Conjuring the Calabash, by Mawiyah Kai EL-Jamah Bomani

I

IHIOODOO SPELLS : l~IAGICIK

MAWIYAH KAI EL-JAMAH BOMANI Foreword bySherryShone, authorofHoodoo for Everyone

This book is about Black girl magick, queer girl magick, straight girl magick, trans magick, bisexual magick.

It’s about giving yourself the power to be fierce.

Authentic and unapologetic, this guide to magical spirituality empowers you to take back the power to heal and shine under your own strength. Written by an accomplished Hoodoo practitioner, Conjuring the Calabash features spells, recipes, and rituals that help you rise out of the constrictions around you.

Mawiyah Kai El-Jamah Bomani shows you how to bless your calabash (sacred womb) with love and reawaken your fullest potential through folk traditions, personal stories, and her favorite songs and pop stars. An inclusive and intersectional voice in contemporary Hoodoo, Mawiyah will help you become your fiercest self.

Praise for Conjuring the Calabash “Conjuring The Calabash is not derivative nor is it tethered to tradition. This book is bold in its contemporary, eclectic, and visionary outlook. In its pages you will learn to address issues that are of today ... Bomani is a gifted Hoodoo and a modern-day wise woman.” —Stephanie Rose Bird, author of Sticks, Stones, Roots & Bones and 365 Days of Hoodoo “Bomani is the first to concretely compile the religious practices surrounding the use of the Calabash as a sacred vessel and symbol of femininity, fertility, and ancestry, putting together centuries of oral folklore, spiritual tradition, and religious practice in a clear way.” —Elhoim Leafar, author of Dream Witchery “As Bomani shares her encouragement, experience, and wisdom with the reader, a sense of strength and compassion shines through. It’s loaded with magickal workings for spiritual and practical livelihood.” —Granddaughter Crow (Navajo Nation), author of Belief, Being, and Beyond “Bomani is why women of color are finally leading the conversation surrounding sex magic. She makes the world a better place through her thrilling yet relatable writing.” —Sophie Saint Thomas, author of Sex Witch “One of the most authentic books on Hoodoo that I have read ... Speaking directly to people of color not only makes this book a must-have to help navigate the hardships we face in this world, but also inspires a rekindling of magic that lives deep within our bones.” —Juliet Diaz, author of The Altar Within “Conjuring the Calabash is full of practical advice, tips, tricks, recipes, and folklore. Mawiyah truly understands and shares her lineage and has vast knowledge of this history, the stories, and African traditions.” —Yvette Wyatt, owner of The Motown Witch “Bomani does not disappoint in her endeavor to celebrate wombmanhood, weaving stories of her family into the tapestry that is the calabash ... She shares the ancestral wisdom and culture held fiercely in the hearts of those

who live it. Though written for women, there is something in the book for anyone looking for empowerment through the art of conjure.” —Denise Alvarado, author of The Magic of Marie Laveau “Conjuring the Calabash fills a blank space in American Witchcraft Literature.

This book reveals the mysteries of Hoodoo, making it accessible to understand, practice and incorporate magic in our everyday lives with plenty of exercises, spells, and rituals to experience time and again.” —Laura Gonzalez, CSNP station manager, host of Lunatic Mondays “A powerful book that unlocks the secrets of African-American hoodoo traditions for modern women ... With clear, step-by-step instructions and practical examples, Mawiyah guides readers through the intricacies of hoodoo spellcasting and helps them unlock their full potential.” —Mat Auryn, bestselling author of Psychic Witch and Mastering Magick “A well-written and insightful book...It is much needed information on folk magicks of the Caribbean, working with the Calabash. It is a book I will be recommending to my students and colleagues alike.” —Starr RavenHawk, HPs founder of WFT Academy of Pagan Studies “A call to all levels of magickal practitioners to embrace the enormity of the powers that lie within us and to enliven and express that power through magick, spellcraft, and ritual ... Bomani has created a rich and searingly honest go-to resource.” —Rhonda Alin, founder of Black Women of Magick & Conjure

CONJURING THE

CAL ABASH

About the Author Mawiyah Kai El-Jamah Bomani is an award-winning writer, educator, and spirit woman. Mawiyah is an eighth-generation Witch, Egun Medium, and Priestess of OYA in the Yoruba system of spirituality. She is also editor in chief of the culture and Afrikan Traditional Spirituality e-zine, Oya N'Soro.

Mawiyah is the host of FishHeadsinRedGravy, a podcast dedicated to celebrating marginalized people of the esoteric/occult world. Her writings have appeared in numerous magazines, including The Crab Orchard Review, Dark Eros, and Catch the Fire. She has written several plays, including Spring Chickens, which won her the Southern Black Theatre Festival's 2012–2013 Playwright of the Year Award. She is also the Critical Mass 8 Literary Award winner and a KAT Artist Residency recipient. Mawiyah currently lives, writes, and conducts Orisa rituals, spiritual consultations, workshops, house cleansings, and divinations in both northern and southern Louisiana. Visit her at www.MawiyahKaiElJamahBomani.com.

Title Page

Llewellyn Publications Woodbury, Minnesota

Conjuring the Calabash: Empowering Women with Hoodoo Spells & Magick Copyright © 2023

by Mawiyah Kai El-Jamah Bomani. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever, including internet usage, without written permission from Llewellyn Worldwide Ltd., except in the case of brief quotations embodied in critical articles and reviews.

First Edition First Printing, 2023 Book design by Christine Ha Cover art by Delita Martin Editing by Anitra Budd Interior illustrations by the Llewellyn Art Department Photography is used for illustrative purposes only. The persons depicted may not endorse or represent the book’s subject.

Llewellyn Publications is a registered trademark of Llewellyn Worldwide Ltd. Library of Congress Cataloging-in-Publication Data (Pending) ISBN: 978-0-7387-7371-1 Llewellyn Worldwide Ltd. does not participate in, endorse, or have any authority or responsibility concerning private business transactions between our authors and the public.

All mail addressed to the author is forwarded but the publisher cannot, unless specifically instructed by the author, give out an address or phone number.

Any internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific location will continue to be maintained. Please refer to the publisher’s website for links to authors’ websites and other sources.

Llewellyn Publications A Division of Llewellyn Worldwide Ltd. 2143 Wooddale Drive Woodbury, MN 55125-2989 www.llewellyn.com Printed in the United States of America

Dedication This book is dedicated to my husband, Nadir Lasana Bomani, who can never let a day go by without reminding me my stews, brews, and witchy ways “keep women out my face.” (All I got to say to that is sure you right!) To my daughters, the weird sisters, Nzingha, Camara, and Naima, my most beloved coven of revolutionary witches, I truly love you. May this book liberate you, your lovers, your children, and their children for eons to come. To my sons, spirited craftsmen of words, Kambui and Sekou, I see the mugwort in your eyes—now go set the world on fire. To my grandmothers, grandfathers, and mother, Patricia Ann Coulter Dean, I thank you for your wisdom. I’ll cherish your stories of salvation and magickal evenings beyond the veil for many lifetimes to come. Lastly, this book is dedicated to YOU, dear reader, for deciding on this day to name yourself healed, whole, and divinely liberated. Ase!

Disclaimer This book contains advice and information detailing both the usage and formulation of herbs specifically for spellcrafting and rituals. This book is not intended to diagnose, treat, or prescribe for any illness or disease. Readers using the information in this book do so at their own risk. The author and publisher accept no liability for adverse effects. No portion of this book is meant to be used as a substitute for the advice of a licensed/board-certified therapist or physician. If you have or suspect you have a medical problem, do not attempt any of the spellcrafting listed in this book. Consult a health care provider before beginning any herbal regimen.

Readers are cautioned: to achieve maximum results, follow each work as it is written.

Contents Foreword xv Introduction 1 One: Crescent City Hoodoo Two: Tools of the Trade

21

Three: Sexual Evolutions

43

7

Four: Love Me or Leave Me Alone Five: Cold Hard Cash

75

101

Six: Goofer Dust in Your Eye

135

Seven: Mother Earth Sustains Me Eight: Just for the Men

159

181

Nine: Goddess Bless the Child 199 Ten: Crossing Over

217

Eleven: Lagniappe

239

Conclusion 257 Acknowledgments 261 Bibliography 263

Foreword

I

was honored to be asked by Mawiyah Bomani to write this foreword to her engaging and inclusive book, Conjuring the Calabash: Empowering Women with Hoodoo Spells and Magick. You see, we’re both Hoodoo workers and conjurers first before writers. Hoodoo workers by their very definition have changed over the years. We’re at a crossroads of justice and what it means to be in or out in the intersectionality of female, spiritual workings, and political activism. Hoodoo, in my mind, is personal, political, and social. Before I knew anything about the word Hoodoo, I just knew my family.

The women in my life were my teachers. Some were just doing the best they could with limited education and support. Some were very successful for their time, meaning they were mothers and wives. Others were different, weird, shunned. Shunned because they chanted to God and Universe at midnight. They consulted bones, black-eyed peas, cowrie shells, and ancestors before making choices. They wore white on some days, washed their hair and clothes on others, and bathed themselves in knee-high stockings full of herbs and roots. They had reverence for Spirit and Angels and numbers and photographs on their altar. These were the women who held and taught me and made me a Hoodoo worker when I knew nothing of the word. I watched and learned their ways and now, with many years of fasting, praying, spirit work, rituals, writing, reading, and trial and error in the Universe’s ways, I’m a Hoodoo worker and woman. I can do with water what others need an entire metaphysical store to accomplish.

This personal and practical book gives you Mawiyah’s way of Hoodoo so that one day you can integrate it into your Hoodoo. For those of you just starting your journey into Hoodoo, this book will teach you. For those who are already Hoodoo workers, this book will teach you more. For those who doubt Hoodoo can and should be inclusive, Mawiyah’s personal story, rituals, and methods will be a balm to heal those wounds. Join Mawiyah as she gives xvii

xviii • Foreword

you a key into her personal Hoodoo world. She will be a firm and gentle guide—she won’t sugarcoat nor chastise.

Once you’ve devoured every page, I dare you to look back at the person you were when you began and who you are when you finish the last paragraph. Good books are read; great books touch your spirit and soul. Conjuring the Calabash is a great book, and a reference for women of all kinds, Hoodoo and conjure, and the BIPOC experience.

—Sherry “That Hoodoo Lady” Shone Author of Hoodoo for Everyone: Modern Approaches to Magic, Conjure, Rootwork, and Liberation, and The Hoodoo Guide to the Bible: Advice from a Real Hoodoo Worker

Introduction

Y

ou’re probably wondering why you’re being asked to conjure the calabash, and even more who the wild, witchy woman imploring you to do so is. Let me explain by weaving our journey through the vines of the calabash itself.

The calabash is a sacred vessel in Yoruba cosmology. It’s said to represent the energies of man at the top and woman at the bottom. As the two halves are suspended in space, we witness the glory of sky meeting earth in an eternal yet sacred kiss. It’s through the power of Ase (the energy to make life happen for us as opposed to us) that these two remain forever intertwined in a perfect mating dance.

To me, the calabash is the womb of womankind. Even if we’ve never given birth, it is the heartbeat residing at the depths of our spiritual womb space. The calabash expresses itself as a feminine knowing. It’s an instinctual blessing bestowed on every person greeting us with a calm patience. The calabash grounds us to our purpose, spanning every and all life experiences. It’s the portal to the ancestral council, those who decide what sacrifice must be paid from each life’s toll. The calabash is our reminder that we are sacred, and no amount of trauma can stop us from honoring the drive it took to be born, to smell, to taste, to touch, to exist. The calabash is where we go to recuperate after battles. It’s where we return to when we seek camaraderie from those survivors who have been where we are, those living reminders, those calabash women who are too stubborn to die. Calabash women multiply infinitely. Taste their fruit sprouting, reaching toward the sun, reaching toward a collective salvation.

Wherever sistahs congregate is their personal calabash. It might be a book club. It might be movie night. It might be a literal club outing, dancing to house or reggae music as a release. It might be the beauty salon, a day spa, or a girl’s trip to an all-inclusive resort. It might be a sistahs’ all call for magickal 1

2 • Introduction

work at midnight, butt naked, in the backyard of the homegirl with the least distractions. It might be at the gym, the yoga studio, pole dancing, or a burlesque class. It could be a hike in the woods far away from civilization and cell towers. The calabash is wherever you and your girlfriends find a deep communal healing for the mind, body, soul, and spirit.

••• I grew up with my grandfather telling me the story of Oduduwa and Obatala sealed inside the darkness of a gourd. As his telling goes, Obatala was nestled at the top while the blind Oduduwa made her home at the bottom. As time went on, both grew impatient with the thought of remaining in the gourd’s darkness for eternity. Oduduwa began to complain. Her tongue grew wicked with insults and taunts. As the days trickled into weeks, Oduduwa blamed Obatala for their predicament. With each new insinuation she cut him to the bone. One day his rage boiled over into putrid venom, and Obatala tore out his wife’s eyes with his bare hands. Not to be outdone, Oduduwa cursed him with an appetite to eat only raw snails.

Seeing my tears and anger at the story, my grandfather would add, “Eventually they forgave each other and made the darkness their salvation, not their adversary.” As I grew up, I placed my ear next to gourds, any gourd, hoping to hear Obatala and Oduduwa either quarreling or soothing the intense pain from each other’s aura. Even today, as a grown woman, I can still press my ear against gourds, eagerly waiting for whispers in the dark.

In time, I saw the gourd as a representation of something beyond my grandfather’s story. It became the ultimate emblem of fertility, like the uterus it so closely resembles. Gourds have earned the right to be seen as powerful symbols of femininity, and they’re often used in fertility rites of passage.

Their ritual roles ensure that girls are imbued with the power to conceive as they pass into womanhood. Hollowed and cut, gourds serve as bowls to carry offerings to goddesses, gods, and ancestors.

The calabash gourd represents a generational container cradling the blood of each woman’s lineage. The gourd reminds us that for as long as

Introduction • 3

there are women who are heard, there will be women who are loved. What lies in the hollow darkness of the gourd is the potential for life.

The idea of conjuring the calabash is embedded in the reality that a woman who loses her agency to the will of patriarchal mandates has blocked her womb. She no longer possesses the knowledge to free herself from the role of sex slave versus feminine icon.

The offerings in this book will help call forth a woman’s self-worth. By performing these rituals, you’ll find your sacred voice while reawakening your fullest goddess potential. Isn’t it time to bless your gourd with love?

••• But what about Hoodoo? What is it? Hoodoo is the African American’s cathartic release. It combines African conjure magick, indigenous Native practices, and a sprinkling of western spirituality in the forms of roots, herbs, and lore to creatively alter, annihilate, and transform inhumane conditioning in our favor. Over the years, Hoodoo has afforded me and my clients the unadulterated freedom to rewrite our stories, fashioning ourselves as we see fit. No longer are we the victimized do-gooders who never get a break. Now we’re magical artisans, reconfiguring the void for eternity. And if we want a lover to park his or her feet under our coffee table? Then please believe me when I say, we got a spell for that too. There are more methods to Hoodoo than you can shake a switch at.

Growing up in New Orleans, I came to understand Hoodoo as a gumbo of Indigenous beliefs and practices stirred together in one engorged melting pot. See, Hoodoo differs from Black person to Black person depending on their region and other cultural influences that intermingled in their specific roux. Where I’m from, there’s a mixture of Africans from the Senegambia region of West Africa, the Bight of Benin, Congo, Ghana, and Sierra Leone.

Then, as the roux thickened through the knowledge of Louisiana staple herbs and roots, it incorporated Indigenous healing knowledge from the Atakapa, Bayogoula, Natchez, Choctaw, Chickasaw, Taensa, and Alabamon peoples.

4 • Introduction

The more Christianity was forced on Afrikans, the more they channeled their spiritual traditions into a deeper understanding of rootwork; in this way elements of Indigenous botanical knowledge became a staple of Afrikan retention. As offspring of the first Afrikans to the region became devout Christians and Catholics, Hoodoo remained an unwavering yet unspoken fixture in many households.1 ••• In writing this book, I hope to share a fragment of the spellcrafting that has shaped and continues to shape my life, as well as the lives of folks I hold dear. I’m an educator, eighth-generation witch, Egun medium, priestess of Oya in the Yoruba system of spirituality, and lifelong practitioner of conjure cloaked in the splendid attire of Hoodoo. For eleven years I served as editor in chief of the culture and Afrikan Traditional Spirituality e-zine, Oya N’Soro. For fifteen years I’ve divined for women and men alike. Over the years, these people have reiterated how potent my readings were in helping them recharge their life’s goals. Not only do I point out parallels between their present and future, but I also offer a look into past lives with a specific emphasis on healing through the use of herbs, roots, baths, powders, candle work, crystals, and satchels.

When a querent leaves me, I want them to have so much more than a simple set of emailed words on a screen. Rather, I want folks to walk away wielding the power to build a new beginning from the ruins of a once-debilitating past.

This book is intended for those who don’t want to devote their time and energy to the dogma of religion, with all its prejudices and fire-and-brimstone hurdles on the path to emotional salvation. This book is for those of us who’ve decided that the Goddess and God’s abode is everywhere, and no one’s rendition of scripture is more sacred than the autonomy of our own voice.

1. I use the letter k in the word Afrikan instead of a c because the k sound aligns with rules of Afrikan vernacular throughout the diaspora. The c is believed to have been used because the sound pattern fits European language rules. I interchange the k and c so readers can immediately identify whether I’m discussing an idea derived from Afrikan or European constructs.

Introduction • 5

This book is for all women of color, whether they be African American, Native, Asian, Latino, lesbian, bisexual, nonbinary, transgender, or any other identity—honey, I accept you and love you fiercely no matter what! And when I say “women,” I mean any person of color who identifies within the realm of the divine feminine—even if you’re wielding a divinely masculine body, this book will uplift you and provide an avenue toward connecting with the feminine perspective sashaying within us all. Most of all, this book is for women who seek to liberate themselves by healing from the outside in and the inside out.

All that being said, I’m a cis woman, meaning the sex I was assigned at birth matches the gender I identify with. I’m also in a heterosexual marriage and have been for years. This book’s insights and workings are drawn from my lived experience because I can only share with authenticity from that vantage point. Likewise, only you know your vantage point: your lived experiences as a woman and what being a woman means to you. I invite and encourage you to use your unique vantage point to modify the techniques in this book as needed. Make it authentic to your life.

Women are often told to temper our expectations. We’re told that being strong willed will leave us unmarried, childless, and excluded from important circles. This book is about Black girl magick, queer girl magick, straight girl magick, trans magick, bisexual magick. This book is about giving yourself the power to be fierce. This book is about allowing magick to set the record straight once and for all: Black women are hierophants, magicians, empresses, and high priestesses, and sometimes if you catch us right, we can even unleash the Devil.

Chapter One

Crescent City Hoodoo

Y

ou’ve probably heard some version of the following: When a man cheats, he’s simply “being a man.” But when a woman cheats, she’s a whore, or worse. And if this same woman is killed by her lover or husband, the thinking is, well, she shouldn’t have been stepping out in the first place. I’m strongly against this sort of brainwashing. I wasn’t born with instructions attached to my toe telling me to listen to men because all men are always and forever right. My belief in the woman-as-goddess concept stems from my resistance to the idea that women should be treated like children—spanked into submission either verbally or physically. Yet I hear from women who’ve been brow beaten by church into letting their husbands decide how their lives unfold. As a result, many of these women feel they don’t even have their own thoughts. I don’t need a man or a religion to teach me my worth as a woman. I know I deserve a cherished existence.

Women can choose to follow a god, goddess, both, or none. We can vocalize our disdain at our underrepresentation in the clergy and fight to stand at the pulpit, not filling the chalice of a male adept who blames what lies between our thighs for humanity’s exile from utopia. We women are fully capable of paying our own bills, deciding to have or not to have children, leading ourselves in prayer, and maintaining our homes, cars, and, most important, our bodies. We’re also more than capable of finding our sexual sweet spot every time, no questions asked.

As a living, generational practice, Hoodoo is important to include in the lives of women. Hoodoo uses blood, bones, spit, shit, hair, urine, semen, plants, roots, and shoots to conjure forward the spirits of the Nether Region, those ancient figures from our lineage who may be unknown, but are highly beneficial to our survival. When we feed these spirits, we nourish the void.

This spiritual intervention impacts our physical realm, making the world an easier road to travel. In this way, Hoodoo gives women the means to control 7

8 • Chapter One

their spirituality. It provides women an equal opportunity to voice their ideas and desires, and to create the consequential themes that will forever define their lives.

Jena Street My own connection to spirits came when I was five and living in uptown New Orleans on Jena Street. The spirits who floated aimlessly throughout the shotgun house called to me by name. They could appear on any given day at any hour. Some forty-three years, later I still vividly remember one encounter with the spirit of Ms. Odessa, my father’s second wife. That night, she and her prickly nails scratched at my heels as urine streamed down my legs. I ran from my bedroom, vaulted over a cedar trunk, and leaped into my mother’s bed, where she calmed my hysteria with whispers and soothing kisses. I latched onto her fuchsia nylon gown, hiding my face between her gardenia-scented breasts. I had made it to my safe zone.

But while I’d escaped Odessa’s scratches, I couldn’t outrun the multicolored fluorescent balls of talking lights that had followed me from the bedroom and now hovered above my mother’s bed. I took the only course of action I could think of: I jumped up and began hurling objects from my mother’s nightstand into the congregation of gurgling bubbles. But they refused to shush. I tossed a hairbrush, a Bible, a TV Guide, Linda Goodman’s Love Signs, an O.E.S. (Order of Eastern Star) handbook, a JET magazine, a deck of tarot cards, even a stack of eight-track cassettes. As I reached for my mother’s quartz crystal ball, she finally screamed, “Stop and put that down!

They won’t leave you alone! They have a purpose, and they will stay here until you reconcile their reason for choosing you. They chose you; there’s no denying it! Sorry, Charlie, but you have to help them close their chapter way before you write your own.”

Mama and I were both born with a veil of flesh covering our eyes. It was the caul’s fault that we were four-eyed seers in worlds both physical and metaphysical. That skin over our eyes was a sign to the world that we were as close to superheroes as our family would ever know.

Crescent City Hoodoo • 9

My mama taught me to relax my anxiety over the spirits with breathing techniques. She taught me to listen to the loudest voice in the room—spirits rarely wait to be called on, so asking them to play nice and speak one at a time is out of the question. “Focus,” Mama would tell me. “Drown out the others, choose the one, solve that spirit’s problem, then cross them over. As for the others, you’ll have to fade them to black until you’re physically and emotionally strong enough to tackle the next situation.”

Over the course of fifteen years, I met more than a hundred spirits in that house on Jena Street. Some still visit me in my dream space to this day.

The most vicious and spiteful spirit was Ms. Odessa. Her residual impressions lived in the walls and floorboards. The entire house was a shrine to her refusal to go in peace; this would forever be Odessa’s house. Her lavender scent strained the lining of my nostrils. With every swallow, I tasted the foliage on my tongue. I could hear the sour, raspy tone of a woman who had forgotten how to laugh, a woman hell-bent on sucking the air from the house so that all that remained was turmoil and internalized self-doubt.

My mother told me Ms. Odessa had dabbled in Hoodoo. By “dabbled,” I mean Ms. Odessa procured spells to keep her longshoreman husband employed and to encourage his ascent to foreman. She later used Hoodoo to convince an Irish Italian realtor to sell a barroom in an upstanding part of town to my Black no credit or collateral–having stepfather for pennies on the dollar. By “dabbled,” I mean she lived a life filled with jewels, shoes, stockings, wigs, the best cuts of meats, imported champagne, and cartons of femme fatale cigarettes. By “dabbled,” I mean she paid good money to beauticians for hair clipped from the freshly hot-pressed heads of any young woman who might interfere with her till death do us part.

It was common knowledge that my stepfather had a roving eye. He was thirty-five years older than my mother when they fell in love, and he was still very much married to Ms. Odessa. She died before they could be found out.

My mother said it was the mojo bag and juju she carried in her bra and purse that kept Odessa off her scent. “Odessa barked daily but never up the right tree,” Mama said. And my aunt, who hot pressed my mother’s hair, made sure any fallen split ends were torched in an ashtray and flushed down the

10 • Chapter One

toilet. My mother also took extra care to ensure her nail and hair clippings were never left out in the open where women like Odessa could use them against her.

After marrying my stepfather, my mother inherited Ms. Odessa’s queensize bed along with a host of other antique home furnishings—a cherrywood French provincial nightstand, dishes from Hong Kong, a Zenith Allegro stereo with eight-track console, and an elephant carousel music box from New Delhi. My stepfather thought it was a good idea to avoid splurging on a new way of life until my mother felt emotionally and physically comfortable enough to view his house as a permanent home for herself and her children.

When that day came, everything that once belonged to Odessa was hauled off to the Goodwill, everything except for a checkboard blanket. Mama was planning to burn it.

After getting in bed that night, I learned why. I watched as that blanket crawled from the floor and onto my bed, slithering up my legs and traveling to my throat before stretching the length of the bed. I tried to scream, but the blanket tightened around my throat. That’s when I ran to my mother’s room.

That next evening, we put the blanket in a heavy metal trash can before setting it ablaze. The howl that blanket made was like a tornado screeching across a tin roof. As we topped the can, smoke escaped from the dented left side. The smoke’s silhouette looked like a woman exhaling her sins into the air for the last time. We watched the blanket burn to a crisp. Afterward, Mama spat on top of the can and tossed in salt, holy water, and a small Bible.

Then she made me take a vow. “Never repeat what happened here tonight to anybody at that catholic school,” she said “This is ours to keep. Going around talking about possessed blankets wouldn’t make sense to most people. They either wouldn’t believe you or worse, they would think you were born with loose screws. Either way, they’ll try to take you from me.” Mama was sure the White nuns would look for any reason to commit me to a mental institution.

That night I started a serious study of magick and how to properly determine if someone had evil eyed me or crossed me up. Dolls became my first

Crescent City Hoodoo • 11

familiars, and my life from that point forward became a whirlwind of shadow-people, with bumps in the day and most assuredly in the night.

Hoodoo as Black Justice Hoodoo has long been the displaced Afrikan’s response to surviving the psychological and physical violence of the New World. Hoodoo is the Black person’s justice in the face of untrustworthy White doctors, police, governing bodies, educators, and store owners. Hoodoo also transforms the Black-onBlack adversities of divorce, infidelity, miscarriage, rape, murder, depression, mental illness, poverty, death, sexual dysfunction, and deplorable socioeconomic structures.

Survival in the New World relied on knowledge extrapolated from Old World experiences. As our colonizer enemies became more heinous, we infused satchels, herbs, roots, and powders with the power to heal, kill, or protect. At the same time, we needed an accessible way of translating this knowledge to folks with little to no memory of their Afrikan story. This is why Hoodoo needed to be free and open to all, void of both initiatory criteria and sovereign leadership. Hoodoo would speak to and for all people of color adjusting to life in America.

Over the years, most Whites and well-to-do Black people feared Hoodoo rituals. They considered it a discipline of black magick practiced by heathens clinging to the archaic imagery of bush Afrikans. As a result, Hoodoo was labeled an occult practice and shunned in many circles as a form of “radical occultism” riddled with political implications.2 My grandfather used to tell me this story about The Green Book, first published in 1936. He told how it wasn’t enough to have a travel guide detailing which motels, gas stations, salons, drugstores, and restaurants would service Black people or what cities you would have to haul your butt through, with 2. Gilbert Osofsky, ed., “Introduction” in Puttin’ on Ole Massa: The Slave Narratives of Henry Bibb, William Wells Brown, and Solomon Northup (New York, NY: Harper & Row, 1980), 31–39; Zora Hurston, “Hoodoo in America,” Journal of American Folklore 44, no. 174 (1931), 317–417, https://doi.org/10.2307/535394; Philip D. Curtin, in Two Jamaicas: The Role of Ideas in a Tropical Colony, 1830–1865 (Westport, CT: Greenwood Press, 1968), 29–31; Maya Deren, Divine Horsemen: The Living Gods of Haiti (London, UK: Thames & Hudson, 1953).

12 • Chapter One

a quickness. That’s where clutching your flannel came in handy. He’d say, “Sometimes, Hoodoo was all that stood between you, a lynching tree, and safety. If it wasn’t for the juju around my neck, I might not have believed I was as brave as I had to be traveling through Mississippi. I can remember staring down the moon while hunting for work with no more than fifty cents to my name, but my Hoodoo kept me sane and untouchable.”

Is Hoodoo an Open Practice?

People often ask me if White people can practice Hoodoo. My answer is always the same: Whenever you tell someone they can’t do something, their lust for doing the unthinkable tends to grow. And really, after saying Hoodoo has no governing body, I can only tell you that Hoodoo’s direct connection to Afrikan ancestry is a slippery slope one should tread lightly over. Hoodoo was made for people of color by people of color coping with insurmountable odds. It wasn’t made with White folks in mind, so enter at your own risk.

That said, if you’re White and choose to jump down this rabbit hole, I ask that you follow the same steps I would ask anyone new to Hoodoo to practice. Ask the spirits of the Hoodoo ancestors if they would be willing to allow you entrance as a humble servant, not as a cultural appropriator.

Stepping into another culture can be done respectfully, but only if the Spirits allow it.

Playing Judge and Jury No matter who you are, the best way to ask the spirits is to feed them with food—literally. The following ritual will help get you started.

The key to feeding spirits, now or at any time, is to remember that this isn’t about you. Don’t try to put the spirits on a diet or restrictive eating regimen. If you want a better chance of Spirit granting your desire to practice Hoodoo, prepare the food as listed for the ritual. Remember, we’re talking about enslaved people and their earliest descendants. These ancestral spirits lived in human form at a time when no one diagnosed them with diabetes, high blood pressure, or heart disease. They wouldn’t have consulted a dietician to streamline their meals even if one had existed during their day. These

Crescent City Hoodoo • 13

Black folks made do with what was provided, harvested, and stolen from the plantation’s fields or kitchens. Their diet is what they’re familiar with, accustomed to, and what they’ll respond to.

Another important note: spirits only need enough food to fill a saucer; the rest you can share with a homeless person, neighbors, or even your coworkers. Trust me, you’ll have no problem getting rid of the excess. I sometimes even take a paper plate of food and leave it under a tree in a cemetery. The more often you perform these feedings, even after being granted permission, the more adept you’ll feel in your abilities.

Cooking for the Spirits For this work, you’ll need to prepare the meal yourself; don’t buy anything precooked. I recommend preparing a bowl of gumbo or jambalaya, especially if your ancestors loved those dishes; any recipe will do. If you’re feeling less inclined to go the gumbo or jambalaya route, you’ll need to prepare a Cornish hen with your choice of greens (e.g., collards, turnip, dandelion, poke, or mustard) as well as some cornbread and sweet potatoes.

If you’re short on time or you feel your cooking skills might set off a fire alarm, here’s a quick substitute: Wash, cut, and slice three to six fresh okra into small, circular pieces. Season with salt and cayenne pepper, then fry the okra using vegetable oil. I call this Pinch Okra because it does just that— works in a pinch! However, if the spirits accept you into their fold, I strongly suggest learning to prepare the meals mentioned above. Learn them one at a time, and work at your own pace. Spirit will thank you for the soul-filled love.

14 • Chapter One

RITUAL FOR ASKING SPIRIT Once your meal is ready, move on to this ritual to ask Spirit for acceptance.

Needs: For the altar: * 1 piece of cloth, at least 2 x 2 feet * 1 glass of water * 1 white candle * 1 stick of frankincense incense * 1 stick of myrrh incense For the ritual: * a saucer of your chosen prepared food * 1/2 cup water * 1/2 cup Florida water (see pages 31–32) * 1 photograph or drawing of two Hoodoo ancestors, such as Jean St. Malo, Lala Hopkins, Black Hawk, or Mother Catherine Seals (Note: It’s important to have one male and one female image to balance the energies. If you can’t find an image, tear off two pieces of a brown paper bag and write the names of any two ancestors of African spirituality on them, one on each piece of paper.)

Instructions: First, set up a basic altar for the work: Lay the cloth over a clear flat surface. Place the candle, incense sticks, and the glass of water on the cloth.

In a small bowl, mix the water and Florida water. Bless the mixture by whispering your name, date of birth, and intention over it. Place the bowl and saucer of food next to the candle.

Light the incense sticks and candle, then stand the ancestral images up behind the candle. If using slips of paper with

Crescent City Hoodoo • 15 names, form a cross, symbolizing the crossroads between humans and God/Goddess energy.

Ask the spirits of these Hoodoo ancestors if they would be willing to serve as your guides. Ask them to slap your hands or mouth if you slip into appropriator mode. After fifteen to thirty minutes, extinguish the candle. Leave the items in place.

Sit with the spirits this way for fifteen to thirty minutes daily for nine days. If at any point during the nine days you feel the spirits saying a definitive no to your request, stop and don’t continue. If the spirits send you the energy of yes, you can begin, but start your practice small.

Continue to Feed Spirit The spirits you petitioned will be your guides, so you’ll continue to work through them and them alone. Feed them once a month as before, adding a slice of bread pudding if desired, and refresh the water each morning (you can toss the old water out your front door).

When it’s time to feed them, leave the chosen food out overnight. In the morning place the food at the foot of a tree, thank the spirits, then walk away.

This is reciprocity paid to the spirits and their defendants.

Remember, prepare the food yourself—don’t buy anything precooked!

Get to Know the Orisa From time to time throughout this book I’ll mention the Orisa. The Orisa are forces of nature in the Yoruba pantheon of spirituality. These deities exist within God but are individually charged with reigning over different elements of our lives and Universe. Following is an abbreviated look into the world of the Orisa.

The Supreme Being/God Force is Olodumare or Olofin (the Law Giver).

Olodumare rules over many Universes, not just ours. Since the Supreme Being can’t be expected to listen to the trials and tribulations of every man, woman, and child 24/7, the Orisa use the powers given to them by Olodu-

16 • Chapter One

mare to help us govern our own lives through sacrifice, and by accepting the consequences of our actions and oftentimes our reactions.

There are 401 Irunmole/Orisa, but you’ll find when most folks mention Orisa, they’re referring to the most popular of the selected heads. Here are a few: • Esu is the guardian of the crossroads (not the Devil, as some mistakenly claim). You make a choice and Esu tosses you a sackload of consequences; deciding whether the consequences are good or bad is up to the beholder. Esu is fed first in rituals.

• Ogun removes obstacles from our lives.

• Obatala helps us discern with the wisdom of a trusted elder and encourages us to use our third eye when facing turmoil in our life.

• Yemaya teaches us to nurture ourselves, family, and community with tough love and a swift tongue.

• Osun teaches us how to better ourselves with the tools provided by the ancestral realm and the knowledge we’ve acquired living through many lifetimes.

• Shango is the fiery one who convinces us that with heightened passion we can fight through any turbulence hurled into our lives, both warranted and unwarranted.

• Oya reminds us that changes happen whether we see them on the horizon or not. She says to our teary eyes, whatever I remove you no longer needed. She jerks our burden from under us and doesn’t care if we spill our bellowing heart across the floor. What’s done is done.

• Ochossi is the truth within our hearts that says no one is above reproach.

• Olokun is the spirit of those ancestors whose souls season the murky depths of the ocean floor. They’re the ones who in their refusal to remain captive journeyed to the depths of sorrow.

• Babaluaiye teaches us how to protect ourselves from situations that could cause sickness or debilitation.

Crescent City Hoodoo • 17

• Osayin is the power of herbs and the understanding that every herb bears both the power to curse and heal.

• Orunmila is the reason we possess the know-how of divination. It’s because of Orunmila that we speak to deities and ancestors and know the means to propitiate them to great heights of happiness.

This interpretation is necessarily brief in the interest of saving space.

I strongly encourage you to research the Orisa further, especially if you’re just learning about them for the first time. Look for books written by people of color on the subject.

Juju on the Fly It’s no secret that there are days we feel rushed and ill-equipped to fit into our skins, spirits, or souls with ease. On those days we need to know our Hoodoo is working for us even if we don’t have time for elaborate workings. We need to know as we sip our morning latte, apply eyeliner, or nibble that breakfast bar that our backs, fronts, and all areas in between are spiritually covered.

I can’t tell you how many days Juju on the Fly has saved me from taking off my earrings, applying Vaseline to my face, braiding my locs back, and proceeding to lose my proverbial sheesh.

Case in point: the birthing of this book. There were days during its conception that I heard this voice telling me that even if I wrote the book, it would never get published. No White person would put it out unless I catered to White people. I would cry, tear pages up, cry, burn pages. Finally, I took my fight to the streets, figuratively. I sat myself down and laid out the facts: I’m a writer. It’s what I was born to do, not to dance or sing, but to write. Any publisher worth their company’s name and reputation would see that. Then I did a Juju on the Fly working, and it gave me immediate peace and allowed me to experience the labor and delivery of this book baby.

Magick in Plain Sight Hoodoo has several divinatory systems. Playing cards are one of the most popular. Playing cards can be used to inconspicuously work magick in plain

18 • Chapter One

sight and on the fly. A testament to this fact is the Great Ancestress Caroline Tracy Dye, remembered as Aunt Caroline. This Hoodoo matriarch was born into slavery in South Carolina around 1843 and she would go on to become one of Hoodoo’s greatest card readers.

Aunt Caroline refused to give readings about love or war. Instead, she used her cards to help unravel the mysteries of missing persons, stolen livestock, and in determining the homes where jewel thieves roamed. Day in and day out folks would clamor into her home for readings. It was even said that a well-to-do White businessman didn’t make any decisions without first seeking out Aunt Caroline’s guidance.

Aunt Caroline died on September 26, 1918, and is buried in Gun Grove Cemetery in Newport, Arkansas. Even though she was illiterate, she’s remembered as both a thriving fortune teller and real estate mogul, owning eight farms. In addition to her rental properties, she invested in Liberty Bonds to support the war effort during World War I. Now tell me Aunt Caroline didn’t know how to diversify her earnings!

Each chapter of Conquering the Calabash ends with a Juju on the Fly work, a quick meditative exercise that uses playing cards not for divining, but more as an energy pull. You can do them in five minutes tops, and even better, you can do them on the fly—you could do a card pull while cruising out the front door and never miss a beat. These exercises are that extra spice to get you pumped up for the next chapter of the book, or better still, the next chapter of your life.

The pull won’t use your standard deck of cards. Instead, we’ll be using a mini deck, which is easier to manipulate. These decks, which can be purchased online, are 2 x 1.5 inches (as opposed to the standard 3.5 x 2.5 inches).

Try to keep two or three fresh decks of cards on hand at all times. That way when a particular card gets worn, you can move to the next deck and pull the card needed.

Body, Mind & Spirit / Magic Studies / Hoodoo “A powerful weaving of magic, empowerment, and a deeper understanding of rootwork.”

—Juliet Diaz, author of The Altar Within

“A sacred well of feminine knowledge and instruction not often presented in popular books about Hoodoo.”

—Denise Alvarado, author of The Magic of Marie Laveau

“This book is bold in its contemporary, eclectic, and visionary outlook.”

—Stephanie Rose Bird, author of 365 Days of Hoodoo

“This is much-needed information on folk magicks.”

—Starr RavenHawk, HPs Founder of WFT Academy of Pagan Studies

“A rich and searingly honest go-to resource.”

—Rhonda Alin, founder of Black Women of Magick & Conjure

“Bomani writes with a spirit and passion that will make you want to know more and keep reading.”

—Yvette Wyatt, owner of the Motown Witch

“This will become the ultimate guide for the modern sorceress, the enchantress, la bruja, and the urban witch.”

—Elhoim Leafar, author of Dream Witchery

“More than a wonderful read; it is an encyclopedia for any practitioner who is ready to experience the depth of rootwork.”

—Granddaughter Crow (Navajo Nation), author of Belief, Being, and Beyond

“Bomani makes the world a better place through her thrilling yet relatable writing.”

—Sophie Saint Thomas, author of Sex Witch

mawiyah kai el-jamah bomani is an award-winning

© NADIR LASANA BOMANI

writer, educator, and spirit woman. She is an eighth-generation Witch, Egun Medium, and Priestess of OYA in the Yoruba system of spirituality.

Mawiyah is the host of the FishHeadsinRedGravy podcast, her writing has appeared in numerous anthologies, and she has written several plays. She lives, writes, and conducts Orisa rituals, spiritual consultations, workshops, house cleansings, and divinations in northern and southern Louisiana. Visit her at MawiyahKaiElJamahBomani.com.

Facebook.com/LlewellynBooks Twitter: @LlewellynBooks Instagram: @LlewellynBooks

www.Llewellyn.com

$18.99 US