Lone Star Art Auction Catalogue

Dallas, Texas, October 29, 2022

COVER

25 BILL OWEN

(1942-2013)

And All a Good Night 1994 oil on linen, 24 x 18 inches $12,000 - $18,000

126 BOB KUHN

(1920-2007)

North Country 1991 acrylic on board, 21.5 x 24 inches $100,000-$150,000

CONTENTS 3

Schedule of Events / Contact Information

5

Reservations / Bidding Information

6

Lot 1 – Lot 226

123

Index

125

Sale Terms and Conditions

64 ED MELL

(B. 1942)

Thunderheads 2021 oil on linen board, 12 x 16 inches $10,000 - $15,000

SCHEDULE OF EVENTS All Lone Star Art Auction events will be held at the Renaissance Dallas, a Marriott Bonvoy Hotel, located at 2222 N. Stemmons Freeway in Dallas, Texas on Friday, October 28– Sunday, October 30, 2022.

FRIDAY, OCTOBER 28, 2022 10:00 am-5:30 pm, Auction Art Preview, Grand Ballroom 5:30-7:00 pm, Cocktail Reception, Grand Ballroom 7:00-9:00 pm, Dinner and Special Texas Entertainment, Grand Ballroom

SATURDAY, OCTOBER 29, 2022 9:00 am-12:00 pm, Auction Art Preview, Grand Ballroom 9:00-11:00 am Breakfast and Texas Bloody Mary Bar, Grand Foyer 12:00-5:00 pm, Live Auction, Grand Ballroom 12:00-7:00 pm, Auction Check-Out, Stemmons Ballroom

SUNDAY, OCTOBER 30, 2022 9:00-11:00 am, Auction Check-Out, Stemmons Ballroom

CONTACT Phone: 469.608.7600 Douglas Center Tower, 8333 Douglas Ave., Suite 360 Dallas, Texas 75225 Website: lsartauction.com Presented by Great American West and Phil Berkebile, Jr. • Email: info@lsartauction.com

109 KYLE POLZIN

(B. 1974)

The Chase 2021 oil on canvas, 17.5 x 22.5 inches $70,000-$90,000

RESERVATIONs Renaissance Dallas Hotel 2222 North Stemmons Freeway Dallas, Texas 75207 For hotel room reservations, go to 2022 AUCTION/HOTEL RESERVATIONS at lsartauction.com, or call 214.631.2222.

Special auction room rates will be available through October 6, 2022 and are subject to availability.

BIDDING Lone Star Art Auction offers multiple ways for patrons to bid including attendee, telephone, absentee and online bidding.

Registration is available at lsartuaction.com.

Telephone and Absentee registration must be submitted by 5:00pm CT on October 28.

Online Bidding options: lsartauction.com bidsquare.com liveauctioneers.com Auction results available November 1 at lsartauction.com

auctioneer: Jason Brooks, TXS 16216

1

CYRUS AFSARY

(B. 1940)

Tradition oil on board 14 x 18 inches signed lower left: Cyrus Afsary PROVENANCE Private Collection, Westlake, Texas $4,000-$6,000

2

JOE BEELER

3

ORLAND JOE, SR.

(1931 - 2006)

(B. 1958)

Wild Cow Hunter

Medicine Horse, 1986

watercolor on paper 15.5 x 11.5 inches signed lower right: Joe Beeler

marble 15.25 x 16 x 5.25 inches inscribed on base: OC Joe CA 86

PROVENANCE Private Collection, Westlake, Texas

PROVENANCE Private Collection, Peoria, Arizona

$1,500-$2,500

$1,500-$2,500

-6-

4

GENE SPECK

(B. 1937)

Evening Colors, 2014 oil on board 11 x 14 inches signed lower left: Gene Speck 14 PROVENANCE Private Collection, Westlake, Texas $1,000-$2,000

6

DAVID HALBACH

(B. 1931)

The Forewarning, 2003 watercolor on paper 20 x 29 inches signed lower right: David Halbach CA ‘03 5

C. MICHAEL DUDASH

(B. 1952)

Peace Be Still, 2012

PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

oil on linen panel 36 x 24 inches signed lower left: C. M. Dudash 2012 PROVENANCE Private Collection, Westlake, Texas $8,000-$12,000

-7-

8

7

BRUCE CHEEVER

BRUCE CHEEVER

(B. 1958)

(B. 1958)

Great Plains Warrior

Undaunted

oil on board 60 x 30 inches signed lower left: Bruce Cheever

oil on board 18 x 14.5 inches signed lower right: Bruce Cheever

PROVENANCE Private Collection, Westlake, Texas

PROVENANCE Private Collection, Westlake, Texas

$10,000-$20,000

$2,000-$4,000

-8-

9

G. HARVEY

(1933 - 2017)

Encroachment (Near Georgetown Texas) oil on canvas 24 x 36 inches signed lower right: G. Harvey PROVENANCE Private Collection, Goldthwaite, Texas $15,000-$25,000

10

G. HARVEY

(1933 - 2017)

Autumn Along the Creek, 1969 oil on canvas 24 x 30 inches signed lower right: G. Harvey, 1969 PROVENANCE Private Collection, Goldthwaite, Texas $10,000-$15,000

-9-

11

GEORGE PHIPPEN (1915 - 1966)

In from the Range oil on canvas 30 x 40 inches signed lower left: Geo Phippen PROVENANCE Private Collection, Houston, Texas $4,000-$6,000

12

GEORGE PHIPPEN (1915 - 1966)

Arizona Rockhopper bronze 18 x 27.5 x 10 inches inscribed on base: Arizona Rockhopper Geo. Phippen CA 1915 - 1966 .001 PROVENANCE Private Collection, Peoria, Arizona $7,000-$10,000

- 10 -

13

MARTIN GRELLE

(B. 1954)

Bosque County Chill, 1988 oil on canvas 24 x 36 inches signed lower left: Martin Grelle, 1988 PROVENANCE Private Collection, Bedford, Texas $20,000-$30,000

14

MARTIN GRELLE

(B. 1954)

Autumn Getaway, 1996 oil on linen 9 x 12 inches signed lower right: Martin Grelle CA *96 PROVENANCE Private Collection, Houston, Texas $10,000-$15,000

- 11 -

A Special Tribute to Cowboy Artists of America Member and Friend, Bill Owen (1942 – 2013) THE LONE STAR ART AUCTION is proud to pay tribute to one of the finest Western artists of the last 75 years by offering for sale several of his bronzes, drawings, and paintings coming from four private collections.

“Bill was a friend, and I was proud to have represented him for the last years of his life at the Great American West Gallery” says gallery and Lone Star Art Auction owner Phil Berkebile, Jr. “Bill had not been represented by a gallery for over 15 years when he approached me in 2010 with the From Bill Owen: “It has been said that the most important thing in painting is the composition. I feel that there is no one most important component, that all of them are important. Accuracy is an equally significant part of any painting I do; authenticity matters as much to me as light, color, and composition. I feel that I have an obligation to portray the life of the working cowboy in the most truthful way possible; as a result, I continually research my subjects to ensure that accuracy. No painting is complete, as far as I’m concerned, without a solid grounding in reality.

I find it very gratifying that my work seems to please my working cowboy friends. I value their approval—it convinces me that my work is truly worth the effort.”

- 12 -

idea of representation. He was a living legend and a true cowboy artist in every sense, and I couldn’t have been more humbled.”

16

BILL OWEN

(1942 - 2013)

Ranch Mare, 2004 watercolor on paper 10 x 13.5 inches signed lower right: Bill Owen CA 2004 PROVENANCE Private Collection, Peoria, Arizona

15

BILL OWEN

(1942 - 2013)

$1,500-$2,500

Sackin’ Out a Bronc bronze, 29/45 32.5 x 23 x 14 inches inscribed on base: Bill Owen CA 29/45 PROVENANCE Private Collection, Peoria, Arizona $5,000-$7,000 17

BILL OWEN

(1942 - 2013)

Starving Cowboy, 1986 bronze, 22/25 22.5 x 12.25 x 11 inches inscribed on base: Bill Owen CA 1986 22/25 PROVENANCE Private Collection, Peoria, Arizona $3,000-$5,000

- 13 -

18

BILL OWEN

(1942 - 2013)

At Sunset, 2012 oil on canvas on panel 12 x 9 inches signed lower left: Bill Owen CA 2012 PROVENANCE Private Collection, Peoria, Arizona $3,000-$5,000

19

BILL OWEN

(1942 - 2013)

Takin’ the Jerk, 1976 bronze, 19/25 20 x 16 x 22 inches inscribed on base: Bill Owen CA 1976 19/25 PROVENANCE Private Collection, Peoria, Arizona $3,000-$5,000

- 14 -

20

BILL OWEN

(1942 - 2013)

The Last One, 1995 oil on linen 18 x 24 inches signed lower right: Bill Owen CA 1995 PROVENANCE Private Collection, Nashville, Tennessee $12,000-$18,000

21

BILL OWEN

(1942 - 2013)

Tatanka, 2006 bronze, 21/45 17 x 12 x 15.5 inches inscribed on right: Bill Owen CA 2006 21/45 PROVENANCE Private Collection, Peoria, Arizona $6,000-$9,000

- 15 -

22

BILL OWEN

(1942 - 2013)

A CO Bar Bull and Book, 1982 bronze, J/100 5 x 12.25 x 7 inches inscribed on base: Bill Owen CA 1982 J/100 C0 - (brand) PROVENANCE Private Collection, Peoria, Arizona $1,000-$1,500

23

BILL OWEN

(1942 - 2013)

CO Bar Ranch Bulls, 1982 charcoal on paper 17 x 21 inches signed lower right: Bill Owen CA 1982

24

BILL OWEN

PROVENANCE Private Collection, Pilot Point, Texas

(1942 - 2013)

Horse Head Study, 2010 oil on canvas 7 x 5 inches signed lower right: Bill Owen CA 2010

$3,000-$5,000

PROVENANCE Private Collection, Peoria, Arizona $1,000-$2,000

- 16 -

26

BILL OWEN

The Cutting Horse, 1979

25

BILL OWEN

(1942 - 2013)

bronze, 24/25 19 x 26.5 x 16 inches inscribed on base: Bill Owen CA 1979 24/25

(1942 - 2013)

And All a Good Night, 1994 oil on linen 24 x 18 inches signed lower right: Bill Owen CA 1994

PROVENANCE Private Collection, Peoria, Arizona $4,000-$6,000

PROVENANCE Private Collection, Nashville, Tennessee $12,000-$18,000

27

BILL OWEN

(1942 - 2013)

Doe, Ray and Me, 2008 oil on canvas 11 x 16 inches signed lower right: Bill Owen CA 2008 PROVENANCE Private Collection, Peoria, Arizona $4,000-$6,000

- 17 -

28

BILL OWEN

(1942 - 2013)

Harvey Tank, 1976 oil on canvas 18 x 24 inches signed lower right: Bill Owen CA 76 PROVENANCE Private Collection, Norman, Oklahoma $8,000-$12,000

29

BILL OWEN

(1942 - 2013)

Ride for the Brand, 1992 charcoal on paper 12.5 x 20 inches signed lower right: Bill Owen CA 1992 NAWA PROVENANCE Private Collection, Peoria, Arizona $4,000-$6,000

30

BILL OWEN

(1942 - 2013)

A Little Cowboy’s Delight, 1980 bronze, 10/30 14 5 x 19.5 x 11 inches inscribed on base: Bill Owen CA 1980 10/30 PROVENANCE Private Collection, Peoria, Arizona $2,000-$3,000

- 18 -

31

BILL OWEN

(1942 - 2013)

Bill Owen’s Custom Saddle by John Herron (with accessories) leather, rawhide, wood, brass, wool 44 x 28 x 20 inches inscribed on saddle back and seat: John Herron Saddle Maker Chino Valley AZ (Owen Cattle Brand on Seat) Bill custom ordered this saddle in 2012 and it is the one he used on his final Cowboy Artists of America trail ride held in 2013 on the famous 6666’s ranch in Guthrie, Texas. Bill passed just three weeks later, after he and the other CAA members broke camp at the historic Texas ranch.

PROVENANCE Private Collection, Peoria, Arizona $5,000-$10,000

32

BILL OWEN

(1942 - 2013)

Bill Owen’s Custom Bit and Spurs by Steve Schmitt nickel silver, steel, leather, rawhide inscribed on spurs: Steve Schmitt with Bill Owen initials and brand; inscribed on bit: Steve Schmitt with Bill Owen brand

PROVENANCE Private Collection, Peoria, Arizona $1,000-$2,000

- 19 -

34

BILL OWEN

(1942 - 2013)

A Cowboy’s Potlicker, 2004 bronze, AP 1/40 6 x 13 x 13 inches inscribed on base: Bill Owen CA 2004 AP1/40

33

BILL OWEN

(1942 - 2013)

Blue, 2006

PROVENANCE Private Collection, Peoria, Arizona

watercolor on paper 13.5 x 10 inches signed lower right: Bill Owen CA 2006 NAWA

$1,000-$2,000

PROVENANCE Private Collection, Peoria, Arizona $1,500-$2,500

35

BILL OWEN

(1942 - 2013)

Cow Head, 2005 watercolor on paper 9.5 x 7.75 inches signed lower right: Bill Owen CA 2005 PROVENANCE Private Collection, Peoria, Arizona $1,000-$1,500

- 20 -

36

R. TOM GILLEON

(B. 1942)

Another Bucker, 2022 oil on canvas 60 x 60 inches signed lower right: R. Tom Gilleon PROVENANCE The Artist $250,000-$300,000

“Robert Lindenaux was another artist painting at the same time as Charlie Russell. He was also a photographer and captured scenes of the West on old glass plates. I came upon one of his photographs at an estate sale of a rodeo in Cody, Wyoming, taken between the late 1800s- early 1900s. I was so taken by the photograph that I purchased it with the intention of turning it into a painting. But when I began painting the photograph, I improvised. And instead of painting the cowboy on the horse as in the photo, I painted an Indian brave on the horse instead. I did this because I believe the best cowboys were the Indians. The painting is a play on ‘cowboys and Indians,’ depicting a role reversal of the “cowboys” rodeo ground with the cowboy being an ‘Indian.’ I came up with the title after thinking how humorous it would be to hear a fast-talking auctioneer say it out loud, but of course also because the horse is bucking.” — Tom Gilleon, artist

- 21 -

37

R. TOM GILLEON

(B. 1942)

Yellowstone Reflections, 2022 oil on canvas 50 x 40 inches signed lower right: R. Tom Gilleon PROVENANCE The Artist $175,000-$225,000

- 22 -

38

R. TOM GILLEON

(B. 1942)

Wolfe Butte Camp, 2022 oil on canvas 10 x 12 inches signed lower right: R. Tom Gilleon PROVENANCE The Artist $18,500-$22,500

39

JOHN COLEMAN

(B. 1949)

The New Comers 1804, 2012 bronze, 13/20 37 x 24 x 15 inches inscribed on base: 1804 The New Comers John Coleman CA 13/20 2012 PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

40

BRENT COTTON

(B. 1972)

The Setting Sun, 2010 oil on canvas 24 x 20 inches signed lower right: Cotton PROVENANCE Private Collection, Westlake, Texas $5,000-$7,000 - 23 -

41

BILL SCHENCK

(B. 1947)

The Crossing, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21 PROVENANCE Private Collection, Westlake, Texas $10,000-$15,000

42

BILL SCHENCK

(B. 1947)

Sunset on the Sand Hills, 2021 oil on canvas 36 x 36 inches signed lower right: Schenck 21 PROVENANCE Private Collection, Westlake, Texas $10,000-$15,000

- 24 -

43

WILLIAM ACHEFF

(B. 1947)

Color in the Forest, 2004 oil on canvas 40 x 30 inches signed lower right: Wm Acheff 2004 PROVENANCE Private Collection, Indio, California $50,000-$70,000

- 25 -

44

WILLIAM ACHEFF San Juan Pueblo Pots and Moccasins, 1998 oil on canvas 20 x 30 inches signed lower right: W. M. Acheff 1998 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

45

CONRAD SCHWIERING

46

CONRAD SCHWIERING

(1916 - 1986)

(1916 - 1986)

The Conference Tree

Range Land Babysitter

oil on board 16 x 20 inches signed lower right: Schwiering

oil on board 16 x 20 inches signed lower right: Schwiering

PROVENANCE Private Collection, Pilot Point, Texas

PROVENANCE Private Collection, Pilot Point, Texas

$3,000-$5,000

$3,000-$5,000

- 26 -

(B. 1947)

47

BURT PROCTOR

(1901 - 1980)

Noon oil on canvas 20 x 24 inches signed lower left: Burt Proctor PROVENANCE Private Collection, Fredericksburg, Texas $6,000-$8,000

48

MICHAEL GODFREY

49

MICHAEL GODFREY

(B. 1958)

(B. 1958)

A Window in the Aspens

Snow Scene

oil on canvas 48 x 36 inches signed lower right: Michael Godfrey

oil on canvas 30 x 30 inches signed lower left: Michael Godfrey

PROVENANCE Private Collection, Westlake, Texas

PROVENANCE Private Collection, Westlake, Texas

$7,000-$10,000

$4,000-$6,000

- 27 -

50

CHARLES PARTRIDGE ADAMS (1858 - 1942)

Evening in the Chicago Basin…

Silverton, Colorado oil on canvas 14 x 18 inches signed lower left: Charles Partridge Adams PROVENANCE Private Collection, Plano, Texas $8,000-$12,000

51

CHARLES PARTRIDGE ADAMS (1858 - 1942)

Edge of the Aspen Grove oil on canvas 18 x 24 inches signed lower left: Charles Partridge Adams PROVENANCE Private Collection, Plano, Texas $8,000-$12,000

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52

E. MARTIN HENNINGS

(1886 - 1956)

The Wagon Road, circa 1940’s oil on canvas 25 x 30 inches signed lower left: E. Martin Hennings PROVENANCE Private Collection, Pilot Point, Texas $150,000-$250,000

- 29 -

53

E. MARTIN HENNINGS (1886 - 1956)

Spanish Town – Cercidilla oil on canvas on panel 14 x 14 inches signed lower left: E. M. Hennings PROVENANCE Private Collection, Dallas, Texas $35,000-$55,000

54

E. MARTIN HENNINGS (1886 - 1956)

Mother and Child oil on canvas on panel 14 x 14 inches signed lower left: E. M. Hennings PROVENANCE Private Collection, Fredericksburg, Texas $25,000-$35,000

- 30 -

55

JOSEPH HENRY SHARP

(1859 - 1953)

Dolly, Taos oil on cedar cigar box lid 8 x 5.75 inches signed lower left: J. H. Sharp PROVENANCE Private Collection, Pilot Point, Texas $15,000-$25,000

- 31 -

56

ERIC BOWMAN

(B. 1960)

Though Storms Encompass Me, 2022 oil on canvas 30 x 30 inches signed upper left: Bowman PROVENANCE Private Collection, Logan, Utah $20,000-$30,000

57

ERIC BOWMAN

(B. 1960)

I Turned to Listen, 2022 oil on linen 16 x 20 inches signed lower left: Bowman PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

- 32 -

58

GLENN DEAN

(B. 1976)

The End of a Good Day, 2022 oil on canvas 32 x 40 inches signed lower left: G. Dean PROVENANCE Private Collection, Dallas, Texas $30,000-$40,000

- 33 -

59

GLENN DEAN

(B. 1976)

Finding a Place in the Sun, 2020 oil on board 16 x 20 inches signed lower right: G. Dean PROVENANCE Private Collection, Houston, Texas $10,000-$15,000

60

ALLAN HOUSER

(1914 - 1994)

The Night Song, 1985 bronze, 8/20 10.75 x 7.75 x 5.5 inches inscribed on back: Allan Houser 8/20 85 PROVENANCE Private Collection, Newton, Pennsylvania $5,000-$7,000

- 34 -

61

LOGAN MAXWELL HAGEGE

(B. 1980)

Weather Beyond the Mesa, 2022 oil on linen 25 x 32 inches signed lower right: LMH PROVENANCE Private Collection, Dallas, Texas $50,000-$70,000

- 35 -

62

ED MELL

(B. 1942)

Mesa Sunset oil on linen 24.25 x 64 inches signed lower right: Ed Mell PROVENANCE Private Collection, Dallas, Texas $40,000-$50,000

63

ED MELL

(B. 1942)

Nocturne Glow, 2015 oil on linen 20 x 30 inches signed lower right: Ed Mell PROVENANCE Private Collection, Dallas, Texas $25,000-$35,000

- 36 -

64

ED MELL

(B. 1942)

Thunderheads, 2021 oil on linen board 12 x 16 inches signed lower left: Ed Mell PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

65

ED MELL

(B. 1942)

Dancing Bloom, 2021 oil on linen board 15.25 x 13.875 inches signed lower right: Ed Mell PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 37 -

66

ANDY WARHOL

(1928 - 1987)

War Bonnet Indian screenprint on Lenox Museum Board, TP 6/36 36 x 36 inches signed lower left: Andy Warhol TP 6/36 PROVENANCE Private Collection, Paradise Valley, Arizona

War Bonnet Indian was one of fourteen screenprints in the portfolio titled Cowboys and Indians produced by the artist in 1986. Trial Proof Edition Prints are unique works that were pulled during the proofing process of an edition, and each reflects unique color and/or composition changes. This example signed TP 6/36, is a true one-of-one, piece unique, making it very rare and highly collectible.

$150,000-$200,000

- 38 -

67

OSCAR BERNINGHAUS

(1874 - 1953)

Pueblo Canyon Forest mixed media on paper 12 x 17 inches signed lower left. O. E. Berninghaus Taos PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 39 -

68

GERALD CURTIS DELANO (1890 - 1972)

Cattle Country oil on board 20 x 24 inches signed lower right: Delano PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

69

GERALD CURTIS DELANO (1890 - 1972) The Lookout watercolor on paper 8 x 15 inches signed lower right: Delano (Cypher Only) PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 40 -

70

WILLIAM R. LEIGH

(1866 - 1955)

Buffalo, 1956 bronze 16 x 20 x 10 inches inscribed on base: W. R. Leigh/ Ethel Traphagen Leigh 1956 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

71

WILLIAM R. LEIGH

(1866 - 1955)

Hopi Pottery Painter oil on panel 8 x 10 inches signed lower left: W. R. Leigh PROVENANCE Private Collection, Dallas, Texas $30,000-$40,000

- 41 -

72

FREDERIC SACKRIDER REMINGTON

(1861 - 1909)

The Sergeant, 1904 bronze, Lifetime Casting No. 8 10.5 inches high inscribed: Frederc [sic] Remington/Copyrighted 1904 Roman Bronze Works N.Y. 8 (inside base) This casting of The Sergeant, completed in 1904, was a departure from Remington’s action bronzes of the period.

Copyrighted by the artist as “Bust of Rough Rider Sargeant (sic),” it depicts the portrait of a seasoned soldier. The present cast is number 8 out of an edition of approximately 150 total produced and only 20 lifetime casts—making it very rare.

PROVENANCE Private Collection, Dallas, Texas $70,000-$100,000

73

FREDERIC SACKRIDER REMINGTON (1861 - 1909) In the Desert gouache and ink wash on paper 10 x 13 inches signed lower left: Remington PROVENANCE Private Collection, Dallas, Texas $60,000-$90,000

- 42 -

74

FREDERIC SACKRIDER REMINGTON

(1861 - 1909)

The Rattlesnake, 1918 bronze, No. 65 23.875 x 17.5 x 11 inches inscribed: Copyright by Frederic Remington ROMAN BRONZE WORKS N.Y. N-65 (under base) The Rattlesnake depicts a rearing bronc and rider, posed masterfully in a spiraling sweep of motion and it became one of Remington’s most popular works. A Collier’s Magazine review called it “the work of a master’s hand.” Approximately one hundred castings were produced before the artist ordered destruction of the models. The present casting from Roman Bronze Works in New York is number 65 completed on May 31, 1918.

PROVENANCE Private Collection, Dallas, Texas $150,000-$250,000

- 43 -

75

EANGER IRVING COUSE

(1866 - 1936)

The Speaker oil on panel 10.5 x 16.25 inches signed lower right: E. I. Couse N.A. PROVENANCE Private Collection, Dallas, Texas $70,000-$90,000

- 44 -

76

EANGER IRVING COUSE

(1866 - 1936)

The Pottery Painter oil on canvas 12 x 16 inches signed lower right: E. I. Couse PROVENANCE Private Collection, Plano, Texas $30,000-$50,000

77

EANGER IRVING COUSE

(1866 - 1936)

Watching the Fish oil on panel 8 x 10 inches signed lower right: E. I. Couse N.A. PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 45 -

78

HOWARD TERPNING

(B. 1927)

Cold Montana Morning, 1984 mixed media on board 8.5 x 11.5 inches signed lower left: Terpning CA 1984 PROVENANCE Private Collection, Dallas, Texas $40,000-$60,000

79

HOWARD TERPNING

(B. 1927)

Northern Plains Brave, 2007 charcoal on paper 8 x 8 inches signed lower right: Terpning CA 2007 PROVENANCE Private Collection, Dallas, Texas $7,000-$9,000

- 46 -

80

JOHN COLEMAN

(B. 1949)

Honeymoon at Crow Fair, 2012 bronze, 19/20 25.5 x 17 x 8 inches inscribed on base: John Coleman CA 2012 19/20 PROVENANCE Private Collection, Dallas, Texas $25,000-$35,000

81

Z. S. LIANG

(B. 1953)

Overlooking the Two Medicine River, 1806

oil on canvas 38 x 58 inches signed lower right: Z. S. Liang

PROVENANCE Private Collection, Plano, Texas $70,000-$90,000

- 47 -

82

JIM NORTON

(B. 1953)

Land of Good Beaver, 2004 oil on canvas 30 x 46 inches signed lower left: Jim C. Norton CA PROVENANCE Private Collection, Dallas, Texas $25,000-$45,000

- 48 -

83

BEV DOOLITTLE

(B. 1947)

Wolves of the Crow watercolor on paper 18.375 x 47.5 inches signed lower left: Bev Doolittle PROVENANCE Private Collection, Westlake, Texas $30,000-$50,000

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84

CHARLES MARION RUSSELL

(1864 - 1926)

Indian Women Moving Camp, 1894 watercolor on paper 22.25 x 33.5 inches signed lower left: CMRussell with Buffalo Cipher ‘94 Ginger Renner wrote of this and a second work, “A short vacation trip to London resulted in the acquisition of these companion watercolors. Quite likely they were purchased from the artist by one of the many Englishmen who came into Southern Alberta and Northern Montana toward the end of the 19th century, lured by the prospect of ranching investments.

The watercolors had been in England eighty years when found, rather by accident, in Sotheby’s auction house in Belgravia.

These two watercolors are among the largest ever painted by Russell.”

PROVENANCE Private Collection, Dallas, Texas $225,000-$275,000

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85

CHARLES MARION RUSSELL

(1864 - 1926)

Indian Portrait, 1901 watercolor on paper 12 x 10 inches signed lower left: CMR with Buffalo Cipher 1901 PROVENANCE Private Collection, Dallas, Texas $70,000-$100,000

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86

CHARLES MARION RUSSELL

(1864 - 1926)

Indian on Horseback pen, ink and gouache on paper 10.5 x 7.5 inches signed lower left: CMR with Buffalo Cipher PROVENANCE Private Collection, Dallas, Texas $40,000-$60,000

87

KENNETH PAULING RILEY

(1919 - 2015)

Out of the Sun oil on canvas 26 x 19 inches signed lower right: Kenneth Riley PROVENANCE Private Collection, Dallas, Texas $25,000-$35,000

- 52 -

88

JOHN COLEMAN

(B. 1949)

Oracle of the Buffalo Nation, 2021 oil on canvas 30 x 20 inches signed lower right: John Coleman CA PROVENANCE Private Collection, Dallas, Texas $45,000-$65,000

89

JOHN COLEMAN

(B. 1949)

Crazy Horse 1876, 2020 bronze, 2/20 27 x 18 x 13 inches inscribed: Crazy Horse 1876 John Coleman CA 2020 2/20 PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 53 -

90

KENNETH PAULING RILEY

(1919 - 2015)

Blood Brother oil on canvas 40 x 44 inches signed lower right: Kenneth Riley CA PROVENANCE Private Collection, Dallas, Texas $50,000-$80,000

91

JOHN COLEMAN

(B. 1949)

Mato-Tope 1833, 2021 bronze, 13/20 31 x 14 x 11 inches inscribed: John Coleman CA 2021 13/20 PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 54 -

92

TOM LOVELL

(1909 - 1997)

White Man’s Corn Tipis, 1993 oil on gesso panel 14 x 12 inches signed lower right: Tom Lovell ‘93 PROVENANCE Private Collection, Dallas, Texas $30,000-$40,000

93

TOM LOVELL

(1909 - 1997)

White Man’s Corn Tipis, 1992 charcoal on paper 28.5 x 24 inches signed lower right: Tom Lovell 1992 PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 55 -

94

CLARK HULINGS

95

ARTHUR FITZWILLIAM TAIT

(1922 - 2011)

Man From Belmonte (Spain), 1967

Baby Chicks, 1864

oil on canvas 22 x 33 inches signed lower right: Hulings 1967

oil on board 10 x 12 inches signed lower right: A. F. Tait 1864

PROVENANCE Private Collection, Dallas, Texas

PROVENANCE Private Collection, Dallas, Texas

$30,000-$50,000

$6,000-$8,000

(1819 - 1905)

96

TUCKER SMITH

(B. 1940)

Goats of Norway, 2004 oil on canvas 20 x 24 inches signed lower right: Tucker Smith 04 PROVENANCE Private Collection, Dallas, Texas $7,000-$10,000

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97

JIM NORTON

(B. 1953)

Where Eagles Fly, 1995 oil on canvas 36 x 48 inches signed lower left: Jim C. Norton CA PROVENANCE Private Collection, Dallas, Texas $30,000-$50,000

- 57 -

98

JIM NORTON

(B. 1953)

Through the Bog oil on board 12 x 16 inches signed lower left: Jim C. Norton NWR PROVENANCE Private Collection, Houston, Texas $4,000-$6,000

99

TOM BROWNING

(B. 1949)

Easy Crossing oil on board 12 x 10 inches signed lower right: Tom Browning CA PROVENANCE Private Collection, Westlake, Texas $3,000-$5,000

100

TOM BROWNING

(B. 1949)

When the Hills are Kissed by the Sun oil on board 12 x 24 inches signed lower right: Tom Browning CA PROVENANCE Private Collection, Westlake, Texas $5,000-$8,000

- 58 -

101

GEORGE HALLMARK

(B. 1949)

The Heart of Texas (Alamo, circa 1920), 2022 oil on linen 48 x 36 inches signed lower right: Hallmark PROVENANCE The Artist $35,000-$55,000

- 59 -

102

JIM CARSON

(B. 1942)

Defiant Rebels, 2005 oil on canvas 20 x 30 inches signed lower right: Carson 2005

103

PROVENANCE Private Collection, Needham, Massachusetts

Crockett’s Prayer, 2005

JIM CARSON

(B. 1942)

oil on canvas 15 x 12 inches signed lower right: Carson 2005

$6,000-$8,000

PROVENANCE Private Collection, Needham, Massachusetts $2,000-$3,000

104

BRUCE R. GREENE

(B. 1953)

Crockett’s Prayer bronze, 1/12 15 x 20 x 20 inches inscribed on base: Bruce R. Greene 1/12 PROVENANCE Private Collection, Needham, Massachusetts $2,000-$3,000

- 60 -

105

JIM CARSON

(B. 1942)

Crockett, 2004 oil on canvas 15 x 12 inches signed lower right: Carson 2004 PROVENANCE Private Collection, Needham, Massachusetts $2,000-$3,000

106

JIM CARSON

(B. 1942)

The Army of Santa Anna oil on canvas 34 x 54 inches unsigned

PROVENANCE Private Collection, Needham, Massachusetts $15,000-$25,000

- 61 -

107

CARSON THOMAS Visalia Stock Saddle, 2005 leather, rawhide, wood, nickel silver, wool 34.5 x 17 x 19.5 inches inscribed on plate: Visalia Stock Saddle

by Carson Thomas 1/1 PROVENANCE Private Collection, Peoria, Arizona $15,000-$25,000

Carson Thomas is a second-generation saddle maker who in the 1970’s also began making halfscale saddles to visually chronicle the Western saddle’s evolution. This model is based on a style that was popular west of the Rockies from the late 1880s to 1900. Visalia saddles are often fully carved or stamped. The influence comes from the California vaqueros (Mexican cowboys) who elaborately decorated their saddles.

- 62 -

108

HENRY MERWIN SHRADY

(1871 - 1922)

Elk Buffalo bronze 22.5 x 27 x 12 inches inscribed on base: HM Shrady Copyright 1900 TB Starr Elk Buffalo by Henry Merwin Shrady is perhaps the most remarkable sculpture to capture the Old West in terms of its naturalism and quality of casting. The bronze exemplifies the artist’s command of animal anatomy, acquired in his biological studies at Columbia University and through his observations of animals at the Bronx Zoo. According to Roman Bronze Works, Inc. President and founder, Riccardo Bertelli, Elk Buffalo “is very rare as I think we only cast in bronze five or six copies of it.” Artist Frederic Remington was so impressed by Shrady’s Elk Buffalo, that he purchased an example in 1908, calling it “bye (sic) and large the best buffalo I ever saw modeled and it has become one of the things that I had to own.”

PROVENANCE Private Collection, Dallas, Texas $200,000-$300,000

- 63 -

109

KYLE POLZIN

(B. 1974)

The Chase, 2021 oil on canvas 17.5 x 22.5 inches signed lower right: Polzin PROVENANCE Private Collection, Dallas, Texas $70,000-$90,000

- 64 -

110

KYLE POLZIN

(B. 1974)

Treasures of a Nation, 2021 oil on canvas 30 x 50 inches signed lower right: Polzin PROVENANCE Private Collection, Dallas, Texas $90,000-$120,000

- 65 -

111

G. HARVEY

(1933 - 2017)

A Child’s Holiday, 2007 oil on canvas 24 x 20 inches signed lower right: G. Harvey PROVENANCE Private Collection, Dallas, Texas $55,000-$75,000

- 66 -

112

G. HARVEY

(1933 - 2017)

Baytown Rigs

oil on canvas 24 x 36 inches signed lower left: G. Harvey

PROVENANCE Private Collection, Houston, Texas $40,000-$50,000

113

G. HARVEY

(1933 - 2017)

Stampede, 2001 bronze, 4/45 14.5 x 27.5 x 12 inches inscribed on base: G. Harvey Stampede 2001 4/45 PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 67 -

115

114

G. HARVEY

G. HARVEY

(1933 - 2017)

(1933 - 2017)

People of Paris, 1978

Place De La Concorde, 1978

oil on canvas 14 x 10 inches signed lower left: G. Harvey 1978

oil on canvas 14 x 10 inches signed lower right: G. Harvey 1978

PROVENANCE Private Collection, Dallas, Texas

PROVENANCE Private Collection, Dallas, Texas

$8,000-$12,000

$8,000-$12,000

116

GUY CARLETON WIGGINS

(1883 - 1962)

Winter 5th Avenue at St. Patrick’s oil on canvas board 12 x 9 inches signed lower right: Guy Wiggins PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 68 -

117

HARRY ANDREW JACKSON

(1924 - 2011)

Two Champs, 1978 bronze (patinated) 51 x 36 x 22 inches inscribed: Harry Jackson 1978 TCF 5P signed: Harry Jackson 1990 PROVENANCE Private Collection, Houston, Texas $40,000-$60,000

- 69 -

118

HARRY ANDREW JACKSON

(1924 - 2011)

The Pony Express, 1967 bronze, 11 17.75 x 21.75 x 13.5 inches inscribed on base: Harry Jackson 1967 11 PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

119

HARRY ANDREW JACKSON (1924 - 2011)

The Marshall III, 1979 bronze (patinated) 12 x 12 x 3.5 inches inscribed: Harry Jackson 79 MAIIIP 20P PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

- 70 -

120

ROBERT PUMMILL

(B. 1936)

Land of the Brush Poppers, 1980 oil on board 36 x 48 inches signed lower left: Pummill ‘80 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

121

BOB WYGANT

(1927 - 2008)

Overlooking the Rio Grande acrylic on board 18 x 24 inches signed lower right: Bob Wygant TA PROVENANCE Private Collection, Houston, Texas $6,000-$9,000

- 71 -

122

MELVIN CHARLES WARREN (1920-1995)

A Texas Ranch, 1966 oil on canvas 28 x 40 inches signed lower right: Melvin C. Warren 1966 PROVENANCE Private Collection, Houston, Texas $25,000-$35,000

123

MELVIN CHARLES WARREN (1920-1995)

Little Joe, Don Eagle, 1987 oil on canvas 14 x 28 inches signed lower right: Melvin C. Warren CA 1987 PROVENANCE Private Collection, Houston, Texas $15,000-$25,000

124

MELVIN CHARLES WARREN (1920-1995)

Texas Longhorn, 1974 bronze, 1/60 9.75 x 13.5 x 7 inches inscribed on base: Texas Longhorn Melvin C. Warren CA 1/60 1974 Amel PROVENANCE Private Collection, Dallas, Texas $4,000-$6,000

- 72 -

125

JAMES EARLE FRASER

(1876 - 1953)

End of the Trail bronze, 24 34.25 x 30.5 x 10.5 inches inscribed on base: J. E. Fraser SU 24 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 73 -

126

BOB KUHN

(1920 - 2007)

North Country, 1991 acrylic on board 21.5 x 24 inches signed lower right: Kuhn PROVENANCE Private Collection, Dallas, Texas $100,000-$150,000

- 74 -

127

BOB KUHN

(1920 - 2007)

On Desert Slopes acrylic on board 14 x 18 inches signed lower left: Kuhn PROVENANCE Private Collection, Houston, Texas $70,000-$90,000

128

BOB KUHN

(1920 - 2007)

Watchful Eyes acrylic on board 12.5 x 10 inches signed lower middle right: Kuhn PROVENANCE Private Collection, Houston, Texas $25,000-$35,000

- 75 -

129

BOB KUHN

(1920 - 2007)

Bighorns conte crayon on paper 9.25 x 12.25 inches signed lower right: Kuhn PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

130

BOB KUHN

(1920 - 2007)

Cape Buffalo conte crayon on paper 9 x 10.5 inches signed lower right: Kuhn PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

131

TIM SHINABARGER

(B. 1966)

Sik Sik Shell Game bronze, 25/30 23 x 21 x 15 inches inscribed: Sik Sik Shell Game, Shinabarger 25/30 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 76 -

132

JOHN BANOVICH

(B. 1964)

Buffalo Run, 2014 oil on linen 48 x 60 inches signed lower right: Banovich 2014 PROVENANCE Private Collection, Westlake, Texas $50,000-$70,000

- 77 -

133

RICHARD DAVID SHEPHERD

(1930 - 2017)

Elephant and Termite Mound, 1984 oil on canvas 23 x 44 inches signed lower right: David Shepherd 84

PROVENANCE Private Collection, Houston, Texas $60,000-$80,000

134

KEN CARLSON

(B. 1937)

Shade at Noon oil on board 13 x 18 inches signed lower right: Carlson PROVENANCE Private Collection, Houston, Texas $8,000-$12,000

- 78 -

135

136

KEN CARLSON

KEN CARLSON

(B. 1937)

(B. 1937)

Pheasants

Bobwhites

oil on canvas 24 x 18 inches signed lower right: Carlson

oil on canvas 12 x 9 inches signed lower right: Carlson

PROVENANCE Private Collection, Dallas, Texas

PROVENANCE Private Collection, Dallas, Texas

$6,000-$8,000

$4,000-$6,000

137

KEN CARLSON Winner Take All

(B. 1937)

oil on board 28 x 42 inches signed lower left: Carlson

PROVENANCE Private Collection, Houston, Texas $40,000-$50,000

- 79 -

138

KEN CARLSON

(B. 1937)

Wrapped in Color oil on board 12 x 16 inches signed lower right: Carlson PROVENANCE Private Collection, Houston, Texas $12,000-$15,000

139

JOHN COWAN

(1920 - 2008)

The Groins, Captiva watercolor on paper 22 x 30 inches signed lower left: Cowan PROVENANCE Private Collection, Houston, Texas $30,000-$40,000

- 80 -

140

LUKE FRAZIER

(B. 1970)

Boss of the Badlands, 2022 oil on canvas 46 x 46 inches signed upper right: L. Frazier PROVENANCE The Artist $40,000-$60,000

- 81 -

141

JOHN BANOVICH Sign of a Worthy Competitor, 2015 oil on linen 30 x 42 inches signed lower left: Banovich 2015 PROVENANCE Private Collection, Westlake, Texas $12,000-$18,000

142

MICK DOELLINGER

143 (B. 1956)

Defiant, 2017 bronze, 5/30 18 x 25 x 10 inches inscribed on base: Doellinger 2017 5-30 PROVENANCE Private Collection, Westlake, Texas $3,000-$6,000

BONNIE MARRIS (B. 1951)

Winter Buffalo oil on canvas 24 x 12 inches signed lower right: B Marris PROVENANCE Private Collection, Westlake, Texas $4,000-$6,000

- 82 -

(B. 1964)

144

LUKE FRAZIER

(B. 1970)

Brittany & Quail oil on board 12 x 20 inches signed lower right: L. Frazier PROVENANCE Private Collection, Houston, Texas $6,000-$9,000 145

WALTER MATIA (B. 1953)

Covey Rise, 2007 bronze, 36/48 18.75 x 30 x 10.5 inches inscribed on base: Matia 36/48 07 PROVENANCE Private Collection, Dallas, Texas $6,000-$9,000

- 83 -

146

JOHN DEARMAN Covey Rise watercolor on paper 14.5 x 22 inches signed lower right: John Dearman PROVENANCE Private Collection, Houston, Texas $4,000-$6,000

147

JOHN DEARMAN Morning Bag, 1986 watercolor on paper 18 x 26.5 inches signed lower right: John Dearman 1986 PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

- 84 -

148

REVEAU MOTT BASSETT

(1897 - 1981)

Mallards oil on canvas 24 x 30 inches unsigned PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

149

REVEAU MOTT BASSETT (1897 - 1981)

Ducks in Flight – Field Sketch oil on board 12 x 16 inches signed lower left: Reveau Bassett Field Sketch PROVENANCE Private Collection, Dallas, Texas $5,000-$8,000

- 85 -

150

JIM MORGAN

(B. 1947)

Forever Mates oil on board 24 x 36 inches signed lower right: Jim Morgan PROVENANCE Private Collection, Houston, Texas $9,000-$12,000

151

FRANK STICK

(1884 - 1966)

Rabbit Hunters oil on canvas 36 x 27.75 inches signed lower left: Frank Stick PROVENANCE Private Collection, Dallas, Texas $10,000-$20,000

- 86 -

152

JOHN MIX STANLEY (1814 - 1872)

Assiniboine Encampment oil on canvas 18 x 12 inches signed lower right: J M Stanley PROVENANCE Private Collection, Dallas, Texas $250,000-$350,000 An extensive traveler throughout the vast Western frontier in the first half of the nineteenth century, John Mix Stanley ranks among the earliest and most celebrated chroniclers of the American West through his powerful images of Native American culture, and today, most of his paintings and drawings reside in institutional collections. In 1853, he made his last trip West as the official artist for the Stevens Pacific Railroad Survey, which traveled from Saint Paul to the Puget Sound. Upon his return, Stanley settled as a studio artist and attempted to establish an “Indian Gallery” of his art in the manner of George Catlin, receiving positive praise for his work by contemporary Seth Eastman. Unfortunately, the majority of the gallery was lost to a fire at the Smithsonian Institute in 1865, making the present work a supremely rare surviving example of Stanley’s important oil paintings.

- 87 -

153

ALBERT BIERSTADT

(1830 - 1902)

Mountain Stream oil on paper on canvas 13 x 19 inches signed lower left: ABierstadt PROVENANCE Private Collection, Dallas, Texas $30,000-$50,000

154

SYDNEY MORTIMER LAURENCE Mt. McKinley oil on board 10 x 8 inches signed lower right: Sydney Laurence PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 88 -

(1865 - 1940)

155

HERMANN OTTOMAR HERZOG (1832 - 1932)

Moon Glow, Cascades, 1871 oil on canvas 24 x 19 inches signed lower right. H. H. Herzog 1871 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

156

ALBERT BIERSTADT

(1830 - 1902)

Roaring River oil on paper on panel 7 x 10.25 inches signed lower left: ABierstadt PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 89 -

157

WOLF KAHN

(1909 - 1997)

Pale Texas Landscape oil on canvas 20 x 25 inches unsigned PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

158

WOLF KAHN

(1909 - 1997)

Leading to Balsam Firs, 2001 oil on canvas 19 x 13 inches signed lower middle: W Kahn PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

- 90 -

159

BIRGER SANDZEN

(1871 - 1954)

Poplars, Logan Utah, 1929 oil on board 28 x 20 inches signed lower right: Birger Sandzen PROVENANCE Private Collection, Dallas, Texas $50,000-$70,000

160

BIRGER SANDZEN (1871 - 1954)

Prairie Pond, 1937 oil on board 22 x 28 inches signed lower right: Birger Sandzen PROVENANCE Private Collection, Fredericksburg, Texas $35,000-$55,000

- 91 -

161

THEODORE WADDELL

(B. 1941)

Stillwater Angus #4, 2020 oil and encaustic on canvas 30 x 40 inches signed lower right: T Waddell PROVENANCE Private Collection, Dallas, Texas $13,000-$16,000

162

CHARLES WARREN EATON

(1857 - 1937)

Twilight oil on canvas 28 x 30 inches signed lower left: Chas Warren Eaton PROVENANCE Private Collection, Houston, Texas $9,000-$12,000

- 92 -

163

JULIAN ONDERDONK

(1882 - 1922)

In the Boerne Hills – Southwest Texas oil on canvas 20 x 30 inches signed lower left: Julian Onderdonk PROVENANCE Private Collection, Dallas, Texas $150,000-$250,000

- 93 -

164

FRANK REAUGH

(1860 - 1945)

Palo Duro Canyon Longhorns pastel on paper 3 x 7 inches unsigned PROVENANCE Private Collection, Dallas, Texas $6,000-$8,000

165

FRANK REAUGH

(1860 - 1945)

West Texas Landscape, 1887

166

pastel on paper 6 x 10.5 inches unsigned

JOSE ARPA

PROVENANCE Private Collection, Dallas, Texas

(1858 - 1952)

Girl Portrait oil on canvas 17 x 13 inches signed lower right: J. Arpa

$8,000-$10,000 PROVENANCE Private Collection, Fredericksburg, Texas $25,000-$35,000

- 94 -

167

OTIS DOZIER

(1904 - 1987)

Davis Mountains, 1970 oil on canvas 30 x 48 inches signed lower right: Otis Dozier ‘70 PROVENANCE Private Collection, Santa Fe, New Mexico $15,000-$25,000

168

PORFIRIO SALINAS

(1919 - 1973)

Hill Country Autumn oil on canvas 24 x 36 inches signed lower left: Porfirio Salinas PROVENANCE Private Collection, Houston, Texas $8,000-$12,000

- 95 -

169

DOROTHY HOOD

(1918 - 2000)

From My Garden oil on canvas 70 x 60 inches signed upper right: D Hood PROVENANCE Private Collection, Houston, Texas $15,000-$25,000

- 96 -

170

ROBERT WILLIAM WOOD (1889 - 1979)

Bandera Bluebonnets oil on canvas 28 x 36 inches signed lower right: Robert Wood PROVENANCE Private Collection, Houston, Texas $35,000-$45,000

171

ROBERT WILLIAM WOOD (1889 - 1979)

After a Shower oil on canvas 25 x 30 inches signed lower left: Robert Wood PROVENANCE Private Collection, McGregor, Texas $8,000-$12,000

- 97 -

172

ROBERT WILLIAM WOOD

(1889 - 1979)

Bluebonnet Landscape oil on canvas 24 x 30 inches signed lower right: Robt. Wood PROVENANCE Private Collection, Westlake, Texas $15,000-$25,000

173

WILLIAM SLAUGHTER

(1923 - 2003)

Texas in Bloom, 1977 oil on canvas 18 x 24 inches signed lower right: W. A. Slaughter ‘77 PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 98 -

174

MARTIN GRELLE

(B. 1954)

Trapper’s Goods No More, 2022 oil and acrylic on linen 32 x 32 inches signed lower right: Martin Grelle CA 2022 PROVENANCE Private Collection, Dallas, Texas $100,000-$150,000

- 99 -

176

175

MARTIN GRELLE

(B. 1954)

MARTIN GRELLE

(B. 1954)

Comanche, 2021

Seeking Safety, 2022

acrylic on linen 16 x 12 inches signed lower right: Martin Grelle CA 2021

acrylic on linen 12 x 12 inches signed lower right: Martin Grelle CA 2022

PROVENANCE Private Collection, Walnut Springs, Texas

PROVENANCE Private Collection, Fredericksburg, Texas

$20,000-$30,000

$15,000-$25,000

177

PAUL MOORE (B. 1957)

Offering to the Sun, 2012

bronze, 2/15 12.5 x 42 x 14.5 inches inscribed: Moore CA ‘12 2/15 PROVENANCE Private Collection, Dallas, Texas $6,000-$9,000

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178

BILL OWEN (1942 - 2013)

Tailin’ Her Down, 2000 oil on linen 24 x 36 inches signed lower right: Bill Owen CA 2000 PROVENANCE Private Collection, Nashville, Tennessee $25,000-$35,000

179

BILL OWEN

(1942 - 2013)

Spring Round Up, 1998 oil on linen 20 x 40 inches signed lower right: Bill Owen CA 1998 PROVENANCE Private Collection, Nashville, Tennessee $25,000-$35,000

- 101 -

180

JAMES ELWOOD REYNOLDS

(1926 - 2010)

Watching the Herd oil on board 26 x 38 inches signed lower left: James Reynolds PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

181

JAMES ELWOOD REYNOLDS

(1926 - 2010)

A Bad Throw, 1960 oil on board 25 x 30 inches signed lower right: James Reynolds 1960 PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 102 -

182

JAMES ELWOOD REYNOLDS

(1926 - 2010)

The Colorado oil on canvas 40 x 60 inches signed lower right: James Reynolds CA PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 103 -

183

BILL ANTON

(B. 1957)

The Spring Thaw oil on board 30 x 40 inches signed lower left: Bill Anton PROVENANCE Private Collection, Fredericksburg, Texas $15,000-$25,000

184

TOM RYAN, III

(B. 1977)

Experience Counts, Mike Gibson 6666s Ranch, 2022 oil on canvas 24 x 36 inches signed lower left: Tom Ryan III 22 PROVENANCE The Artist $6,000-$9,000

- 104 -

185

JASON RICH On Beaver Creek oil on board 18 x 24 inches signed lower left: Jason Rich PROVENANCE Private Collection, Houston, Texas

186

$5,000-$8,000

FRANK C. MCCARTHY

(1924 - 2002)

Crack in the Rock, 1992 oil on board 16 x 12 inches signed lower right: McCarthy CA 1992 PROVENANCE Private Collection, Dallas, Texas $7,000-$10,000

187

R. BROWNELL MCGREW

(1916 - 1994)

On a Summer Morning oil on board 24 x 20 inches signed lower left: R Brownell McGrew PROVENANCE Private Collection, Dallas, Texas $10,000-$20,000

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188

G. HARVEY

189

G. HARVEY

(1933 - 2017)

Thoughts of Home, 2003 bronze, 13/100 9.5 x 10 x 3 inches inscribed on base: G. Harvey, Thoughts of Home 2003 13/100

PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

bronze, 14/100 10 x 6 x 3.5 inches inscribed on base: G. Harvey Spittin’ Image 2003 14/100

PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

191

190

G. HARVEY

(1933 - 2017)

Spittin’ Image, 2003

G. HARVEY

(1933 - 2017)

Special Times, 1990 bronze, 147/250 11.5 x 14 x 4.5 inches inscribed on base: G. Harvey Special Times 1990 147/250

(1933 - 2017)

Longhorn, 1970 PROVENANCE Private Collection, Dallas, Texas

bronze, 6/30 7.25 x 12.5 x 5.5 inches inscribed on base: G. Harvey 6-30 1970

$3,000-$5,000

PROVENANCE Private Collection, Dallas, Texas $2,000-$3,000

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192

KYLE POLZIN

(B. 1974)

The Maverick, 2022 oil on canvas 28 x 23 inches signed lower right: Polzin PROVENANCE Private Collection, Dallas, Texas $60,000-$80,000

- 107 -

193

KYLE POLZIN

(B. 1974)

Trailblazer oil on canvas 44 x 34.5 inches signed lower left: Polzin PROVENANCE Private Collection, Dallas, Texas $80,000-$100,000

- 108 -

194

BILL OWEN

(1942 - 2013)

Team Roping, 2005 oil on linen 24 x 44 inches signed lower right: Bill Owen CA 2005 PROVENANCE Private Collection, Nashville, Tennessee $30,000-$40,000

- 109 -

195

BILL OWEN

(1942 - 2013)

A Cowboy’s Rig, 1983 bronze, 33/100 4.75 x 12.5 x 7 inches inscribed on back: Bill Owen CA 1983 33/100 PROVENANCE Private Collection, Peoria, Arizona $1,000-$2,000

196

BILL OWEN

(1942 - 2013)

Bull Study, 1997 oil on board 5 x 7 inches signed lower right: Bill Owen CA ‘97 PROVENANCE Private Collection, Peoria, Arizona $1,000-$2,000

197

BILL OWEN

(1942 - 2013)

Western Heritage, 1983 bronze, AC 13 x 14 x 5.5 inches inscribed on base: Bill Owen CA AC (Artist’s Casting) Edition of 25 PROVENANCE Private Collection, Peoria, Arizona $2,000-$3,000

- 110 -

198

BILL OWEN

(1942 - 2013)

Moonlighters, 2001 oil on linen 30 x 24 inches signed lower right: Bill Owen CA 2001 PROVENANCE Private Collection, Nashville, Tennessee $20,000-$30,000

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199

BILL OWEN

(1942 - 2013)

Clay Ashhurst, Horse Wrangler, 1996 oil on linen 20 x 40 inches signed lower right: Bill Owen CA 1996 PROVENANCE Private Collection, Nashville, Tennessee $25,000-$35,000

- 112 -

200

TOM BROWNING

(B. 1949)

Anticipation oil on canvas 14 x 24 inches signed lower left: Tom Browning CA PROVENANCE Private Collection, Westlake, Texas $6,000-$9,000

201

TOM BROWNING Cozyin’ Up oil on board 24 x 22 inches signed lower right: Tom Browning CA PROVENANCE Private Collection, Westlake, Texas $8,000-$12,000

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(B. 1949)

202

GEORGE KOVACH

(B. 1942)

Buffalo Herd oil on canvas 28 x 42 inches signed lower right: G Kovach PROVENANCE Private Collection, Westlake, Texas $4,000-$6,000

203

MELVIN CHARLES WARREN (1920-1995)

Round Up, 1965 oil on canvas 24 x 30 inches signed lower left: Melvin C. Warren 1965 PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 114 -

205

DAN BODELSON (B. 1949)

Lakota Lands (Study)

204

TONY EUBANKS

oil on board 18.25 x 11.75 inches signed lower left: Bodelson

(B. 1939)

Bovine Beauties oil on canvas 21 x 34 inches signed lower left: Eubanks

PROVENANCE Private Collection, Dallas, Texas

PROVENANCE Private Collection, Westlake, Texas

$1,500-$2,000

$3,000-$5,000

207

206

JAMES BOREN

(1921 - 1990)

JOE RADER ROBERTS

(1925 - 1982)

Mexican Cowboy, 1976

Cold Jerky

watercolor on paper 8 x 10 inches signed lower left: James Boren CA 1976

oil on canvas 22 x 28 inches signed lower right: Joe Rader Roberts

PROVENANCE Private Collection, Norman, Oklahoma

PROVENANCE Private Collection, Norman, Oklahoma

$1,000-$1,500

$2,000-$3,000

- 115 -

208

R. S. RIDDICK

(B. 1952)

Joyful Heart, 2006 oil on linen panel 20 x 16 inches signed lower right: R. S. Riddick CA 2006 PROVENANCE Private Collection, Peoria, Arizona $3,000-$5,000

209

LOT INCLUDES TWO PAINTINGS

R. S. RIDDICK

(B. 1952)

R. S. RIDDICK

(B. 1952)

River Song, 2008

San Juan Afternoon, 2008

oil on belgian linen panel 10 x 12 inches signed lower left: R. S. Riddick CA

oil on belgian linen panel 10 x 12 inches signed lower left: R. S. Riddick CA

PROVENANCE Private Collection, Peoria, Arizona $5,000-$8,000

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210

JAMES ELWOOD REYNOLDS

(1926 - 2010)

Landscape oil on canvas 9 x 12 inches signed lower left: James Reynolds CA PROVENANCE Private Collection, Peoria, Arizona $2,000-$4,000

211

CHARLIE DYE

(1906 - 1972)

The Fence Rider, 1958 oil on board 16 x 20 inches signed lower left: Charlie Dye PROVENANCE Private Collection, Laguna Woods, California $5,000-$7,000

212

JOHN FORD CLYMER

(1907 - 1989)

Untitled (Indian Brave with Horse) ink on paper 7 x 10 inches signed lower right: John Clymer PROVENANCE Private Collection, Westlake, Texas $2,000-$4,000

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213

FRED FELLOWS

214 (B. 1938)

ROCK NEWCOMB

(B. 1945)

Viva Tequila

Cheyenne Memories

bronze, 1/100 16 x 12 x 6.5 inches inscribed on base: Fellows CA 1/100

acrylic on canvas 9 x 12 inches signed lower left: Rock Newcomb

PROVENANCE Private Collection, Peoria, Arizona

PROVENANCE Private Collection, Westlake, Texas

$2,000-$4,000

$1,000-$2,000

215

MIAN SITU

(B. 1953)

Market Day oil on board 12 x 16 inches signed lower right: Mian Situ PROVENANCE Private Collection, Fredericksburg, Texas $3,000-$5,000

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216

RICHARD SCHMID

(1934 - 2021)

Molly, 1991 watercolor on paper 6.75 x 10.25 inches signed lower middle right: Schmid PROVENANCE Private Collection, Dallas, Texas $4,000-$6,000

217

SONYA TERPENING

(B. 1953)

New Friends oil on board 11.5 x 15.5 inches signed lower right: Sonya Terpening PROVENANCE Private Collection, Westlake, Texas $1,500-$2,500

218

BEV DOOLITTLE

(B. 1947)

Pinto Mare and Foal watercolor on paper 12.25 x 13.5 inches signed lower left: Bev Doolittle PROVENANCE Private Collection, Westlake, Texas $5,000-$7,000

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219

GARY KAPP

(B. 1942)

Breaking Trail, 1977 oil on board 20 x 24 inches signed lower left: Gary Kapp 77 PROVENANCE Private Collection, Norman, Oklahoma $1,500-$2,500

220

BOB MOLINE

(B. 1938)

Summer Camp acrylic on canvas 20 x 24 inches signed lower left: Moline PROVENANCE Private Collection, Norman, Oklahoma $2,000-$3,000

221

LOT INCLUDES FOUR PAINTINGS

PHIL BECK

(B. 1949)

Four Cow Portraits oil on canvas 24 x 24 inches (each) signed lower right: Phil Beck PROVENANCE Private Collection, Westlake, Texas $2,000-$4,000

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222

LAJOS MARKOS

(1917 - 1993)

Silver Dollar Bet oil on canvas 24 x 36 inches signed lower right: L Markos PROVENANCE Private Collection, Norman, Oklahoma $4,000-$6,000

223

LAJOS MARKOS

(1917 - 1993)

The Scout oil on board 16 x 20 inches signed lower right: L Markos PROVENANCE Private Collection, Norman, Oklahoma $1,500-$2,500

224

LAJOS MARKOS

(1917 - 1993)

Whiskey Trader Joe oil on board 16 x 20 inches signed lower right: L Markos PROVENANCE Private Collection, Norman, Oklahoma $1,500-$2,500

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225

A. D. GREER

(1904 - 1998)

Blanco River, 1977 oil on canvas 24 x 36 inches signed lower right: A. D. Greer 77 PROVENANCE Private Collection, Westlake, Texas $3,000-$5,000

226

KENT WALLIS

(B. 1945)

Secluded Pond oil on canvas 24 x 36 inches signed lower left: Kent Wallis PROVENANCE Private Collection, Houston, Texas $5,000-$8,000

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INDEX ACHEFF, WILLIAM Color in the Forest 43 San Juan Pueblo Pots and Moccasins 44 ADAMS, CHARLES PARTRIDGE Edge of the Aspen Grove 51 Evening in the Chicago Basin…

Silverton, Colorado 50 AFSARY, CYRUS Tradition 1 ANTON, BILL The Spring Thaw 183 ARPA, JOSE Girl Portrait 166 BANOVICH, JOHN Buffalo Run 132 Sign of a Worthy Competitor 141 BASSETT, REVEAU M. Ducks in Flight – Field Sketch 149 Mallards 148 BECK, PHIL Four Cow Portraits 221 BEELER, JOE Wild Cow Hunter 2 BERNINGHAUS, OSCAR Pueblo Canyon Forest 67 BIERSTADT, ALBERT Mountain Stream 153 Roaring River 156 BODELSON, DAN Lakota Lands (Study) 205 BOREN, JAMES Mexican Cowboy 206 BOWMAN, ERIC I Turned to Listen 57 Though Storms Encompass Me 56 BROWNING , TOM Anticipation 200 Cozyin’ Up 201 Easy Crossing 99 When the Hills are Kissed by the Sun 100 CARLSON, KEN Bobwhites 136 Pheasants 135 Shade at Noon 134 Winner Take All 137 Wrapped in Color 138 CARSON, JIM The Army of Santa Anna 106 Crockett 105 Crockett’s Prayer 103 Defiant Rebels 102 CHEEVER, BRUCE Great Plains Warrior 7 Undaunted 8 CLYMER, JOHN F. Untitled (Indian Brave with Horse) 212

COLEMAN, JOHN Crazy Horse 1876 89 Honeymoon at Crow Fair 80 Mato-Tope 1833 91 The New Comers 1804 39 Oracle of the Buffalo Nation 88

GRELLE, MARTIN Autumn Getaway 14 Bosque County Chill 13 Comanche 175 Seeking Safety 176 Trapper’s Goods No More 174

COTTON, BRENT The Setting Sun 40

HAGEGE, LOGAN M. Weather Beyond the Mesa 61

COUSE, EANGER I. The Pottery Painter 76 The Speaker 75 Watching the Fish 77

HALBACH, DAVID The Forewarning 6

COWAN, JOHN The Groins, Captiva 139 DEAN, GLENN The End of a Good Day 58 Finding a Place in the Sun 59 DEARMAN, JOHN Covey Rise 146 Morning Bag 147 DELANO, GERALD C. Cattle Country 68 The Lookout 69 DOELLINGER, MICK Defiant 142 DOOLITTLE, BEV Pinto Mare and Foal 218 Wolves of the Crow 83 DOZIER, OTIS Davis Mountains 167 DUDASH, C. MICHAEL Peace Be Still 5 DYE, CHARLIE The Fence Rider 211 EATON, CHARLES W. Twilight 162 EUBANKS, TONY Bovine Beauties 204

HALLMARK, GEORGE The Heart of Texas (Alamo, ca 1920) 101 HARVEY, G. Autumn Along the Creek 10 Baytown Rigs 112 A Child’s Holiday 111 Encroachment (Near Georgetown Texas) 9 Longhorn 191 People of Paris 114 Place De La Concorde 115 Special Times 190 Spittin’ Image 189 Stampede 113 Thoughts of Home 188 HENNINGS, E. MARTIN Mother and Child 54 Spanish Town – Cercidilla 53 The Wagon Road 52 HERZOG, HERMANN O. Moon Glow, Cascades 155 HOOD, DOROTHY From My Garden 169 HOUSER, ALLAN The Night Song 60 HULINGS, CLARK Man From Belmonte (Spain) 94

FELLOWS, FRED Viva Tequilla 213

JACKSON, HARRY A. The Marshall III 119 The Pony Express 118 Two Champs 117

FRASER, JAMES E. End of the Trail 125

JOE SR., ORLAND Medicine Horse 3

FRAZIER, LUKE Boss of the Badlands 140 Brittany & Quail 144

KAHN, WOLF Leading to Balsam Firs 158 Pale Texas Landscape 157

GILLEON, R. TOM Another Bucker 36 Wolfe Butte Camp 38 Yellowstone Reflections 37

KAPP, GARY Breaking Trail 219

GODFREY, MICHAEL Snow Scene 49 A Window in the Aspens 48 GREENE, BRUCE R. Crockett’s Prayer 104 GREER, A. D. Blanco River 225

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KOVACH, GEORGE Buffalo Herd 202 KUHN, BOB Bighorns 129 Cape Buffalo 130 North Country 126 On Desert Slopes 127 Watchful Eyes 128 LAURENCE, SYDNEY M. Mt. McKinley 154

LEIGH, WILLIAM R. Buffalo 70 Hopi Pottery Painter 71 LIANG, Z. S. Overlooking the Two Medicine River 81 LOVELL, TOM White Man’s Corn Tipis 92 White Man’s Corn Tipis 93 MARKOS, LAJOS The Scout 223 Silver Dollar Bet 222 Whiskey Trader Joe 224 MARRIS, BONNIE Winter Buffalo 143

A Little Cowboy’s Delight 30 Moonlighters 198 Ranch Mare 16 Ride for the Brand 29 Sackin’ Out a Bronc 15 Spring Round Up 179 Starving Cowboy 17 Tailin’ Her Down 178 Takin’ the Jerk 19 Tatanka 21 Team Roping 194 Western Heritage 197 PHIPPEN, GEORGE Arizona Rockhopper 12 In from the Range 11

MCCARTHY, FRANK C. Crack in the Rock 186

POLZIN, KYLE The Chase 109 The Maverick 192 Trailblazer 193 Treasures of a Nation 110

MCGREW, R. BROWNELL On a Summer Morning 187

PROCTOR, BURT Noon 47

MELL, ED Dancing Bloom 65 Mesa Sunset 62 Nocturne Glow 63 Thunderheads 64

PUMMILL, ROBERT Land of the Brush Poppers 120

MATIA, WALTER Covey Rise 145

MOLINE, BOB Summer Camp 220 MOORE, PAUL Offering to the Sun 177 MORGAN, JIM Forever Mates 150 NEWCOMB, ROCK Cheyenne Memories 214 NORTON, JIM Land of Good Beaver 82 Through the Bog 98 Where Eagles Fly 97 ONDERDONK, JULIAN In the Boerne Hills – Southwest Texas 163 OWEN, BILL And All a Good Night 25 At Sunset 18 Bill Owen’s Custom Bit and Spurs

by Steve Schmitt 32

Bill Owen’s Custom Saddle

by John Herron (with accessories) 31

Blue 33 Bull Study 196 Clay Ashhurst, Horse Wrangler 199 A CO Bar Bull and Book 22 CO Bar Ranch Bulls 23 Cow Head 35 A Cowboy’s Potlicker 34 A Cowboy’s Rig 195 The Cutting Horse 26 Doe, Ray and Me 27 Harvey Tank 28 Horse Head Study 24 The Last One 20

REAUGH, FRANK Palo Duro Canyon Longhorns 164 West Texas Landscape 165 REMINGTON, FREDERIC S. In the Desert 73 The Rattlesnake 74 The Sergeant 72 REYNOLDS, JAMES E. A Bad Throw 181 The Colorado 182 Landscape 210 Watching the Herd 180 RICH, JASON On Beaver Creek 185 RIDDICK, R. S. Joyful Heart 208 River Song 209 San Juan Afternoon 209 RILEY, KENNETH P. Blood Brother 90 Out of the Sun 87

SCHENCK, BILL The Crossing 41 Sunset on the Sand Hills 42 SCHMID, RICHARD Molly 216 SCHWIERING, CONRAD The Conference Tree 45 Range Land Babysitter 46 SHARP, JOSEPH H. Dolly, Taos 55 SHEPHERD, RICHARD D. Elephant and Termite Mound 133 SHINABARGER, TIM Sik Sik Shell Game 131 SHRADY, HENRY M. Elk Buffalo 108 SITU, MIAN Market Day 215 SLAUGHTER, WILLIAM Texas in Bloom 173 SMITH, TUCKER Goats of Norway 96 SPECK, GENE Evening Colors 4 STANLEY, JOHN M. Assiniboine Encampment 152 STICK, FRANK Rabbit Hunters 151 TAIT, ARTHUR FITZWILLIAM Baby Chicks 95 TERPENING, SONYA New Friends 217 TERPNING, HOWARD Cold Montana Morning 78 Northern Plains Brave 79 THOMAS, CARSON Visalia Stock Saddle 107 WADDELL, THEODORE Stillwater Angus #4 161 WALLIS, KENT Secluded Pond 226

ROBERTS, JOE R. Cold Jerky 207

WARHOL, ANDY War Bonnet Indian 66

RUSSELL, CHARLES M. Indian on Horseback 86 Indian Portrait 85 Indian Women Moving Camp 84

WARREN, MELVIN C. Little Joe, Don Eagle 123 Round Up 203 Texas Longhorn 124 A Texas Ranch 122

RYAN III, TOM Experience Counts, Mike Gibson 6666s Ranch 184 SALINAS, PORFIRIO Hill Country Autumn 168 SANDZEN, BIRGER Poplars, Logan Utah 159 Prarie Pond 160

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WIGGINS, GUY C. Winter 5th Avenue at St. Patrick’s 116 WOOD, ROBERT W. After a Shower 171 Bandera Bluebonnets 170 Bluebonnet Landscape 172 WYGANT, BOB Overlooking the Rio Grande 121

SA L E T E R M S A N D C O N D I T I O N S Auctioneer and Auction: This Auction is presented by Lone Star Art Auction, a D.B.A. of Great American West, LLC (“Auctioneer”). The Auction is conducted under these Terms and Conditions and applicable state and local law.

Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www.lsartauction.com supersede those in the printed catalog.

Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.

Buyer’s Premium: All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise defined as the Hammer Price.

Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www. lsartauction.com. 25% for Online Bidding on Bid Square and Live Auctioneers.

Bidders: 1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).

2. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins.

Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged

by Auctioneer. Such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

The following chart governs current bidding increments.

Current Bid Increment: Under $2,000 $2,000 – $5,000 $5,000 – $10,000 $10,000 – $20,000 $20,000 – $50,000 $50,000 – $100,000 Over $100,000

Credit: In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references.

Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank verification, a credit bureau report and/ or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

Bidding Options: 1. Presentment of Bids. Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.

2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the first received. To ensure

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$100 $250 $500 $1,000 $2,500 $5,000 $10,000

4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Conducting the Auction: 1. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders.

Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.

2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.

3. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances.

If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.

7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction.

Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.

8. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

9. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

4.

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6.

Payment: 1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, cashier checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. These credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via e-Check, personal, or corporate checks. All others will be subject to a hold of five (5) days, or more, for the funds to clear prior to releasing merchandise.

2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and offset the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.

3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are

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on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason.

The appropriate form or certificate must be on file at and verified by Auctioneer five (5) days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.

In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via e-Check and your financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.

If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred

by Auctioneer.

In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.

Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.

Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer.

With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice.

If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery, Shipping and Handling Charges: 1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchan-

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2.

3.

4.

5.

6.

dise and the shipping fees are received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid, may be charged to the credit card on file with Auctioneer.

Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.

Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble and similar fragile articles.

Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers: 1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those specific terms and conditions.

2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

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3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release: In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy.

Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

Dispute Resolution and Arbitration Provision: 1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer {which claim you consent to be made a party} (collectively, “Claim”) shall be

exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. This Agreement and any Claim shall be determined and construed under Texas law.

The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

7. These Terms and Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous: 1. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

2. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Auctioneer may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its affiliates and subsidiaries.

3. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions.

4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Store Notice: Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.

Auction Coordinator & Registrar: Lindsey Lutz Catalogue Design: WinshipPhillips Photography: Roy Richardson

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72 FREDERIC SACKRIDER REMINGTON

(1861 - 1909)

The Sergeant, 1904 bronze, Lifetime Casting No. 8, 10.5 inches high $70,000-$100,000

BACK COVER

163 JULIAN ONDERDONK

(1882 - 1922)

In the Boerne Hills – Southwest Texas oil on canvas, 20 x 30 inches $150,000-$250,000

Douglas Center Tower, 8333 Douglas Ave., Suite 360, Dallas, Texas 75225 Phone: 469.608.7600 | Website: Lsartauction.com Presented by Great American West and Phil Berkebile, Jr. Email: info@lsartauction.com © 2022 LONE STAR ART AUCTION, ALL RIGHTS RESERVED.