Urban Assemblage - Vertical Transition and Transformation Studio

CONTENT VERTICAL TRANSITION _ 4 6 8 10 12 34 36

• • • • • •

Vertical relationship The new local Ephemeral Urbanism Design Interventions Program Research Site Analysis - Prelim

TURNING CIRCLE PRECINCT _ 40 40 • Context Research 42 • Site Analysis

DESIGN PROPOSAL _ 48

50 • Vertical theatre 66 • Art Residence program 70 • The Third space

PRECEDENTS _ 94

PROJECT 1

VERTICAL TRANSITIONS

EXPLORATION OF 3 PROVOCATIONS ABOUT VERTICALITY: VERTICAL RELATI

IONSHIP, THE NEW LOCAL, EPHEMERAL URBANISM AND DESIGN INTERVENTIONS

In the first 6 weeks of the semester, we explored concept of Vertical Transition and Transformation through a series of design provocations through research, documentation, observation, mapping , drawing, model making and analysis.

The design explorations are developed based on 3 main ideas: • VERTICAL RELATIONSHIP (understanding of verticality and where the design can inhabit a vertical space, programs and supports to encourage vertical rather than horizontal movement / engagement) • THE NEW LOCAL (possibilities to build social and creative networks and nodes at the micro level in the city, ways to enable or support local activities, ways to engage and develop new community through designs) • EPHEMERAL URBANISM (Short term tactics that leads to long term design strategies with significant impact to the urban designs) The design process works have led to my research about types of programs (art performance and creative production) that I would like to focus on the second project which will take place at Turning Circle Precinct (Foxton Lane).

5

Mid Semester Summary

3 Provocations and design explorations

1. Vertical Relationship

2. The Ne

• Vertical spaces that have been used as a way to allow more audience to have full panoramic view of a performance stage. (Opera theatre).

• Reverse the relationship between the performer and the artists.

• Small alley, lane way forming slow life styles compared to larger street.

• Vertical as perspective, occupation of empty spaces above ground level.

• Temporal public art ins cultural / performing ev • The relationship betwe and the ground levels higher levels to connec to the lower ground) • The local relationship w building: Allow a mix o private creative busine spaces within the sam mixed level. Adding sh spaces

Metropolitan Opera House Theatre NYC, 20th century

Theatre Workshop, Sao Pa Edson Elito

ew Local

stallation, vents een the street (Open spaces on ct the buildings

within one of different ess and public me building at a hared community

aulo - Lina Bo Bardi &

3. Ephemeral Urbanism • Temporary tactics and short term interventions that lead to long term design strategy • The use of scaffolding structure • Ephemeral outdoor furniture set up.

• Short term festive events

Assemble - Newcastle Stage at Horst Art & Music 7

Research: Urban context Case Study - Superblock - Barcelona - Spain

Diagram 1 : Relationship with the streets

Precedent Superblock - Barcelona, Spain

Diagram 2 : local relationship vertically within a building

Restricting car access to the street, allowing more space for foot path and access through street.

Further development of this idea involve development public transport network to allow more access to site.

• Increase frequency of public transport (more tram routes). Variety of routes per transport types • Providing access to near by car park spaces but not within the super block models.

Car traveling and parking zone / must be outside of the block

Study the use of empty space between buildings Lane way

Study the relationship between the use of public space on the street and surrounding buildings How are ground level occupied?

Natural elements and the impact on occupations of the new local: Weather, seasons, daylight

y

Study of vertical relationship existed within the same buildings/ between tenants and how difierent levels are occupied

Study the relationship between difierent buildings in the vicinity.

What do you see out side of the window

Design Interventions

3 Provocations and design explorations

Vertical Relationship • Theatrical designs: exchanging the relationship between the audience and the performers • Flexible space that can be transformed for different uses at different times

The New

• The local relationship w building: Allow a mix o private creative busine spaces within the sam mixed level. Adding sh spaces

Residential area Residential area

Car Park 170 Russell Street, 3000 Creative studio

Public Gallery Creative studio

Public Gallery Shop Playground

Exchange between the stage & the audience

Hypothetical di group of buildin

w Local

Ephemeral Urbanism

within one of different ess and public me building at a hared community

• Creating large public spaces for different types of activities from the public • Temporary structures of festival/ public art that occupy larger spaces on the street (walkway, square)

Residential area

Creative studio

Urban context

Public Gallery

Restaurant

Exhibition

Public space to display Creative work

iagram of mixed resident types/ different ng occupants

Festival ideas 11

Vertical Relationship Establishing new relationship outside of ordinary boundaries

Precedent

Idea

Vertical Village - OMA/ Ole Scheeren Singapore (2013)

Stacking up built forms that create inhabited bridges between vertical unit.

Design Invention 1

Front view

Side view from one of the floor

View upwards from ground level 13

Turning Circle Project - Site visit Slowness of small alley Lane way

Lane way / Alley, Spaces between buildings

Design Invention 2 Idea Alleys/ small lane ways of in between high rise buildings that embraces slowness of urban city lifestyles.

15

Vertical relationship Density vs Stages (Switching the roles of audience & performer)

Precedent

Idea

Metropolitan Opera House Theatre NYC, 20th century

Vertical spaces have been used to as a form to have more audience getting great view of the stage.

There are existing public spaces within the CBD such as car parks have been constructed with the similar structure of not completely being covered with facades.

Mpavilion 2020 has used multiple abandoned public spaces (car park, existed amphitheater ).

Car Park 170 Russell Street, 3000

Design Invention 3

17

Vertical relationship - The Stage and the Audience Opera House - (Switching the roles of audience & performer)

Ideas - Indoor theatre Conceptual ideas for a hypothetical stage designs where the stage are stacked up, audience and performance are allowed to switch places based on the program • different type stage designs (layering, staging) • ability to transfer seating space between different performing act through staircases • different experience (performance type based on different stages) • when not used for performance, can be dismantled (using temporary object)

exchange b etween the stage & the audie

exchan ge the stag between e & the audienc

Design Invention 3

ence

ce

19

Relationship between the streets and ground levels Small lane way

Idea

Community & Relationship type: To create the impression Lane ways have been of the lifestyle within used as a short cut the lane way: for some people to go • Allow Shop/ through a quicker path. restaurant / cafe They also have the placing chair and characteristic if there table setting outdoor exhibits the opportunity • Adding more lights for more frequency that helps traffic flowing through • For the small lane these paths, in addition way, allow open to the main street. entrance of the lane way to be opened and be interactive with people walking by (instead of current closed structure) • Each lane way can have different theme/ collaborate of the theme on a precinct level.

Precedent

street food shop in Japan and China

Design Invention 4

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Vertical relationship + The New Local Occupation small lane way and the space above the ground

15 Queen St Lane

Design Invention 5 Idea The occupation of vertical spaces are filled with installations of lighting, which mainly to create safe environment for these small areas at night, allowing more people going through the space at different time of the day.

23

The new local + Vertical relationship People in the shop are watchers: sitting areas - roof top

Idea Moving the seating areas for public spaces to roof top for events, function but also creates a human surveillance watching over the small lane way all the time.

View toward the small alley

Axo view

The view from the

Design Invention 6

View toward the small alley

e roof top toward the lane way 25

Vertical Relationship + The new local within one building Allowing a mix of creative business and public access space

Precedent

Idea Allow a mix of different private creative business and public spaces within the same building at a mixed level.

Encourage the public access to visit (view creative production) during certain time period.

Foster the existing relationship of different occupants within a building

Superlofts - Marc Koehler Architects - Study model copy

Hypothetical diagram types/ different group occupants

Design Invention 7

Residential area Residential area Residential area Creative studio

Creative studio Public Gallery Public Gallery Creative studio Restaurant Public Gallery

Exhibition Shop

Playground

of mixed resident of building

Public space to display Creative work

Different colour blocks showings mixture of public spaces (gallery, commercial spaces) and enclosed business model (creative production). People can walk pass by these creative studios and will have chance to visit creative production spaces during certain hours.

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Ephemeral Urbanism - Short term Strategies The use of ordinary object - re-purpose Idea Everyday objects: • Utilising ordinary objects such as milk crates, timber pallets to create temporary seating area.

• Also can use to block traffic Scaffolding as vertical design spaces (exhibition) • create new experience of pedestrian walking underneath by adding installation art (rather than walking pass by a construction site) • scaffolding structure putting up vertically as the theatre stage (view from above the ground)

Scaffolding with added element Scaffolding with decorative elem

Temporal arrangement allow more possibility of use for these intervention at different time at a space.

Testing possibility of materiality and additional uses • Amphitheatre • community garden

Testing different arrangement o

Community garden ideas

Testing different colour arrangem

t of stair case that allow people to walk up ments

Design Invention 8

Public playground

of milk create that create different seating types

ment of milk create

Vertical structure

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Ephemeral Urbanism + The new local + Vertical relationship The use of ordinary object - re-purpose - Occupying vertical spaces

Idea Using the short term strategy to occupy lane ways , which are known for slowness lifestyle compared to fast paced of the urban space.

• Outdoor seating space, being safe from the street (with timber pallet fences • Even allowing occupation of more people based on the vertical spaces built from scaffolding structure.

• Walkable street in the middle

Program Public events, street festival, outdoor movie theatre

Design Invention 9

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Ephemeral Urbanism + The new local + Vertical relationship Urban temporal play ground - rearrangement for different programs

Idea • Creating large public spaces for different types of activities from the public • Temporary structures of festival/ public art that occupy larger spaces on the street (walkway, square)

Program adding activities for large empty areas of the street

Design Invention 10

Public art/ Installation

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Program research

Ambitions for creative/ art productions within the design

Design direction

City of Melbourne Creative Strategy

Ambition to create a space for the creative practices: • Artists (space to perform/ display/talk/ work on site) • neighbourhood residents (public space, park) • Students (space to have classes on site) • Supports and connections to the existing creative programs by the City of Melbourne (Immigration Museum, Melbourne Festivals...)

Art Infrastructure Framework - goals: 1. Secure commitment for the delivery of three arts hubs that include mid-sized performance spaces and community arts spaces.

2. To significantly increase the number of creative spaces within the municipality.

3. Advocate to create and incorporate live/ work spaces within the city.

4. Advocate to support the provision of more affordable housing for artists, as per the city’s housing strategy.

5. To ensure the integration of embedded public art projects in new public and private developments.

Art Creative Program precedents Testing Ground

Arts House

2013

2021

Testing Ground - Website

Testing Ground is an infrastructure for creative practice supporting experimentation and interdisciplinary practice across art, performance design and education. Programmed through simple application processes, Testing Grounds is a place where people at all stages of practice can test, develop and share their work.

The Arts House - Website

Arts House is a space for Research, Create and Present performing art.

RESEARCH is their laboratory stream: artists conduct experiments and explore new ideas.

CREATE is where ideas are transformed into practice. We run two streams, calling for new projects once a year.

PRESENT is how they share new contemporary art with the community.

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Site Analysis - Foxton Lane

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Powercor Building

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Secure Car Park

Fo xt on

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Reed House has 3 private parking spaces. => Ideas transforming parking spaces into to workshop, creative production studio. / access to Foxton Lane

Source : Melbourne Open Data, Realestate Commercial, Google Maps

11

Reed House

Holyman’ House

Reed House

t:

Secure Car P

Park

11 Tavistock Pl - 2018-2020 (Source Google Map)

November 2018

Temporary construction steel frame structure was built to facilitate construction at Tavistock Pl. There are also examples of steel frame balcony extension exhibited in this lane way

November 2020

6 levels, commercial, 315 parking spaces, maximum height 1.9m

Idea => Car park window facing Immigration Museum can be ultilised as facade for public seating area

37

Site Analysis - Foxton Lane Reed House: 8-12 Market Street 3 private parking spaces (available for rental by negotiation) Low level of accessibility

Existing facade opportunity for Window range looking toward Foxton Lane Opportunity for fire escape staircases

Proposed open facade

Floor plan is open space

For rent (advertised on April 2021)

Considering temporary structure for vertical relationship

Converting basement of Reed House for studio space of creative practice.

View toward Southbank Yarra River

Secure Car Park: 315 Parking spaces For Commercial Use. High level of Accessibility

e conditions: r open spaces.

Remaining parking spaces

Arrangement of parking space that enable vacant spot next to the facade facing Foxton Lane

Proposed front space of car park with no Parking slots (for temporary events)

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PROJECT 2 In the second half of the semester, we will take our processes, approaches and the design outcomes regarding vertical transition and transformation discovered from Project 1 then test them through a design project within Foxton Lane - Turning Circle Precinct.

In this project, I will discuss site analysis, research context regarding creative productions with a design direction driven from Project 1 (art performance and art production).

The final design outcomes include 3 major interventions: • Vertical Park: a flexible infrastructure that accommodate public park (extension of W Hotel Market Street Park) and amphitheatre for public performances • Art Residence Program: Infrastructure taking place at basement of Reed House • The Third Space: vertical infrastructure hosting educational programs including public talks

by Immigration Museum and site excursion for RMIT University students. The roof top allows public access without booking These interventions links through a series of staircases attached to Reed House that links intervention 1 +3, as well as the car park thresholds by removing perforated windows , turning these into folding doors

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INTRODUCE SITE - TURNING CIRCLE PRECINCT

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The Greenline Project

Immigration Museum

Banana Alley

Enterprize Park

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South Bank

Art Precinct

INTRODUCE SITE - TURNING CIRCLE PRECINCT

Collins Arch

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People Involved: Performing Artist (local artists), set designers and stage designers, music producers, local community and patrons with booked tickets (or free events)

1 Public performances: Suitable for performing program types: Music festival, talk, Public exhibition,Projection (duration around 1 hours) Where: Amphitheatre Allowing more audience

Artist producing works/ contributing to the design of the public performance intervention

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Where: Sheltered space with windows allowing public pedestrians, visitors to observe art making process

2 Art Residency: Short-term lease to local,emerging artists with the practice of making as the art.

Or Space to exhibit art produce by local artist

People: Emerging artist, City Council (providing art funding, public pedestrian)

SITE PLAN AND PROGRAM OVERVIEW *These events can be linked as parts of the sames program or are independent

Alternative venue for public events at smaller scale. Links in theme

3 Booked space: Outdoor Venue available to different stakeholders to use: - Class excursions - Public talks/ program by Immigration Museum / The Greenline Project etc.

- Can be transform to outdoor public space when not in use

e

ed

Where: View towards Yarra River, linking to the Greenline project

People: Educations, schools museum visitors, local community public pedestrian

Artist produce works to be displayed at the booked spaces/ hosting talk/ discussion about their works

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Vertical Park Space for public events (linking to Market Street): for residents more visible and allow easy public access

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rcases attached to Reed use and footpath create nection between (1) + (3) all levels

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The Third Space Vertical structure (link to Yarra River) : more hidden space but allow more engagement with educational program: • booked spaces for university site excursion (on site learning class) • booked venue for Melbourne city program (public talk), Immigration Museum, The Greenline Project

residency k to 1 + 3

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Intervention 1: Vertical Park / Theatre

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nvertible structure for: ublic space (free entry) estival / events nd to accommodate other design nterventions (the use of mesh and scaffolding tructures

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R PARK and the staircase at back end leading he other 2 interventions.

importance of car park being opened up d that the whole car park is the existing blic space that can be incorporated within navigation of the design.

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Public Space Convertible structure for: • public space (free entry) • Add-on (removable) scaffolding bridges to create multiple levels of out parks (which will be stored at Intervention 2 when removed off site) • Furnitures /seating options are ephemeral Program Time Table: • Free entry • Occupied by residents of the neighbourhood as outdoor park

Ad bri ditio dg na l sc es a

ffo ld

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Outdoor Park mode (Part A)

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Festival Program Program / Timetable: • Melbourne Music Week • Melbourne Fashion Week, • Melbourne Symphony Orchestra • M Pavilion

Festival mode: • Remove scaffolding bridges • Amphitheatre structures with skylight in the middle, • Performing /festival events Program Timetable: • Night time (cooperate with festival event management to workout time table) • During day, the space still can be used as public park • Duration: 1-4 months (depends on the program periods)

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Festival Program

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Connection to existing Car Park

Entering the Vertical Park via Car Park’s Facade

View towards footpath and stair cases in between Intervention 1 & 3

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Connection to existing Car Park

1.a 1.b

N

Section 1.a Designs Option 1 : Day time activities

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Connection to existing Car Park

1.a 1.b

N

Section 1.b Designs Option 1 : Day time activities

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Intervention 2: Art Residence Program

Program /Time table: • Duration 1 month • Flexible working hours, mostly during working hours

Proposed Artists:

Abbey Rich - Sculpture - W Development at Testing G 2021

The space proposes art residence program for emerging artists who would like to work on site and produce artworks which can be exhibited as ceiling hung installations, participating a public speaking events.

Alex Walker - Work in development, Installation Testing Ground 2021

The interior is divided into the front space as lounge areas for the public and the back of house design as working spaces.

Glass and transparent materials are used as window allow the public to learn about art making process, also encourage the conversation between artist and the public about creative production on site.

Reed House Basement Reed House: 8-12 Market Street 3 private parking spaces (available for rental by negotiation) Low level of accessibility

Secure Car Park

Work in Ground

at

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Empty space (Dimension W2.5m x D4.5m) Available for storage of intervention 1’s additional bridges

2.5

m

m

2.3

m

4.5

7.6

m

The above interior is constructed based on the assumption that available interior width of the basement is 7.6 m

3.8 5

m

Space for art residence program (dimensions at W3.85 x D4.5m)

Front space as public lounge for public visitors to watch art making process

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Intervention 3: The Third Space

Program /Time table: • public speaking events (booking) • educational activities (booking) • free public space (free entry) Focus on educational programs, learning activities, especially this view look out Yarra River /looking toward the history of Melbourne Provide bird view to other surrounding projects and areas including : The Greenline project, Enterprize Park, Yarra River, South Bank, NGV and the Art Precinct` Car park as the important factors for the vertical (removing the perforated steel screen facade to allow entrance from the car park to the sitting area.

Increase engagement between the public patrons with the program

ce from Entran rk Car Pa

Transit ion Interve from ntion 1

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Entrance by Elevators

Elevation

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Ro of top

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User: Group: Immigration Museum ( events host by the immigration museum including talk about the history of Melbourne that allow visitors looking directly to Yarra River.

The Greenline project RMIT Class excursion Residents of the neighbourhood and open to public.

Rationale for the design: Car park as public open space (easy to access on a at different time.

Attaching to the car park facade as these facade allow the transition between the inside of the car park to the design. (movement/ interaction)

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Ground Level + Level 1

t In

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Level 3

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Elevator

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Level 2

Programs:

Testing Ground - RMIT ID Continuously Under Construction

Yogabean for kids - Mpavillion 2019

Level 1: booked spaces for public talks • hosted by the immigration museum/ the greenline project/ • class excursion for RMIT uni students (for example) • on site learning activities • Collaborate with other art/ creative programs by City of Melbourne such as MPavillion.

Level 1 is more opened for public space : Ephemeral arrangement of furnitures and equipment to fit different types of activities and group size Light well at the back end allows light to travel down to the alley.

The skylight display public art sculptures by artists from art residence program.

Ground Level: • Allow pedestrian access through Foxton Lane • Elevators to get access to Level 1, 2, 3.

• Ramp for accessibility access Level 1: booked spaces for public talk (hosted by the immigration museum/ the greenline project/ class excursion for RMIT uni students Level 1 is more opened for public space

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Ground Level + Level 1

Level 2

Level 3

Programs:

Testing Ground - RMIT ID Continuously Under Construction

Yogabean for kids - Mpavillion 2019

Level 2 is more private, also can be converted to working space for artist or privately booked classes (small scale).

Alternative options for art residency program when Intervention 2 space is not available.

Level 1: booked spaces for public talks hosted by the immigration museum/ the greenline project/ class excursion for RMIT uni students (for example) on site learning activities Collaborate with other art/ creative programs by City of Melbourne such as MPavillion.

Light well at the back end allows light to travel down to the alley.

The skylight display public art sculptures by artists from art residence program.

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Overview from Flinders Street

Level 2 - Art residence work space / Private booking space

Level 1 - Public booking space - Public talk event

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Ground Level + Level 1

Level 2

Level 3

Precedents:

NYC - The High Line

Level 3 is available for public access without booking, outdoor roof top park, looking out to Yarra River at the visitors’ own pace.

This can be a smaller events for roof top bar and celebrations The back of level 3 (optional) can be used as outdoor lounge/ waiting room during performances’ intervals/ breaks.

Level 2 is more private, also can be converted to working space for artist or privately booked classes (small scale).

Alternative options for art residency program when Intervention 2 space is not available.

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Connection to existing Car Park

3.a

3.b

N Section 3a

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Connection to existing Car Park

3.a

3.b

N Section 3b

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View of Level 2+3 from Flinders Street

Level 3 - Rooftop Ga

arden / public lounge

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Entering The Third Space - rooftop garden via car park facades

Connections betwe Space) are staircase Park

een Intervention 1 (Vertical Park) and Intervention 3 (The Third es attached to Reed House, footpath and through the Car

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Design Overview

N

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PRECEDENTS 1. Assemble Studio - Bell Square Pavilion 2. Assemble Art & Music

- Newcastle Stage at Horst

3. The Arts House: https://www.artshouse. com.au/

4. Collins Arch : https://www.dezeen.

14. Testing Ground - RMIT ID Continuously Under Construction

15. Siblings Architecture - Rodda Lane:

http://siblingarchitecture.com/projects / rodda-lane/

16. Siblings Architecture - Over Obelisk :

com/2020/10/18/collins-arch-woodsbagot-shop-architects-melbourne/

https://architectureau.com/articles/publicart-melbourne-biennial-lab-programlaunched/#img=3

5. City of Melbourne Creative Strategy

17. Superlofts - Marc Koehler Architects

2018-2028: https://www.melbourne. vic.gov.au/arts-and-culture/strategiessupport/Pages/creative-strategy-2018-28. aspx

6. The High Line NYC : https://ny.curbed. com/2019/5/7/18525802/high-line-newyork-park-guide-entrances-map

7. Immigration Museum: https:// museumsvictoria.com.au/ immigrationmuseum/

8. Fairfield - Melbourne Summer Series Melbourne Music Week: https://mmw. melbourne.vic.gov.au/about/

9. Melbourne Music Week Kubik Sheds -2011

10. Melbourne Open Data -

18. Superblock - Barcelona, Spain 19. The Greenline Project: https://

participate.melbourne.vic.gov.au/city-riverstrategy/draft-strategy-overview

20. Theatre Workshop, Sao Paulo - Lina Bo Bardi & Edson Elito

21. Vertical Village - OMA/ Ole Scheeren Singapore (2013)

22. Weitzman, E. (2006) Lethal Theory 23. Barthes, R (1997) The Eiffel Tower 24. Debord, G-E (1956) Theory of the Dérive

Building and property information: https://data. melbourne.vic.gov.au/

25. William Whyte film: Social Life of Small

11. Metropolitan Opera House Theatre

Great American Cities (Chapter 2)

NYC, 20th century

12. MPavilion: https://mpavilion.org/ 13. Testing Ground: https://www.testinggrounds.com.au/

Urban Spaces

26. Jane Jacob - The Death and Life of 27. Yoann Bourgeois - Vertical stage/ dance performance

Page 04

Metropolitan Opera House Theatre NYC, 20th century

Page 04

Theatre Workshop, Sao Paulo Lina Bo Bardi & Edson Elito

Page 04

Assemble - Newcastle Stage at Horst Art & Music

Page 05

Superblock Barcelona, Spain

Page 07

Vertical Village - OMA/ Ole Scheeren Singapore (2013)

Page 14

Superloft - Marc Koehler Architects

Page 18

City of Melbourne - Creative Strategy 2018-2028

Page 18

Testing Ground

Page 18

The Arts House

Page 23

Immigration Museum

Page 23

Collins Arch

Page 23

The Green Line Project

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SSEMBLAGE

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