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Sims Reed Gallery The London Original Print Fair 2014


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Sims Reed Gallery | The London Original Print Fair 2014 Thursday 24th - Sunday 27th April

Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com


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Francis Bacon Triptych in Memory of George Dyer Lithograph printed in colours, 1971. Signed in ink and numbered from the edition of 200. Printed on Fabriano paper. Published by Marlborough Graphics, London. (Tacou 5) 85.6 x 61 cm

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Francis Bacon Metropolitan Lithograph printed in colours, 1975. Signed in ink and numbered from the edition of 200. Printed on Arches paper by Mourlot, Paris. Published by Metropolitan Museum of Art, New York. (Tacou 3) 160 x 112 cm

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Georges Braque Ouseau traversant un nuage Lithograph printed in colours, 1957. Signed in pencil and numbered from the edition of 75. Printed in Arches paper by Mourlot, Paris. Published by Maeght, Paris. (Vallier 110) 54 x 76 cm

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Vija Celmins Untitled (Sky) Lithograph, 1975. Signed in pencil and numbered from the edition of 75. Printed by Lloyd Baggs. Published by Cirrus Editions, Los Angeles. (MMA 9) 41.9 x 50 cm

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Eduardo Chillida Hatz IV Etching, 1968. Signed in pencil and numbered from the edition of 50. Printed on chine aplique on Rives BFK support by Arte, Paris. Published by Maeght Editeur, Paris. (Koelen 68012) 56.5 x 45 cm

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Eduardo Chillida Barcelona I Lithograph, 1971. Signed in pencil and inscribed PA. An artist’s proof aside from the edition of 75. Published by Sala Gaspar, Barcelona. (Koelen 71018) 71.5 x 50 cm

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George Condo Untitled (III) Etching, 1969. Signed in pencil and numbered AP 1/6. One of six artist’s proofs aside from the edition of 55. Printed by Aldo Crommlenyck, Paris. Published by Pace Editions, New York. 46 x 38 cm

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Peter Doig 100 Years Ago Etching and aquatint printed in colour, 2000- 2001. Signed in pencil and inscribed BAT. The Bon a Tirer proof before the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 120.5 x 82.5 cm

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Peter Doig Haus der Bilder Etching and aquatint printed in colours, 2004. Signed in pencil. From the edition of 119. Printed on on Zerkall paper. Published by Griffelkunst-Vereinigung, Hamburg. 53.5 x 38 cm

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Peter Doig Black Palm Etching and aquatint printed in colours, 2004. Signed in pencil. From the edition of 119. Printed on on Zerkall paper. Published by Griffelkunst-Vereinigung, Hamburg. 53.5 x 38 cm

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Naum Gabo Opus 10 Monoprint in colours from end-grain block of Florida boxwood. Date unknown. Signed in pencil. Printed on Japan paper. (WE 364) Image Size: 30.4 x 35.4 cm

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Naum Gabo Opus 10 Monoprint in colours from end-grain block of Florida boxwood. Date unknown. Signed in pencil. Printed on Japan paper. (WE 364) Image Size: 30.4 x 35.4 cm

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David Hockney Mirror, Mirror on the Wall Etching and aquatint printed in colours, 1961. Signed in pencil. From the edition of aproximately 50. Printed on handmade English paper by Ron Fuller and Peter Mathews at the Royal College of Art, London. Published by Petersburg Press, London. (Tokyo 10) 56 x 79 cm

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David Hockney The Student: Homage to Picasso Etching and aquatint, 1973. Signed in pencil and numbered from the edition of 90. Printed on Arches paper by Atelier Crommelynk, Paris. Published Propylaen Verlag, Berlin. (Tokyo 143) 75.5 x 56.5 cm

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David Hockney Godetia Etching and aquatint printed in colours, 1973. Signed in pencil and inscrobed AP. An artist’s proof aside from the edition of 100. Printed on Arches mould-made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 155) 58.5 x 42 cm

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David Hockney Two Vases in the Louvre Etching and aquatint printed in colours, 1974. Signed in pencil and numbered from the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 154; SAC 168) 99.5 x 92 cm


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David Hockney Contrejour in the French Style Etching and aquatint printed in colours, 1974. Signed in pencil and numbered from the the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 153) 99.4 x 91.6 cm

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David Hockney The Wave, A Lithograph Lithograph printed in colours, 1990. Signed in pencil and numbered from the edition of 50. Printed on mould-made Arches 88 paper by Lee Funderburg. Published by Tyler Graphics, New York. (Tokyo 324) 68.5 x 97 cm

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Howard Hodgkin Nick Lithograph printed in colours, 1977. Signed in pencil and numbered from the edition of 100. Printed on Crisbrook hand-made paper by Petersburg Studios, New York. Published by Petersburg Press, New York. (Heenk 32) 47 x 58.5 cm

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Jasper Johns Flag (Large) From: ‘1st Etchings, 2nd State’ Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 40. Printed on Auvergne paper by Universal Limited Art Editions, New York. Published by ULAE. (See ULAE 58) 64.5 x 48.9 cm

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Jasper Johns Ale Cans (Large) From: ‘1st Etchings, 2nd State’ Etching and aquatint, 1969. Signed in pencil and numbered from the edition of 40. Printed on Auvergne paper by Universal Limited Art Editions, New York. Published by ULAE. (See ULAE 58) 64.5 x 48.9 cm

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Fernand Leger Composition au profil Lithograph printed in colours, 1948. Signed in pencil and numbered from the edition of 75. Printed on Arches paper by Mourlot, Paris. (Saphire 19) 50 x 65 cm

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Sol LeWitt Two Asymmetrical Pyramids: Plate 3 Screenprint in colours, 1986. Signed in pencil and numbered from the edition of 20. Printed on Arches Cover White paper by Jo Watanabe and Kei Tsujimura, New York. Published by Multiples Inc., New York. (Krakow 1986.04) 96.5 x 157.5 cm

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Sol LeWitt Irregular Zigzag Bands Etching with aquatint printed in colours, 1996. Signed in pencil and numbered AP 15/15. One of fifteen Artist Proofs aside from the edition of 50. Printed on 350 gsm Arches 88 paper by Watanabe Studio Ltd., New York. Published by Leucadia National Corporation - Professional Data Management. (Krakow 1996.06) 33 x 78.7 cm

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Sol LeWitt Bands (not straight) in Four Directions The set of four woodcuts printed in colours, 1999. Each signed in pencil and numbered AP 10/10. An Artist Proof set aside from the edition of 75. Printed on Zangetsu paper by Katsumi Suzuki and Choichi Nishikawa, Watanabe Studio Ltd., New York. Published by Parasol Press Ltd., New York. (Krakow 1999.01) Each sheet: 37.5 x 88.9 cm

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Roy Lichtenstein Yellow Vase Lithograph, woodcut, and screenprint in colours 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Musuem Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 253) 141.4 x 214.6 cm

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Roy Lichtenstein Poet in Landscape Lithograph and screenprint in colours, 1996. Signed in pencil and numbered from the edition of 60. Printed on Lanaquarelle paper by Gemini G.E.L., Los Angeles. Published by Gemini with their blind stamp. (Corlett 303) 229.5 x 91.8 cm

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Henri Matisse Torse, fond a losanges Drypoint, 1929. Signed in pencil and numbered from the edition of 25. Printed on chine. Published by the artist. (Duthuit 145) 28.3 x 38.1 cm

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Henri Matisse Profil de Jeune Femme Etching, 1945. Signed in pencil and numbered from the edition of 25. Printed on chine applique on a velin support. (Duthuit 275) 28.5 x 22.5 cm

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Joan Mir贸 Barcelona XXV Lithograph, 1939. Signed in pencil and numbered 3/5. Printed in 1944 on Torras Juvinya paper. Published by Joan Prats, Barcelona. (Mourlot 30) 69 x 52 cm

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Joan Miró Preparatifs d’oiseaux III Aquatint printed in colours, 1963. Signed in pencil and numbered from the edition of 75. Printed on BFK Rives wove paper by Maeght, Levallois-Perret, Paris. Published by Maeght Editeur, Paris. (Dupin 367) 48.9 x 58.2 cm

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Henry Moore The Show Sheep Etching and drypoint, 1974. Signed in pencil and inscribed ‘Pl. VIII A/P’. A Proof aside from the edition of 80. Printed on Japon ancien paper, by Lacouriere et Frelaut, Paris. Published by Gerald Cramer, Geneva. (Cramer 229) 34 x 44 cm

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Henry Moore Sheep in a Snow Scene Etching and drypoint, 1974. Signed in pencil and inscribed ‘Plate D’. An Artist’s Proof aside from the delux edition of 15. Printed on Japon ancien paper by Lacouriere et Frelaut, Paris. Published by Gerald Cramer, Geneva. (Cramer 235) 42 x 48 cm

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Yoshitomo Nara Y.N (Self-Portrait) Etching and aquatint printed in colours, 2002. Signed in pencil and numbered from the edition of 35. Printed by KIDO Press, Inc., Tokyo. (E-2002-016) 49 x 38 cm

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Yoshitomo Nara Country Home Woodcut printed in colours, 2011. Signed in pencil and numbered from the edtion of 50. Published by Pace Editions, New York. 42 x 29.6 cm

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Grayson Perry Print for a Politician Etching, 2005. Signed in pencil verso. Numbered from the edition of 59. Printed on Rives Velin paper by Hugh Stoneman at Stoneman Graphics, Cornwall. Published by the Paragon Press, London. In the artist designed frame. 67 x 249.5 cm

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Pablo Picasso Franรงoise Lithograph, 1946. Signed in pencil and numbered from the edition of 50. Printed on Arches wove paper by Mourlot, Paris. (Bloch 396; Mourlot 40) 66 x 50 cm

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Pablo Picasso Profil de Femme Lithograph, 1947. Signed in pencil and numbered from the edition of 50. Printed on Arches paper by Mourlot, Paris. (Bloch 436; Mourlot 199) 57 x 38 cm

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Gerhard Richter Ice II Screenprint in colours, 2003. Signed in pencil and numbered from the edition of 108. Printed heavy rag paper by Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, New York. (Butin 123) 111.3 x 88.9 cm

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Gerhard Richter Abstract Photo Silver geltain print mounted on card, 1989. Signed, dated, and numbered from the edition of 50. Published by Galerie Fred Jahn, Munich. (Butin 69) 49.5 x 69.5 cm

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Ed Ruscha Mark Twain Quote Lithograph printed in colours, 2012. Signed in pencil and numbered 7/25. Printed by Hammer Press, Los Angeles. Published by Hammer Press and the Kunsthistorisches Museum, Vienna. 40.6 x 55.8 cm

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Ed Ruscha Sin Screenprint in colours, 1970. Signed in pencil and numbered from the edition of 150. Printed on Louvain Opaque Cover paper by Cirrus Editions, Los Angeles. Published by Cirrus Editions. (Enberg 41) 48.6 x 67.3 cm

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Andy Warhol Baked Hawaii Lithograph with extensive watercolour applied by hand, 1959. From ‘Wild Raspberries’. Published by the artist. (Feldman and Schellmann IV.126 - 143) 43.5 x 27.3 cm

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Tom Wesselmann Still Life with Blowing Curtain Screenprint in colours, 1999. Signed in pencil. An artist’s proof aside from the edition of 100. 76 x 90 cm

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Designed by Lucy Harbut 2014 Sims Reed Gallery


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The London Original Print Fair 2014