Lucas Paz Curriculum Vitae (Full Version)

Lucas Freitas Peixoto Paz

Curriculum Vitae

Los Angeles 2014

Curriculum Vitae June, 2014

Lucas Freitas Peixoto Paz

Adress to access this CV: http://lattes.cnpq.br/6110590146162604

Professional actor and director, DRT 990/CE; Extensive professional experience on Drama and Performing Arts, with emphasis on Performing Arts Directing and Staging, and Urban Artistic Intervention.

Undergraduation in Performing Arts Directing by the University of S達o Paulo (USP). Research on the relationship between the gaze of the director as experiences provocative and the look of the spectator as an agent, research also on the performance art as a language to be explored in public spaces and as a theatrical element in the contemporary scene.

Personal Information Name Lucas Freitas Peixoto Paz Name in bibliographic citations PAZ, Lucas F. P. Artist, Theater Director and Actor: 990CE Mob: 213 361 5226 Email: lucasfppaz@gmail.com

Formal Education/Degree 2008 – 2012 Undergraduation in Abi – Artes Cênicas (Performing Arts), Major in Performing Arts Directing University of São Paulo, USP, Brasil.

Title: MoAciR: Filhos da Dor. Advisor: Maria Helena Franco de Araújo Bastos.

Grantee of: Foundation for Research Support of the State of São Paulo, FAPESP, Brasil.

2008 - 2012 Undergraduation in Abi – Artes Cênicas (Performing Arts), Major in Performing Arts Directing University of São Paulo, USP, Brasil.

Title: MoAciR: Filhos da Dor. Advisor: Antônio Carlos de Araújo Silva Grantee of: Foundation for Research Support of the State of São Paulo, FAPESP, Brasil.

2012 - 2012 Professional/Technical course Association of Lifeguard of São Paulo State, ASVESP, SP, Brasil 2007 - 2007 Professional/Technical course Performing Arts Course – CAD Federal University of Ceará, UFC, Brasil.

2006 - 2006 Secondary Education Cummins Area School (Australia) 2004 - 2005 Secondary Education Colégio Santa Cecilia.

1999 - 2003 Elementary Education Colégio Santa Cecilia.

1994 - 1998 Elementary Education Colégio Cooperativo de Fortaleza.

Complementary Education 2014-2014 Workshop acting for camera and auditioning - Marcus Folmar (Los Angeles) (Credit Hours: 3h)

The Booking Room 2013-2013 Workshop Body Mapping - Other locations, formats and practices in performance art Lab – Nathalie Fari (Germany) (Credit Hours: 6h) Cena 15 2013-2013 Performance X Performativity - Other locations, formats and practices in performance art Lab - Milena Kipfmüller (Germany), Nathalie Fari (Germany), Paula Hildebrant (Germany), Pablo Assumpção, Solon Ribeiro, Walmeri Ribeiro (Credit Hours: 2h) Cena 15 2013-2013 Public Space X Public Life - Other locations, formats and practices in performance art Lab – Enrico Rocha (Credit Hours: 2h) Cena 15 2013-2013 3o Masterclass Music Laboratory - An overview on writing a disc: from concept to completion - Alexandre Kassin (Credit Hours: 3h) Porto Iracema das Artes 2013-2013 3o Masterclass Audiovisual TV Laboratory – Authoring and execution of TV series: ”Real Humans” – Lars Lundström (Sweden) (Credit Hours: 3h) Porto Iracema das Artes 2013 - 2013 2o Masterclass Audiovisual TV Laboratory – “Carlos” – François Sauvagnargues (France) (Credit Hours: 3h) Porto Iracema das Artes 2013 - 2013 Project Irradiate: Dramaturgical foundations, Audiovisual dramaturgy, Formats for TV, Multimedia creation, Electronic games – Orlando Senna, Claudio Nigro, Thiago Falcão, Luiz Adolfo (Credit Hours: 95h).

Porto Iracema das Artes 2013-2013 From Screenplay to Film: everything that must be done before the Action – Michelline Helena (Credit Hours:3h) Centro Cultural Banco do Nordeste 2013-2013 The sound in Cinema - Breno Furtado (Credit Hours:3h) Centro Cultural Banco do Nordeste 2013 - 2013 Poetics in documentary films – Hugo Pierot (Credit Hours: 3h)

Centro Cultural Banco do Nordeste 2013 - 2013 Contact Dance and Singing – Elixir Tafari (Colombia) (Credit Hours: 4h) Theatro José de Alencar 2013 - 2013 Looking for the "Dance Between" – Minako Seki, Berlin Post School for Physical Theater-Dance (Credit Hours: 3h).

SESC Pompéia.

2012 - 2012 Lifesaving and First Aid Course - Lieutenant Rufino (Credit Hours: 120h).

Association of Lifeguard of São Paulo State, ASVESP, SP, Brasil 2011 - 2011 University extension course in “Musical Body in Theater” - Jean-Jacques Lemêtre, Théâtre du Soleil. (Credit hours: 9h).

Universidade de São Paulo, USP, Brasil.

2011 - 2011 University extension course in “Scenic Presence for musicians and actors” - Jan Ferslev, Odin Teatret. (Credit hours: 6h).

Universidade de São Paulo, USP, Brasil.

2011 - 2011 “Dionisíacas” - acting/directing/music/stage directing workshops and presentations José Celso Martinez Corrêa & Elizete Jeremias. Teat(r)o Oficina Uzyna Uzona (Credit hours: 66h).

Teatro José de Alencar, CE, Brasil.

2011 - 2011 “Body and City: practical experiments” - Roberto Audio & Luciana Schwinden. Teatro da Vertigem (Credit hours: 57h).

Oficina Cultural Oswald de Andrade, SP, Brasil.

2010 - 2010 University extension course in “Odissi Dance modality Abinaya” - Manoranjan Pradhan, India (Credit hours: 33h).

Universidade Estadual de Campinas, UNICAMP, SP, Brasil 2010 - 2010 Flamenco Dancing. (Credit Hours: 20h).

Dance Teacher Tutti Pinheiro, SP, Brasil.

2009 - 2009 “The Matter of Dreams” - Ramón B. Ivars, Institut del Teatre in Barcelona. (Credit hours: 10h). International Organization of Scenographers, Theatre Architects and Technic, OISTAT. Centro Cultural São Paulo, CCSP, SP, Brasil.

2008 - 2008 University extension course in “The theater is the other” – Maurice Durozier, Théâtre du Soleil (Credit hours: 28h).

Universidade de São Paulo, USP, Brasil.

2008 - 2008 University extension course in “4 Elements/Buffoon Workshop” - Bru Palmieri, École Jacques Lecoq. (Credit hours: 12h).

Universidade de São Paulo, USP, Brasil.

2006 - 2006 Visual Arts - Rosii Pedler (Credit hours: 192h).

Cummins Area School, SA, Australia.

2006 - 2006 Woodwork & Metallurgy – Craig Curtis (Credit hours: 96h).

Cummins Area School, SA, Australia 2006 – 2006 Emergency Medical Services First Response - Barbie Diment (Credit Hours: 72h).

South Australian Ambulance Service, SAAS, Cummins, SA, Australia 2006 - 2006 Cultural Exchange Program in Australia. (Credit hours: 7200h).

American Field Service (AFS).

1998 - 2005 English Course (Credit hours: 1280h).

Instituto Brasil Estados Unidos do Ceará, CE, Brasil.

1998 - 1998 “II Child Teledramaturgy Workshop” (Credit hours: 25h).

Rede Globo, RJ, Brasil.

Professional Experience (PRE)FORMA-SE Artistic Productions/ GRUPO (PRE)FORMA-SE Contract 2010 - Current Type of contract: Owner, Functional Placement: Director, partial-time job

Activities 2010 - Current Administrator Artistic Director Producer Body and voice professional

Fundação de Amparo à Pesquisa do Estado de São Paulo, FAPESP, Brasil.

Contract 2012 - 2013 Type of contract: Grantee, Functional Placement: Researcher in Performing Arts, Exclusive Dedication.

Activities 2012 - 2013 Project participation activities, Departamento de Artes Cênicas - ECA – USP. Research Projects "Performance art in public spaces on the basis of minimal gestures or simple actions" 04/2012 - 01/2013 Research and Development, Departamento de Artes Cênicas - ECA - USP. Research Fields Staging and Performance Studies of Contemporary Staging Urban intervention through minimal gesture or simple action

Universidade de São Paulo, USP and CNPq (National Counsel of Technological and Scientific Development), Brasil.

Contract 2012 - 2013 Type of contract: Grantee, Functional Placement: Researcher in Performing Arts, Exclusive Dedication.

Other Information Research Group: Poetics of Staging: modes, processes, practices and learning.

Predominant Area: Arts. Authority: CAC. Unit: ECA. Leader(s): Antônio Carlos de Araújo Silva.

Activities 2012-2013 Project participation activities, Escola de Comunicações e Artes, Departamento de Artes Cênicas - ECA – USP. Research Projects Poetics of Staging: modes, processes, practices and learning.

04/2012 - 01/2013 Research and Development , Escola de Comunicações e Artes, Departamento de Artes Cênicas - ECA - USP. Research Fields Staging and Performance

Studies of Contemporary Staging Staging Practice as Research Formative Processes in Theater Directing

Teatro da Vertigem Contract 2011-2011 Type of contract: Internship for creation and presentation season of “Bom Retiro: 958 meters”, Functional Placement: Actor, crew, partial-time job.

Activities 2011-2011 Actor, historical, social and gastronomic research of Bom Retiro neighborhood, creation of workshops, actor, responsible for props, costumes.

Teat(r)o Oficina Uzyna Uzona Contract 2011-2011 Type of contract: Internship for National Tour of “Dionisíacas”, Functional Placement: Assistant Director, actor, crew, full-time job.

Activities 2011-2011 Assistant Director, actor, responsible for props, costumes and musical instruments.

Companhia da Revista Contract 2009-2009 Type of contract: Salary, Functional Placement: Light operator, partial-time job.

Activities 2009-2009 Light operator

Companhia Livre Contract 2009-2009 Type of contract: Trainee, Functional Placement: Theatrical Directing trainee, partialtime job

Activities 2009-2009 Theatrical Directing trainee Give body and voice exercises

Assistant Directing

Alumiar Cenas e Cirandas Contract 1996-2007 Type of contract: Eventually paid, Functional Placement: Actor, producer, partial-time job.

Activities 1996-2007 Actor Producer

Research Fields 1.

Staging and Performance 2.

Studies of Contemporary Staging 3.

Urban intervention through minimal gesture or simple action 4.

Staging Practice as Research 5.

Formative Processes in Theater Directing

Research Projects 2012 - 2013 Performance art in public spaces on the basis of minimal gestures or simple actions Description: This research project, which is entitled “Performance art in public spaces on the basis of minimal gestures or simple actions�, is primarily qualitative. It aims to investigate the increasing privatization of public spaces. By doing so, it can then raise the possibility of rethinking their construction and maintenance from an artistic perspective, going beyond urbanism issues. The idea is to explore the potential theorypractice relationship between performance, minor gestures or simple actions and public spaces with artists and citizens (bystanders and homeless people living in the streets, monuments and institutions) by developing artistic, performing actions that mingle with daily life in a subtle manner of expression. Unless viewed as an almost imperceptible noise, such actions may carry a potential effect of uneasiness about reality in the intersubjective relationship established between performers and citizens. We intend to carry out interviews with artists, city planners and citizens, to observe the participants and spaces of our interest, and present detailed descriptions and analysis of current practices. How to promote experiences that point to an "exchange value" guided by a social, intersubjective relationship, rather than an economic one, more regularly in public spaces? How can the simple and minimal go across complexity, extravagance and the excess of spectacular urban life in the field of arts? The outcome of this research project,

which adopts a theoretical perspective and falls within the field of performing arts, also tackles some notions from architecture, urbanism and anthropology. This project is to be carried out under the supervision of Dr. Antonio Carlos de Araujo Silva (PhD). He is a member of the permanent staff for the undergraduate and graduate programs of the Department of Performing Arts, in the School of Communications and Arts (ECA) of the University of São Paulo (USP), where he currently teaches theatre directing, performative practices.

Situation: Concluded; Nature: Research.

Participant Students: Graduation (1).

Participants: Lucas Freitas Peixoto Paz – Participant / Antonio Carlos de Araújo Silva Participant.

Sponsor(es): Fundação de Amparo à Pesquisa do Estado de São Paulo - Scholarship.

S, T & A Production Rate: 8 2012 - 2013 Poetics of Staging: modes, processes, practices and learning.

Description: Research Group. Predominant Area: Arts. Authority: CAC. Unit: ECA. Leader(s): Antônio Carlos de Araújo Silva. Adress: Professor Lúcio Martins Rodrigues Av., 443. Neighbourhood: Cidade Universitária. Zip code: 05508-020 City: Sao Paulo UF: SP. Tel: 3091-4127. Fax: 3091-4345 Email: aaraujo@usp.br. Repercussions of the work group: This research group aims to study the thought processes and works of contemporary directors, both in Brazil and abroad, also investigating the devices, routes and evidence relating to creation processes within the staging. The dialogue and the tensions between scripture and scripture dramaturgical scenic, the notion of intertextuality, the actor-director relationship in the creation and realization of the scene, the use and research of the scenic area, the research boundaries and hybridity with other artistic and network collaborations involving the practice of theater director are some of the objects of study group. More specifically still studying the relationship between staging and performance as well as the concepts and dynamics relating to collaborative director and scenario-in-process. Additionally, performs the analysis of programs and experiments concerning the teaching / learning of theater direction, both in the university and in technical courses, and free training workshops linked to theaters.

The group aims to promote debate, academic seminars, meetings with artists and researchers, as well as foster the creation of a laboratory to carry out practical experiments staging and pedagogy of theater directing. Human Resources: Researchers: Antônio Carlos de Araújo Silva, Cibele Forjaz Simões. Students: Francis Wilker de Carvalho, Ivan Artur Miranda de Andrade, Lucas Freitas Peixoto Paz, Maurício de Souza Augusto Perussi, Nathália Bonilha Borzilo, Otavio Oscar.

Situation: Concluded; Nature: Research.

Participant Students: Graduation (6) / Specialization (1).

Participants: Antonio Carlos de Araújo Silva - Co-ordinator / Cibele Forjaz Simões Participant.

Areas of expertise 1.

Major Area: Linguistics, Letters and Arts / Area: Arts / Subarea: Theatre / Specialty: Performing Arts Directing.

2.

Major Area: Linguistics, Letters and Arts / Area: Arts / Subarea: Theatre / Specialty: Performance art, live art, and Urban Artistic Intervention.

3.

Major Area: Linguistics, Letters and Arts / Area: Arts / Subarea: Theatre / Specialty: Performing Arts Acting 4.

Major Area: Linguistics, Letters and Arts / Area: Arts / Subarea: Theatre / Specialty: Light Design and Operating

Languages English Comprehends Well, Speaks Well, Reads Well, Writes Well.

Spanish Comprehends Well, Speaks Reasonably, Reads Well, Writes Well.

Portuguese Comprehends Well, Speaks Well, Reads Well, Writes Well.

Scientific, Technological, Production

Artistic

and

Cultural

Bibliographical Production

Presentations of Work 1.

PAZ, Lucas F. P. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012.12o CONIC (Presentation/National Congress of Scientific Initiation). http://youtu.be/Pb4xePfxuIU

2.

PAZ, Lucas F. P. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012. 20o SIICUSP (Presentation/International Symposium of Scientific Initiation-USP). http://youtu.be/eY8G3iP2dzU

Other Kinds of Bibliographical Production 1.

PAZ, L. F. P. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012 (Final Scientific Report in attendance to FAPESP Scholarship Research Project).

 http://issuu.com/lucaspaz/docs/a_performance_em_espa_os_p_blicos_a_partir_do_m_ni Technical Production

Interviews, discussions, programs and media reviews 1.

PAZ, L. F. P. ; FERRACINI, R. Interview with artist Renato Ferracini granted to research project 'The performance art in public spaces on the basis of minimal gestures or simple actions'. 2012. (Radio or TV Program/Interview). http://youtu.be/TEOOuN0oYx0

2.

PAZ, L. F. P. ; ESTEVES, C. Z. Interview with artist Cristiane Esteves granted to research project 'The performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (Radio or TV Program/Interview). http://youtu.be/GNoWEObAEaw

3.

PAZ, L. F. P. ; LEﾃグ, A. L. Interview with artist Ana Luiza Leﾃ｣o granted to research project 'The performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (Radio or TV Program/Interview).

4.

PAZ, L. F. P. ; BASTOS, M. H. A. Interview with artist Helena Bastos granted to research project 'The performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (Radio or TV Program/Interview).

5.

PAZ, L. F. P. Interview with researcher and director of the play 'MoAciR: Children of Pain' Lucas Paz granted to Laboratory Communications Agency (LAC-ECA-USP). 2012.

(Radio or TV Program/Interview). http://youtu.be/0Z2zu1mnzho

Social Networks, websites and blogs 1.

PAZ, L. F. P. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012; http://www.facebook.com/preformase. Theme: urban artistic interventions in public space. (Social Network).

Other Kinds of Technical Production 1.

PAZ, L. F. P. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (461 pages Research Report).

Artistic/Cultural Production

Performing Arts 1. PAZ, L. F. P. Hug. 2013. Performative.

2. PAZ, L. F. P. Abraﾃｧaﾃｧo. 2013. Performative.

3. PAZ, L. F. P. Salt of Earth: Fortaleza+ 94. 2013. Performative.

4. PAZ, L. F. P. Inrooted. 2013. Performative.

5. PAZ, L. F. P. Decomposition. 2013. Performative.

6. PAZ, L. F. P. Children of Pain. 2013. Performative.

7. PAZ, L. F. P. MOACIR: Children of Pain. 2012. Performative.

8. PAZ, L. F. P. Come and Go - By Inalienable Right to Stop. 2012. Performative.

9. PAZ, L. F. P. Deafening Silence - Horn Up Spending / To Spend The Horn.

2012. Performative.

10. PAZ, L. F. P. Red Carpet – Patrimony of a few. 2012. Performative.

11. PAZ, L. F. P. Bom Retiro: 958 meters. 2012. Theatrical.

12. PAZ, L. F. P. Minute-Recipe for a Happy Hour: Time in Space. 2012.

Audiovisual.

13. PAZ, L. F. P. The Revolution of the Obvious. 2011. Theatrical.

14. PAZ, L. F. P. The Last Mango of the World. 2011. Theatrical.

15. PAZ, L. F. P. Play-Molotov. 2011. Theatrical.

16. PAZ, L. F. P. ENTRAVE(SS)IA. 2011. Theatrical.

17. PAZ, L. F. P. Necessity X Superfluous: GALLEGORY supercity, noflow. 2011.

Performative.

18. PAZ, L. F. P. Decomposition. 2011. Performative.

19. PAZ, L. F. P. Entangled en Eldorado. 2011. Performative.

20. PAZ, L. F. P. Troop Hot_ Pink. 2011. Performative.

21. PAZ, L. F. P. Minute-Recipe for a Happy Hour: Time in Space. 2011.

Audiovisual.

22. PAZ, L. F. P. Dionisíacas. 2011.Theatrical 23. PAZ, L. F. P. 1st ACT:. 2010. Theatrical.

24. PAZ, L. F. P. Teresa Wheel, Giant Rain. 2010. Theatrical.

25. PAZ, L. F. P. Until the end for what?. 2010. Choreographic.

26. PAZ, L. F. P. Hamlet-Machine. 2010. Theatrical.

27. PAZ, L. F. P. Necessity X Superfluous: supercity, noflow. 2010. Performative.

28. PAZ, L. F. P. Minute-Recipe for a Happy Hour: Time in Space. 2010.

Audiovisual.

29. PAZ, L. F. P. Physical Poetry: Happy Hour. 2010. Performative.

30. PAZ, L. F. P. T.E.M.. P.. ∞. Installation to kill time. 2010. Performative.

31. PAZ, L. F. P. Captain Walter Arnold. 2010. Performative.

32. PAZ, L. F. P. City-Tingling. 2010. Performative.

33. PAZ, L. F. P. The Pigmented with Ilotopie French Group. 2010. Performative.

34. PAZ, L. F. P. Dramatic Reading of Odyssey. 2009. Theatrical.

35. PAZ, L. F. P. Dramatic reading of Alice in Wonderland and Through the Looking Glass and What Alice Found There. 2009. Theatrical.

36. PAZ, L. F. P. The Altarpiece of the Wonders. 2009. Theatrical.

37. PAZ, L. F. P. The dissident, no doubt. 2009. Theatrical.

38. PAZ, L. F. P. Kidnapped by Lightning. 2009. Theatrical.

39. PAZ, L. F. P. De vita Sua. 2009.Theatrical 40. PAZ, L. F. P. Project Play Gradually. 2009. Theatrical.

41. PAZ, L. F. P. A Man is a Man. 2009. Theatrical.

42. PAZ, L. F. P. The Altarpiece of the Wonders. 2008. Theatrical.

43. PAZ, L. F. P. Evoé I – The Wedding Dress / Play. 2007. Theatrical.

44. PAZ, L. F. P. Evoé II - Anti-Nelson Rodrigues / Creed. 2007. Theatrical.

45. PAZ, L. F. P. Evoé III - Reisado / The Divine Comedy of Dante and Moacir.

2007. Theatrical.

46. PAZ, L. F. P. Project “It’s Time to Listen Stories”: The doll and the kite / Happiness is blue / Wanted Friend. 2007. Theatrical.

47. PAZ, L. F. P. The Little Prince. 2007. Theatrical.

48. PAZ, L. F. P. Disney Aladdin Musical. 2006. Theatrical.

49. PAZ, L. F. P. The Little Prince. 2005. Theatrical.

50. PAZ, L. F. P. Project “It’s Time to Listen Stories”: The doll and the kite / Happiness is blue / Wanted Friend. 2005. Theatrical.

51. PAZ, L. F. P. That Crazy Old Lady. 2005. Theatrical.

52. PAZ, L. F. P. Project “It’s Time to Listen Stories”: The doll and the kite / Happiness is blue / Wanted Friend. 2004. Theatrical.

53. PAZ, L. F. P. The Workers in Construction. 2003. Theatrical.

54. PAZ, L. F. P. The Last Wagon. 2002. Theatrical.

55. PAZ, L. F. P. The Last Wagon. 2001. Theatrical.

56. PAZ, L. F. P. The Stumbling upon Brazil. 2000. Theatrical.

57. PAZ, L. F. P. A Hollow Tree’s Boy. 2000. Theatrical.

58. PAZ, L. F. P. I saw the Emperor's Toys. 1999. Theatrical.

59. PAZ, L. F. P. Children of the Sun 1998. Theatrical.

60. PAZ, L. F. P. It's Time to Listen Stories. 1998. Theatrical.

61. PAZ, L. F. P. Once upon a time: the Fantasy. 1997. Theatrical.

62. PAZ, L. F. P. Street of the Roses, Street of the Children. 1997. Theatrical.

63. PAZ, L. F. P. It's Time to Listen Stories. 1996. Theatrical.

64. PAZ, L. F. P. Snow White and the Seven Dwarfs. 1996. Theatrical.

65. PAZ, L. F. P. Canudos Uprising. 1996. Theatrical.

Events Participation in events, conferences, exhibitions and fairs 1. Workshop acting for camera, auditioning with Marcus Folmar. In 2014 (Participation In Events/ Workshops).

2. Seminar with Casting Events/Seminary).

Director

Jakki

Fink.

In

2014

(Participation

in

3. Workshop Body Mapping with Nathalie Fari (Germany). In 2013 (Participation In Events/ Workshops).

4. Performance X Performativity - Milena Kipfmüller (Germany), Nathalie Fari (Germany), Paula Hildebrant (Germany), Pablo Assumpção, Solon Ribeiro, Walmeri Ribeiro. In 2013 (Participation in Events/Open Debate).

5. Public Space X Public Life - Enrico Rocha. In 2013 (Participation in

Events/Seminary).

6. 3o Masterclass Music Laboratory - An overview on writing a disc: from concept to completion - Alexandre Kassin. In 2013 (Participation in Events/Seminary).

7. 3o Masterclass Audiovisual TV Laboratory – Authoring and execution of TV series: ”Real Humans” – Lars Lundström (Sweden). In 2013 (Participation in Events/Seminary).

8. 2o Masterclass Audiovisual TV Laboratory – “Carlos” – François Sauvagnargues (France). In 2013 (Participation in Events/Seminary).

9. Project Irradiate: Dramaturgical foundations, Audiovisual dramaturgy, Formats for TV, Multimedia creation, Electronic games – Orlando Senna, Claudio Nigro, Thiago Falcão, Luiz Adolfo. In 2013 (Participation in Events/Courses).

10. From Screenplay to Film: everything that must be done before the Action – Michelline Helena. In 2013 (Participation in events/Workshops).

11. The sound in Cinema events/Workshops).

-

Breno

Furtado.

In

2013

(Participation

in

12. Poetics in documentary films with Hugo Pierot. 2013. (Participation In Events/Workshops).

13. Dance Contact and Events/Workshops).

Singing

with

Elixir

Tafari.2013.

(Participation

In

14. Looking for the "Dance Between" with Minako Seki. 2013. (Participation In Events/ Workshops).

15. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (Participation In Events/ Congresses).

16. Performance art in public spaces on the basis of minimal gestures or simple actions. 2012. (Participation In Events/ Symposium).

17. "Brazilian Performers" by Lúcio Agra. 2011. (Participation In Events/ Seminary).

18. "Expeditions, video-creatures, carinhódromos" by Otávio Donasci. 2011.

(Participation In Events/ Seminary).

19. Exhibition of works and Performance Jam Session with Amelia Winger-Bearskin.

2011. (Participation In Events/ Workshops).

20. "Scenic Presence for musicians and actors" with Jan Ferslev, Odin Teatret.

2011. (Participation In Events/ Workshops).

21. "The musical body in theater" with Jean-Jacques Lemêtre, Théâtre du Soleil.

2011. (Participation In Events/ Workshops).

22. Technical demonstration on the use of text in theater with Julia Varley and Conference with Eugenio Barba, Odin Teatret. 2010. (Participation In Events/ Seminary).

23. "Demonstration on working with personal masks and Clown" with Naomi Silman.

2010. (Participation In Events/ Meetings).

24. V Scientific Meeting of the Brazilian Association for Research and Graduate Studies in Performing Arts - ABRACE. 2009. (Participation In Events/ Congresses).

25. "The treatment of the text by contemporary actors" with Jean-Pierre Ryngaert.

2009. (Participation In Events/ Seminary).

26. "The laughter of Ulysses: catharsis on Comedy" with Cleise Furtado. 2009.

(Participation In Events/ Seminary).

27. "What remains of the performance art?" with Josette Féral. 2009. (Participation In Events/ Seminary).

28. "Theoretical research and creative processes in the contemporary scene" with Hans-Thies Lehmann. 2009. (Participation In Events/ Seminary).

29. "Research in Performing Arts?" with Óscar Cornago. 2009. (Participation In Events/ Seminary).

30. "The matter of dreams" with Ramón B. Ivars. 2009. (Participation In Events/ Workshops).

31. "The image approach from Meyerhold's theater to post-dramatic theater" with Béatrice Picon-Vallin. 2008. (Participation In Events/ Seminary).

32. “Letter to future generations" with Jorge Larrosa Bondia. 2008. (Participation In Events/ Seminary).

33. “The theater is the other" with Maurice Durozier, Théâtre du Soleil. 2008.

(Participation In Events/ Workshops).

34. "Masks and Social Masking" with Sartori. 2008. (Participation In Events/ Meetings).

Críticas ao Espetáculo “A Última Manga do Mundo” Ruminando a “deglutinação” de Morangos Mofados Eu, como a boa vaca que sou, rumino; e rumino aos poucos devido ao meu tamanho. Mastiguei a peça pela primeira vez, voltei, li o conto e ruminei vendo a peça de novo. Em cada um dos meus quatro estômagos deu para absorver diferentes nutrientes que não se misturaram completamente acompanhando a não linearidade da peça.

O primeiro estômago (o maior) tentou digerir o nome da peça “A última manga do mundo” juntando com a cena em que é citado. Uma cena que simula um ritual tribal que para mim se relaciona com pulsões, com inconsciente, com desejos e impulsos fortes, selvagens, desejos esses que são sufocados pela vida cotidiana e sufocados pelo próprio desejo de se manter sempre “desejando”, sempre na intensidade, sempre no limite, e, que trazem como consequência o desespero de não conseguir se manter nesse estado de euforia. Da manga suculenta ao gosto de morangos mofados.

O segundo estômago, assim como Alice com os morangos tirados do ralo, tentou regurgitar a cena do banho, cena que destoa do resto da peça, trazendo um relaxamento depois de tanta intensidade. Neste momento Alice encontra alguma “lucidez” que de certa forma lhe traz paz, buscando bem lá no fundo do ralo e dela mesma uma sensação boa, mas que não consegue ser mantida por muito tempo lá dentro, assim como os morangos frescos. Coitada, não é uma boa vaca, não sabe ruminar...

O terceiro estômago tentou dissolver a cena do doidinho entrando com o carrinho de supermercado depois de uma tentativa mal sucedida de striptease que talvez possa ser uma referência a mercantilização das relações eróticas: não basta transar, tem que transar bem, tem que transar muito, tem que ter apetrechos, acessórios, notas de desempenho, quantidade de posições. Acumular experiências sexuais da mesma forma que se acumula produtos de supermercado.

Meu quarto e último estômago se centrou na cena dos banheiros.

Em que relacionei com o isolamento dos indivíduos, cada um em seu pequeno espaço, com uma diferente iluminação: um envolto de plástico bolha chafurdando na pasta de dente e a outra cantando com o seu ventilador.

Poderia tentar digerir aquela figura esquisita cheia de braços que fazia ressoar nomes de teóricos da psicologia, e que personagens repetiam na tentativa de talvez achar uma explicação para o turbilhão de sensações que os toma... mas nessa hora já tinham acabado os meus estômagos... no fim das contas não dava para me exigir mais, poxa, sou só uma vaca...

Maíra Gebara. São Paulo, SP. 14 de junho de 2011