Winter 2023 Art Talk

winter 2023

ART TALK

FROM THE

EXECUTIVE DIRECTOR After graduating from the LSU College of Art + Design, I moved with my wife and infant son to Central Louisiana, embarking on a path that would eventually span forty years of experiences in museum service.

My first week as a museum registrar at the Alexandria Museum of Art was a turning point. In this role, I managed the art collection, assisted with exhibitions, and worked from a simple, white office furnished with a metal desk and cabinets. What it lacked was artwork on the walls, but after discussing it with the curator, I selected Andy Warhol's Chairman Mao, a well-known print donated by a local collector.

COVER IMAGE: Andy Warhol Superman, 1981 from the Myths portfolio.

Screenprint with diamond dust on Lenox Museum board.

Courtesy Ronald Feldman Gallery, New York. © 2023 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / Ronald Feldman Gallery, New York.

Andy Warhol, Chairman Mao, c.1984. Courtesy of the Alexandria Museum of Art. © 2023 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York.

Shortly after, I was interviewed for a "new in town" article by the society editor of the local newspaper, the Alexandria Daily Town Talk. To my surprise, the article, complete with a photograph, made the front page of the Sunday Society section. The photo showed me next to my desk, with Chairman Mao's image in the background. The museum director later brought me clippings from the Letters to the Editor section, revealing a controversy–some readers accused the art museum of hiring communists due to Warhol's Chairman Mao. Reflecting on this early career incident while preparing for our upcoming Andy Warhol / Friends & Frenemies exhibition from the Cochran Collection, I see a common theme. The public's immediate reactions to art can oftentimes lead to a spectrum of emotions, from shock, offense, joy, sorrow–but ultimately dialogue.

To understand Warhol's Chairman Mao, we must consider its place in his renderings of iconic figures, like Geronimo, Teddy Roosevelt, John Wayne, Marilyn Monroe, and Mick Jagger. Warhol's intent wasn't to celebrate the Chinese Communist Party, but to offer commentary on the relationship between state-controlled media and Western advertising imagery. Ironically, the Chairman Mao in my office seemed to elicit the reaction Warhol may have sought–an example illustrating propaganda and psychological influence. Those letters to the editor marked my first encounter with public discourse on art and museum exhibitions, but also the power of art.

This winter, we present a dynamic exhibition featuring Warhol's contemporary pop serigraphs alongside works by renowned 20thcentury artists like Frankenthaler, Hockney, Christo, Lichtenstein, and Motherwell. We invite you to visit and explore your impressions and perspective on this comparative exhibition of artists central to American culture. Through our wide-range of exhibits and programs, the LSU Museum of Art strives to be a space where artistic expression is displayed–sparking contemplation and engagement.

Mark Tullos Executive Director

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Art Talk Winter 2023

EXHIBITIONS

Andy Warhol: Friends & Frenemies Mirror Mirror Birds Upcoming

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COLLECTIONS LSU Partnerships Acquisitions Update

Programs

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CALENDAR

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EDUCATION

Art & Community

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DEVELOPMENT Access for All & SEMC Awards

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Ways to Give

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MUSEUM STORE

Holiday Gift Guide

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ARTIST SPOTLIGHT: NOW ON VIEW George Rodrigue's Blue Dog The museum now has two paintings by George Rodrigue on display: Number One Fan, on loan from the George Rodrigue Foundation, and Blue Dog from the museum's permanent collection.

BE SURE TO PICK UP A BLUE DOG STICKER! (available at the admissions desk while supplies last) www.lsumoa.org

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ANDY WARHOL: FRIENDS & FRENEMIES PRINTS FROM THE COCHRAN COLLECTION

On view January 11– March 31, 2024

IMAGE (above): Lasse Olsson / Pressens bild, Photograph of the American artist Andy Warhol in Moderna Museet, Stockholm, before the opening of his retrospective exhibition in 1968 (detail). Source: Wikipedia Commons.

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Art Talk Winter 2023

The decades of the late twentieth-century represent a unique era of artistic experimentation, innovation, and discovery, with many American artists, such as Andy Warhol, Helen Frankenthaler, Robert Rauschenberg, Roy Lichtenstein, and Robert Indiana, pushing the boundaries of imagery, style, and materials. Their work alludes to cultural and societal shifts sweeping across the nation as it emerged from the 1960s, a time of growing consumerism, political scandals, recession, the Vietnam War, and mounting tensions with the Soviet Union. Coined the Me Generation, individuals prioritized their own needs, aspirations, and identities, often departing from the more collective ideologies of previous periods. The era witnessed the rise of countercultural factions and identity politics, including the American Indian Movement, the Gay Liberation Movement, and the second wave of feminism, which propelled conversations about individuality and autonomy to the forefront. The Me Generation’s influence reverberated across society, impacting music, literature, theater, fashion, and art, leaving an indelible mark on the cultural landscape.

Friends & Frenemies highlights thirty-six original prints by Andy Warhol, exhibited alongside over sixty works by twentieth-century artists who tested the boundaries of the established art world.

The show includes examples of abstract expressionism, pop art, neo-expressionism, conceptualism, and minimalism, by an array of artists working in and around the East Coast. They redefined American art, evolving it into a conduit for personal catharsis, social justice, or experimental practice, reflecting the era’s emphasis on self-discovery and introspection. Artists of this period deliberately transcended societal norms and explored unique perspectives, defying entrenched conventions with the development of innovative styles and imagery, creating a complex tapestry that mirrored the evolving society.

The Cochran Collection is owned by Wesley and Missy Cochran of LaGrange, Georgia. The couple has devoted their lives to supporting artists and acquiring art, amassing a vast collection of works on paper representing a wide range of mediums, movements, and styles.

WARHOL'S MYTHS PORTFOLIO

Andy Warhol, Uncle Sam, 1981. Screenprint with diamond dust on Lenox Museum board; The Witch, 1981.

Screenprint with diamond dust on Lenox Museum board; Mammy, 1981. Screenprint with diamond dust on Lenox Museum board. Works from the Myths portfolio and from the collection of Wesley and Missy Cochran.

Courtesy Ronald Feldman Gallery, New York. © 2023 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / Ronald Feldman Gallery, New York.

The exhibition includes Warhol’s complete ten-print Myths portfolio, that celebrates iconic fictional twentiethcentury characters. Although the artist is well-known for his fascination with celebrity culture, and immortalizing famous stars such as Marilyn Monroe and Elvis Presley, the Myths series ventures into the realm of fiction, fantasy, and typecasts, pulling characters from legends, literature, and television. Each of these disparate figures made a profound impact on popular culture and generations of Americans, and continue to evoke a sense of familiar nostalgia. Despite the subjects’ varied origins, each Myths print reveals a personal connection to Warhol—Santa Claus and Superman relate to his childhood; Uncle Sam underscores the artist’s fixation with American consumer culture; and the “mammy” figure, a common stereotype prolific throughout twentieth-century film, television, and product endorsements, was modeled after a Polaroid Warhol snapped of the Broadway actress Sylvia Williams, who starred in the musical One Mo’ Time in 1979.

Andy Warhol, Sylvia Williams, 1981. Polacolor 2. Courtesy of the Hilliard Art Museum. © 2023 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York.

MEMBERS POP PARTY!

Factory Fête: A Night with Warhol Thursday, January 18 / 6–8 PM Don’t miss this exciting MEMBERS-ONLY event featuring music, food, drinks, art, and fun, all centered around America’s pop culture icon—Andy Warhol!

Become a member to get your party pass, and this Warhol-inspired tote bag if you join at Household level or above!

Join at www.lsumoa.org/membership www.lsumoa.org

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MIRROR MIRROR

BY DANIEL ROZIN

On view November 30, 2023– March 3, 2024

CLOSING RECEPTION & ARTIST TALK Thursday, February 29 6 p.m. / Fifth floor Join us for art, technology, and conversation, as artist Daniel Rozin discusses his digital sculptures.

IMAGE (above): Daniel Rozin, RGB Peg Mirror No. 5 (detail), anodized aluminum knobs, motors, 3D camera, control electronics, computer, custom software.

Courtesy of the artist and bitforms gallery.

Photo by Emile Askey.

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Art Talk Winter 2023

“I feel that the intersection of art and engineering is a very natural one. Artists have been using the latest science and technology to create art for centuries. In fact, the distinction between art and science is a rather new one and as late as the Renaissance the same people were doing both art and science.” –Daniel Rozin Born in Jerusalem and initially trained as an industrial designer, Rozin crafts interactive installations by seamlessly merging found materials with motors, sensors, computer components, and software.

The resulting constructions change and respond to the presence and perspective of the viewer, transforming the onlooker into the focal point. Unlike many digital artists who emphasize technology, Rozin often conceals the mechanics and hardware, creating a sense of mystery around the operation. He embraces the tactile structure, incorporating objects such as toys, pieces of wood, or mirrors, to recreate pixels on a large scale, recalling the early stages of computer graphics. The resulting sculptures investigate the connection and contrast between physical materials, kinetic mechanical motion, and the mathematical algorithmic generation of an image.

Serving as an Associate Arts Professor at the Interactive Telecommunications Program, Tisch School of the Arts at New York University, Rozin teaches coursework such as Introduction to Computational Media and The World-Pixel by Pixel, providing a future generation of new media and digital artists the opportunity to hone their craft, blending engineering, technology, and imagery into emergent art forms that embrace rapidly advancing invention and innovation.

“A lot of people love art and technology, not many people love both.

People who come from technology are sometimes afraid of art, and people who are from the fields of art are reluctant to engage with technology. I hope that the way I use technology in my art brings these two audiences together in a way that is welcoming.” –Daniel Rozin, describing his work at the Zachry Engineering Education Complex, Texas A&M University

BIRDS

WORKS FROM THE PERMANENT COLLECTION A selection of artwork featuring our fine feathered friends will be on view through the end of March. The showcase includes a variety of objects, from silver teaspoons to prints and paintings. Each piece somehow incorporates an avian theme or image, reminding us of our fragile relationship with the animal.

Caroline Durieux, Taxidermy, 1946. Black lithograph on paper. Gift of the artist.

The unrestrained commercial and recreational hunting of birds throughout early American history placed hundreds of species at risk, with many already extinct by the mid-nineteenth century. The 1880s fashion craze for hats adorned with masses of feathers took an estimated 200 million wild birds per year. Advancements in shotgun and rifle technology allowed hunters to rapidly shoot hundreds of birds in one outing, with some market hunters harvesting thousands per day. Rapid Westward expansion contributed to habitat loss and disrupted migration patterns. American birds were in peril.

In 1918, President Woodrow Wilson signed the Migratory Bird Treaty Act, which made it unlawful to “pursue, hunt, shoot, wound, kill, trap, capture, or collect” any included species without a permit. Great Britain and Canada were the first to join the agreement, entering the Treaty during WWI. Since then, Mexico, Japan, and Russia have become signatories.

Birds saved by the Act include swans, cranes, egrets, doves, and hummingbirds, with 1,026 species now protected by the Treaty.

One hundred years later birds still face modern threats— from substantial hazards such as oil spills, wind turbines, and industrial pesticides to lesser dangers such as unchecked feral cat populations and collisions. American populations continue to plummet at an alarming rate, with an estimated three billion lost since 1970, a 29% decline in the overall number. In 2023 alone, the United States officially declared three Northern American species extinct. The loss could significantly affect food webs and ecosystems as birds naturally control pests, pollinate, and dispense seeds. Ironically, the very agriculture system that should rely on birds is killing species with pesticides, the destruction of nesting sites, and interference with migratory patterns.

Watch for upcoming nature-related programs this spring!

Unknown artist, Toothpick holder, c. 1800s. Silver. Gift of Mrs. H. Payne Breazeale, Sr. in memory of Granville Bentley.

www.lsumoa.org

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MARCH 21 –JUNE 23, 2024 One Stitch at a Time: Southern Vernacular Quilts An eclectic collection of handmade quilts crafted by Southern vernacular artists including Yvonne Wells, Sarah Taylor, Chris Clark, Otesia Harper, and ladies from the renowned Gee's Bend, Alabama community.

JULY 11 –OCTOBER 13, 2024 Cherished: The Art of Clementine Hunter Paintings and objects produced

by Louisiana’s cultural treasure, Clementine Hunter, drawn from the collection of the LSUMOA, the Alexandria Museum of Art, the LSU Rural Life Museum, private collectors, and the artist’s family.

APRIL 18 –JULY 28, 2024

APRIL 18 –JULY 28, 2024

Fierce Planets: Work from the Studio Art Quilt Associates

Interior Space

by Roland Miller

Fiber artists from around the world visually investigate the theme of space exploration, inspired by the research of Dr. Sabine Stanely, the Bloomberg Distinguished Professor at Johns Hopkins.

A visual exploration of the International Space Station co-created with Italian astronaut Major Paolo Angelo Nespoli.

SCAN TO SUPPORT EXHIBITIONS AT LSUMOA For full sponsorship level details and to sponsor exhibitions, contact LSUMOA Executive Director Mark Tullos at marktullos@lsu.edu.

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Art Talk Winter 2023

2024 PREVIEW

UPCOMING EXHIBITIONS

AUGUST 22 –NOVEMBER 17, 2024 In a New Light: American Impressionism 1870–1940, Works from the Bank of America Collection A sweeping survey of American Impressionism, featuring art by over seventy-five masters, including Child Hassam, George Inness, and Thomas Moran.

OCTOBER 31, 2024 –FEBRUARY 2, 2025 Rembrandt, Goya, and Durer: The Marvel of Masters An overview of three-hundred years of printmaking, demonstrated through the work of three celebrated European artists.

SEPTEMBER 12 –NOVEMBER 17, 2024 Southern Reflections: Art by Kathryn Keller and Shirley Rabe' Masinter Work by two master watercolor artists— Keller’s delicate paintings explore ethereal Southern landscapes, contrasted by Rabe' Masinter’s hard-edge, realistic urban cityscapes.

IMAGES (left to right): Chris Clark, Untitled, 1995. Cotton, paint, satin. From the collection of Doug McCraw; Clementine Hunter, Wedding Scene, c. 1962. Oil on canvas panel. Gift of Mr. and Mrs. Lewis A. Bannon; ​Kathy Nida, I'm Floating in a Most Peculiar Way, 2023. Commercial and hand-dyed cotton. Photographed

by Gary Conaughton. Courtesy of Studio Art Quilt Associates; Childs Hassam, Old House, East Hampton, 1917. Oil on linen. From the Bank of America Collection; Rembrandt van Rijn, Self-Portrait in a Velvet Cap with Plume, 1636, NH. 170, B. 20 Etching on laid paper; Roland Miller and Paolo Nespoli, Cupola with Clouds and Ocean (detail), 2020. Chromogenic Color Print. Courtesy of the artist; Shirley Rabe' Masinter, Milton & J's, 2018. Watercolor.

Courtesy of LeMieux Galleries. www.lsumoa.org

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LSU PARTNERSHIPS UPCOMING PROJECTS

DIGITAL SCANS Two graduate students from the Digital Media Arts and Engineering (DMAE) program, Meredyth Yorek and Sabrina Pagoaga (pictured below left to right), have been creating three-dimensional scans of select collection objects, including several ivory, jade, and nephrite sculptures. The resulting digital images will provide visitors the opportunity to virtually interact with the pieces, which are generally not on view in the museum. One object in particular, an extremely fragile late eighteenth-century ivory basket, will soon be accessible online, allowing viewers to study the intricate carving techniques and delicate details.

FIERCE PLANETS PROGRAMS In preparation for the spring exhibition Fierce Planets, which features fiber art inspired by the planetary research of Dr. Sabine Stanely, the Bloomberg Distinguished Professor at Johns Hopkins University, the museum has been working with the LSU Department of Physics and Astronomy to develop a menu of diverse programs. Upcoming events include an eclipse watch party, a pop-up planetarium in the galleries, and space-themed summer outreach during our annual Neighborhood Arts Project. Find a full listing of programs in our next edition of Art Talk.

Students from the LSU College of Art + Design are also getting inspired by space in 2024. Associate Professor of Sculpture Loren Schwerd is integrating a fiber-based project into her spring coursework. The resulting collaborative sculpture will be installed at the LSUMOA during the length of Fierce Planets.

WARHOL PROJECT A selection of screen prints by LSU printmaking students will be on view starting in January.

Assistant Printmaking Professor Lauren Cardenas has tasked her class to create work inspired by Andy Warhol’s pop politics. Her students responded amazingly to the challenge— to craft a recognizable social justice message using only imagery. Be sure to check out the finished pieces in the LSUMOA Community Gallery.

Lauren Manhardt, The Woman with a Bow

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Art Talk Winter 2023

COLLECTIONS

RECENT ACQUISITIONS THORNTON DIAL In response to the overwhelming popularity of the recently closed exhibition, I, Too, Am Thornton Dial, the LSUMOA has acquired a watercolor and pencil sketch by the late artist. The newest addition to our permanent collection, Lady Running from a Long Neck Tiger, rendered

by Dial in 1990, was purchased with funds from the Winifred and Kevin P. Reilly Initiative for Underrepresented Artists.

Thornton Dial, Lady Running from a Long Neck Tiger, 1990. Watercolor and pencil on paper.

Purchased with funds from the Winifred and Kevin P. Reilly Initiative for Underrepresented Artists.

TONY NATSOULAS California artist Tony Natsoulas donated a sculpture in honor of Lanny and Sally Kilchrist. Her Royal Majesty de Mardi Gras, a playful rendering of Sally adorned in her festival dress, exudes the levity and joy of the Louisiana holiday in a largerthan-life ceramic construction. The piece exemplifies Natsoulas’s signature approach—realistic figurative sculpting imbued with a humor and playfulness that accentuates the subject’s personality and spirit.

Scan with your smart device to watch a video playlist about these artists.

Annette Rawlings, Figures from Italy–Capri, 2004.

Oil on linen. Courtesy of Fred Hawryliw.

Tony Natsoulas, Her Royal Majesty de Mardi Gras, 2022. Ceramic and found objects. Courtesy of Lanny and Sally Kilchrist.

ANNETTE RAWLINGS Florida artist Annette Rawlings approaches the female figure as an intimate viewer.

Although her tranquil compositions are reduced to simple bold lines and vibrant shapes, they retain a depth and contour, with the subject melding seamlessly into the setting. Figures from Italy—Capri, painted in 2004, was generously donated by Frederick Hawryliw, a dedicated proponent of the artist. www.lsumoa.org

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LSU MOA PROGRAMS MARK YOUR CALENDARS

DECEMBER 01

HOLIDAY SHOPPING EVENT First floor, 4–8 p.m.

All guests get 20% off all regularpriced items (excluding George Rodrigue merchandise) and free gift wrap. Plus enter a raffle for a free year-long household membership.

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14 CAROLING IN THE GALLERIES Fifth floor, 6:30 p.m. / FREE Enjoy the sweet sounds of some of your favorite holiday classics with a special concert by the best and brightest talent in the city of Baton Rouge.

Hot chocolate and cookies provided by the Baton Rouge Delta Alumnae Chapter of Delta Sigma Theta.

POP UP HOLIDAY CONCERT Fifth floor, 6 p.m. / FREE Holiday classics brought to you by the LSU Chamber of Music.

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JANUARY

FREE FIRST SUNDAY: ABSTRACT ORNAMENTS

Fifth floor, 1–4 p.m. / FREE Have a piece of the museum on your tree–create a mixed media ornament while enjoying our collection.

RT AT LUNCH: A THOMAS MANN

MEMBERS SHOPPING DAY

First floor, 10 a.m.–8 p.m.

LSUMOA Members get 25% off all regular-priced items (excluding George Rodrigue merchandise). Plus enter a raffle for a free year-long household membership.

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TODDLER THURSDAY: POP PARTY!

Fifth floor, 10 a.m. / FREE Bring in the new year with a fun mixed media craft project inspired by the work of Andy Warhol. Ages five and under with caregiver.

Third floor, 12 p.m. / FREE Artist and friend of the LSUMOA Thomas Mann will explain his process of creating and executing some of his most memorable works of art. Bring a lunch—we’ll supply water and sodas.

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TODDLER THURSDAY: HANDPRINT HOLIDAY

Fifth floor, 10 a.m. / FREE

Create a unique mixed-media handprint Christmas tree. Ages five and under with caregiver.

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Art Talk Winter 2023

07 ACCESS FOR ALL DAY: ALL ABOUT ANIMALS Fifth floor, 1–4 p.m. / FREE Enjoy stories, crafts, and gallery games as we explore animals in art.

spend your week with @lsumoa FACEBOOK | INSTAGRAM | YOUTUBE | LSUMOA.ORG/CALENDAR

BLACK HISTORY MONTH: Collection Spotlight

18 MEMBERS POP PARTY! FACTORY FÊTE: A NIGHT WITH WARHOL Fifth floor, 6–8 p.m.

Don’t miss this MEMBERS-ONLY event featuring music, food, drinks, art, and fun, all centered around America’s pop culture icon—Andy Warhol! See page 5 about joining the museum.

24 ART AT LUNCH: PHOTOGRAPHY AND PROTEST Third floor, 12 p.m. / FREE Join Emily Williams and Jeremiah Ariaz from the LSU School of Art Photography Department as they unpack the significance photography plays in civic engagement across the globe. Bring a lunch—we’ll supply water and sodas.

In February, during Black History Month, we celebrate African American artists like Emerson Bell. The LSUMOA proudly holds many of Bell's masterpieces, a tribute to his influence on Baton Rouge's art scene and its community.

Bell, a painter and sculptor, studied under local Baton Rouge artist Frank Hayden, and was the first National Endowment for the Arts artist-inresidence to teach in the EBR Parish School system. Our mission is to honor and celebrate all members of our Emerson Bell, Study community for for the Prophet West, c. 1960. mixed their significant media on paper. contributions to our shared history.

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Third floor, 12 p.m. / FREE Explore how the arts can be used to build and strengthen communities, featuring Luke St. John McKnight, COO for the Arts Council of Greater Baton Rouge.

Bring a lunch—we’ll supply water and sodas.

FEBRUARY 01

TODDLER THURSDAY: I LOVE ART Fifth floor, 10 a.m. / FREE Create a mixed media valentine for someone special. Ages five and under with caregiver.

04 ACCESS FOR ALL DAY: ALL ABOUT WARHOL Fifth floor, 1–4 p.m. / FREE Enjoy music, art-making activities, games, and more as we celebrate Pop Art and the Warhol exhibition.

RT AT LUNCH: A ARTS & COMMUNITY

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IRROR MIRROR CLOSING M RECEPTION & ARTIST TALK Fifth floor, 6 p.m. / FREE Join us for art, technology, and conversation, as artist Daniel Rozin discusses his digital sculptures.

Get in on the fun and learn how to make your own interactive art.

Reception follows. www.lsumoa.org

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EDUCATION

BRIDGING ART & COMMUNITY

The LSU Museum of Art, nestled in the heart of Baton Rouge, is a beacon for art lovers and enthusiasts. The Education Department has big plans to embrace a wider community, and 2024 promises to be a year of exciting developments.

⊲ ACCESS FOR ALL DAY: OPENING DOORS TO THE COMMUNITY One of our most anticipated programs is Access for All Day, which bridges the gap between the museum and underserved parts of the East Baton Rouge Parish community. Through this initiative, the Museum will offer free admission on first Sundays, inviting residents to experience the world of art. It is an opportunity for the community to engage in art exploration, immerse themselves in diverse exhibitions, and witness the transformational power of creativity. This inclusive approach aligns with the museum's commitment to fostering cultural connections throughout the greater Baton Rouge region.

⊲ IN THE GALLERIES: FREE TODDLER THURSDAYS The LSU Museum of Art recognizes the importance of nurturing artistic inclinations from an early age. Our Toddler Thursday program, designed for children ages 2-5, has always been a hit with caregivers and youngsters. In an exciting turn of events, the program will now be absolutely free, thanks to a generous grant from the Junior League of Baton Rouge. This grant ensures that toddlers have the opportunity to engage in fun and educational art activities that will stimulate their creativity and ignite a lifelong love for the arts. The LSU Museum of Art extends its heartfelt gratitude to the Junior League of Baton Rouge for their unwavering support.

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Art Talk Winter 2023

⊲ GROWING EDUCATIONAL OUTREACH: ART AND COMMUNITY The museum is not just a destination for adults and families; it is also a vibrant learning hub for students. Over the past year, the LSUMOA has seen a significant rise in school visits from the East Baton Rouge School System. These visits offer students the chance to connect with art, culture, and history in a unique and engaging way. The Education Department is excited about the prospect of expanding our educational initiatives in 2024, with a vision to host more school tours and develop meaningful programs that will enrich the educational experience of the parish's youth.

The LSU Museum of Art's Education Department is on a mission to weave the threads of art and community ever closer. Access for All Day invites everyone to explore the museum's treasures. Toddler Thursdays now welcomes the youngest members of our community, thanks to the Junior League. And school programs continue to thrive. The LSUMOA is more than just a museum; it is a conduit for culture and creativity that enriches the lives of the community it serves. As we step into the future, we eagerly anticipate these exciting developments that will make art truly accessible to all. www.lsumoa.org

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LSUMOA RECEIVES $240,000 GRANT FROM ART BRIDGES FOUNDATION The LSU Museum of Art has been granted $240,000 by the Art Bridges Foundation for its Access for All initiative, aimed at reducing barriers to museum visits nationwide. This substantial support is part of a $40 million effort to enhance access to museums, covering costs for free admission days, expanded hours, and community engagement programs. The initiative involves 64 museums in 36 states and Puerto Rico, facilitating connections with local communities and enriching arts access, particularly for smaller institutions. Each museum can tailor programs to suit their communities, fostering inclusive, diverse, and engaging experiences. The grant from the Art Bridges Foundation and the Access for All initiative hold immense significance for the future of the LSU Museum of Art in its mission to engage the public.

This funding will significantly reduce barriers for individuals and families, making art more accessible to a broader audience, including school groups and diverse communities in East Baton Rouge Parish. By embracing this opportunity, the museum can infuse new energy, develop programs that resonate with the local public, expand partnerships, and welcome more community members than ever before. It's a pivotal step in ensuring that the LSU Museum of Art continues to play a vital role in enriching the lives of its community and becoming a cultural hub that embraces and serves all of Baton Rouge.

SOUTHEASTERN MUSEUMS CONFERENCE PUBLICATION AWARDS LSUMOA received a Bronze Award in the Campaigns Category for the I, Too, Am Thornton Dial exhibition campaign and the Art Talk newsletter was awarded a Silver Award in the Magazines and Newsletters category in the 2023 SEMC Publication Competition. These projects were designed by LSUMOA Marketing and Communications Specialist Sarah Amacker.

The I, Too, Am Thornton Dial Campaign included an enamel pin design, print advertisements, exhibition announcements, digital and billboard advertisements, Art Talk newsletter features, banners and signage, flyers, and other promotional materials including social media posts that marketed the exhibition during its time at LSUMOA. The Art Talk newsletter publication has become a staple at the museum for archiving information and sharing news with the public.

The SEMC Publication Design Competition recognizes and rewards excellence in graphic design in Southeastern museum publications.

Recipients of the awards were judged by an appointed jury of museum professionals across the region who specialize in graphic design.

Award winners were celebrated at the 2023 Annual Meeting Awards Ceremony on November 15, 2023, in Louisville, Kentucky, as well as in the Fall 2023 Edition of INSIDE SEMC, a digital publication of the Southeastern Museums Conference.

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Art Talk Winter 2023

DEVELOPMENT

UPDATES & WAYS TO GIVE

Donors to the LSU Museum of Art have helped transform it into an example of excellence for Louisiana, known for a robust collection and innovative exhibitions and programs. Your Annual Fund contribution, gift of art, endowment, or estate gift will help the Museum realize its vision of continued leadership in the regional and national art communities. For more information, contact Mark Tullos, LSUMOA Executive Director, at marktullos@lsu.edu or visit www.lsumoa.org/ways-to-give.

FUNDS YOU CAN SUPPORT ⊲ ANNUAL FUND Support diverse programming for all ages in the Baton Rouge region through a tax-deductible contribution. Give through donations; gifts of stock (contribute appreciated securities for tax benefits and support the museum); and matching gifts (many employers match charitable donations, enhancing your impact). ⊲ ENDOWMENT: Help secure the museum's future with a gift that elevates collections, education, and facilities. ⊲ GIFT PLANNING: Leave a lasting legacy through a bequest that supports the museum's programs and financial goals. Also consider gifts of art to enrich the museum's collection and impact. ⊲ EDUCATION: Donor support enables engaging educational programs for various age groups at the LSU Museum of Art. www.lsumoa.org

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LSU MUSEUM STORE

HOLIDAY GIFT GUIDE 3

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SHOPPING GUIDE & EVENTS NNUAL HOLIDAY A SHOPPING EVENT Friday, December 1 4–8 p.m.

All shoppers get 20% off all regular-priced items* and free gift wrap.

MEMBERS SHOPPING DAY Thursday, December 7 10 a.m.–8 p.m.

Museum members get 25% off all regular-priced items* and free gift wrap. *excluding George Rodrigue merchandise.

1 Socks by Bonfolk 2 Clementine Hunter Tea Towels 3 Sunglasses 4 The Pot & The Palette Cookbook II from The George Rodrigue Foundation of the Arts 5 Ceramic Pitcher by Terri Watson Kennedy 6 LSU Children’s Overalls 7 George Rodrigue’s The Number One Blue Dog Lapel Pin by Arts4Education 8 Andy Warhol crayons and book 9 Dog & Cat pendant necklace by Thomas Mann 10 Children's Coloring Book

The LSU Museum Store is located on the first floor of the Shaw Center for the Arts and has a wide variety of gifts for any occasion. For more information, please contact LeAnn Russo 225-578-3038 or lrusso@lsu.edu.

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Art Talk Winter 2023

STAFF

Mark Tullos, Executive Director Sarah Amacker, Communications & Marketing Specialist LeAnn Dusang, Museum Store Manager / Visitor Services Manager / Membership Coordinator Nedra Hains, Director of Operations & Visitor Services Brandon Lewis, Educator & Public Programs Manager Marianna Luquette, Registrar Sandy Parfait, Business Manager Travis Pickett, Preparator Michelle Schulte, Chief Curator & Director of Public Programs

FRIENDS OF LSU MUSEUM OF ART President: Clarke J. Gernon, Jr. Vice President: Michael Avant Secretary / Treasurer: Robert Bowsher Brad M. Bourgoyne Ann Wilkinson Jeff Bell Kevin Harris

ADVISORY BOARD 2023–2024

Chair: Ben Jeffers Vice Chair: Elizabeth Noland Secretary / Treasurer: Stephen R. Miller Immediate Past Chair: Nancy C. Dougherty Margaret Benjamin Dan Bergeron Luisa Cantillo Renee Erickson Becky Gottsegen Blaine Grimes John Haile Randell Henry Gerri Hobdy Yvette B. Marsh Winifred Reilly Laura A. Siu Darius Spieth Carol Steinmuller Ex-Officio: Clarke J. Gernon, Jr. Ex-Officio: Mark Tullos Office of the Lt. Governor Representative: Susannah Bing Johannsen Honorary: Lt. Governor Billy Nungesser

Supported in part by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council, and the National Endowment for the Arts, a Federal agency.

FOR TICKETS: MANSHIPTHEATRE.ORG • 225-344-0334

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LSU Museum of Art is supported by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council; in part by a grant from the Arts Council of Greater Baton Rouge, funded by the East Baton Rouge Parish MayorPresident & Metro Council; and in part by a grant from South Arts in partnership with the National Endowment for the Arts. LSUMOA thanks the generous donors to the Annual Fund. Toddler Thursday's free admission is sponsored by the Junior League of Baton Rouge.

Generous support provided by Art Bridges Foundation’s Access for All program.

HOURS Tuesday through Saturday: 10 a.m.–5 p.m.

Thursday and Friday: 10 a.m.–8 p.m.

Sunday: 1–5 p.m.

Closed Mondays and major holidays

100 Lafayette Street, Fifth Floor Baton Rouge, LA 70801