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London Art Fair 2014


London Art Fair 2014

Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com


Francis Bacon Metropolitan Lithograph printed in colours, 1975. Signed in ink and numbered from the edition of 200. Printed on Arches paper by Mourlot, Paris. Published by Metropolitan Museum of Art, New York. (Tacou 3) 160 x 112 cm

4


Jake & Dinos Chapman Pregnant Eye Head I Etching with extensive hand colouring and watecolour, 2000. From: ‘Exquisite Corpse’. Published by the Paragon Press, London. 47 x 38.1 cm

6


Eduardo Chillida Hatz IV Etching, 1968. Signed in pencil and numbered from the edition of 50. Printed on chine aplique on Rives BFK support by Arte, Paris. Published by Maeght Editeur, Paris. (Koelen 68012) 56.5 x 45 cm

8


Jim Dine The New Building Woodcut, etching, and hard drawing in colour, 2013. Signed in pencil and numbered from the edition of 30. Printed and published by Tandem Press, Wisconsin. 162.5 x 121.9 cm

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Peter Doig Surfer Etching and aquatint printed in colour, 2000- 2001. Signed in pencil and inscribed BAT. The Bon a Tirer proof before the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 166 x 111.5 cm

12


Peter Doig Pinto Etching and aquatint printed in colour, 2000- 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 112 x 153.5 cm

14


Blaise Dr ummond Deckfarbkasten Lithograph printed in colours, 2013. Signed in pencil and numbered from the edition of 25. Printed by Michael Woolworth, Paris. Published by Michael Woolworth. 50 x 65 cm

16


Richard Estes Holland Hotel Screenprint in colours, 1980. Signed in pencil and numbered from the edition of 100. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. 119 x 190 cm

18


Richard Hamilton Guggenheim (black, chrome, and white) The complete set of three vacuum formed multiples, 1970. Each signed on the verso. The black from an edition of 106; the white from an edition of 117; and the chrome from an edition of 48. Each produced by Reif, Relo-Kunststoffe, Lorrach. Published by xartcolection, Zurich. (Lullin M3; M4; and M5) Each piece 59.2 x 59.5 x 9.8 cm

20


Richard Hamilton Picasso’s Meninas Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered HC 4/15. One of 15 HC impression aside from the edition of 120. From: Hommage to Picasso. Printed on Rives paper by Aldo Crommelynck, Paris. Published by Propylaen Verlag, Berlin/Pantheon Press, Rome. (Lullin 91) 80.5 x 63.2 cm

22


David Hockney My Bonnie Lies Over the Ocean Etching and aquatint printed in colours with collage, 1962. Signed in pencil, dated ‘62 and numbered from the edition of 50. Printed on wove pape. Proofed by Pratt Graphic Workshop, New York. Printed by Ron Fuller and Peter Mathews at the Royal College of Art, London. (Tokyo 29; Scottish Arts Council 13) 57.2 x 77.8 cm

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David Hockney The Older Rapunzel Etching and aquatint, 1969. Signed in pencil, and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (Scottish Arts Council 84; Tokyo 81) 45.5 x 31 cm

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David Hockney The Lake Etching and aquatint, 1969. Signed in pencil, and numbered from the edition of 100. From: Illustrations for Six Fairy Tales From the Brothers Grimm. Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam. Published by Petersburg Press, London. (Scottish Arts Council 80 ; Tokyo 77) 45.5 x 31 cm

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David Hockney Two Vases in the Louvre Etching and aquatint printed in colours, 1974. Signed in pencil and numbered from the edition of 75. Printed on Inveresk mould-made paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 154; Scottish Arts Council 168) 99.5 x 92 cm

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David Hockney Weather Series - Snow Lithograph, printed in colours, 1973. Signed and dated in green crayon, numbered AP.IX. Printed by Ron Olds and Dora Hirt. Published by Gemini G.E.L. (Tokyo 131) 101.6 x 85.0 cm

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David Hockney Lithograph of water Made of Lines, Crayon and Two Blue Washes Lithograph printed in colours, 1978. Signed in pencil and numbered from the edition of 36. Printed on handmade paper by Tyler Graphics, New York. Published by Tyler Graphics. 75.5 x 87.5 cm

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David Hockney Afternoon Swimming Lithograph printed in colours, 1979. Signed in pencil and numbered from the edition of 55. Printed on White, Arches Cover, mould-made paper by Kenneth Tyler. Published by Tyler Graphics, New York. (Tokyo 233) 80.6 x 100.3 cm

36


David Hockney Sunflower I Etching and aquatint, 1995. Signed in pencil and numbered from the edition of 80. Printed on Arches Watercolor paper by Maurice Payne, Los Angeles. Published by George Mulder, Lococo Mulder Inc. / David Hockney. (Tokyo 342) 68.9 x 57.1 cm

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Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed in pencil and numbered from the edition of 200. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 22) 89 x 58.8 cm

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Gerald Laing Domestic Perspective Screenprint in colours, 2009. Signed in pencil numbered from the edition of 90. Printed by Artizan Editions, Hove. Published by the artist. 128 x 68 cm

42


Henr y Moore Mother and Child XX Etching and aquatint printed in colours, 1983. Signed in pencil and numbered from the edition of 65. Printed on Arches paper by James Collyer and John Crossley, London. Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham. (Cramer 671) 62 x 52.1 cm

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Henr y Moore Mother and Child XXV Etching and aquatint printed in colours, 1983. Signed in pencil and numbered from the edition of 65. Printed on Arches paper by James Collyer and John Crossley, London. Published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham. (Cramer 890) 52.1 x 44 cm

46


Takashi Murakami An Homage to IKB Lithograph printed in colours, 2011. Signed in ink and numbered from the edition of 300. Published by Kaikai Kiki, Tokyo. 73.6 x 52.9 cm

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Takashi Murakami Cosmos Lithograph printed in colours, 2000. Signed and numbered from the edition of 300. 60 x 60 cm

50


Yoshitomo Nara Y.N (Self-Portrait) Etching and aquatint printed in colours, 2002. Signed in pencil and numbered from the edition of 35. Printed by KIDO Press, Inc., Tokyo. (E-2002-016) 49 x 38 cm

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Peter Phillips Pneumatics The complete portfolio of 8 screenprints with collage printed in colours, 1968. Each signed in pencil and inscribed AP. An Artist’s proof set aside from the edition of 75. Printed by Kelpra Studio, London. Published by Galerie Bischofburger, Zurich. 59 x 94 cm

54


Mel Ramos Vantage Screenprint in colours, 1972. Signed in pencil and numbered from the edition of 300. Printed by Editions Domberger, Stuttgart. 78 x 63.7 cm

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Mel Ramos A.C. Annie Screenprint in colours, 1972. Signed in pencil and numbered from the edition of 300. Printed by Editions Domberger, Stuttgart. 78 x 63.7 cm

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Bridget Riley Untitled (La Lune en Rodage - Carlo Belloli) Screenprint, 1965. Signed in pencil and numbered from the edition of 200. Printed by Kelpra Studio, London. Published by Editions Panderma. (Schubert 6) 31.9 x 31.9 cm

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Bridget Riley Serpentine Print Screenprint in colours, 1999. Signed in pencil, dated, titled and numbered from the edition of 200. Printed on wove paper, by Artizan Editions. 25.5 x 25.5 cm

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Rob Ryan You Work at it and you Work at it (Red) Papercut, 2013. 69.5 x 61.5 cm

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Rob Ryan Why Not Us Too Papercut, 2013. 92.5 x 79.5 cm

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Joe Tilson Original Designs for NY Decal Prints 1 and 2 Graphite, coloured pencil, gouche, and mixed media drawings, 1967. Each signed and dated in pencil. Each sheet 101 x 68.5 cm 101 x 68.5 cm

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Andy Warhol (Orange Sam with Purple Eyes) Lithograph with extensive watercolour applied by hand, c. 1954. From: 25 Cats Named Sam and One Blue Pussy. Signed in ball-point pen on the colophon and numbered from the edition of 190. Printed by Seymour, Berlin. Published by the artist. (See Feldman & Schellmann IV 52A - 68A) 22.8 x 14.8 cm

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Andy Warhol Gemini Ink, graphite and watercolour drawing, 1956. Authenticated by the Warhol Foundation. 60.3 x 45.7 cm

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Tom Wesselmann TV Still Life Screenprint in colours, 1965. Signed in pencil and numbered XXIV. An artist’s proof aside from the edition of 200. Published by Original Editions, New York. 73 x 96 cm

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Designed by Lucy Harbut 2014


Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com W gallery.simsreed.com

London Art Fair Highlights 2014  
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