LPO programme: 26 Nov 2023 Eastbourne - Mozart & Beethoven (Bertie Baigent/Benjamin Mellefont)

2023/24 concert season at Eastbourne’s Congress Theatre

Concert programme

Principal Conductor Edward Gardner supported by Aud Jebsen Principal Guest Conductor Karina Canellakis Conductor Emeritus Vladimir Jurowski Patron HRH The Duke of Kent KG Artistic Director Elena Dubinets Chief Executive David Burke Leader Pieter Schoeman supported by Neil Westreich

Congress Theatre, Eastbourne Sunday 26 November 2023 | 3.00pm

Mozart & Beethoven Beethoven Overture, Fidelio (6’) Mozart Clarinet Concerto in A major, K622 (28’) Interval (20’) Beethoven Symphony No. 4 in B flat major, Op. 60 (32’) Bertie Baigent conductor Benjamin Mellefont clarinet

The timings shown are not precise and are given only as a guide.

Concert presented by the London Philharmonic Orchestra in association with Eastbourne Borough Council

Contents 2

Welcome LPO news 3 On stage today 4 London Philharmonic Orchestra 6 Bertie Baigent 7 Benjamin Mellefont 8 Programme notes 11 On the LPO Label 12 Next concerts 13 LPO BrightSparks 14 Thank you 16 LPO administration

London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Welcome to the Congress Theatre

LPO news

Theatre Director Chris Jordan

Tour news

Welcome to this afternoon’s concert by the London Philharmonic Orchestra. As always, we are pleased to welcome back the London Philharmonic Orchestra and its patrons to the Congress Theatre.

The Orchestra have just returned from a busy 10-concert tour of Germany – plus a date in Paris – with Principal Conductor Edward Gardner, pianist Hélène Grimaud and cellist Nicolas Altstaedt. They performed in Hamburg, Düsseldorf, Hanover, Cologne, Munich, Frankfurt, Freiburg and Friedrichshafen, as well as at the Théâtre des Champs-Elysées in Paris.

This season we celebrate 60 years since the LPO gave the first ever performance at the newly-opened Congress Theatre in 1963. The Orchestra has now given over 350 concerts here in Eastbourne, performing with countless esteemed conductors and soloists, as well as introducing many exciting new artists to the stage for the first time.

Follow us on socials to see all the photos and behindthe-scenes tour action!

The historic theatre in which you are now seated is unique in that it is conceived to be a perfect cube and has fantastic acoustics to enhance your experience of live music. Whether this is your first visit or you are a season regular, we hope you enjoy your experience at our venue. We thank you for continuing to support the concert series. Please sit back in your seats and enjoy the concert and your visit here.

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Out now: The Damnation of Faust on Apple Music Classical

As a courtesy to others, please ensure mobile phones are switched off during the performance. Please also note that photography and recording are not allowed in the auditorium unless announced from the stage.

Thank you.

We recently launched a new LPO partnership with Apple Music Classical, the new streaming app designed specifically for classical music.

The first release of the partnership is Berlioz’s The Damnation of Faust with Edward Gardner, recorded live at the Royal Festival Hall on 4 February 2023. It is available to stream exclusively on Apple Music Classical now, and will be released on all other streaming platforms and on physical disc on 3 February 2024.

Complete our LPO survey to win a £75 Amazon voucher!

We hope you enjoy today’s concert. Could you spare a few moments afterwards to complete a short survey about your experience?

Your feedback is invaluable to us and will help shape our future plans. To say thank you, at the end of the survey you will have the chance to opt in to a prize draw to win a £75 Amazon voucher.

Find Apple Music Classical in the App Store or the Google Play Store, or scan the QR code to listen to The Damnation of Faust now.

Just scan the QR code to begin. Thank you!

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

On stage today First Violins

Alice Ivy-Pemberton Leader Lasma Taimina

Chair supported by Irina Gofman & Mr Rodrik V. G. Cave

Martin Höhmann Cassandra Hamilton Elizaveta Tyun Maeve Jenkinson Ruth Schulten Alison Strange Amanda Smith Will Hillman Kay Chappell Gavin Davies

Second Violins

Claudia Tarrant-Matthews Principal Chair supported by Friends of the Orchestra

Fiona Higham

Chair supported by David & Yi Buckley

Ashley Stevens Nancy Elan Joseph Maher Lyrit Milgram Caroline Heard Nicole Stokes Anna Croad Emma Martin

Violas

Rebecca Chambers Guest Principal Benedetto Pollani Julia Doukakis Alistair Scahill Kate de Campos Raquel López Bolívar Jisu Song Anita Kurowska

Cellos

Kristina Blaumane Principal

Chair supported by Bianca & Stuart Roden

Sue Sutherley Tom Roff Auriol Evans Pedro Silva Deni Teo

Horns

John Ryan* Principal Martin Hobbs Jonathan Farey Gareth Mollison

Trumpets

Double Basses

Kevin Rundell* Principal George Peniston Tom Walley

Chair supported by William & Alex de Winton

Laura Murphy

Paul Beniston* Principal Tom Nielsen Co-Principal Anne McAneney*

Trombone

Mark Templeton* Principal

Chair supported by William & Alex de Winton

Bass Trombone

Flutes

Stewart McIlwham* Principal Lok-yin Hui

Lyndon Meredith Principal

Timpani

Oboes

Peter Facer Guest Principal Lydia Griffiths

Clarinets

Simon Carrington* Principal

Chair supported by Victoria Robey OBE

* Professor at a London conservatoire

Thomas Watmough Principal

Chair supported by Roger Greenwood

Paul Richards*

Bassoons

Jonathan Davies* Principal Chair supported by Sir Simon Robey

Patrick Bolton

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The LPO also acknowledges the following chair supporters whose players are not present at this concert: Gill & Garf Collins Sonja Drexler Mr B C Fairhall Dr Barry Grimaldi Victoria Robey OBE Caroline, Jamie & Zander Sharp Eric Tomsett Neil Westreich

London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

© Mark Allan

London Philharmonic Orchestra

Our conductors

Uniquely groundbreaking and exhilarating to watch and hear, the London Philharmonic Orchestra has been celebrated as one of the world’s great orchestras since Sir Thomas Beecham founded it in 1932. With every performance we aim to bring wonder to the modern world and cement our position as a leading orchestra for the 21st century.

Our Principal Conductors have included some of the greatest historic names like Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur.

In 2021 Edward Gardner became our 13th Principal Conductor, taking the Orchestra into its tenth decade.

Vladimir Jurowski became Conductor Emeritus in recognition of his impact as Principal Conductor from 2007–21. Karina Canellakis is our current Principal Guest Conductor and Tania León our Composer-in-Residence.

Our home is at the Southbank Centre’s Royal Festival Hall, where we’re at the beating heart of London’s cultural life. You’ll also find us at our resident venues in Brighton, Eastbourne and Saffron Walden, and on tour throughout the UK and internationally, performing to sell-out audiences worldwide. Each summer we’re resident at Glyndebourne Festival Opera, combining the magic of opera with Glyndebourne’s glorious setting in the Sussex countryside.

Soundtrack to key moments Everyone will have heard the London Philharmonic Orchestra, whether it’s playing the world’s National Anthems at every medal ceremony of the London 2012 Olympics and Paralympics, our iconic recording with Pavarotti that made Nessun Dorma a global football anthem, or closing the flotilla at The Queen’s Thames Diamond Jubilee Pageant. And you’ll almost certainly have heard us on the soundtracks for major films including The Lord of the Rings.

Sharing the wonder You’ll find us online, on streaming platforms, on social media and through our broadcast partnership with Marquee TV. During the pandemic period we launched ‘LPOnline’: over 100 videos of performances, insights and introductions to playlists, which led to us being named runner-up in the Digital Classical Music Awards 2020.

During 2023/24 we’re once again be working with Marquee TV to broadcast selected live concerts, so you can share or relive the wonder from your own living room.

We also release live, studio and archive recordings on our own label, and are the world’s most-streamed orchestra, with over 15 million plays of our content each month.

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Alice Ivy-Pemberton Leader

Next generations There’s nothing we love more than seeing the joy of children and families enjoying their first musical moments, and we’re passionate about equipping schools and teachers through schools’ concerts, resources and training. Reflecting our values of collaboration and inclusivity, our OrchLab and Open Sound Ensemble projects offer music-making opportunities for adults and young people with special educational needs and disabilities.

Our LPO Junior Artists programme is leading the way in creating pathways into the profession for young artists from under-represented communities, and our LPO Young Composers and Foyle Future Firsts schemes support the next generation of professional musicians, bridging the transition from education to professional careers. We also recently launched the LPO Conducting Fellowship, supporting the development of outstanding early-career conductors from backgrounds currently under-represented in the profession.

Alice Ivy-Pemberton joined the London Philharmonic Orchestra as Co-Leader in February 2023.

Praised by The New York Times for her ‘sweet-toned playing’, Alice has performed as a soloist, chamber and orchestral musician to international acclaim. While growing up in New York City and studying with Nurit Pacht, Alice made a nationally televised Carnegie Hall debut aged ten, and was a finalist at the Menuhin International Competition at the age of 12.

Looking forward The centrepiece of our 2023/24 season is our spring 2024 festival The Music in You. Reflecting our adventurous spirit, the festival embraces all kinds of expression – dance, music theatre, and audience participation. We’ll collaborate with artists from across the creative spectrum, and give premieres by composers including Tania León, Julian Joseph, Daniel Kidane, Victoria Vita Polevá, Luís Tinoco and John Williams.

Alice earned her Bachelors and Masters degrees at The Juilliard School under the tutelage of Itzhak Perlman and Catherine Cho as a fully-funded recipient of the Kovner Fellowship. During her studies she won Juilliard’s Violin Concerto Competition, performed extensively with the New York Philharmonic and The Philadelphia Orchestra, and led orchestras under the baton of Barbara Hannigan, Xian Zhang and Matthias Pintscher.

Upon graduating in 2022 she was awarded the Polisi Prize and a Benzaquen Career Advancement Grant in recognition of ‘tremendous talent, promise, creativity, and potential to make a significant impact in the performing arts’.

Rising stars making their debuts with us in 2023/24 include conductors Tianyi Lu, Oksana Lyniv, Jonathon Heyward and Natalia Ponomarchuk, accordionist João Barradas and organist Anna Lapwood. We also present the long-awaited conclusion of Conductor Emeritus Vladimir Jurowski’s Wagner Ring Cycle, Götterdämmerung, and, as well as our titled conductors Edward Gardner and Karina Canellakis, we welcome back classical stars including Anne-Sophie Mutter, Robin Ticciati, Christian Tetzlaff and Danielle de Niese.

An avid chamber musician, Alice has collaborated with Itzhak Perlman, Anthony Marwood, Gil Shaham and members of the Belcea, Doric, Juilliard and Brentano string quartets, and performed with the Chamber Music Society of Lincoln Center. Festival appearances include Music@Menlo, Moritzburg and Yellow Barn. Also a passionate advocate for new music and its social relevance, Alice created Drowning Monuments, a noted multimedia project on climate change that brought together five world premieres for solo violin.

lpo.org.uk

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Bertie Baigent

© Benjamin Ealovega

conductor

In June 2022 Bertie Baigent won the Grand Prix at the inaugural International Conducting Competition in Rotterdam, along with the Classical and Symphonic prizes. Since then he has gone on to conduct the Rotterdam Philharmonic, City of Birmingham Symphony and Royal Scottish National orchestras, the Orchestre National de Lille, and Phion Orchestra at the Amsterdam Concertgebouw.

Born in Oxford in 1995, Bertie read music at the University of Cambridge, going on to study conducting at the Royal Academy of Music with Sian Edwards and graduating with distinction. He is also a composer, his music having been commissioned by the Royal Philharmonic Society and performed by Aurora Orchestra, Fretwork, and the Orchestra of the Royal Opera House.

Today’s concert is Bertie’s debut with the London Philharmonic Orchestra. In addition to returns to Rotterdam, Birmingham and Glasgow, the 2023/24 season also sees Bertie debut with the Detroit Symphony, Tampere Philharmonic and Luxembourg Philharmonic orchestras, the Bruckner Orchestra Linz, and the Orchestra of the Eighteenth Century.

Bertie has been Music Director of Waterperry Opera Festival since 2017. There and elsewhere he has conducted productions of Die Zauberflöte, Don Giovanni, Così fan tutte, Carmen, Dido and Aeneas and Partenope – directing the latter two from the harpsichord. He made his Glyndebourne Festival Opera debut in summer 2023, stepping in to conduct Donizetti’s L’elisir d’amore with the LPO, and returns to Glyndebourne this winter for Handel’s Messiah.

Bertie is a former assistant conductor of the Colorado Symphony, City of Birmingham Symphony and Rotterdam Philharmonic orchestras. His many awards include the Royal Academy of Music’s Sir Henry Wood Scholarship and Ernest Read Prize in 2017. He was also given the Orchestra Prize by the New Japan Philharmonic at the Tokyo International Conducting Competition in 2021.

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Benjamin Mellefont

© Deni Teo

clarinet

Benjamin Mellefont has been Principal Clarinet of the LPO since 2019, and we are delighted to welcome him to step out of the Orchestra as soloist today.

Ben was born in Sydney, Australia, and prior to joining the LPO was Principal Clarinet of the Royal Liverpool Philharmonic Orchestra, with whom he also appeared as a soloist. He has also played as Guest Principal with many of the orchestras in the UK and Australia, and at festivals such as Salzburg, Edinburgh and Aldeburgh.

A keen proponent of contemporary music, Benjamin has been a core and founding member of Explore Ensemble since 2012, with whom he has been involved in numerous premieres and commissions. With them, in 2019 he gave the UK premiere of Kaija Saariaho’s Figura for solo clarinet and ensemble. He is also a member of Ensemble Vindeleia, a collective that meets biannually in La Rioja, Spain, to present chamber music to remote villages in the region.

Benjamin graduated in 2015 from the Royal College of Music with First Class Honours as the Tegner Scholar, having studied with Barnaby Robson, Richard Hosford, Timothy Lines and Michael Collins. Whilst there he won the Clarinet Prize and Concerto Competition. He has examined and given classes at several of the UK’s conservatoires, and since 2019 has been a Professor of Clarinet at the Royal Academy of Music.

When not playing clarinet, he enjoys producing electronic music, and can be occasionally found moonlighting as a barista in London coffee shops and markets.

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Programme notes Ludwig van Beethoven 1770–1827

Overture, Fidelio 1814

Photo courtesy of the Royal College of Music, London

In all of Beethoven’s output, nothing was subjected to quite the same torturous process of composition as the overture to his only opera, Fidelio. As he later lamented to his biographer Anton Schindler, the opera was a challenge in itself: ‘Of all my children, this is the one that cost me the worst birth-pangs and brought me the most sorrow; and for that reason it is the one most dear to me.’ But the overture was more problematic still.

It was only after eight years and three abandoned attempts that the version we hear today was completed. To complicate matters further, this version of the overture – the ‘definitive’ overture in Beethoven’s eyes – features none of the themes from the opera itself, and it is not the version preferred by concertgoers (that honour falls to the Leonore Overture No. 3, which retains the opera’s original title).

It is, however, a magnificent curtain-raiser. Abandoning the opera’s themes altogether affords Beethoven a creative freedom more befitting an overture’s function – which is to set the stage for, rather than pre-empt, the drama to follow. It is compact, punchy, and full of suspense, pairing grandiose melodies and sinuous lyricism with dramatic fanfares and pregnant pauses.

Though the score may have undergone several false starts, it has all the ingredients of a perfect overture.

Programme note © Jo Kirkbride

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Programme notes Wolfgang Amadeus Mozart 1756–91

Clarinet Concerto in A major, K622 1791

Benjamin Mellefont clarinet 1 Allegro 2 Adagio 3 Rondo: Allegro But Mozart had a remarkable ability to keep his daily life separate from his inner world, and in writing this Concerto he produced a work that embraces both light and shade, producing brilliant fireworks and lyrical melodies in the clarinet’s upper register and exploring the rich, expressive sound of its bottom octave with equal ease. This gives the Concerto its searching, bittersweet quality, and Mozart enhances the effect with a soft-edged orchestral setting, with flutes but no oboes or trumpets. These colours give the concerto a specially warm, intimate tone (luminous in the Adagio), and make its expressive, gently curving melodies particularly moving. Mozart may not have meant this Concerto to be his swansong, but its subtle beauty of sound, ripe abundance of melody and compassionate tenderness of feeling make it as moving a testament to his genius as anything he ever wrote.

Mozart wrote his last concerto in the autumn of 1791 for his friend and fellow Freemason Anton Stadler – probably, at that point, the greatest player in the clarinet’s brief history. In 1784 a critic had written to him that ‘I would not have thought that a clarinet could imitate the human voice so deceptively as you imitate it.

Your instrument is so soft, so gentle in tone that no-one who has a heart can resist it.’ Mozart, typically, took a rather more down-to-earth approach. His nickname for Stadler was Ribisel: ‘redcurrant-face’.

That didn’t stop him writing a string of masterpieces for Stadler. Clarinets (and their predecessors, basset horns) give a wonderfully rich, expressive colour to many of Mozart’s most personal later works, including the Requiem. The Clarinet Concerto was no farewell to life, however. On the day he completed it, 8 October 1791, Mozart wrote to his wife that he’d played two games of billiards, ‘smoked a marvellous pipe of tobacco’, ordered a black coffee and then ‘orchestrated almost the whole Rondo for Stadler’. Not exactly a composer on his deathbed.

Programme note © Richard Bratby

Interval – 20 minutes An announcement will be made five minutes before the end of the interval.

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Programme notes Ludwig van Beethoven 1770–1827

Symphony No. 4 in B flat major, Op. 60 1806

1 Adagio – Allegro vivace 2 Adagio 3 Allegro vivace 4 Allegro ma non troppo When it gets going, there is little doubt that the Fourth has more in common with the effervescence of the Second than it does with the bombast of the Third, its lightness shared with the other works Beethoven completed that same summer – the Violin Concerto and the Fourth Piano Concerto. But in symphonic terms the Fourth is still far from straightforward. Most surprising of all is its mysterious, almost torturous introduction, which opens in the ‘wrong key’ of B flat minor. It takes almost three minutes before Beethoven finds his feet and, emerging from the gloom with a start, announces the opening of the Allegro proper with an earth-shattering timpani roll and series of sforzando chords.

When Beethoven began work on his Fourth Symphony in the summer of 1806, he might well have wondered, as the Viennese public did, what next? After the astonishing dynamism of the ‘Eroica’, with its unprecedented length and heroic ‘new manner’, he appeared to have set in train a new era in the symphonic tradition. Balance, poise and grace had all been superseded by grandeur, surprise and defiance, the last vestiges of Classicism apparently now buried along with any traces of the 18th century. His next symphony, his Fourth, would surely continue this line of expansion and development.

Had Beethoven not decided to spend that summer in the company of Prince Carl von Lichnowsky, things might well have been different. Beethoven had already begun work on a new symphony – the work which we now know as his Fifth – when he accepted the Prince’s invitation, but he broke off work on that score to compose a new symphony for Count Franz von Oppersdorff, a relative of the Prince and a long-time admirer of Beethoven’s music. When Beethoven and Oppersdorff were treated to a performance of his Second Symphony at the Prince’s country estate, Beethoven appears to have taken his cue for Oppersdorff’s new commission: this would not be a symphony of vehemence and heroism, but a return to more modest, even Classical, proportions. As Robert Schumann would later call it, the Fourth is ‘a slender Greek maiden between two Norse Gods’.

This is to be a work of dynamic extremes. Even the tender Adagio that follows is not immune to the sense of unrest, the persistent accompaniment always threatening to throw the delicate lyricism of the central theme off course – at the movement’s centre, as the key darkens and the trumpets and drums re-enter, it almost does.

A spirited scherzo follows, its bucolic theme again almost overshadowed by a lurking sense of unease, but Beethoven’s real surprise here is to double the traditional tripartite design to bring the opening theme back not once but twice – and, at the last moment, to shatter the recapitulation with a surprise blast from the horns. Beethoven, it seems, cannot resist the element of surprise. Even in the light-hearted finale, one of the most joyful in his symphonic output, Beethoven repeatedly wrong-foots the listener with a stormy

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Programme notes interjection that temporarily stops this perpetuum mobile movement in its tracks, as though a theatrical villain were waiting in the wings, ready at any moment to sabotage the drama.

Programme note © Jo Kirkbride

Take the music with you

Today’s Beethoven works on the LPO Label

LPO-0093

LPO-0096

Scan the QR codes to listen instantly

Symphonies Nos. 1 & 4

Symphony No. 3/Overture, Fidelio

Kurt Masur conductor

Vladimir Jurowski conductor

All LPO Label recordings are available on CD from all good outlets, and to download or stream via Apple Music Classical, Spotify, Idagio and others.

lpo.org.uk/recordings

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Next LPO concerts at Eastbourne’s Congress Theatre ELGAR’S CELLO CONCERTO Sunday 14 January 2024 | 3.00pm Smetana Overture, The Bartered Bride Elgar Cello Concerto Dvořák Symphony No. 7 Gabriella Teychenné conductor Laura van der Heijden cello

PICTURES AT AN EXHIBITION Sunday 11 February 2024 | 3.00pm Brahms Violin Concerto Mussorgsky Pictures at an Exhibition Kahchun Wong conductor Francesca Dego violin

RANDALL GOOSBY PLAYS MOZART Sunday 24 March 2024 | 3.00pm

Mozart Ballet Music from Idomeneo Mozart Violin Concerto No. 3 Prokofiev Romeo and Juliet (excerpts) Gemma New conductor Randall Goosby violin

Tickets from £16 Students £7 (exc. premium seats) eastbournetheatres.co.uk Ticket Office: 01323 412000

BrightSparks Schools’ Concert Coming to Eastbourne in 2024!

Thursday 9 May 2024 Congress Theatre, Eastbourne

Tickets £3 per pupil (accompanying teachers free of charge).

This includes a free INSET session and written resources for teachers.

This season we’re very excited to bring our popular BrightSparks schools’ concerts to Eastbourne for the first time!

This daytime performance is an opportunity for Key Stage 2 children to experience the thrill of hearing a full orchestra.

Booking for schools opens in the spring – for updates sign up at lpo.org.uk/brightsparks

New on the LPO Label Edward Gardner conducts

Berlioz: The Damnation of Faust LPO-0128

Recorded live at the Royal Festival Hall, 4 Feb 2023

Out now Exclusively on Apple Music Classical

Karen Cargill Marguerite John Irvin Faust Christopher Purves Mephistopheles Jonathan Lemalu Brander London Philharmonic Choir London Symphony Chorus London Youth Choirs

General release: 3 February 2024

Look for the Apple Music Classical app for iPhone and Android in the App Store or Google Play Store.

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Thank you We are extremely grateful to all donors who have given generously to the LPO over the past year.

Your generosity helps maintain the breadth and depth of the LPO’s activities, as well as supporting the Orchestra both on and off the concert platform.

Artistic Director’s Circle

The American Friends of the London Philharmonic Orchestra Anonymous donors Mrs Aline Foriel-Destezet Aud Jebsen In memory of Mrs Rita Reay Sir Simon & Lady Robey OBE

Orchestra Circle

William & Alex de Winton Edward Gardner & Sara Övinge Patricia Haitink Catherine Høgel & Ben Mardle Mr & Mrs Philip Kan Neil Westreich

Principal Associates

Richard Buxton Gill & Garf Collins In memory of Brenda Lyndoe Casbon In memory of Ann Marguerite Collins Irina Gofman & Mr Rodrik V. G. Cave George Ramishvili The Tsukanov Family Mr Florian Wunderlich

Associates

Mrs Irina Andreeva In memory of Len & Edna Beech Steven M. Berzin The Candide Trust John & Sam Dawson HSH Dr Donatus, Prince of Hohenzollern Stuart & Bianca Roden In memory of Hazel Amy Smith

Gold Patrons

Mrs Dorothy Hambleton Iain & Alicia Hasnip Eugene & Allison Hayes J Douglas Home Molly Jackson Mrs Farrah Jamal Mr & Mrs Jan Mr & Mrs Ralph Kanza Mr Peter King Jamie & Julia Korner Rose & Dudley Leigh Wg. Cdr. & Mrs M T Liddiard OBE JP RAF Drs Frank & Gek Lim Mr & Mrs Makharinsky Mr Gordon McNair Andrew T Mills Denis & Yulia Nagy Andrew Neill Jamie Njoku-Goodwin Peter & Lucy Noble Oliver & Josie Ogg Mr Stephen Olton Simon & Lucy Owen-Johnstone Mr Roger Phillimore Mr Michael Posen Saskia Roberts John Romeo Priscylla Shaw Mr & Mrs John C Tucker Mr & Mrs John & Susi Underwood Karina Varivoda Grenville & Krysia Williams Joanna Williams

An anonymous donor David & Yi Buckley In memory of Allner Mavis Channing Sonja Drexler Peter & Fiona Espenhahn Mr B C Fairhall Hamish & Sophie Forsyth Virginia Gabbertas MBE Mr Roger Greenwood Malcolm Herring Julian & Gill Simmonds Eric Tomsett The Viney Family Guy & Utti Whittaker

Silver Patrons

Dame Colette Bowe David Burke & Valerie Graham Cameron & Kathryn Doley Ulrike & Benno Engelmann Dmitry & Ekaterina Gursky The Jeniffer & Jonathan Harris Charitable Trust John & Angela Kessler Mrs Elena & Mr Oleg Kolobov Mrs Elizabeth Meshkvicheva Mikhail Noskov & Vasilina Bindley Tom & Phillis Sharpe Mr Joe Topley & Ms Tracey Countryman Andrew & Rosemary Tusa Jenny Watson CBE Laurence Watt

Principal Supporters

Anonymous donors Ralph & Elizabeth Aldwinckle Mr John D Barnard Roger & Clare Barron Dr Anthony Buckland Dr Simona Cicero & Mr Mario Altieri Mr Alistair Corbett Guy Davies David Devons Igor & Lyuba Galkin Prof. Erol & Mrs Deniz Gelenbe In memory of Enid Gofton Alexander Greaves Prof. Emeritus John Gruzelier Michael & Christine Henry Mrs Maureen Hooft-Graafland Per Jonsson Mr Ian Kapur Ms Elena Lojevsky Pippa Mistry-Norman

Bronze Patrons

Anonymous donors Chris Aldren Michael Allen Mrs A Beare Mr Anthony Blaiklock Lorna & Christopher Bown Mr Bernard Bradbury Simon Burke & Rupert King Desmond & Ruth Cecil Mr John H Cook Deborah Dolce Ms Elena Dubinets David Ellen Christopher Fraser OBE Mr Daniel Goldstein David & Jane Gosman Mr Gavin Graham Lord & Lady Hall

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Mrs Terry Neale John Nickson & Simon Rew Mr James Pickford Filippo Poli Mr Robert Ross Martin & Cheryl Southgate Mr & Mrs G Stein Christopher Williams

Supporters

Anonymous donors Mr Francesco Andronio Julian & Annette Armstrong Mr Philip Bathard-Smith Emily Benn Mr Julien Chilcott-Monk Alison Clarke & Leo Pilkington Mr Peter Coe Mr Joshua Coger Miss Tessa Cowie Caroline Cox-Johnson Mr Simon Edelsten Will Gold Mr Stephen Goldring Mr & Mrs Graham & Jean Pugh Mr Geordie Greig Mr Peter Imhof The Jackman Family Mr David MacFarlane Paul & Suzanne McKeown Nick Merrifield Dame Jane Newell DBE Mr David Peters Nicky Small Mr Brian Smith Mr Michael Timinis Mr & Mrs Anthony Trahar Tony & Hilary Vines Mr John Weekes Mr Roger Woodhouse Mr C D Yates

Hon. Benefactor Elliott Bernerd

Hon. Life Members Alfonso Aijón Kenneth Goode Carol Colburn Grigor CBE Pehr G Gyllenhammar Robert Hill Keith Millar Victoria Robey OBE Mrs Jackie Rosenfeld OBE Timothy Walker CBE AM Laurence Watt

London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

Thank you

Thomas Beecham Group Members

David & Yi Buckley Gill & Garf Collins William & Alex de Winton Sonja Drexler Mr B C Fairhall The Friends of the LPO Roger Greenwood Dr Barry Grimaldi Mr & Mrs Philip Kan John & Angela Kessler Sir Simon Robey Victoria Robey OBE Bianca & Stuart Roden Caroline, Jamie & Zander Sharp Julian & Gill Simmonds Eric Tomsett Neil Westreich Guy & Utti Whittaker

Corporate Donor Barclays

LPO Corporate Circle Principal

Bloomberg Carter-Ruck Solicitors French Chamber of Commerce

Tutti

German-British Chamber of Industry & Commerce Lazard Natixis Corporate Investment Banking Sciteb Ltd Walpole

Preferred Partners

Trusts and Foundations

Board of the American Friends of the LPO

ABO Trust The Barbara Whatmore Charitable Trust BlueSpark Foundation The Boltini Trust Borrows Charitable Trust Cockayne – Grants for the Arts The London Community Foundation Dunard Fund Ernst von Siemens Music Foundation Foyle Foundation Garrick Charitable Trust Idlewild Trust Institute Adam Mickiewicz John Coates Charitable Trust John Horniman’s Children’s Trust John Thaw Foundation Kirby Laing Foundation The Kurt Weill Foundation for Music The Lennox Hannay Charitable Trust Lord and Lady Lurgan Trust Lucille Graham Trust The Marchus Trust PRS Foundation The R K Charitable Trust The Radcliffe Trust Rivers Foundation Rothschild Foundation Scops Arts Trust TIOC Foundation The Thriplow Charitable Trust Vaughan Williams Foundation The Victoria Wood Foundation The Viney Family

We are grateful to the Board of the American Friends of the London Philharmonic Orchestra, who assist with fundraising for our activities in the United States of America: Simon Freakley Chairman Kara Boyle Jon Carter Jay Goffman Alexandra Jupin Natalie Pray Damien Vanderwilt Marc Wassermann Elizabeth Winter Catherine Høgel Hon. Director Jenifer L. Keiser, CPA, EisnerAmper LLP

LPO International Board of Governors Natasha Tsukanova Co-Chair Martin Höhmann Co-Chair Mrs Irina Andreeva Steven M. Berzin Shashank Bhagat HSH Dr Donatus, Prince of Hohenzollern Aline Foriel-Destezet Irina Gofman Olivia Ma George Ramishvili Sophie Schÿler-Thierry Florian Wunderlich

and all others who wish to remain anonymous.

Jeroboams Lindt & Sprüngli Ltd Neal’s Yard OneWelbeck Sipsmith Steinway

In-kind Sponsor Google Inc

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London Philharmonic Orchestra • 26 November 2023 • Mozart & Beethoven

London Philharmonic Orchestra Administration Board of Directors

General Administration

Dr Catherine C. Høgel Chair Martin Höhmann* President Mark Vines* Vice-President Emily Benn Kate Birchall* David Burke Deborah Dolce Elena Dubinets Tanya Joseph Hugh Kluger* Katherine Leek* Minn Majoe* Tania Mazzetti* Jamie Njoku-Goodwin Andrew Tusa Neil Westreich Simon Freakley (Ex officio – Chairman of the American Friends of the London Philharmonic Orchestra) *Player-Director

Elena Dubinets Artistic Director

Advisory Council Roger Barron Chairman Christopher Aldren Richard Brass Helen Brocklebank YolanDa Brown OBE David Buckley Simon Burke Simon Callow CBE Desmond Cecil CMG Sir Alan Collins KCVO CMG Andrew Davenport Guillaume Descottes Cameron Doley Christopher Fraser OBE Jenny Goldie-Scot Jonathan Harris CBE FRICS Marianna Hay MBE Nicholas Hely-Hutchinson DL Amanda Hill Dr Catherine C. Høgel Martin Höhmann Rehmet Kassim-Lakha Jamie Korner Geoff Mann Andrew Neill Nadya Powell Sir Bernard Rix Victoria Robey OBE Baroness Shackleton Thomas Sharpe KC Julian Simmonds Barry Smith Martin Southgate Chris Viney Laurence Watt Elizabeth Winter

Education and Community Talia Lash Education and Community Director

David Burke Chief Executive Chantelle Vircavs PA to the Executive and Employee Relations Manager

Lowri Davies Hannah Foakes Education and Community Project Managers

Concert Management

Hannah Smith Education and Community Co-ordinator

Roanna Gibson Concerts and Planning Director

Claudia Clarkson Regional Partnerships Manager

Graham Wood Concerts and Recordings Manager Maddy Clarke Tours Manager

Development Laura Willis Development Director

Madeleine Ridout Glyndebourne and Projects Manager

Rosie Morden Individual Giving Manager

Alison Jones Concerts and Recordings Co-ordinator

Siân Jenkins Corporate Relations Manager Anna Quillin Trusts and Foundations Manager

Robert Winup Concerts and Tours Assistant Matthew Freeman Recordings Consultant

Katurah Morrish Development Events Manager

Andrew Chenery Orchestra Personnel Manager

Eleanor Conroy Al Levin Development Co-ordinators

Sarah Thomas Martin Sargeson Librarians Laura Kitson Stage and Operations Manager

Nick Jackman Campaigns and Projects Director

Stephen O’Flaherty Deputy Operations Manager

Kirstin Peltonen Development Associate

Benjamin Wakley Assistant Stage Manager

Marketing

Felix Lo Orchestra and Auditions Manager

Kath Trout Marketing and Communications Director

Finance

Sophie Harvey Marketing Manager

Frances Slack Finance Director

Rachel Williams Publications Manager

Dayse Guilherme Finance Manager

Gavin Miller Sales and Ticketing Manager

Jean-Paul Ramotar Finance and IT Officer

Ruth Haines Press and PR Manager Hayley Kim Residencies and Projects Marketing Manager

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Greg Felton Digital Creative Alicia Hartley Digital and Marketing Co-ordinator Isobel Jones Marketing Assistant

Archives Philip Stuart Discographer Gillian Pole Recordings Archive

Professional Services Charles Russell Speechlys Solicitors Crowe Clark Whitehill LLP Auditors Dr Barry Grimaldi Honorary Doctor Mr Chris Aldren Honorary ENT Surgeon Mr Simon Owen-Johnstone Hon. Orthopaedic Surgeon London Philharmonic Orchestra 89 Albert Embankment London SE1 7TP Tel: 020 7840 4200 Box Office: 020 7840 4242 Email: admin@lpo.org.uk lpo.org.uk Cover illustration Selman Hoşgör 2023/24 season identity JMG Studio Printer John Good Ltd