Waddington Graphics, London. (Heenk 84)
120.5 x 149 cm
£ 10,500
Howard HodgkinHoward Hodgkin Street Palm
1990 - 1991
Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. On 300 gsm Velin Arches paper. Signed with initals, numbered and dated. Edition of 55, with 15 APs, 3 PPs and 1 B.A.T.
(Heenk 87)
160 x 137 cm
£ 14,000
Howard Hodgkin Blue Listening Ear
Etching and aquatint with carborundum in colours, with extensive hand-colouring, 1986, on wove paper, signed with initials and dated in pencil, numbered 26/100 (there were also ten artist’s proofs), printed and hand-coloured by Jack Shirreff at the 107 Workshop. Published by Bernard Jacobson Ltd., London.
47.5 x 64.5 cm
£ 6,500
David’s Pool at Night
Soft-ground etching and aquatint, with hand-colouring, 1979-85. Signed and dated in pencil, numbered from the edition of 100. Printed on Hahnemühle mould-made paper by Atelier Crommelynck, Paris. Published by Petersburg Press, New York. (Heenk 54) Printed from the same plate as ‘David’s Pool’ (cf. Heenk 55).
64.7 x 78.7 cm
£ 7,000
Howard HodgkinDeclan Jenkins
Hy-brasil
Woodcut printed in colours, 2018. Signed in pencil, numbered from the edition of 15.
39.7 x 28.3 cm
£400
Declan Jenkins
Footprint
Woodcut printed in colours, 2019. Signed in pencil, numbered from the edition of 10.
28.3 x 38 cm
£400
Declan Jenkins
The Navigator
Woodcut, 2019. Signed in pencil, numbered from the edition of 25.
28.2 x 32.6 cm.
£400
Declan Jenkins
The Declaration
Woodcut printed in colours, 2019. Signed in pencil, numbered from the edition of 15.
56.3 x 36 cm
£520
Declan Jenkins
Sic Infit 2
Woodcut, 2017. Signed in pencil.
39.7 x 28.3 cm
£300
Declan
Car-stellation
Woodcut, 2020. Signed in pencil, numbered from the edition of 20.
28.3 x 39.7 cm
£300
Teleport
Woodcut, 2020. Signed in pencil, an AP aside from the edition of 20.
37.7 x 56.3 cm
£400
Rhinoceros
Woodcut, 2020. Signed in pencil, numbered from the edition of 15.
28.3 x 39.7 cm
£300
The Secret
Woodcut, 2020. Signed in pencil, numbered from the edition of 9.
39.7 x 28.3 cm
£300
Geist-train
Woodcut, 2020. Singed in pencil, numbered from the edition of 10.
28.3 x 39.7 cm
£300
Declan Jenkins Jenkins Declan Jenkins Declan Jenkins Declan JenkinsGerald Laing
Brigitte Bardot
Screenprint in colours, 1968.
Signed and dated in pencil. An artist’s proof aside from the edition of 200. Printed on smooth white paper by the artist.
Published by the artist, with his blind stamp.
(Sims Reed 22)
Image: 57.4 x 82.2 cm
Sheet: 58.6 x 89 cm
£ 10,000
Gerald Laing
Francine
Screenprint in colours, 1968.
Signed in pencil. Titled and dated in pencil, numbered from the edition of 200.
From ‘Baby, Baby, Wild Things’.
Printed on smooth white paper by the artist. Published by the artist with his blind stamp.
(Sims Reed 27).
Sheet: 89.1 x 58.8 cm
£ 4,500
Gerald Laing
Two Tunnels
Screenprint in colours with diecut Mylar, 1968. Signed, titled and dated in pencil. Numbered from the edition of 75. Printed on smooth wove paper by the artist. Published by the artist with his blindstamp.
(Ingram & Halliwell 31)
58.5 x 73.5 cm
£ 1,000
Sol LeWitt
Arcs and Bands in Color
The set of six linocuts printed in colours, 1999. Each signed in pencil, numbered from the edition of 50. Printed on Somerset Velvet Radiant White paper by Hidemi Nomura and Tsutomu Kjimoto at Watanabe Studio Ltd., New York.
Published by Editions Schellmann, New York. (Krakow 1999.11)
50.8 x 50.8 cm each
Sol LeWitt
Wavy Lines (Colour)
£ 20,000
Oil-based woodcut printed in colours, 1995. Signed in pencil and numbered from the edition of 40. Printed on Awa Kozo paper by Kevin Oster, Watanabe Studio Ltd., New York.
Published by John Campione, New York. (Krakow 1995.04)
90.2 x 53.3 cm
£ 12,000
Roy Lichtenstein
Cathedral Series
Each work is a lithograph on Special Arjomari paper. (Cathedral #1 is also with screenprint)
Signed and numbered in pencil out of an edition of 75.
Published by Gemini G.E.L., Los Angeles.
Each sheet approx: 123 x 82.5 cm.
Each image approx: 106 x 68.5 cm.
£ 130,000
Roy Lichtenstein created this iconic series of lithographs (one with screenprint) of Rouen Cathedral in 1969. The six works depict the same view in different binary colour combinations and were inspired by Monet’s series of paintings of the same cathedral in Rouen at the end of the 19th century. The lithographs are emblematic of Lichtenstein’s idiosyncratic style, exploring notions of mechanised reproduction, repetition and appropriation.
Bull Head Series
1973
Signed and numbered from an edition on 100 in pencil by the artist. Published by Gemini G.E.L. , Los Angeles.
Bull Head I
Lithograph and line-cut on Arjomari paper, 1973.
Sheet: 63.4 x 83.8 cm.
Image: 54.1 x 74.9 cm
Bull Head II
Lithograph, screenprint and linecut on Arjomari paper.
Sheet: 63.4 x 83.7 cm.
Image: 53.7 x 71.3 cm.
Bull Head III
Lithograph, screenprint and linecut on Arjomari paper.
Sheet: 63.5 x 83.7 cm.
Image: 53.3 x 72.5 cm
Henri Matisse
Le Loup
Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris.
(Duthuit Livres 22)
42 x 65 cm
£ 15,000
Joan Miró
Trace sur la Paroi: I
Etching and aquatint printed in colours, 1967. Signed in pencil, numbered from the edition of 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris.
(Dupin 440)
74 x 104.8 cm
£ 18,000
Joan Miró
Les Perséides: Plate III
Lithograph printed in colours, 1970. Signed in pencil, numbered from the edition of 75. Printed by Mourlot on wove paper. Published by Louis Broder, Paris.
(Mourlot 658)
66 x 50.9 cm
£ 9,000
Henry Moore
Sculptural Ideas 3
Etching and aquatint on paper, 1980. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 21.9 x 24.2 cm
(Cramer IV 582) 43.5 x 58.2 cm
£ 2,500
Henry Moore
Sculptural Ideas 4
Etching and aquatint on paper, 1980. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 25.1 x 34.2 cm.
(Cramer VI 583) 43.2 x 58.2 cm
£ 2,500
Humphrey Ocean China Dog
Aquatint, 2010. Signed and dated in pencil, numbered from the edition of 40 (total edition includes 5 artist’s proofs). Printed on Arches Platine paper. The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
41.6 x 51 cm
£ 1,430
Humphrey Ocean Cassette
Aquatint, 2018. Signed and dated in pencil, numbered from the edition of 20 (total edition includes 5 artist’s proofs). Printed on Arches Platine paper. The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.
41.6 x 51 cm
£ 1,460
Etching and aquatint in colours with collage on wove paper, 1981. Signed in pencil, dated and numbered from the edition of 25 (there are also 7 artist’s proofs), with the blindstamps of the publisher/printer. Published by The Metropolitan Museum of Art, 1981 and Printed by Vigna Antoniniana Stamperia D’Arte, Rome.
69.8 x 49.4 cm
£1,500
Pablo Picasso
Pierrot (Massine en Pierrot)
Etching, 1918.
Signed in pencil, from the edition of 20 to 25. With wide margins (the version issued with Max Jacob’s book ‘Le Phanérogame’ in December 1918 was on smaller paper).
Printed on laid paper by Les Presses Eugène Delâtre, Paris, with the Eugène Delâtre watermark. Published by Max Jacob, Paris. (Bloch 33; Baer 55; Cramer 5).
This copy from the distinguished collection of Douglas Cooper, a friend of the artist and art historian (showing his collector’s mark) recto.
19.4 x 14.6 cm
£ 35,000
Victor Pasmore UntitledPablo Picasso
Pierres
Drypoint, 1958
Original drypoint by Picasso on Auvergne, signed in pencil at lower right and numbered from the edition of 36 at lower left.
(Cramer 93).
12 x 13 cm
£ 8,000
Man Ray
Revolving Doors: Dragonfly X
Pochoir printed in colours on Arches paper after a collage from 1916-17, published in 1973. One of five exemplaire’s d’ artiste aside from an edition of 100. Signed by the artist with his initials. Printed by Daniel Jacomet, Paris.
Published by Luciano Anselmino, Turin. (Marconi 18).
63 x 44.8 cm
£ 3,000
London
Screenprint in 40 colours, 2018.
Signed in pencil, numbered from the edition of 150.
Printed by Alexander Heinrici, New York.
Published by Art Novel, Vancouver.
101.6 x 114.3 cm
£ 6,000
Facing Page:
1. World Trade Routes, screenprint, signed, 2018, 89.5 x 152.4 cm, £ 7,700
2. Rome, screenprint, 2018, signed, 99 x 127 cm, £ 6,000
3. Berlin, screenptint, 2018, signed, 101.6 x 121.9 cm, £ 6,000
4. China, screenprint, 2008, signed, 104 x 125 cm, £ 6,250
5. Tokyo, screenprint, 2018, signed, 104.1 x 104.1 cm, £ 6,000
6. India, screenprint, 2010, 112 x 103 cm, £ 7,000
7. Paris, screenprint, 2012, signed, 104 x 104 cm, £ 7,000
8. USA Distances, screenprint, 2018, signed, 99.1 x 142.2 cm, £ 7,700
Paula Scher
Untitled
Etching and aquatint, 1973. Signed and numbered in pencil, from the edition of 75.
Printed on J Green Mould Made paper by White Ink Studios, London.
Published by the Mark Rothko Memorial Trust, London.
51 x 61.5 cm
£ 500
The Oracle of Zeus, or Dionysos Anthios
Etching with aquatint in colours on wove paper, 1981. Signed, dated and numbered, an artist’s proof aside from the edition of 80. Printed by Vigna Antoniniana. Published by Waddington Graphics, London and 2RC, Rome.
121 x 135.5cm.
£ 2,500
Joe Tilson
Richard Smith
Andy Warhol
Mick Jagger, 1975.
An exceptional example of the catalogue for Warhol’s portfolio of screenprints of Mick Jagger with each of the 10 cards and the cover signed in black marker by Warhol. From the collection of Robert William Burke Jr. (1948 - 2020)].
Published by New York. Multiples Inc. / Castelli Graphics. 1975. 15.6 x 10.2 cm.
£ 25,000
