L 15085 - 31 - F: 7,00 € - RD
Talia Chetrit, Becca Albee, Ketuta Alexi-Meskhishvili, Hope Atherton, Matthew Barney, Christopher Bollen, Camille Henrot, Mauro Hertig, Yngve Holen, Roni Horn, Florian Krewer, Liz Magic Laser, Ari Marcopoulos, Sarah Morris, Isamu Noguchi, Raymond Pettibon, Martine Syms, Francesco Vezzoli, Michael Wang
INTERMISSION guest curated by Olympia Scarry
I N T E R N A T I O N A L
ISSN 2262-1415
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William Karrick, Le Semeur, vers 1860 – Collection Ruth + Peter Herzog, Jacques Herzog und Pierre de Meuron Kabinett (Stiftung), Bâle Emmanuelle Lainé, Incremental Self – Transparent Bodies, 2017 – © Adagp, Paris, 2019 Liu Xiaodong, Mining Jade I, 2012 – Courtesy du studio Liu Xiaodong, 2012 – © Adagp, Paris, 2019 Albert Fernique, Fabrique de gaz d’Ivry, vers 1878 – Collection Ruth + Peter Herzog, Jacques Herzog und Pierre de Meuron Kabinett (Stiftung), Bâle Andreas Gursky, Katar, 2012 – Courtesy de l’artiste – © Adagp, Paris, 2019
…et labora 16.11.2019 — 13.04.2020
PHOTOGRAPHIES DE LA COLLECTION RUTH + PETER HERZOG ŒUVRES DE MIKA ROTTENBERG YURI PATTISON EMMANUELLE LAINÉ ANDREAS GURSKY THOMAS STRUTH LIU XIAODONG CYPRIEN GAILLARD EX-VOTO PROVENÇAUX
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L’ O F F I C I E L A R T
N ° 31
C U R ATO R O LY M P I A S C A R R Y
E D I TO R I A L C O M M I T T E E V I C T O I R E D E P O U R TA L È S BENJAMIN EYMÈRE M A R I E -J O S É E J A L O U
M A N AG I N G E D I TO R
A R T D I R E C TO R
YA M I N A B E N A Ï
JENNY MANNERHEIM
PRODUCERS JOSHUA GL ASGOW ELÉONORE JALOU
C O N T R I BU TO RS
Christopher Bollen, Sarah Demeuse, Mauro Hertig, Erik Lindman Mata, Brett Littman, Florence Meyssonnier, Michael Wang, Sarah Workneh Photographer: Henry Roy. Copy editors: Nicolas-Emmanuel Granier, Isla McMillan T R A N S L AT O R S
Patrick Hersant, Nicholas Manning, Matt Reeck.
E XECUTIVE PUBLISHER EMMANUEL RUBIN
P U B L I C AT I O N D I R E C TO R MARIE-JOSÉ JALOU
P U B L I S H E D BY L E S É D I T I O N S J A L O U
SARL au capital de 606 000 € — Siret 331 532 176 00095 — 128, Quai de Jemmapes, 75010 PARIS téléphone : 01 53 01 10 30 — Fax : 01 53 01 10 40
FOUNDERS Georges, Laurent & Ully Jalou †
L’Officiel Art is published quarterly in April, June, October and December — Total : 4 issues by Les Editions Jalou
8
L’ O F F I C I E L A R T
L’ O F F I C I E L A R T
MANAGEMENT Publication Director MARIE-JOSÉ JALOU Managers – Co-Chairs of the Executive and Administrative Boards MARIE-JOSÉ JALOU, MAXIME JALOU Executive Director – Director of the Executive and Administrative Boards BENJAMIN EYMÈRE (b.eymere@jaloumediagroup.com) Deputy Director Member of the Executive and Administrative Boards MARIA CECILIA ANDRETTA mc.andretta@jaloumediagroup.com Management Assistant CELINE DONKER VAN HEEL c.donkervanheel@editionsjalou.com
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DIRECTORS OF PRODUCTION Joshua Glasgow (j.glasgow@jaloumediagroup.com) Eleonore Jalou (e.jalou@jaloumediagroup.com)
N ° 31
PAYS-BAS, L’OFFICIEL HOMMES PAYS-BAS, L’OFFICIEL POLOGNE, L’OFFICIEL HOMMES POLOGNE, L’OFFICIEL RUSSIE, L’OFFICIEL VOYAGE RUSSIE, L’OFFICIEL SINGAPOUR, L’OFFICIEL HOMMES SINGAPOUR, L’OFFICIEL ST BARTH, L’OFFICIEL SUISSE, L’OFFICIEL HOMMES SUISSE, L’OFFICIEL THAÏLANDE, L’OFFICIEL MONTRES THAÏLANDE, L’OFFICIEL HOMMES THAÏLANDE, L’OFFICIEL TURQUIE, L’OFFICIEL HOMMES TURQUIE, L’OFFICIEL UKRAINE, L’OFFICIEL HOMMES UKRAINE, L’OFFICIEL USA, L’OFFICIEL VIETNAM. www.lofficiel.com – www.jaloumediagroup.com – www.larevuedesmontres.com LEGAL DEPOSIT October 2019 JOINT COMMITTEE Number: 0722 K 91430 – ISSN 2262-1415 Printed in EU/Imprimé en UE Printing, production oversight and paper provided by VALPACO 3, rue du Pont des-Halles, 94150 Rungis. Imprimé sur des papiers produits en Italie et Finlande à partir de 0% de fibres recyclées, certifiés 100% PEFC. Eutrophication: interior paper Ptot 0,006 kg/tonne and Ptot 0,003 kg/tonne – cover paper Ptot 0,006 kg/tonne Cymagina Photo-engraving. Distributed by the M.L.P. CYMAGINA Photo-engraving. Distributed by the MLP.
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Founders – GEORGES, LAURENT ET ULLY JALOU (†)
PUBLICATION DIRECTOR MARIE-JOSÉ JALOU
L’ O F F I C I E L A R T
GIUSEPPE PENONE mat rice di linfa 15-27 octobre 2019 Palais d’Iéna Siège du Conseil économique, social et environnemental
9 Place d’Iéna 75016 Paris
L’ O F F I C I E L A R T
N ° 31
C O N T EN TS
I.
Agenda
24 – 71
II.
Corporate Collections
72 – 95
Editors’ note
74 – 75
Societe Generale - Frédéric Oudéa
76 – 81
Renault - Ann Hindry
82 – 87
Colas Group - Hervé Le Bouc
88 – 93
Panorama
94 – 95
By Emmanuel Rubin and Yamina Benaï
Inter view by Emmanuel Rubin and Yamina Benaï
Inter view by Yamina Benaï
Inter view by Yamina Benaï
III.
Intermission
96 – 223
Michael Wang
98 – 105
Roni Horn
106 – 115
Talia Chetrit
116 – 123
The Agitated Now
124 – 129
by Carol Becker
Olympia Scarry
130 – 135
Mauro Hertig
136 – 141
Intermission text by Erik Lindman Mata
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COVER PICTURE 1: Talia Chetrit, Face #1, 1994-2017; inkjet print; 35.56 × 22.86 cm. COVER PICTURE 2: Yngve Holen, Jaguar photographed by Raffaella Russi in the Mamiraua Sustainable Development Reserve, 23 rd of August, 2015. © ADAGP, Paris 2019 for the works of its members.
CONTENTS
VANESSA PARADIS
CHANEL .COM
THE NEW J12
IT’S ALL ABOUT SECONDS
New self-winding manufacture movement Highly resistant ceramic watch. Swiss made. 5-year warranty.
L’ O F F I C I E L A R T
N ° 31
C O N T EN TS
Hope Atherton
142 – 143
Yngve Holen
144 – 153
Martine Syms
154 – 161
Isamu Noguchi: Environments of Leisure
162 – 167
Christopher Bollen
168 – 173
Florian Krewer
174 – 179
Ketuta Alexi-Meskhishvili
180 – 185
Becca Albee
186 – 191
Matthew Barney
192 – 193
Liz Magic Laser
194 – 199
Francesco Vezzoli
200 – 205
Camille Henrot
206 – 211
Sarah Morris
212 – 219
Ari Marcopoulos
220 – 223
By Brett Littman
By Sarah Workneh
By Sarah Demeuse
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CONTENTS
L’ O F F I C I E L A R T
N ° 31
C U R ATO R ’ S L E T T E R INTERMISSION As abstract as time is, it is a concept. We like to generalize the idea of it, but time is in fact a notion that is as individualized as our thoughts. Everyone lives it, thinks it and wastes it, in their own way. It’s an idea on a global scale that gives a sense of unity, a sense of security, a sense that “we are all in it together,” but in reality we are all on our own clock. Except in some parts of the world, we do live in a kind of World Time that trespasses all borders through the digitized spheres; if only that were true, not just in the electronic bands widths and times. As an artist, time does stand still for ideas. Hence, I reached out to great minds for this issue to get an insight into different perspectives on the subject. A kind of Intermission, to pause, to think, to let the curtain down for a minute and see what happens. Michael Wang, proposes a Drowned World in which our current climate change is reverting nature back to the earth’s First Forest, returning full circle to 300 million years ago. While Roni Horn, records Remembered Words between the years 2012-2013. Talia Chetrit captures that tender age of Sonic Youth and the 1990s or l’Age Ingrat through her photographic diary of her teenage years between the ages from 13-15. Writer Carol Becker expresses perceptions of time and the contemplative space of art. I shot photos of aircraft windows inflight, capturing an Intermission on Airplane Mode through landscapes of skies which are nowhere and everywhere at the same time. Mauro Hertig creates a musical score through the rolling sound of suitcases and airplane engines in The Perfect Passivity, an opera based performance embodying the airport as the Intermission. Hope Atherton casts time. Yngve Holen speaks to neuroscientists about their research into the behavioral psychology of monkeys in The Animal House is Closed. He travels deep into the Amazon to speak to the National Institute for Science Technology and Innovation for Amazonian Biodiversity to discuss the economics of deforestation, as: Of course No one pays the Amazonas for that Function from his ETOPS magazine issues Headache and Amazonas. Writer Brett Littman discusses Isamu Noguchi’s research through never before seen archival photographs by Noguchi himself of his search for Environments of Leisure through a seven year grant to travel across the world. Writer Christopher Bollen travels to Cambodia to photograph every clock he encounters within a 24 hour period in Phnom Penh. Prior to 1975, his birth year, also known as The Year Zero, owning a clock was punishable by death. Florian Krewer takes a line for walk by essentially killing time. Ketuta Alexi-Meskhishvili captures the markings of time. Becca Albee dives into geological Deep time. Matthew Barney shares his latest drawing Diana and Actaeon, drawing on classical mythology. Liz Magic Laser hires via Fiverr, the new Task Rabbit app, Zahid the graphic designer from Pakistan who stars in her latest experimental reality TV show, to layout her contribution to this issue coming full circle. Time Pressure follows the lives of five gig workers who rely on work they find through online platforms such as Fiverr under unrealistic time constraints. Francesco Vezzoli invites us into his new studio, filled with collected artifacts from all different periods. Camille Henrot reveals the workings of an Intermission through Wet Job, the breast pump series; expressed through words by Sarah Demeuse, exploring how to give the body a break through mechanisms. The project extends its reach into film, commissioning artists Martine Syms, Ari Marcopoulos and Sarah Morris; each creating an Intermission on the screen. Martine proposes an ideological athlete in the year 2050 ,filmed on a robotic arm morphing human and machine in Capricorn. While Ari captures virtuoso heavy metal speed guitarist Mick Barr defying time through sound in Annwn Current Incarnation. Sarah specifically shoots her film in time to capture the fleeting moment in which the spectacle of the blossoming of the Sakura tree occurs at the infamous Osaka castle, the ghost capital, in her epic fictious documentary Sakura. With a very special thank you to Chanel for their support.
by Olympia Scarry
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C U R AT O R ’ S L E T T E R
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