Lone Star Art Auction Catalogue • October 28, 2023

O c t o b e r 2 8 , 2 0 2 3 • Da l l a s , T e x a s

COVER

120 FRANK TENNEY JOHNSON (1874-1939) The Lawless Frontier 1930 oil on canvas, 25 x 30.25 inches $250,000 - $300,000

81 JOSEPH HENRY SHARP (1859-1953) Crow Camp Near Custer Battlefield, Montana c. 1908-09 oil on cedar cigar box lid, 5.5 x 8.5 inches $70,000-$90,000

A Texas-Sized Auction Specializing in the Best American, Western, Wildlife, Sporting and Texas Fine Art.

CONTENTS 3

Schedule of Events / Contact Information

5

Reservations / Bidding Information

6

Lot 1 – Lot 218

139

Index

141

Auction Terms and Conditions

178 JULIAN ONDERDONK (1882-1922) Twilight in the Hills, Blue-Bonnets 1918 oil on canvasboard, 8 x 10 inches $80,000 - $120,000

SCHEDULE OF EVENTS All Lone Star Art Auction events will be held at the Renaissance Dallas, a Marriott Bonvoy Hotel, located at 2222 N. Stemmons Freeway in Dallas, Texas on Friday, October 27 and Saturday, October 28, 2023.

New in 2023, All Auction Events are Open and Complimentary to Auction Attendee Registrants.

FRIDAY, OCTOBER 27, 2023 10:00 am-5:00 pm CT, Auction Registration, Grand Foyer 10:00 am-5:00 pm CT, Auction Art Preview, Grand Ballroom 5:30-9:00 pm CT, Lone Star Art Auction Patron’s Cocktail Reception and Dinner, Grand Ballroom

SATURDAY, OCTOBER 28, 2023 10:00 am-12:00 pm CT, Auction Registration, Grand Foyer 10:00 am-12:00 pm CT, Auction Art Preview and Breakfast, Grand Ballroom 12:00-5:00 pm CT, Live Auction, Grand Ballroom 12:00-6:00 pm CT, Auction Check-Out, Grand Foyer

SUNDAY, OCTOBER 29, 2023 9:00-11:00 am CT, Auction Check-Out, Grand Foyer

CONTACT Phone: 469.608.7600 Douglas Center Tower, 8333 Douglas Ave., Suite 360 Dallas, Texas 75225 Email: info@lsartauction.com Website: lsartauction.com Presented by Great American West and Phil Berkebile, Jr.

190 G. HARVEY (1933-2017) Enough Till Spring 1994 oil on canvas, 30 x 50 inches $175,000-$225,000

RESERVATIONs Renaissance Dallas Hotel 2222 North Stemmons Freeway Dallas, Texas 75207 For hotel room reservations, go to 2023 AUCTION HOTEL ACCOMODATIONS at lsartauction.com, or call 214.631.2222.

Special auction room rates will be available through October 5, 2023, and are subject to availability.

BIDDING The Lone Star Art Auction offers multiple ways for patrons to bid including attendee, telephone, absentee and online bidding. Registration for all forms of auction bidding is available on the auction website at lsartauction.com.

Telephone and Absentee registrations must be submitted by 5:00 pm CT on October 27, 2023.

Online Bidding options: lsartauction.com bidsquare.com liveauctioneers.com Auction results will be available on November 1, 2023 at lsartauction.com

auctioneer: Jason Brooks, Texas License No. 16216

1

CLYDE ASPEVIG (b. 1951) Never Summer (Walden, CO) oil on board 8 x 10 inches signed lower left: C. Aspevig PROVENANCE Private Collection, Dallas, Texas $1,500-$2,500

3

MICHAEL COLEMAN (b. 1946) Cheyenne Camp, 1976

2

KEITH CHRISTIE (1935 - 2017) The Charolais Calf, 2006 oil on board 12 x 9 inches signed lower left: K. Christie

gouache on paper 4 x 6 inches signed lower left: Michael Coleman PROVENANCE Private Collection, Dallas, Texas $1,000-$2,000

PROVENANCE Private Collection, Houston, Texas $1,000-$1,500

-6-

4

DON CROWLEY (1926 - 2019) Lakota Treasure oil on board 20 x 16 inches signed lower right: Don Crowley CA PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

5

DON CROWLEY (1926 - 2019) Kaibab Child oil on board 10 x 8 inches signed lower right: Don Crowley PROVENANCE Private Collection, Houston, Texas $1,000-$1,500

-7-

6

JONI FALK (b. 1933) Snow Shadows and Oven Smoke oil on board 10 x 8 inches signed lower right: Joni Falk AWA PROVENANCE Private Collection, La Jolla, California $2,000-$3,000

7

JONI FALK (b. 1933) Winter Serenity oil on board 7 x 12 inches signed lower right: Joni Falk AWA PROVENANCE Private Collection, Houston, Texas $2,000-$3,000

-8-

8

JOHN FRANKLIN (1925 - 2010) On the Plaza oil on board 24 x 18 inches signed lower left: John Franklin PROVENANCE Private Collection, Norman, Oklahoma $2,000-$3,000

9

J. E. KNAUF (b. 1948) Spot Light oil on panel 36 x 36 inches signed lower left: J E Knauf PROVENANCE Private Collection, La Jolla, California $2,000-$3,000

-9-

10

GERALD MCCANN (1916 - 1995) Long Trail, 1971 oil on board 20 x 30 inches signed lower left: Gerald McCann ‘71 PROVENANCE Private Collection, Norman, Oklahoma $2,000-$3,000

11

GEORGE MOLNAR (b. 1953) First Watch oil on canvas 12 x 18 inches signed lower right: George Molnar PROVENANCE Private Collection, Dallas, Texas $1,000-$2,000

- 10 -

12

THOMAS MORAN (1837 - 1926) Plowing a Field etching on paper 4.875 x 7.875 inches signed in pencil lower right: Moran signed in plate upper left: Moran PROVENANCE Private Collection, Dallas, Texas $2,000-$3,000

13

BILL OWEN (1942 - 2013) Takin’ the Jerk, 1978 bronze, 8/25 20 x 16 x 22 inches inscribed: 8/25 Bill Owen CA 1978 Phippen Bronze PROVENANCE Private Collection, Norman, Oklahoma $3,000-$5,000

14

BILL OWEN (1942 - 2013) CO Bar Bull and Book, 1982 bronze, 38/100 5 x 12.25 x 7 inches inscribed: Bill Owen CA 1982 38/100 PROVENANCE Private Collection, Norman, Oklahoma $1,000-$2,000

- 11 -

15

BURT PROCTOR (1901 - 1980) Navajo Woman oil on board 16 x 12 inches signed lower right: Burt Proctor PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

16

BILL SHADDIX (b. 1931) October Moon oil on canvas 36 x 30 inches signed lower left: Bill Shaddix PROVENANCE Private Collection, Dallas, Texas $2,000-$4,000

- 12 -

17

WILLIAM SHEPHERD (b. 1943) Wild West Show oil on board 24.5 x 34.25 inches signed lower left: W.S. PROVENANCE Private Collection, Houston, Texas $3,000-$5,000

18

DON SPAULDING (b. 1926) The End of the Campaign, 1979 oil on board 20 x 30 inches signed lower right: Don Spaulding 79 PROVENANCE Private Collection, Houston, Texas $5,000-$7,000

- 13 -

19

DON SPAULDING (b. 1926) Making A Stand, 1986 oil on board 12 x 9 inches signed lower right: Don Spaulding 1986 EXHIBITION Thomas Gilcrease Museum, Tulsa, Oklahoma PROVENANCE Private Collection, Houston, Texas $1,000-$1,500

20

WILLIAM WHITAKER (1943 - 2018) Comanche Dress, 1975 oil on board 24 x 18 inches signed lower left: W. Whitaker 1975 PROVENANCE Private Collection, Norman, Oklahoma $3,000-$5,000

- 14 -

21

JIM CARSON (b. 1942) The Army of Santa Anna oil on canvas 34 x 54 inches PROVENANCE Private Collection, Needham, Massachusetts $8,000-$12,000

22

JIM CARSON (b. 1942) Crockett’s Prayer, 2005 oil on canvas 15 x 12 inches signed lower right: Carson 2005 PROVENANCE Private Collection, Dallas, Texas $1,000-$2,000

- 15 -

23

MORTON KUNSTLER (b. 1931) Fall of the Alamo, 1985 watercolor on paper 11.5 x 13.5 inches PROVENANCE Private Collection, Needham, Massachusetts $3,000-$4,000

24

FRITZ WHITE (1930 - 2010) And Crockett Finally Fell bronze, 10/24 22.5 x 17 x 11.5 inches inscribed: Fritz White 10/24 CA PROVENANCE Private Collection, Needham, Massachusetts $2,500-$3,500

- 16 -

25

NELSON BOREN (b. 1952) Spur watercolor on paper 33.5 x 81.5 inches signed lower right: Nelson Boren PROVENANCE Private Collection, Dallas, Texas $6,000-$8,000

- 17 -

26

NELSON BOREN (b. 1952) 4th of July in Papalote, 1993 watercolor on paper 48.25 x 40.75 inches signed lower right: Nelson Boren PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 18 -

27

NELSON BOREN (b. 1952) Hat, Boots and Spurs watercolor on paper 41.5 x 61.25 inches signed lower right: Nelson Boren PROVENANCE Private Collection, Dallas, Texas $6,000-$8,000

- 19 -

28

NELSON BOREN (b. 1952) Cowboy and Cowgirl watercolor on paper 19 x 39 inches signed lower right: Nelson Boren PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

29

NELSON BOREN (b. 1952) Red Scarf, Back Pocket watercolor on paper 13.5 x 10.5 inches signed lower left: Nelson Boren PROVENANCE Private Collection, Dallas, Texas $1,000-$1,500

- 20 -

30

MARK ROHRIG (b. 1955) Before the Sun Awakens oil on canvas 41 x 43 inches signed lower left: Mark Rohrig PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 21 -

31

GEORGE MOLNAR (b. 1953) New Friends oil on canvas 36 x 48 inches signed lower right: George Molnar PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 22 -

32

GEORGE MOLNAR (b. 1953) The Sentinel oil on canvas 43 x 31 inches signed lower left: George Molnar PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

33

GEORGE MOLNAR (b. 1953) Cowboy and Calf oil on canvas 36 x 36 inches signed lower right: George Molnar PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 23 -

34

GEORGE MOLNAR (b. 1953) Cowboy on Horse in Winter oil on canvas 34 x 46 inches signed lower left: George Molnar PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

35

GEORGE MOLNAR (b. 1953) Young and Innocent oil on canvas 17 x 26 inches signed lower left: George Molnar PROVENANCE Private Collection, Dallas, Texas $2,000-$4,000

- 24 -

36

MARTIN GRELLE (b. 1954) Rest Stop, 1999 oil on canvas 24 x 30 inches signed lower right: Martin Grelle 99 CA PROVENANCE Private Collection, Fredericksburg, Texas $20,000-$30,000

- 25 -

37

MARTIN GRELLE (b. 1954) Cheyenne Maiden oil on canvas 24 x 18 inches signed lower left: Martin Grelle PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

38

MORGAN WEISTLING (b. 1964) Alice oil on canvas 36 x 25 inches signed lower left: Morgan Weistling PROVENANCE Private Collection, Houston, Texas $20,000-$30,000

- 26 -

39

JERRY DANIEL (1939 - 2018) Bison IV, 1998 welded steel wire 17 x 25.5 x 9 inches Best of Show winner at the 1996 Texas Sculpture Association’s National Show.

Bison IV by Denton, Texas sculptor Jerry Daniel, is a one-of-a-kind, accurate figurative model of the king of the plains. The medium is a welded steel frame with black steel wire that lays perfectly around the beast’s shoulders, representing the animal’s shaggy ebony mane.

PROVENANCE Private Collection, Bartonville, Texas $12,000-$15,000

40

NOCONA BURGESS (b. 1969) Quanah Parker - Culture Clash acrylic on canvas 60 x 48 inches signed lower left: Nocona Burgess Nocona Burgess is a member of the Comanche Nation of Oklahoma and he is the great-great-grandson of one of the most revered Native American leaders, Chief Quanah Parker. His paintings inspire and educate through their unusual techniques and positive dialogues between past and present.

PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 27 -

41

R. TOM GILLEON (b. 1942) Red Horses oil on masonite 24 x 24 inches signed lower left: R. Tom Gilleon PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

42

R. TOM GILLEON (b. 1942) Red Bears oil on board 12 x 12 inches signed lower right: R. Tom Gilleon PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 28 -

43

LOGAN MAXWELL HAGEGE (b. 1980) Old Corral at Vermilion Cliffs, 2022 oil on linen 30 x 30 inches signed lower left: LMH The subject of this compelling oil painting is that of old corrals down the road from the artist’s painting cabin at the base of the Vermilion Cliffs in Arizona that have been weathered by decades of rain, wind, snow and extreme heat.

PROVENANCE Private Collection, Dallas, Texas $40,000-$60,000

- 29 -

44

LOGAN MAXWELL HAGEGE (b. 1980)

45

Against a Blue Sky oil on board 12 x 6 inches signed lower right: LMH PROVENANCE Private Collection, Warrenton, Virginia $15,000-$20,000

ERIC BOWMAN (b. 1960) A Walk in the Woods oil on canvas 25 x 28 inches signed lower left: Bowman PROVENANCE Private Collection, Houston, Texas $15,000-$25,000

- 30 -

46

TIM SOLLIDAY (b. 1952) Frontier Scout oil on canvas 30 x 46 inches signed lower right: T. Solliday PROVENANCE Private Collection, Bentonville, Arkansas $30,000-$40,000

- 31 -

47

BILL SCHENCK (b. 1947) Destination Unknown, 2015 oil on canvas 25 x 50 inches signed lower right: Schenck 15 PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 32 -

48

KIM DOUGLAS WIGGINS (b. 1960)

Springtime Near Santa Fe, 2020 oil on board 16 x 20 inches signed verso: Kim Douglas Wiggins, Santa Fe, NM PROVENANCE Private Collection, Warrenton, Virginia $10,000-$15,000

49

ED MELL (b. 1942) Jack Knife bronze, V/X 14.25 x 12.25 x 4.5 inches inscribed: Ed Mell V/X PROVENANCE Private Collection, Dallas, Texas $12,000-$15,000

- 33 -

50

ANDY WARHOL (1928 - 1987) General Custer (F.& S. II.379), 1986 screenprint in colors on Lenox Museum Board, 81/250 36 x 36 inches signed lower left: 81/250 Andy Warhol chop mark lower right verso: artist’s copyright ink stamp, Publisher Gaultney-Klineman Art, New York ink stamp.

General Custer is one of ten prints in Andy Warhol’s 1986 Cowboys and Indians series. The portfolio explores the relationship between the media’s romanticized take on the Great American West and its duplicitous effect on correctly understanding history. General Custer was a commander of the Union Army during the American Civil War and fought against Indigenous Americans during the American Indian Wars. He died at the Battle of the Little Bighorn at the hand of Sioux leader Sitting Bull and his Plains Indians army.

PROVENANCE Private Collection, Dallas, Texas $90,000-$120,000

- 34 -

51

ANDY WARHOL (1928 - 1987) Sitting Bull (F.& S. IIIA.70), 1986 screenprint in colors on Lenox Museum Board 36 x 36 inches chop mark lower left verso: The Estate of Andy Warhol ink stamp; Authorized by the Andy Warhol Foundation for the Visual Arts ink stamp numbered UP 100.190 As a fitting counterpoint to Warhol’s General Custer, Sitting Bull originates from the artist’s Cowboys & Indians series from 1986. Although printed for the series, it was not published in the portfolio. Sitting Bull is Warhol’s homage to the leader of the Lakota, whose resistance against the violation of sovereignty by white settlers mounted an overwhelmingly successful defense at the Battle of the Little Bighorn in 1876. This battle for Native American territory is also known as “Custer’s Last Stand,” a reference to the colossal defeat suffered by the U.S. Army, led by Custer.

PROVENANCE Private Collection, Dallas, Texas $70,000-$90,000

- 35 -

52

TOM BROWNING (b. 1949) Spring Crossing oil on canvas 15 x 34 inches signed lower left: Tom Browning CA

EXHIBITION National Cowboy Hall of Fame Prix de West Invitational PROVENANCE Private Collection, Bentonville, Arkansas $10,000-$15,000

53

TOM BROWNING (b. 1949) Winter Camp oil on board 24 x 28 inches signed lower right: Tom Browning CA PROVENANCE Private Collection, Bentonville, Arkansas $10,000-$15,000

- 36 -

54

DAN BODELSON (b. 1949) Mid Day Sun oil on canvas 30 x 48 inches signed lower right: Dan Bodelson PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

55

ROSS STEFAN (1934 - 1999) Sonora Rancho oil on canvas 20 x 24 inches signed lower left: Ross Stefan PROVENANCE Private Collection, Virginia, Minnesota $3,000-$5,000

- 37 -

56

JIM NORTON (b. 1953) Trading on the High Plains, 2013 oil on canvas 36 x 48 inches signed lower left: Jim C. Norton CA

Trading between early settlers of the American West and Native Americans was not only a practical way to secure wanted or needed items, but also allowed for a dialogue between both parties helping to promote friendly coexistence. In this major painting by Jim Norton, the practice of trading is documented in a masterful and beautiful manner.

PROVENANCE Private Collection, Plano, Texas $50,000-$70,000

57

JIM NORTON (b. 1953) A Warm Fire on a Chilly Day, 2012 oil on canvas 24 x 32 inches signed lower left: Jim C. Norton CA PROVENANCE Private Collection, Bentonville, Arkansas $15,000-$25,000

- 38 -

58

BRUCE CHEEVER (b. 1958) Dancing with the Devil oil on board 29 x 25 inches signed lower left: Bruce Cheever PROVENANCE Private Collection, Houston, Texas $9,000-$12,000

59

JASON RICH (b. 1970) Among the Aspens, 2018 oil on board 49 x 28.5 inches signed lower left: J. Rich CA EXHIBITION National Cowboy & Western Heritage Museum CAA Exhibition and Sale PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

- 39 -

60

GARY LAWRENCE NIBLETT (b. 1943) Trailing the Rockies oil on canvas 40 x 30 inches signed lower right: CA Gary Niblett PROVENANCE Private Collection, Dallas, Texas $6,000-$8,000

61

GARY LAWRENCE NIBLETT (b. 1943) Ridin’ the Winter Rim oil on canvas 22 x 28 inches signed lower right: Gary Niblett CA PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

- 40 -

62

DON OELZE (b. 1965) Indians and Waterfall oil on canvas 38 x 26 inches signed lower left: Oelze PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

63

PAUL CALLE (1928 - 2010) To Be Free To Fly, 1976 pencil on paper 20 x 29 inches signed lower right: Paul Calle 1976 PROVENANCE Private Collection, Weatherford, Texas $7,000-$10,000

- 41 -

64

CARRIE FOGWELL BALLANTYNE (b. 1956)

Partners, 1995 colored pencil on paper 11.75 x 16.25 inches signed lower right: C L Ballantyne ‘95

“The idea of portraying cowboy kids and animals has been, and will continue to be, a favorite of mine. My daughter Hannah, and Smudge, one of our barn cats, are good partners: independent, yet very loving” said the artist.

This painting was the cover art for the September/October 1996 issue of Art of the West Magazine.

PROVENANCE Private Collection, La Jolla, California $15,000-$20,000

65

CARRIE FOGWELL BALLANTYNE (b. 1956) Making Friends colored pencil on paper 10.25 x 16 inches signed lower left: C L Ballantyne EXHIBITION National Cowboy Hall of Fame Prix de West Invitational PROVENANCE Private Collection, La Jolla, California $12,000-$15,000

- 42 -

66

CARRIE FOGWELL BALLANTYNE (b. 1956) Watching For His Window, 2021 graphite on paper 17.5 x 17 inches signed lower right: C L Ballantyne EXHIBITION National Cowboy Hall of Fame Prix de West Invitational PROVENANCE Private Collection, Bentonville, Arkansas $6,000-$9,000

67

CYRUS AFSARY (b. 1940) Taos Pueblo oil on canvas 20 x 30 inches signed lower right: Cyrus Afsary PROVENANCE Private Collection, La Jolla, California $6,000-$9,000

- 43 -

68

WILLIAM ACHEFF (b. 1947) Hopi Dancer, 1980 oil on linen 24 x 26 inches signed lower right: Wm Acheff 1980 PROVENANCE Private Collection, La Jolla, California $8,000-$12,000

69

JAMES BAMA (b. 1926) Cavalry Officer, 1989 oil on masonite 12 x 16 inches signed lower right: Bama ‘89 PROVENANCE Private Collection, La Jolla, California $9,000-$12,000

- 44 -

70

ELBRIDGE AYER BURBANK (1858 - 1949)

Oraibi, Ariz. 1902 oil on linen 22.75 x 14 inches inscribed lower left: Oraibi, Ariz. 1902 signed lower right: E.A. Burbank.

PROVENANCE Private Collection, San Antonio, Texas $7,000-$10,000

72

ELBRIDGE AYER BURBANK (1858 - 1949) Chief Red Cloud, Sioux, 1899 oil on canvas laid on board 12 x 10 inches titled and dated upper left: Chief Red-Cloud. Sioux. 1899. signed lower left: E.A. Burbank Pine. Ridge S.D. PROVENANCE Private Collection, San Antonio, Texas $6,000-$9,000 71

ELBRIDGE AYER BURBANK (1858 - 1949) Shield, Sioux, 1899 oil on canvas 13 x 9 inches titled upper right: Shield Sioux signed lower left: E.A. Burbank. Pine Ridge, S.D. dated lower right: 1899

EXHIBITION The Taft Museum, Cincinnati, Ohio PROVENANCE Private Collection, San Antonio, Texas $6,000-$9,000

- 45 -

73

74

ELBRIDGE AYER BURBANK (1858 - 1949)

ELBRIDGE AYER BURBANK (1858 - 1949)

Chief Naiche, Apache, 1899

Chief Joseph, Nez Perces, 1898

oil on canvas laid on board 12 x 10 inches titled and dated upper left: Chief Naiche. Apache. 1899. signed lower left: E.A. Burbank. inscribed lower right: FT.SILL. O.T.

oil on canvas laid on board 11.5 x 9.5 inches titled and dated upper left: Chief Joseph. Nez Perces. 1898. signed and dated lower center: E.A. Burbank. Nes. Pilen. Washington 1898

PROVENANCE Private Collection, San Antonio, Texas

PROVENANCE Private Collection, San Antonio, Texas

$6,000-$9,000

$6,000-$9,000

75

ELBRIDGE AYER BURBANK (1858 - 1949) Sanchez San Carlos, Apache, 1900 conte crayon on paper 13.25 x 10.25 inches titled and dated upper left: Sanchez San. Carlos Apache. 1900. signed lower right: E.A. Burbank PROVENANCE Private Collection, San Antonio, Texas $2,500-$3,500

- 46 -

76

JAMES EARLE FRASER (1876 - 1953) End of the Trail bronze, 22 34.5 x 30.5 x 9 inches inscribed: JE Fraser SU22 stamped: Cast 96 PROVENANCE Private Collection, Dallas, Texas $15,000-$20,000

James Earle Fraser created the original version of End of the Trail in 1894, and he subsequently produced numerous replicas in both plaster and bronze. In it, the sculpture depicts a weary Native American man, wearing only the remains of a blanket and carrying a spear. He is hanging limp as he and his weary horse with swollen eyes comes to the edge of the Pacific Ocean. This iconic image represented the changing American West and was meant by the artist to be a critique of the United States Government. This exceptional posthumous casting was produced in very limited quantities circa 1970’s from an original mold by Syracuse University in Syracuse, New York, which was bequeathed the artist’s estate.

- 47 -

77

EDWARD SHERIFF CURTIS (1868 - 1952) The North American Indian, Plates from the Southwest Portfolios (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogravures on archival paper, A.P. 3/12 produced by The Classic Gravure Corporation 24 x 20 and 14 x 12 inches (portfolios) signed in pencil lower right (each gravure): A.P. 3/12 The Classic Gravure Corporation (CGC), Santa Fe, New Mexico was established in the late 1970’s to purchase the original 2220 copper plates used to produce The North American Indian by Edward Sheriff Curtis. The intent of CGC was to produce a continuation of 228 abridged/edited sets to compliment the original 272 of 500 previously and originally issued. Printed in Santa Fe, New Mexico circa 1980 by master printer Deli Sacilotto who was hired by CGC to print the limited edition. Only the finest materials were used including handmade Italian Fabrianon archival paper, full leather portfolio cases, and fine linen coverings.

Curtis’s daughters, Florence Curtis Graybill and Billy Curtis Ingram visited Santa Fe and passionately endorsed the CGC project.

The portfolios are the finest Curtis photogravures produced posthumously. CGC was only able to complete 99 Southwest and 20 Plains portfolios in two sizes (folio and octavo) falling far short of the 228 intended portfolios. The portfolios offered here are especially rare and unique in that they are also Artists Proofs with less than twelve produced.

PROVENANCE Private Collection, Corpus Christi, Texas $15,000-$25,000

- 48 -

78

EDWARD SHERIFF CURTIS (1868 - 1952) The North American Indian, Plates from the Plains Portfolios (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogravures on archival paper, A.P. 3/12 produced by The Classic Gravure Corporation 24 x 20 and 14 x 12 inches (portfolios) signed in pencil lower right (each gravure): A.P. 3/12 PROVENANCE Private Collection, Corpus Christi, Texas $15,000-$25,000

- 49 -

79

CHARLES SCHREYVOGEL (1861 - 1912) The Last Drop, 1903 bronze, No. 57 12 x 18.5 x 5 inches inscribed: Copyrighted 1903 by Chas Schreyvogel with foundry mark No. 57 underneath Charles Schreyvogel primarily produced paintings throughout his career, The Last Drop was among only three works the artist executed in bronze. This model was the second sculpture he produced among the grouping and still remains today one the artist’s most enduring images. With it, he depicts a cavalryman’s devotion to his steed, as he allows the horse to drink his last drop of water from his hat. The Last Drop was originally created as the model for a painting of the same subject. This exceptional example is marked No. 57 under the base.

PROVENANCE Private Collection, Dallas, Texas $90,000-$120,000

- 50 -

80

JOSEPH HENRY SHARP (1859 - 1953) Evening Council oil on canvas 25.25 x 30.25 inches signed lower right: J H Sharp Taos A masterpiece painted by one of the premier members of The Taos Society of Artists is a contemplative and dramatically lit example demonstrating the artist’s virtuoso skill. Per Sharp’s contemporary, artist Ernest Blumenschein, “He will go down in history with Russell and Remington and the few early artists of Indian life.” Evening Council allows the viewer the privileged glimpse of the serene, beautiful, and traditional life. Pictured on page 52 of the J.H. Sharp book titled Teepee Smoke by Forrest Fenn.

PROVENANCE Private Collection, Houston, Texas $150,000-$200,000

- 51 -

81

JOSEPH HENRY SHARP (1859 - 1953) Crow Camp Near Custer Battlefield, Montana, c. 1908-09 oil on cedar cigar box lid 5.5 x 8.5 inches signed lower right: J. H Sharp The artist’s fascination and familiarity with the Crow and other indigenous people in Montana is well documented in numerous paintings including this example. Crow Camp Near Custer Battlefield, Montana beautifuly depicts a snapshot into the past by the Taos Society master.

PROVENANCE Private Collection, Houston, Texas $70,000-$90,000

- 52 -

82

JOSEPH HENRY SHARP (1859 - 1953) San Geronimo - Taos oil on canvas 16 x 20 inches signed lower right: J H Sharp The San Geronimo Church at the Taos Pueblo was featured in several paintings by Joseph Sharp due to its central importance to life and culture of the Pueblo residents. In this example by the artist, the Church is quiet with a lone dog holding guard. Pictured on page 279 of the J.H. Sharp book titled Teepee Smoke by Forrest Fenn.

PROVENANCE Private Collection, Houston, Texas $60,000-$90,000

- 53 -

83

LEON GASPARD (1882 - 1964) L’ Ours Russe (A La Foire) oil on canvas 23.25 x 30 inches signed lower right: L Shulman Gaspard (indecipherable) The Russian-born artist moved to Taos, New Mexico in 1919 and he and his wife made it their permanent home in 1924. The subjects for his paintings were cultures from many lands combining clear, bright colors associated with impressionism and the influences of more modern and interpretive representation. This vibrant example has brilliant colors and is filled with movement.

PROVENANCE Private Collection, Houston, Texas $150,000-$250,000

- 54 -

84

LAVERNE NELSON BLACK (1887 - 1938) Autumn at Taos Pueblo oil on canvas laid on board 7.75 x 10 inches signed lower right: LaVerne Nelson Black PROVENANCE Private Collection, Houston, Texas $40,000-$60,000

- 55 -

85

OSCAR BERNINGHAUS (1874 - 1952) A Camp in the Aspen Forest, 1926 oil on board 20 x 16 inches signed lower right: O. E. Berninghaus Taos. 26 PROVENANCE Private Collection, Houston, Texas $150,000-$200,000

a prominent member The Taos SocietyofofArtists, Artists, As aAsprominent member of of The Taos Society Berninghaus focused his attention to depicting Berninghaus focused his attention to depicting Native Native American and the surroundings American life and thelife surroundings of northernof New northern New Adept atas both figurative as Mexico.

Adept at Mexico. both figurative well as landscape well as landscape painting, he often painting, he often incorporated bothincorporated in his most both in his most celebrated Campisinathe celebrated work.

A Camp in thework.

AspenAForest great AspenofForest is at a great example of his skill at example his skill combining the two with a peaceful combining theattwo a peaceful setting, campsite setting, thewith entrance to an campsite almost surrealistic at the entrance to an yellow almostfall surrealistic aspen grove with vibrant foliage. aspen grove with vibrant yellow fall foliage.

- 56 -

86

GERALD IRA DIAMOND CASSIDY (1869 - 1934)

Acoma Water Carrier oil on canvas 31.75 x 25.5 inches signed lower left: Gerald Cassidy PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

87

OLAF CARL SELTZER (1877 - 1957)

War Party, 1906 gouache on paper 21 x 13 inches signed lower right: O. Seltzer. 1906 PROVENANCE Private Collection, La Jolla, California $15,000-$20,000

- 57 -

88

JOHN COLEMAN (b. 1949) Crazy Horse, 2023 bronze, 7/20 30 x 21 x 12 inches inscribed: John Coleman CA 2023 7/20 Crazy Horse John Coleman is the preeminent sculptor of his generation, a fellow member of the National Sculpture Society, and an emeritus member of the prestigious Cowboy Artists of America. His work, which also includes drawings and paintings, most often depicts Native Americans of the old West as subjects. Crazy Horse is one of his most recent bronzes and the edition of 20 released earlier this year was immediately sold out.

PROVENANCE Private Collection, Fredericksburg, Texas $20,000-$30,000

89

JOHN COLEMAN (b. 1949) The Greeter - Black Moccasin, Hidatsa Chief, 2006 bronze, 29/35 23 x 20 x 11 inches inscribed: John Coleman CA 2006 29/35 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 58 -

90

JOHN COLEMAN (b. 1949) Big Soldier, 2003 bronze, 7/35 17.25 x 11 x 11 inches inscribed: “Big Soldier” 03 John Coleman 7/35 CA PROVENANCE Private Collection, La Jolla, California $6,000-$8,000

91

JOHN COLEMAN (b. 1949) Little Pueblo Girl, 2007 bronze, 7/35 14 x 10.5 x 6.5 inches inscribed: John Coleman 2007 7/35 CA Little Pueblo Girl PROVENANCE Private Collection, La Jolla, California $4,000-$6,000

- 59 -

92

JAMES ELWOOD REYNOLDS (1926 - 2010) Bluffin’ oil on canvas 20 x 30 inches signed lower right: James Reynolds PROVENANCE Private Collection, Dallas, Texas $12,000-$16,000

- 60 -

93

MELVIN CHARLES WARREN (1920 - 1995) Snow on the Bosque, 1975 oil on linen 24 x 36 inches signed lower left: Melvin C. Warren CA 1975 Melvin Warren was asked to join the prestigious Cowboy Artists of America in 1968 and during his membership tenure he garnered numerous awards as both a painter and sculptor. He specialized in depicting scenes of the heroic West and gained his perspective from his early experiences of ranch life. Considered by many as one the best Western artists of the late 20th century, his avid collectors included former Texas governor John Connally and president Lyndon Baines Johnson who hung several of the artist’s pantings in the White House. Snow on the Bosque is a masterful winterscape depicting working cowboys in the North Central Texas county in which the artist and his family lived.

PROVENANCE Private Collection, Houston, Texas $50,000-$75,000

- 61 -

94

MELVIN CHARLES WARREN (1920 - 1995) Stop at the Old Place, 1983 oil on canvas 20 x 30 inches signed lower left: Mel Warren CA 1983 PROVENANCE Private Collection, Dallas, Texas $30,000-$40,000

- 62 -

95

MELVIN CHARLES WARREN (1920 - 1995) Run for the Rio Grande, 1967 bronze, 7/20 20 x 24 x 7 inches inscribed: Melvin C. Warren CA 1967 7/20 PROVENANCE Private Collection, Austin, Texas $4,000-$6,000

96

MELVIN CHARLES WARREN (1920 - 1995) Texas Rangers on Patrol, 1972 bronze, 26/150 12 x 22 x 7 inches inscribed: Melvin C. Warren CA 1972 26/150 PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

- 63 -

97

TOM LOVELL (1909 - 1997) The Friendly Willows, 1988 oil on canvas 22 x 38 inches signed lower right: Tom Lovell NAWA 1988 It is a cold day on the frozen prairie, and danger is close at hand. A Sioux hunter and his young son grip their weapons and hide quietly behind a low stand of willows. Four Crow warriors, blood enemies of the Sioux, ride by in snowy silence. The odds are stacked in favor of the Crows. A master work by one of the finest Western painters of his generation. Pictured on page 32 of the book titled The Art of Tom Lovell An Invitation to History published in 1993.

EXHIBITION National Cowboy Hall of Fame and Western Heritage Center, Oklahoma City, Oklahoma PROVENANCE Private Collection, Houston, Texas $140,000-$190,000

- 64 -

98

TOM LOVELL (1909 - 1997) Even Trade, 1976 oil on canvas 20 x 30 inches signed lower right: Tom Lovell NAWA 1976 PROVENANCE Private Collection, La Jolla, California $40,000-$60,000

- 65 -

99

TOM LOVELL (1909 - 1997) Four Times to the Sun, 1981 charcoal on paper 35 x 26 inches signed lower right: Tom Lovell 1981 PROVENANCE Private Collection, Amarillo, Texas $10,000-$15,000

- 66 -

100

HARRY ANDREW JACKSON (1924 - 2011) The Pony Express, 1967 bronze, 9 17.75 x 21.75 x 13.5 inches inscribed: 9. Harry Jackson 1967 PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 67 -

101

HARRY ANDREW JACKSON (1924 - 2011) Pony Express, II, 1980 bronze, PEII 12P 13 x 16 x 9 inches inscribed: Harry Jackson 1980 PEII 12P PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

102

HARRY ANDREW JACKSON (1924 - 2011) Safe and Sound, 1982 bronze, SAS 4 19.5 x 21.5 x 9.5 inches inscribed: Harry Jackson 1982 SAS 4 PROVENANCE Private Collection, Southlake, Texas $5,000-$7,000

- 68 -

103

MARTIN GRELLE (b. 1954) Provider, 2006 oil on linen 40 x 30 inches signed lower right: Martin Grelle CA 2006 Texas artist Martin Grelle was invited to join the prestigious Cowboy Artists of America in 1995 and since that time has been one of the most awarded members of the organization. These awards include twice winning the Prix de West Purchase Award at the National Cowboy and Western Heritage Museum in Oklahoma City. In Provider, the artist skillfully portrays a Crow brave in a winter setting returning to camp with much needed game for his tribe.

PROVENANCE Private Collection, Dallas, Texas $60,000-$90,000

- 69 -

104

MARTIN GRELLE (b. 1954) Flurries, 2012 oil on linen 28 x 28 inches signed lower left: Martin Grelle CA 2012 PROVENANCE Private Collection, Plano, Texas $35,000-$45,000

105

MARTIN GRELLE (b. 1954) Neils Creek Crossing, 2013 oil on canvas 24 x 24 inches signed lower right: Martin Grelle CA 2013 PROVENANCE Private Collection, Plano, Texas $25,000-$35,000

- 70 -

106

MARTIN GRELLE (b. 1954) Stop at the Old Place, 1991 oil on canvas 30 x 40 inches signed lower right: Martin Grelle 1991 PROVENANCE Private Collection, Amarillo, Texas $25,000-$35,000

107

MARTIN GRELLE (b. 1954) The Long Winter, 2006 oil on canvas 12 x 9 inches signed lower left: Martin Grelle 06 CA PROVENANCE Private Collection, Dallas, Texas $15,000-$20,000

- 71 -

108

BRUCE R. GREENE (b. 1953) A One Man Outfit, 2009 oil on canvas 24 x 36 inches signed lower right: Bruce R. Greene CA 09 PROVENANCE Private Collection, Bentonville, Arkansas $6,000-$9,000

- 72 -

109

BILL NEBEKER (b. 1942) The Eyes of Texas, 2011 bronze, 9/30 31 x 16.5 x 10 5 inches inscribed: Bill Nebeker CA 2011 9/30 The legendary Texas Rangers date back to 1823, when Stephen F. Austin called for ten men to protect new Texas settlers from Native American raids. By 1835, the Rangers were required to supply their own horses, saddles and firearms.

The Texas Ranger represented by the artist in The Eyes of Texas is circa 1870 carrying a 1/2 seat, double rigging saddle with a Cheyenne roll, and his Henry rifle. Fans of Larry McMurtry’s Western novel Lonesome Dove will appreciate the Ranger’s close resemblance to Captain Augustus “Gus” McCrae played by actor Robert Duvall in the 1989 Lonesome Dove TV miniseries.

PROVENANCE Private Collection, Austin, Texas $15,000-$25,000

110

BILL NEBEKER (b. 1942) The Price of Freedom, 1986 bronze, 5/25 20.5 x 16 x 18 inches inscribed: Bill Nebeker CA 1986 5/25 PROVENANCE Private Collection, McKinney, Texas $7,000-$10,000

- 73 -

111

JASON SCULL (b. 1958) John Coffee “Jack” Hays, 2002 with Framed Portrait by Matthew Brady, 1858 bronze, 16/18 30 x 18 x 9 inches inscribed on base: Jason Scull 2002 16 of 18 John Coffee “Jack” Hays was arguably the greatest Texas Ranger of all time and the most famous and feared fighter in Texas Ranger history. The Comanches named him “man-it-is-very-bad-luckto-get-in-fight-with-because-devilshelp-him” which was one word in the Comanche language. The Europeans shortened it to “Devil Jack”. The original casting of this bronze is a 16 ft. tall monument on the grounds of the Hays County Courthouse in San Marcos, Texas. This is casting #16 which was actually the last cast made prior to the mold being broken. Included with this lot is a custom framed print of the original 1858 Matthew Brady portrait of Col. Hayes.

PROVENANCE Private Collection, Austin, Texas $15,000-$25,000

- 74 -

112

KEN CARLSON (b. 1937) Texas Longhorn, 1981 oil on canvas 12 x 24 inches signed lower right: Ken Carlson PROVENANCE Private Collection, Amarillo, Texas $10,000-$15,000

113

BRIAN GRIMM (b. 1968) Dust on the Old Trail, 2015 oil on board 48 x 84 inches signed lower left: Brian Grimm PROVENANCE Private Collection, Bentonville, Arkansas $12,000-$16,000

- 75 -

114

WILLIAM F. REESE (1938 - 2010)

Chisholm Trail oil on board 24 x 36 inches signed lower left: W. F. Reese PROVENANCE Private Collection, Post Falls, Idaho $7,000-$9,000

115

JAMES COX The Cattle Industry of Texas and Adjacent Territory Historical and Biographical 1895 book, First Edition 12.5 x 10.5 x 2.5 inches Published in 1895 by Woodward & Tiernan Printing Co., Saint Louis, Missouri, this compendium of Texas cattle and cattlemen is considered one of the rarest of Texas books. Conceived as a biographical dictionary to be sold primarily to the 449 Texas cattlemen whose biographies appeared in it, the final published book contained so much value on the cattle industry that it has become a classic in its field. The other half of the 743 page volume, written by James Cox, provides one of the two or three best contemporary accounts of the history of the Texas cattle trade. One of the ‘big four’ cattle books, and after Freeman’s Prose and Poetry, the most important. The book contains a wealth of information, and is a cornerstone in any range library. It is believed that very few of these books still exist.

PROVENANCE Private Collection, Norman, Oklahoma $6,000-$10,000

- 76 -

116

ROBERT PUMMILL (b. 1936) 40 Years A-Looking, 1980 oil on board 18 x 24 inches signed lower left: Pummill 80 PROVENANCE Private Collection, McKinney, Texas $6,000-$9,000

117

ROBERT PUMMILL (b. 1936) The Stray Man, 1984 oil on canvas 20 x 30 inches signed lower right: Pummill 84 PROVENANCE Private Collection, McKinney, Texas $8,000-$12,000

- 77 -

118

SCOTT ROGERS (b. 1961) High Tailin’, 2000 bronze, 9/30 32 x 40 x 15 inches inscribed: D. S. Rogers ‘00 9/30 PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

- 78 -

119

FREDERIC SACKRIDER REMINGTON (1861 - 1909)

On the Way to the Platte [or] Fitzpatrick and the Wagon Train, 1890 ink wash on paper 16.5 x 11.5 inches signed lower right: Frederic Remington PROVENANCE Private Collection, Bentonville, Arkansas

Frederic Remington is considered to be one of the most successful and most famous Western American artists.

He began his artistic career as a successful illustrator for major publications and then evolved into a sculptor and fine artist. His paintings and bronzes depict the American West in his own unique style that was extremely well received by the American public if not by critics. On the Way to the Platte is a wonderful example of his skill honed as an illustrator and it is included in the Frederic Remington Catalogue Raisonné as number 1083.

$30,000-$50,000

- 79 -

120

FRANK TENNEY JOHNSON (1874 - 1939)

The Lawless Frontier, 1930 oil on canvas 25 x 30.25 inches signed lower left: F Tenney Johnson A.N.A 1930 verso: titled and artist stamp (F. Tenney Johnson 22 Champion Place Alhambra, Calif.)

PROVENANCE Private Collection, Dallas, Texas $250,000-$300,000

Considered a Master Painter of the Old West and the Father of Western Moonlight Painting, Frank Tenney Johnson was influenced by his artist peers of the time including Frederic Remington and Charles Marion Russell. Beginning in New York as an illustrator for numerous national magazines as well as for the Western novels of Zane Grey, Johnson eventually got a taste of the West joining Russell on a sketching expedition to the Blackfoot Reservation in Montana. Later in his career he moved to Alhambra, California where he shared a studio with Clyde Forsythe. At this point, his easel paintings became more popular than his illustrations so he concentrated on that medium, painting cowboys and Native Americans. Together, Johnson and Forsythe exhibited in the Biltmore Salon at the Biltmore Hotel in Los Angeles, California. Known mainly for his moonlight painting technique, he was also adept at painting compelling daytime scenes in a style utilizing knives, fingers, and brushes.

The Lawless Frontier painted by the artist in 1930 is a testament to his remarkable skill as a painter. A rare daytime action scene by the artist, this incredible and new to the market painting, was purchased directly from the Biltmore Art Gallery circa 1930 and has been in the same family since that time.

- 80 -

121

FRANK TENNEY JOHNSON (1874 - 1939) Night Sentinel (The Warrior), 1931 oil on canvas 16 x 12 inches signed lower right: F Tenney Johnson 1931 PROVENANCE Private Collection, Dallas, Texas

Night Sentinel [or] The Warrior, painted in 1931, is an excellent example of the artist’s well recognized Moonlight Painting Technique. In this beautiful painting, the Native American brave is sitting on his white horse under the stars in the moonlight contemplating what comes next. Any significant Western art collection would be incomplete without a Frank Tenney Johnson nocturne.

$90,000-$120,000

- 81 -

122

HOWARD A. TERPNING (b. 1927) Proud Men, 2000 oil on board 12 x 13 inches signed lower left: Terpning 2000 CA Howard Terpning is a classically trained illustrator and painter and is universally considered the most important American Western artist living today. His representational paintings of the American West and the Plains Indians are not realism in minute detail for its own sake, without regard to the context of light and the subject’s character. His palette is typically restrained in order to ensure that narrative is the first impression imparted upon the viewer. Proud Men was selected as the front cover artwork for Don Hedgpeth’s book Howard Terpning Spirit of the Plains People published in 2001 and was described within as follows: “They Followed the warrior’s way, proud prairie horsemen with an appetite for honor and the visceral thrill of danger. They looked death in the face and fought on, emboldened by bravery and the armor of their medicine. They rode for revenge but would fight for no other reason than to plumb the depth of their courage.” In addition to the front jacket cover, Proud Men is also illustrated on page 103.

PROVENANCE Private Collection, Houston, Texas $150,000-$200,000

- 82 -

123

CLARK HULINGS (1922 - 2011) The Valencia Flower Market, 1968 oil on canvas 31 x 47 inches signed lower right center: Hulings 1968 Clark Hulings was one of the leading American realist painters in the 20th century. His subject matter inhabited a wide variety of countries including the United States, Mexico, France, Italy and Spain. The artist was classically trained and he initially pursued a career as a portraitist in Louisiana, followed by freelance illustration in New York. By the early 1960’s, he devoted himself to easel paintings. Among his signature subjects are complex Mexican and European market scenes. The Valencia Flower Market is an exceptional example of one his trademark subjects and considered one of his best works.

PROVENANCE Private Collection, Houston, Texas $50,000-$75,000

- 83 -

124

RAY SWANSON (1937 - 2004) Dressed Up For Pow-Wow, 1981 oil on board 38 x 32 inches signed lower right: Ray Swanson 81 EXHIBITION South Texas Institute for the Arts, Corpus Christi, Texas PROVENANCE Private Collection, Dallas, Texas $15,000-$25,000

- 84 -

125

OLAF CARL WIEGHORST (1899 - 1988) Indian Scout, 1958 oil on board 14 x 12 inches signed lower left: O Wieghorst PROVENANCE Private Collection, Bentonville, Arkansas $9,000-$12,000

126

OLAF CARL WIEGHORST (1899 - 1988) Vaquero pen, ink and watercolor on paper 10.25 x 7.75 inches signed lower left: O Wieghorst PROVENANCE Private Collection, Rockwall, Texas $4,000-$6,000

- 85 -

127

DAVE McGARY (1958 - 2013) In Victory I Stand, (Masterwork), 2001 bronze, 8/40 40 x 17 x 21 inches inscribed: Dave McGary 2001 8/40 PROVENANCE Private Collection, Dallas, Texas $12,000-$18,000

- 86 -

128

DAVE McGARY (1958 - 2013) Strikes with Thunder, (Masterwork), 1989 bronze, 22/30 32 x 22 x 18 inches inscribed: Dave McGary 1989 22/30 PROVENANCE Private Collection, Dallas, Texas $12,000-$18,000

- 87 -

129

DAVE McGARY (1958 - 2013) Crow King, 2004 bronze (piece unique) 22.5 x 30.5 x 14.5 inches inscribed on wood base: “Crow King” Dave McGary PROVENANCE Private Collection, Oklahoma City, Oklahoma $9,000-$12,000

130

DAVE McGARY (1958 - 2013) Not Afraid of Pawnee, (Maquette), 1996 bronze, 38/50 22 x 18 x 9 inches inscribed: Dave McGary 1996 38/50 PROVENANCE Private Collection, Oklahoma City, Oklahoma $9,000-$12,000

- 88 -

131

DAVE McGARY (1958 - 2013) Short Bull, (Maquette), 1993 bronze, 46/50 28 x 11 x 7 inches inscribed: Dave McGary 1993 46/50 PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

132

DAVE McGARY (1958 - 2013) Bear Tracks, (Bust), 1994 bronze, edition of 75 28 x 22 x 12 inches inscribed on base plaque: “Bear Tracks” Dave McGary PROVENANCE Private Collection, Oklahoma City, Oklahoma $5,000-$8,000

- 89 -

133

DAVE McGARY (1958 - 2013) Retired with Honors, (Bust), 1990 bronze, 71/75 12 x 10 x 5 inches inscribed: Dave McGary 71/75 PROVENANCE Private Collection, Oklahoma City, Oklahoma $3,000-$5,000

134

DAVE McGARY (1958 - 2013) The Gatekeeper, (Bust), 2006 bronze, 16/50 15.5 x 21 x 30 inches inscribed: Dave McGary 16/50 PROVENANCE Private Collection, Oklahoma City, Oklahoma $3,000-$5,000

- 90 -

135

FRANK C. McCARTHY (1924 - 2002) The Returning War Party, 1977 oil on board 20 x 36 inches signed lower right: McCarthy CA 77 PROVENANCE Private Collection, Weatherford, Texas $30,000-$40,000

- 91 -

136

R. BROWNELL McGREW (1916 - 1994) Under Agathlan oil on board 40 x 30 inches signed lower left: R. Brownell McGrew EXHIBITION Leanin’ Tree Museum of Western and Wildlife Art, Thomas Gilcrease Museum, Tulsa, Oklahoma PROVENANCE Private Collection, Houston, Texas $35,000-$55,000

137

R.S. RIDDICK (b. 1952) Keeper of the Pipe, 2006 oil on canvas 24 x 32 inches signed lower right: R. Riddick CA 2006 PROVENANCE Private Collection, La Jolla, California $8,000-$12,000

- 92 -

138

KENNETH PAULING RILEY (1919 - 2015)

Dance of the Eagle acrylic on board 5.25 x 4.125 inches signed lower right: Kenneth Riley PROVENANCE Private Collection, Rockwall, Texas $5,000-$7,000

139

ROY ANDERSEN (1930 - 2019) Watchful Brave oil on panel 7 x 4.875 inches signed lower right: Roy Andersen CA PROVENANCE Private Collection, McKinney, Texas $2,000-$3,000

140

ROY ANDERSEN (1930 - 2019) Indian on White Horse oil on panel 7 x 4.875 inches signed lower right: Roy Andersen CA PROVENANCE Private Collection, McKinney, Texas $2,000-$3,000

- 93 -

141

JOHN FORD CLYMER (1907 - 1989)

Summer Shadows oil on board 8 x 10 inches signed lower right: John Clymer PROVENANCE Private Collection, Houston, Texas $15,000-$20,000

142

JOHN FORD CLYMER (1907 - 1989)

The Christmas Tree oil on board 8 x 10 inches signed lower right: John Clymer PROVENANCE Private Collection, Dallas, Texas $6,000-$8,000

143

ROBERT LOUGHEED (1910 - 1982)

Lexington Mare oil on board 16.25 x 20.25 inches signed lower right: Robert Lougheed PROVENANCE Private Collection, Fairview, Texas $5,000-$7,000

- 94 -

144

DALE FORD (b. 1934) Concord Stagecoach mixed media 18.25 x 30 inches PROVENANCE Private Collection, La Jolla, California $4,000-$6,000

- 95 -

145

GRANT SPEED (1930 - 2011) Twisters and Outlaws, 1981 bronze, 4/30 27.25 x 20 x 12.5 inches inscribed: G Speed 1981 CA 4/30 PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

- 96 -

146

GRANT SPEED (1930 - 2011) Almost Home From the War, 1977 bronze, 14/30 12 x 12 x 8 inches inscribed: UG Speed 1977 CA 14-30 PROVENANCE Private Collection, Fort Worth, Texas $2,000-$3,000

147

GRANT SPEED (1930 - 2011) One Who Lived To Tell It, 1977 bronze, 22/30 13.5 x 9 x 9 inches inscribed: UG Speed 1977 CA 22-30 PROVENANCE Private Collection, Fort Worth, Texas $2,000-$3,000

148

BOB SCRIVER (1914 - 1999) National Finals, 1972 bronze 22.25 x 18 x 13.5 inches inscribed: Bob Scriver 1972 “National Finals” PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 97 -

149

BIRGER SANDZEN (1871 - 1954) Dry Creek, (Wild Horse Creek, Graham County, Kansas), 1915 oil on canvas 24 x 36 inches signed lower right: Birger Sandzen This beautiful painting by the artist painted in 1915 depicts a scene from one of Sandzen’s favored sites for landscape painting, Wild Horse Creek in Graham County, Kansas. The artist’s in-laws had a farm there in the northwestern region of Kansas, and from 1906 onward, the Sandzen family enjoyed visiting for extended periods of time in the summer. Dry Creek is listed in the Sandzen card catalog as #159 at the Birger Sandzen Memorial Gallery in Lindsborg, Kansas.

PROVENANCE Private Collection, Dallas, Texas $45,000-$65,000

- 98 -

150

BIRGER SANDZEN (1871 -1954) Autumn Chord, Smoky Hill River, Kansas, 1952 oil on board 22 x 28 inches signed lower left center: Birger Sandzen Birger Sandzen painted this same scene multiple times but this example painted in 1952 is one of the largest. The Smoky Hill River ran from Colorado through the Great Plains and central Kansas near the artist’s home of Lindsborg and he took inspiration from the seasonal changes it exhibited. Autumn Chord, Smoky Hill River, Kansas is recorded in the Sandzen card file as #2725 at the Birger Sandzen Memorial Gallery in Lindsborg, Kansas.

PROVENANCE Private Collection, Dallas, Texas $35,000-$55,000

- 99 -

151

PETER HURD (1904 - 1984) La Sierra Sacramento Vista de La Luz watercolor and gouache on paper 22 x 28.5 inches signed lower left: Peter Hurd PROVENANCE Private Collection, Fredericksburg, Texas $12,000-$15,000

152

GERARD CURTIS DELANO (1890 - 1972) Warriors on the Move oil on canvas 20 x 24 inches signed lower right: G. Delano PROVENANCE Private Collection, Bentonville, Arkansas $8,000-$12,000

- 100 -

153

LOUISA McELWAIN (1953 - 2013) Rain Approaching Alcalde oil on canvas 20.25 x 30.25 inches signed lower right: McElwain PROVENANCE Private Collection, Tallahassee, Florida $6,000-$8,000

154

ANCEL E. NUNN (1928 - 1999) Wasp Nest, 1972 oil on board 23.875 x 16 inches signed lower left: Ancel E Nunn 1972 PROVENANCE Private Collection, Dallas, Texas $5,000-$8,000

- 101 -

155

ARTHELLO BECK, JR. (1941 - 2004)

Sunday Afternoon Commute, 2003 oil on canvas 24 x 36 inches signed lower right: Arthello Beck Jr. 03 Arthello Beck, Jr. was an important Dallas artist and the first African American to own and operate an art gallery in the city. He graduated from Dallas’ Lincoln High School where he received his only art training and is considered self-taught. To continue his learning journey, he used the Dallas Public Library as a way to learn more about art. He never read an art book but instead looked at the pictures. He opened an art gallery in Oak Cliff, Texas, in 1973, where along with his own paintings, he displayed paintings and sculptures by other artists, especially African American artists from the Dallas area. Beck also sold paintings at the State Fair of Texas for over thirty years. Collectors of his work include former Dallas Cowboy Calvin Hill and his son and former NBA player Grant Hill. In Sunday Afternoon Commute, Beck paints the historic and ancestral Dallas home of J.L. Turner, Sr., one of, if not the first African American, with a law degree to practice law in Texas.

PROVENANCE Private Collection, Duncanville, Texas $8,000-$12,000

156

ARTHELLO BECK, JR. (1941 - 2004)

Arkansas Farm, 1978 oil on canvas 24 x 36 inches signed lower right: Arthello Beck Jr. ‘78 PROVENANCE Private Collection, Duncanville, Texas $6,000-$9,000

- 102 -

157

GUY CARLETON WIGGINS (1883 - 1962) The Wall Street District Winter (Old Trinity Church), 1961 oil on canvas 30 x 25 inches signed lower right: Guy Wiggins Guy Wiggins is best known for his impressionistic snow scenes of New York in the 1920’s. This example titled The Wall Street District Winter is an exceptional, larger example with many of the most desired elements including Wall Street, buses, taxi cabs, New Yorkers going about their business, American flags, and the prerequisite falling snow. Making this painting extra special and rare is the full view of the Old Trinity Church. This painting is included in the Virtual Catalogue Raisonné for the Complete Works

by Guy Carlton Wiggins #GW001323 PROVENANCE Private Collection, Dallas, Texas $100,000-$150,000

- 103 -

158

GUY CARLETON WIGGINS (1883 - 1962) Winter at the Plaza, 1952 oil on canvasboard 12 x 16 inches signed lower left: Guy Wiggins PROVENANCE Private Collection, Corpus Christi, Texas $10,000-$15,000

159

GUY CARLETON WIGGINS (1883 - 1962) Hanson Cab at the Plaza, Christmas, 1950 oil on canvasboard 12 x 16 inches signed lower left: Guy Wiggins PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

- 104 -

160

GRANDMA MOSES (1860 - 1961) We Have All Gone Sledding, 1943 oil with glitter on pressed board 8 x 14 inches signed lower center: Moses.

PROVENANCE Private Collection, Dallas, Texas

Anna Mary Robertson better known as Grandma Moses was an American folk artists whose paintings are time capsules, colorful narrative landscapes brimming with anecdotal vignettes about the joys of a way of life now lost. Her paintings were cumulative, without linear perspective, and need to be read as the eye wanders over the landscape adding up details. In We Have All Gone Sledding painted by the artist in 1943, she depicts a winter scene presumably at Christmas time with nine happy people enjoying a horse drawn sleigh ride. Accompanying this lot is a hand written letter from Moses gifting the painting to Ms. Cora B. Wilbur, New York, NY. This painting is included in the Grandma Moses Catalogue Raisonné #326 at the Kallir Research Institute, New York, NY.

$25,000-$35,000

161

WOLF KAHN (1927 - 2020) From the W. Brattleboro Parking Lot #4, 1979 oil on canvas 28 x 40 inches signed lower center right: W Kahn PROVENANCE Private Collection, Fredericksburg, Texas $20,000-$30,000

- 105 -

162

JOHANN BERTHELSEN (1883 - 1972) Fifth Avenue in Winter (Washington Square) oil on canvas 16 x 20 inches signed lower right: Johann Berthelsen PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

163

EUGENE GALIEN-LALOUE (1854 - 1941)

Elegantes sur les Grands Boulevards Parisiens watercolor on paper 15.5 x 21.5 inches signed lower left: E. Galien-Laloue PROVENANCE Private Collection, Dallas, Texas $20,000-$35,000

- 106 -

164

ALEXANDER PHIMISTER PROCTOR (1862 - 1950) Stalking Panther bronze 10 x 38 x 6.5 inches inscribed: A Phimister Proctor 1891-1892 JNO Williams. Inc Bronze Foundry. N.Y. Copyright Alexander Phimister Proctor was an American artist recognized as one of the nation’s foremost sculptors. He was classically trained and studied in New York and Paris. His sculpting interest was primarily centered around capturing animals in action and that, coupled with his interest in all things Native American, parlayed into a long, and successful career. Proctor considered Stalking Panther his first “real bronze” and counted as “almost a masterpiece” by Chicago sculptor and historian Lorado Taft.

One was presented to President Theodore Roosevelt in 1909 by his so-called Tennis Cabinet. The striding panther is a powerful work and exemplifies the anatomical knowledge of and research by its creator.

PROVENANCE Private Collection, Dallas, Texas $45,000-$55,000

- 107 -

165

WILLIAM AIKEN WALKER (1838 - 1921) The Cotton Plantation, 1881 oil on canvas 22 x 36 inches signed lower right: W Walker. 1881 William Aiken Walker was an American artist best known for his genre paintings of African American sharecroppers in the post-reconstruction era of the American South. The Cotton Plantation completed in 1881, is considered to be one of the artist’s finest paintings. In it, he paints a very detailed snapshot of a southern plantation as sharecroppers work the cotton fields. The Cotton Plantation is a very important and historic work that would enhance any prominent American art collection.

PROVENANCE Private Collection, Dallas, Texas $300,000-$400,000

- 108 -

166

WILLIAM AIKEN WALKER (1838 - 1921)

Picking Cotton Near the Robinson Brickworks, c. 1885 oil on board 6 x 12 inches signed lower left: W A Walker EXHIBITION Louisiana State Museum PROVENANCE Private Collection, Dallas, Texas $10,000-$15,000

167 (left)

WILLIAM AIKEN WALKER (1838 - 1921)

Cotton Field Worker oil on board 8 x 4 inches signed lower left: W A Walker PROVENANCE Private Collection, Dallas, Texas $4,000-$6,000

168 (right)

WILLIAM AIKEN WALKER (1838 - 1921)

Farm Worker oil on board 8.5 x 4.5 inches signed lower left: W A Walker PROVENANCE Private Collection, Dallas, Texas $4,000-$6,000

- 109 -

169

EDOUARD LEON CORTES (1882 - 1969)

Theatre de Varietes, c. 1905 oil on canvas 20 x 26 inches signed lower right: Edouard Cortes PROVENANCE Private Collection, Amarillo, Texas $25,000-$35,000

170

EDOUARD LEON CORTES (1882 - 1969)

Place de la Madeleine in Winter, c. 1908

oil on canvas 13 x 18 inches signed lower right: Edouard Cortes PROVENANCE Private Collection, Amarillo, Texas $20,000-$30,000

- 110 -

171

WALTER MATIA (b. 1953) The Old Guard, 2012 bronze, 6/24 12.5 x 19.5 x 5.5 inches inscribed: Matia 2012 6/24 PROVENANCE Private Collection, McKinney, Texas $5,000-$7,000

172

WALTER MATIA (b. 1953) Pointer and Setter bronze, 26/48 9 x 6 x 5 inches inscribed (both): Matia 26/48 PROVENANCE Private Collection, McKinney, Texas $3,000-$5,000

- 111 -

173

RICHARD EVETT BISHOP (1887 - 1975)

Returning Home (Ruddy Duck) oil on canvas 24.25 x 27.25 inches signed lower right: Richard E. Bishop PROVENANCE Private Collection, Cave Creek, Arizona $10,000-$15,000

174

RICHARD EVETT BISHOP (1887 - 1975)

Timberdoodle (Woodcock) oil on board 24.25 x 27.25 inches signed lower right: Richard E. Bishop PROVENANCE Private Collection, Cave Creek, Arizona $10,000-$15,000

- 112 -

175

REVEAU MOTT BASSETT (1897 - 1981) Little Sandy oil on canvas 25 x 30 inches signed lower left: Reveau Bassett Reveau Mott Bassett was a popular wildlife artist born in Dallas who had formal art training at the Art Students League in New York where he was a pupil of Joseph Pennell, William Robinson Leigh and Boardman Robinson. He also studied at the National Academy of Design and in Texas under Frank Reaugh, often referred to as the Dean of Texas artists. Bassett was especially known for his beautiful waterfowl paintings depicting marsh scenes at Little Sandy, a National Wildlife Refuge in East Texas.

PROVENANCE Private Collection, Dallas, Texas $25,000-$35,000

- 113 -

176

MICHAEL SCHRECK (b. 1950) Cape Buffalo, 1986 oil on canvas 24 x 36 inches signed lower right: Michael Schreck 1986 PROVENANCE Private Collection, Dallas, Texas $3,000-$,5000

177

JIM HUTT Setter oil on canvas 24 x 30 inches signed lower left: Jim Hutt PROVENANCE Private Collection, Dallas, Texas $2,000-$4,000

- 114 -

178

JULIAN ONDERDONK (1882 - 1922) Twilight in the Hills, Blue-Bonnets, 1918 oil on canvasboard 8 x 10 inches signed lower right: Julian Onderdonk verso: titled, signed and dated by artist Julian Onderdonk is considered by collectors and art scholars to be one of the finest painters from the state of Texas. He is renowned for his impressionistic style of painting landscapes, especially those of the Texas Hill Country, with his bluebonnet paintings in particular being highly coveted. Twilight in the Hills, Blue-Bonnets painted by the artist in 1918, the prime of Onderdonk’s career, is an exceptional example of his very best work.

PROVENANCE Private Collection, Dallas, Texas $80,000-$120,000

- 115 -

179

ROBERT WILLIAM WOOD (1889 - 1979) Hill Country Bluebonnets oil on canvas 28 x 36 inches signed lower right: Robert Wood PROVENANCE Private Collection, Lexington, Kentucky $35,000-$45,000

- 116 -

180

JOSE VIVES-ATSARA (1919 - 2004)

Springtime, Texas, 1971 oil on canvas 30 x 48 inches signed lower right: Vives-Atsara PROVENANCE Private Collection, Salem, Oregon $25,000-$35,000

181

JOSE VIVES-ATSARA (1919 - 2004)

The Guadalupe River, Texas, 1974 oil on canvas 16 x 20 inches signed lower right: Vives-Atsara PROVENANCE Private Collection, Salem, Oregon $8,000-$12,000

- 117 -

182

PORFIRIO SALINAS (1910 - 1973) Hill Country Bluebonnets, 1960 oil on canvas 24 x 36 inches signed lower left: Porfirio Salinas 1960 PROVENANCE Private Collection, Fredericksburg, Texas $30,000-$40,000

- 118 -

183

ROBERT WILLIAM WOOD (1889 - 1979) Texas Bluebonnets oil on canvas 24 x 32 inches signed lower right: Robt. Wood PROVENANCE Private Collection, Sugar Land, Texas $25,000-$35,000

184

ROBERT WILLIAM WOOD (1889 - 1979) Spring Bluebonnets oil on canvas 12 x 16 inches signed lower right: Robt Wood PROVENANCE Private Collection, Dallas, Texas $9,000-$12,000

- 119 -

185

WILLIAM SLAUGHTER (1923 - 2003) Texas Bluebonnet Vista oil on canvas 36 x 60 inches signed lower left: W A. Slaughter William Slaughter was a Texas artist whose landscapes, especially those containing Texas bluebonnets, are hightly sought after.

Texas Bluebonnet Vista is possibly the largest Texas Hill Country landscape the artist ever painted and also considered by many to be his very best work. This painting not only contains his trademark bluebonnets, it also depicts a Texas ranch with rustic out-buildings, cattle and an incredibly beautiful Hill Country vista.

PROVENANCE Private Collection, Dallas, Texas $35,000-$45,000

- 120 -

186

JAMES ROBINSON (1944 - 2015) Spring Bonnets acrylic on board 30 x 40 inches signed lower right: Robinson PROVENANCE Private Collection, Dallas, Texas $8,000-$12,000

- 121 -

187

KYLE POLZIN (b. 1974) Keeper of the Plains, 2020 oil on canvas 31 x 26 inches signed lower left: Polzin PROVENANCE Private Collection, Dallas, Texas $100,000-$200,000

For the last ten years, Kyle Polzin has been at the top of the list as one of the most coveted Western artists working today. His still life paintings are unlike any other and his ability to bring life to inanimate objects coupled with his mastery of lighting and reflection drives the demand by serious art collectors. Keeper of the Plains is a Native American headdress painting completed by the artist in 2020. An interesting fact about this incredible painting is that the artist made the headdress himself which included staining white turkey feathers to create eagle feathers as well as hand sewing each individual bead onto the headdress band.

Polzin headdress paintings are exceedingly rare with only three others known, two of which hold the artist’s top two auction sales records.

- 122 -

188

KYLE POLZIN (b. 1974) Awaiting Her Beloved, 2013 oil on canvas 30 x 39 inches signed lower right: Polzin Awaiting Her Beloved is another great example of the artist’s ability to paint a compilation of items, in this case, Native American objects, which makes one surmise that mother and her infant daughter are off somewhere in camp but certainly soon to return.

189

PROVENANCE Private Collection, Plano, Texas

KYLE POLZIN (b. 1974)

$80,000-$120,000

oil on canvas 21 x 7 inches signed lower left: Polzin

War Whistle

PROVENANCE Private Collection, Dallas, Texas $15,000-$20,000

- 123 -

190

G. HARVEY (1933 - 2017) Enough Till Spring, 1994 oil on canvas 30 x 50 inches signed lower right: G. Harvey Enough Till Spring painted by the iconic Texas artist in 1994 is an impressive and especially moody example of his work portraying Western life in a small Texas town at the begining of the 20th century. Cowboys riding down a snow covered Main Street just after sunset most likely headed back to the ranch stirs a feeling of the West in all of us. The artist’s trademark use of light is very well on display along with his inclusion of an early automobile signifying that change is coming.

PROVENANCE Private Collection, Dallas, Texas $175,000-$225,000

- 124 -

191

G. HARVEY (1933 - 2017) Touches of Spring - Boston Commons, 1992 oil on canvas 24 x 20 inches signed lower left: G. Harvey PROVENANCE Private Collection, Dallas, Texas $70,000-$90,000

- 125 -

192

G. HARVEY (1933 - 2017) Powell Street Trolley San Francisco oil on board 12 x 9 inches signed lower left: G. Harvey PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

- 126 -

193

G. HARVEY (1933 - 2017) Making A Good Spring, 1984 oil on canvas 24 x 40 inches signed lower right: G. Harvey 1984 According to the artist, Making A Good Spring refers to the complex relationship that exists between the cattleman, the weather and the land in West Texas. In this painting completed in 1984, the artist depicts the historic Spade Ranch in West Texas. The Spade is a typical working ranch. No glamour, no Marlboro men, just a good crew of cowhands who take on the challenges of ranching despite the most extreme weather conditions that Mother Nature can inflict. The Spade was one of G. Harvey’s favorite locations for subject matter to paint and he made two or three trips there per year, usually in the spring or winter months.

PROVENANCE Private Collection, Dallas, Texas $90,000-$120,000

- 127 -

194

G. HARVEY (1933 - 2017) Wishing for Spring, 1995 oil on canvas 12 x 9 inches signed lower right: G. Harvey PROVENANCE Private Collection, Dallas, Texas $20,000-$30,000

195

G. HARVEY (1933 - 2017) Doc’s Rig, 1975 oil on canvas 24 x 30 inches signed lower right: G. Harvey 1975 PROVENANCE Private Collection, Salem, Oregon $25,000-$35,000

- 128 -

196

PAUL MANN (b. 1955) Surprise Encounter, 2005 oil on canvas 24 x 36 inches signed lower left: Paul Mann PROVENANCE Private Collection, La Jolla, California $3,000-$5,000

197

HOWARD ROGERS (b. 1932) Robin oil on canvas 24 x 36 inches signed lower right: H Rogers PROVENANCE Private Collection, Amarillo, Texas $2,000-$4,000

198

JAMES BOREN (1921 - 1990) El Burro Blanco, 1972 watercolor on paper 14 x 21 inches signed lower right: James Boren 1972 CA PROVENANCE Private Collection, La Jolla, California $3,000-$5,000

- 129 -

199

GUADALUPE APODACA (b. 1941) Apache Lookout oil on canvas 40 x 40 inches signed lower left: Guadalupe Apodaca PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

200

JOE GRANDEE (b. 1929) Sweet Water After Spring Rains, 1979 oil on canvas 24 x 36 inches signed lower left: Joe Grandee 79 PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

201

CARL KAUBA (1865 - 1922) Indian Chief on Horseback bronze 24 x 21 x 10.5 inches inscribed: C Kauba PROVENANCE Private Collection, Dallas, Texas $4,000-$6,000

- 130 -

202

MEHL LAWSON (b. 1942) Flying Leather bronze, AP 1 30 x 36 x 30 inches inscribed: Mehl Lawson CA, AP 1, “Flying Leather” PROVENANCE Private Collection, La Jolla, California $6,000-$9,000

203

DEBORAH FELLOWS (b. 1948) Girls Night Out bronze, 14/35 16.75 x 20 x 11 inches inscribed: 14/35 D. Copenhaver Fellows PROVENANCE Private Collection, Southlake, Texas $3,000-$5,000

- 131 -

204

KARIN HOLLEBEKE (b. 1950) Packing the Mule oil on canvas 24 x 36 inches signed lower right: K. Hollebeke PROVENANCE Private Collection, Duncanville, Texas $1,500-$2,500

205

GARY ROBERTS (b. 1953) All is Well oil on canvas 20 x 16 inches signed lower right: Gary Lynn Roberts PROVENANCE Private Collection, Dallas, Texas $2,500-$3,500

- 132 -

206

JOE BEELER (1931 - 2006) Morning Surprise oil on canvas 16 x 28 inches signed lower right: Joe Beeler PROVENANCE Private Collection, Prosper, Texas $2,000-$5,000

207

JOE BEELER (1931 - 2006) Mountain Man and Beaver bronze, 11/30 6 x 7.75 x 8.25 inches inscribed: Joe Beeler CA 11 of 30 PROVENANCE Private Collection, Prosper, Texas $2,000-$3,000

- 133 -

208

209

210

JOE BEELER (1931 - 2006)

JOE BEELER (1931 - 2006)

JOE BEELER (1931 - 2006)

Appeal to the Spirit

Buffalo Skull and Prairie Dog

Gold Medallion

bronze, 5/30 7.75 x 7.25 x 4.5 inches inscribed: Joe Beeler CA 5/30

bronze, 28/30 2 x 9.5 x 6 inches inscribed: Joe Beeler CA 28/30

14K (54.5 grams) yellow gold 2 inches (diameter) inscribed: Joe Beeler

PROVENANCE Private Collection, Prosper, Texas

PROVENANCE Private Collection, Prosper, Texas

$1,000-$1,500

$1,000-$1,500

According to close associates of Joe Beeler, only two of these gold medallions were cast. One for the artist’s wife and one for the best man at his wedding. A rare piece that Beeler collectors should appreciate.

PROVENANCE Private Collection, Prosper, Texas $2,500-$3,500

- 134 -

211

WILLIAM SLAUGHTER (1923 - 2003) Hill Country Autumn oil on canvas 24 x 48 inches signed lower center left: W.A. Slaughter PROVENANCE Private Collection, Dallas, Texas $6,000-$9,000

212

WILLIAM SLAUGHTER (1923 - 2003) Hill Country Bluebonnets oil on canvas 12 x 16 inches signed lower right: W.A. Slaughter PROVENANCE Private Collection, Duncanville, Texas $2,500-$3,500

- 135 -

213

WILLIAM SLAUGHTER (1923 - 2003) Fall Hill Country Landscape oil on canvas 16 x 20 inches signed lower left: W.A. Slaughter PROVENANCE Private Collection, Farmers Branch, Texas $2,000-$3,000

214

WILLIAM SLAUGHTER (1923 - 2003) Fall - Hill Country, 1972 oil on canvas 11 x 14 inches signed lower left: W. A. Slaughter ‘72 PROVENANCE Private Collection, Duncanville, Texas $1,500-$2,500

215

WILLIAM SLAUGHTER (1923 - 2003) Hill Country - Summer, 1973 oil on canvas 11 x 14 inches signed lower right: W.A. Slaughter ‘73 PROVENANCE Private Collection, Duncanville, Texas $1,500-$2,500

- 136 -

216

RAMON KELLEY (b. 1939) Brass and Roses oil on canvas 11.5 x 17.5 inches signed lower left: Ramon OPA PROVENANCE Private Collection, Tallahassee, Florida $3,000-$5,000

217

KARL THOMAS (b. 1948) Grand Canyon Winter oil on canvas 36 x 54 inches signed lower right: Karl Thomas PROVENANCE Private Collection, Dallas, Texas $3,000-$5,000

- 137 -

218

CURT WALTERS (b. 1950) Autumn’s First Brights oil on canvas 36 x 28 inches signed lower left: Curt Walters PROVENANCE Private Collection, Dallas, Texas $5,000-$7,000

- 138 -

INDEX ACHEFF, WILLIAM

BURGESS, NOCONA

GASPARD, LEON

AFSARY, CYRUS

CALLE, PAUL

GILLEON, R. TOM

ANDERSEN, ROY

CARLSON, KEN

Hopi Dancer, 68 Taos Pueblo, 67

Indian on White Horse, 140 Watchful Brave, 139

APODACA, GUADALUPE

Quanah Parker - Culture Clash, 40 To Be Free To Fly, 63 Texas Longhorn, 112

CARSON, JIM

L’ Ours Russe (A La Foire), 83 Red Bears, 42 Red Horses, 41

GRANDEE, JOE

Sweet Water After Spring Rains, 200

The Army of Santa Anna, 21 Crockett’s Prayer, 22

GREENE, BRUCE R.

ASPEVIG, CLYDE

CASSIDY, GERALD IRA DIAMOND

GRELLE, MARTIN

BALLANTYNE, CARRIE FOGWELL

CHEEVER, BRUCE

Apache Lookout, 199

Never Summer (Walden, CO), 1 Making Friends, 65 Partners, 64 Watching For His Window, 66

BAMA, JAMES

Cavalry Officer, 69

BASSETT, REVEAU MOTT

Little Sandy, 175

BECK, JR., ARTHELLO

Arkansas Farm, 156 Sunday Afternoon Commute, 155

BEELER, JOE

Appeal to the Spirit, 208 Buffalo Skull and Prairie Dog, 209 Gold Medallion, 210 Morning Surprise, 206 Mountain Man and Beaver, 207

BERNINGHAUS, OSCAR

A Camp in the Aspen Forest, 85

BERTHELSEN, JOHANN

Fifth Avenue in Winter (Washington Square), 162

BISHOP, RICHARD EVETT

Returning Home (Ruddy Duck), 173 Timberdoodle (Woodcock), 174

BLACK, LAVERNE NELSON

Autumn at Taos Pueblo, 84

BODELSON, DAN

Mid Day Sun, 54

BOREN, JAMES

El Burro Blanco, 198

BOREN, NELSON

4th of July in Papalote, 26 Cowboy and Cowgirl, 28 Hat, Boots and Spurs, 27 Red Scarf, Back Pocket, 29 Spur, 25

Acoma Water Carrier, 86

Dancing with the Devil, 58

CHRISTIE, KEITH

The Charolais Calf, 2

CLYMER, JOHN FORD

The Christmas Tree, 142 Summer Shadows, 141

COLEMAN, JOHN

Big Soldier, 90 Crazy Horse, 88 The Greeter - Black Moccasin, Hidatsa Chief, 89 Little Pueblo Girl, 91

COLEMAN, MICHAEL

Cheyenne Camp, 3

CORTES, EDOUARD LEON

Place de la Madeleine in Winter, 170 Theatre de Varietes, 169

A One Man Outfit, 108 Cheyenne Maiden, 37 Flurries, 104 The Long Winter, 107 Neils Creek Crossing, 105 Provider, 103 Rest Stop, 36 Stop at the Old Place, 106

GRIMM, BRIAN

Dust on the Old Trail, 113

HAGEGE, LOGAN MAXWELL

Against a Blue Sky, 44 Old Corral at Vermilion Cliffs, 43

HARVEY, G.

Doc’s Rig, 195 Enough Till Spring, 190 Making A Good Spring, 193 Powell Street Trolley San Francisco, 192 Touches of Spring - Boston Commons, 191 Wishing for Spring, 194

HOLLEBEKE, KARIN

COX, JAMES

The Cattle Industry of Texas and Adjacent Territory Historical and Biographical 1895, 115

CROWLEY, DON

Kaibab Child, 5 Lakota Treasure, 4

CURTIS, EDWARD SHERIFF

The North American Indian, Plates from the Plains Portfolios, 78 The North American Indian, Plates from the Southwest Portfolios, 77

DANIEL, JERRY

Bison IV, 39

DELANO, GERARD CURTIS

Warriors on the Move, 152

FALK, JONI

Snow Shadows and Oven Smoke, 6 Winter Serenity, 7

Packing the Mule, 204

HULINGS, CLARK

The Valencia Flower Market, 123

HURD, PETER

La Sierra Sacramento Vista de La Luz, 151

HUTT, JIM

Setter, 177

JACKSON, HARRY ANDREW

The Pony Express, 100 Pony Express, II, 101 Safe and Sound, 102

JOHNSON, FRANK TENNEY

The Lawless Frontier, 120 Night Sentinel (The Warrior), 121

KAHN, WOLF

From the W. Brattleboro Parking Lot #4, 161

BOWMAN, ERIC

FELLOWS, DEBORAH

BROWNING, TOM

FORD, DALE

KELLEY, RAMON

FRANKLIN, JOHN

KNAUF, J. E.

FRASER, JAMES EARLE

KUNSTLER, MORTON

A Walk in the Woods, 45 Spring Crossing, 52 Winter Camp, 53

BURBANK, ELBRIDGE AYER

Chief Joseph, Nez Perces, 74 Chief Naiche, Apache, 73 Chief Red Cloud, Sioux, 72 Oraibi, Ariz., 70 Sanchez San Carlos, Apache, 75 Shield, Sioux, 71

Girls Night Out, 203 Concord Stagecoach, 144 On the Plaza, 8

End of the Trail, 76

GALIEN-LALOUE, EUGENE

Elegantes sur les Grands Boulevards Parisiens, 163

KAUBA, CARL

Indian Chief on Horseback, 201 Brass and Roses, 216 Spot Light, 9 Fall of the Alamo, 23

LAWSON, MEHL

Flying Leather, 202

LOUGHEED, ROBERT

Lexington Mare, 143

- 139 -

LOVELL, TOM

Even Trade, 98 Four Times to the Sun, 99 The Friendly Willows, 97

MANN, PAUL

Surprise Encounter, 196

MATIA, WALTER

The Old Guard, 171 Pointer and Setter, 172

MCCANN, GERALD

Long Trail, 10

PROCTOR, ALEXANDER PHIMISTER

Stalking Panther, 164

PROCTOR, BURT

Navajo Woman, 15

PUMMILL, ROBERT

40 Years A-Looking, 116 The Stray Man, 117

REESE, WILLIAM F.

Chisholm Trail, 114

REMINGTON, FREDERIC SACKRIDER

On the Way to the Platte, 119

Fall Hill Country Landscape, 213 Hill Country Autumn, 211 Hill Country Bluebonnets, 212 Hill Country - Summer, 215 Texas Bluebonnet Vista, 185 SOLLIDAY, TIM

Frontier Scout, 46

SPAULDING, DON

The End of the Campaign, 18 Making A Stand, 19

SPEED, GRANT

Almost Home From the War, 146 One Who Lived To Tell It, 147 Twisters and Outlaws, 145

MCCARTHY, FRANK C.

REYNOLDS, JAMES ELWOOD

MCELWAIN, LOUISA

RICH, JASON

STEFAN, ROSS

RIDDICK, R. S.

SWANSON, RAY

RILEY, KENNETH PAULING

TERPNING, HOWARD A.

ROBERTS, GARY

THOMAS, KARL

The Returning War Party, 135 Rain Approaching Alcalde, 153

MCGARY, DAVE

Bear Tracks, (Bust), 132 Crow King, 129 The Gatekeeper, (Bust), 134 In Victory I Stand, (Masterwork), 127 Not Afraid of Pawnee, (Maquette), 130 Retired with Honors, (Bust), 133 Short Bull, (Maquette), 131 Strikes with Thunder, (Masterwork), 128

MCGREW, R. BROWNELL

Under Agathlan, 136

MELL, ED

Jack Knife, 49

MOLNAR, GEORGE

Cowboy and Calf, 33 Cowboy on Horse in Winter, 34 First Watch, 11 New Friends, 31 The Sentinel, 32 Young and Innocent, 35

MORAN, THOMAS

Plowing a Field, 12

MOSES, GRANDMA

We Have All Gone Sledding, 160

NEBEKER, BILL

The Eyes of Texas, 109 The Price of Freedom, 110

NIBLETT, GARY LAWRENCE

Ridin’ the Winter Rim, 61 Trailing the Rockies, 60

NORTON, JIM

A Warm Fire on a Chilly Day, 57 Trading on the High Plain, 56

NUNN, ANCEL E.

Wasp Nest, 154

OELZE, DON

Indians and Waterfall, 62

ONDERDONK, JULIAN

Twilight in the Hills, Blue-Bonnets, 178

OWEN, BILL

CO Bar Bull and Book, 14 Takin’ the Jerk, 13

POLZIN, KYLE

Awaiting Her Beloved, 188 Keeper of the Plains, 187 War Whistle, 189

Bluffin’, 92

Among the Aspens, 59 Keeper of the Pipe, 137 Dance of the Eagle, 138 All is Well, 205

ROBINSON, JAMES

Spring Bonnets, 186

ROGERS, HOWARD

Robin, 197

ROGERS, SCOTT

High Tailin’, 118

ROHRIG, MARK

Before the Sun Awakens, 30

SALINAS, PORFIRIO

Hill Country Bluebonnets, 182

SANDZEN, BIRGER

Autumn Chord, Smoky Hill River, Kansas, 150 Dry Creek, (Wild Horse Creek, Graham County, Kansas), 149

SCHENCK, BILL

Destination Unknown, 47

SCHRECK, MICHAEL

Cape Buffalo, 176

SCHREYVOGEL, CHARLES

The Last Drop, 79

SCRIVER, BOB

National Finals, 148

SCULL, JASON

John Coffee “Jack” Hays, 2002 with Framed Portrait by Matthew Brady, 111

SELTZER, OLAF CARL

War Party, 87

SHADDIX, BILL

October Moon, 16

SHARP, JOSEPH HENRY

Crow Camp Near Custer Battlefield, Montana, 81 Evening Council, 80 San Geronimo - Taos, 82

SHEPHERD, WILLIAM

Wild West Show, 17

SLAUGHTER, WILLIAM

Fall - Hill Country, 214 - 140 -

Sonora Rancho, 55 Dressed Up For Pow-Wow, 124 Proud Men, 122 Grand Canyon Winter, 217

VIVES-ATSARA, JOSE

The Guadalupe River, Texas, 181 Springtime, Texas, 180

WALKER, WILLIAM AIKEN

Cotton Field Worker, 167 The Cotton Plantation, 165 Farm Worker, 168 Picking Cotton Near the Robinson Brickworks, 166

WALTERS, CURT

Autumn’s First Brights, 218

WARHOL, ANDY

General Custer (F.& S. II.379), 50 Sitting Bull (F.& S. IIIA.70), 51

WARREN, MELVIN CHARLES

Run for the Rio Grande, 95 Snow on the Bosque, 93 Stop at the Old Place, 94 Texas Rangers on Patrol, 96

WEISTLING, MORGAN

Alice, 38

WHITAKER, WILLIAM

Comanche Dress, 20

WHITE, FRITZ

And Crockett Finally Fell, 24

WIEGHORST, OLAF CARL

Indian Scout, 125 Vaquero, 126

WIGGINS, GUY CARLETON

Hanson Cab at the Plaza, Christmas, 159 The Wall Street District Winter (Old Trinity Church), 157 Winter at the Plaza, 158

WIGGINS, KIM DOUGLAS

Springtime Near Santa Fe, 48

WOOD, ROBERT WILLIAM

Hill Country Bluebonnets, 179 Spring Bluebonnets, 184 Texas Bluebonnets, 183

AU C T I O N T E R M S A N D C O N D I T I O N S Auctioneer and Auction:

bids submitted by telephone, mail, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the Internet may not be withdrawn until your written request is received and acknowledged by Auctioneer. Such requests must state the reason and may constitute grounds for withdrawal of bidding privileges.

Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

This Auction is presented by Lone Star Art Auction, a d/b/a/ of Great American West, LLC (“Auctioneer”). The Auction is conducted under these Terms and Conditions and applicable state and local law.

Announcements and corrections from the podium and those made through the Terms and Conditions appearing on the Internet at www. lsartauction.com supersede those in the printed catalog. Auctioneer Jason Brooks, State of Texas License Number 16216, will preside over the Auction.

3. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot.

Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

Buyer’s Premium: All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid otherwise defined as the Hammer Price. Following is the Buyer’s Premium Schedule for the Auction: 20% for Live In-Person Bidding, Telephone Bidding, and Absentee or Proxy Bidding. 20% for Online Bidding on the Auction website at www.lsartauction.com. 25% for Online Bidding on Bidsquare and LiveAuctioneers.

The following chart governs current bidding increments.

Current Bid Increment:

Bidders:

Under $2,000 $2,000 – $5,000 $5,000 – $10,000 $10,000 – $20,000 $20,000 – $50,000 $50,000 – $100,000 Over $100,000

1. Any person participating or registering for the Auction agrees to be bound by and accepts these Terms and Conditions (“Bidder(s)”).

2. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

$100 $250 $500 $1,000 $2,500 $5,000 $10,000

3. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

4. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Credit:

Conducting the Auction:

In order to place bids, Bidders who have not established credit with the Auctioneer must either furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bidders should preregister at least two business days before the start of the Auction (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally, Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: Auctioneer history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

1. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot.

Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer falls to accept bids and reopen bidding for bids placed through the Internet or otherwise.

Bidding Options: 1. Presentment of Bids: Non-Internet bids (including but not limited to podium, phone, and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, phone, or mail bids that do not conform to a full or half increment will be rounded up to the nearest full or half increment and this revised amount will be considered your high bid.

2. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of

2. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.”

Any person apparently appearing on the OFAC list is not eligible to bid.

3. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

4. Lots bearing bidding estimates shall open at Auctioneer’s discretion (approximately 50%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

5. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

6. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s

- 141 -

clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) and any other damages or expenses pertaining to the lot.

7. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact the Auctioneer at (214) 730-0939.

8. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction and may bid on those lots or any other lots.

Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

9. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment: 1. All sales are strictly in United States dollars and accepted methods of payment include personal checks, commercial checks, and bank wire, and are subject to all reporting requirements. Authorized MasterCard, Visa and Discover credit card payments are accepted but are limited to a maximum total of $10,000.00 U.S. dollars for the auction. These credit cards are also accepted with the convenience fee charge of 3.0% added to the total purchase amount (hammer price plus Buyer’s premium). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period.

Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with prearranged credit status may receive immediate credit for payments via eCheck, personal, or corporate checks. All others will be subject to a hold of five (5) days, or more, for the funds to clear prior to releasing merchandise.

2. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Invoices will be emailed to all successful online bidders by October 31, 2023. Auctioneer reserves the right to void an invoice if payment in full is not received within seven (7) days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premiums) on the lot and any other damages pertaining to the lot or Auctioneer, at its option, may charge a twenty (20%) restock fee on the amount of the purchase and offset the restock fee against any monies paid to the Auctioneer or against any of the purchaser’s properties held by the Auctioneer.

3. Lots delivered to you, or your representative, are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five (5) days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within four (4) days after the Auction can a refund of tax paid be made.

4. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your

financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using another acceptable form of payment.

5. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer.

6. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any under-bidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or re-list the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer).

The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 20% seller’s commission, if sold at an Auctioneer’s auction.

7. Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise.

8. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer. With respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article 9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 20% seller’s commission, if consigned to an auction conducted by Auctioneer).

In addition, with respect to payment of the Auction invoice(s), the buyer waives all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

9. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery, Shipping and Handling Charges: 1. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees are received or credit extended, except when thirdparty shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not prepaid, may be charged to the credit card on file with Auctioneer.

2. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States.

NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

3. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by the Auctioneer until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client

- 142 -

has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by the Auctioneer to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

such rights and privileges conferred therein are strictly construed as specifically declared herein, e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

4. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third parties as to such items Auctioneer shall have no liability.

Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 20% Seller’s Commission.

5. Auctioneer shall not be liable for any loss caused by or resulting from: a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any Government or public authority, or risks of contraband or illegal transportation of trade, or b. Breakage of statuary, marble, and similar fragile articles.

6. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers: 1. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. NOTE: Auctioneer may have express written warranties and you are referred to those specific terms and conditions.

Dispute Resolution and Arbitration Provision: 1. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

2. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot.

In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

3. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

2. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property.

Auctioneer disclaims any warranty of merchantability or fitness for any purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used

by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

3. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

4. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release: In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions or otherwise. In the event of a claim, Bidder agrees that

- 143 -

4. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer { which claim you consent to be made a party} (collectively, “Claim”) shall be exclusively heard by, and the claimant (or respondent as the case may be) and Auctioneer each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas, and the consumer consents to subject matter and in persona jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration.

Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return.

This Agreement and any Claim shall be determined and construed under Texas law. The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

5. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

6. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary, the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

7. These Terms and Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous: 1. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a

subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

2. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Auctioneer in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Auctioneer may from time-to-time contact Bidder concerning sale, purchase, and auction opportunities available through Auctioneer and its affiliates and subsidiaries.

3. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions.

4. Nothing herein shall be construed to waive the general Terms and Conditions by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Store Notice: Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c) (1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.

Auction Coordinator & Registrar: Lindsey Lutz Catalogue Design: WinshipPhillips Photography: Roy Richardson

- 144 -

97 TOM LOVELL (1909-1997) The Friendly Willows 1988 oil on canvas, 22 x 38 inches $140,000-$190,000

BACK COVER

122 HOWARD A. TERPNING (b. 1927) Proud Men 2000 oil on board, 12 x 13 inches $150,000-$200,000

Douglas Center Tower, 8333 Douglas Ave., Suite 360, Dallas, Texas 75225 Phone: 469.608.7600 | Website: Lsartauction.com Presented by Great American West and Phil Berkebile, Jr. Email: info@lsartauction.com © 2023 LONE STAR ART AUCTION, ALL RIGHTS RESERVED.