COLLECTIONS

Collection Updates

⊲ 1,422 artworks now on LSU MOA online collection database / 289 added this year ⊲ Photography ⊲ Newcomb Pottery ⊲ E. John Bullard American Studio Ceramics

Collection (promised gift to LSU MOA) ⊲ Caroline Durieux ⊲ Chairs from LSU MOA Decorative

Arts collection Acquisitions

⊲ 6 museum purchases includes artists: Whitfield

Lovell, Mario Moore, Letitia Huckaby, Sonya

Clark, John T. Biggers, Elizabeth Catlett ⊲ 31 gifts includes artists: Scott Wheeler; Elemore

Morgan, Jr.; Francisco “Paco” Amighetti,

Malaika Favorite, Deborah Luster, Emerson Bell,

Madelyn Sneed-Grays, Frederick Brown, Arthur

Silverman, and many more ⊲ 3 transfers from LSU School of Art: Sin-Ying

Ho’s Mei Ping no. 1; Akio Takamori’s Figural

Envelope Vase and Figural Teapot

Conservation & Adopt-A-Work

⊲ 5 artworks conserved for exhibitions: Al LaVergne sculpture, Radcliffe Bailey Far Beyond the Valley, 3 works from Form & Fire ceramics exhibition ⊲ 1 artworks conserved through Adopt-A-Work 2019:

Alberta Kinsey’s Antique Shop ⊲ 6 artworks conserved through Adopt-A-Work 2020:

Knute Helder’s Turpentine Pines and Crawfisher’s

Shack; Ellsworth Woodward’s Loading Hay, The

French Market, and The Farm House; Clarence Millet’s

Bourbon Street

The Winifred and Kevin P. Reilly Initiative for Underrepresented Artists supported the acquisition of eight significant works by underrepresented artists for its permanent collection. The Initiative supports growth of LSU Museum of Art’s permanent collection by funding acquisitions of works by Black, Indigenous, and Latinx artists, including those of marginalized sexualities, gender identities, and communities. Winifred and Kevin P. Reilly supported acquisition of major work by MacArthur Fellow Carrie Mae Weems in 2018. In February of 2020, a larger vision came into focus for donor Winifred Reilly: “Kevin and I developed this initiative with the museum staff to support structural change at LSU Museum of Art by fostering greater inclusivity. Supporting LSU MOA’s participation in Of/By/For All Change Network, development of a curatorial fellowship focused on African American art, and acquisitions by underrepresented artists are major steps toward lasting change. We hope this gift will encourage others to join us now and in future gifting to support LSU MOA’s commitment to become a place where everyone sees themselves, their culture, and their values represented.”

Working in conjunction with LSU Museum of Art’s Collecting Plan, which has focused purchasing funds on acquisitions by underrepresented artists since 2017, the Reillys committed an initial 500K to support this initiative to expand the collection in a more representative and inclusive way over two years. During the first year, funding focused on acquiring works by Black artists, including another MacArthur Fellow Whitfield Lovell, Sonya Clark, Radcliffe Bailey, Gordon Parks, Madelyn Sneed-Grays, and Mario Moore. Executive Director Daniel Stetson believes this first wave of acquisitions marks a major step forward: “Last year we celebrated fifteen years in the Shaw Center for the Arts—fifteen years off campus with an expanded focus on contemporary art. Fifteen years before that, LSU left behind its title and role as the Anglo-American Museum of Art. These acquisitions signal another moment of transformation that affirms a foundational commitment to diversity and inclusion for the next fifteen years.”

The Winifred and Kevin P. Reilly Initiative for Underrepresented Artists also funds research for these ambitious acquisitions and new perspectives on LSU Museum of Art’s permanent collection by supporting a newly developed Curatorial Fellowship focusing on African American Art.

IMAGE: Gordon Parks, Untitled, Shady Grove, Alabama, 1956, archival pigment print, 1/7; Purchased with funds from Winifred and Kevin Reilly, All Rights Reserved The Gordon Parks Foundation

Gift of S&S Gallery and Archives: Scott Wheeler (American, b. 1965), Untitled (Portrait of Radcliffe Bailey), 2009, digital print on paper, H. 12 ¼ x W. 18 ½ inches, Gift of S&S Gallery and Archives in recognition of the diverse artists of our time, 2020.2020.7

Gift of Jeffery and Meri Lane: Elemore Morgan, Jr. (American 1931-2008), Levee Curving, 1990, mixed media on museum board, H. 32 1/8 x 39 ¼ inches, Gift of Jeffery and Meri Lane in Honor of Betty G. Young, 2020.8

Gift of Brian and Jacki Schneider: Francisco “Paco” Amighetti (Costa Rican, 1907–1998), Musica Barroca, 1991, chromoxylograph on paper, ed. 6/50, H. 20 x W. 14 ¼ inches, 2020.9.1

Francisco “Paco” Amighetti (Costa Rican, 1907–1998), Nino y nube, 1969, chromoxylograph on paper, edition unknown, H. 20 x W. 11 7/8 inches, 2020.9.2 Francisco “Paco” Amighetti (Costa Rican, 1907–1998), Viaje hacia la noche (Triptico 1), 1988, chromoxylograph on paper, ed. 30/45, H. 20 x W. 30 inches, 2020.9.3

Gift of Thomas Oswald: Malaika Favorite (American, b. 1949), Portrait from the Red Sky, 1982, acrylic on canvas, H. 30 ¼ x W. 20 3/8 inches, 2020.11

Gift of Winifred and Kevin Reilly: Deborah Luster (American, b. 1951), Tooth for an Eye, Ledger 05-29 Location. 1200 St. Philip Date(s). October 5, 1992 Name(s). Ellis Lewis, Jr. (23) Notes. Gunshot to head while fleeing a robbery. 2008–2010, toned silver gelatin print mounted on Dibond, ed. 1/3 + 2 A/P H. 24 x W. 30 inches Gift of Winifred and Kevin Reilly in support of the Reilly Initiative for Underrepresented Artists 2020.14.1

Robert Polidori (CanadianAmerican, b. 1951), 6238 North Miro Street from the series After the Flood, 2005, Fujicolor Crystal archive print on Dibond, ed. 3/10, H. 50 x W. 60 inches, Gift of Winifred and Kevin Reilly in support of the Reilly Initiative for Underrepresented Artists 2020.14.2 Madelyn Sneed-Grays (American, b. 1990), Two Strikes, 2020, oil on canvas, H. 24 x W. 30 inches, Gift of Winifred and Kevin Reilly in support of the Reilly Initiative for Underrepresented Artists, 2020.14.3

Promised gift of Arthur Roger: *gift in progress Frederick Brown (American, 1945–2012), Sarah, 1998, oil on linen, H. 36 x W. 30 inches

Gift of Michael Brown and Linda Green: *gift in progress John Geldersma (American, b. 1942, Untitled from “Shamans” series, c. 2005–2008, hackberry wood, H. 85 x W. 14 ½ x D. 14 ½ inches,

John T. Scott (American, 1940–2007) Untitled, 1987, brass and aluminum; editioned work, H. 20 x W. 4 1/8 x D. 13 inches

Arthur Silverman (American, 1923–2018), Untitled, c. 19801995, painted stainless steel, H. 64 x W. 19 1/4 x D. 19 1/4 inches

Arthur Silverman (American, 1923–2018), Untitled, 1987, painted aluminum; editioned work, H. 10 1/4 x W. 3 1/2 x D. 2 1/8 inches,

Arthur Silverman (American, 1923–2018), Untitled, c. 1990, painted aluminum, H. 56 x W. 24 x D. 17 inches

Gina Laguna (American), Calla Lily, c. 2001, painted steel, H. 18 x W. 56 x D. 30 inches

Gift of Maxine Watts Harris: *gift in progress Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 15 ½ x W. 9 ½ inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 15 ½ x W. 10 ½ inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 18 1/8 x W. 9 ½ inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 16 x W. 12 ½ inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 15 ½ x W. 9 ½ inches Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 19 ½ x W. 9 5/8 inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 18 ¼ x W. 12 ¼ inches

Emerson Bell (American, 1930–2006), Untitled, c. 1970s–1980s, monoprint with mixed media relief on paper, H. 9 3/4 x W. 3 1/4 inches

Emerson Bell (American, 1930–2006), Untitled, c. 1970s–1980s, monoprint with mixed media relief on paper, H. 9 3/4 x W. 3 3/8 inches

Emerson Bell (American, 1930–2006), Untitled [Mother and Child], c. 1970s–1980s, monoprint with mixed media relief on paper, H. 11 ½ x W. 10 inches

Gift of Mary Terrell Joseph: *gift in progress Caroline Durieux (American, 1896–1989), Happy Octopus, c. 1960s color electron print on paper with acrylic paint, A/P, H. 14 ½ x W. 18 inches

Malaika Favorite (American, b. 1949, Brown Girl, c. 1980, etching with India ink on paper, A/P 1, H. 7 x W. 5 inches

Randell Henry (American, b. 1958), Liberian Views, 2011, mixed media on paper, H. 7 x W. 4 ½ inches Gift of Mary Terrell Joseph: *gift in progress Piero Fenci (American, b. 1944), Handbag, 1973, raku-fired ceramic H. 13 ½ x W. 11 x D. 6 inches

Gift of Mr. S. Scott Sewell: *gift in progress Follower of Peter Paul Reubens, The Abduction of Proserpina, oil on panel, H. 62 ½ x W. 24 1/8 inches

TRANSFERS: 3

Transfer from LSU School of Art: Sin-Ying Ho (Chinese-American, b. 1963), Mei Ping no. 1, 2000–2001, porcelain, hand painted cobalt pigment, computer transfer decal, terra sigillata, H. 14 ½ x W. 7 ¼ x D. 7 ¼ inches, 2021.6.1

Akio Takamori (Japanese-American, 1950–2017), Figural Envelope Vase, glazed stoneware, H. 24 x W. 20 x D. 8 inches, 2021.6.2 (pictured top left)

Akio Takamori (Japanese-American, 1950–2017), Figural Teapot, glazed stoneware, H. 12 x W. 10 x D. 6 inches, 2021.6.3

PURCHASES: 6

Whitfield Lovell (American, b. 1959, Cada Dia, 2004, charcoal on wood, chair, H. 46 x W. 35 1/2 x D. 18 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists 2021.1

⊲ GIFT OF MARY TERRELL JOSEPH

Frank Hayden (American, 1934–1988) Jury, c. 1977, mahogany on marble base, LSUMOA 2020.13.1 ⊲ THE REILLY INITIATIVE

Mario Moore (American, b. 1987), During and After the Battle, 2020, oil on linen, Purchased with funds from the Reilly Initiative for Underrepresented Artists, LSUMOA 2021.2

⊲ THE REILLY INITIATIVE

John T. Biggers (American, 1924–2001), Four Seasons, 1990, color lithograph on cream wove paper, ed. 105/120, H. 22 x W. 31 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.5.1

⊲ LSU SCHOOL OF ART TRANSFER

Akio Takamori (Japanese-American, 1950–2017), Figural Envelope Vase, glazed stoneware, LSUMOA 2021.6.2

Akio Takamori (Japanese-American, 1950–2017), Figural Teapot, glazed stoneware, LSUMOA 2021.6.3 ⊲ GIFT OF JEFFERY AND MERI LANE

Elemore Morgan, Jr. (American 1931-2008), Levee Curving, 1990, mixed media on museum board, Gift of Jeffery and Meri Lane in Honor of Betty G. Young, LSUMOA 2020.8

⊲ ANONYMOUS DONOR

Letitia Huckaby (American, b. 1972), Madear, 2010, pigment print on silk,Purchased realized through prior gift of an Anonymous donor, LSUMOA 2021.3

Mario Moore (American, b. 1987), During and After the Battle, 2020, oil on linen, H. 68 x W. 80 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.2

Letitia Huckaby (American, b. 1972), Madear, 2010, pigment print on silk, H. 29 1/2 x W. 41 1/2 inches, Purchased realized through prior gift of an Anonymous donor, 2021.3

Sonya Clark (American, b. 1967), French Braid and Corn Row, 2013, cloth, thread, wool, H. 84 x W. 40 x D. 2 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.4 (pictured page 65)

John T. Biggers (American, 1924–2001), Four Seasons, 1990, color lithograph on cream wove paper, ed. 105/120, H. 22 x W. 31 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.5.1

Elizabeth Catlett (AmericanMexican, 1915–2012), Survivor, 1983, linocut on Arches paper, ed. 530/1000, H. 11 1/8 x W. 10 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.5.2 PRIOR ACQUISITIONS COMPLETED IN FY 2020–2021: 52

Selina Bres Gregory (American, 1870-1953), Untitled [Portrait of an Old Woman], 1895, watercolor on paper, H. 20.5 x W. 17 inches, Purchased with funds donated by the Alma Lee, H.N., and Cary Saurage Fund at BRAF and the Paula G. Manship Museum of Art Endowment for Acquisitions and Conservation, 2019.14

Gift of Lake Douglas: George Valentine Dureau (American, 1930–2014), Untitled (Body of a Man), n.d., mixed media on paper H. 48 x W. 36 ½ inches, 2020.6.1 (conservation pledged by E. John Bullard)

Arthur Silverman (American, b. 1923), Untitled, 1994, aluminum, H. 8 x W. 13 x D. 12 inches, 2020.6.2

Gift of Winifred and Kevin Reilly: David Halliday, (American, b. 1958), photographer Dread Scott (American, b. 1965), organizer, Slave Rebellion Reenactment (Malcolm Suber), c. 2018, archival pigment print, ed. of 5, H. 20 x W. 24 inches, Gift of Winifred and Kevin Reilly in support of the Reilly Initiative for Underrepresented Artists, 2020.10.1 David Halliday (American, b. 1958), photographer, Dread Scott (American, b. 1965), organizer Slave Rebellion Reenactment (Denise Frazier), c. 2018, archival pigment print, ed. of 5, H. 28 x W. 50 inches, Gift of Winifred and Kevin Reilly in support of the Reilly Initiative for Underrepresented Artists, 2020.10.2

Gift of Dr. and Mrs. Trent James: Honoré Daumier (French, 1808–1879), Magot de la Chine, 1834, lithograph on paper, H. 10 5/8 x W. 10 inches, 2020.12.1

Jean Charlot (American, b. France, 1898–1979), Jarana, 1933, chromolithograph on paper, H. 9 x W. 6 inches, 2020.12.2

John Taylor Arms (American, 1887–1953), Bark Metis’ Making Harbor, 1923, color aquatint on paper, H. 11 ¾ x W. 18 inches, 2020.12.3

Mabel Dwight (American, 1876–1955), Old Southern Graveyard (New Orleans), 1929, lithograph on paper H. 10 ½ x W. 31 ½ inches, 2020.12.4

Douglas Ian (Ion) Smart (British, 1879–1970), Barges and Warehouses Thames-Side, n.d., drypoint etching on paper, H. 7 ¾ x W. 11 ¾ inches, 2020.12.5 64

Douglas Ian (Ion) Smart (British, 1879–1970), Kensington Gardens, n.d., drypoint etching on paper, H. 9 5/8 x W. 15 inches, 2020.12.6

Jacques Hnizdovsky (American, b. Ukraine, 1915–1985), Louisiana Champion Live Oak, 1977, woodcut on paper, 11/50, H. 14 ¾ x W. 23 ¾ inches, 2020.12.7

John McCrady (American, 1911–1968), The Robert E. Lee and The Natchez, 1945, lithograph on paper, H. 10 ¾ x W. 14 ¾ inches, 2020.12.8

John McCrady (American, 1911–1968), Steamboat ‘Round the Bend, 1945, lithograph on paper, H. 9 ¾ x W. 14 ¾ inches, 2020.12.9

John McCrady (American, 1911–1968), Carnival in New Orleans, 1941, lithograph on paper, H. 8 3/4 x W. 12 1/4 inches, 2020.12.10

Alice Standish Buell (American, 1892–1964), Patio of Green Shutter Bookshop in New Orleans, n.d., etching on paper, H. 2 1/2 x W. 1 3/4 inches, 2020.12.11

Alice Standish Buell (American, 1892–1964), Spires of St. Louis Cathedral, New Orleans, 1936 etching on paper, ed. of 250 or less, H. 8 ½ x W. 6 1/8 inches 2020.12.12

Morris Henry Hobbs (American, 1892–1967), La Pretre House, 1939, etching on paper, H. 2 ¼ x W. 2 ¼ inches, 2020.12.13

Morris Henry Hobbs (American, 1892–1967), Old Rue Royale, New Orleans, 1941, etching on paper, H. 5 x W. 3 ½ inches, 2020.12.14

Morris Henry Hobbs (American, 1892–1967), The Patio Royal of New Orleans, n.d., etching on paper, H. 4 5/8 x W. 4 3/8 inches, 2020.12.15

Morris Henry Hobbs (American, 1892–1967), Courtyard of the Bosque House, n.d., etching on paper, ed of 500, H. 8 x W. 11 5/8 inches, 2020.12.16

Ellsworth Woodward (American, 1861–1939), Loading Hay, n.d. etching on paper, H. 9 x W. 11 ½ inches, 2020.12.17

Ellsworth Woodward (American, 1861–1939), The French Market New Orleans, n.d., etching on paper, H. 5 ¾ x W. 8 inches, 2020.12.18

Ellsworth Woodward (American, 1861–1939,) The Farm House, 1918, etching on paper, H. 9 ¾ x W. 11 3/8 inches, 2020.12.19

Tim McClure (American, b. 1947), 823 Chartres Street New Orleans, 1976, aquatint on paper, ed. 10/35, H. 11 x W. 10 inches, 2020.12.20 George Overbury “Pop” Hart (American, b. Egypt, 1868–1933), Springtime in New Orleans, 1925, lithograph on paper, H. 10 ½ x W. 13 ½ inches, 2020.12.21

Earl Horter (American, 1881–1940) The Kitchen, New Orleans, 1940, aquatint on paper, H. 13 ¼ x W. 11 1/8 inches, 2020.12.22

Leon R. Pescheret (American, b. England, 1892–1971), New Orleans Patio, n.d., colored etching on paper, H. 13 ¾ x W. 10 ¾ inches, 2020.12.23

Knute Heldner (American, b. Sweden, 1875–1952), Turpentine Pines, n.d., drypoint on paper, H. 9 x W. 6 ¾ inches, 2020.12.24

Knute Heldner (American, b. Sweden, 1875–1952), Crawfisher’s Shack, n.d. drypoint on paper, H. 8 1/8 x W. 10 7/8 inches, 2020.12.25

Winslow Homer (American, 1836–1910), Rebels Outside their Works at Yorktown, 1862, wood engraving on paper, H. 7 3/4 x W. 5 1/4 inches, 2020.12.26

Arthur Briscoe (British, 1873–1943), Flooded Deck, 1931, etching on paper, ed. 19/75, H. 16 x W. 11 inches, 2020.12.27 Arthur Briscoe (British, 1873–1943), The Shadow of the Mainsail, 1932, etching on paper, ed. of 106 or more. H. 7 x W. 12 inches, 2020.12.28

Arthur Briscoe (British, 1873–1943), Hauling the Net Aboard, 1926, etching on paper, ed. 43/ 75, H. 7 x W. 11 7/8 inches, 2020.12.29

Arthur Briscoe (British, 1873–1943), In the Tropics, 1928, etching on paper, ed. 47/75, H. 17 ¼ x W. 11 7/8 inches, 2020.12.30

Arthur Briscoe (British, 1873–1943), Sorting Fish, 1926, etching on paper, ed. 33/75, H. 6 7/8 x W. 10 7/8 inches, 2020.12.31

Arthur Briscoe (British, 1873–1943), Mending the Trawl, 1926, etching on paper, ed. 69/75, H. 6 7/8 x W. 11 ¾ inches, 2020.12.32

Arthur Briscoe (British, 1873–1943), Overhauling the Trawl, 1927, etching on paper, ed. 9/75, H. 10 7/8 x W. 7 1/8 inches, 2020.12.33

Vaughn Woodridge, West Street—Where the Brigs Come In, n.d. drypoint on paper, ed. of 50, H. 9 3/8 x W. 6 inches, 2020.12.34

Gifford Beal (American, 1879–1956), Poling the Seine Boat, 1929, drypoint on paper, ed. of 100, H. 10 1/8 x W. 18 1/16 inches, 2020.12.35

Axel Herman Haig (Swedish, 1835–1921), The Harbour Stockholm, 1892 etching on paper, H. 6 3/4 x W. 15 inches, 2020.12.36

Sergio Gonzalez-Tornero (Chilean, b. 1927), The Etheopian Battleparrot, 1970, colored etching on paper, ed. 127/150, H. 21 1/8 x W. 19 inches, 2020.12.37

Sergio Gonzalez-Tornero (Chilean, b. 1927), The Crusted Trumpeter of Assam, 1970, colored etching on paper, ed. 136/15, H. 21 ¾ x W. 19 inches, 2020.12.38

Sergio Gonzalez-Tornero (Chilean, b. 1927), The Amazonian Grawk, 1970, colored etching on paper, ed. 14/150, H. 21 ¼ x W. 19 inches 2020.12.39

Sergio Gonzalez-Tornero (Chilean, b. 1927), The Himalayan Bird of Earthly Delights, 1975, colored etching on paper, ed. 7/250, H. 26 x W. 36 5/8 inches, 2020.12.40

Sergio Gonzalez-Tornero (Chilean, b. 1927), The Star Spangled Bannerbird, 1975, colored etching on paper, ed. 1/250, H. 25 x W. 35 inches, 2020.12.41 Sergio Gonzalez-Tornero (Chilean, b. 1927), The Melanesian Whooflebird, 1970, colored etching on paper, ed. 118/150, H. 21 ¼ x W. 19 inches (sight), 2020.12.42

W. Ridgeway, engraved by C. Parsons, Capture of New Orleans —Fleet Passing Forts on the Mississippi River, 1873, engraving on paper, H. 6 1/8 x W. 9 ½ inches, 2020.12.43

Alfred R. Waud (American, b. England, 1828–1891), engraved by D.G. Thompson, New Orleans, 1873 hand-colored engraving on paper H. 7 ½ x W. 9 ½ inches, 2020.12.44

William Bell (British, 1734–1794), John Wesley, n.d., engraving, H. 5 x W. 4 3/8 inches, 2020.12.45

Alfred R. Waud (American, b. England, 1828–1891), Coming from church—Scene on the Bayou Lafourche, 1867, wood engraving, ed. unknown, H. 9 1/8 x W. 13 3/4 inches, 2020.12.46

Gift of Mary Terrell Joseph: Frank Hayden (American, 1934–1988), Jury, c. 1977, mahogany on marble base, H. 20 1/2 x W. 7 1/2 x D. 6 inches, 2020.13.1

Albert LaVergne (American, b. 1943), Hand, 1989, fabricated steel H. 24 x W. 20 x D. 20 inches 2020.13.2 OTHER COLLECTIONS UPDATES: NEW LOANS

Sonya Clark (American, b. 1967), French Braid and Corn Row, 2013 cloth, thread, wool, H. 84 x W. 40 x D. 2 inches, Purchased with funds from the Reilly Initiative for Underrepresented Artists, 2021.4

ON LOAN: National Museum of Women in the Arts Washington, D.C. Sonya Clark: Tatter, Bristle, and Mend, March 3–June 27, 2021

OBJECT RECORDS ADDED TO ONLINE DATABASE: 289 TOTAL OBJECTS NOW ONLINE: 1,422

CONSERVATION: 12 TOTAL WORKS CONSERVED

7 through Adopt-a-work Funded through Adopt-a-work 2019: Adopted by Dr. and Mrs. Butler Fuller and Mrs. Becky and Dr. Warren Gottsegen: Alberta Kinsey, Antique Shop, n.d. oil on artist canvas, H. 20 x W. 30 inches, Gift of Dixon Smith, 2008.6.1

FUNDED THROUGH ADOPT-A-WORK 2020:

Adopted by Steven and Beverly Heymsfield: Knute Heldner, Turpentine Pines, n.d., drypoint on paper, H. 7 7/8 x W. 5 3/4 inches, Gift of Dr. and Mrs. Trent James, 2020.12.23

Adopted by Carol Steinmuller: Knute Heldner, Crawfisher’s Shack, n.d., drypoint on paper, H. 7 3/8 x W. 10 1/4 inches, Gift of Dr. and Mrs. Trent James, 2020.12.24

Ellsworth Woodward, Loading Hay, 1932, etching on paper, H. 8 x W. 11 5/8 inches, Gift of Dr. and Mrs. Trent James, 2020.12.16

Adopted by Bob and Linda Bowsher: Ellsworth Woodward, The French Market, New Orleans, c. 1885, etching on paper, H. 5 3/4 x W. 8 1/4 inches, Gift of Dr. and Mrs. Trent James, 2020.12.17 Ellsworth Woodward, The Farm House, 1918, etching on paper, H. 9 x W. 11 inches, Gift of Dr. and Mrs. Trent James, 2020.12.18

Adopted by Nancy Dougherty and Sandy Arst: Clarence Millet, Bourbon Street, n.d., oil on canvas, H. 21 1/2 x W. 25 1/2 inches, Gift of Susie Millet; Transfer from LSU Libraries, Special Collections Dept., 2006.7.2 OTHER WORKS CONSERVED: Al LaVergne Untitled, c. 1990 painted steel, H. 33 x W. 26 x D. 19 inches, Gift from the collection of Michael D. Robinson and Donald J. Boutté, 2017.7.8 (conservation pictured page 69)

Radcliffe Bailey, Far Beyond the Valley, 2003, mixed media on wood, H. 79 x W. 60 1/4 inches, Purchased with funds from Winifred and Kevin Reilly, 2020.2.1

FUNDS PAID BY E. JOHN BULLARD: Ted Randall Moonscape Vessel, 1980, matte-glazed stoneware, H. 8 1/2 x W. 12 x D. 12 3/4 inches, Promised Gift of E. John Bullard, L2021.2.37 (pictured page 68)

Matthew Metz, Covered Box, 2014, glazed porcelain, H. 9 x W. 5 x D. 5 inches, Promised Gift of E. John Bullard, L2021.2.31

Margaret Wildenhain, Covered Jar, c. 1960, glazed stoneware, H. 13 1/2 x W. 11 x D. 16 inches Promised Gift of E. John Bullard, L2021.3.19

IMAGES: Objects Conservator Susie Seborg Anders (pictured above in LSU MOA collections storage) is local to Baton Rouge and worked on this sculpture by Al LaVergne in museum storage.