Highlights of the London Original Print Fair

The London Original Print Fair The Royal Academy Thursday 25th - Sunday 28th April, 2013

sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com

Francis Bacon Three Studies of the Human Body Lithograph printed in colours, 1980.

Signed in pencil and numbered from the edition of 250.

Printed on Arches paper.

Published by Marlborough Graphics, London.

(Tacou 10) 101.5 x 65.9 cm

Francis Bacon Study for Self Portrait Lithograph printed in colours, 1984.

Signed in pencil and numbered from the edition of 182.

Printed on Fabriano paper.

Published by Marlborough Graphics, London.

(Tacou 16) 93.7 x 64.7 cm

Chuck Close Robert/Manipulated Handmade pressed paper pulp, 1982.

Signed and numbered from the edition of 25.

Published by Pace Editions, New Yor. (Butler Institute 30) 84 x 66 cm

Peter Doig Almost Grown Etching and aquatint printed in colours, 2001.

Signed in pencil and numbered from the edition of 28.

Published by the Paragon Press, London.

92 x 102 cm

Richard Estes D-Train Screenprint in colours, 1988.

Signed in pencil and numbered from the edition of 125.

Printed on thick card by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

107 x 195 cm

Howard Hodgkin Monsoon Handcoloured lithograph, 1987-88.

Signed in pencil and numbered from the edition of 85.

Printed on Arches cover paper by Solo Press, New York.

Published by Waddington Graphics, London.

(Heenk 79) 108 x 135 cm

Howard Hodgkin For Jack Aquatint and carborundum etching with handcolouring, 2005.

Signed in pencil and numbered from the edition of 60.

99 x 136.5 cm

Richard Hamilton Fashion-plate Photo-oset lithograph, collage, screenprint from 2 stencils, and pochoir, retouched with cosmetics by the artist, 1969-70.

Signed in pencil and numbered from the edition of 70.

On Fabriano paper. Photogrphic and screenprint elements printed by the artist and Kelpra Studios, London. Oset printing by Sergio and Fausta Tosi, Milan. Collage elements printed by David Bailey, Milan. Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin76) 99 x 69 cm

Richard Hamilton Release Screenprint in colours with collage, 1972.

Signed in pencil and numbered from the edition of 150.

Printed on Hodgkinson mould-made paper by Kelpra Studios, London.

Published by Petersburg Press for the National Council of Civil Liberties and Release.

(Lullin 83) 70.1 x 87 cm

David Hockney Lithographic water made of Lines, Crayon, and a Blue wash Lithograph printed in colours, 1978-80.

Signed in pencil, dated and inscribed AP IX. An artist’s proof aside from the edition of 48.

Printed on TGL handmade paper by Roger Campbell and Kenneth Tyler.

Published by Tyler Graphics.

(Tokyo 212) 74.8 x 86.9 cm

David Hockney Lithographic Water Made of Lines, Crayon, and Two Blue Washes Lithograph printed in colours, 1978-80.

Signed in pencil, dated and numbered from the edition of 85.

Printed on TGL handmade paper, by Roger Campbell, Rodney Konopaki and Kenneth Tyler.

Published by Tyler Graphics Ltd. (Tokyo 209) 75.5 x 87.4 cm

David Hockney Rue de Seine Etching and aquatint, 1971.

Signed in pencil and numbered from the edition of 150.

Printed on J Green mould made paper by the Print Shop, Amstredam.

Published by Petersburg Press, London for the National Council of Civil Liberties and Release.

(Scottish Arts Council 121; Tokyo 111) 89 x 71 cm

David Hockney Cold Water about to Hit the Prince Etching and aquatint, 1969.

Signed in pencil, and numbered from the edition of 100.

From: Illustrations for Six Fairy Tales From the Brothers Grimm.

Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London.

(Scottish Arts Council 97; Tokyo 94) 45.5 x 31 cm

Alex Katz Kym Lithograph, screenprint, and woodcut in colours, 2011.

Signed in pencil and numbered from the edition of 50.

Printed and published by Graphic Studio, Florida.

68.5 x 82.5 cm

Gerald Laing Tracy Screenprint in colours, 1968.

Signed in pencil and numbered from the edition of 200.

From: Baby, Baby, Wild Thing.

Printed on smooth white paper by the artist.

Published by the artist with his blind stamp.

(Ingram & Halliwell 25) 89 x 58.5 cm

Roy Lichtenstein Landscape with Boats Screenprint and lithograph, 1996.

Signed in pencil on the lower margin, and numbered from the edition of 60.

Printed on Lanaquarelle watercolor paper by Gemini, G.E.L. Published by Gemini, G.E.L., Los Angeles.

89.7 x 164.9 cm

Roy Lichtenstein Illustration for ‘Amerique’ Etching and aquatint printed in colours, 1992.

Signed in pencil and numbered from the edition of 42.

Printed on japon nacre paper by Atelier Dupont-Visat, Paris.

Published by Les Editions du Solstice, Paris.

(Corlett 267) 48.1 x 35.4 cm

Roy Lichtenstein Illustration for ‘De Nouveau au-dessus de Denver’ Etching and aquatint printed in colours, 1992.

Signed in pencil and numbered from the edition of 42.

Printed on japon nacre paper by Atelier Dupont-Visat, Paris.

Published by Les Editions du Solstice, Paris.

(Corlett 272) 35.4 x 48 cm

Joan Mir贸 Les Hommes Lithograph, 1948.

Signed in pencil and numbered from the edition of 75.

Printed on Arches paper by Mourlot, Paris.

Published by Galerie Maeght, Paris.

(Mourlot 58) 65.5 x 50 cm

Joan Mir贸 Trace sur la Paroi V Original colour etching, aquatint and corborundum, 1967.

Signed in pencil and numbered from the edition 75.

Printed on Mandeure rag paper by Arte Adrien Maeght, Paris.

Published by Maeght editeur, Paris.

(Dupin 444) 72.5 x 104.5 cm

Henry Moore Mother and Child IV Etching and aquatint printed in colours, 1983.

Signed in pencil and numbered from the edition of 65.

Printed on Arches paper by James Collyer and John Crossley, London.

Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham.

(Cramer 674) 62 x 52 cm

Henry Moore Mother and Child XXVIII Etching and aquatint printed in colours, 1983.

Signed in pencil and numbered from the edition of 65.

Printed on Arches paper by James Collyer and John Crossley, London.

Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham.

(Cramer 698) 62 x 52.1 cm

Enoch Perez Untitled (California) Chine colle, etching and aquatint, 2008.

Signed and numbered from the edition of 20.

From ‘Suite’.

52.7 x 36 cm

Bridget Riley Rose Rose Screenprint in colours, 2012.

Signed in pencil and numbered from the edition of 250.

Printed on Fabriano paper.

87 x 69.5 cm

Andy Warhol Shoes (Black) Screenprint in colours with diamond dust, 1980.

Signed in pencil and numbered from the edition of 60 verso.

Printed on Arches paper by Rupert Jasen Smith, New York.

Published by the artist, New York.

(Feldman & Schellmann II.256) 102.2 x 151.1 cm

Andy Warhol Shoes (Multi) Screenprint in colours with diamond dust, 1980.

Signed in pencil and numbered from the edition of 60 verso.

Printed on Arches paper by Rupert Jasen Smith, New York.

Published by the artist, New York.

(Feldman & Schellmann II.254) 102.2 x 151.1 cm

sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com