LOREIN PEREZ REYES ACADEMIC PORTFOLIO ISSUU

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ACADEMIC ARCHITECTURE PORTFOLIO

EDUCAT ION

Master of Architecture

California Baptist University

B.A. Architecture

California Baptist University

Study Abroad Trip Italy & Spain

California Baptist University

A.S. Architecture

Citrus College | Dean’s List

AWARDS

Project Management Ready™ Certification 2022

CAL OSHA 10hr Certification 2020

Robert Kain AIA Endowed Scholarship 2022-2023

Widom Scholarship Recipient 2021

CAVAD Architecture Scholarship 2021-2023

SKILLS

Fully Bilingual: English and Spanish

Collaborative: MS Office, Google Workspace

Computer Modeling: AutoCAD, Revit, Rhino

Rendering: Twinmotion, Lumion

Post-Processing: InDesign, Illustrator, Photoshop

Sketching, Watercoloring, Model Making,

3D Printing, Laser Cutting, Photography

Present-2024

2021-2023

Summer 2022

2019-2021

LinkedIn Loreinfernanda.perezreyes@calbaptist.edu (626) 826 - 4003
LOREIN PEREZ REYES
TABLE OF CONTENTS
BEAM BEAM: LIGHT STUDY BEAM: STRUCTURAL STUDY SILVER LINING REINASSANCE LIVING WATERCOLORS AND SKETCHES CONCEPTUAL MODELS PAGE 1 11 13 15 23 33 37 41 TITLE
THE NODE

HOW CAN DIVERSE COMMUNITIES FIND A COMMON GROUND? IT STARTS BY CREATING MEANINGFUL RELATIONSHIPS. AN ALLOCATED PLACE TO CONVENE

ENCOURAGES STORYTELLING AND THE MERGING OF UNIQUE LIFE PATHS. THE NODE PULLS TOGETHER OLD AND NEW GENERATIONS OF STRANGERS TO WEAVE A NEW SCENE IN DOWNTOWN REDLANDS, CALIFORNIA

PROGRAMS: REVIT, TWINMOTION, AUTOCAD, ILLUSTRATOR, WATERCOLOR

THE NODE PERFORMING ARTS CENTER

SITE PLAN | GROUND FLOOR

3 THE NODE | PERFORMING ARTS CENTER A111 1 A109 A108 A110 1 1 1 A1051/16" 1'-0" 1 Level 1

WITH BEAUTIFUL VIEWS OF THE SAN BERNARDINO MOUNTAINS SURROUNDING THE SITE, THE NODE TAKES INSPIRATION AND SPRINGS UP FROM THE GROUND AS WELL. IT GIVES ITS RESIDENTS A PLACE FOR RECREATION, MEETING AND THEATER-GOING.

UNIFY ENCLOSE WEAVE

PARTI

TRANSFERRING A CONCEPTUAL IDEA TO BECOME ARCHITECTURE...

THIS ABSTRACT DIAGRAM SHOWS THE CIRCULATION OF THE PROGRAM

5 THE NODE | PERFORMING ARTS CENTER
CONCEPTUAL RENDERS

BASEMENT, THEATER FLOORPLAN WITH RAYTRACING

UP UP UP UP UP UP 1/16" 1'-0" 1 Level B2 Level B2 -30' - 0" Level B1 -15' - 0" Amphitheatre -5' - 0" Level 1 0' - 0" 3/32" 1'-0" 1 Section 3 TRANSVERSE SECTION
7 THE NODE | PERFORMING ARTS CENTER

PROGRAM CIRCULATION ALLOWS FOR COMPLETE SITE USAGE, A FULLY SUBMERGED THEATER, MEETING ROOMS AND OFFICE SPACE ON THE GROUND FLOOR AND AN AMPITHEATRE TO ENJOY THE OUTDOORS.

THE NODE PERFORMING ARTS CENTER IS A MAGICAL ESCAPE TO THE WORLD OF THEATER!

9 THE NODE | PERFORMING ARTS CENTER
GALLERY | LOBBY
THEATRE

AT MIT CAMPUS, WHERE DO STUDENTS HAVE A SAFE SPACE?

WHERE CAN THEY GO FOR SOME SPIRITUAL ANSWERS OR TO FIND A GREATER SENSE OF PURPOSE?

NO MATTER YOUR FAITH OR JOURNEY, THE BEAM WELCOMES

ALL TO STUDY AND LEARN ABOUT CHRISTIANY. IT IS A PLACE TO FEEL AT EASE.

PROGRAMS: REVIT, TWINMOTION, ILLUSTRATOR, PHOTOSHOP

BEAM CHRISTIAN STUDIES CENTER

THROUGH THE USE OF LIGHT, WE CAN TRANSFORM A SPACE TO EVOKE EMOTIONS. FILTERS DIRECT AND ORCHESTRATE HOW LIGHT WILL PERFORM.

HOW CAN LIGHT BE USED TO GIVE HUMANS A FEELING OF TRANSCENDENCE THROUGH ARCHITECTURE?

TO ME, IT MUST BE THE MAIN FOCUS, THE CORE OF A BUILDINGS PERSONALITY!

LIGHT STUDY PHYSICAL MODELS
13 BEAM | CHRISTIAN STUDIES CENTER

VEILS OF GLASS

ATOMIZATION: SIFTING LIGHT THROUGH A SCREEN

CANALIZATION: CHANNELING LIGHT THROUGH OPENING

LUMINESCENCE: MATERIALIZATION OF LIGHT IN PHYSICAL MATTER

8 AM 11 AM 1 PM 4 PM

THIS WAFFLE-PARASOL SHOWS HOW A SIMPLE DESIGN CAN BE STRONG.

EVEN THOUGH THE STRUCTURE FITS IN THE PALM OF A HAND, IT IS STRONG

ENOUGH TO BE STEPPED ON OR STOOD ON. BY VARYING THE TRUNK SIZES AND

REPEATING SEGMENTS, IT RESEMBLES A FOREST CANOPY, A CONNECTED SYSTEM WHERE SHADE AND SAFETY IS PROVIDED.

STRUCTURAL STUDY 3D PRINTED MODELS
15 BEAM | CHRISTIAN STUDIES CENTER

THE SKIN OF THIS CATENARY STRUCTURE SHOWS SCALED INTRICACY IN THE RHYTHMIC PATTERN THAT FLOWS FROM BEGINNING TO END. INTRICACY IN THIS DESIGN SHOWS A PORTAL-LIKE EXPERIENCE AND REMINDS US THE COMPLEXITY OF THE UNIVERSE.

CONCEPTUAL RENDER

TO BECOME A BUTTERFLY, A CATERPILLAR MUST GO THROUGH DRAMATIC CHANGE. ALTHOUGH THIS TRANSFORMATION TAKES PLACE INTERNALLY, WE CAN

LOOK AT WHAT THE PHYSICAL CHARACTERISTICS ARE- SKIN AND TEXTURE PROVIDE BEAUTY AND PROTECTION, JUST LIKE ARCHITECTURE CAN FOR HUMANS.

17 BEAM | CHRISTIAN STUDIES CENTER

CONNECT TO YOURSELF AND THE DIVINE LEARN

REFLECT

DISCUSS

PARTI
1 2 3 4 19 BEAM | CHRISTIAN STUDIES CENTER
SITE PLAN | GROUND FLOOR
FIRST FLOOR ROOF PLAN SECOND FLOOR 5 6 7 7 8 9 10 ENTRY OFFICES PREFUNCTION LIBRARY BALCONY LECTURE SEMINAR KITCHEN READING RM CHAPEL 1 2 3 4 5 6 7 8 9 10
21 BEAM | CHRISTIAN STUDIES CENTER Level 1 0' - 0" Level 2 10' - 0" Level 3 25' - 0" Level 4 50' - 0" LOBBY

READING ROOM

READING ROOM EXTERIOR

WHAT IS THE FUTURE OF WORK FROM HOME? AND HOW WILL IT CHANGE COMMUNITIES? AT HYDE PARK, CHICAGO, THIS MIXED USE BUILDING INVITES A BUSINESS CENTERED GROUND FLOOR, WHERE COMMUTERS OR RESIDENTS CAN MAKE SOCIAL USE OF A CITY BLOCK.

SILVER LINING LIVE-WORK
PROGRAMS /SKILLS : REVIT, TWINMOTION, ILLUSTRATOR, AUTOCAD, PHYSICAL MODELING

MASSING MODELS

EXPERIMENTING WITH CURVES AND EDGES, SYMMETRY AND PROPORTION

CONCEPT MODELS

25 SILVER LINING | LIVE WORK

TERRACE

STUDIO

1 BED APT

2 BED APT

3 BED APT

OFFICES

CAFE/LOBBY

WORKPLACE

GROUND FLOOR

TITLE DATE: 04/00/20 CLASS: DRAF 160 A DRAWN BY: LOREIN PEREZ REYES SCALE: 1-8"=1'-0" PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

COMMON MATERIALS SUCH AS GLASS AND STONE ARE USED WITH A MODERN TWIST TO EXPRESS THE CENTER AS A PLACE FOR INNOVATION.

THE POINTED EDGES STANDOUT TO MAKE THE MOST OF CITY LIMITS AND BOUNDARIES.

27 SILVER LINING | LIVE WORK
TECTONIC SECTION MODEL
FLOOR
FIRST FLOOR GROUND FLOOR SECOND FLOOR THIRD

A RESIDENTIAL, COMMERCIAL, AND CULTURAL INTEGRATION OF WORK, HOME, AND SOCIAL LIFE.

GROUND FLOOR
31 SILVER LINING | LIVE WORK

WITH A “BUSINESS INCUBATOR” FOCUS THIS DEVELOPMENT WILL ALLOW THE COMMUNITY TO HARNESS ECONOMIC AND CULTURAL GROWTH.

STUDIO APARTMENT

IN THIS GROUP PROJECT WE EXPLORE HOW TO CREATE A RESIDENTIAL DEVELOPMENT USING AUTOCAD.

PROGRAM: AUTOCAD

RENAISSANCE LIVING RESIDENTIAL DEVELOPMENT
9' 71' 15'-5 1 2 " 4 12 4' 5'-5" 6'-3 5 8 4' 5'-5" 36'
A- NORTH ELEVATION
Wooden
Marble
12' 2' 15' 8'
B- SOUTH ELEVATION
Arch Glass Door Wood Shingle Roof Burnt Brick Walls
Pillars Marble Railing & Marble Stairs Wood Shingle Burnt Brick Walls Wood Shingle Roof SHINGLE ROOF ROCK WALL GARAGE WOOD DOORS GLASS WINDOWS
A - NORTH ELEVATION
35 RENAISSANCE LIVING| RESIDENTIAL DEVELOPMENT 660' 660' 10' 29' 44'-1 1 8 259'-1 1 8 10' HOME STYLE LEGEND A B RENAISSANCE ST KNIGHT ST NOBLE ST SWORDS AND CASTLES WAY SWORDS AND CASTLES WAY KING'S AVE QUEEN'S AVE STEED LN SHIELD LN A A A A A A A A A A A A A A A A A A A A A A A A A A B B B B B B B B B B B B B B B B B B B B B B B B
JOUSTING COURTYARD
ROOMS POOL
TENNIS COURTS ARCHERY RANGE
COMMUNITY
9' 15'-5 1 2 5'-5" 5'-5" 36' 15'-6 FEUDALIST HOMES 123 BOLEYN STREET NAPA CA 94558 DRAWN BY: LOREIN PEREZ REYES ANDREW FISHER ALONDRA MARTINEZ JAVIER VALLE AVILA SHEET NO. PROJECT TITLE: SHEET TITLE: SCALE: DATE: 06/11/20 HOUSING DEVELOPMENT KEYNOTES: A- NORTH ELEVATION B- SOUTH ELEVATION C- WEST ELEVATION D- EAST ELEVATION ELEVATIONS STYLE 2 1/4"= 1'-0" A- 4.1 Wooden Arch Glass Door Wood Shingle Roof Burnt Brick Walls Marble Pillars Marble Railing & Marble Stairs Wood Shingle Roof Burnt Brick Walls Burnt Brick Walls Wood Shingle Roof Burnt Brick Walls Wood Shingle Roof SHINGLE ROOF ROCK WALL GARAGE WOOD DOORS GLASS WINDOWS 12' 2' 15' 8' 1'-7 1 16 2'-6 WOOD BATTEN 12' 2' 25' 12' 2' A - NORTH ELEVATION B - SOUTH ELEVATION C - WEST ELEVATION D EAST ELEVATION ELEVATIONS STYLE 1 3/8"= 1'-0" A-4.0 FEUDALIST HOMES 123 BOLEYN STREET NAPA CA 94558 DRAWN BY: LOREIN PEREZ REYES ANDREW FISHER ALONDRA MARTINEZ JAVIER VALLE AVILA SHEET NO. PROJECT TITLE: SHEET TITLE: SCALE: DATE: 06/11/20 KEYNOTES: RENAISSANCE LIVING 123 HENRY STREET MONROVIA CA 91016

A COLLECTION OF MY WORK FROM ITALY AND SPAIN STUDY ABROAD TRIP.

WATERCOLORS AND SKETCHES
CASTEL SANT'ANGELO, ROME
MEZQUITA-CATEDRAL, CORDOBA
CASA MILA, BARCELONA

ANGEL’S FLIGHT, LOS ANGELES

AS MY PASSION FOR TRAVEL GROWS, I AIM TO IMMERSE MYSELF IN CULTURES WORLDWIDE.

39 WATERCOLORS AND SKETCHES
GUATAVITA MONSERRATE

IN THIS PRECEDENT STUDY I WAS TASKED TO RECREATE MY FAVORITE BUIDLING, TRANSFORM IT, AND TAKE A LOOK AT HOW LIGHT AFFECTS THE SOLID AND VOIDS.

CONCEPTUAL MODELS PAPER AND WOOD BLOCKS
NATIONAL MUSEUM OF QATAR

BOTH IN THE EXTERIOR AND INTERIOR OF A BUILDING.

8 AM

11 AM

INTERSECTING PLANES TRANSFORMATION

SIMULATING THE SUN AROUND THE MODEL SHOWS

AN OBJECT TRAVELING THOUGH TIME AND SPACE.

1
RHYTHYM AND THEME IS EXPRESSED THOUGH BIOMIMICRY IN STRUCTURE, PARTICULARLY THAT OF A DESERT ROSE. 5
PM
PM
“INTERSECTING PLANES” IS DESIGN WHERE GEOMETRIES COLLIDE

THIS SITE OCCUPIES AN ENTIRE CITY BLOCK, LINED WITH RETAIL, BANKING, AND MUSEUMS.

THE SPIDER WEB LAYOUT HAS MUCH TO OFFER IN DESIGN INSPIRATION FOR INTERSECTING PLANES. WEBS ARE ONE OF THE MOST ADVANCED STRUCTURES IN NATURE IN TERMS OF FORM, FUNCTION, AND BEAUTY.

NORD/LB HANNOVER, GERMANY
43 CONCEPTUAL MODELS

LOCAL FARMERS CAN BRING IN THEIR PRODUCE TO THE COMMUNITY AND SET UP WHILE CUSTOMERS ENJOY INDOOR AND OUTDOOR SEATING AREAS.

BRINGING SCULPTURE LIKE BUILDINGS INTO A DOWNTOWN

FABRIC CAN ENHANCE THE QUALITY OF LIVING.

fp intersecting DATE: 09/01/2020 CLASS: ARCH 201 A DRAWN BY: LOREIN PEREZ REYES SCALE: 1-8"=1'-0" Key Ground Floor A 8,000 Sq Ft Vendors 1500 Sq Ft Seating Area 2000 Sq Ft Eateries 3000 Sq Ft Vendors Vendors Seating Eateries FARMER’S MARKET LOS ANGELES,
CA

THANK YOU

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