The Cleveland Orchestra May 29, 30, 31 Concerts

SPRING SEASON

SEVERANCE HALL

May 29, 30, 31 VLADIMIR JUROWSKI CONDUCTS PROKOFIEV’S CINDERELLA

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TA B L E

OF

CONTENTS

THIS WEEK THE

CLEVELAND

ORCHESTRA

PAGE

WEEK 22 7

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

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Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Education and Community . . . . . . . . . . . . . . . . . . 57 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

35

STRAVINSKY

Scherzo fantastique . . . . . . . . . . . . . . . . . . . . . . . 40 BRITTEN

Violin Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 PROKOFIEV

Suite from Cinderella . . . . . . . . . . . . . . . . . . . . . . 51 Conductor: Vladimir Jurowski . . . . . . . . . . . . . . . . 39 Solist: Simone Lamsma . . . . . . . . . . . . . . . . . . . . . . 47

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . .

Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Corporate Annual Support . . . . . . . . . . . . . . . . . . .

Foundation / Government Annual Support . . .

Individual Annual Support . . . . . . . . . . . . . . . . . .

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Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

NATIONAL ENDOWMENT FOR THE ARTS

Week 22 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: May 29, 30, 31 . . . . . . . . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37

48

Copyright Š 2014 by The Cleveland Orchestra and the Musical Arts Association

48 61 66 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program.

Future Concerts

These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

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This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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Š 2014

“There’s an inclusiveness here that I couldn’t get anywhere else.”

—Jordan Perlman, Judson Manor resident since 2007

Judson Manor resident Jordan Perlman has amassed VË8? ÄËÍ ËÍ jË jÜj ? a over 8,000 volunteer hours at Cleveland Clinic, Museum of Art greeting patients and guests. “I answer about 80 VË Áj¶Öj Í ßË ÄÍÄËË questions a day,” he says. dinner parties Jordan moved to Judson Manor because it was VË ¬?ÁÍ j ÍËÄ ÝW?ÄjÄ convenient to all the things important to him—his Clinic Ë ÄËjW jWÍ WË?ÁÍËW jWÍ volunteer position and Cleveland’s cultural scene.

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Perspectivesfrom the Executive Director May 2014 The past several weeks this spring have been an especially exhilarating time as we approach the end of the season with this week’s concerts.

Between May 17 and 24, the Orchestra premiered a brand-new, madefor-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen, and, at the same time, presented an intensive week of musicmaking and celebration in Lakewood during our second “At Home” neighborhood residency. These two projects clearly showcased our commitment to serving the Northeast Ohio community with diverse performances and collaborative partnerships.

Our achievements with young audiences are just one measure of the season’s success. The Orchestra’s efforts to build the youngest orchestra audience in the country have attracted national attention, including a feature article in the New York Times this month. In the past year alone, more than 40,000 young people have attended Cleveland Orchestra concerts at Blossom and Severance Hall, clearly demonstrating youthful interest in our core concerts as we help peel away the barriers to attending performances — and making great strides toward our goal to cultivate the youngest audience of any orchestra.

“Mr. Welser-Möst and his wondrous orchestra” gave “a musical performance of impeccable quality and wide textural range” said the New York Times of The Cleveland Orchestra’s innovative animated production of The Cunning Little Vixen, presented earlier this month. Working with director Yuval Sharon and the creative team at Robot Studios in Los Angeles, the Orchestra created our own brand-new operatic production, compellingly combining live action with projected video animation.

This month also brought to a close the Orchestra’s special semester-long involvement with Lakewood’s music education programs as prelude to this year’s “At Home” neighborhood residency. Of the week-long residency, the Plain Dealer said that “The Cleveland Orchestra leaves the sold-out Lakewood crowd wanting more.” The action-packed week of ensemble performances, community activities, and public musical get-togethers drew enthusiastic crowds. The grand finale, a sold-out community concert at Lakewood Civic Auditorium, was broadcast live and is being telecast on Friday, May 30, at 9:00 p.m. by our media partner WVIZ ideastream.

A season of so many successes is the result of concentrated effort, many hands, and dedicated focus. Not just from the Orchestra musicians, staff, trustees and other volunteers, but from the community surrounding us, supporting us, and collaborating with us. That young people now make up 20% of Orchestra audiences is the result of extraordinary support from leading donors who care deeply about the future of this institution. We owe a debt of gratitude to everyone who supports The Cleveland Orchestra. And, as the fiscal year comes to a close on June 30, we invite you to consider your own investment in sustaining these bold initiatives for the future. Please be counted among the thousands of supporters who enable this Orchestra to serve the people of Northeast Ohio with quality musical experiences, education programs, and community engagement activities.

Severance Hall 2013-14

Gary Hanson

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CLEVELAND ORCHESTRA ARCHIVES

Photo of the Week follow the Orchestra on Facebook for more archival photos

DRIVING THROUGH SEVERANCE HALL. When Severance Hall opened on February 5, 1931, the building featured a drivethrough for passenger drop-off and pick-up in operation in the 1930s. Later closed and used as restaurant space, the area became the Smith Lobby, with new restrooms and ticket office space, during the building renovations in 1999-2000.

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelfth year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch in 2013 of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

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About the Orchestra

The Cleveland Orchestra

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world.

Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 1933-43; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home, with later acoustic refinements and remodeling of the hall under Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.

Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of March 2014

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival

O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

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by Franz W Welser-Möst

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Don’t miss this unique unique, made-for-Cleveland opera presentation presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale f of love, peril, freedom, and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing wit the songful serenity and energetic pulse of Moravian folk music. with This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera.

With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka.

In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival.

To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction.

Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth.

Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

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in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall.

Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier.

Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions.

Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes.

For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

The Cleveland Orchestra

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MÜst and The Cleveland Orchestra, performing Bruckner’s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

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SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune S Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

HORNS Richard King * George Szell Memorial Chair

PERCUSSION Marc Damoulakis°

Margaret Allen Ireland Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

2

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

* Principal

Shachar Israel 2

° Acting Principal

BASS TROMBONE Thomas Klaber

1

Associate Principal First Assistant Princi pal 2 Assistant Principal S On sabbatical §

EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

Severance Hall 2013-14

Rudolf Serkin Chair

The Orchestra

23

PLACE YOUR AD: HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, & HERE

photo: Roger Mastroianni

WHY ISN’T YOUR AD HERE? ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear “the sound the world is talking about.”

We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most influential consumers and business decision-makers.

Call 216-721-4300 or email jmoore@livepub.com

“The trouble with music appreciation in general is that people are taught to have too much respect for music.

They should be taught to love it instead.”

—Igor Stravinsky

THE CLEVELAND ORCHES-

News

OrchestraNews M.U.S.I.C.I.A.N S.A.L.U.T.E

Orchestra’s education director honored by Judson Manor

A

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

THE CLEVELAND ORCHESTRA

The Musical Arts Association gratefully acknowledges the artistry and dedication of all the musicians of The Cleveland Orchestra. In addition to rehearsals and concerts throughout the year, many musicians donate performance time in support of community engagement, fundraising, education, and audience development activities. We are pleased to recognize these musicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons.

Mark Atherton Martha Baldwin Charles Bernard Katherine Bormann Lisa Boyko Charles Carleton Hans Clebsch John Clouser Kathleen Collins Patrick Connolly Ralph Curry Maximilian Dimoff Elayna Duitman Bryan Dumm Tanya Ell Kim Gomez David Alan Harrell Miho Hashizume Shachar Israel Joela Jones Richard King Alicia Koelz Stanley Konopka Mark Kosower Paul Kushious Massimo La Rosa Jung-Min Amy Lee Mary Lynch Thomas Mansbacher Takako Masame Eli Matthews Jesse McCormick Daniel McKelway

26

Sonja Braaten Molloy Eliesha Nelson Chul-In Park Joanna Patterson Zakany Alexandra Preucil William Preucil Lynne Ramsey Jeffrey Rathbun Jeanne Preucil Rose Stephen Rose Frank Rosenwein Michael Sachs Jonathan Sherwin Sae Shiragami Emma Shook Joshua Smith Saeran St. Christopher Barrick Stees Richard Stout Jack Sutte Brian Thornton Isabel Trautwein Lembi Veskimets Robert Walters Carolyn Gadiel Warner Stephen Warner Richard Weiss Beth Woodside Robert Woolfrey Paul Yancich Derek Zadinsky Jeffrey Zehngut

Congratulations to Joan Katz, who is the recipient of the Judson Smart Living Award for her contributions to education in Northeast Ohio. Now in its ninth consecutive year, the Judson Smart Living Awards honor people of all ages who are dedicated to the dynamic atmosphere of University Circle, the neighborhood surrounding Severance Hall.

Award recipients must be affiliated with a University Circle institution. Joan is one of nine award-winners and was recognized at a special luncheon at Judson Manor on May 21.

Please join in recognizing Joan for her ongoing commitment to education and community engagement for The Cleveland Orchestra and all of Northeast Ohio.

Marc Damoulakis promoted to principal percussion Marc Damoulakis, who joined The Cleveland Orchestra in 2006, has been promoted to the position of principal percussion. He has been serving as acting principal percussion since June 2013. Before coming to Cleveland, Damoulakis played with the New York Philharmonic and served as principal timpanist of the Long Island Philharmonic as well as assistant principal percussion of the Harrisburg Symphony Orchestra. He was also co-principal percussionist of the New World Symphony.

Damoulakis is a graduate of the Manhattan School of Music.

Cleveland Orchestra News

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

News

OrchestraNews

Mahler, in a photograph taken in 1909 in New York

Cleveland Orchestra violinist receives opportunity with special instrument from Music Settlement donor Cleveland Orchestra violinist Sonja Braaten Molloy has been given a unique opportunity to perform on a special violin that was given to the Music Settlement by acclaimed violinist Melvin Ritter. He and his wife, pianist Jane Allen, were known as “America’s most popular violin-piano duo” in the 1950s and ’60s. Molloy, who has been a member of The Cleveland Orchestra since 2000, is also a member of the Music Settlement’s teaching faculty.

Melvin Ritter — a national Music League Award winner — served as concertmaster for both the Tampa Symphony and the Saint Louis Symphony. Born in 1923 in Cleveland, he received his initial music instruction at what was then known as the Cleveland Music School Settlement. When Ritter died in October 2012, his legacy resulted in a heartfelt gift to the Settlement of his 1665 Amati “ex-

Hepton” violin and his Kittel bow.

“We felt that such a valued and valuable gift should not live in a vault,” says Charles Lawrence, president of the Music Settlement. “Unplayed violins go mute. It would be wrong to silence the legacy of Mr. Ritter and the ex-Hepton.” After great deliberation, the Settlement’s board of directors chose to loan the violin to a member of its teaching faculty who also plays for The Cleveland Orchestra, and Sonja Molloy was given the honor of using the instrument.

“I find it thrilling to imagine all the different personalities who have had the pleasure of playing the ex-Hepton,” says Molloy. “I’m grateful to have been given the honor of rousing this incredible instrument from its recent sleep, and proud to help Melvin Ritter’s legacy resound at the Music Settlement and at Severance Hall.”

THE CLEVELAND ORCHESTRA

Tri-C JazzFest Cleveland June 26-28, 2014 Indoors and Out, PlayhouseSquare

Alcoa | the Cleveland Foundation | Cuyahoga Arts & Culture | Dominion Resources Great Lakes Brewing Co. | Mitchell’s Ice Cream | National Endowment for the Arts Ohio Arts Council | RTA | Strassman Insurance Services, Inc. | Wyndham

Severance Hall 2013-14

Cleveland Orchestra News

27

THE CLEVELAND ORC

SPONSORS:

THE CLEVELAND OR-

OrchestraNews Hail and Farewell Cellist Thomas Mansbacher will step into retirement at the end of August, after serving as a member of The Cleveland Orchestra for thirty-seven seasons. Please join in extending heartfelt thanks and congratulations to Tom.

THE CLEVELAND ORCHESTRA CLEVELAND O30RCHESTRA THE CLEVELAND ORCHESTRA ESTRA THE CLEVELAND ORCHE

News

Thomas Mansbacher Cello The Cleveland Orchestra

Thomas Mansbacher is retiring from his position as a cellist in The Cleveland Orchestra with the close of the Blossom Music Festival season at the end of August. Mr. Mansbacher has been a member of The Cleveland Orchestra since 1977. Prior to coming to Cleveland, he served as principal cello of the New Haven Symphony and the New Hampshire Sinfonietta. He received a bachelor’s degree from Washington University and a master of music degree from the Yale School of Music.

He studied with Elizabeth Fischer, Aldo Parisot, and George Neikrug. He has taught at Cleveland State University during his years in Cleveland.

In retirement, Tom plans to spend more time with his family. He has two daughters, Sarah and Jessica, and a granddaughter, Eleanor. In his free time, he enjoys reading mysteries, watching Korean films, going to the gym, bicycle touring, and doing yoga, and is a crossword puzzle addict.

“It has been such a privilege and pleasure to be part of this orchestra,” he says.

“Live music is needed in today’s society more than ever. It is a good and most uplifting influence in people’s lives, bringing people together and giving focus and inspiration.”

28

A.R.O.U.N.D T.O.W.N Recitals and presentations Upcoming local performances by members of The Cleveland Orchestra include: Over twenty members of The Cleveland Orchestra will be playing chamber music at a special “Prelude to the Cure” event on Friday night, May 30, to benefit the Michael J. Fox Foundation for Parkinson’s Research.

The evening at St. Paul’s Episcopal Church (2747 Fairmount Blvd, Cleveland Heights) is presented by “Shaking With Laughter” and is being organized by Robert Walters, the Orchestra’s solo english horn player. Among those involved, every principal wind player of the Orchestra and the principal timpani will be performing. In addition, every member of the oboe section and four of Cleveland’s best known chamber groups made up of Orchestra musians will be represented — the Amici Quartet, Cleveland Duo, Ensemble HD, and the Omni Quartet. Also included in the evening’s program is the world premiere of a new work by Jeffrey Rathbun. For more details or to order tickets (including VIP tickets that include a light pre-concert dinner by Doug Katz, desserts from Luna, beer from Bottle House Brewery, and wine), call 216-932-0290 or visit www.shakingwithlaughter.org.

THE CLEVELAND ORCHESTRA

F.A.M.I.L.Y N.E.W.S Please join in extending congratulations and warm wishes to: Henry Peyrebrune (double bass) and Tracy Rowell, whose baby son, Nicholas David Peyrebrune, was born on May 21.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Cleveland Orchestra News

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

News

OrchestraNews

Mahler, in a photograph taken in 1909 in New York

Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Memberships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement opportunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates.

The Circle was launched at a Cleveland

Orchestra concert in January, and is continuing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Severance Hall, and more.

Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months.

For additional information, visit clevelandorchestra.com or send an email to thecircle@clevelandorchestra.com.

5th Annual

July 17-24 at Oberlin Conservatory of Music

Concerto Finals with The Cleveland Orchestra Severance Hall | Friday, July 25, 8 PM Tickets at Severance Hall Box Office: 216-231-111 or 800-686-1141 More at oberlin.edu/cooper

A trusted resource

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216.791.8000 z www.benrose.org

Severance Hall 2013-14

Cleveland Orchestra News

29

THE CLEVELAND ORC

The Benjamin Rose Institute on Aging is a nationally recognized leader addressing the most important issues of aging through service, research and advocacy. How may we help you?

THE CLEVELAND ORCHESTRA

Cooper International Competition – Piano 2014

Committed

to classical around the clock.

WCLV…now also heard on 90.3 WCPN HD2 WCLV.org

The Cleveland Orchestra is committed to developing interest in classical music among young people. In fact, we are building the youngest audience of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded discounted ticket offerings through several new programs. In the opening months of the current Severance Hall season, student attendance doubled from a year ago, with 20% of audiences now made up of students enthusiastic for experiencing the best orchestra anywhere. “ U N D E R 1 8 s F R E E ” F O R FA M I L I E S

STUDENT TICKET PROGRAMS

Severance Hall 2013-14

Student Ticket Programs

31

THE CLEVELAND ORC

During The Cleveland Orchestra’s 2013-14 season, the Student Advantage and Frequent Fan Card programs, Student Ambassadors, and offers for student groups attending together have been responsible for bringing more high school and college age students to Severance Hall than ever before.

The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined.

The Student Frequent Fan Card was introduced a year ago with great success, and continues to grow. Priced at $50, the Fan Card offers students single tickets (one per Fan Card holder per week) to weekly Classical Concerts all season long.

All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, including support from the Center’s Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

THE CLEVELAND ORCHESTRA

Introduced for Blossom Music Festival concerts in 2011, our “Under 18s Free” for families program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 Classical Concerts.

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

Building Audiences for the Future . . . Today!

FRANKLIN & DIANA COHEN, ARTISTIC DIRECTORS

JUNE 19-29

DON’T MISS CHAMBERFEST CLEVELAND 2014! “ Something close to artistic paradise.”

—The Plain Dealer

For more info: 216-785-9977 www.chamberfestcleveland.com

LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins.

For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.)

The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives.

Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Severance Hall 2013-14

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts.

Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

May 1, 3, 4 “Meet the Composer” with Gabriela Lena Frank in conversation with Jason Harris, followed by a talk about the entire concert:

“Mozart’s Requiem” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

May 8, 10 “Magical Sounds from Norway and Finland” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

May 17, 20, 22, 24 Opera: The Cunning Little Vixen Please note that no live preview will be presented; visit clevelandorchestra.com to view the production diaries about “The Making of The Cunning Litle Vixen.”

May 29, 30, 31 “Fairytale Endings”

Concert Previews

with Rose Breckenridge

33

Photo by Roger Mastroianni

Masterful

Photo by Sheila Rock

We are proud to sponsor

The Cleveland Orchestra in helping to build audiences for the future through an annual series of BakerHostetler Guest Artists.

Vladimir Jurowski Atlanta Chicago Cincinnati Cleveland Columbus Costa Mesa Houston Los Angeles New York Orlando Philadelphia Seattle

bakerlaw.com

Denver Washington, DC

Š 2014

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Thursday evening, May 29, 2014, at 7:30 p.m.

Friday morning, May 30, 2014, at 11:00 a.m. * Saturday evening, May 31, 2014, at 8:00 p.m.

Vladimir Jurowski, conductor igor stravinsky

Scherzo fantastique, Opus 3

benjamin britten

Violin Concerto, Opus 15

(1882-1971)

(1913-1976)

1. Moderato con moto — Agitato — Tempo primo — 2. Vivace — Animando — Largamente — Cadenza — 3. Passacaglia: Andnanate lento (Un poco meno mosso) SIMONE LAMSMA, violin

INTERMISSION *

sergei prokofiev (1891-1953)

Suite from Cinderella, Opus 87 Act I — Act II — Act III

Upon advice from her physician to extend her recovery for a further week, violinist Janine Jansen very much regrets that she has had to withdraw from appearing with The Cleveland Orchestra this week. We are thankful to Simone Lamsma, who has agreed to step in to perform the program as originally announced.

This weekend’s concerts are supported through the generosity of the BakerHostetler Guest Artists series sponsorship.

Simone Lamsma’s appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Eleanore T. and Joseph E. Adams Fund.

The concert will end on Thursday evening at about 9:50 p.m. and on Saturday evening at approximately 10:20 p.m.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and features

the works by Stravinsky and Prokofiev. The concert will end at about 12:15 p.m.

Severance Hall 2013-14

Concert Program — Week 22

35

INTRODUCING THE CONCERTS

Scherzo,Violin &Ballet!

THIS WEEKEND’S PROGRAMS

feature three works from the 20th century. Two are Russian — one a concert piece, the other a suite excerpted from a grand ballet on a familiar childhood subject. For the week’s evening concerts, these are joined by a too-rarely-heard violin concerto by one of England’s greatest writers for voice.

Stravinsky’s Scherzo fantastique from 1908 is an early-ish work by this Russian, displaying his showmanship and early mastery of orchestration — with some telltale signs of the experimentation of ideas that would soon cause his name to be known worldwide.

Benjamin Britten’s Violin Concerto was written while the composer was in Canada in 1939, just as the start of World War II engulfed Europe. It is at once beautiful and powerful, but in ways unlike some better-known concertos. Violinist Simone Lamsma makes her debut here, playing The Cleveland Orchestra’s first performances of this work.

To close, guest conductor Vladimir Jurowski has chosen his own extended concert suite from Prokofiev’s ballet Cinderella. At times sounding like a musical cousin of Prokofiev’s more famous Romeo and Juliet, this ballet score nonetheless has its own unique flavors, sounds, and special delights. And JurowProkofiev, Stravinsky, ski has provided projected supertitles to and Britten help us connect the music directly with the action.

—Eric Sellen

CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

Severance Hall 2013-14

Introducing the Concerts

37

A Rich Inheritance

Caring for those in need never goes out of style.

Whether helping people in crisis, ensuring dignity for the elderly, or working to alleviate poverty – our Jewish values have always inspired us to act. Those same values teach us to care for the next generation. By making a legacy gift, you leave your children and grandchildren a precious inheritance, and a lasting testimony to your values.

To learn about making a legacy gift, contact Carol Wolf at 216.593.2805 or cwolf@jcfcleve.org.

Jewish Federation OF CLEVELAND

Mandel Building | 25701 Science Park Drive | Cleveland, Ohio 44122 www.jewishcleveland.org 1083

Vladimir Jurowski Russian conductor Vladimir Jurowski is acclaimed for his work as an operatic and orchestral conductor. He currently serves as principal conductor of the London Philharmonic Orchestra, principal artist of the Orchestra of the Age of Enlightenment, and artistic director of the Russian State Academic Symphony Orchestra. He is making his Cleveland Orchestra debut with this weekend’s concerts.

Born in Moscow, Vladimir Jurowski began his musical studies at Moscow University’s Music College. In 1990, he relocated with his family to Germany and continued his education in Dresden and Berlin, studying conducting with Rolf Reuter and vocal coaching with Semyon Skigin. Mr. Jurowski made his international debut at the Wexford Festival in 1995, also appearing that same year at London’s Royal Opera House.

Mr. Jurowski was appointed principal guest conductor of the London Philharmonic Orchestra in 2003, and became principal conductor in 2007. He has also served as music director of Glyndebourne Festival Opera (2001-13), principal guest conductor of the Russian National Orchestra (2005-09), principal guest conductor of the Teatro Comunale di Bologna (2000-03), and first kapellmeister of the Berlin Comic Opera (1997-2001).

Vladimir Jurowski has appeared on the podium with many of the world’s leading orchestras in both Europe and North America, including the Berlin Philharmonic, Amsterdam’s Royal Concertgebouw Orchestra, Philadelphia Orchestra, Leipzig Gewandhaus Orchestra, Boston Symphony, Chicago Symphony, Zurich Tonhalle Orchestra, Staatskapelle Dresden, and the Vienna Philharmonic. Recent and upcoming engagements include appearances with the New York Philharmonic, San Francisco Symphony, and the Mahler Chamber Orchestra.

Mr. Jurowski’s operatic work has also ranged on both sides of the Atlantic. He made his debut with New York’s Metropolitan Opera in 1999 with Verdi’s Rigoletto, and has since returned for Janáček’s Jenůfa, Tchaikovsky’s Queen of Spades, and Humperdinck’s Hansel and Gretel. He has also conducted Wagner’s Parsifal and Berg’s Wozzeck at the Welsh National Opera, Prokofiev’s War and Peace at the Opera National de Paris, and Tchaikovsky’s Eugene Onegin at Teatro alla Scala Milan, as well as many productions of a wide range of repertoire during his tenure with Glyndebourne.

Mr. Jurowski’s extensive discography features albums on BMG, ECM, and Naxos-Marco Polo, as well as the London Philharmonic Orchestra’s and Glyndebourne Opera’s own labels. He has also recorded for PentaTone with the Russian National Orchestra, and can be seen leading works on DVDs released by Glyndebourne, the London Philharmonic Orchestra, and the Metropolitan Opera.

Severance Hall 2013-14

Conductor

39

Scherzo fantastique, Opus 3 composed 1907-08 NOT ALL OF

by

IGOR

STRAVINSKY born June 17, 1882 Oranienbaum, near St. Petersburg died April 6, 1971 New York

40

the music that Stravinsky composed before 1910, when the ballet The Firebird broke upon an astonished audience at the Paris Opéra, has survived. But what we have reveals a young composer imitating his seniors and simultaneously foreshadowing great things to come.

Until he was twenty, Stravinsky’s chief mentor was his father, a prominent opera singer in St. Petersburg — although Stravinsky père discouraged his son from a career in music.

After his father’s death in 1902, he found a sympathetic guide in Rimsky-Korsakov, whose sons were Stravinsky’s friends also.

Rimsky-Korsakov was director of the St. Petersburg Conservatory and as dedicated a teacher as Stravinsky was pupil.

This was where Stravinsky learned how to apply colorful orchestration and to manipulate brilliant chromatic harmony. For five years, a period of tense political unrest in Russia, Stravinsky kept steadily on with his work, attending Rimsky’s class twice a week and helping his master in turn with orchestration duties when needed. He also got married to his first cousin and had two children.

Quite soon he had completed a symphony. It was dedicated to Rimsky-Korsakov, who arranged a private performance. This was followed by two highly-colored orchestral works, Scherzo fantastique and Fireworks. But before either of these were finished, Rimsky-Korsakov died. Both pieces were performed in the same concert, on February 6, 1909, in his memory.

The orchestra for the Scherzo fantastique is rich in the higher woodwinds, but without lower brass and timpani. This accounts for the piece’s brittle sonority. Even so, the profusion of angular, chromatic decoration in the winds is already a recognizable Stravinskian trademark. At the same time, the composer is still thinking in regular four-bar phrases, and moving the music on swift ly just as in a standard symphonic scherzo.

The equivalent of the Trio portion of a symphony movement is represented by a slow section with echoes of the musical writing from Richard Wagner’s opera Parsifal, followed by a return of the scherzo material itself. Stravinsky later said the piece owed more to Mendelssohn than to Rimsky. A snatch of Rimsky-Korsakov’s bumble-bee music accounts for a ballet titled The Bees, which was staged with Stravinsky’s music at the About the Music

The Cleveland Orchestra

Paris Opéra in 1917, without the composer’s permission.

By that time, Stravinsky was world famous, thanks largely to an individual who was present at the concert in 1909 when the Scherzo fantastique was first played — the stage impresario Sergei Diaghilev.

The plan for creating and writing The Firebird was worked out almost immediately after this premiere.

—Hugh Macdonald © 2014 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

At a Glance Stravinsky composed his Scherzo fantastique between June 1907 and March 1908.

The dedicatee, Alexander Siloti, led the first performance on February 6, 1909, in one of his own concerts in St. Petersburg.

This work runs 10

minutes in performance.

Stravinsky scored it for 3 flutes (second doubling on alto flute and third doubling piccolo) and piccolo, 2 oboes and english horn, 3 clarinets (third doubling E-flat clarinet) and bass clarinet, 2 bassoons and contrabassoon, 4 horns,

PRESENTED BY CLEVELAND STATE’S CENTER FOR ARTS AND INNOVATION

PART ONE

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PLEASE RSVP FOR ONE OR BOTH EVENTS BY WED. JUNE 11 AT WWW.CSUOHIO.EDU/CAI. FOR MORE INFORMATION, CALL 216-687-5018.

Severance Hall 2013-14

2014 CREATIVE VOICES SUMMIT

COM PLIM ENTA RY ADM ISSI ON

Join us Tuesday, June 17

3 trumpets, percussion (cymbals), celesta, 3 harps, and strings.

The Cleveland Orchestra has presented this work on only one previous occasion, as part of a weekend of concerts in November 1994 under the direction of Pierre Boulez.

About the Music

ARTS EDUCATION DAY LUNCHEON

COS T: $30

NOON - 2 P.M.

STATE THEATRE STAGE,

KEYNO TE SPEAK ER:

PLAYHOUSESQUARE

MARIN ALSOP

MUSIC DIRECTOR, BALTIM ORE SYMPHONY ORCHES TRA and SÃO PAULO SYMPHONY (BRAZIL)

Plus performances by mus icians from the Clevelan d Orchestra Youth Orchestra and the Cleveland Heights High School Barbershoppe rs

41

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Violin Concerto, Opus 15 composed 1938-39 BENJAMIN BRITTEN’S

by

Benjamin

BRITTEN born November 22, 1913 Lowestoft Suffolk, England died December 4, 1976 Aldeburgh Suffolk, England

BENJAMIN

Bri en

1OO

AT

This is one of several works that The Cleveland Orchestra is performing this season in commemoraƟon of the 100th anniversary of BriƩen’s birth.

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concertos have never fared as well as his vocal music. Nor have the two orchestral works that serve a particular purpose — the Sinfonia da Requiem (written to commemorate the 2600th anniversary of the Japanese Empire) and the Young Person’s Guide to the Orchestra (which really should be liberated from confinement to children’s concerts and, in addition, be played much more often for grown-ups, who can more fully appreciate its high craft and artistic brilliance).

Britten wrote a Double Concerto for violin and viola in 1932, a Piano Concerto in 1938, a Violin Concerto in 1939, and the Cello Symphony in 1963, but none of these have a secure foothold with soloists. Any chance to hear them in live performance should be prized.

His own instincts may lie behind this, for during the period in which the Violin Concerto was being written — the early part of 1939 — Britten was also much taken with some poems by Rimbaud and was frequently diverted from the concerto to set “just one more” French poem. The vocal work became Les Illuminations, and the Violin Concerto was duly completed, and while the Illuminations is a secure favorite with singers, the concerto is nonetheless a work of high imagination and superlative craft.

The Violin Concerto was first heard in New York in 1940.

Britten and his partner, Peter Pears, had left England in May 1939 thinking they might go only to Canada for a short visit.

Their journey turned out to be a stay of over three years spent almost entirely in the United States — before Britten felt the inexorable pull of his homeland.

The Violin Concerto was completed in September 1939 at St.-Jovite in the mountains of Quebec. Soon thereafter, Britten and Pears were living in Amityville, Long Island, as the guests of Dr. and Mrs. William Mayer, German refugees who actively supported the arts. The concerto was first played by the Spanish violinist Antonio Brosa, who was normally resident in London and with whom Britten had toured a few years earlier. The conductor was John Barbirolli, then, though only briefly, music director of the New York Philharmonic. This was his introduction to Britten’s music, and he followed this successful first performance with another a year later, that of the Sinfonia da Requiem.

As in other violin concertos from the same era — by Walton, About the Music

43

Korngold, Barber, Shostakovich, and others — Britten’s soloist is not let off lightly. Technically-difficult features — including multiple stopping, harmonics, playing at the extreme top end of the instrument’s range, and complex bowing patterns — all are required by Britten in abundance. At the same time, the music has a lovely lyrical quality, best illustrated by the soloist’s opening melody, heard throughout the first movement, along with a striking figure heard first on the timpani alone, perhaps a tacit tribute to the opening of Beethoven’s Violin Concerto.

A contrasting theme is more spiky, but the overall mood is relaxed, especially when, towards the end of the movement, the strings play the opening lyrical theme in the manner of a swooning serenade.

The middle-movement scherzo has a swift , grotesque character not unlike that of many familiar movements by Shostakovich. The contrasting middle section is a nonchalant phrase heard over and over again until the soloist’s wiggling in the stratosphere is taken over by two piccolos while the tuba rises cautiously from the depths — an extraordinary passage.

The scherzo material returns and abruptly gives way to a solo cadenza, which introduces material from both scherzo and first movement amid the usual violinistic muscle exercises.

At the end of the cadenza the soloist steps deliberately up a high scale, and at the point where the last-movement finale begins, recalls the lyrical theme from the first movement. This should not distract us from the entry of three trombones in unison, who pick up the rising scale and answer it with a scale leading downwards. This simple up-and-down contour is the mortar that binds the last movement together. Britten called it a Passacaglia, although it is not a strict example of this form (which would present an unending and repeated baseline, over which other materials are developed). The scales up and down are easily followed, while the music moves through a variety of keys and textures. At one point, the music has a martial character, but soon afterward the mood becomes very solemn and slow, led by the trombones.

There is no brilliant and noisy peroration to this work.

Alone among violin concertos, Britten’s concerto concludes in a quiet, very moving hymn, and the question of whether it is to end in the major or the minor is left unresolved until the very last moment.

—Hugh Macdonald © 2014

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About the Music

At a Glance Britten began work on his VIolin Concerto in November 1938 in England. He completed the score in September 1939 in St.-Jovite, Quebec, Canada, having crossed the Atlantic in May. The concerto was first performed on March 27, 1940, at Carnegie Hall, with the New York Philharmonic under the direction of John Barbirolli and with Antonio Brosa as soloist. Britten made some minor revisions to the score in 1950.

This concerto runs about 30 minutes in performance.

Britten scored it for 3 flutes (second and third doubling piccolo), 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (snare drum, tenor drum, bass drum, cymbals, triangle, bells, whip, glockenspiel), harp, and strings, plus the solo violin.

The Cleveland Orchestra is presenting Britten’s Violin Concerto for the first time with this weekend’s concerts.

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Simone Lamsma Dutch violinist Simone Lamsma is acclaimed for her technical artistry and heartfelt musicianship. She is making her Cleveland Orchestra debut with this weekend’s concerts.

Ms. Lamsma performs with leading orchestras around the world. Her recent and upcoming engagements include debuts with the Chicago Symphony Orchestra, San Francisco Symphony, Finnish Radio Symphony, Orchestre National de Belgique, Warsaw Philharmonic, and City of Birmingham Symphony, as well as appearances with the Saint Louis Symphony Orchestra and New Zealand Symphony. Her season also features a concert tour of China with the Hong Kong Philharmonic under Jaap van Zweden’s direction. As one of Holland’s most active soloists, Simone enjoys frequent collaborations with all major orchestras in the Netherlands, including the Rotterdam Philharmonic, Netherlands Radio Philharmonic, Amsterdam Sinfonietta, and the Royal Concertgebouw Orchestra.

Simone Lamsma was awarded the national Dutch VSCD Classical Music Prize among a “New Generation of Musicians” in 2010, awarded by the Association of Dutch Theatres and Concert Halls to artists that have made remarkable and valuable contributions to the Dutch classical music scene. In 2011, she was invited to perform during the Queen’s Day Concert, in the presence of Queen Beatrix of The Netherlands, a concert that was broadcast nationally on Dutch television.

Also an active recitalist and chamber musician, Ms. Lamsma has played in recital throughout Europe, including performances during the Dvořák Prague Festival, and in the Sala Cecilia Series in Rio de Janeiro, with Robert Kulek and Valentina Lisitsa as recital partners. Other chamber music projects have included performances in the Verbier Festival at Schloss Elmau, where she performed with musicians Martin Fröst, Lawrence Power, Denis Kozhukin, and Jakob Koranyi. She has also performed in Amsterdam’s IJ-salon with Emanuel Ax and members of the Royal Concertgebouw Orchestra.

Simone Lamsma began studying the violin at the age of five and moved to the United Kingdom at age eleven to study at the Yehudi Menuhin School with Hu Kun and at the Royal Academy of Music (RAM) in London with Maurice Hasson. In 2011, she was made an associate of the RAM, an honor given to those students who have made distinguished contributions within their field.

Simone’s debut recital recording, featuring works by Elgar, was released on Naxos. Her second release features violin concertos by Louis Spohr with Sinfonia Finlandia.

Ms. Lamsma plays the “ex Braga” Stradivarius, on generous loan to her by an anonymous benefactor.

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Soloist

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Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio.

The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of May 1, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520.

GIFTS OF $5 MILLION AND MORE

The Cleveland Foundation Mr. and Mrs. Alexander M. Cutler

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Ms. Beth E. Mooney Sally S. and John C. Morley John P. Murphy Foundation David and Inez Myers Foundation The Eric & Jane Nord Family Fund The Payne Fund PNC Bank Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Alfred M. Rankin, Jr. Mr. and Mrs. Albert B. Ratner James and Donna Reid Barbara S. Robinson The Leighton A. Rosenthal Family Foundation The Sage Cleveland Foundation The Ralph and Luci Schey Foundation The Kelvin and Eleanor Smith Foundation The J. M. Smucker Company Joe and Marlene Toot Anonymous (4)

GIFTS OF $500,000 TO $1 MILLION

Gay Cull Addicott Darby and Jack Ashelman Claudia Bjerre Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Richard and Ann Gridley The Louise H. and David S. Ingalls Foundation Mr. and Mrs. Douglas A. Kern James and Gay* Kitson Virginia M. and Jon A. Lindseth

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Ms. Nancy W. McCann Nordson Corporation Foundation The Honorable and Mrs. John Doyle Ong Charles and Ilana Horowitz Ratner Sally and Larry Sears Mr. and Mrs. Richard K. Smucker Squire Sanders (US) LLP Thompson Hine LLP Anonymous (2)

Sound for the Centennial Campaign

The Cleveland Orchestra

GIFTS OF $250,000 TO $500,000

Randall and Virginia Barbato John P. Bergren* and Sarah S. Evans The William Bingham Foundation Mr. and Mrs.* Harvey Buchanan Cliffs Natural Resources Mr. and Mrs. Matthew V. Crawford William and Anna Jean Cushwa Nancy and Richard Dotson Sidney E. Frank Foundation Mary Jane Hartwell David and Nancy Hooker Mrs. Marguerite B. Humphrey James D. Ireland III Trevor and Jennie Jones Mr. Clarence E. Klaus, Jr.

Giuliana C. and John D. Koch Dr. Vilma L. Kohn Mr. and Mrs. Alex Machaskee Robert M. Maloney and Laura Goyanes Elizabeth Ring Mather and William Gwinn Mather Fund Mr. Donald W. Morrison Margaret Fulton-Mueller William J. and Katherine T. O’Neill Parker Hannifin Corporation Mr. and Mrs. James A. Saks Hewitt and Paula Shaw The Skirball Foundation Mr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

GIFTS OF $100,000 TO $250,000

Mr. and Mrs. George N. Aronoff Jack L. Barnhart Fred G. and Mary W. Behm Ben and Ingrid Bowman Dr. Christopher P. Brandt and Dr. Beth Sersig George* and Becky Dunn Mr. Allen H. Ford Dr. and Mrs. Hiroyuki Fujita Albert I. and Norma C. Geller Dr. Saul Genuth GAR Foundation Hahn Loeser + Parks LLP Iris and Tom Harvie Jeff and Julia Healy Mr. Daniel R. High Mr. and Mrs.* S. Lee Kohrman Linda and Saul Ludwig Kenneth M. Lapine and Rose E. Mills Mrs. Emma S. Lincoln Dr. and Mrs. Sanford E. Marovitz Mr. Thomas F. McKee

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The Nord Family Foundation Mr. Gary A. Oatey Helen Rankin Butler and Clara Rankin Williams Audra and George Rose RPM International Inc. Mrs. David Seidenfeld Andrea E. Senich Naomi G. and Edwin Z. Singer Ms. Lorraine S. Szabo Virginia and Bruce Taylor Dorothy Ann Turick Ms. Ginger Warner The Denise G. and Norman E. Wells, Jr. Family Foundation Mr. Max W. Wendel Paul and Suzanne Westlake Marilyn J. White Katie and Donald Woodcock William Wendling and Lynne Woodman Anonymous

Sound for the Centennial Campaign

* deceased

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Suite from Cinderella, Opus 87 composed 1941-44 IN THE MID-1930S,

by

Sergei

PROKOFIEV born April 23, 1891 Sontsovka, Russia (now Krasnoye in Ukraine) died March 5, 1953 Moscow

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after fi fteen years away from Russia, spent mostly in France and the United States, Prokofiev felt a complicated urge to return to his homeland. Just how much he really understood the Soviet system then in place is a vexed question, for even if he knew that the liberal attitude to the arts that characterized the early years of the Revolution was no longer apparent, he could not be blamed for failing to foresee the full extent of Stalin’s repressive rule. By 1936, when Prokofiev’s family finally settled in Moscow, the signs of harsh times ahead were clear, but he kept busy, often with music that took him away in spirit and imagination to more tranquil times.

After the ballet Romeo and Juliet, which was completed in 1936, he wrote the film score for Eisenstein’s Alexander Nevsky and also a heroic Soviet opera, Semyon Kotko, which failed to please the Soviet authorities. During World War II, he found a balance between three piano sonatas (Nos. 6-8), which were free of explicit relevance or message, and the huge opera War and Peace, which was clearly designed to raise the patriotic spirit of the people at a time of great suffering.

Meanwhile, at the back of his mind was another ballet, like Romeo and Juliet based on an old familiar story. This was to be Cinderella, first suggested to him in 1940 by the ballerina Galina Ulanova, who had danced the role of Juliet. A scenario

by Nikolai Volkhov introduced a number of picturesque details into Perrault’s original fairytale, not all of which pleased Prokofiev. The music was written by 1943, the orchestration done in 1944, and the first performance took place after the war in November 1945, at the Bolshoi in Moscow. Meddling hands had inflated the orchestration, so a process of restoration was required when a new version was presented in Leningrad in April 1946.

Prokofiev saw Cinderella as a simple Russian girl, but he faced the problem that Soviet aesthetics would not allow the scenes at court to be too enviable. It had to appear that she might be better off all the time in her original home, especially since the ugly sisters (named Skinny and Fatty) are buffoonish rather than cruel. The Prince is not very princely, but an honest child of nature who finds his beloved in the final scene.

The suite being performed at this weekend’s Cleveland About the Music

51

Orchestra concerts, chosen by guest conductor Vladimir Jurowski from the score, follows the main action of the story:

Prokofiev saw Cinderella as a simple Russian girl, but he faced the problem that Soviet esthetics would not allow the scenes at court to be too enviable.

It had to appear that she might be better off all the time in her original home, especially since the ugly sisters are buffoonish rather than cruel.

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Act I No. 1, Introduction — Cinderella’s two main themes are heard, neither of them very girlish, the first one marked by melancholy.

No. 2, The Shawl Dance (Pas de châle)— The ugly sisters (one high, one low) quarrel over a shawl. Their mother cuts it in two, and they each dance with their own half. They and their parents plod off stage.

No. 3, Cinderella — She is melancholy at first, but her skittish side also shows.

No. 6, The Sisters’ New Clothes — A comic scene, as the sisters are mussed and fussed by dressers preparing them for the ball.

No. 7, The Dancing Lesson — Next they are taught to dance (Fatty is the bassoon, Skinny the oboe). A pair of violins provide the music. The dancing master gets angry when they dance badly.

No. 9, Cinderella Dreams of the Ball — Left alone, Cinderella wishes she was going too, and she imagines a dreamy waltz to dance to.

No. 11, Fairy Godmother Returns — She had earlier appeared in the guise of a beggar woman. Now she appears, accompanied by Cinderella’s broad theme, and gives back a slipper, which Cinderella had given her earlier.

Act II No. 20, Dance of the Courtiers — The dancing at court is formal and rather stiff.

No. 26, Mazurka and Entrance of the Prince — A noisy mazurka (not by Chopin!) is being danced when the approach of the Prince is announced by a chorale in the brass. He eventually enters with a heavy step and collapses lumpishly onto his throne.

No. 29, Cinderella’s Arrival at the Ball — At first she tinkles like a music box, but then her real presence is warmly set before us.

No. 30, Grand Waltz — A longer movement while the whole company dances.

No. 31, Promenade — The guests watch Cinderella. The horn About the Music

The Cleveland Orchestra

In my view, the composer, just as the poet, the sculptor, or the painter, is duty bound to serve humanity. He must beautify life and defend it. He must be a citizen first and foremost, so that his art can consciously extol human life. —Sergei Prokofiev

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A LIFETIME OF CHOICE DOESN’T END HERE. Choose the hospice of choice.

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The Cleveland Orchestra

introduces a new theme.

No. 36, Duet of the Prince and Cinderella — A classic “Adagio” for the two principal dancers, with the full orchestra in support. The key is a pure, strong C major.

No. 37, Waltz-Coda — The cabaletta to the slower dance is a lilting waltz, speeding up for the close, until cut short by . . .

No. 38, Midnight — The clockface lights up, showing two minutes to midnight, and the pendulum swings back and forth.

Twelve dwarves leap out as midnight strikes. Everything goes dark. The Prince is left holding a slipper.

Act III No. 40, First Galop — The Prince sets off in quest of the slipper’s owner. He meets a beautiful girl (four horns), and unsuccessfully tries the slipper on her foot. He is disappointed.

No. 41, Temptation — He comes upon two Spanish beauties (castanets). The slipper fits neither of them. He finds two more (muted violins), still not a fit. A third pair brings back the castanets.

No. 42, Second Galop — The Prince continues on his quest.

No. 47, The Prince’s Visit — At the home of Cinderella, there is general excitement at the approach of the prince. Trumpets announce him and he jumps in through the window.

Skinny tries on the slipper, then Fatty, then the stepmother.

All in vain! Ethereal chords are heard, caused by the appearance of the matching slipper, dropped from Cinderella’s bosom as she bows to the Prince.

No. 48, The Prince Finds Cinderella — An “Adagio passionato.”

The fairy godmother appears (harp).

No. 50, Amoroso — Cinderella’s theme is heard again in a glorious peroration for the happy ending.

—Hugh Macdonald © 2014

Severance Hall 2013-14

About the Music

At a Glance Prokofiev composed his ballet score for Cinderella between 1942 and 1945. The original suggestion came from dancer Galina Ulanova; the scenario of scenes was devised by Nikolai Volkhov.

The ballet was premiered in November 1945 at the Bolshoi Theater in Moscow.

Prokofiev revised the score (including restoring some of his original orchestrations that had been altered by the Bolshoi’s music staff ) prior to publication in 1946.

This suite of music from Cinderella runs about 60 minutes in performance (the entire score runs just over two hours). Prokofiev scored the ballet for 2 flutes, piccolo, 2 oboes, english horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (side drum, castanets, maracas, wood block), harp, piano, and strings.

The Cleveland Orchestra has presented music from Cinderella on a variety of education concerts, and also on two previous weekends of subscription concerts at Severance Hall, in 1977 with guest conductor Andrew Davis and again in 1983 with Vladimir Ashkenazy.

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Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.

Severance Hall 2013-14

Education & Community

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T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels..

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

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Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

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More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

59

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The Cleveland Orchestra

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. and Verdabelle Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra.

Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

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Endowed Funds

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THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall.

Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

62

Endowed Funds

The Cleveland Orchestra

Lunch • Dinner • Happy Hours Sushi Bar • Patio 45 Private Parties Chef’s Table Gift Certificates

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The Cleveland Orchestra

Guide to Fine Schools Consistently ranked among “Best Communities for Music Education” in the Nation!

216-898-8300 www.berea.k12.oh.us

Breakfast • Lunch • Dinner Cocktails • Desserts Happy Hours • Private Parties Holidays • Celebrations Gift Certificates

Other fine schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM The Oberlin Conservatory of Music 440-775-8413 Severance Hall 2013-14

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63

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Centerfunded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies.

The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

E N DOWE D FU N DS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU for helping develop tomorrow’s audiences today.

64

Center for Future Audiences

The Cleveland Orchestra

The Cleveland Orchestra salutes Northeast Ohio for hosting the 2014 Gay Games August 9-16 Join us for a special Games kick-off concert at Blossom on July 27 â&#x20AC;&#x153;Broadway Standing Ovations!â&#x20AC;?

See complete details about the 2014 Gay Games and related cultural performances and activities online.

OPEN TO ALL BAND, CHORUS & 35+ sports Register, volunteer, donate @ www.GG9CLE.com The Cleveland Orchestra is proud to be a Community Patron Partner of the 2014 Gay Games.

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors those individuals who are helping to ensure the future of The Cleveland Orchestra with a Legacy gift. Legacy gifts come in many forms, including bequests, charitable gift annuities, and insurance policies. The following listing of members is current as of March 2014.

For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006.

Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler* Gerald O. Allen* Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack L. Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

66

Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook* The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr. and Mrs. Frederick S. Cross* Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis William and Anna Jean Cushwa Howard Cutson Mr.* and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew* Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem Nancy E. and Richard M. Dotson

Legacy Giving

Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben* Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* Dr. Saul Genuth John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr.* and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Tom and Gretchen Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard* and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr. and Mrs. D. Craig Hitchcock* Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD* Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Christine A. Hudak, Mr. Marc F. Cymes Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Mr. and Mrs. G. Richard Hunter Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes

Alyce M. Jarr* Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer* Charles M. and Janet G. Kimball* James and Gay* Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. Clayton Koppes Mr.* and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Kenneth M. Lapine and Rose E. Mills Charles K. László and Maureen O’Neill-László Anthony T. and Patricia Lauria Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Judy D. Levendula Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs.* Thomas A. Liederbach Rollin and Leda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Linda and Saul Ludwig Kate Lunsford Mr. and Mrs. Thomas E. Lynch*

Patricia MacDonald Alex and Carol Machaskee Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C.* and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim and Alice Mecredy* James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale Mrs. Ruth Neides David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill The Hon. and Mrs. John Doyle Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy* and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* LISTING CONTINUES

Severance Hall 2013-14

Legacy Giving

67

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y L I S T I N G C O N T I N U ED

Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice Randles* Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Audra and George Rose Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Dr. Vernon E. Sackman and Ms. Marguerite Patton Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Reverend Sandra Selby Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane

68

David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A. and Verdabelle Spaulding* Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan and Andrew Talton* Frank E. Taplin, Jr.* Charles H. Teare* and Clifford K. Kern* Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Marlene and Joe Toot Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda

Legacy Giving

Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Joseph F. and Dorothy L. Wasserbauer Charles D. Waters* Reverend Thomas L. Weber Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Yoash and Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Katie and Donald Woodcock Dr.* and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski* William L. and Joan H. Ziegler* Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (103)

*deceased

The lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment. Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

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Severance Hall 2013-14

Part Emotion, Part Memory

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The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Park’s historic past for all to ride again.

You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now.

Go to: www.clevelandcarousel.org Or call: 216-752-1505

69

70

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

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72

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of March 2014.

gifts of $2,500 or more during the past year, as of March 20, 2014

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank Thompson Hine LLP PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Charter One Dix & Eaton The Giant Eagle Foundation Greenberg Traurig (Miami) Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp.

The Plain Dealer RPM International Inc. Squire Sanders (US) LLP

Severance Hall 2013-14

Corporate Annual Support

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation Bank of America BDI Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts Tremaine Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp.

Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

73

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation

gifts of $2,000 or more during the past year, as of March 20, 2014

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,000

The George Gund Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council

$5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of March 2014.

Severance Hall 2013-14

$100,000 TO $249,999

The George W. Codrington Charitable Foundation Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Marlboro 2465 Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999 The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) Dr. NE & JZ Berman Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Fogelson Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation The McGregor Foundation Bessie Benner Metzenbaum Foundation M.G. O’Neil Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Veale Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

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THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of March 20, 2014 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Mr.* and Mrs. Ward Smith Anonymous (2)

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Elizabeth R. Koch Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra.

As of March 2014.

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Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Annual Support

The Cleveland Orchestra

Leadership Council

Mr. and Mrs. Edward A. Lozick Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Mr. and Mrs. James A. Ratner Mr. and Mrs. James A. Saks Paul and Suzanne Westlake

INDIVIDUAL GIFTS OF $30,000 TO $49,999

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Virginia M. and Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Martha and Bruce Clinton (Miami) Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Milton and Tamar Maltz Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Severance Hall 2013-14

The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

Individual Annual Support

listings continue

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THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $10,000 TO $12,499

Andrew and Katherine Kartalis Tati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Robert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. Manuel Mr. Larry J. Santon Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects.

The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. Bowen Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Mr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Sondra and Steve Hardis Michael L. Hardy Mr. and Mrs. James A. Haslam II Mr. and Mrs. James A. Haslam III T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Mr. and Mrs. Thomas B. McGowan Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (4)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Mr. William Berger Laurel Blossom Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard listings continue

78

Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued

Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. Staub Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr.* and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Mr. and Mrs. Thomas S. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Barbara and Peter Galvin Joy E. Garapic Brenda and David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Robert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller Thomas and Mary Holmes Mr. and Mrs. John Hudak (Miami) Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs.* S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Mr. Brian J. Lamb David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis (Miami) Ms. Marley Blue Lewis (Miami) Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami) James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Lee G. and Jane Seidman Charles Seitz (Miami)

listings continue

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Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Sandy Wile and Susan Namen Fred* and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Howard R. and Barbara Kaye Besser Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Mr.* and Mrs. Robert A. Clark Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne Coscarelli Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry David and Margaret Ewart Mr. and Mrs. John R. Fraylick Peggy and David* Fullmer Dr. and Mrs. Ronald L. Gould Nancy and James Grunzweig Mr. Robert D. Hart Hazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Mr. and Ms. James Koenig Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor* McCoy Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Dr. Lewis and Janice B. Patterson Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Carol Rolf and Steven Adler Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Saltzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr. Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Drs. Anna* and Gilbert True Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Tony and Diane Wynshaw-Boris Anonymous

Doug and Barbara Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis

Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Mr. and Mrs. James B. Aronoff Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau

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Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver Henkel Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman* Dr.* and Mrs. George H. Hoke Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Ms. Mary Beth Loud Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David* and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger

Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Nedra and Mark Oren (Miami) Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page Deborah and Zachary Paris Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Ms. Carolyn Priemer Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Ms. Marlene Sharak Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs. Richey Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Ken and Martha Taylor

member of the Leadership Council (see page 77)

* deceased

84

Individual Annual Support

Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Elizabeth B. Wright Rad and Patty Yates Dr. William Zelei Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

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SEVERANCE HALL

Severance Hall 2013-14

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Ph to Pho o by b In Int nnternnati a ona onn l Tcha hhaaik iko ko ovvs vsk sky Com omp mp m peti etitio et tii n

SPRING AT CIM Pianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm.

Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIM Alumni will present their Lunch & Listen concert series this July in Mixon Hall.

Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

For a complete list of CIM concerts and events, visit cim.edu/calendar.

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86

The Cleveland Orchestra

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends.

Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial difference in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

P H OTO BY S T E V E H A L L © H E D R I C H B L E S S I N G

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

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Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

DONATE YOUR RIDE

Discover our gracious lifestyle

CAR DONATION PROGRAM

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Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens, McGregor offers choice of ďŹ&#x201A;oor plans, amenities and life enrichment activities.

Located just minutes from University Circle, major hospitals, Severance Center and Clevelandâ&#x20AC;&#x2122;s ďŹ nest museums, McGregor is an innovative and comprehensive provider for all the seasons of your life!

Assisted Living â&#x20AC;˘ Independent Living Rehabilitation â&#x20AC;˘ Long Term Care Respite Care â&#x20AC;˘ Hospice McGregor Foundation â&#x20AC;˘ PACE McGregor 14900 Private Drive, Cleveland OH 44112 (north of intersection of MayďŹ eld and Lee roads)

www.mcgregoramasa.org 216-851-8200 presents

â&#x20AC;&#x153;Ask Our Expertsâ&#x20AC;? Panel Discussion & Dinner Thursday, June 5, 5:00 PM-8:00 PM Panel discussion with experts in Health Care, Physicians, Business, Elder Law, and Supportive Services. The audience chooses the topics.

Panelists discuss their specialties and answer questions from the audience. Vendors/Exhibits and Dinner. Cost: $15.

Where people with disabilities thrive 216.662.1880 ncch.org Severance Hall 2013-14

Call 216-268-8999 or register online www.mcgregoramasa.org Serving seniors in need since 1877

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THE CLEVELAND C O N C E R T

C A L E N D A R

SUMMER SEASON Salute to America Thursday July 3 at 8:00 p.m. <18s Friday July 4 at 8:00 p.m. <18s Blossom Music Center BLOSSOM FESTIVAL BAND Loras John Schissel, conductor A Fourth-of-July tradition, with Àreworks and patriotic hits, Sousa marches, and Tchaikovsky’s “1812” Overture.

July 3 Sponsor: The J. M. Smucker Company July 4 Sponsor: KeyBank

Blossom Festival Opening Night: DvoŐák’s New World Saturday July 5 at 8:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Jaap van Zweden, conductor Renaurd Capuçon, violin

TCHAIKOVSKY Capriccio Italien SIBELIUS Violin Concerto DVOŏÁK Symphony No. 9 (“From the New World”) Sponsor: Blossom Women’s Committee

Beethoven’s Seventh Saturday July 12 at 8:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Asher Fisch, conductor Isabelle Faust, violin

WAGNER Overture to The Flying Dutchman MENDELSSOHN Violin Concerto BEETHOVEN Symphony No. 7 Sponsor: Hyster-Yale Materials Handling, Inc.

Saturday July 19 at 8:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Bramwell Tovey, conductor Karen Gomyo, violin Emily Fons, mezzo-soprano

BIZET Suite from Carmen SAINT-SAËNS Violin Concerto No. 1 FALLA The Three-Cornered Hat Sponsor: The J.M. Smucker Company

Mozart & Shostakovich Sunday July 20 at 7:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Stanislaw Skrowaczewski, conductor Francesco Piemontesi, piano

WAGNER Overture to Der Freischütz MOZART Piano Concerto No. 27 SHOSTAKOVICH Symphony No. 5 Sponsor: Steinway Piano Gallery Cleveland

Beethoven & Liszt Saturday July 26 at 7:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA John Storgårds, conductor Stephen Hough, piano with the Kent-Blossom Chamber Orchestra Brett Mitchell, conductor

WAGNER Siegfried Idyll RAVEL Le Tombeau de Couperin BEETHOVEN Overture to Fidelio LISZT Piano Concerto No. 1 SIBELIUS Symphony No. 2 Sponsor: The Goodyear Tire & Rubber Company

Sci-Fi Spectacular

Sunday July 13 at 7:00 p.m.

Blossom Music Center THE CLEVELAND ORCHESTRA Jack Everly, conductor George Takei, narrator Kristen Plumley, soprano Men of the Blossom Festival Chorus <18s

Music from a galaxy far, far away. Join The Cleveland Orchestra on a musical journey through space and time . . . to the Ànal frontier! Explore strange, new worlds with tunes and tones from the biggest and best science Àction TV shows and movies, including selections from Star Trek, Star Wars, E.T., and 2001: A Space Odyssey. An out-of-this-world musical adventure. Live long and prosper!

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A Taste of Spain

Broadway Standing Ovations Sunday July 27 at 7:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Jack Everly, conductor Christina Bianco, vocalist Ted Keegan, vocalist Ben Crawford, vocalist Men of the Blossom Festival Chorus A "wicked" good evening. Come to Blossom for a concert of Broadway showstoppers, including selections from Phantom of the Opera, Rent, Les Misérables, and more.

Sponsor: PNC Bank

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

Romantic Rachmaninoff

T H E

S P O T L I G H T

Saturday August 2 at 8:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Johannes Debus, conductor Benjamin Grosvenor, piano

RAMEAU Music from Les Indes Galantes RAVEL Piano Concerto in G major RAVEL Pavane for a Dead Princess RACHMANINOFF Symphonic Dances

Hollywood Under the Stars Sunday August 3 at 7:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Richard Kaufman, conductor Michael Sachs, trumpet Great Àlm scores of our time. Hollywood maestro Richard Kaufman leads a blockbuster tribute to some of Hollywood's most memorable Àlm music, with selections from Lawrence of Arabia, Lincoln, Gone with the Wind, The Godfather, The MagniÀcent Seven, The Right Stuff, and more.

Sponsor: BakerHostetler

The Magic of Mozart

BLOSSOM MUSIC FESTIVAL

Saturday August 9 at 8:00 p.m. <18s Blossom Music Center THE CLEVELAND ORCHESTRA Mathew Halls, conductor

Thursday July 3 at 8:00 p.m. <18s Friday July 4 at 8:00 p.m. <18s

Salute to America

MOZART Overture to Idomeneo TCHAIKOVSKY Suite No. 4 (“Mozartiana”) MOZART A Little Night Music MOZART Symphony No. 36 (“Linz”) Sponsor: Medical Mutual of Ohio

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

Blossom Festival Band Loras John Schissel, conductor

Northeast Ohio’s favorite Fourth-of-July concerts feature American classics and patriotic selections by some of the country’s best-loved composers, including Gershwin and Sousa, topped off with Tchaikovsky’s “1812” Overture and a spectacular fireworks display.

July 3 Sponsor: The J.M. Smucker Foundation July 4 Sponsor: KeyBank

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (two per paid adult Lawn admission for Blossom Music Festival concerts).

Severance Hall 2013-14

Concert Calendar

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com 91

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com.

Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available.

Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111.

Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road).

The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

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Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online.

As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible.

Service animals are welcome at Severance Hall.

Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search.

Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program.

Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges.

If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution.

Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

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THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

THIS SUMMER . . .

Renaud Capuçon

STAR-SPANGLED SPECTACULAR

BLOSSOM OPENING NIGHT:

Brought to You by Cuyahoga Arts & Culture

Wednesday July 2 at 9:00 p.m.

Public Square, Cleveland

Saturday July 5 at 8:00 p.m.

<18s

THE CLEVELAND ORCHESTRA Jaap van Zweden, conductor Renaud Capuçon, violin

THE CLEVELAND ORCHESTRA Loras John Schissel, conductor

Join thousands of your neighbors, family, and friends for a very special evening celebrating Independence Day. Each summer since 1990, The Cleveland Orchestra has presented a free concert in downtown Cleveland. This year, the Orchestra celebrates our nation’s founding with a spectacular concert, ending with Tchaikovsky’s “1812” Overture and fireworks. Brought to you by Cuyahoga Arts & Culture.

Pre-concert activities begin at 5:00 p.m.

The concert begins at 9:00 p.m.

Admission is free, no tickets are required.

DVOŘÁK’S NEW WORLD

The 2014 Blossom Music Festival kicks off with an evening of great classics, beginning with Tchaikovsky’s sparkling Capricio Italien.

Guest soloist Renaud Capuçon makes his debut with the masterful rhythms and harmonies of Sibelius’s Violin Concerto — which one critic famously wrote included the light and lumbering footsteps of dancing polar bears. Guest conductor Jaap van Zweden concludes the evening with one of the most beloved symphonies, Dvořák’s great postcard home “From the New World,” filled with the newfound wonder and energy of America in the Golden Age. Sponsor: Blossom Women’s Committee

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

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216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra