The Cleveland Orchestra Miami

CLEVELAND O R C H E ST R A SEASON

FRANZ WELSER-MÖST Music Director

GIANCARLO GUERRERO Principal Guest Conductor

M A R C H 2 6 . 27 . 2 8

ClevelandOrchestraMiami.com

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Table of Contents Cleveland Orchestra Miami serves Miami-Dade with an array of musical presentations by The Cleveland Orchestra, including a series of subscription concerts, education programs, and community engagement activities — touching the lives of over 20,000 children, students, and adults each year. Under the leadership of the notfor-profit Miami Music Association, Cleveland Orchestra Miami is supported through the generosity of music-lovers from across South Florida, who believe in the power of great orchestral music for adults and young people alike. Each season of Cleveland Orchestra Miami concerts is presented in partnership with the Adrinne Arsht Center for the Performing Arts of Miami-Dade County.

P R O G R A M B O O K S Copyright © 2015 by The Cleveland Orchestra.

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

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PAGE

21 PAGE

About Cleveland Orchestra Miami Miami Music Association . . . . . . . . . . . . . . . . . . 4 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Annual Fund Donors . . . . . . . . . . . . . . . . . . . . . . 7 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Principal Guest Conductor . . . . . . . . . . . . . . . 14 The Cleveland Orchestra . . . . . . . . . . . . . . 15-17 Arsht Center . . . . . . . . . . . . . . . . . . . . . . . . . 36-39

The Concert: March 26 . 27. 28 Concert Prelude . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Program: Carmina Burana . . . . . . . . . . . . . . 21 BERNSTEIN

Chichester Psalms . . . . . . . . . . . . . . . . . . . . . 25 ORFF

Carmina Burana . . . . . . . . . . . . . . . . . . . . . . . 27 Conductor: Giancarlo Guerrero . . . . . . . . . . . 14 Guest Soloists . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Choruses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Support for Cleveland Orchestra Miami is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners.

Program book advertising is sold through Live Publishing Company. For further information and ad rates, please call 786-899-2700.

Program books are distributed free of charge to attending audiences.

Cover photo copyright © Carl Juste

Cleveland Orchestra Miami education programs are funded in part by The Children’s Trust. The Trust is a dedicated source of revenue established by voter referendum to improve the lives of children and families in Miami-Dade County.

Reach our sophisticated, passionate audience.

Cleveland Orchestra Miami program book advertising

Gail Kerzner | 786-899-2700 | gkerzner@livepub.com Cleveland Orchestra Miami 2014-15

Table of Contents

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Cleveland Orchestra Miami presented by the

M IAM I M US I C AS SOC IAT I O N The Miami Music Association (MMA) is a not-for-profit corporation, comprised of leading Miamians motivated by the idea that as a world-class city Miami’s cultural life should always include orchestral performances at the very highest international level. No orchestra in America — indeed, perhaps no other orchestra in the world — is more ideally suited to partner with MMA in achieving these goals than The Cleveland Orchestra.

Securing and building support for Cleveland Orchestra Miami will ensure that we succeed in creating a culture of passionate and dedicated concert-going in South Florida among the broadest constituency. Thank you for your support and commitment.

Officers and Board of Directors Jeffrey Feldman, President Sheldon T. Anderson, Chairman Norman Braman, Vice Chairman Hector D. Fortun, Vice Chairman Miguel G. Farra, Treasurer Jon Batchelor Brian Bilzin Marsha Bilzin Alicia Celorio Bruce Clinton Martha Clinton Mary Jo Eaton Mike S. Eidson Mary Claire Espenkotter

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Susan Feldman Adam M. Foslid Pedro Jimenez Michael Joblove Gerald Kelfer Tina Kislak R. Kirk Landon Shirley Lehman William Lehman

Miami Music Association

Jan R. Lewis Sue Miller Patrick Park Karyn Schwade Mary M. Spencer Howard A. Stark Richard P. Tonkinson Gary L. Wasserman E. Richard Yulman

2014-15 Cleveland Orchestra Miami

CLEVELAND Cleveland Orchestra Miami OAssociation R C H E ST R A presented by the Miami Music JEFFREY FELDMAN

SHELDON T. ANDERSON

President

Chairman

in partnership with The Cleveland Orchestra and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County

Dear Friends, Welcome to the final concert weekend of this Cleveland Orchestra Miami season. It’s been a year filled with great symphonies, colorful concertos, wonderful education programs, gifted guest artists, and community presentations that have demonstrated the power of music to inspire audiences of all ages — performed with the supreme virtuosity that is The Cleveland Orchestra’s calling card everywhere it plays. It is a magnificent honor and pleasure to be sharing this great orchestra with South Florida, its home away from home.

Earlier this month, we announced next year’s tenth season of concerts here at the Arsht Center. Four weekends of concerts will be presented, including a special tenth anniversary gala concert with famed soprano Renée Fleming as soloist. The Orchestra’s music director, Franz Welser-Möst, and Cleveland Orchestra Miami principal guest conductor Giancarlo Guerrero once again share the podium, with two weekends each. Musical highlights include symphonies by Tchaikovsky, Prokofiev, Mahler, and Mozart, plus concertos with pianist Leif Ove Andsnes, cellists Johannes Moser and Mark Kosower, and violinist William Preucil. The gala will raise funds to continue Cleveland Orchestra Miami’s ongoing musical, educational, and community work, while also celebrating this city as a cultural hub and destination, and honoring the Miami community for your extraordinary support in this endeavor.

Over the past nine years, The Cleveland Orchestra has developed a special relationship with our community through performing vibrant programming and engaging education presentations, establishing themselves as an integral part of the cultural fabric of Miami-Dade. I am proud of the many ways that Cleveland Orchestra Miami makes a difference in South Florida. And we owe a debt of gratitude to the hundreds of donors listed on the following pages, who commit nearly $3 million each year to support Cleveland Orchestra concerts and community programs presented here in Miami. Because of your generosity, Cleveland Orchestra Miami adds to the artistic vitality of our great city by presenting this great orchestra and sharing its music and education and community offerings with all of South Florida. Thank you.

Best regards,

Jeffrey Feldman

Cleveland Orchestra Miami 2014-15

Welcome

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Cleveland Orchestra Miami is grateful to the John S. and James L. Knight Foundation for their continued support of the arts in Miami.

Thank you.

Through a five-year, $2 million challenge grant to expand programming in our community, Knight Foundation will match any new and increased gifts to Cleveland Orchestra Miami.

Your support through this grant will help ensure Cleveland Orchestra Miami’s ongoing success.

Please visit www.ClevelandOrchestraMiami.com to donate or call 305.372.7747.

CLEVELAND O R C H E ST R A The Miami Music Association gratefully acknowledges these donors for their contributions to Cleveland Orchestra Miami in the past year. Listing as of February 5, 2015.

LEADERSHIP DONORS $100,000 and more

Irma and Norman Braman David and Francie Horvitz Family Foundation, Inc. John S. and James L. Knight Foundation Jan and Daniel Lewis Peter B. Lewis* and Janet Rosel Lewis Sue Miller Patrick Park Janet* and Richard Yulman $50,000 to $99,999

Sheldon and Florence Anderson Hector D. Fortun R. Kirk Landon and Pamela Garrison Miami-Dade County Department of Cultural Affairs Mary M. Spencer $25,000 to $49,999

The Batchelor Foundation Daniel and Trish Bell In dedication to Donald Carlin Martha and Bruce Clinton Do Unto Others Trust Adam Foslid, Greenberg Traurig, P.A. Morrison, Brown, Argiz & Farra, LLC Northern Trust Peacock Foundation, Inc. The Claudia and Steven Perles Family Foundation $10,000 to $24,999

Jayusia and Alan Bernstein Marsha and Brian Bilzin Peter D. and Julia Fisher Cummings Mary Jo Eaton Mr. Mike S. Eidson, Esq and Dr. Margaret Eidson Colleen and Richard Fain Nelly and Mike Farra Feldman Gale, P.A. Jeffrey and Susan Feldman Kira and Neil Flanzraich Sheree and Monte Friedkin Francisco A. Garcia and Elizabeth Pearson Mark and Ruth Houck Ruth and Pedro Jimenez Cherie and Michael Joblove Jones Day Tati and Ezra Katz Janet and Gerald Kelfer Jonathan and Tina Kislak Mr. and Mrs. Dennis W. LaBarre

Cleveland Orchestra Miami 2014-15

Thomas E Lauria Marsh Private Client Services Miami-Dade County Public Schools The Miami Foundation Joy P. and Thomas G. Murdough, Jr. Marc and Rennie Saltzberg Howard Stark M.D. and Rene Rodriguez Charles B. and Rosalyn Stuzin Rick, Margarita, and Steven Tonkinson Ver Ploeg & Lumpkin, P.A. Ms. Ginger Warner Gary L. Wasserman and Charles A. Kashner Barbara and David Wolfort $5,000 to $9,999

Stephen Barrow and Janis Manley Funding Arts Network Patti Gordon Gary Hanson and Barbara Klante Mary and Jon Heider Richard Horvitz and Erica Hartman-Horvitz Foundation John and Hollis Hudak Bob and Edith Hudson Cynthia Knight Dylan Hale Lewis Marley Blue Lewis Ms. Maureen M. McLaughlin Barbara S. Robinson Dr. and Mrs. Michael Rosenberg Drs. Michael and Judith Samuels Charles E. Seitz Sylvester Comprehensive Cancer Center Bill Appert and Chris Wallace $2,500 to $4,999

Kerrin and Peter Bermont Carmen Bishopric Adam E. Carlin Stanley and Gala Cohen Charles* and Fanny Dascal Isaac K. Fisher and Lourdes G. Suarez Marvin Ross Friedman and Adrienne bon Haes Dr. and Mrs. Edward C. Gelber Elizabeth B. Juliano Angela Kelsey and Michael Zealy Jacqueline and Irwin* Kott Eeva and Harri Kulovaara Ivonete Leite Ana and Raul Marmol Roger and Helen Michelson Georgia and Carlos Noble Rosanne and Gary Oatey Nedra and Mark Oren

Annual Fund Contributors

Maribel A. Piza Alfonso Rey and Sheryl Latchu Donna E. Shalala Michalis and Alejandra Stavrinides Brenton Ver Ploeg Teresa Galang-Vi単as and Joaquin Vi単as Florence and Robert Werner $1,000 to $2,499

Mr. and Mrs. Spencer Angel Linda Angell Benjamin and Dr. Rodney Benjamin Ms. Sara Arbel Arnstein & Lehr LLP Douglas Baxter and Brian Hastings Don and Jackie Bercu Helene Berger Fran and Robert Berrin Irving and Joan M. Bolotin John Carleton Michael and Lorena Clark Bruce Coppock and Lucia P. May Douglas S. Cramer / Hubert S. Bush III Ms. Nancy J. Davis Shahnaz and Ranjan Duara Bernard Eckstein Andrea and Aaron Edelstein Mr. and Mrs. Steven Elias Francisco J. and Clara B. Fernandez Joseph Z. and Betty Fleming Gail and Alan Franklin Morris and Miriam Futernick Lenore Gaynor Niety and Gary R. Gerson Joan Getz Hon. and Mrs. Isaac Gilinski Nancy F. Green Jack and Beth Greenman Douglas M. and Amy Halsey Mr. and Mrs. Barry Hesser Roberto and Betty Horwitz David and Montserrat Joy Dr. Michael and Gail Kaplan Kluger, Kaplan, Silverman, Katzen & Levine, P.L. Dr. and Mrs. Frederick Knoll Michael N. Keitzer Mr. and Mrs. Israel Lapciuc Ronald and Harriet Lassin Judy and Donald Lefton Shirley and William Lehman Mr. and Mrs. Marvin H. Leibowitz Barbara C. Levin listing continues

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CLEVELAND ORCHESTRA MIAMI listing continued Mr. Jon E. Limbacher and Patricia J. Limbacher Mr. and Mrs. Carlos Lopez-Cantera James P. Ostryniec Mrs. Patricia M. Papper Perry Ellis International, Inc. Robert Pinkert Guillermo and Maggie Retchkiman Dr. Lynne and M. John Richard Joseph and Batia Rozgonyi Charles and Linda Sands

Raquel and Michael Scheck Dr. James and Karyn Schwade Mr. and Mrs. David Serviansky Lois H. Siegel Henry and Stania Smek Richard and Nancy Sneed Lucie and Jay Spieler Eduardo Stern Kathy and Sidney Taurel Parker D. Thomson Esq. Mr. and Mrs. Robert H. Traurig

Ms. Lynn Wiener Betty and Michael Wohl Ms. Henrietta Zabner Loly and Isaac Zelcer Anonymous (2)

FRIENDS up to $999

Mr. and Mrs. Jay H. Abrams Mr. Alexis Abril Mr. John Actman Marjorie H. Adler Carla Albarran Mr. Rafael Alcantara-Lansberg Angela Alfonso Ms. Maria Alonso Dr. and Dr. Andrew Alpert Rosalie Altmark and Herbert Kornreich Ms. Claudia Alvarez Ms. Elena Alvarez Ms. Paula Alvarez Dr. Kip and Barbara Amazon Nancy Ameglio Denise Anderson John and Sarah Anderson Ms. Lori Angus Dr. Jorge and Gigi AntuĂąez de Mayolo Mr. Fred Aragon Mr. Robert Archambault Ana L. Arellano Evelyn K. Axler Daniel Ayers and Tony Seguino Elaine Bachenheimer Ted and Carolann Baldyga Montserrat Balseiro Ana Barnett Mr. Raul Barnett Ms. Ingrid Barrera Mr. Richard Barrios Dr. Earl Barron and Ms. Donna Barron Joan and Milton Baxt Foundation Ms. Marielena Bazan Mr. and Mrs. William Beitz Ms. Linda Belgrave Carlos Benitez Mr. Joseph Berland Mr. Enrique Bernal Neil Bernstein and Julie Schwartzbard Rhoda and Henri Bertuch Mr. Robert Bickers Dr. Nanette Bishopric Ken Bleakley Dr. Louis W. Bloise Mr. Sam Boldrick Mr. Bruce Bolton Mario and Adriana Bosi Ms. Carol Brafman Mr. Rodester Brandon

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Mr. Fernando Bravo Michael T. Brazda and Lourdes M. Ramon Karen Breakstone Mr. and Mrs. Eric Buermann Brent Burdick Ms. Nancy Burkhardt Ms. Esther Burton Ada Busot Dr. MarĂ­a Bustillo Mrs. and Mr. Rita Butterman AC Mr. Manny Cabral Carlos Cabrera Mr. Richard Cannon Ms. Dolores Canonico Ms. Beatrice Carbacho Ms. Christine Carleton James and Christina Carpenter Philip and Kathryn Carroll Ms. Rosemary Carroll Mr. Philip Casey Mr. Erich Cauller Harold Chambers Daphne Charbonneau Mr. David Chatfield Mr. Jeremy Chester Carole J. Cholasta Ms. Katherine A. Chouinard Mathew and Lisa Cicero Olga Cobian Mr. Mark Cohan Mr. and Mrs. Jerome J. Cohen Ms. Karla Cohen Phyllis Cohen Ignacio Contreras Lane Convey Mr. Richard Cote Nathan Counts William R. Cranshaw Marcella Cruz Mr. Miguel Cuadra Gabino Cuevas Sergio da Silva Dusan Dagovic Wesley Dallas Mr. Brian Dalrymple George H. Dalsheimer Mr. George Dandridge Jennie Dautermann Ms. Nadine Davey-Rogers

Annual Fund Contributors

Ellen Davis Ms. Cecilia De Botton Campbell Mr. Oscar De La Guardia Diane de Vries Ashley Berta Del Pino Mr. John Despres Benjamin Diaz Jorge Diaz Ms. Helga Dobbs Mr. and Mrs. Peter F. Dolle Gerson Dores Marilynn and Don Drescher Mrs. Laura Drexler Burt and Carole Redlus Fred Ehrenstein Ms. Monica Elizalde Mr. Eduardo Erana Mr. and Ms. Jack Ervin Mr. and Mrs. Ronald Esserman Mr. and Mrs. Charles F. Evans Dorothy M. Evans Mr. and Mrs. Menashe Exelbirt Judit Faiwiszewski Mr. Martin Falconi Klara S. Farkas Mrs. Carol Fass Murray H. Feigenbaum Bernard Feinberg Bennett Feldman Dr. Lawrence E. Feldman Samuel Feldman Mr. Robert Ferencik Suzanne Ferguson J. Field Ingrid Fils Mrs. Albine Fischer-Stahlecker Mr. and Mrs. Bruce Fischler Kip and Jackie Fisher Dr. and Mrs. Lawrence M. Fishman Mr. Marcus Flanagan and Mr. William Flanagan Ronaldo & Christine Flank Mr. David Fleitas-Velez Maryann Flores Isabel Fontecilla Una Forbes VCN Corporation Mary Francis Dr. and Mrs. Rudolph J. Frei Mr. and Mrs. Joel Friedland

2014-15 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI

Mr. Gregory Friedman Ms. Noelle Froehlich Malcolm and Doree Fromberg Andrew Fulton Mr. & Mrs. Juan Galan Sue Gallagher Ms. Emilio Garcia Mr. Ignacio Garcia Mr. Gonzalo Garcia-Ribeiro Ms. Leah Gardner Margaret Gerloff Mr. Giancarlo Ghinatti Glenn Gilbert and Sharon Gilbert Judy Gilbert-Gould Mr. Howard Gilder Mrs. Lisa Giles-Klein Perla Gilinski Mr. Brian Gitlin Mr. Abraham Gitlow Ms. A. Giuffredi-Zaldivar Mr. Pablo Glikman Ms. Catherine Goe Mr. Salomon Gold Bobbi Goldin & Tim Downey Sue and Howard Goldman Mr. Lee Goldsmith and Mr. J. Haller Mr. Leony Gonzalez Elizabeth Fenjves and Donald Goodstein Esther and Jacques Paulen Galina Gorokhovsky Rafael and Maria Del Mar Gosalbez Mr. Seymour Greenstein Linda & David Grunebaum Rev. Hans-Fredrik Gustafson, Ph.D. Alfredo and Luz Maria Gutierrez Anna Sherrill Mr. Ralph Halbert George and Vicki Halliwell John F. Hamilton Jack and Shirley Hammer Dr. Juliet Hananian Vincent Handal, Jr. Esq. & Michael Wilcox Ms. Nancy Handler John Hanek Dely and Ernest Harper Nicolae Harsanyi Claus and Barbara Haubold Dr. and Mrs. Mark J. Hauser Dr. Gail A. Hawks Mr. Violetta Headley Mr. Arturo Hendel Marjory Hendel Jorge Hine Michelle Hines Barbara L. Hobbs Gregory T. Holtz Bernard and Kara Horowitz Melvin and Vivien Howard Dr. Michael C. Hughes Ms. Tisha Hulburd Lawrence R. Hyer Fund at The Miami Foundation Mr. Brian Ildefonso Ms. Dragana Ilic Ms. Christy Jacomino Dr. and Mrs. Norman Jaffe Ms. Nancy Jaimes

Richard Janaro Rulx Jean-Bart Mr. Farrokh Jhabvala Lester and Susan Johnson Dr. and Mrs. Stanley Jonas Mary Busenburg and Tom Jones Ms. Lisa Judy Dr. Bruce and Mrs. Joyce Julien Mrs. Joyce Kaiser Nedra Kalish Jack and Shirley Kaplan Clarita Kassin Gerald and Jane Katcher Ms. Phyllis Katz Harold Katzman Raquel Kaufler Mr. Victor Kendall Mr. Frederick Kiechle Mr. Gilbert Klajman Buddy Klein Alexander Knowlton Daniel and Marcia Kokiel Ms. Natalya Kovaleva Ms. Rebeca Kravec Mr. David J. Kudish Ernesto Jorge and Laura Kuperman Carolina Labro Robert D.W. Landon, III Mr. James Lane Wendy G. Lapidus Mr. William Lee Mr. Terry S. Leet Paul and Lynn Leight Rebecca and Elliot Lemelman Judge Barbara Levenson Dr. and Mrs. Stanley Levick Gregory A. Levine Melvin & Joan Levinson Linda Levy Mark Levy Mrs. Alice Lewis Ms. Gloria Liatsos Ms. Lauren J. Licata Mr. Rick Lievano Natalie Lisnyansky Mr. and Mrs. Bruce B. Litwer Ms. Victoria Llano Mr. Oliver Loaiza Mr. and Mrs. Enrique Lopez Raul and Juanita Lopez Arthur A. Lorch William and Carmen Lord Ms. Diego Lorenzo Ms. Loretta MacKle Dr. David C. Mactye, MD Richard Mahfood Mr. John P. Mahoney Lewis and Dodie Mahoney Barbara and Roger Maister Mr. John Makemson Charistine Marin Mrs. Sherrill R. Marks Tobe Marmorstein Georgina and Luis Marquez Mr. Victor Marquez Mr. John Martin Laureano J. Martinez

Cleveland Orchestra Miami 2014-15

Ms. Beatriz Martinez-Fonts Mr. and Mrs. Stephen Masson Edward Mast Ms. Masha Mayer Ms. Sara Maymir Alan E. Maynard Robert and Judith Maynes Mr. James McCarthy Ms. Karen McCarthy Ms. Geraldine McClary Ms. Desiree McKim Debra McLaughlin Dr. Gwenn E. McLaughlin Alice and Oded Meltzer Kenneth Mendelsohn Dr. and Mrs. Jorge Mendia Ms. Pauline Menkes Evelyn Milledge Mr. Mitchell Millowitz Sylvia Minchew Daniel and Marge Mintz Paulette Mintz Mr. Jose Misrahi Harve and Alesia Mogul Luis Molina Mr. Jorge Montalvo Mr. Geronimo Montes Dr. Isidoro Morjaim Dr. Michele Morris and Dr. Joel Fishman Mr. Samuel Morris Mr. Edgar Mosquera Robert and Wilhelmina Myerburg Narea Family Mr. Hector Nazario Ms. Charlene Nevadomski Mr. Stuart Newman and Mrs. S. Sharp Mr. and Mrs. Daniel Nichols Ara and Violet Nisanian Dr. and Mrs. Daniel Nixon Murray and Lynne Norkin Dr. Jules Oaklander Colleen O’Connor Mr. Will Osborne Ms. Geraldine O’Sullivan Mr. Martin Ottenheimer Ms. Caroline Owre Ms. Michelle Ozaeta Dr. and Mrs. Larry K. Page Larry and Marnie Paikin Mr. Michael Pancier Mrs. Shirley Pardon Ruth M. Parry Stephen J. Parsons Mr. Oscar Pascual Stephen F. Patterson Ms. Marilyn Pearson Beatriz Perez Mr. and Mrs. Rolando Perez Jason Perline Mr. Donald Perry Ms. Diane G Person Mr. Michael Peskoe Richard Pettigrew Michael and Mary Ellen Peyton Ferdinand and Barbara Phillips Dr. Ronald Picur Mr. Peter Pilotti listing continues

Annual Fund Contributors

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CLEVELAND ORCHESTRA MIAMI listing continued Mr. Robert Plessett Teresa Pollak Suzan and Ronald Ponzoli Mrs. Diana Porras Mr. Edward Powell Thomas Quaid Regina D. Rabin Mrs. Lisa Rafkin Ms. Lynne Rahn Pratima Raju Mr. Barry Rand Mr. and Mrs. Menno Ratzker Fred Rawicz Robert Rearden Mr. and Mrs. Burt Redlus Mr. Barry Resnik Mr. Jorge Reyes Jeffrey D. Reynolds Ms. Betty Rice Miss Carmen Richards Pedro A. Rios Mr. Carlos Rivas Mrs. Olga K. Robbin Luisa Robel Edmundo Rodriguez Leslie Rogowsky Andrew Rohlfling Jacques Rollet Juan Rondon Rosario Ros Virginia Rosen Barbara and Eugene Rostov Elizabeth Rothfield Aixa Roversi Stephen and Heidi Rowland Karen Rumberg Mr. Kevin Russell Lawrence H. Rustin Mrs. Chesne Ryman Yehuda Sabach Mr. Alex Sabo Mr. Michael and Dr. Tamah Sadick Mr. Gabriel Sanchez Mr. Gonzalo Sanchez Hank Sanchez-Resnik Lisa Rudes Sandel Mary and Saul Sanders Mr. Robert Scardino Sydney and David Schaecter Mr. and Mrs. James Schenkel Mr. Arnold Schiller Dr. Markus Schmidmeier Steven Schneider Susan Schneider Ronald E. Schrager and Wendy Hart Mr. Peter and Mrs. Ortrud Schumann Marvin and Carol Schwartzbard David Scott Margaret Searcy Margaret Seroppian Humberto Sevilla Norman and Arlene Shabel Dr. and Mrs. Vincent Shankey Brenda Shapiro and Javier Bray Ms. Elizabeth Sharkey Roger and Barbara Shatanof Dr. John and Gerri Shook Anica and David Shpilberg

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David A. Siegel Judge Paul Siegel Alvaro and Gloria Silva Victoria and Robert L. Simons Ms. Grace Sipusic Ms. Sylvia Siragusa Ms. Samantha Skhir Mr. Ramez Smairat Dr. and Mrs. Alfred G. Smith Ms. Linda M. Smith Mr. Steven Smith Dr. Gilbert B. Snyder Mr. Alexander Socarras Ms. Carol Soffer Mr. Enrique Sosa Ilene and Jay Sosenko Voi Sosnowski Dr. Barbara Sparacino Shirley Spector Mr. Robert Spielman Ms. Clara Sredni DeKassin Issac Sredni Nick and Molly St. Cavish Patricia and Dennis Klein Nancy and Edward Stavis Mr. Lewis Stein Marilyn Mackson Stein William Stern Holly Strawbridge Caroline Sullivan Merrie Surace Mr. Jack Sutte Mr. Jose Tabacinic Mr. and Mrs. Alvaro Tafur Ricardo and Ana Tarajano Joni and Stanley Tate Stephen Tatom Harvey Taylor Ms. C. and Ms. Marina Tendler Mr. Bryson Thornton Daniel and Cristin Thorogood Ms. Lesley Tompsett Dr. Takeko Morishima Toyama Judith Rood Traum and Sydney S. Traum Alicia M. Tremols Mr. and Mrs. Frank Trestman Miguel Triay Dr. and Mrs. Michael B. Troner Mrs. and Mr. Kate Trotman Ms. Anna Tsukervanik Liat Tzur Dale Underwood Janice Uriarte Toni Valencia Ms. Betty Vandenbosch Andrea and Natalia Vasquez Mr. John Vaughn M. Vento and Peter MacNamara Fabian Verea Video Fame Jorge Viera Herbert W. and Peggy F. Vogelsang Frank J. Voyek Ms. Vivian Waddell John Wallace Andrew Wang Jeanne Westphal

Annual Fund Contributors

Robert and Ronni Whitebook Ms. Bonnie Whited Mr. and Mrs. Arthur Whittaker Brant Wigger Mr. Bob Williams Jennifer Williams Mr. Richard Williamson Ms. Debbie Wirges Mrs. Marci Wiseman Dr. and Mrs. Jack Wolfsdorf Mr. and Mrs. Joel R. Wolpe Laura A. Woodside Keying Xu Mr. and Mrs. Guri Yavnieli Sora and Cary Yelin Allan Yudacufski Dr. Sheldon and Elaine Zane Susan and Bob Zarchen Eloina D. Zayas-Bazan Jerry Zimmerman Anonymous (10) * deceased

Cleveland Orchestra Miami relies on the generosity of its patrons for our continued success. Ticket purchases cover less than half of expenses, and your philanthropic support is essential to cover the difference.

Your contribution enables the Miami Music Association to present Cleveland Orchestra concerts, education programs, and community activities across Miami-Dade County. Please consider a gift today by calling 305-372-7747 or visit online at ClevelandOrchestraMiami.com.

2014-15 Cleveland Orchestra Miami

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O R C H E S T R A

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

The 2014-15 season marks Franz Welser-Möst’s thirteenth year as music director of The Cleveland Orchestra, with the future of this acclaimed partnership now extending into the next decade.

Under his direction, the Orchestra is hailed for its continuing artistic excellence, is broadening and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, and has re-established itself as an important operatic ensemble.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established a recurring biennial residency in Vienna at the famed Musikverein concert hall and appears regularly at Switzerland’s Lucerne Festival. Together, they have also appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, an annual multi-week Cleveland Orchestra residency in Florida was inaugurated in 2007 featuring an array of subscription concerts, education programs, and community presentations that touch the lives of over 20,000 children, students, and adults from across South Florida each year.

With a strong commitment to music education, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools at home in collaboration with the Cleveland Metropolitan School District and inaugurated partnerships with the University of Miami and Indiana University. He has championed new programs, including a series of “At Home” neighborhood residencies and concerts in Cleveland designed to bring the Orchestra and citizens together in new ways.

Franz Welser-Möst has led annual opera performances during his tenure in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He led an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall. They will present performances of Richard Strauss’s Daphne in May 2015.

For his talents and dedication, Mr. Welser-Möst has received honors that include the Vienna Philharmonic’s “Ring of Honor” for his longstanding personal and artistic relationship with the ensemble, as well as recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America.

Cleveland Orchestra Miami 2014-15

Music Director

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Giancarlo Guerrero Principal Guest Conductor Cleveland Orchestra Miami

The 2014-15 season marks Giancarlo Guerrero’s sixth year as music director of the Nashville Symphony and fourth year as principal guest conductor of Cleveland Orchestra Miami. He made his Cleveland Orchestra debut in May 2006. He has led the Cleveland ensemble in concerts in Miami, at Severance Hall, at Blossom, and in the Orchestra’s annual community concert in downtown Cleveland.

Mr. Guerrero’s recent seasons with Nashville have featured several world premieres, including a new work by Richard Danielpour, a Béla Fleck banjo concerto, and a Terry Riley concerto for electric violin. Recent and upcoming guest engagements include his debut with the Houston Grand Opera in 2015, leading The Cleveland Orchestra in a Midwest Tour during the first half of 2014, and appearances in North America with the orchestras of Boston, Cincinnati, Dallas, Detroit, Houston, Indianapolis, Philadelphia, Toronto, and Vancouver. Internationally, he is increasingly active in Europe, where recent and upcoming engagements include performances with the BBC Symphony Orchestra, Copenhagen Philharmonic, Frankfurt Radio Symphony, Orchestre National de France, London Philharmonic Orchestra, and Deutsches Symphonie-Orchester Berlin.

A fervent advocate of new music and contemporary composers, Mr. Guerrero has collaborated with and conducted works by some of America’s most respected composers, including John Adams, John Corigliano, Michael Daugherty, Osvaldo Golijov, Jennifer Higdon, Aaron Jay Kernis, and Roberto Sierra. His first album with the Nashville Symphony, on Naxos, featured works by Daugherty and won three 2011 Grammy Awards. Two more albums have been released, of music by Argentine legend Astor Piazzolla and by American composer Joseph Schwantner; the latter recording received a Grammy Award in 2012.

Mr. Guerrero has appeared regularly in Latin America, conducting the São Paulo State Symphony Orchestra and with the Orquesta Sinfónica Simón Bolívar in Caracas, Venezuela, where he has also worked with young musicians in the country’s much-lauded El Sistema music education program.

Born in Nicaragua and raised in Costa Rica, Giancarlo Guerrero received a bachelor’s degree in percussion from Baylor University and his master’s degree in conducting from Northwestern University. He was music director of Oregon’s Eugene Symphony (2003-09) and served as associate conductor of the Minnesota Orchestra (1999-2004). Mr. Guerrero received the American Symphony Orchestra League’s Helen M. Thompson Award recognizing outstanding achievement among young conductors. Prior to his tenure in Minnesota, he was music director of the Táchira Symphony Orchestra in Venezuela.

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Principal Guest Conductor

2014-15 Cleveland Orchestra Miami

C L E V E L A N D

O R C H E S T R A

M I A M I

The Cleveland Orchestra Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in ongoing residencies from Miami to Vienna, and on tour around the world, the Orchestra sets the highest standards of artistic excellence, creative programming, and community engagement.

The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. WelserMöst continues to add to an extensive and widely praised catalog of audio recordings made during the tenures of the ensemble’s earlier music directors. In addition, Cleveland Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s top rank of symphony orchestras. Over the next decades, the Orchestra grew from a fine regional organization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Sokoloff, 1918–1933; Artur Rodzinski, 1933–1943; Erich Leinsdorf, 1943–1946; George Szell, 1946–1970; Lorin Maazel, 1972–1982; Christoph von Dohnányi, 1984–2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble’s growth and sound. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality with the first festival season at Blossom Music Center in 1968, presented at an award-winning, purpose-built outdoor facility located just south of the Cleveland metropolitan area near Akron, Ohio. Today, touring, residencies, radio broadcasts, and recordings provide access to the Orchestra’s music-making to a broad and loyal constituency around the world.

Visit ClevelandOrchestraMiami.com for more information.

Cleveland Orchestra Miami 2014-15

The Cleveland Orchestra

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T H E

C L E V E L A N D

FRANZ WELSER-MÖST GIANC AR LO GU ER R ERO

M U S I C D I R E C TO R

Kelvin Smith Family Chair

PRINCIPAL GUEST CONDUCTOR

C LEVE L AN D ORC H ESTR A M IAM I

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann Analisé Denise Kukelhan

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SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Thomas J. and Judith Fay Gruber Chair

Ralph Curry Brian Thornton William P. Blair III Chair

David Alan Harrell Paul Kushious Martha Baldwin BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

2014-15 Cleveland Orchestra Miami

SEASON

O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2

HORNS Richard King * George Szell Memorial Chair

Michael Mayhew § Knight Foundation Chair

Jesse McCormick

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Robert B. Benyo Chair

Hans Clebsch Alan DeMattia

PERCUSSION Marc Damoulakis* Margaret Allen Ireland Chair

Donald Miller Tom Freer KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke

Michael Miller

MANAGER

TROMBONES Massimo La Rosa*

ENDOWED CHAIRS CURRENTLY UNOCCUPIED

Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Sidney and Doris Dworkin Chair Sunshine Chair

* Principal

Linnea Nereim

Shachar Israel 2

° Acting Principal

E-FLAT CLARINET Daniel McKelway

BASS TROMBONE Thomas Klaber

1

Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser *

EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

Louise Harkness Ingalls Chair

Gareth Thomas Barrick Stees 2 Sandra L. Haslinger Chair

TIMPANI Paul Yancich *

Jonathan Sherwin CONTRABASSOON Jonathan Sherwin

Otto G. and Corinne T. Voss Chair

Tom Freer

Cleveland Orchestra Miami 2014-15

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The Orchestra

§ 2

Associate Principal First Assistant Principal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

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Cleveland Orchestra musicians led by assistant conductor Brett Mitchell reading through new compositions

by Frost School of Music students on March 5.

Frost School students’ works given world premiere performances by Cleveland Orchestra musicians in Concert Preludes on March 27 and 28 In early March 2015, members of The Cleveland Orchestra participated in a reading session of five new works by composition students of the University of Miami’s Frost School of Music. From this, two compositions, Phrygia by David Mendoza and Barnyard Glass by Shawn Crouch, are being given public performances, with their world premieres being presented with this weekend’s Cocnert Preludes on March 27 and 28.

Shawn Crouch (b. 1977) has studied composition with Martin Bresnick, Ezra Laderman, Lansing McLoskey and Malcolm Peyton. He received a bachelor of music degree in composition from the New England Conservatory with honors and distinction in performance, and his master of music degree in composition from the Yale School of Music. He is currently a doctoral student in composition at the Frost School of Music.

David Mendoza (b. 1979) started to compose at the age of sixteen. He took his first piano lesson at age seven, and began learning viola at age ten.

He has studied composition at Florida State University, Florida International University, and the University of Miami.

The 2014-15 season marks the ninth year of collaborative partnership between The Cleveland Orchestra and the Frost School of Music through the auspices of Cleveland Orchestra Miami. Each year, the program offers masterclasses, side-by-side rehearsals, and other opportunities for learning and mentoring. Frost School of Music is one of many education and community partners from across South Florida that enable Cleveland Orchestra Miami to offer a wide range of education and community events and presentations for students of all ages each season.

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Education Partnership

2014-15 Cleveland Orchestra Miami

C L E V E L A N D

O R C H E S T R A

M I A M I

Concert Prelude A free performance featuring musicians of The Cleveland Orchestra playing chamber music works, presented before the evening’s orchestral concert.

Friday, March 27, 2015, at 7:00 p.m.

Saturday, March 28, 2015, at 7:00 p.m.

SEASON

Phrygia — WORLD PREMIERE PERFORMANCES

by DAVID MENDOZA (b. 1979) Jeffrey Rathbun, oboe Alan DeMattia, horn Kim Gomez, violin Lisa Boyko, viola Bryan Dumm, cello conducted by Brett Mitchell

from Septet in E major, Opus 40

by ADOLPHE BLANC (1828-1885) 1. Allegro 4. Finale: Andante maestoso — Allegro moderato

Chul-In Park, violin Stanley Konopka, viola Paul Kushious, cello Kevin Switalski, bass Robert Woolfrey, clarinet Jonathan Sherwin, bassoon Richard King, horn

Barnyard Glass — WORLD PREMIERE PERFORMANCES

by SHAWN CROUCH (b. 1977) Jeffrey Rathbun, oboe Alan DeMattia, horn Kim Gomez, violin Lisa Boyko, viola Bryan Dumm, cello conducted by Brett Mitchell

Concert Preludes are free to ticketholders to each Cleveland Orchestra Miami concert.

Cleveland Orchestra Miami 2014-15

March 27-28 Concert Preludes

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2014-15 Cleveland Orchestra Miami

C L E V E L A N D

O R C H E S T R A

M I A M I

John S. and James L. Knight Concert Hall Sherwood M. and Judy Weiser Auditorium

Miami Music Association and the Adrienne Arsht Center present

The Cleveland Orchestra Giancarlo Guerrero, conductor

SEASON

Thursday evening, March 26, 2015, at 8:00 p.m.

Friday evening, March 27, 2015, at 8:00 p.m.

Saturday evening, March 28, 2015, at 8:00 p.m.

LEONARD BERNSTEIN (1918-1990)

Chichester Psalms

(for soloist, chorus, and orchestra) No. 1: Psalm 108:2, Psalm 100 No. 2: Psalm 23, Psalm 2:1-4 No. 3: Psalm 231, Psalm 133:1 ANTHONY ROTH COSTANZO, countertenor CLEVELAND ORCHESTRA CHORUS

I N T E R M IS S I O N

Carmina Burana

CARL ORFF

Cantata for Solo Voices, Choruses, and Orchestra

(1895-1982)

prologue Nos. 1-2: Fortuna imperatrix mundi (“Fortune, Empress of the World”) part one Nos. 3-5: Primo vere (“Springtime”) Nos. 6-10: Uf dem Anger (“On the Lawn”) part two Nos. 11-14: In taberna (“In the Tavern”) part three Nos. 15-23: Cour d’Amours (“Court of Love”) No. 24: Blanzifl or et Helena (“Blanziflor and Helena”) epilogue No. 25: Fortuna imperatrix mundi NADINE SIERRA, soprano ANTHONY ROTH COSTANZO, countertenor STEPHEN POWELL, baritone CLEVELAND ORCHESTRA CHORUS — Robert Porco, director MIAMI CHILDREN’S CHORUS — Timothy A. Sharp, director These pieces are sung in the original langages, with projected English supertitles.

The concert will end at approximately 9:55 p.m.

This weekend’s concerts are sponsored by Northern Trust.

The Saturday concert is also sponsored by Feldman Gale, P. A.

Cleveland Orchestra Miami 2014-15

Program: March 26, 27, 28

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2014-15 Cleveland Orchestra Miami

March 26-27-28

INTRODUCING THE CONCERT

Fate &Fortune, Lust &Roasted Swans C A R L O R F F ’ S C A R M I N A B U R A N A is a big piece of bold power and hard punch. It has been a popular hit with audiences around the world since its premiere in 1936. Its music and rhythms and words range far and wide, from boisterous energy to velvety smoothness, from jerky spontaneity to harmonious delight. All in a wonderfully modern-ish exploration of a Medieval set of texts that prove, again and again, that however much times change, many aspects of life remain on the same circular path, ground by fortune’s wheel — the seasons of the year, the seasons of love, from birth to death, and on and on we go, spiraling through the universe.

Here we find the big and the small, with everyday parts of life, from drinking to sexual longing, from food to passion, meaningful and meaningless. With Fate in constant, languorous pursuit, always catching us in the end, between the miseries and joys of everyday life.

To open this evening, Cleveland Orchestra Miami princpial guest conductor Giancarlo Guerrero leads a contrasting work for chorus and orchestra (and countertenor) written by Leonard Bernstein in 1965. Chichester Psalms is as calming and devout as Carmina Burana is bawdy and boisterous. Bernstein’s texts of prayer are filled with joy and certainty — far beyond the neverending annual cycles of Carmina Burana. Between these two works, or embedded within them, together, is humanity’s realm on earth, between the everyday and ever-life, the biological and the Biblical. Sit back (or lean forward and into), ponder and enjoy.

—Eric Sellen .

Supertitles for Chichester Psalms are by Chadwick Creative Artists Supertitles for Carmina burara are by Tasteful Titles

Cleveland Orchestra Miami 2014-15

Introducing the Concerts

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Dmitri Shostakovich, circa 1952.

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before. —Leonard Bernstein

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2014-15 Cleveland Orchestra Miami

March 26-27-28

Chichester Psalms

(for mixed choir, soloist, and orchestra) composed 1965

These psalms are a simple and modest affair, Tonal and tuneful and somewhat square, Certain to sicken a stout John Cager With its tonics and triads in E-flat major.

But there it stands — the result of my pondering, Two long months of avant-garde wandering — My youngest child, old-fashioned and sweet.

And he stands on his own two tonal feet.

LEONARD BERNSTEIN,

by

Leonard

BERNSTEIN born August 25, 1918 Lawrence, Massachusetts died October 14, 1990 New York City

a Renaissance man among 20thcentury musicians, penned these lines about his Chichester Psalms for the New York Times as part of a poetic evaluation of the fifteen-month sabbatical he took from conducting in 1964-1965. Bernstein considered several compositional projects during his year away from the rigorous duties as music director of the New York Philharmonic, including a theater piece based on Thornton Wilder’s The Skin of Our Teeth, but it was this set of Psalms for choir and orchestra that was the principal musical offspring of this hiatus in his public conducting career.

The work was commissioned by Walter Hussey, Dean of Chichester Cathedral, for the Three Choirs Festival of 1965. For years, the musicians of Chichester have joined with those of the neighboring cathedrals of Salisbury and Winchester to produce this Festival, one of the outstanding events on England’s summer calendar of musical activities. The musical traditions of these great cathedrals extend far back into history, to at least the time when the eminent early-17th-century keyboard artist and composer Thomas Weelkes occupied the organ bench at Chichester.

The mood of the Chichester Psalms is humble and serene, unlike the powerful but despairing nature of Bernstein’s “Kaddish” Symphony from 1963, composed shortly before this work.

Both use traditional texts sung in Hebrew, but the message of the Psalms is one of humanity’s closeness to God rather than the one portrayed within the “Kaddish,” of frustration, anger, and shaken faith engendered by God’s inexplicable acts. It is indicative that the composer chose the 23rd Psalm (“The Lord is my Shepherd”) for the second movement, the heart of the Chichester Psalms.

The first movement opens with a broad chorale (“Awake,

Cleveland Orchestra Miami 2014-15

About the Music

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At a Glance Bernstein composed his Chichester Psalms in 1965 on commission from Walter Hussey, dean of Chichester Cathedral, for the Three Choirs Festival held each year in southern England.

The work was premiered at a concert of the New York Philharmonic on July 15, 1965, in New York, conducted by the composer, and subsequently presented later that summer at the Three Choirs Festival.

This work runs about 20 minutes in performance.

Bernstein scored it for an ensemble of 3 trumpets and 3 trombones, timpani, percussion (snare drum, bass drum, 3 bongos, tambourine, cymbals, suspended cymbal, triangle, woodblock, temple blocks, whip, rasp, chimes, glockenspiel, xylophone), 2 harps, and strings, plus mixed chorus and sopranovoice soloist.

The Cleveland Orchestra first performed Chichester Psalms in March 1966 under the direction of Robert Shaw.

psaltery and harp!”) that serves as the structural buttress for the entire composition. It is transformed, in quick tempo, to open and close the dance-like main body of this movement (in 7/4 meter), and it reappears at the beginning and end of the finale in majestic settings. The bounding, sprung rhythms and exuberant energy of the fast music of the first movement are a perfect embodiment of the text, “Make a joyful noise unto the Lord, all ye lands.”

The touching simplicity of the second movement recalls the pastoral song of David, the young shepherd. The sopranos take over the melody from the soloist, and carry it forward in gentle but strict imitation. Suddenly, threatening music is hurled forth by the men’s voices punctuated by slashing chords from the orchestra. They challenge the serene strains of peace with the harsh question, “Why do the nations rage?” The quiet song, temporarily banished, reappears in the high voices, like calming oil on troubled waters. The hard tones subside, and once again the soloist, evoking a shepherd, sings and strums upon his harp. As a coda, the mechanistic sounds of conflict, soft but worrisome, enter once again, as if blown on an ill wind from some distant land.

The third-movement finale begins with an instrumental prelude based on the stern chorale that opened the work. Muted solo trumpet and harp recall a phrase from the shepherd’s song to mark the central point of this introductory strain. The chorus intones a gently swaying theme on the text, “Lord, Lord, My heart is not haughty.” Chichester Psalms concludes with yet another adaptation of the recurring chorale, here given new words and a deeper meaning. This closing sentiment is not only the central message of the work — and the linchpin of its composer’s philosophy of life — but also is a thought that all can hold dear in troubled times: Behold how good, And how pleasant it is, For brethren to dwell Together in unity.

—Richard E. Rodda © 2015 Richard Rodda writes program notes for orchestras and festivals throughout the United States. He lives in Cleveland and has taught at the Cleveland Institute of Music and Case Western Reserve University.

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About the Music

2014-15 Cleveland Orchestra Miami

March 26-27-28

Carmina Burana

Secular Cantata for Soloists, Chorus, and Orchestra composed 1935-36

by

Carl

ORFF born July 10, 1895 Munich died March 29, 1982 Munich

I T W A S E A R LY I N T H E 1 9 T H C E N T U R Y that the Middle Ages began exerting a certain fascination on modern people.

Although the centuries between the fall of Rome and the Renaissance suffered no shortage of great scientists, artists, and philosophers, the young Romantic poets and painters saw in those middle times an alternative to the cool, rational spirit of the Enlightenment and the Industrial Revolution. They turned to the Gothic churches that stood all around them — many in a state of picturesque ruin — and conjured up an age of lusty monks and bawdy abbesses, a primitive “dark age” perhaps, but one unafraid to reach for both loft y ecstasies of the spirit and animal pleasures of the senses.

After those poets and painters came cooler heads, scholarly medievalists concerned with cataloging, describing, and publishing works of art from that earlier period. It is to one of these, Johann Andreas Schmeller, that we owe the publication in 1847 of an important collection of 12th-century Latin and Old German secular poems, preserved in manuscript in an abbey in Benediktbeuren, near Munich. Schmeller gave them the title “Songs of Beuren” — in Latin, Carmina Burana.

Today, the Middle Ages still conjure up vivid images. But to the fragrance of incense and wine, the 20th century has added the stench of warfare and pestilence. Chaucer gives way to Brueghel; our distant ancestors seem to have hungrily snatched their pleasures from the jaws of sickness and death. The musical expression of this idea crystallized suddenly in Frankfurt on June 8, 1937, at the first performance of Carmina Burana, a stunningly original setting of some of the poems from that manuscript, composed by a virtually unknown 41-year-old musician and teacher named Carl Orff. Subtitled Cantiones profanae, cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis (“Worldly songs, performed by singers and chorus accompanied by instruments and magical representations”), this stage spectacle with dancing and music aimed to induce profound emotions in the listener by the simplest, most easily understood musical means.

How well it succeeded may be judged by three facts. Unlike many ground-breaking new works, Carmina Burana was

Cleveland Orchestra Miami 2014-15

About the Music

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At a Glance Orff composed Carmina Burana in 1935-36. The work was premiered on June 8, 1937, in a staged performance (with sets and costumes) at the Frankfurt Opera, conducted by Bertil Wetzelberger. The first performance in the United States took place on January 10, 1954, in San Francisco.

Carmina Burana runs about one hour in performance. Orff scored it for an orchestra of 3 flutes (second and third doubling piccolo), 3 oboes (third doubling english horn), 3 clarinets (third doubling piccolo clarinet in E-flat), bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (3 glockenspiels, xylophone, castanets, ratchet, jingles, 2 antique cymbals, 4 cymbals, tamtam, 3 bells, tubular bells, tambourine, 2 side drums, bass drum), 2 pianos, celesta, and strings, plus soprano, tenor, and baritone soloists, children’s chorus, and mixed chorus.

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cheered at its premiere. Since then, many sophisticated musicians have denounced it as primitive and vulgar. And, lastly, Hollywood immediately seized Orff ’s new idiom as the musical accompaniment to scenes of barbaric hedonism and splendor — to the point where we must now remind ourselves that what we are hearing in Carmina Burana is not another product of the MGM editing room but the real thing, the original.

This is, in fact, the same Carl Orff who forever altered the way music is taught to young children by inventing percussion instruments that they could play before they developed skill at the keyboard; more importantly, he insisted that music, dance, speech, and other modes of expression be taught together. (Which is to say that, perhaps, Carmina Burana should be staged more often as a theatrical work, and not left almost completely to the musical confines of concert halls and home stereos.) His medieval people are child-like in their whims and passions, and in their helplessness before powers greater than themselves. Percussion instruments, a prominent feature of both medieval music and the Orff classroom, loom large in the scoring of Carmina Burana as well.

Appropriately for a work inspired by the Middle Ages, Orff ’s spectacle-cantata forms a triptych — three scenes of medieval life: In Springtime, In the Tavern, and at the Court of Love — framed on each side by an ode to “Fortuna” or Fate, the capricious force that people in the pre-technological age knew and understood very well. The outburst of full orchestra and chorus that opens the work is steeped in terror and resignation. Orff uses repetition and driving rhythms — elements that repelled some of his first listeners, but that sound familiar enough in our age of musical minimalism (and maximalism) — to convey the inexorable grinding of Fortune’s wheel. The people “suffer” in the word’s original sense — they yield to the inevitable, they endure.

Their reward arrives “In Springtime,” here celebrated first with the undulating sensuality of Gregorian chant, anchored by single pedal notes in the orchestra, punctuated by taps of percussion. But then the chorus returns in a mood to celebrate, ushering in a giddy outdoor festival full of dancers, saucy and suggestive comments, and tunes more like German folksong than liturgical chant. At this party, each musical number is wilder and more abandoned than the previous one.

“In the Tavern,” however, the pictures are different — a medieval “angry young man,” alienated, rootless, living for About the Music

2014-15 Cleveland Orchestra Miami

vice; a beautiful bird roasted black for men’s hungry mouths; a smarmy hustler-Abbot, living on others’ misfortunes; and a chorus of desperate men drinking to forget. All singing in accents ranging from stark anguish to gloating and even a sarcastic parody of an operetta chorus.

What a relief to leave that bitter place for “The Court of Love”! Even here, though, some longings go unrequited, and dark orchestral colors conjure up the lonely corners where the solitary bemoan their fate. Gradually, however, the music grows in brightness and energy, culminating in the ecstatic musings of the maiden drawn toward love; here Orff seems to forget about the Middle Ages entirely, turning instead to Richard Strauss or even Sergei Rachmaninoff for a suitable, smooth, and sensuous musical idiom. (What is a children’s chorus doing amid such erotic goings-on? Teacher Orff invokes the spontaneity of children, and the childlike delight we so-called “adults” should take in love.)

Eventually, the love section’s closing hymn so melds the erotic and the divine that one can hardly tell which is which.

And then, amid all this joy, the fearsome memento mori stands once again at the door. The return of the chorus “O Fortuna” reminds us that, whatever our desires or pretensions, implacable Fate always awaits us.

—David Wright © 2015

Medieval tarot cards cast fate and fortune by chance, echoing the wheel of fortune in Carmina Burana.

David Wright lives and writes in Wellesley, Massachusetts. He previously served as program annotator for the New York Philharmonic.

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About the Music

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Nadine Sierra American soprano Nadine Sierra is the youngest winner of both the Marilyn Horne Foundation Vocal Competition and the Metropolitan Opera National Council Auditions (her winning is featured in Nick Romeo’s book Driven: Six Incredible Musical Journeys). Born in 1988 in Florida, Ms. Sierra made her professional debut as a teenager with the Palm Beach Opera. After graduating from the Mannes College of Music, she entered the Adler Fellowship Program at San Francisco Opera.

Her recent and upcoming engagements include roles with Atlanta Opera, Boston Lyric Opera, Florida Grand Opera, San Francisco Opera, Italy’s Teatro di San Carlo, and Virginia Opera. She is also performing with the Oregon, San Antonio, and San Francisco symphonies and at the Glimmerglass Festival. In recital, Ms. Sierra has appeared at venues ranging from Carnegie Hall to the U.S. Supreme Court. She won the Neue Stimmen, Montserrat Caballé, and Veronica Dunne International Singing competitions in 2013, Gerda Lissner International Vocal and Loren Zachary competitions in 2010, and the Richard Tucker Music Foundation’s Study and Career Grant.

She first performed with The Cleveland Orchestra in August 2014.

Anthony Roth Costanzo American countertenor Anthony Roth Costanzo continues to build his reputation as one of the rising stars of the next generation of singers. This season includes his debuts at the San Francisco Opera in Handel’s Partenope, Teatro Real in Britten’s Death in Venice, and with the English National Opera in Purcell’s The Indian Queen. He also sings in recital in New York under the auspieces of the George London Foundation.

Mr. Costanzo began performing at age 11 in the Broadway touring production of Falsettos. After several years in musical theater, he made his screen debut in the Merchant Ivory film A Soldier’s Daughter Never Cries. Mr. Costanzo graduated from Princeton University and earned a masters degree at Manhattan School of Music. While at Princeton, he co-wrote, produced, and starred in a video-film about a fictional 18th-century castrato, The Double Life of Zefirino. He was a grand finals winner of the 2009 Metropolitan Opera National Council Auditions. Additional honors have included the Sullivan Foundation Award, first place in both the National Opera Association Vocal Competition and the Opera Index Competition, first prize in the 2012 Operalia competition, and a 2010 Richard Tucker Career Grant. He made his Cleveland Orchestra debut in 2009 singing in Handel’s Messiah.

Cleveland Orchestra Miami 2014-15

Guest Artists

31

Stephen Powell American baritone Stephen Powell performs a range of music, from Monteverdi and Handel through Verdi and Puccini to Sondheim and John Adams. He is equally at home in concert, opera, and on the recital stage. He made his Cleveland Orchestra debut in 2013 singing in Carmina Burana. His professional career was launched at New York City Opera in 1995, when he substituted in the title role of Hindemith’s Mathis der Maler. Since then, he has sung on many opera stages, including New York’s Metropolitan Opera, San Francisco Opera, Los Angeles Opera, San Diego Opera, Michigan Opera Theatre, and L’Opéra de Montréal. Stephen Powell has also performed with major orchestras across North America, with Music of the Baroque and Les Violons du Roy, and in Europe, Asia, and Australia. His festival appearances include Boulder, Brevard, Cincinnati, and Vail. In recital, Mr. Powell performs frequently with his wife, soprano Barbara Shirvis. They also teach masterclasses together throughout the country. Mr. Powell is an alumnus of the Lyric Opera of Chicago Center for American Artists and spent three seasons with Glimmerglass Opera. For more information, visit www.stephenpowell.us.

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Guest Artists

2014-15 Cleveland Orchestra Miami

Cleveland Orchestra Chorus Robert Porco, Director Lisa Wong, Assistant Director

Now in its seventh decade, the Cleveland Orchestra Chorus is one of the few professionally-trained, all-volunteer choruses sponsored by a major American orchestra. Founded at the request of George Szell in 1952 and following in the footsteps of a number of earlier community choruses, the Cleveland Orchestra Chorus has sung in hundreds of performances at home, at Carnegie Hall, and on tour, as well as in more than a dozen recordings. Its members hail from nearly fifty Cleveland-area communities and together contribute thousands of volunteer hours to the Orchestra’s music-making each year.

CHICHESTER PSALMS / CARMINA BURANA SOPRANOS

ALTOS

TENORS

BASSES

Amy Foster Babinski Cathleen R. Bohn Susan Cucuzza * ‡ Anna K. Dendy Emily Engle * ‡ Lisa Rubin Falkenberg Sarah Gaither Samantha Garner Rosie Gellott Danielle Greenway Rebecca S. Hall * Lisa Hrusovsky Shannon R. Jakubczak Hope Klassen-Kay Kate Macy Angela Mitchell Julie Myers-Pruchenski * S. Mikhaila Noble-Pace Jennifer Heinert O’Leary Sarah Henley Osburn * ‡ Lenore M. Pershing * Joy M. Powell Roberta Privette Cassandra E. Rondinella * Jennifer R. Sauer Monica Schie * Laura Schupbach * ‡ Jane Timmons-Mitchell Melissa Vandergriff * ‡ Sharilee Walker Carole Weinhardt Alethea Wilhelm Mary Wilson

Alexandria Albainy Emily Austin Marie Bucoy-Calavan * Julie A. Cajigas * Lydia Chamberlin Barbara J. Clugh Carolyn Dessin * Marilyn Eppich Amanda Evans Kathy Jo Gutgsell Jenna C. Hall * ‡ Ann Marie Hardulak Betty Huber Karen Hunt Sarah N. Hutchins * ‡ Lucia Leszczuk Danielle S. McDonald Karla McMullen * Mary-Francis Miller * ‡ Peggy A. Norman Alexandra Palma Marta Perez-Stable Alanna M. Shadrake * ‡ Ina Stanek-Michaelis Rachel Thibo Martha Cochran Truby Sarah B. Turell Gina Ventre * Laure Wasserbauer Meredith Sorenson Whitney * ‡ Flo Worth Debra Yasinow *

Robert Bordon Gerry C. Burdick Brent Chamberlin * ‡ Manny Gomez Daniel M. Katz Peter Kvidera * ‡ Tod Lawrence Steve Lawson Rohan Mandelia * Daniel May, Jr. * ‡ James Newby Tremaine B. Oatman * Matthew Rizer * John Sabol Lee Scantlebury * Jarod Shamp * ‡ James Storry Charles Tobias William Venable * ‡ Michael Ward Steven Weems * Allen White Jordan Wilhelm

Christopher D. Aldrich * Tyler Allen Jack Blazey Michael Borden * Nikola Budimir * Kevin Calavan * ‡ Neal Chiprean Peter B. Clausen Nick Connavino Thomas Cucuzza Christopher Dewald* Jeffrey Duber Richard S. Falkenberg Kurtis B. Hoffman * ‡ Martin Horning Bernard Hrusovsky Paul Hubbard Thomas Hull Joshua Jones Jason Levy * ‡ Scott Markov * ‡ Tyler Mason Roger Mennell Robert Mitchell * ‡ Stephen Mitchell Tom Moormann Keith Norman Glenn Obergefell * John Riehl Steven Ross Robert Seaman Steven Skaggs Adam Thiel Caleb A. Wright *

* designates chamber

Joela Jones, Principal Accompanist Jill Harbaugh, Manager of Choruses Carolyn Dessin, Chair,

choir in Carmina Burana

‡ designates small chorus in Chichester Psalms

Cleveland Orchestra Chorus Operating Committee

Cleveland Orchestra Miami 2014-15

Cleveland Orchestra Chorus

33

Miami Children’s Chorus Timothy A. Sharp, Director Alan G. Ngim, Principal Accompanist

Established in 1965, the award-winning Miami Children’s Chorus (MCC) is celebrating its 50th anniversary during the 2014-15 season. MCC offers the children of Miami-Dade County the opportunity to study and perform standard and experimental forms of choral music.

Through this study the children learn musicianship, vocal technique, discipline, commitment, and the rewards of sustained and dedicated effort. In weekly rehearsals the children also learn that there is no greater result than giving their personal best.

MCC can be heard singing background on recordings of Raul di Blasio, Gloria Estefan, Christian Castro, and the Frost Chorale. They appeared with Queen Latifah as part of the pre-game show for Super Bowl XLIV in 2010 and perform regularly throughout South Florida, partnering with many organizations including the Florida Grand Opera. The group has toured nationally and internationally, performing in Argentina, Austria, Brazil, Czech Republic, Italy, the United Kingdom, and throughout the United States, including New York’s Carnegie Hall.

CARMINA BURANA Christopher Abello Carolina Acevedo Christopher Alfonso Chelsey Ameda Juliana Bach Kaiya Ballard Olivia Bennett Alexandra Berros Salvador Blanco Sara Brammer Nicole Brborich Nicholas Brodermann Fernanda Cardenas Sofia Castillo Grace Chaffins

34

Byron D’Mello Sebastian De Jesús Stephen De Jesús Bridget Duran Melissa Echenique Natalie Garcia Gabriela Garity Isabella Gonzalez Adda Gudjonsdottir Jimena Guevara Dina Hanna Sophia Jarjour Isabella Klopuch Misha Klopuch Alex Kolovrat

Marco Lanz Andres Larrea Romina Levin-Duran Xena Machin Aaron Mares Charles McCutcheon Joyjahna Moraski Camila Ortega Dhilani Premaratne Edmond Rodriguez Andrea Rodriguez-Cobo Zelda Rosenberg Ryan Sensale Jessica Smith Ariana Sosa

Miami Children’s Chorus

Nicole Spinelli Amelia Spinnato Janine Suarez Frattini Uribe Naomi Valmé Eric Verbeeck Giulianna Villalba Alejandra Vivanco Ana Viveros Sarah Wagner Audrey Weigel Amelia Woolley-Larrea Daniel Wynne

2014-15 Cleveland Orchestra Miami

Robert Porco Director of Choruses Frances P. and Chester C. Bolton Endowed Chair The Cleveland Orchestra

Robert Porco became director of choruses for The Cleveland Orchestra in 1998. In addition to overseeing choral activities and preparing the Cleveland Orchestra Chorus and the Blossom Festival Chorus for a variety of concert programs each season, Mr. Porco conducts the Orchestra’s annual series of Christmas concerts at Severance Hall and regularly conducts subscription concert programs both at Severance Hall and Blossom. He is also director of choruses for the Cincinnati May Festival.

In 2011, Mr. Porco was honored by Chorus America with its annual Michael Korn Founders Award for a lifetime of significant contributions to the professional choral art. The Ohio native served as chairman of the choral department at Indiana University 1980-98, and in recent years has taught doctoral-level conducting at the school. As teacher and mentor, Mr. Porco has guided and influenced the development of hundreds of musicians, many of whom are now active as professional conductors, singers, or teachers. As a sought-after guest instructor and coach, he has taught at Harvard University, Westminster Choir College, and the University of Miami Frost School of Music.

Timothy Sharp Music Director Miami Children’s Chorus

Timothy A. Sharp has served as music director of the award-winning Miami Children’s Chorus for over a quarter century. Last year, he retired from his position teaching music at Vineland K-8 Center in Miami-Dade County.

As a performer, he appeared with the chorus of Florida Grand Opera for five seasons. He continued his FGO work preparing children to appear in opera productions, including recent productions of La Bohème and The Magic Flute.

Mr. Sharp earned his bachelor’s degree in music education from BethuneCookman University and a master’s degree from the University of Illinois at Champaign-Urbana, and received an artist-teacher diploma from the Choral Music Experience Institute for Choral Teacher Education. He has presented workshops for Miami-Dade County Public Schools as well as across the country for various choral and educators groups. At the Adrienne Arsht Center, he has conducted workshops on developing children’s voices and twice each year leads the MCC project Sing Miami! (a series of ongoing professional development workshop offerings for arts teachers).

Cleveland Orchestra Miami 2014-15

Chorus Directors

35

INFORMATION ACCESSIBILITY Adrienne Arsht Center is fully accessible. When purchasing tickets, patrons who have special needs should call (305) 949-6722 or (866) 949-6722 and inform their customer service representative. (786) 468-2011(TTY).

Audio description and assistive listening equipment is funded by Mary & Sash Spencer and the Miami-Dade County Mayor and the Board of County Commissioners, the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council.

DINING BRAVA! WKH &HQWHUÂśV QHZ RQ VLWH ÂżQH GLQLQJ H[SHULHQFH QDPHG RQH RI 0LDPLÂśV EHVW QHZ UHVWDXUDQWV E\ Thrillist, is located in the Ziff Ballet Opera House. Led by Chef Hector Torres of Ovations Food Services, %5$9$ VHUYHV DQ LQVSLUHG IDUP WR IRUN SUL[ Âż[H PHQX 5HVHUYDWLRQV DYDLODEOH WKURXJK WKH $UVKW ZHEVLWH RU E\ FDOOLQJ WKH ER[ RIÂżFH DW 2SHQ IRU SUH SHUIRUPDQFH GLQLQJ RQ VKRZ GD\V RQO\ 9LVLW www.arshtcenter.org/brava for more information.

CafÊ at Books & Books in the Carnival Tower, managed by Books & Books under the direction of &KHI $OOHQ 6XVVHU LV ORFDWHG RQ WKH JURXQG ÀRRU RI WKH KLVWRULF &DUQLYDO 7RZHU RQ WKH FRUQHU RI WK 6W and Biscayne Blvd. The cafÊ-style restaurant features a full-food menu designed by Chef Allen Susser as well as a full bar, outdoor seating, table service, pastries and a specialty coffee bar. Open Monday – Friday, 8 a.m. – 10 p.m., and weekends, 9 a. m. – 10 p.m. (with extended hours on all show nights).

Theater Lobbies Concessions and Wine Bars feature a variety of light food and beverage one hour before the show and during intermissions. Specialty Wine Bars offering a variety of high-end wines and Champagnes on the Box Tier level.

EMERGENCIES Emergency exits are clearly marked throughout the building. Ushers and security personnel will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

FACILITIES RENTALS Persons or organizations interested in renting the auditoriums, lounges, terraces, plazas or other spaces for private and public events at Adrienne Arsht Center should contact (786) 468-2287 or rentals@arshtcenter.org.

HEARING AIDS AND OTHER HEARING-ENHANCEMENT DEVICES Please reduce the volume on hearing aids and other devices that may produce a noise that would disturb other patrons or the performers. Assistive Listening Devices are available in the lobby; please ask an usher for assistance.

LATE SEATING Adrienne Arsht Center performances begin promptly as scheduled. As a courtesy to the performers and audience members already seated, patrons who arrive late will be asked to wait in the lobby until a suitable break in the performance to be determined in consultation with the performing artists. Until the seating break, latercomers may watch the performance via closed-circuit monitors conveniently situated in the OREELHV 7R FRQÂżUP VWDUWLQJ WLPHV IRU $GULHQQH $UVKW &HQWHU SHUIRUPDQFHV SOHDVH FKHFN \RXU WLFNHW YLVLW www.arshtcenter.org, or call (305) 949-6722.

Photo by Robin Hill

Phone Numbers Accessibility

(786) 468-2011(TTY)

Advertising

(786) 468-2232

$GPLQLVWUDWLRQ 2IÂżFHV %R[ 2IÂżFH

(866) 949-6722 M – F 10am – 6pm Sat. – Sun. noon to Curtain

Facilities Rental

(786) 468-2287

Advancement

(786) 468-2040

Group Sales

(786) 468-2326

Membership

(786) 468-2040

Parking

(305) 949-6722 (866) 949-6722

or visit www.arshtcenter.org Anna Murch fountain in the Thomson Plaza for the Arts

36

Security

Arsht Center Information

(786) 468-2081

2014-15 Cleveland Orchestra Miami

Photo by Mitchell Zachs

INFORMATION MEMBERSHIP – BE A CULTURIST Members matter at the Adrienne Arsht Center. Your philanthropy makes our world-class performances possible, and helps to provide free arts education and meaningful community engagement for thousands of Miami-Dade County young people and their families. When you join the Center as a member, you give the gift of culture to Miami – now, and for generations to come. The Culturist membership program is designed WR HQKDQFH \RXU H[SHULHQFH DW WKH $UVKW &HQWHU ZLWK VSHFLDO EHQH¿WV ranging from advance notice of performances to invitations to exclusive receptions. Membership begins at just $75, with giving levels through $5,000. To join the Culturist movement, please call 786-468-2040, email: membership@arshtcenter.org or visit www.arshtmembers.org.

LOST AND FOUND Patrons should check with the House Manager in the theater lobby prior to leaving the theater, otherwise please call the Adrienne Arsht Center main security number (786) 468-2081. Lost articles will be held for 30 days.

MEMBERS GET IT FIRST! As a member of the Adrienne Arsht Center–a Culturist–you have exclusive access to members-only ticket pre-sales and so much more! Join today, online at www.arshtmembers.org or by calling 786-468-2323.

PAGERS, CELL PHONES AND OTHER LISTENING DEVICES All electronic and mechanical devices—including pagers, PDAs, cellular telephones, and wristwatch alarms—must be turned off while in the auditoriums.

PHOTOGRAPHY, VIDEOGRAPHY, AND RECORDING The taking of photographs and the use of audio or video recording inside the auditoriums are strictly prohibited.

TICKETS Patrons may purchase tickets •Online: www.arshtcenter.org •By Phone: (305) 949-6722 or (866) 949-6722 10 a.m.- 6 p.m. weekdays; beginning at noon on weekend perfomance days. ‡$W WKH %R[ 2I¿FH WKH $GULHQQH $UVKW &HQWHU %R[ 2I¿FH LV ORFDWHG LQ WKH =LII %DOOHW 2SHUD +RXVH OREE\ (main entrance on NE 13th between Biscayne Blvd. and NE 2nd Ave.) the Adrienne Arsht Center Box 2I¿FH LV RSHQ D P S P 0RQGD\ )ULGD\ QRRQ WR FXUWDLQ RQ ZHHNHQGV ZKHQ WKHUH LV D SHUIRUPDQFH and two hours before every performance. •Groups of 15 or more people: (786) 468-2326.

TOURS Free behind-the-scene tours of the Adrienne Arsht Center complex are given every Monday and Saturday at noon, starting in the Ziff Ballet Opera House Lobby. No reservations necessary.

VOLUNTEERS Volunteers play a central role at the Adrienne Arsht Center. For more information, call (786) 468-2285 or email volunteers@arshtcenter.org.

WEBSITE Visit www.arshtcenter.org for the most up-to-date performance schedule. Also, join our mailing list and we will send performance notices directly to you. When you join, you may choose the types of shows about ZKLFK \RX ZDQW WR EH QRWLÂżHG DQG XSGDWH WKRVH FKRLFHV DW DQ\ WLPH ,I \RXÂśYH DOUHDG\ VLJQHG XS PDNH sure you add email@arshtcenter.org to your address book and/or safe list.

Visit www.arshtcenter.org today.

6WHLQZD\ 6RQV 7KH 2IÂżFLDO 3LDQR RI WKH $GULHQQH $UVKW &HQWHU Adrienne Arsht Center Uniforms, an EcoArtFashion project by Luis Valenzuela, www.luisvalenzuelausa.com

Cleveland Orchestra Miami 2014-15

Arsht Center Information

37

ADRIENNE ARSHT CENTER FOR THE PERFORMING ARTS OF MIAMI-DADE COUNTY

Trish Brennan Vice President, Human Resources Ken Harris Vice President, Operations Administration Aric Kurzman

Yamely Gonzalez Anhel Perez

John Copeland Jodi Mailander Farrell Christine Brown Felicia Hernandez Carrie Rueda Ana Morgenstern Natalia Ortiz Kalyn James Jeanette Castro

Andrew Goldberg Vice President, Marketing Thomas M. Berger Vice President, Finance & Administration and Chief )LQDQFLDO 2IÂżFHU

Assistant Vice President of Business and Legal Affairs Manager of Board Relations Executive Assistant to the President & CEO Executive Assistant to the Executive Vice President Receptionist

Chantal HonorĂŠ Monique McCartney

Advancement David S. Green

M. John Richard President & CEO Scott Shiller Executive Vice President

Assistant Vice President of Advancement and Campaign Director Senior Director, Corporate Giving Senior Director, Foundation Relations Director, Advancement Services and Membership Director, Member Relations and Donor Relations Interim Special Events Manager Grant Writer Executive Assistant to the Vice President of Advancement Corporate Sponsorship Coordinator Membership Assistant

Finance Teresa Randolph

Assistant Vice President, Finance and Controller Kimba King Manager of Human Resources Aida Rodriguez Accounting Manager Janette Valles Del Angel Settlement Accountant Francisca Squiabro Revenue Staff Accountant Giovanni Ceron Payable Accountant Thyra Joseph Payroll Coordinator Roberta Llorente Human Resources & Finance Coordinator Audience Services Alice Arslanian Fifelski Neal Hoffson Rodolfo Mendible Heydee Zamora Nicole Smith Nicole Keating Nadinne Farinas Maria Usaga David Saifman Tracy Schneider Julia Acevedo Richard Malin Jose L Carrion III Adam Garner Davide Sahner Mario Acevedo Ashley Araujo Fernanda Arocena Anita Braham Heather Brummer Alfred Cruet Randy Garcia Mabel Gonzalez Randall Heidelburg Diana Herrera Mirlanta Petit-Homme Michael Kontomanolis Kerrie Mitchell Natalia Morgan Taviana Nevares Fabiana Parra Claudia Quesada Theo Reyna Javier Rhoden Ashley Richardson Liana Rodriguez Logan Smiley Information Technology James J. Thompson Michael Sampson Renville Williams Marco Franceschi Lilibeth Bazail

Theater Manager House Manager House Manager House Manager Volunteer Services Manager Senior Director, Ticket Services Director, Ticket Services Ticket Services Manager Ticket Services Manager Ticket Services Manager Ticket Services Supervisor Ticket Services Supervisor Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Assistant Vice President, Information Technology Director, Applications Data Analyst/Developer IT Systems Administrator IT Support Technician

Valerie Riles Vice President, Board and Government Relations Suzanna Valdez Vice President, Advancement

Marketing Suzette Espinosa Fuentes Luis Palomares Tyrone Manning Laura White Gino Campodonico Joanne Matsuura Fernando Olalla Craig Stedman Morgan Stockmayer David Chang Sam Hall Raul Vilaboa Nadia Zehtabi Estefania Pinzon Leyda Castro Stephanie Hollingsworth Oren Mor Patrick Rhudy Carmen Rodriguez Operations Daniel Alzuri Dean Dorsey Thomas McCoy Lucy Hargadon

Assistant Vice President, Public Relations Senior Director, Creative Services Director of Marketing Director of Marketing Public Relations Manager Marketing Manager e-Marketing Manager Group Sales Manager Promotions Manager Graphic Designer Graphic Designer Graphic Designer Creative Services Coordinator Public Relations Coordinator Group Sales Coordinator e-Marketing Assistant Marketing Assistant Marketing Assistant Marketing Assistant Senior Director, Operations Senior Director, Engineering Engineering Manager Executive Assistant to the Vice President, Operations Engineer Engineer Engineer Engineer Engineer Engineer Engineer Engineer Engineer

Alejandro Aguilar Jack Crespo Isaac Dominguez Jose Hurtado Wilner Montina Jimmy Panchana Xavier Ross Alberto Vega Pedro Villalta Production Jeremy Shubrook Lauren Acker Curtis V. Hodge Janice Lane Herman Montero Melissa Santiago - Keenan Daniel McMenamin

Director, Production Technical Director Technical Director Technical Director Technical Director Technical Director Head Carpenter, Ziff Ballet Opera House John Mulvaney Assistant Carpenter/Head Flyman, Ziff Ballet Opera House Ralph Cambon Head Audio Video, Ziff Ballet Opera House Michael Matthews Head Electrician, Ziff Ballet Opera House Frederick Schwendel Head Carpenter, Knight Concert Hall Michael Feldman Head Audio Video, Knight Concert Hall Tony Tur Head Electrician, Knight Concert Hall David Diaz Head Audio Video, Carnival Studio Theater Harold Trenhs Head Electrician, Carnival Studio Theater Programming Liz Wallace Michael Donovan Ed Limia Jairo Ontiveros Tina Williams LisaMichelle Eigler Ann Koslow Jan Melzer Thomas Richard Tappen Oscar Quesada

Assistant Vice President, Programming Director, Programming Director, Programming Director, Education and Community Engagement Facility Rentals Director Engagement Manager Engagement Manager Engagement Manager Programming Manager Programming Coordinator

Facility Management Ovations Food Services AlliedBarton Pritchard Sports and Entertainment

ADRIENNE ARSHT CENTER 5

38

Arsht Center

2014-15 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST, INC.

Officers of the Board Mike Eidson Chairman Richard C. Milstein Secretary Evelyn Greer Assistant Secretary

Alan H. Fein Chair-Elect Ira D. Hall Treasurer Raul G. Valdes-Fauli Assistant Treasurer

J. Ricky Arriola Immediate Past Chair Parker D. Thomson Founding Chair

Board of Directors

Matilde Aguirre Pierre R. Apollon The Honorable Oscar Braynon II Larry H. Colin Laurie Flink The Honorable Rene Garcia Rosie Gordon-Wallace

Javier Hernandez-Lichtl James Herron Hank Klein Nathan Leight Florene Litthcut Nichols Carlos C. Lopez-Cantera Hillit Meidar-Alfi

Gilberto Neves Beverly A. Parker Jorge A. Plasencia Abigail Pollak The Honorable Raquel Regalado Neill D. Robinson Adriana Sabino

Mario Ernesto Sanchez The Honorable Marc D. Sarnoff Alexander I. Tachmes Carole Ann Taylor Penny Thurer Judy Weiser

ADRIENNE ARSHT CENTER FOUNDATION, INC. BOARD OF DIRECTORS

Adrienne Arsht

Officers of the Board

Founding Chairman Frances Aldrich Sevilla-Sacasa Swanee DiMare Nancy Batchelor Ronald Esserman

Richard E. Schatz

Chairman David Rocker Sherwood M. Weiser*

Jason Williams

RESIDENT COMPANIES ALLIANCE Sheldon Anderson Adrienne Arsht Diane de Vries Ashley Robert T. Barlick, Jr. Fred Berens Sia Bozorgi Norman Braman Sheila Broser Robert S. Brunn M. Anthony Burns Donald Carlin*

Jerome J. Cohen Stanley Cohen Susan T. Danis Nancy J. Davis Ronald Esserman Oscar Feldenkreis Pamela Gardiner Jerrold F. Goodman Rose Ellen Greene Arthur J. Halleran, Jr. Howard Herring

Robert F. Hudson, Jr. Daryl L. Jones Edie Laquer Donald E. Lefton Rhoda Levitt George L. Lindemann Carlos C. Lopez-Cantera Pedro A. Martin, Esq. Arlene Mendelson Nedra Oren J. David Peña, Esq.

Aaron S. Podhurst, Esq. Charles Porter Jane A. Robinson Richard E. Schatz Sherry Spalding-Fardie Robert H. Traurig, Esq. Sherwood M. Weiser * Lynn Wolfson * *deceased

Carlos A. Gimenez Mayor MIAMI-DADE BOARD OF COUNTY COMMISSIONERS Jean Monestime Chairman Barbara J. Jordan District 1 Jean Monestime District 2 Audrey M. Edmonson District 3 Sally A. Heyman District 4

Harvey Ruvin Clerk of Courts

Cleveland Orchestra Miami 2014-15

Esteban Bovo, Jr. Vice Chairman Bruno A. Barreiro District 5 Rebeca Sosa District 6 Xavier L. Suarez District 7 Daniella Levine Cava District 8 Dennis C. Moss District 9

Pedro J. Garcia Property Appraiser

Arsht Center

Sen. Javier D. Souto District 10 Juan C. Zapata District 11 José “Pepe” Diaz District 12 Esteban Bovo, Jr. District 13

Robert A. Cuevas Jr. County Attorney

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FLĂ‚NEUR FOREVER

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