The Cleveland Orchestra April 24, 26 Concerts by Live Publishing

SPRING SEASON

SEVERANCE HALL

April 24, 26 JANE GLOVER CONDUCTS BACH, BEETHOVEN, AND HAYDN

Metamorphosis, an Hermès story

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TA B L E

CONTENTS

THIS WEEK THE

CLEVELAND

ORCHESTRA

WEEK 18 PAGE

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Education and Community . . . . . . . . . . . . . . . . . . 61 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

33 35 37 41

BEETHOVEN

Piano Concerto No. 1 . . . . . . . . . . . . . . . . . . . . . 44 VAŇHAL

Sinfonia in G minor, Bg1 . . . . . . . . . . . . . . . . . . 51 HAYDN

Symphony No. 103 (“Drum Roll”) . . . . . . . . . . 55 Conductor: Jane Glover . . . . . . . . . . . . . . . . . . . . . . 39 Solist: Imogen Cooper . . . . . . . . . . . . . . . . . . . . . . . 47

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

NATIONAL ENDOWMENT FOR THE ARTS

Concerts — Week 18 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . Classical Program: April 24, 26 . . . . . . . . . . . . Introducing the Concerts . . . . . . . . . . . . . . . . . . . . C. P. E . BACH Sinfonia No. 2 in E-flat major . . . . . . . . . . . . . .

48 64 69 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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—Jordan Perlman, Judson Manor resident since 2007

Judson Manor resident Jordan Perlman has amassed VË8? ÄËÍ ËÍ jË jÜj ? a over 8,000 volunteer hours at Cleveland Clinic, Museum of Art greeting patients and guests. “I answer about 80 VË Áj¶Öj Í ßË ÄÍÄËË questions a day,” he says. dinner parties Jordan moved to Judson Manor because it was VË ¬?ÁÍ j ÍËÄ ÝW?ÄjÄ convenient to all the things important to him—his Clinic Ë ÄËjW jWÍ WË?ÁÍËW jWÍ volunteer position and Cleveland’s cultural scene. This is Smart Living™ deﬁned at Judson Manor. Interested in learning more? Call (216) 791-2004 to arrange for a tour today.

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Perspectivesfrom the Executive Director Spring 2014 Two of this season’s major projects take place in May — following many months of planning and much preparation. The first is the premiere here at Severance Hall of our brand-new, made-for-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen, with evening performances on May 17, 20, and 22, and a special matinee on Saturday, May 24. At the same time, from May 17 to 24, the Orchestra is celebrating a week of musicmaking in Lakewood during our second “At Home” neighborhood residency. Together, these two projects showcase our commitment to serving the community with diverse performances and collaborative partnerships. Franz Welser-Möst is at the center of both projects. In addition to leading the performances of Vixen, he will conduct an Education Concert for Lakewood High School students on May 23 and the culminating free public concert of our “At Home” in Lakewood residency on Saturday evening, May 24, bringing to a close an action-packed week of music performances, community activities, and public musical get-togethers. Every day of that week, Cleveland Orchestra musicians are involved in exciting and sometimes unexpected ways to bring music to the streets and homes of Lakewood, and into the lives of its citizens. The week’s presentations and collaborations also bring to a close the residency’s special semester-long involvement with Lakewood’s music education programs. Franz has also been instrumental in integrating opera into The Cleveland Orchestra’s annual schedule at Severance Hall. This season, with The Cunning Little Vixen, we are creating our own brand-new operatic production for the first time since the mid-1980s. For this, we are jumping forward with technology, to create a presentation that compellingly combines live action with projected video animation. Working with director Yuval Sharon and the creative team at Robot Studios in Los Angeles, we are building this innovative production from the ground up. Because of the unique nature of this opera production for The Cleveland Orchestra and Northeast Ohio, we are using new ways to communicate the excitement of this undertaking. A series of video “Production Diaries” about The Making of The Cunning Little Vixen is unfolding online. These videos feature behind-the-scenes looks at the creative team and processes in motion. I hope that you will take a few minutes to see what’s in store for you at Severance Hall in May. Visit clevelandorchestra.com to view these using the homepage link. It takes concentrated effort, many hands, and dedicated focus to do all of this. Not just from the Orchestra musicians, staff, trustees and other volunteers, but from the community surrounding us, supporting us, and collaborating with us. Our neighborhood residencies are created at the grassroots level. This year’s partnerships with businesses, schools, and organizations from across Lakewood have been stimulating and creative. The opera production is also possible only through the collaboration of many, with support from generous donors, including The Andrew W. Mellon Foundation and a group of local donors who have responded to this Foundation’s matching gift challenge to support our ongoing opera presentations. Thank you to everyone involved.

Severance Hall 2013-14

Gary Hanson

CLEVELAND ORCHESTRA ARCHIVES / PETER HASTINGS

Photo of the Week follow the Orchestra on Facebook for more archival photos

— Composer Aaron Copland rehearsing The Cleveland Orchestra at Severance Hall in November 1974, one of five times he came to Cleveland as guest conductor.

SEVERANCE HALL 1974

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelfth year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch in 2013 of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra

The Cleveland Orchestra

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 1933-43; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home, with later acoustic refinements and remodeling of the hall under Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of March 2014

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival

O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

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THE CLEVELAND OR ORCHESTRA R conducted cond cted b by Franz W Welser-Möst

T ENN! EV O A S R EA PE S O E E TH TH OF

Don’t miss this unique unique, made-for-Cleveland opera presentation presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale f of love, peril, freedom, and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing wit the songful serenity and energetic pulse of Moravian folk music. with This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune S Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

HORNS Richard King * George Szell Memorial Chair

PERCUSSION Marc Damoulakis°

Margaret Allen Ireland Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

* Principal

Shachar Israel 2

° Acting Principal

BASS TROMBONE Thomas Klaber

Associate Principal First Assistant Princi pal 2 Assistant Principal S On sabbatical §

EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

Severance Hall 2013-14

Rudolf Serkin Chair

The Orchestra

PLACE YOUR AD: HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, & HERE

photo: Roger Mastroianni

WHY ISN’T YOUR AD HERE? ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear “the sound the world is talking about.” We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most inﬂuential consumers and business decision-makers.

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Details of Orchestra’s “At Home” in Lakewood neighborhood residency announced for May 17-24 Four months of education activities presented in partnership with Lakewood schools lead up to an intensive week of free public performances and events, including Orchestra concert on May 24

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Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and businesses that make our community special.” The Cleveland Orchestra introduced neighborhood residencies in May 2013 in the Gordon Square community of Cleveland. The activities, including a Cleveland Orchestra Concert at Saint Colman Catholic Church, were taped and aired by WVIZ/PBS ideastream. WCLV 104.9 also broadcast the concert on radio. The goals of the neighborhood residencies are to bring increased visibility and vibrancy to greater Cleveland’s neighborhoods, build community through arts and culture in tandem with local partners, and offer more people the opportunity to engage with the music and the musicians of The Cleveland Orchestra. The culminating residency week of activities will include solo and chamber music performances in unique locations, educational programs at local schools, and new artistic collaborations with neighborhood arts and cultural organizations — all in partnership with local businesses and community groups. Complete “at Home in Lakewood” details can be found at clevelandorchestra.com.

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The Cleveland Orchestra and the Lakewood community are joining together to present “The Cleveland Orchestra at Home in Lakewood,” a neighborhood residency that features an intensive week of free public performances and events May 17-24. A series of prepartory events in partnership with Lakewood schools began in February and continue through the public residency week. The centerpiece of the Orchestra’s activities in Lakewood will be a free Cleveland Orchestra concert led by Music Director Franz Welser-Möst at Lakewood Civic Auditorium on Saturday evening, May 24, at 7:30 p.m. Tickets will be distributed at locations throughout Lakewood beginning on Saturday, April 26. (A delayed telecast of the concert will be presented by WVIZ/PBS ideastream; the concert will be broadcast live on radio by WCLV 104.9 ideastream. The television broadcast will feature a composite of community collaborations, musical performances, and joint events and activities throughout Lakewood.) “Creating a ‘grass roots’ opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Michael P. Summers, Lakewood’s mayor, in announcing resdiency details. “Our increasingly vibrant commercial corridors and neighborhoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s nonprofit economic development organization, said, “We are ecstatic to have been chosen as The Cleveland Orchestra’s destination for immersion into a Northeast Ohio community.

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Women’s Committee’s spring fundraiser on April 25

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The Musical Arts Association gratefully acknowledges the artistry and dedication of all the musicians of The Cleveland Orchestra. In addition to rehearsals and concerts throughout the year, many musicians donate performance time in support of community engagement, fundraising, education, and audience development activities. We are pleased to recognize these musicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons. Mark Atherton Martha Baldwin Charles Bernard Katherine Bormann Lisa Boyko Charles Carleton John Clouser Kathleen Collins Patrick Connolly Ralph Curry Maximilian Dimoff Bryan Dumm Tanya Ell Kim Gomez David Alan Harrell Miho Hashizume Shachar Israel Joela Jones Alicia Koelz Stanley Konopka Mark Kosower Paul Kushious Jung-Min Amy Lee Mary Lynch Thomas Mansbacher Takako Masame Eli Matthews Jesse McCormick Daniel McKelway Sonja Braaten Molloy

Eliesha Nelson Chul-In Park Joanna Patterson Zakany Alexandra Preucil William Preucil Lynne Ramsey Jeffrey Rathbun Jeanne Preucil Rose Stephen Rose Frank Rosenwein Jonathan Sherwin Sae Shiragami Emma Shook Joshua Smith Saeran St. Christopher Barrick Stees Jack Sutte Brian Thornton Isabel Trautwein Lembi Veskimets Carolyn Gadiel Warner Stephen Warner Richard Weiss Beth Woodside Robert Woolfrey Paul Yancich Derek Zadinsky Jeffrey Zehngut

The volunteers of the Women’s Committee of The Cleveland Orchestra are holding their spring benefit evening of music and friendship on Friday, April 25, at Shaker Heights Country Club. The evening features an audience participation performance by Dueling Pianos with The Rocket Men. For more information or reservations, please call 440-946-6189.

Next “Meet the Artist” luncheon on Friday, May 2,, p previews opera production duction of “Vixen” The Women’s ’s Committee’s next “Meet the Artist” luncheon features a preview ew of behind-the-scene ne details of The Cleveland eland Orchestra’s new opera pro pro-duction in May. The May 2 preview event features Mark Williams, the Orchestra’s director of artistic planning, and Julie Kim, director of operations, discussing details of preparations and the creation of animated scenery, lighting, and costumes, plus other details for Leoš Janáček’s The Cunning Little Vixen, being performed at Severance Hall May 17 to 24. The luncheon takes place at Acacia Reservation on Cedar Road in Lyndhurst, and includes a reception beginning at 11:30, lunch at noon, and the presentation and discussion about the opera at 1:00 p.m. Reservations can be made through the Severance Hall Ticket Office by calling 216-231-1111. $38 for the general public, and $35 for Women’s Committee members.

Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

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Mahler, in a photograph taken in 1909 in New York

PNC helps introduce children to music and more . . . May 16 and 17 mark the final performances of this season’s PNC Musical Rainbows series, with a program titled “Heavenly Harps.” Sponsored by PNC Bank, Musical Rainbows concerts for pre-K to Grade 1 students take place in Reinberger Chamber Hall and introduce specific instruments and instrument families. With animated support from host Maryann Nagel, Cleveland Orchestra musicians bring their instruments, talk about them, and play short selections. Concerts feature a mix of serious pieces and age-appropriate music from “Old MacDonald” to the “Bingo” song. PNC Bank has provided more than $5 million in grants for local preschool education in recent years, including $2.5 million to support programs developed by The Cleveland Orchestra, Cleveland Museum of Art, PlayhouseSquare, and the Rock and Roll Hall of Fame and Museum.

Support from PNC Bank also enables the Orchestra to engage young children in music and learning, right from the start, with PNC Grow Up Great. This pre-school program uses music to help children develop basic skills like counting and following instructions — necessary for success in kindergarten and beyond. According to PNC Regional President Paul Clark, the results have been more than gratifying. “We have been so impressed with the positive results these programs have delivered for teachers, parents, and students,” he says. “Teachers report that they are more confident and creative in their ability to teach the arts, parents have become more likely to spend time engaging with their children and arts, and students who participate are receiving higher scores in music and imaginative play — with a positive impact on their cognitive, social, and academic development.”

THE CLEVELAND ORCHESTRA

Tri-C JazzFest Cleveland June 26-28, 2014 Indoors and Out, PlayhouseSquare

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SPONSORS:

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OrchestraNews I.N M.E.M.O.R.I.A.M The Cleveland Orchestra notes the death on March 11 of retired Orchestra horn player Albert Schmitter at the age of 81. He served as a member of the Orchestra for 29 years, retiring in 1995. Schmitter was a graduate of J.F. Rhodes High School in Cleveland and of the United States Military Academy at West Point. He also attended Baldwin Wallace College. The entire Orchestra family extends its condolences to his family and friends.

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The Board of Trustees extends special thanks to the members of The Cleveland Orchestra for donating their services for four performances this season as part of the musicians’ ongoing commitment to provide additional revenue-generating opportunities to benefit the institution. These four concerts include the Severance Hall Gala with Itzhak Perlman in September 2013 and a benefit concert in Palm Beach, Florida, in January 2014, along with performances at New York’s Lincoln Center and in Cologne, Germany, as part of the Orchestra’s touring this past autumn. “These and other donated services each year are a meaningful demonstration of the musicians’ commitment to this institution’s future,” notes Gary Hanson, executive director. “The members of The Cleveland Orchestra are committed to ensuring that the Orchestra can present music as an important and vital part of life.”

The Cleveland Orchestra is pleased to announce the creation of the Joe and Marlene Toot Head Librarian Endowed Chair through a legacy gift to the Orchestra. “The Head Librarian is a critically essential member of the Orchestra — as integral to our musical success as any instrumentalist,” says Gary Hanson. “It is with deep gratitude that I thank Joe and Marlene Toot for making such a generous commitment through their estate.” The current head librarian, Robert O’Brien, is the ninth in that position since the Orchestra’s founding in 1918. He has served as head librarian since 2008. In this role, O’Brien ensures that each musician has the right music on the right music stand at the right time for every rehearsal and concert. He makes all scores available to every musician for individual practice, and ensures that every part and each marking matches the conductor’s needs. He catalogs and maintains the Orchestra’s extensive collection of musical scores — those that are part of the Severance Hall music library and those rented for particular performances. He daily works with tempo markings and musical scores in multiple languages, from German to French, Italian to English, and more. The gift from Joe and Marlene Toot will support the funding of The Cleveland Orchestra’s Head Librarian position in perpetuity. Thousands of generous individuals have made a commitment to the Orchestra through outright endowment gifts or legacy plans, through the annual fund and special project support. To learn more about including the Orchestra in your estate plans, please contact Bridget Mundy at 216-231-8006.

Committed to Accessibility

Comings and goings

Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Special thanks to Cleveland Orchestra musicians

Donors make plans to endow Orchestra’s librarian chair

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Mahler, in a photograph taken in 1909 in New York

Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Memberships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement opportunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Orchestra concert in January, and is continuing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Severance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to thecircle@clevelandorchestra.com.

THE CLEVELAND ORCHESTRA

CMA Performing Arts Series Roby Lakatos Friday, May 2, 7:30 p.m. “Virtuoso is an overused term these days but in Roby Lakatos’s case, it may be an understatement.” —Glasgow Herald (Scotland) Come see Roby Lakatos, “King of Gypsy Violinists,” defy deﬁnition in an extraordinarily stylistic performance. Lakatos performs with his ensemble.

Come see amazing. www.clevelandart.org/performingarts

Severance Hall 2013-14

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Chorus auditions announced for children, youth, and adult singers for Blossom and 2014-15

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Severance Hall 2013-14

or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. Coming from nearly fifty Northeast Ohio communities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus were held in mid-April. Those interested can inquire about future audition dates. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is usually provided at the audition. To schedule an audition, call the Chorus Office at 216-231-7374, or send an email to chorus@clevelandorchestra.com.

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Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2014 Blossom Music Festival and the 2014-15 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Orchestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 2, June 7, and June 14. The Children’s Chorus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano accompaniment in the key of his or her choice and one verse of “America the Beautiful” (Oh beautiful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 3, May 11, or June 11. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encourages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orchestra Youth Orchestra. Youth Chorus audition requirements are to prepare a piece from the OMEA Solo & Ensemble list,

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9801 CARNEGIE AVENUE, CLEVELAND, OHIO 44106

Farewell Concert Friday, May 2, at 8 p.m.

Symphony Orchestra

Beethoven’s Egmont Overture The Barber Adagio for Strings March to the Scaffold by Berlioz

Symphonic Wind Ensemble

Paris Sketches by Ellerby Selections from Bernstein’s Westside Story Sousa’s Stars and Stripes Forever Gamble Auditorium Kulas Musical Arts Building 96 Front Street, Berea

Breakfast • Lunch • Dinner Cocktails • Desserts Happy Hours • Private Parties Holidays • Celebrations Gift Certiﬁcates

Tickets: $20 for adults, $5 for students Purchase tickets online:

www.bw.edu/tickets Proceeds benefit the Oltman Family Instrumental Performance Prize For more information about the Prize, contact Debbie Sprang at 440-826-2057 or dsprang@bw.edu.

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Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

The Cleveland Orchestra

LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Severance Hall 2013-14

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. April 17, 19 “Bittersweet Farewells” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 24, 26 “Bach’s Son, Papa Haydn, and Beethoven” with Pierre van der Westhuizen, president and chief executive officer of the Cleveland International Piano Competition

May 1, 3, 4 “Meet the Composer” with Gabriela Lena Frank in conversation with Jason Harris, followed by a talk about the entire concert:

“Mozart’s Requiem” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

May 8, 10 “Nordic Notions”

Concert Previews

with Jerry Wong, associate professor of piano, Kent State University

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Thursday evening, April 24, 2014, at 7:30 p.m. Saturday evening, April 26, 2014, at 8:00 p.m.

Jane Glover, conductor Sinfonia No. 2 in E-Áat major, Wq183.2

c.p.e. bach (1714-1788)

1. Allegro di molto 2. Larghetto 3. Allegretto

ludwig van beethoven (1770-1827)

Piano Concerto No. 1 in C major, Opus 15 1. Allegro con brio 2. Largo 3. Rondo: Allegro IMOGEN COOPER, piano

INTERMISSION

jan krtitel vanhal V

(1739-1813)

f. joseph haydn (1732-1809)

Sinfonia in G minor, Bg1 1. 2. 3. 4.

Allegro moderato Andante cantabile Menuetto — Trio Finale: Allegro

Symphony No. 103 (“Drum Roll”) 1. 2. 3. 4.

Adagio — Allegro con spirito Andante più tosto allegretto Menuet — Trio Finale: Allegro con spirito

Thursday’s concert is sponsored by Hahn Loeser & Parks LLP. Imogen Cooper’s appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Gerhard Foundation, Inc. The concert will end on Thursday evening at about 9:35 p.m. and on Saturday evening at approximately 10:05 p.m. CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

Severance Hall 2013-14

Concert Program — Week 18

INTRODUCING THE CONCERTS

Symphonic Evolution THREE SYMPHONIES

and a concerto, all from the late 18th century, give us a fine sampling of the music of that great age. We call it the Classic period, but to musicians and audiences of the time what they heard was modern and often experimental. This was a time when a sophisticated musical language was shared and understood by all European composers, and a balance had been achieved between the claims of vocal and instrumental music. While Italy was the guiding spirit in opera, orchestral and instrumental music was brought to a high point of cultivation north of the Alps. This weekâ&#x20AC;&#x2122;s Cleveland Orchestra concerts feature music from Austria and Germany composed between 1768 and 1798. Among them, we catch a sense of the differences between northern and southern Germanic tastes. We also can literally hear the expansion and diversification that music experienced across the period, with the young Beethoven taking over C.P.E. Bach, where the elderly Haydn left off. Beethoven, and Haydn

â&#x20AC;&#x201D;Hugh Macdonald

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Introducing the Concerts

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Jane Glover In great demand on the international opera stage, British conductor and music scholar Jane Glover has served as music director of Chicago’s Music of the Baroque since 2002. As a guest conductor, she appears in opera and concert venues around the world. She is making her Cleveland Orchestra debut with this weekend’s concerts. After studying music at the University of Oxford, Jane Glover completed her doctorate with research and writing about 17th-century Venetian opera. She subsequently served as music director of the Glyndebourne Touring Opera (1981-85) and of the London Mozart Players (1984-91). Known as a Mozart specialist, Ms. Glover also regularly conducts works by Handel, Monteverdi, and Benjamin Britten (with whom she worked when she was 16). She has led performances with many opera companies around the world, including the Berlin Staatsoper, Chicago Lyric Opera, English National Opera, Glimmerglass Opera, Glyndebourne, Metropolitan Opera, New York City Opera, London’s Royal Opera House, Opéra National de Bordeaux, Opéra National du Rhin, Opera Theatre of Saint Louis, Royal Danish Opera, Opera Australia, and the Teatro La Fenice. In addition to Great Britain’s major symphony and chamber orchestras, Jane Glover has conducted ensembles across North America, including the orchestras of Houston, St. Louis, San Francisco, and Toronto, and has also led performances with the Academy of St. Martin in the Fields, City of London Sinfonia, Boston’s Handel & Haydn Society, Orchestra of St Luke’s, London Philharmonia, and the Philharmonia Baroque. She also frequently collaborates with the Mark Morris Dance Group. Ms. Glover’s discography features symphonies by Mozart and Haydn with the London Mozart Players. With the London Philharmonic, Royal Philharmonic, and the BBC Singers, she has recorded music of Britten, Haydn, Mendelssohn, Mozart, Schubert, and Walton. Her recent albums include Haydn’s masses for Naxos, and Handel’s Messiah for Signum. Jane Glover’s book, Mozart’s Women: His Family, His Friends, His Music, was published in 2005 and nominated for both the Samuel Johnson Prize and the Whitbread Prize for Non-Fiction. She holds a professorship at the University of London and is a fellow of the Royal College of Music. Her talents and scholarship have been recognized with honorary degrees from several universities. In 2003, she was named a Commander of the Most Excellent Order of the British Empire. For more information, visit www.janeglover.co.uk.

Severance Hall 2013-14

Conductor

Committed

to classical around the clock.

WCLV…now also heard on 90.3 WCPN HD2 WCLV.org

Sinfonia No. 2 in E-flat major, Wq183.2 composed 1775-76

Carl Philipp Emanuel

BACH

born March 8, 1714 Weimar, Germany died December 14, 1788 Hamburg

Severance Hall 2013-14

C O M PA R E D W I T H that of his younger colleagues in southern Germany, C. P. E. Bach’s output of symphonies was modest, two dozen at the most. This is partly because the tastes of Berlin and Hamburg, where his career evolved, were never so fi xated on symphonies as those within the ambit of Vienna. And partly because as a keyboard player he preferred to present himself as a solo performer or as a concerto soloist. Hence the great number of piano concertos by him. Although grounded in the incomparable teaching of his father, Johann Sebastian Bach, C.P. Emanuel Bach was a pioneer in a new style that placed more emphasis on melody and expression, and less on fugal counterpoint. By the time he wrote the set of four symphonies from which this E-flat major symphony is drawn, in the years 1775-76, he was the most respected and influential composer in Germany, with a reputation for individuality, even eccentricity. Beethoven, growing up in Bonn, felt the essence of C. P. E. Bach’s music at least as strongly as that of Haydn’s. These symphonies, unlike their southern counterparts, have no minuet movement. Bach, furthermore, liked to merge movements together, so that in this symphony the three movements run continuously without a break. He was also less wedded to the sonata formula (for the order, pattern, repetition, and evolution of musical themes, especially in a symphony’s first and last movements) that was already standard in works by Haydn and Vaňhal — or, at the very least, Bach’s sonata treatment was always bold and individual. Here, in the E-flat symphony, the finale conforms to the standard pattern of the time, but the first movement disregards the formula almost entirely, simply preserving a recognizable moment when the opening passage returns in full. A prominent feature of the first movement is the series of trills in the strings, almost manic in their persistence. Another is the playful writing for flutes, answered by plaintive writing for oboes, exactly matching their conventional instrumental character. The opening movement leads directly into the middlemovement Larghetto, which starts well with a series of elegant wind phrases, but then moves abruptly off into the third moveAbout the Music

Most of us know and love these four notes. Allegro con brio

No one cares how long it took Beethoven to compose them. Accomplishments are what matter. How long it takes to achieve them does not.

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ment, so that the second movement turns out to be only, afterall, a short link to the finale. Perhaps Bach was deliberately creating expectations in his listeners only to snatch them away, a well-planned “unkind” gesture that Beethoven enjoyed imitating from time to time also. This E-flat major work is from a set of four symphonies composed in the years 1775-76 in response to a commission, although the patron’s identity is not known. They were later dedicated to Crown Prince Frederick of Prussia, nephew of Bach’s earlier employer, Frederick the Great, and they have remained occasionally featured in concert programs ever since. —Hugh Macdonald © 2014 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

At a Glance C.P.E. Bach (the fifth child and second surviving son of Johann Sebastian Bach and his first wife, Maria Barbara) wrote this E-flat major symphony as the second in a set of four symphonies created on a commission in 1775-76. Who asked for the set is unknown. The first performance is believed to have been on August 16 or 17, 1776, at the Konzertsaal auf dem Kamp in Hamburg, conducted by the composer. This symphony runs about 15 minutes in performance. Bach scored it for 2 flutes, 2 oboes, bassoon, 2 horns, and strings. The Cleveland Orchestra is performing this symphony for the first time with this weekend’s concerts.

ABOVE: A painting circa 1730 of Johann Sebastian Bach and three of his sons, Gottfried Heinrich, Carl Philipp Emanuel, and Wilhelm Friedemann. RIGHT: C.P. Emanuel in a lithograph circa 1770s, when he was the most celebrated composer in Germany.

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Piano Concerto No. 1 in C major, Opus 15 composed circa 1797-98, or possibly 1793-95 I N T H E Y E A R 17 9 8 ,

Ludwig van

BEETHOVEN born December 16, 1770 Bonn died March 26, 1827 Vienna

the Czech composer Václav Tomášek was a young law student at Prague University when Beethoven visited the city. At 27, Beethoven was young, too, and already a celebrated pianist — and his concerts in the city confirmed Tomášek in his ambition to become a composer himself. We do not know quite when the visit took place, nor who arranged it, but Beethoven already had good contacts in Vienna with the Austrian and Bohemian nobility and had already played in front of the King of Prussia in Berlin. No signs of deafness had yet afflicted him, and he was far from being the gruff, lonely figure of later years. It is generally believed that the First Piano Concerto received its first performance in Prague in 1798, although it may have had its premiere three years earlier. Regardless, the concerto was not in fact Beethoven’s first piano concerto. There is a teenage work in E-flat major, which he never completed, and what we know as the Concerto No. 2 in fact preceded No. 1 by several years (but was later judged by Beethoven to be less worthy). The incorrect numbering arose from the reversed order of publication, the “First” appearing in 1801 as Opus 15 and the “Second” later in the same year as Opus 19. The First was dedicated to one of Beethoven’s students, a Hungarian Countess named Babette de Keglevics, who by 1801 had become Princess d’Erba-Odescalchi. It was a happy patronage, for she also received the dedications of a piano sonata and two sets of piano variations — such were the circles in which Beethoven clearly liked to move. The Concerto No. 1 is full of positive affirmation, a byproduct of its primal key, C major, and the presence of trumpets and drums in the orchestra. These instruments may be responsible for the martial character of the opening theme, although Beethoven displays great shrewdness in starting the movement pianissimo and keeping his louder and more forthright declarations for the next full statement of the musical theme. Another mark of the composer’s originality is his handling of the second theme. Although its key is carefully prepared, it arrives in the “wrong” key, then immediately applies a correction, only to still sound wrong. A second correction produces the correct key, but in minor mode. Its full form is not heard About the Music

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until after the piano has made its entrance, and even then the version given out by flute and first violins is not quite complete — the soloist has the job of laying out that theme in its glorious full extension. As this theme illustrates, Beethoven had a fluent melodic gift in his early years, which was later submerged in his “heroic period,” when dramatic gestures and profound argument came to dominate his musical language. Beethoven wrote three different cadenzas for the first movement, the last two in later years when the piano as an instrument had acquired some extra notes in its upper range. Although we do not have details of later performances, these cadenzas are enough to confirm that the concerto was always popular, whether played by Beethoven himself or not. By resting the flute, oboes, trumpets, and drums, Beethoven gives the middle slow movement the character of chamber music, with the clarinets and bassoons elegantly prominent. This is a movement of marvelous warmth, no longer so close to the model of Mozart but leaning towards a romantic mode of expression. The third-movement finale is a rondo (built on variations) of irrepressibly lively character. Among its many catchy tunes, one is supported by a rollicking left hand, half-Turkish, half-Hungarian in character. Was Beethoven’s tongue in his cheek? We as listeners are nevertheless delighted. Many years later, in 1814, Tomášek was visiting Vienna, where he attended a concert given by a very different Beethoven. The program included the Seventh Symphony, which Tomášek did not like at all: “Michael Umlauf conducted,” he wrote in his memoirs. “Beethoven stood next to him, conducting also, but owing to the fact that he was deaf he frequently beat incorrectly. This did not obstruct the orchestra for they kept their eyes on Umlauf’s baton. I was happy to get out, being completely deafened by the torrent of sound.” —Hugh Macdonald © 2014

Severance Hall 2013-14

About the Music

At a Glance Exactly when Beethoven wrote his C-major Piano Concerto is unknown. He may have started as early as 1793, although it is generally thought that he wrote most of it in 1797 and 1798, with extensive revisions prior to publication in 1801. There is also continuing uncertainty as to when the concerto was first performed. Several possibilities are most likely, beginning with a handful of concert dates in 1798 in Prague. It is also possible that it was presented on one of three dates in 1795, although this would require that Beethoven had completed the work much earlier than some sources indicate. At each of these concerts, in 1795 and 1798, Beethoven played one of his own piano concertos. Contemporary documents (newspaper notices and reviews, letters, etc.) do not consistently distinguish between his C-major (No. 1) and B-flat major (No. 2) concertos, however. The two concertos were not numbered until they were published in 1801. Beethoven’s Piano Concerto No. 1 runs about 35 minutes in performance. Beethoven scored it for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings, in addition to the solo fortepiano.

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Imogen Cooper Acclaimed for her virtuosity and poise, British pianist Imogen Cooper is recognized for her artistry in performing works across the classical repertoire. She is making her Cleveland Orchestra debut with this weekend’s concerts. Imogen Cooper’s honors include a Commander of the Most Excellent Order of the British Empire given in 2007 and recognition from the Royal Philharmonic Society the following year. She holds honorary membership in the Royal Academy of Music, and was made a Doctor of Music by Exeter University. Ms. Cooper was the Humanitas visiting professor in classical music and music education at the University of Oxford from 2012 to 2013. Ms. Cooper has appeared with major orchestras around the world, including engagements with the Deutsche Symphonie-Orchester, Leipzig Gewandhaus Orchestra, London Symphony Orchestra, New York Philharmonic, Tokyo’s NHK Symphony Orchestra, Philadelphia Orchestra, Amsterdam’s Royal Concertgebouw Orchestra, Budapest Festival Orchestra, and the Vienna Philharmonic. She has performed with all the major British orchestras and has close relationships with both the Royal Northern Sinfonia and Britten Sinfonia. Ms. Cooper has toured with the Australian Chamber Orchestra, Camerata Salzburg, and the Orpheus Chamber Orchestra, and presented recitals in London, New York, Paris, Prague, Tokyo, and Vienna, and at the Schubertiade in Schwarzenberg. She has celebrated the centenary of Benjamin Britten’s birth by performing two of his song cycles in recital with Christianne Stotijn. An advocate of new music, Imogen Cooper’s premieres have included two works at the Cheltenham International Festival, Traced Overhead by Thomas Adéès and Decorated Skin by Deirdre Gribbin. She also collaborated with members of the Berlin Philharmonic in the premiere of the quintet Voices for Angels by Brett Dean. As a chamber musician, Imogen Cooper performs regularly with the Belcea Quartet and cellist Sonia Wieder-Atherton. As a song recitalist, she has collaborated with Wolfgang Holzmair in both the concert hall and recording studio (Philips). Her discography also includes Mozart concertos with the Royal Northern Sinfonia on Avie, a solo recital at Wigmore Hall on Wigmore Live, and solo works by Schubert recorded live and released on the Schubert Live label. Her first recording for Chandos Records features music by Brahms and Schumann. For more information, visit www.imogen-cooper.com.

Severance Hall 2013-14

Soloist

Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of April 5, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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Giuliana C. and John D. Koch Dr. Vilma L. Kohn Mr. and Mrs. Alex Machaskee Robert M. Maloney and Laura Goyanes Elizabeth Ring Mather and William Gwinn Mather Fund Mr. Donald W. Morrison Margaret Fulton-Mueller William J. and Katherine T. Oâ&#x20AC;&#x2122;Neill Parker Hannifin Corporation Mr. and Mrs. James A. Saks Hewitt and Paula Shaw The Skirball Foundation Mr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

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The Nord Family Foundation Mr. Gary A. Oatey Helen Rankin Butler and Clara Rankin Williams Audra and George Rose RPM International Inc. Mrs. David Seidenfeld Andrea E. Senich Naomi G. and Edwin Z. Singer Ms. Lorraine S. Szabo Virginia and Bruce Taylor Dorothy Ann Turick Ms. Ginger Warner The Denise G. and Norman E. Wells, Jr. Family Foundation Mr. Max W. Wendel Paul and Suzanne Westlake Marilyn J. White Katie and Donald Woodcock William Wendling and Lynne Woodman Anonymous

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Sinfonia in G minor, Bg1 composed late 1760s I F YO U W E R E A K E E N M U S I C L OV E R

Jan Křtitel

VAŇHAL

born May 12, 1739 Nechancie, Bohemia died August 20, 1813 Vienna

Severance Hall 2013-14

in Vienna or Prague in the 1770s, you would have been as familiar with Vaňhal’s music as with Haydn’s. The central European taste for symphonies was at its height, with thousands (literally) of these works being copied, performed, and occasionally published in the far-flung lands of the Austrian Empire, and often reaching Paris and London, too. Although the symphony’s roots were in Italy, it was north of the Alps that it flourished, eventually to be regarded as the epitome of “Viennese” classicism in the hands of Haydn, Mozart, and Beethoven. Vaňhal was a little younger than Haydn, and like Haydn he lived on into older age. His output of about seventy-six symphonies does not match Haydn’s impressive hundred, in part, because his career faded in middle age. Vaňhal also seems to have been afflicted with an unnamed disability that checked what had in his early years been a torrential flood of music. Vaňhal’s symphonies were nearly all composed between 1762 and 1780, the period of Haydn’s symphonies numbered approximately 15 to 70. Born in Bohemia, Vaňhal moved, liked so many of his talented countrymen, to Vienna, where the greater part of his life was spent, aside from one extended trip to Italy. The historian Charles Burney visited him in his Viennese garret in 1772 and found him to be “a civil young man,” modestly shunning the fashionable houses where music was cultivated. Nonetheless his music was popular and widely circulated. Not surprisingly given the German snobbery of the Imperial Court, he went most often by his Latinized name, Johann Baptist Vanhal (or Wanhal), rather than his original Czech birthname, Jan Křtitel Vaňhal. Like most symphonies of the time, this symphony in G minor is in four movements, with the minuet and trio placed third. In Classical tonal language, the special requirements of minor keys are better supported with two pairs of horns than with one, which is one explanation for the scoring of this symphony, although no composer could be unaware of the added sonority that the second pair of horns brings. Haydn, normally content with two horns, did the same when he wrote his G-minor Symphony (No. 39) in the same years (late 1760s) as Vaňhal’s. The first movement illustrates the style’s fondness for acAbout the Music

At a Glance Vaňhal wrote this Sinfonia in G minor in the late 1760s in Vienna, where, it is assumed, the first performance took place. This symphony runs about 15 minutes in performance. Vaňhal scored it for 2 oboes, 4 horns, and strings. The Cleveland Orchestra is performing this symphony for the first time with this weekend’s concerts.

companiment figures based on repeated notes, a style which distinguishes it wholly from that of Handel and Bach. While the opening theme seems fragmented, the second subject flows melodiously. The second movement features an elegant violin solo. The oboes’ most prominent moment is in this movement’s Trio section, enclosed within the Menuetto. The third-movement finale confirms the vigorous action of the minor key. And it should be noted that no one in the 1760s interpreted minor-key music as in the least depressive — the notion of a triumphant switch to the major for a peroration could not have been further from Vaňhal’s mind. This was simply the form and format of what a minor-key symphony must do. —Hugh Macdonald © 2014

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Haydn, painted in London by Thomas Hardy in 1792

The free arts and the beautiful science of composition will not tolerate technical chains. The mind and soul must be free. â&#x20AC;&#x201D;Joseph Haydn

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Symphony No. 103 (“Drum Roll”) in E-flat major composed 1794-95

F. Joseph

HAYDN

born March 31, 1732 Rohrau, Austria died May 31, 1809 Vienna

Severance Hall 2013-14

B E T W E E N F E B R UA RY 17 9 2 A N D M AY 17 9 5 , Haydn presented twelve new symphonies to the London public, the most advanced and sophisticated orchestral music that anyone had ever heard. He was at this time without a rival as Europe’s leading composer, and he was treated by the London public accordingly. After many years of seclusion working for the Esterházy family at their country estates in Central Europe, the bustling cultural life of London came as a total contrast — and he liked it. He was busy enough with all those new symphonies to write, but he was in demand too from hostesses as a celebrity guest and from publishers as a source of profit. And although he never managed to learn much English, he enjoyed himself and made a handsome amount of money. On the second visit, which lasted from February 1794 to August 1795, he was finally introduced to King George III, who, with typical royal vagueness, addressed him with the safe words “Dr. Haydn, you have written a great deal.” The royal family liked him as a “good, honest German,” and tried to persuade him to stay on indefinitely. But the lure of his little house just outside Vienna was strong, and at the moment when a decision had to be made, a new Prince Esterházy succeeded to the title, much more sympathetic to Haydn than the previous one, so that the composer was returning to an excellent working arrangement with his new patron. Although he lived on until 1809, Haydn never wrote any more symphonies. The twelve London symphonies are all in four movements, and they all employ the same orchestral resources, but they are all nevertheless distinct in character and content. No. 103 earns its nickname, the “Drumroll,” from the startling idea of an isolated drumroll at the very beginning, loud or soft according to the conductor’s whim (perhaps the audience needed shushing). This precedes a solemn introduction to the opening movement, in which the bassoons, cellos, and basses all play a dark, low unison theme. Hold on to this melody, because it will return briefly in the middle of the movement’s Allegro section, and then in its original slow, low form at the end of the movement — a surprisingly dramatic gesture, since slow introductions had never been treated before in this way About the Music

At a Glance Haydn wrote this symphony in E-flat major in 1794; it was created as part of a set of three symphonies to be presented during the 179495 concert season in London. The Symphony in E-flat major was premiered on March 2, 1795. It was revised back in Austria later that year, and then re-introduced on September 21 in Vienna. It was subsequently published as the fifth of his final six “London” symphonies (three additional new symphonies had been premiered the previous season) and designated as “No. 103.” The earliest known performance in the United States was given on May 29, 1823, in Boston by A. P. Heinrich and the orchestra of the Philharmonic Handel & Haydn Societies. This symphony runs about 30 minutes in performance. Haydn scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.

(invited to return for an encore, as it were). And to conclude the movement the same theme is heard briefly but firmly at the faster Allegro tempo, and with the full weight of the strings. Haydn’s slow movement is an ingenious double variation form, which has two themes and their respective variations in alternation. One theme is in the minor mode, the other in the major. This makes it easy to follow the pattern, but each tune will get only two variations as a result. The major-key tune has, on the whole, the more fanciful variations, with a violin solo as the first variation, and at the end a coda attempts to reconcile the two types of material, settling firmly in the major mode with some help from trumpets and drums. After the third-movement minuet and its Trio section, Haydn introduces his last movement with a surprise, as in the first. Two horns give out what turns out to be the accompaniment to the opening tune. It is as if the violins forget to come in the first time, so the music has to stop and start again. Haydn was always ready to play tricks of this kind with music, a delicate form of humor that suggests he was a most congenial man — as if the high spirits of this movement did not tell us in no uncertain terms that the music was as much a delight to him as it is to us. It drove those London audiences of 1795 wild with excitement. —Hugh Macdonald © 2014

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â&#x20AC;Ś for the love of learning www.cwru.edu/lifelonglearning

SIEGAL LIFELONG LEARNINGâ&#x20AC;&#x2122;S DISTINGUISHED LECTURE SERIES 6 ĂĽ Ă&#x152; Ă? 9 9 8 59 9 8 69 (All evening lectures are free, but reserved seating can be purchased for $18)

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THURSDAY, MAY 29 A Modern Heretic and a Traditional Community: Rabbi Mordecai M. Kaplan, Orthodoxy and American Judaism with Jeffrey S. Gurdock, Libby M. Klaperman Professor of Jewish History at Yeshiva University

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Student attendance continues to grow at Severance Hall As The Cleveland Orchestra’s 2013-14 season has progressed, more Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. The Student Frequent Fan Card was introduced a year ago with great success. The program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card offers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. The Student Ambassador program is also growing. These young volunteers help to promote the Orchestra’s concert offerings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall success toward generating participation and interest among young people. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

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Student Attendance

Part Emotion, Part Memory

All Magic

The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Park’s historic past for all to ride again. You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now. Go to: www.clevelandcarousel.org Or call: 216-752-1505

The Cleveland Orchestra

Guide to Fine Schools Consistently ranked among “Best Communities for Music Education” in the Nation!

216-898-8300 www.berea.k12.oh.us

Other ﬁne schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM

Fine Dining

mere minutes from Severance Hall.

photo by Hernan Herrero

restaurant+ lounge 3099 MAYFIELD ROAD CLEVELAND HEIGHTS, OH 216 | 321.0477

www.rockefellerscleveland.com

re & after the co befo nc KITCHEN OPEN DAILY er t

in jo FRIDAYS & SATURDAYS KITCHEN OPEN ’TIL 11 PM

WWW.CLUBISABELLA.COM

Join us for dinner before or after the orchestra.

www.mangelos.com ~ 216.721.0300 2198 Murray Hill Rd. • Cleveland, OH 44106 • mangelos.com

Open for lunch Tuesday ~ Friday

In the heart of Little Italy!

2175 CORNELL RD., CLEVELAND, OH., 44106

216.229.1111

The Cleveland Orchestra

Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2013-14

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2013-14

More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors those individuals who are helping to ensure the future of The Cleveland Orchestra with a Legacy gift. Legacy gifts come in many forms, including bequests, charitable gift annuities, and insurance policies. The following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler* Gerald O. Allen* Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack L. Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook* The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr. and Mrs. Frederick S. Cross* Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis William and Anna Jean Cushwa Howard Cutson Mr.* and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew* Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem Nancy E. and Richard M. Dotson

Legacy Giving

Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben* Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* Dr. Saul Genuth John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr.* and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Tom and Gretchen Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard* and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr. and Mrs. D. Craig Hitchcock* Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD* Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Christine A. Hudak, Mr. Marc F. Cymes Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Mr. and Mrs. G. Richard Hunter Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes

Alyce M. Jarr* Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer* Charles M. and Janet G. Kimball* James and Gay* Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. Clayton Koppes Mr.* and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Kenneth M. Lapine and Rose E. Mills Charles K. László and Maureen O’Neill-László Anthony T. and Patricia Lauria Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Judy D. Levendula Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs.* Thomas A. Liederbach Rollin and Leda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Linda and Saul Ludwig Kate Lunsford Mr. and Mrs. Thomas E. Lynch*

Patricia MacDonald Alex and Carol Machaskee Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C.* and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim and Alice Mecredy* James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale Mrs. Ruth Neides David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill The Hon. and Mrs. John Doyle Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy* and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* LISTING CONTINUES

Severance Hall 2013-14

Legacy Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y L I S T I N G C O N T I N U ED

Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice Randles* Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Audra and George Rose Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Dr. Vernon E. Sackman and Ms. Marguerite Patton Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Reverend Sandra Selby Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane

David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A. and Verdabelle Spaulding* Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan and Andrew Talton* Frank E. Taplin, Jr.* Charles H. Teare* and Clifford K. Kern* Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Marlene and Joe Toot Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda

Legacy Giving

Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Joseph F. and Dorothy L. Wasserbauer Charles D. Waters* Reverend Thomas L. Weber Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Yoash and Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Katie and Donald Woodcock Dr.* and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski* William L. and Joan H. Ziegler* Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (103)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment. Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

Ludwig van Beethoven, 1818, pencil drawing by August von KlĂśber

Tones sound and roar and storm about me until I have set them down in notes. â&#x20AC;&#x201D;Ludwig van Beethoven

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Centerfunded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

E N DOWE D FU N DS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU for helping develop tomorrow’s audiences today. 68

Center for Future Audiences

The Cleveland Orchestra

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. and Verdabelle Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

Severance Hall 2013-14

Endowed Funds

THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall. Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Your Investment: Strengthening Community Visit cacgrants.org/impact to learn more.

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

gifts of $2,500 or more during the past year, as of March 20, 2014

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank Thompson Hine LLP PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Charter One Dix & Eaton The Giant Eagle Foundation Greenberg Traurig (Miami) Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire Sanders (US) LLP

Severance Hall 2013-14

Corporate Annual Support

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation Bank of America BDI Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts Tremaine Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

investments | trust | banking

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Bank and trust products from KeyBank National Association, Member FDIC and Equal Housing Lender. Investment products are: NOT FDIC INSURED • NOT BANK GUARANTEED • MAY LOSE VALUE • NOT A DEPOSIT • NOT INSURED BY ANY FEDERAL OR STATE GOVERNMENT AGENCY

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation

gifts of $2,000 or more during the past year, as of March 20, 2014

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,000

The George Gund Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council

$5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

Severance Hall 2013-14

$100,000 TO $249,999

The George W. Codrington Charitable Foundation Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Marlboro 2465 Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999 The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) Dr. NE & JZ Berman Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Fogelson Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation The McGregor Foundation Bessie Benner Metzenbaum Foundation M.G. O’Neil Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Veale Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of March 20, 2014 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Mr.* and Mrs. Ward Smith Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of March 2014.

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Elizabeth R. Koch Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Annual Support

The Cleveland Orchestra

Leadership Council

Mr. and Mrs. Edward A. Lozick Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Mr. and Mrs. James A. Ratner Mr. and Mrs. James A. Saks Paul and Suzanne Westlake

INDIVIDUAL GIFTS OF $30,000 TO $49,999

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Virginia M. and Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Martha and Bruce Clinton (Miami) Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Milton and Tamar Maltz Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Severance Hall 2013-14

The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

Individual Annual Support

listings continue

THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $10,000 TO $12,499

Andrew and Katherine Kartalis Tati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Robert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. Manuel Mr. Larry J. Santon Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects. The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. Bowen Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Mr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Sondra and Steve Hardis Michael L. Hardy Mr. and Mrs. James A. Haslam II Mr. and Mrs. James A. Haslam III T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Mr. and Mrs. Thomas B. McGowan Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (4)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Mr. William Berger Laurel Blossom Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard listings continue

Individual Annual Support

The Cleveland Orchestra

Your legacy helps create a healthier community.

Gifts to University Hospitals continue the legacy of giving from generation to generation – by enabling us to live our mission every day: To Heal – enhancing patient care, experience and access To Teach – training future generation ns of physicians and scientists To Discover – accelerating medica al innovations and clinical research h And with your support, we’ll continue to pro ovidee the same high-quality care that we have for nearly 150 0 years. Join the many who are making a difference. To learn more, contact our gift planning team at 216-983-2200 or visit UHGiving.org.

THE CLEVELAN D ORCHESTRA listings continued

Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. Staub Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr.* and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Mr. and Mrs. Thomas S. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Barbara and Peter Galvin Joy E. Garapic Brenda and David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Robert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller Thomas and Mary Holmes Mr. and Mrs. John Hudak (Miami) Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs.* S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Mr. Brian J. Lamb David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis (Miami) Ms. Marley Blue Lewis (Miami) Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami) James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Lee G. and Jane Seidman Charles Seitz (Miami)

listings continue

Individual Annual Support

The Cleveland Orchestra

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Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Sandy Wile and Susan Namen Fred* and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Howard R. and Barbara Kaye Besser Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Mr.* and Mrs. Robert A. Clark Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne Coscarelli Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry David and Margaret Ewart Mr. and Mrs. John R. Fraylick Peggy and David* Fullmer Dr. and Mrs. Ronald L. Gould Nancy and James Grunzweig Mr. Robert D. Hart Hazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Mr. and Ms. James Koenig Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor* McCoy Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Dr. Lewis and Janice B. Patterson Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Carol Rolf and Steven Adler Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Saltzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr. Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Drs. Anna* and Gilbert True Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Tony and Diane Wynshaw-Boris Anonymous

Doug and Barbara Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis

Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Mr. and Mrs. James B. Aronoff Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver Henkel Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman* Dr.* and Mrs. George H. Hoke Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Ms. Mary Beth Loud Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David* and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger

Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Nedra and Mark Oren (Miami) Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page Deborah and Zachary Paris Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Ms. Carolyn Priemer Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Ms. Marlene Sharak Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs. Richey Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Ken and Martha Taylor

member of the Leadership Council (see page 77)

* deceased

Individual Annual Support

Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Elizabeth B. Wright Rad and Patty Yates Dr. William Zelei Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

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SEVERANCE HALL

Severance Hall 2013-14

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SPRING AT CIM Pianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIM Alumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

For a complete list of CIM concerts and events, visit cim.edu/calendar. 11021 East Boulevard | Cleveland, OH 44106

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The Cleveland Orchestra

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

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Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens, McGregor offers choice of ďŹ&#x201A;oor plans, amenities and life enrichment activities. Located just minutes from University Circle, major hospitals, Severance Center and Clevelandâ&#x20AC;&#x2122;s ďŹ nest museums, McGregor is an innovative and comprehensive provider for all the seasons of your life!

Assisted Living â&#x20AC;˘ Independent Living Rehabilitation â&#x20AC;˘ Long Term Care Respite Care â&#x20AC;˘ Hospice McGregor Foundation â&#x20AC;˘ PACE McGregor 14900 Private Drive, Cleveland OH 44112 (north of intersection of MayďŹ eld and Lee roads)

www.mcgregoramasa.org 216-851-8200 presents

â&#x20AC;&#x153;Ask Our Expertsâ&#x20AC;? Panel Discussion & Dinner

north W point portfolio managers c o r p o r a t i o n Ronald J. Lang Diane M. Stack Daniel J. Dreiling Severance Hall 2013-14

440.720.1102 440.720.1105 440.720.1104

Thursday, June 5, 5:00 PM-8:00 PM Panel discussion with experts in Health Care, Physicians, Business, Elder Law, and Supportive Services. The audience chooses the topics. Panelists discuss their specialties and answer questions from the audience. Vendors/Exhibits and Dinner. Cost: $15.

Call 216-268-8999 or register online www.mcgregoramasa.org Serving seniors in need since 1877

THE CLEVELAND C O N C E R T SPRING

C A L E N D A R

SEASON

Beethoven’s First Piano Concerto Thursday April 24 at 7:30 p.m. Saturday April 26 at 8:00 p.m. THE CLEVELAND ORCHESTRA Jane Glover, conductor Imogen Cooper, piano

C.P.E. BACH Sinfonia No. 2 BEETHOVEN Piano Concerto No. 1 VANHAL Sinfonia in G minor HAYDN Symphony No. 103 (“Drum Roll”)

Mozart’s Requiem Thursday May 1 at 7:30 p.m. Friday May 2 at 7:00 p.m. <18s Saturday May 3 at 8:00 p.m. Sunday May 4 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA David Robertson, conductor Mary Kay Fink, piccolo* Jessica Rivera, soprano Elizabeth DeShong, mezzo-soprano Garrett Sorenson, tenor John Relyea, bass-baritone Cleveland Orchestra Chorus

ROUSE Rapture FRANK Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra* MOZART Requiem * not part of KeyBank Fridays@7 concert

Ohlsson Plays Grieg Thursday May 8 at 7:30 p.m. Saturday May 10 at 8:00 p.m. THE CLEVELAND ORCHESTRA Osmo Vänskä, conductor Garrick Ohlsson, piano

SALLINEN Symphony No. 1 GRIEG Piano Concerto SIBELIUS Symphony No. 5 Sponsor: Jones Day

Cleveland Orchestra Youth Orchestra Friday May 9 at 8:00 p.m. <18s CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor Ann Yu, violin

TORKE Bright Blue Music PROKOFIEV Violin Concerto No. 2 BERLIOZ Symphonie fantastique Friday May 16 at 10:00 a.m. <18s Saturday May 17 at 10:00 a.m. <18s Saturday May 17 at 11:00 a.m. <18s PNC MUSICAL RAINBOW

HEAVENLY HARPS 30-minute programs for ages 3 to 6.

Family Concert — The Composer Is Dead Friday May 16 at 7:30 p.m. <18s THE CLEVELAND ORCHESTRA Brett Mitchell, conductor Nathaniel Stookey, narrator There’s dreadful news from Severance Hall — the composer is dead! The musicians are most certainly guilty of something. Where were the violins on the night in question? Did anyone see the harp? Is the trumpet protesting a bit too boisterously? Everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Join the Inspector as he interrogates all the unusual suspects in a concert based on the book by Lemony Snicket with the music of Nathaniel Stookey. Sponsor: The Giant Eagle Foundation

The Cleveland Orchestra at Home in Lakewood May 17- 24 The Cleveland Orchestra, in partnership with businesses, schools, and organizations of Lakewood, puts a spotlight on this near westside community and its excellent music education programs, culminating in a week of residency May 17 through May 24. Highlights of this neighborhood residency are three free Orchestra concerts — one for the public led by the Orchestra’s music director Franz WelserMöst on Saturday, May 24, at 7:30 p.m., and two for school students. Visit clevelandorchestra.com for complete details.

lec.edu 1.855.GO.STORM 90

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

Leoš Janáÿek’s THE CUNNING LITTLE VIXEN

T H E

S P O T L I G H T

Saturday May 17 at 8:00 p.m. Tuesday May 20 at 7:30 p.m. <18s Thursday May 22 at 7:30 p.m. Saturday May 24 at 2:00 p.m. <18s Martina Janková, soprano Alan Held, bass-baritone Jennifer Johnson Cano, mezzo-soprano oprano Raymond Aceto, bass Julie Boulianne, soprano Dashon Burton, bass-baritone David Cangelosi, tenor and the Cleveland Orchestra Chorus Cleveland Orchestra Children’ss Chorus with THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst Don’t miss the opera event of the season! With this brandnew, made-for-Cleveland production of Leoš Janáÿek’s The Cunning Little Vixen. Presented with innovative and original animation, this world premiere production places a new perspective on the opera, plumbing the depths of human experience in a charming tale of love, peril, freedom, and family. On the surface, the story is about childish things, but underneath, human emotions boil over and burst apart between the “animals of the forest” and their human interlocutors. (Opera sung in Czech with projected English supertitles.) Directed by Yuval Sharon. Animation by Bill Barminski and Christopher Louie — Walter Robot Studios. Projection and lighting design by Jason Thompson. Costumes and makeup by Ann Closs-Farley. Presented with support from The Andrew W. Mellon Foundation and the National Endowment for the Arts.

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (one per paid adult admission).

FAMILY CONCERT

The Composer Is Dead Friday May 16 at 7:30 p.m.

THE CLEVELAND ORCHESTRA Brett Mitchell, conductor Nathaniel Stookey, narrator

Oh, dear! There’s dreadful news from Severance Hall — the composer is dead! The musicians are most certainly guilty of something. Where were the violins on the night in question? Everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Join the Inspector as he interrogates all the unusual suspects in a concert based on the book by Lemony Snicket and with music by Nathaniel Stookey. Sponsor: The Giant Eagle Foundation

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2013-14

Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . .

Vladimir Jurowski

CLEVELAND ORCHESTRA YOUTH ORCHESTRA Friday May 9 at 7:30 p.m.

PROKOFIEV’S CINDERELLA Thursday May 29 at 7:30 p.m. Friday May 30 at 11:00 a.m.* <18s Saturday May 31 at 8:00 p.m.

<18s

THE CLEVELAND ORCHESTRA Brett Mitchell, conductor Ann Yu, violin

THE CLEVELAND ORCHESTRA Vladimir Jurowski, conductor Janine Jensen, violin *

Now in its 28th season, the Cleveland Orchestra Youth Orchestra is a full symphony orchestra comprised of some of Northeast Ohio’s best and brightest young musicians. Each season, this acclaimed training ensemble presents concerts of traditional and newer works, filled with an enthusiasm and interest that can rival that of their teachers and mentors. “A gripping performance,” commented the Cleveland Plain Dealer of a recent concert, “one that would have been the envy of an adult ensemble.”

Prokofiev’s Cinderella is a fairytale score, delicate and charming. But like all fairytales, a dark undercurrent runs beneath. In this score, the chiming of a clock can sound like a thunderous battlefield, while the waltzes and love scenes sing. Benjamin Britten’s charming Violin Concerto * and Stravinsky’s explosive Scherzo fantastique round out this weekend’s season-ending concerts with guest conductor Vladimir Jurowski and violinst Janine Jensen. Sponsor: Baker Hostetler * Not part of the Friday Morning concert.

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra