Sat. Apr. 23, 2022
2021-2022 SEASON
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Special thanks to The City of Lubbock, as recommended by Civic Lubbock, Inc., the Helen Jones Foundation, Inc., and The CH Foundation for their support of The Lubbock Chorale. 4
A LETTER FROM THE MUSIC DIRECTOR Dear Friends of the Lubbock Symphony, Thank you for joining us this evening to conclude the 2021-2022 Masterworks Series. Our Janeen Holmes Gilliam Endowed English horn Chair, Susetta Rockett, will render a poignant performance of Sibelius’ “Swan of Tuonela.” May tonight’s Bruckner Symphony No. 8 be a mighty introduction to next season’s theme, “Symphonic Scenes.” Bruckner was considered by many as the grandfather of film music. It is fitting that we wrap our final masterworks concert with “Bruckner’s Towering 8th”; in preparation for our 2022-2023 season. With its vast and perfect architecture of the work, we dedicate the masterpiece to everyone who helped realize the architecturally and acoustically perfect Buddy Holly Hall of Arts and Sciences. We are truly grateful for your presence and your everlasting love and support for the Lubbock Symphony. Most sincerely,
David Cho Music Director
2021-2022 SEASON
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Lubbock Symphony Orchestra
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A LETTER FROM THE CEO Dear Patrons, It has been a phenomenal 75th season for the Lubbock Symphony, full of music and memories, and we are absolutely thrilled that we got to spend it with all of you. We thank you for joining us tonight for “Bruckner’s Towering 8th“ as Maestro David Cho leads the Lubbock Symphony through Sibelius’ “Swan of Tuonela” and Bruckner’s Symphony No. 8. Tonight’s program also features our very own Susetta Rockett as the featured artist playing the English horn. Join us Saturday, April 30, for our Spring Pops concert “Boyz II Men with the Lubbock Symphony” and again on May 5 & 6 for our rescheduled “Mosaic” concert at the First United Methodist Church, at 1411 Broadway. Thank you all for your continued support of the Lubbock Symphony and for joining us for this milestone season. Be sure to renew or purchase your season tickets for our 2022-2023 season titled “Symphonic Scenes.” It is sure to be thrilling! Sincerely,
President and CEO Lubbock Symphony Orchestra
2021-2022 SEASON
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SUSETTA ROCKETT Susetta Rockett holds the Janeen Holmes Gilliam English horn Chair with the Lubbock Symphony Orchestra. She is currently oboe faculty at Abilene Christian, HardinSimmons, and McMurry Universities in Abilene, TX. Mrs. Rockett performs frequently throughout Texas and the United States; most recently as acting principal oboe with the Abilene Philharmonic and the Leland Musical Arts Celebration Concert Series in Leland, MI. While in New England, she performed with the New England Philharmonic, the Gardner Chamber Orchestra, and has performed concerts at Carnegie Hall’s Weill Recital Hall, and Boston’s Symphony Hall. As a sought-after teacher, she has been invited to perform and give masterclasses at the University of Texas at Arlington, Texas Tech University, Lynn Conservatory, Stephen F. Austin University, San Angelo State University, Central Michigan University, and has been a Premiere Instructor for Bocal Majority summer double reed camps for several years. A founding member of the Lone Star Wind Orchestra in Dallas, TX, Mrs. Rockett is featured on two albums released by Naxos Records. She maintains a busy private teaching studio, reed making company, and is the Orchestra Personnel and Education Manager for the Abilene Philharmonic. She is the director of the Heavenly Rest Chamber Music Concert Series at the Episcopal Church of the Heavenly Rest and performs frequently with her chamber ensemble the Key City Winds. Mrs. Rockett received her degrees in Music Education and Performance from Texas Tech University, and a Master’s in Oboe Performance with distinction from the Longy School of Music in Cambridge, MA. Her principal teachers include Wayne Rapier and Amy Anderson, and she has worked with Mark Ackerman, Erin Hannigan, David Matthews, and Steven Lickman. Mrs. Rockett resides in Abilene, TX with her husband and two daughters and considers Lubbock her second home.
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DAVID IN-JAE CHO Winner, 2007 Eduardo Mata International Conducting Competition Born in Seoul, Korea, David immigrated to the United States in 1985. David received a variety of music lessons during his childhood in Palos Verdes, California, before focusing his energy exclusively on the piano. He later attended Oberlin College and Conservatory, where he received his Bachelor of Music in piano performance. In 1996, David won the E. Nakamichi Concerto Competition at the Aspen Music Festival and was awarded the Arthur Dann Prize at the Oberlin Conservatory. In 1999, while acquiring his Master of Music in piano performance at the Peabody Institute at Johns Hopkins University, David was invited by Robert Spano and Seiji Ozawa to attend the prestigious Tanglewood Music Center as a Merrill Lynch Conducting Fellow. David was then invited by Larry Rachleff to study at Rice University, where he served as guest conductor for the Shepherd School Orchestras while acquiring his Master of Music in instrumental conducting. David was subsequently invited by the Vienna Philharmonic to serve as an assistant conductor. As the recipient of the Karajan Fellowship, David has enjoyed residencies at the annual Salzburg Festival in Austria. In 2003, David was invited by Leonard Slatkin to participate in the National Conducting Institute, during which time he made his début with the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts. During the 2003-2004 season, David was selected to spend a year as the conducting fellow of the new world symphony under the mentorship of Michael Tilson Thomas. While on tour with the New World Symphony in New York City, David made his Carnegie Hall début conducting works by Copland and Tchaikovsky. During the orchestra’s Rome tour, David made his début at the Academy of Santa Cecilia, conducting works by Luciano Berio and John Adams. David was then invited by his mentor, Larry Rachleff, to serve as the resident conductor of the San Antonio Symphony Orchestra from 2004-2006. During the 2006-2007 season, David held the Bruno Walter resident conductor chair with the ensemble. During his tenure as the associate conductor of Utah Symphony | Utah Opera (2006-2011), David won first prize at the Eduardo Mata International Conducting Competition in Mexico City, which resulted in numerous conducting engagements in Europe, Asia, and South America. He has conducted the symphonies of Seattle, Houston, Austin, Memphis, Fort Wayne, Baton Rouge, and Shreveport. He has collaborated with such guests artist as Yo-Yo Ma, Renée Fleming, Joshua Bell, Frederica von Stade, Sarah Chang, Daniel Müller-Schott, Jennifer Koh, Leila Josefowicz, Jennifer Frautschi and Alexander Kobrin. During previous summers, David made appearances at the Aspen Music Festival and the Grand Teton Music Festival. After heralded guest appearances with the Lubbock Symphony Orchestra in 2007 and 2009, David was appointed as the orchestra’s seventh music director in 2011. He began his tenure with the LSO in the 2012-2013 season and is now actively involved in community engagements. 2021-2022 SEASON
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ON COMMAND Have you downloaded our new app created specifically
for our classical music connoisseurs? KTTZ’s classical music programming is now offered 24 hours a day!
You can also receive our stream through your browser at radio.kttz.org, on HD receivers, and on your smart
devices. This means that you can receive local classical programming by voice command! You can also, of course, still listen to classical programming through
our primary channel, 89.1, overnight and on weekends. Give it a try! Ask your smartphone to play KTTZ HD2 today! Visit kttz.org for more information.
2021-2022 SEASON
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2021-2022 SEASON
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LUBBOCK SYMPHONY ORCHESTRA Conductor David Cho
The CH Foundation Endowed Conductor Podium
VIOLIN I
Annie Chalex Boyle, Concertmaster
Jones-Saathoff Family Endowed Chair
Linda Lin Associate Concertmaster Diekemper Family Foundation Endowed Chair
Isaias Ferreira Rodrigo Cardona Brian Roach Judy Woody Francisco Villarroel Lynn Ledbetter Nilschmid Jimenez
VIOLIN II
Lauren Pokorzynski, Principal
Justice Phil and Carla Johnson Endowed Chair
Saikat Karmakar Assistant Principal Kea Beasley Martha Perez James Ellis Shirley Wigley Brennan Lowrey Cassidy Forehand Carroll Jane Goodyear Shawn Earthman
VIOLA
Kimberly Sparr, Principal
Mary M. Epps and Ralph E. Wallingford Endowed Chair
Sharon Mirll Israel Mello Gwendolyn Matias-Ryan Sera Jung Bruno Silva Laurie Willams
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CELLO
Michael Newton, Principal
Mary Francis Carter Endowed Chair
Danny Mar Alejos Anaya Laura Jensen Madeline Garcia Neemias Santos Daria Miskiewicz Anna Bartley
DOUBLE BASS Mark Morton, Principal
Eugene and Covar Dabezies Endowed Chair
Boyce Wyrick Hannah Macgillivray Stuart Anderson Christopher Arcy Nodier Garcia
Flute
Kim Hudson, Principal
Crew of Columbia, STS-107 Endowed Chair
Eric Leise Spencer Hartman
OBOE
Amy Anderson, Principal
Lubbock Symphony Guild Endowed Chair
Alex Hyde Jordan Hastings
ENGLISH HORN Susetta Rockett,
Janeen Holmes Gilliam Endowed Chair
Clarinet
David Shea, Principal Anoushka Divekar Mia Zamora
BASS Clarinet Mia Zamora
BASSOON
Vince Ocampo, Principal
Nancy & Tom Neal Endowed Chair
Adam Drake Ian Resurreccion
Horn
Scott Millichamp, Principal
Anthony and Helen Brittin Endowed Chair
David Lewis James Berry Vivian Yu-hsuan Chang Sonja Millichamp Esteban Garcia Neil Barrozo Michelle Shaheen Nicholas Bawcom
Trombone
Jim Decker, Principal Bruce Keeling
bass Trombone Darin Cash
Tuba
Kevin Wass, Principal
Diekemper Family Foundation Endowed Chair
TIMPANI
Lisa Rogers, Principal
Lubbock Symphony Guild Endowed Chair
percussion Jon Ortiz Principal
Lisa Rogers/Alan Shinn Endowed Chair
wagner tuba
Esteban Garcia Neil Barrozo Michelle Shaheen Nicholas Bawcom
TRUMPET
Will Strieder, Principal
Michael Mixtacki
Harp
Jennifer Miller, Principal
Rachel Jean Armstrong Thomas Endowed Chair
Cassandra Hussey Luke Rodriguez
Stacey and Robert Kollman Family Endowed Chair
Gary Hudson Joe Vandiver
2021-2022 SEASON
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Buddy Holly Hall is Finally Here...
It has been said that "Architecture is Frozen Music" So from the Musicians at MWM to the Designers in the LSO:
Maestro, Music if You Please...
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PROGRAM
David Cho | Music Director
The CH Foundation Endowed Conductor Podium
Susetta Rockett | English horn
Janeen Holmes Gilliam Endowed Chair
Jean Sibelius (1865-1957)
Susetta Rockett, English horn
"Swan of Tuonela"
Video presentation
Musicians of the LSO
INTERMISSION Anton Bruckner (1824-1896)
2021-2022 SEASON
Symphony No. 8 in C minor, WAB 108 i. Allegro moderato ii. Scherzo: Allegro moderato — Trio: Langsam iii. Adagio: Feierlich langsam, doch nicht schleppend iv. Finale: Feierlich, nicht schnell
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The Lubbock Symphony Guild has contributed more than $500,000+
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2021-2022 SEASON
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PROGRAM NOTES Jean Sibelius: The Swan of Tuonela from Four Legends from the Kalevala, Op. 22 As Jean Sibelius came to maturity as man and musician, his country lived under the growing threat of absorption into the Russian Empire. Finland had been a Grand Duchy of Russia since 1809, but it enjoyed a great degree of autonomous freedom, with its own parliament and court system. Starting during the reign of Czar Alexander III and continuing with Nicolas II, Russia began to limit the rights of Finns, curtailing the authority of parliament, mandating military service, and eventually dissolving the Finnish army. Rather than taking up arms, the Finns fought back with their culture against the encroachment on their rights from the Russian Bear. Like Verdi in Italy during the rise of the risorgimenti, Sibelius and his music served as the spearhead of Finnish resistance. Premiering less than two months after the Czarist decree dissolving the Finnish parliament, Sibelius’ tone poem Finlandia served as the rallying cry for the Finnish patriotism. Yet Sibelius was not a political composer, but one steeped in the history and folklore of his native land. His great dramatic symphony Kullervo, and works like the Four Legends from the Kalevala, Pohjola’s Daughter, En Saga, and Luonnotar gave musical voice to the mythical past and to the national pride of the Finns in a way that no political statement could possibly match. Yet beyond any political or social considerations, Sibelius distilled the late-Romantic style into his own musical language that would become more organic, more concentrated, and more concise throughout his compositional career. The Swan of Tuonela began life as the prelude to The Building of the Boat, a grand opera that Sibelius intended to rival the scale and scope of Wagnerian music dramas. Sibelius soured on Wagner’s compositional methods soon thereafter, and The Swan of Tuonela was published with three other short symphonic poems as the suite Four Legends from the Kalevala, Op. 22. Each of the four works depicts an adventure from the life of the mythic Finnish hero Lemminkäinen, the central figure of the Kalevala, the national epic of Finland. Sibelius inscribed the following words on the score: “Tuonela, the land of death, the hell of Finnish mythology, is surrounded by a large river of black waters and a rapid current, in which The Swan of Tuonela glides majestically, singing.“ Sibelius scores the work for solo English horn, oboe, bass clarinet, two bassoons, four horns, three trombones, timpani, bass drum, harp and muted strings – an ensemble of dark orchestral colors suitable for depicting the desolation of Tuonela. The English horn is the voice of the swan, singing her dark lament over a lush string texture, divided into as many as thirteen separate parts. While a brief shaft of sunlight pierces the gloom (harp arpeggios over a rich string chord in C major), the horrors of Tuonela soon return, and the swan swims off into the fog, her final utterance heard over ominous timpani strokes and the eerie sonority of tremolo col legno strings (playing with the wood of the bow).
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Anton Bruckner: Symphony No. 8 in C minor Anton Bruckner’s personality seemed to be composed of equal parts naiveté and sophistication. On the one hand, he composed monumental symphonies of staggering power and emotional depth, he was considered one of the greatest organists of his time, and he was revered as a masterful teacher of organ, music theory and counterpoint. Yet Bruckner was largely an outsider in the Viennese society of his time, privately ridiculed for his provincial manners, plain and often threadbare clothing, and his unfashionably close-cropped haircut and brush mustache. At best socially awkward, Bruckner once gave conductor Hans Richter (one of the greatest conductors of his time) a small coin as a tip after a rehearsal of his Fourth Symphony and told Richter to stop in at a bar on the way home and drink to his health. Richter was kind enough to graciously accept the coin and kept it on his watch chain as a souvenir for the rest of his life. Vienna at the end of the nineteenth century was also a flashpoint for the ongoing debate between conservative musicians who rallied behind the music of Brahms, and the more avant-garde loyalists to the music of Richard Wagner. While Bruckner’s earlier music derives from the style of Schubert, Schumann, and Mendelssohn, as he matured he was drawn into the Wagnerian circle. His support of Wagner earned him the wrath of the more reactionary voices in Vienna, most notably the extremely influential music critic of the Neue Freie Presse, Eduard Hanslick, who never hesitated to heap critical ridicule and scorn upon the latest score from Bruckner’s pen. As a result, success as a composer came very slowly to Bruckner, though he seemed perfectly content with his post as an organist at the St. Florian monastery near Linz, and later as a professor of counterpoint and organ at the Vienna Conservatory. He began to take a more serious approach to composition at the age of 37, immersing himself in studies of harmony and counterpoint, finally achieving success with the first performance of his D minor Mass in 1864. Success as a symphonist was even later in coming. Of his nine numbered symphonies (two shelved early works were later numbered “0” and “00”), it was only the first performance of the Seventh Symphony in 1884, performed by the Leipzig Gewandhaus Orchestra conducted by the legendary Arthur Nikisch, where Bruckner could bask in sincere universal acclamation from the audience. The Leipzig success was repeated a few months later in Munich, where one of Bruckner’s ardent supporters, Hermann Levi, directed the performance, again to rapturous applause. In a lifetime full of disappointments as a composer, these first performances of the Seventh fired Bruckner’s imagination, and he was determined to harness this positive energy to his creative advantage. He began sketching the Eighth Symphony almost immediately, working with great intensity and concentration. When finished in August of 1887, it was Bruckner’s longest symphonic work, rivaled only by the Fifth Symphony. In his burst of creative enthusiasm, he sent the score to Hermann Levi in September 1887 with a brief note: 2021-2022 SEASON
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At long last the Eighth is finished, and my artistic father must be the first to know about it…May it find grace! Sadly, this monumental symphony did not find grace with the conductor. Levi freely admitted to friends of the composer that he could make neither head nor tail of the new work, even suggesting that the symphony needed some sort of intervention in order to be suitable for performance, and that if that were not possible, the work should be discarded. Levi’s rejection of the Eighth devastated Bruckner, sending him into a long depression. This provoked him not only to re-examine the Eighth, but to thoroughly scrutinize and overhaul his first five symphonies over a four-year period between 1887 and 1891. Throughout his career, the self-effacing Bruckner tended to value other’s opinions ahead of his own, leading to several of his works existing in multiple versions, often wildly different from each other, encompassing changes in structure, harmony and instrumentation. For the most part, Bruckner’s friends and students made well-meaning suggestions that were often an attempt to make his works conform to more conventional parameters. In the case of the Eighth, it exists in four different versions, from the original through the edition by Leopold Novak from 1955. When the Eighth was finally given its first performance on December 18, 1892 in Vienna, with Hans Richter conducting the Vienna Philharmonic, it was given in a revised version from 1890 with changes largely suggested by Bruckner’s pupil Joseph Schalk. As with the premiere of the Seventh, the first performance of the Eighth was a complete triumph for the composer. Composer Hugo Wolf, one of Bruckner’s most fervent supporters, was in attendance and later wrote to composer Emil Kauffmann about the successful premiere: The Symphony is the creation of a Titan, and in sheer vastness, fertility and grandeur even surpasses his other symphonies. Notwithstanding the usual Cassandra prophecies of woe, even from those in the know, its success was almost without precedent. It was an absolute victory of light over darkness, and the storm of delighted applause was like some elemental manifestation of nature. In short, even a Roman Emperor could not have wished for a more superb triumph. Even one of Bruckner’s most vituperative critics, Eduard Hanslick, delivered a compliment (albeit backhanded) on the composer’s stunning accomplishment: A stormy ovation, waving of handkerchiefs from the standees, innumerable recalls, laurel wreaths. For Bruckner, the concert was certainly a triumph. Whether Richter performed a similar favor for his audience is doubtful. The program seems to have been presented only for the sake of a noisy minority. The Eighth, like many Bruckner symphonies, bears some of the hallmarks of Beethoven’s Ninth, both in its melodic content and its structure. The first movement opens mysteriously, tremolo strings creating a hushed atmosphere against which the lower strings intone the first theme of the work. The overall pattern is that of a Classical sonata-allegro, but with the development permitted a very free form and fused with the recapitulation, much in the manner that the first movement of Beethoven’s “Eroica” 2021-2022 SEASON
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features developmental passages in its coda. At the end, the movement rises to an impassioned climax, but the music uncharacteristically fades to a pianissimo ending. As in Beethoven’s Ninth, the scherzo of the Eighth is placed as the second movement instead of the more traditional third. It is a heavy-footed dance, with its single melodic idea repeated relentlessly throughout the orchestra over a cushion of nervous tremolo strings. The contrasting Trio section, slower and more graceful than the surrounding scherzo, is the only instance of a harp in Bruckner’s symphonies. This momentary respite is dispelled by the return of the scherzo, which pounds to its ferocious conclusion. The Adagio’s sublime textures create a sound world where time seems suspended and we are left to contemplate timeless beauty. Again taking Beethoven’s Ninth as a model, Bruckner contrasts two thematic groups, which are presented in varied forms at each appearance. The movement’s climax is akin to climbing a mountain. The music gradually builds and then recedes but eventually builds with greater intensity until the peroration is achieved. The finale is filled with a wealth of melodic material, organized into three different groups, but the aural experience for the listener is largely an infinitely varied presentation of these contrasting materials. The close of the symphony is a triumphant summation of the whole work, with themes from all four movements appearing before the symphony ends in a blaze of triumphant brass.
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The Lubbock Symphony Orchestra w o u l d l i ke t o e x p r e s s g r a t i t u d e t o
and
2021-2022 SEASON
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ACKNOWLEDGMENTS
ANNUAL FUND
The Lubbock Symphony Orchestra appreciates the generosity of the following individuals who have given to the Annual Fund between September 29, 2020 and March 29, 2022.
MAESTRO’S Gold CIRCLE
($15,000+) Harold and Deena Evensky Hill & Ioppolo Oral & Dental Implant Surgery of Lubbock Neil and Sandra Kurtzman Lee and Beth Pennington Sam and Jana Scheef
MAESTRO’S SILVER CIRCLE ($7,500 – $14,999) Joan Baker Dolle Barker Jill and Gilbert Berdine Dr. Mounir and Mrs. Leen Borno Thivakorn and Betsy Kasemsri Don and Jan Ledbetter Jo Anne M. Smith
MAESTRO’S CIRCLE
($5,000 – $7,499) Herb Armstrong and Evan Sabino Norton and Jane Baker RADM and Mrs. Stephen Chadwick David Cho Lou Diekemper Curtis Griffith Adrian and Leslie Huckabee Toni E. Wallingford Lola and Thomas Windisch
Virtuoso’s CIRCLE ($3,500 – $4,999)
CONCERTMASTER’S CIRCLE ($1,500 – $3,499) Brad and Birgit Green Ross and Kelli Hilburn Mark and Heather Hocker John and Cherie Hunter Carol King Larry and Lucy Landusky Kurt and Paula Loveless Drs. Barent and Audrey McCool Tim and Mary Jane Sampson 2021-2022 SEASON
Jo Ann Schneider James and Shanna St. Clair Jill and Fred Stangl Steve and Robin Talbert Dr. Jim and Mrs. Shannon Taliaferro Dr. and Mrs. Davor Vugrin Harry and Cindy Zimmerman
MUSICIAN’S CIRCLE
($1,000 – $1,499) Stephen and Maria Balch Ray and Cathy Box Patty D’Alise Joan and Joe Dominey Michael and Mary Epps Stephen and Kathy Faulk Sandy and Alan Henry Don and Lynnita Hufstedler Elena Ilyushyna Mallory Miller Mary Moran Judy Poffenbarger Keli Ramsey Judy Rowdon John and Katie Salter Kevin and Carrie Sedberry Walter S. and Kathy Smith Melanie Sorsby Muhammad Mubashir Subhani Dr. Charles and Pat Wheeler
YOUNG ARTIST’S CIRCLE
($500 - $999) Mr. and Mrs. Wayne and Jane Allison Dr. and Mrs. Michael Balch Mark and Betsy Bass Pieter Bergstein Matthew and Krista Bumstead Robb Chapman and Dr. Sarah Hosford Deborah Conn Sara and Tim Dodd James and Denise Doucette Michael and Linda Edwards Giles and Lynn Forbess Don and Anne Garnett Janeen and John Gilliam Dennis Harp 41
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William and Janis Hartwell Mark and Karen Havins Tommy and Lavelle Hawkins Randy Kinnison and Jane Rowley Morris and Janice Knox Lucy Lanotte Jim and Patti Lupton Rick and Sharon Martin Ms. Mary McCrary Laura and Monte Monroe Davis and Janet Price Mrs. Dona Richardson Kelly Robinson Tommy and Tina Sansom George and Judy Sell Tom Tenner Jenny and Edson Way Ann Williams Gay Word
PATRON’S CIRCLE
($275 - $499) James Arnold Larry and Charlotte Burt Kathryn Button Mary Cato Bobbe Crawford Richard and Reyhan Crider Bob and Sandy Crosier Sally Cummings P.D. and Gayle Cunningham Nikki Curry Carol Daugherty Gary and Melanie Davis David and Claudia Dea Jim and Patti Douglass Drs. Robert Duncan and Annette Sobel Steve Duran Aurora Farthing Elias and Eleonora Ghandour Don Graf Marion Hagler Elizabeth Haley Honorable and Mrs. Phil Johnson Wyatt and Claire Leavell Dale Little Barry Maurer Shannon McClendon Ms. Sara McLarty Kishor Mehta Stephen and Cindi Moffett Norman and Bettie Orr Elena Pastusek 2021-2022 SEASON
Trois Payne Dr. Gregory and Betty Pepetone Mike and Melanie Ragain Karen Savage Lynn Schmidt Scott and Vickie Shurmur Winn Sikes Lois and Nathan Swindle Steve Synck Paul Walter Dr. and Mrs. Hugh Wilson Debby and Dennis Zuehlke
SUSTAINER’S CIRCLE
($125 - $274) Gene H. Adams Rob and Pam Allison Alexis Anderson John Anthony Joe Arredondo Katy Ashworth Tobie and Jerry Bailey Mike and Sharon Bennett Dr. and Mrs. Eric Blackwell Aubrey and Ruth Ann Bridges Katie Burnes Manon and Neill Carter Ursula Caswell Dr. Hua Chen, Dr. Grace Sun and Family Jim and Nancy Clopton Barry Cohen Melissa Collier Lou Conner Ronald and Alice Cox Stephen Crowell Glenn Davis Peggy Dyess Amy Etchison Jim and Kathy Gilbreath Elizabeth Grigsby Bess Haley Jim and Nancy Harman Terry Hawkins and Doug Klepper Tom Hicks Shyrle Hill Ruth Holmes Joe and Ann Horkey Dr. Catherine Jai Peggy Johnson John Jones Curt Jones Don Kidd 43
to support
Lubbock Symphony Welcome to the brighter side of banking. Where every transaction and interaction is built on over 100 years of community-focused, know-you-by-name service. Become part of our family today at HappyBank.com
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Robert and Stacey Kollman Brad and Carol Ann Layton Wendell Leatherwood Eric Lee Ben and Robin Lock Allan MacKenzie Don and Susan Maddox James McDonald Anna and Robert McInvale Linda and George McMahan Theresa Menzel Sally Murray Ainsley Nelson Charles and Cora Newton Tom and Gwen Nichols Tom and Sarah Parsons Velda and Glen Phipps Susan Pollard Madeline and Lisa Powell Melissa and Tim Pridmore Carolanne and Jim Purtell Jane Quade Douglas and Kay Sanford Sarah Scheel Becki Schwarz James and Cyd Seideman Henry and Sellie Shine Alan Shinn Melanie Slaton Jim and Donna Smith Stephanie Starkovich Michelle and Jon Stephens Sandra Stratton Jennifer Underwood Sally Walton Jimmy and Susan Wedel James Wedel Dana Whitaker Alice White Valerie Williams Robert Worth John and Ann Zwiacher
Thank you
(up to $125) Marcia Abbott David and Ann Abbott Linda Adkins Shelby Anderson H. Allen Anderson Elizabeth Ashmore Richard and Emily Aycock Heather Bain 2021-2022 SEASON
The Barenberg/Swingen Family Sally Barfield Sherry Barsch Aurora and J. Alton Bauerle Blayne Beal and Monty Long Jose Beceiro Gina Becker Christy Bigham Nadine and David Birney Caroline Bishop and Karl Meyer Pam Blassingame Mrs. Kristi Borthwick Bonnie Bourland Dani and Zach Brady Brian Brisendine Edward Broome Tracee Brown Virgie Bryant Terri and Mike Byrne Bruce and Joan Callender Bryan Camp and Susan Gillette Philip Camp Jerry and Ann Casstevens Dr. and Mrs. Aurelio Cervera Beverly Chilton Petra Clary Merinda Condra Melinda Corwin Sue Couch Sophia Crawford Jim Cummings Mr. Charles Davis Jan Martin Davis Elen Deering Jaonne Dosher John Dunlap Steve and Kristi Edwards Mr. and Mrs. Shon Elliott Pat Fletcher Larry Fountain Muff Fregia Isaiah Garcia Yvonne Gilinsky Angie Graham Keith A. Gray Tim Gristy Aly Gwinn Shana Hamilton Ryan and Melynn Henry Heather Henthorn Trey and John Hill Denay Hounshell Doug Hutton 45
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Natalia Jackson Nelda Jett Dale Jones Dr. Cynthia Jumper and Dr. Reid Norman Ms. Vicki Key Pam King Fran Koch Kristen Kothmann Sam Lanham Bob Lawless Gary and Judy Linker Betty Lowder Donna Lyde Molly Manning Marianna and Rod Markham Steve Massengale Susan Matchett Myrtle McDonald Joe and Linda McFerrin James McNabb Marguerite McWilliams Mrs. Susannah Mercer Edith Merrick Boyd and Becky Milner Charlcie Mosser Laurel Myers Jill Nelson Sybille Neuber Don and Robin Parks Ms. Patricia Perkins Jennifer Piel Frosty Poston Chris Powell David Ray - Brick Doctor of Lubbock John Rigg Dick Roof Shanna Rowden
. 2021-2022 SEASON
Carrie Schlehuber Tony Smitherman Bryan Smitherman Janice Stachowiak Elizabeth Staggs Mike and Barbara Stephens Suzanne Stephens Tom Stone Mrs. Kathy Thomas Jack Thompson Rachel Tilley Carl and Pam Tipton Dick and Sue Tolley Thomas and Theresa Trost Holly Vinson Brad and Mary Lou Walden Cynthia Weaver Kathleen Weed David and Whitney Weindorf Richard Wetzel Barbara and Herman Wheatley Lonnie Wheeler Joyce White Wagner and Courtney Wicks Mandy and Tom Wiley Becca Williams Mr. and Mrs. Larry Willis Jane Ann Wilson Gary Wood Carolyn Wooten Boyce and Kathy Wyrick Mary and John Zias
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WELCOME
TO THE LSO FAMILY! 2021-2022 SEASON
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MEMOR I A LS & HONOR A R IUMS The Lubbock Symphony Orchestra respectfully acknowledges donations received during the 2021-2022 season in honor of the following: Milton Bagwell Blake Eddie Bingham Annie Chalex-Boyle David Cho Reyhan and Richard Crider Dr. Eugene Dabezies
Mary Epps John Charles Fox III Justin Andrew Fregia CJ Goodyear The Harrod Family Larry Landusky Shelley Furr Nelson
Dr. Marvin Platten Ricky Rasco Herb Tavenner Rachel Jean Armstrong Thomas Toni Wallingford Galen Wixson
If you would like to honor an individual or organization important to you, please send your tax-deductible donation to the Lubbock Symphony Orchestra, 601 Avenue K; Lubbock, TX 79401.
ENCORE SOCIETY The Lubbock Symphony Orchestra gratefully acknowledges the following members of the Encore Society: Dr. & Mrs. Eugene Dabezies
lso endowments The Lubbock Symphony Orchestra Endowment Trust The CH Foundation Conductor Podium Endowment Helen DeVitt Jones Endowment for Education LSO Endowment for Musician Fees and Education Shelley Hall Nelson Endowment for Musicians’ Salaries Jones-Saathoff Family Concertmaster Endowment Diekemper Family Foundation Associate Concertmaster Endowment Justice Phil and Carla Johnson Principal Second Violin Endowment Mary M. Epps and Ralph E. Wallingford Principal Viola Endowment Mary Francis Carter Principal Cello Endowment Eugene and Covar Dabezies Principal Bass Endowment Drs. Audrey and Barry McCool Principal Flute Endowment, in memory of the Crew of Columbia, STS-107 Lubbock Symphony Guild Principal Oboe Endowment Janeen Holmes Gilliam English Horn Endowment Nancy & Tom Neal Principal Bassoon Endowment Anthony and Helen Brittin Principal Horn Endowment Stacey and Robert Kollman Family Principal Trumpet Endowment Diekemper Family Foundation Principal Tuba Endowment Lubbock Symphony Guild Timpani Endowment Lisa Rogers/Alan Shinn Principal Percussion Endowment Rachel Jean Armstrong Thomas Principal Harp Endowment Edward R. and Jo Anne M. Smith Principal Piano Endowment
2021-2022 SEASON
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MICHAEL POSTAR ’S
Proud supporter of Lubbock Symphony 52
ADVISORY COUNCIL, PAST CHAIRS Jack M. Lewis
1946
Roger Key
1986
W.P. Clement
1947
Edwin E. Merriman
1987
Charles E. Maedgen, Jr.
1948
Owen McWhorter, Jr.
1988
Roy Bass
1949
Frank Newton
1989
Rex Webster
1950
Frank Anderson
1990-91
Marion Key
1951
Kay Sanford
1991
W.R. Sewell
1952
Paul Meyer
1991-92
J.C. Reynold
1953
Robert L. Stripling
1992-93
James L. Quicksall, Jr.
1954
Jim Ratliff
1993-94
Asher Thompson
1955-56
Coffee Conner
1995-96
Richard G. Richards
1957
Alan Henry
1996-97
Jack Kastman
1958
William D. Armstrong
1997-98
Joe J. Moise
1959
Susan Boling
1998-99
J. Harmon Jenkins
1960
Curtis Griffith
1999-00
George C. Miller
1961
DeWayne Pierce
2000-01
Lonnie Langston
1962
Mike Cunningham
2001-02
John Witcomb
1963
Margaret Lutherer
2002-03
O.W. English
1964
Chris Barnette
2003-05
Asher Thompson
1965-68
Catherine S. Porter
2005-06
Troy Myers
1969
Ray Fargason
2006-08
Arthur E. Gamble
1970
Emily Ratcliff
2008-09
Charley Pope
1975-77
Brad Green
2009-11
C.B. Carter
1978
Peter G. Daia
2011-13
Robert E. Norris
1979
Kirk McLaughlin
2013-15
Dean James Allen
1980-81
Harry Zimmerman
2015-17
Robert L. Stripling
1982
Shannon Taliaferro
2017-19
Charley Pope
1983-84
Heather Hocker
2019-21
John R. Kreiger
1985
community partners LSO is grateful for the generous support of the following foundation, community, and public partners.
Affordable Storage ALLIANCE Credit Union All Saints Episcopal School Anderson Bros Jewelers Atmos Energy Ballet Lubbock Benchmark Betenbough Homes Bolinger, Segars, Gilbert & Moss, LLP Brandon Guitar Studio Carillon Chicken Express City Bank Cleaning Services of Lubbock 2021-2022 SEASON
Community Foundation of West Texas Covenant Health CRI Diekemper Family Foundation D. Williams & Co. Drest by Scott Malouf Evelyn M. Davies Foundation Evensky & Katz Wealth Management Farnsworth Family Orthodontics First United Methodist Church Ghandour, Elias M.D., P.A. Happy State Bank HCHT Helen Jones Foundation 53
KCBD IS A PROUD SUPPORTER OF THE LUBBOCK SYMPHONY ORCHESTRA
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Hill & Ioppolo Oral & Dental Implant Surgery of Lubbock JF Maddox Foundation KCBD Kingsgate Center (Graco Real Estate) KTTZ 89.1 FM Kuykendall Foundation Lee Lewis Llano Estacado Winery Lone Star State Bank Louise Hopkins Underwood Center for the Arts Lubbock Abstract & Title Co Lubbock Animal Care Clinic Lubbock Arts Alliance Lubbock Avalanche-Journal Lubbock Chorale Lubbock Community Theatre Lubbock Entertainment Performing Arts Association Lubbock Moonlight Musicals Lubbock Music Club Lubbock Music Teachers Association Lubbock National Bank McPherson Cellars Merrill Lynch MS Doss Foundation MWM Architects, Inc. Officewise Orlando’s Italian Restaurant Otto’s Granary Overhead Door Co. Overton Hotel Parkhill, Smith & Cooper PayPal Pediatric Associates of Lubbock Pennington, Bass & Associates Phi Beta Kappa Assn. of West Texas & Eastern New Mexico Endowment to Benefit LSO Youth Outreach
2021-2022 SEASON
Pinkie’s Plains Capital Bank Prosperity Bank Rea Charitable Trust Robinson & Hamblen General Dentistry Sanders Funeral Home Service Title Sharon Mirll, Exit Realty Sherick Memorial Home South Plains College Southwest Snow Services Spec’s St. Clair & Massey Orthodontics Stewart Title Tarpley Music Texas Commission on the Arts Texas Tech Alumni Association Texas Tech Club Texas Tech School of Music Texas Tech University Presidential Lecture & Performance Series Texas Women for the Arts The CH Foundation Tif Holmes Photography T L C E Charitable Fund TTU eLearning TTU Talkington College of Visual and Performing Arts TTU Theatre and Dance United Supermarkets University Medical Center Yellow House Dental & Implant Center Youth Orchestras of Lubbock YWCA
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Things happen. It’s inevitable. That’s why we never close. We’re always here for you! Call Us, Day or Night
(806) 778-3370 or email us at:
cleaningservicesoflubbock@gmail.com
2021-2022 SEASON
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BEHIND THE MUSIC OFFICERS
Brian Willcutt Chair Toni E. Wallingford Chair Elect Katie Salter Treasurer Jill Stangl Secretary Heather Hocker Immediate Past Chair
DIRECTORS
Steve Balch Dolle Barker Dustin Baucom Gilbert Berdine Leen Borno David Cho Covar Dabezies Patty D’Alise Michael Epps Stephen L. Faulk Lisa Garner Santa Elias Ghandour Gurdev Gill Brad Green Erin Gregg Sandy Henry Leslie Huckabee Amy Hunter Elena Ilyushyna Thivakorn Kasemsri Neil Kurtzman Larry Landusky Paula Loveless Barry McCool Mallory Miler Mary Moran Judy Poffenbarger Melissa Pridmore Keli Ramsey Abi Rhodes Annette Sobel James St. Clair Jeremy Steen Robin Talbert Russell Thomasson Davor Vugrin Pat Wheeler 2021-2022 SEASON
ADMINISTRATION
Galen Wixson President & CEO David Cho Music Director Jake Quintanilla Marketing Director Amelia Jamieson Graphic Designer Corey Dolter Operations Manager Mason Webb Box Office & Education Coordinator Emily Gavaghan Manager of Patron Services Gary Hudson Personnel Manager Kea Beasley Education Director Suzanne Rasco Director of Accounting Hannah Macgillivray Librarian Alexa Frederick Librarian Intern Callie Watson Graphic Design Intern Jordan Parks Marketing Intern Anterian Gee Marketing Intern
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A WORD FROM THE LUBBOCK SYMPHONY GUILD PRESIDENT Welcome Patrons, Thank you for attending tonight’s performance! We appreciate your support of the Lubbock Symphony Orchestra. Our 2021-2022 season is going to be magnificent. We are so thrilled to experience the wonder of music with you this season. Tonight’s performance, and every performance since 1952, has been made possible in part by the Lubbock Symphony Guild. For years, the Guild members have donated their time and resources to keep symphonic music flourishing in West Texas. I hope you cherish the incredible talent of our spectacular Orchestra and value the educational and cultural contributions they provide to our community. We invite you to consider becoming a member of our Lubbock Symphony Guild. For more information, please visit our website at www.LubbockSymphonyGuild.com. Sincerely,
Amy Hunter, President Lubbock Symphony Guild
2021-2022 SEASON
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Legacy Alive KEEP THE
BE A PART OF HISTORY WITH A PERSONALIZED GUITAR PICK!
Join us as we commemorate this Texas icon’s impact on rock ’n’ roll across the world. Keep Buddy Holly’s legacy alive by purchasing a personalized guitar pick that will hang in an art installation inside The Buddy Holly Hall of Performing Arts & Sciences.
*Guitar picks vary in size
Select your pick to be included in an art installation featured at The Buddy Holly Hall of Performing Arts & Sciences in downtown Lubbock. To be a part of this state-of-the-art project, order your pick at lepaa.org/tx LEPAA is a 501 (c)(3) organization. Your donation is tax-deductible as a charitable contribution.
THE BUDDY HOLLY HALL OF PERFORMING
ARTS AND SCIENCES
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Lubbock Symphony Guild Senior Debutantes
Front Row Left to Right - Ava Wilson, Sophie Thwaits, Reese Rogers, Elizabeth Smitherman, Taylor Glenn, Raegan Bain, Natalie Jenkins 2nd Row Left to Right - Reagan Hunter, Elizabeth Farthing, Chloe Kate Dannevik, Carlee Miller, Katherine Herrin, Caylee Props, Claire Snodgrass, Leah Vinson, Megan Donaway 3rd Row Left to Right - Eryn Triplett, Emma Condra, Brentley Williams, Evan Roberts, Kellen Kotara, Vanessa Latham, Alexia Elliott, Annabelle Etchison, GraceAnn Streit, Briana Erculiani Back Row Left to Right - Sarah Kate Rasty, Ashlyn Wolf, Meredith Lowe, Carlie Borthwick, Alexandra Mercer, Lauren Clingman, Ashby Whitaker, Jilayne Headrick, Samantha Manning, Alexis Wragg Not Pictured -Madelyn Bollens, Blair Boyd, Emma Brady, Brylee Burchett, Bonnee Busby, Lindsi Roye
Lubbock Symphony Guild Junior Debutantes
Front Row Left to Right - Anna McClendon, Madison Bigham, Blakely Biggs, Payton Harrison, Adisyn Elrod, Kaitlyn Caswell 2nd Row Left to Right - Madeline Matthews, Tatum Brown, Ava Hounshell, Katherine White, Portia Clary, Ashtyn Bartley 3rd Row Left to Right - Emily Keister, Sydney Lowe, Halle Henthorn, Sydney Cranfill, Regan Andrews, Ellis Fox Back Row Left to Right - Macy Hamel, Abigail St Slair, Emily Payne, Chloe Conover, Campbell Howe, Elizabeth Kinnison, Kathryn Kinnison Not Pictured - Natalie Caswell, Riley Solberg, Maggi Underwood, MaeAlice White
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Lubbock Symphony Guild sophomore Debutantes
Front Row Left to Right - Emme Hocker, Jessica Foley, Alayna Bayouth, Emme Feist, Preslie Tarver, Abi Mills, Avrey Schilling, Addie Burnett, Emeri Tran, Anna Everett 2nd Row Left to Right - Preslee Edwards, Kendall Cathey, Jewel Naegele, Ella Scolaro, Campbell Carper, Reghan Rose, Jillian Jones, Olivia Needham, Claudia Tepper 3rd Row Left to Right -Jeye Johnson, Lydia Carter, Alex Dannemiller, Kate Cooper, Berkley Bird, Annabelle Bennett, Ava Campbell, Christiana McCourt, Hannah Feist Back Row Left to Right -Mya Ballou, Madison White, Mia Capodagli, Ava Lansdell, Kennedy Venable, Skylar Tidwell, Olivia Phillips, Kate Cardelli, Mia Rodriquez
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