IFPDA Fair 2012

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IFPDA FAIR NEW YORK CITY

1 - 4 NOVEMBER 2012

sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com

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Francis Bacon

T hree Studies for a Portrait of John Edwards Lithograph printed in colours, 1987.

Signed in pencil and numbered from the edition of 180.

Printed on Arches paper by Galerie Lelong, Paris.

Published by L’Ire des Vents, Paris.

(Tacou 20) 81 x 60 cm

4

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Richard Estes

Holland Hotel Screenprint in colours, 1980.

Signed in pencil and numbered from the edition of 100.

Printed on thick card by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

119 x 190 cm

6

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Richard Estes

D-T rain Screenprint in colours, 1988.

Signed in pencil and numbered from the edition of 125.

Printed on thick card by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

107 x 195 cm

8

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Walton Ford

Dying W ords Hardground etching, aquatint, spit-bite aquatint & drypoint, 2005.

Signed in pencil and inscribed ‘AP 18’.

An artists proof aside from the edition of 75.

Printed by Wingate Studio, New Hampshire.

Published by Paul Kasmin, New York.

57 x 75.5 cm

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Richard Hamilton

T oaster Lithograph printed in colours with collaged metalized polyster, 1967.

Signed in pencil and numbered from the edition of 75.

Printed on TH Saunders paper by the artist and Chris Prater at Kelpra Studio, London.

Published by the artist.

(Lullin 63) 88.8 x 63.4 cm

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David Hockney

T wo V ases in the Louvre Etching and aquatint printed in colours, 1974.

Signed in pencil and numbered from the edition of 75.

Printed on Inveresk mould-made paper by Maurice Payne, London.

Published by Petersburg Press, London.

(Tokyo 154; Scottish Arts Council 168) 99.5 x 92 cm

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David Hockney

C ontrejour in the French Style Etching and aquatint printed in colours, 1974.

Signed in pencil and numbered from the the edition of 75.

Printed on Inveresk mould-made paper by Maurice Payne, London.

Published by Petersburg Press, London.

(Tokyo 153) 99.5 x 92 cm

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David Hockney

Rue de Seine Etching and aquatint, 1971.

Signed in pencil and numbered from the edition of 150.

Printed on J Green mould made paper by the Print Shop, Amstredam.

Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London.

(Scottish Arts Council 121, Tokyo 111) 89 x 71 cm

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David Hockney

T he Diploma Etching and aquatint, 1962.

Signed in pencil and numbered from the edition of 50.

Printed on hand-made paper by Ron Fuller and Peter Matthews at the Royal College of Art in London.

Published by the artist.

(Tokyo 28) 55.5 x 39.5 cm

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David Hockney

C old W ater about to Hit the Prince Etching and aquatint, 1969.

Signed in pencil, and numbered 61 from the edition of 100.

From: Illustrations for Six Fairy Tales From the Brothers Grimm.

Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London.

(Scottish Arts Council 97 ; Tokyo 94) 45.5 x 31 cm

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David Hockney

Rapunzel, Rapunzel, Let Down Y our Hair Etching and aquatint, 1969.

Signed in pencil, and numbered from the edition of 100.

From: Illustrations for Six Fairy Tales From the Brothers Grimm.

Printed on Hodgkinson handmade paper by the Print Shop, Amsterdam.

Published by Petersburg Press, London.

(Scottish Arts Council 86 ; Tokyo 83) 45.5 x 31.0 cm

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Alex Katz

A da in Blue Hat Aquatint printed in colours, 2004.

Signed in pencil and numbered from the edition of 75.

86.5 x 173 cm

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Christian Marclay

Splat!

Photogravure on chine colle, 2011.

Signed in pencil verso and numbered from the edition of 25.

Printed on Revere Silk Polar White Paper by Graphicstudio, Florida.

Published by Graphicstudio with their wet stamp, verso.

32.5 x 23 cm

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Christian Marclay

Skssh C lang W hssh Photogravure on chine colle, 2011.

Signed in pencil verso and numbered from the edition of 25.

Printed on Revere Silk Polar White Paper by Graphicstudio, Florida.

Published by Graphicstudio with their wet stamp, verso.

32.5 x 23 cm

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Henri Matisse

La Danse Aquatint printed in colours, 1935.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper.

(Duthuit 247) 29.7 x 80.7 cm

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Henri Matisse

L’avaleur de sabres Pochoir printed in colours, 1947.

From: Jazz, Plate XIII. From the edition 250.

Printed on Arches paper by Edmond Vairel.

Published by Teriade, Paris.

(Duthuit Livres 22) 42.2 x 32.5 cm

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Henri Matisse

Le Lagon Pochoir printed in colours, 1947.

From: Jazz, Plate XVIII. From the edition 250.

Printed on Arches paper by Edmond Vairel.

Published by Teriade, Paris.

(Duthuit Livres 22) 42 x 65 cm

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Joan Mir贸

Partie de C ampagne V Etching and aquatint printed in colours, 1967.

Signed in pencil and numbered from the edition of 75.

Printed on Mandeure paper by Arte Adrien Maeght, Paris.

Published by Maeght Editeur, Paris.

(Dupin 434) 74.5 x 104 cm

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Pablo Picasso

Q uatre Sujets pour La Barre d’A ppui Sugar-lift aquatint with drypoint, 1936.

Signed in pencil and numbered 4/18.

Printed on blue Japon paper by Lacouriere, Paris.

Published by Cahiers d’art.

(Bloch 295a; Baer 607b) 41.5 x 30 cm

40

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Pablo Picasso

Femmes se Reposant Etching, 1931.

Signed in pencil.

From the edition of 250.

From: Suite V ollard.

Printed on Montval paper by Lacouriere, Paris.

Published by Vollard, Paris.

(Bloch 143) 34 x 44.5 cm

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Pablo Picasso

Deux Femmes sur la Plage Lithograph, 1956.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper by Mourlot, Paris.

(Bloch 789; Mourlot 273) 50.5 x 66 cm

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Pablo Picasso

Jeune Femme Laissant T omber Sa Robe Aquatint and drypoint, 1968.

Signed in pencil and numbered from the edition of 50.

From: 347 Series.

Printed on Rives paper by Crommelynck, Paris.

Published by Galerie Louise Leiris, Paris.

(Bloch 1652; Baer 1668) 35 x 28 cm

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Mel Ramos

C hic Screenprint in colour, 1965.

Signed in pencil and numbered from the edition of 200.

From: 11 Pop Artists Volume I. Printed on Smooth white paper.

Published by Original Editions, New York.

60.8 x 50.6 cm

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Bridget Riley

Untitled (Based on Primitive Blaze) Screenprint, 1962.

Signed in pencil and numbered from the edition of 40.

(Schubert 1a) 45.7 x 45.7 cm

50

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Bridget Riley

Untitled (Fragment 7) Screenprint on plexiglas, 1965.

Scratch signed and numbered from the edition of 75 verso.

Printed by Kelpra Studio, London.

Published by Robert Fraser Gallery, London.

(Schubert 5g) 50.9 x 99 cm

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Andy Warhol

Liz Lithograph printed in colours, 1964.

Signed in ball-point pen.

From the edition of 300.

Printed by Total Colour, New York.

Published by Leo Castelli Gallery, New York.

(Feldman & Schellmann II.7) 56 x 56 cm

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Andy Warhol

Mick Jagger Screenprint in colours, 1975.

Signed in pencil and numbered from the edition of 250.

Also signed in ink by Mick Jagger.

Printed on Arches Aquarelle paper by Alexander Heinrici, New York.

Published by Seabird Editions, London.

(Feldman & Schellmann II. 144) 110.5 x 73.7 cm

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Andy Warhol

Q ueen Elizabeth II Screenprint in colours, 1985.

Signed in pencil and numbered from the edition of 40.

Printed on Lenox Museum Board by Rupert Jasen Smith, New York.

Published by George Mulder, Amsterdam.

(Feldman & Schellmann II.335) 100 x 80 cm

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Andy Warhol

Marilyn Screenprint printed in colours, 1967.

Signed in pencil on the verso and numbered from the edition of 250.

Published by Factory Additions, New York.

(Feldman & Schellmann II.31) 91.4 x 91.4 cm

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Andy Warhol

Marilyn Screenprint printed in colours, 1967.

Signed in pencil on the verso and numbered from the edition of 250.

Printed by Aetna Silkscreen Products Inc., New York.

Published by Factory Additions, New York.

(Feldman & Schellmann II.26) 91.4 x 91.4 cm

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sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com