IFPDA Fair Highlights 2013

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IFPDA FAIR NEW YORK CITY

7 - 10 NOVEMBER 2013

Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com

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Josef Albers I-Sj Screenprint in colours, 1973.

Signed in pencil and inscribed HC. One of 35 HC impressions aside from the edition of 100.

Printed By Sirocco Screenprints, New Haven.

Published by Ives-Sillman, Inc., New Haven.

(Danilowitz 220) 76.2 x 101.6 cm

4

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Jean-Michel Basquiat Untitled (From A natomy) Screenprint, 1982.

Signed in pencil and numbered AP V/14.

One of 9 Artist’s proofs aside from the edition of 18.

Printed on Arches 88 wove paper by Joe Watanabe, New York.

Published by Annina Nosei Gallery, New York.

75.5 x 56 cm

6

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Mel Bochner A mazing Monoprint with collage, engraving and embossment, 2013.

Signed in pencil, verso.

Printed on hand-dyed Twinrocker handmade paper.

Published by Two Palms, New York.

24.8 x 31.8 cm

8

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Vija Celmins Untitled (Sky) Lithograph, 1975.

Signed in pencil and numbered from the edition of 75.

Printed by Lloyd Baggs.

Published by Cirrus Editions, Los Angeles.

(MMA 9) 41.9 x 50 cm

10

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Eduardo Chillida C ontinuation II Etching, 1966.

Signed in pencil and numbered from the edition of 50.

Printed on chine aplique on Rives BFK support by Arte, Paris.

Published by Maeght Editeur, Paris.

(Koelen 66004) 45 x 57 cm

12

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Eduardo Chillida C ontinuation III Etching, 1966.

Signed in pencil and numbered from the edition of 50.

Printed on chine aplique on Rives BFK support by Arte, Paris.

Published by Maeght Editeur, Paris.

(Koelen 66005) 45 x 57 cm

14

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Walton Ford (Untitled) The complete set of 6 etching and aquatints with drypoint printed in colours, 1998-2004.

Each signed in pencil and numbered from the edition of 50.

Printed on Somerset satin paper by Wingate Studios, New Hampshire.

Published by Paul Kasmin, New York.

Each sheet: 112.4 x 78.7 cm

16

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David Hockney T he O lder Rapunzel Etching and aquatint, 1969.

Signed in pencil, and numbered from the edition of 100.

From: Illustrations for Six Fairy Tales From the Brothers Grimm.

Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London.

(SAC 84; Tokyo 81) 45.5 x 31 cm

18

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David Hockney T he Lake Etching and aquatint, 1969.

Signed in pencil, and numbered from the edition of 100.

From: Illustrations for Six Fairy Tales From the Brothers Grimm.

Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London.

(SAC 80 ; Tokyo 77) 45.5 x 31 cm

20

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David Hockney Paper Pool Lithograph printed in colours, 1980.

Signed in pencil and numbered from the edition of 1000.

Printed Arches paper by Tyler Graphics.

Published by Tyler Graphics.

(Tokyo 234) 26.5 x 22.5 cm

22

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David Hockney Lithographic W ater Made of Lines Lithograph, 1978-1980.

Signed in pencil and numbered from the edition of 42.

Printed on TGL handmade paper by Roger Campbell, Lee Funderburg and Kenneth Tyler.

Published by Tyler Graphics.

(Tokyo 210) 74 x 86.4 cm

24

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Gary Hume Fuzzy Snowman Machine-cut felt on baize treated backing card, 2000.

Signed verso.

Published by Momart Ltd. 27.5 x 19 cm

26

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Jasper Johns T arget with Plaster C asts Etching and aquatint printed in colours, 1978-1980.

Signed in pencil and numbered from the edition of 88.

Printed on Rives paper by Atelier Crommelynck, Paris.

Published by Petersburg Press, London.

(ULAE 208) 74.9 x 57.5 cm

28

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Alex Katz C oleman Pond II Woodcut printed in blue, 2007.

Signed in pencil and numbered from the edition of 50.

Printed on Tosa Washi Gekko paper by Graphicstudio, Florida.

Published by Graphicstudio.

15.8 x 19.2 cm

30

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Fernand Leger C omposition au profil Lithograph printed in colours, 1948.

Signed in pencil and numbered from the edition of 75.

Printed on Arches paper by Mourlot, Paris.

(Saphire 19) 50 x 65 cm

32

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Sol Lewitt T wo A symmetrical Pyramids: Plate 3 Screenprint in colours, 1986.

Signed in pencil and numbered from the edition of 20.

Printed on Arches Cover White paper by Jo Watanabe and Kei Tsujimura, New York.

Published by Multiples Inc., New York.

(Krakow 1986.04) 96.5 x 157.5 cm

34

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Sol Lewitt From Pyramids: Plate 3 Aquatint printed in colours, 1987.

Signed in pencil and numbered from the edition of 19.

Printed on Somerset Satin White paper by Jeryl Parker Editions, New York.

Published by Parasol Press, New York.

(Krakow 1987.03) 59.4 x 90.2 cm

36

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Roy Lichtenstein Bull Profile Series The complete portfolio of six line-cut, lithograph, and screenprint, 1973.

Each signed in pencil and numbered from the edition of 100.

Printed on Arjomari paper by Gemini G.E.L, California.

Published by Gemini G.E.L with their blindstamp.

(Corlett 116-121) 68.6 x 88.9 cm

38

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Roy Lichtenstein Moonscape Screenprint on blue Rowlux, 1965.

Signed in pencil and numbered XXVI. One of 50 artists proofs aside from the edition of 200.

From: 11 Pop Artists Volume I. Printed by Knickerbocker Machine and Foundry Inc., New York.

Published by Original Editions, New York.

(Corlett 37) 50.6 x 60.8 cm

40

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Roy Lichtenstein Brushstroke on canvas Lithograph printed in colours, 1989.

Signed in pencil and numbered from the edition of 40.

Printed on Rives BFK paper by Tyler Graphics Ltd., New York.

Published by The Metropolitan Museum of Art, New York.

(Corlett 234).

96.4 x 92.1 cm

42

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Roy Lichtenstein Illustration for ‘A merique’ Etching and aquatint printed in colours, 1992.

Signed in pencil and numbered from the edition of 80.

Printed on venlin d’Arches paper by Atelier Dupont-Visat, Paris.

Published by Les Editions du Solstice, Paris.

(Corlett 267) 48.1 x 35.4 cm

44

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Roy Lichtenstein Illustration for ‘Bayonne en Entrant dans NY C ’ Etching and aquatint printed in colours, 1992.

Signed in pencil and numbered from the edition of 80.

Printed on venlin d’Arches paper by Atelier Dupont-Visat, Paris.

Published by Les Editions du Solstice, Paris.

(Corlett 269) 35.4 x 48 cm

46

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Glenn Ligon Untitled The set of two photogravures, 2008.

Signed in pencil and numbered from the edition of 20.

Published by Thomas Dane, London.

39.8 x 48.9 cm

48

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Henri Matisse T orse, fond a losanges Drypoint, 1929.

Signed in pencil and numbered from the edition of 25.

Printed on chine.

Published by the artist.

(Duthuit 145) 28.3 x 38.1 cm

50

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Joan Mir贸 T race sur la Paroi V Etching and aquatint printed in colours, 1967.

Signed in pencil and numbered from the edition of 75.

Printed on Mandeure rag paper by Arte Adrien Maeght, Paris.

Published by Maeght editeur, Paris.

(Dupin 444) 72.5 x 104.5 cm

52

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Yoshitomo Nara O n the F-word Intaglio, photogravure and aquatint printed in colours, 2002.

Signed in pencil and numbered from the edition of 35.

Printed by KIDO Press, Inc., Tokyo.

(E-2002-015) 72 x 56 cm

54

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Yoshitomo Nara Y .N (Self-Portrait) Etching and aquatint printed in colours, 2002.

Signed in pencil and numbered from the edition of 35.

Printed by KIDO Press, Inc., Tokyo.

(E-2002-016) 49 x 38 cm

56

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Richard Pettibone A ndy W arhol, C ow W allpaper Screenprint in colours, 1971.

Signed and dated in pencil. From an unknown edition size.

67.1 x 52.6 cm

58

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Pablo Picasso O lge et Paulo: La Soupe (Maternite) Etching, 1922-23.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper by Lacouriere, Paris.

Published in 1955 by Galerie Louis Leiris, Paris.

(Bloch 70)

60

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Pablo Picasso Profil de Femme Lithograph, 1947.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper by Mourlot, Paris.

(Bloch 436; Mourlot 199) 57 x 38 cm

62

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Mel Ramos C hic Screenprint in colour, 1965.

Signed in pencil and number XXVI. One of 50 artists proofs aside from the edition of 200.

From: 11 Pop Artists Volume I. Printed on Smooth white paper.

Published by Original Editions, New York.

60.8 x 50.6 cm

64

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Gerhard Richter Erster Blick (First V iew) Offset lithograph, 200.

Signed in pencil and numbered from the edition of 100.

Printed on ivory paper afixed to cardboard by Heinrich Miess, Cologne.

Published by Editions Staeck, Heidelberg.

40 x 35 cm

66

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Gerhard Richter Hood Offset lithograph printed in colours, 1996.

Signed in pencil and numbered from the edition of 50 (the total edition was 110 plus 20 artist’s proofs).

Printed on handmade Japanese paper by Laufenbreg, Cologne.

Published byAnthony d’Offay Gallery, London.

(Butin 88) 44 x 43.7 cm

68

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James Rosenquist C ircles of C onfusion (From: 11 Pop A rtists, V ol.I) Screenprint in colour, 1965.

Signed in pencil and from the edition of 200.

Published by Original Editions, New York.

61 x 50.8 cm

70

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Ed Ruscha Hollywood Screenprint in colours, 1968.

Signed in pencil and numbered from the edition of 100.

Printed in laid paper by the artist.

Published by the artist.

(Engberg 7) 32 x 104 cm

72

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Ed Ruscha Made In C alifornia Screenprint in colours, 1971.

Signed in pencil and numbered from the edition of 100.

Printed on Arches paper by Cirrus Editions, Los Angeles.

Published by Grunewald Graphic Arts Foundation, Los Angeles.

(Engberg 52) 50.8 x 71.3 cm

74

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Ed Ruscha Y es Lithograph printed in colours, 1984.

Signed in pencil and numbered from the edition of 25.

Printed on Rives BFK paper by Ed Hamilton, California.

Published by the artist.

(Engberg 139) 56.8 x 76.5 cm

76

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Kara Walker Snared Lithographic cutout on paper, 2013.

Signed in pencil and numbered from the edition of 50.

Published by the Camden Arts Center, London.

28.5 x 21.5 cm

78

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Andy Warhol (O ne Blue Pussy) Lithograph with extensive watercolour applied by hand, c. 1954.

From: 25 Cats Named Sam and One Blue Pussy.

Signed in ball-point pen on the colophon and numbered from the edition of 190.

Printed by Seymour, Berlin.

Published by the artist.

(See Feldman & Schellmann IV 52A - 68A) 22.8 x 14.8 cm

80

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Andy Warhol (Pink Sam with Pink Eyes) Lithograph with extensive watercolour applied by hand, c. 1954.

From: 25 Cats Named Sam and One Blue Pussy.

Signed in ball-point pen on the colophon and numbered from the edition of 190.

Printed by Seymour, Berlin.

Published by the artist.

(See Feldman & Schellmann IV 52A - 68A) 22.8 x 14.8 cm

82

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Andy Warhol T orte a la Dobosch Lithograph with extensive watercolour applied by hand, 1959.

From ‘Wild Raspberries’.

Published by the artist.

(Feldman and Schellmann IV.126 - 143) 43.5 x 27.3 cm

84

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Andy Warhol G reengages a la W arhol Lithograph with extensive watercolour applied by hand, 1959.

From ‘Wild Raspberries’.

Published by the artist.

(Feldman and Schellmann IV.126 - 143) 43.5 x 27.3 cm

86

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Andy Warhol Flowers Screenprint in colours, 1970.

Signed in ball-point pen verso and numbered from the edition of 250.

Printed by Aetna Silkscreen Products Inc., New York.

Published by Factory Editions, New York.

(Feldman and Schellmann II.68) 91.4 x 91.4 cm

88

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Andy Warhol Flowers Screenprint in colours, 1970.

Signed in ball-point pen verso and numbered from the edition of 250.

Printed by Aetna Silkscreen Products Inc., New York.

Published by Factory Editions, New York.

(Feldman and Schellmann II.70) 91.4 x 91.4 cm

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Andy Warhol Self-portrait Unique screenprint, circa 1978.

Printed on Curtis Rag paper by Rupert Jasen Smith, New York.

Stamped Andy Warhol Enterprises Inc. 1987 verso with the Andy Warhol Estate stamp numbered WP890.2, and the Andy Warhol Authentication Board Inc. stamp numbered A120.100 in pencil.

(Feldman and Schellmann IIIA.10) 114.2 x 89.1 cm

92

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Tom Wesselmann C ut O ut Nude Screenprint on vinyl with dye-cut cardboard mount, 1965.

Signed in pencil and number XXVI. One of 50 artists proofs aside from the edition of 200.

From: 11 Pop Artists Volume I. Published by Original Editions, New York.

50.8 x 60.8 cm

94

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Designed by Lucy Harbut, 2013

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Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com W gallery.simsreed.com