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FLOOR SHOW

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Birnie says vintage rugs are easier to clean than today’s synthetic rugs because they do not have a plastic backing and are made from wool, enabling them to naturally wick stains and liquid.

To spot clean a vintage rug, she suggests using water and a gentle soap. To fully clean a rug, providing you have space to do so, soak it in cool water and let air dry, preferably out in the sun. It’s not recommended to ring or twist moisture out of the rug. Laying out (flat) the wool rug is the preferred method.

the vintage rug on top of it,” she says.

So, what is it about vintage rugs that makes them so appealing? Birnie says the appearance and durability of rugs from more than 50 years ago are different than rugs that are made today. “The craftsmanship of the way [vintage] rugs are made is incredible. They were made to take a beating, quite literally,” she says, referencing the way rugs were cleaned prior to the use of vacuum cleaners as we know them today.

Most of the rugs in the Curio Rugs showroom are between 60–120 years old and come refurbished from Middle Eastern suppliers in Afghanistan, Pakistan and Turkey. “They’re really amazing,” Birnie says of the rugs. “Almost brand-new condition.” travel abroad to visit suppliers, it is on the bucket list for this year. “There is something about seeing a rug in person versus online that gives it a little more,” she says. That holds true for her showroom. While clients can shop online, she encourages them to stop in and see firsthand what she offers. “My favorite part of the job is helping a customer find a rug, and then they send me a photo of how much they love it in their space,” she says. “I absolutely love that part.”

Curio Rugs, 18285 Minnetonka Blvd. Suite B, Deephaven; info@curiorugs.com; curiorugs.com hen developing a home’s décor sensibilities, one often searches for that bit of je ne sais quoi—that undefined quality that makes its own statement. Is it earned by well-placed artwork? Does it come by way of expertly-culled furnishings? Absolutely. We also believe the décor spirit of a home can be inspired through the essence of a country and even its cultural epicenter—Think: Paris, with all its romantic notions and joie de vivre.

Viewing rugs in a showroom, rather than online, can make a signficant difference in determining what piece will or won’t work in a home.

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Let’s embrace some Franco-inspired living right here at home. For inspiration, we turned to Grace Ward, visual manager with Wayzata’s Chazin Interiors, which even employs the fleur-de-lis in its logo. Ward has been with Chazin for a total of more than 10 years. (She had a two-year sojourn to Georgia’s Sea Island.) Her experience includes a four-year apprenticeship with a local importer of fine French and English furniture and “a lifetime admiration of things French,” she says.

How does one define French-inspired décor? Ward explains it as “thoughtful details gathered together in a rather relaxed fashion.” She articulates it as an approach and attitude, “… that perfect combination of plain and fancy and perfectly imperfect … [It’s] part architecture then layers of furnishings, lighting, fabric, flowers, music—a celebration of everything beautiful and lovely.”

Gentle curves by way of furniture or décor elements can soften the mood of a corner, niche or an entire room.

Florals, especially in white tones, add fresh elegance and layered style to any space.

“It is definitely creating a mix not a match,” Ward says. “Also, do not forget, art deco and French midcentury modern pieces are terrific combined with vintage and antique [elements]. It creates an interesting dialogue in the room. The French are so very well known for their chic fashion combinations, and that translates to interiors as well. Think of that great Chanel tweed jacket worn with ripped jeans and ballet flats,” and translate that into home design.

“Layering is where the story is told,” Ward says. She suggests vintage rugs underfoot (the more faded and threadbare the better); inviting seating, perhaps canapés (not hors d’oeuvres, rather elegant couches); pillows and cushions, spilling off the sofas and chairs “in fabrics to die for—delicious textures”; and small tables ready for a drink or bite and all-white florals. Embrace that connection to fashion and, “all things that speak to you,” she says.

While subtle neutrals with accents of color are popular, Ward reminds the use of French blues, grays and greens.

Ward recommends an oversized or ornately-carved mirror, a mixed or matched set of Louis XVI oval-backed dining seats, a Bergère chair or a carved armoire. Think all types: new, vintage and antique; elaborate and plain; and bleached, distressed, natural and painted wood.

“A great focal piece is a wonderful stepping off point,” Ward says, suggesting fireplace surrounds, elaborately-carved framed mirrors, art or a fabulous chandelier to set the stage.

“[This] can be as involved as the addition of trim molding detail at the crown, picture or [wall] panel; ornate fireplace surrounds; elaborately-framed art or mirrors; and other furnishings,” Ward says. “Or, simply, [add] a great black and white photo, featuring those very elements of architecture in French buildings, monuments and homes.”

She also notes that wallpaper illustrating architectural elements is also popular and effective.

The spirit of romance can easily be reflected through thoughtfullyculled items that delight the senses.

Ward describes the ambiance as decidedly feminine with curves and surprises; little luxuries and delights; lighting of all types and levels; scents (flowers, candles and diffusers); comfort accents by way of pillows and throws; old books and treasured mementos; and music to orchestrate the sensory crescendo. And— it goes without saying—don’t forget the Champagne.

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