Digital Permanent Exhibition IV - official catalog

DIGITAL PERMANENT EXHIBITION IV

Ana Maria Malta Ana Nobre Aranka Székely Aykid Tiger Beatriz López Chan Suk On Domingo Parada Dominique Weiss Elisabeth Vaze Gloria Keh Katrin Loy Kayo Sato Leonor Sousa Margot Vogl María Isabel de Lince Maria Luigia Scala Marta Iglesias Mike Ferrell Miranda Escobar Natalia Gromicho Reyna Zapata Šárka Darton Sinikka Elfving Stanislav Riha Ursa Schoepper Xavier Yarto Yvonne Wiese Zoran Petrusic

Ana Malta | Tropical Perfume da Terra I | Watercolor | 33x25cm

Ana Malta | Tropical Perfume da Terra II | Watercolor | 33x25cm

Ana Malta | Tropical Perfume da Terra III | Watercolor | 33x25cm

Ana Malta | Tropical Perfume da Terra IV | Watercolor | 33x25cm

Ana Malta | Tropical Perfume da Terra V | Watercolor | 33x25cm

Ana Malta | Tropical Perfume da Terra VI | Watercolor | 33x25cm

Ana Nobre | PUPPET ON A STRING | Mixed media on canvas | 70x140cm

Ana Nobre |

THESE BOOTS ARE MADE FOR WALKING...

| ink and acrylic on canvas | 60x90cm

Aranka Székely | On the wings of colors | Acrylic on canvas | 40x50cm

Aranka Székely | Waiting for him | Acrylic on canvas | 50x60cm

Aykid Tiger | LOVE BLOSSOMS | Acrylic on canvas | 65,3x53cm

Aykid Tiger | Vibration | Acrylic on canvas | 64,5x89,8cm

Beatriz Lopez | Three graces in the New World | Oil on canvas | 132x89cm

Beatriz Lopez | In other world | Oil on canvas | 120x120cm

Chan Suk On | Loose pieces 01 | Color Photography | 50x70cm

Chan Suk On | Loose pieces 02 | Color Photography | 50x70cm

Domingo Parada | Beethoviana | Acrylics on D'arches 300 paper | 27x72cm

Domingo Parada | Untitled I| Acrylics on D'arches 300 paper | 27x72cm

Dominique WEISS | Within The Clouds | photo re-construction, 2D animation | 60x45cm

Dominique WEISS | Rise | photo re-construction, 2D animation | 60x45cm

Elisabeth Vaze | City Colors | Mixed Technique | 120x100cm

Elisabeth Vaze | Nuitée | Mixed Technique | 120x100cm

Gloria Keh | Secret Forest | Mixed media | 283x152cm

Gloria Keh | Birth | Mixed media | 50x76 cm

Katrin Loy | Sea Dreams | Photography on Alu Dibond | 60x40cm

Katrin Loy | Sea Dreams | Photography on Alu Dibond | 60x40cm

Kayo Sato | Coral Forest | Installa0on | 1400x900x500cm

Kayo Sato | Sky blues | Installa0on | 1400x600x500cm

Leonor Sousa | Ego | Acrylic on Canvas | 120x60cm

Leonor Sousa | Covid 19 | Acrylic on Canvas | 70x50cm

Margot Vogl | Luky cyclist | Acrylic on canvas | 60x60cm

Margot Vogl | summer in the woods | Acrylic on canvas | 60x60cm

María Isabel de Lince | Galaxy I | Oil on canvas | 85x100 cm

María Isabel de Lince | Galaxy II | Oil on canvas | 55x80 cm

María Isabel de Lince | Galaxy I | Oil on canvas | 80x80 cm

Maria Luigia Scala | Ancor non m'abbandona | Mixed Technique | 100x100cm

Marta Iglesias | Flor | Acrylic on paper | 61,5x51cm

Marta Iglesias | Joya | Acrylic on paper | 61,5x51cm

Michael Henry Ferrell | Café with a view, Lisboa | Oil on Canvas | 60x90cm

Michael Henry Ferrell | Joining the tour guide, Lisboa | Oil on Canvas | 60x90cm

Miranda Escobar | Gestacion de Luz | Acrylic on canvas | 90x90cm

Miranda Escobar | Danza de Luz 4 | Acrylic on canvas | 40x120cm

Miranda Escobar | Un Mundo Perdonado | Acrylic on canvas | 40x120cm

Miranda Escobar | Vuelo en la Luz | Acrylic on canvas | 35x125cm

Natália Gromicho | Lagarto | Acrylic on canvas | 80x100cm

Natália Gromicho | Joana | Acrylic on canvas | 80x100cm

Reyna Zapata | 20-20 | Acrylic on canvas | 120x200cm

Reyna Zapata | Valley on the other side of the sky | Acrylic on canvas | 101x181cm

Reyna Zapata | Synapsis Valley | Acrylic on canvas | 101x181cm

Reyna Zapata | Ambedeo Valley | Acrylic on canvas | 80x181cm

Sarka Darton | Labyrinth | cast concrete, cast gypsum, silk thread and silk velvet | 45x50x42cm

Sarka Darton | Cats Cradle | cast concrete, jasmonite, aluminum and silk thread | 45x30x20cm

Sinikka Elfving | Summer Night 's Dream | Acrylic on Canvas | 100 x 100cm

Sinikka Elfving | Shadows of the night | Acrylic on Canvas | 60x80cm

Stanislav Riha | Light behind storm | Jute, steel mesh, gold leaf and acrylic on posterboard | 61x91cm

Stanislav Riha | Lighthouse | Acrylic on rag paper with gold leaf | 51x81cm

Stanislav Riha | Octopus | Acrylic and gold leaf on canvas | 92x61cm

Stanislav Riha | Ribbon routine | Acrylic, copper, rug-paper and gold leaf on canvas | 88x57cm

Ursa Schoepper | Korallenriff | Mixed media Experimental Fine Art Photography | 88x120cm

Ursa Schoepper | Journey to Utopia | Mixed media Experimental Fine Art Photography | 70x50cm

Ursa Schoepper | Magic Forest | Mixed media Experimental Fine Art Photography | 70x50cm

Ursa Schoepper | Virtual City | Mixed media Experimental Fine Art Photography | 70x50cm

Xavier Yarto |

La bella apasionada por viajar, exprimir y descubrir cada rincón del mundo

| Acrylic on paper | 45x60cm

Xavier Yarto | La bella jugadora de polo | Acrylic on paper | 45x60cm

Xavier Yarto |

La bella modelo de pasarela que no necesita usar tacones |

Acrylic on paper | 45x60cm

Xavier Yarto | La hermosa empresaria exitosa, ejemplo a seguir de 3 adorables mujercitas | Acrylic on paper | 45x60cm

Yvonne Wiese | Fishing in sunset | Acrylic on canvas | 50x60cm

Yvonne Wiese | Shadows and light | Acrylic on canvas | 50x60cm

Zoran Petrusic | IN THE GARDEN OF CONTEMPORARY ART | Ink on Paper | 40x60cm

Zoran Petrusic | MENU | Ink on Paper | 51x66cm

Zoran Petrusic | ROTATION,REVOLUTION | Ink on Paper | 39x70cm

Zoran Petrusic |

RED, FAT, AND VERY ABSTRACT THING COME BACK HOME FROM VACATION |

Oil on canvas | 50x35cm

Ana Maria Malta

Trabaho a minha Aguarela num impulso de sen2r em pleno a força e a beleza da Natureza. No silêncio e a um ritmo frené2co a côr e a água dançam numa harmonia onde as formas abstractas conduzem a uma Natureza Bela Virgem e Selvagem que Tanto Amo.

Ana Nobre

I cannot explain myself, the only thing I can say about me is that I'm not only one thing; I'm everything, I'm feelings... emo2ons! My work is an expression of that. It's an outburst of what is to create; a deep pain, a deep pleasure; As if we were achieving an unique perfec2on... conquering a virgin world; The despera2on to survive in this monetary society! Loose and quick brushstrokes do not allow fear to invade the clean and "perfect" images. THE GOAL IS TO CAPTURE EMOTION RATHER THAN REASON. Ana Nobre, born in Lisbon, 1979. Graduate in Fine Arts-Pain2ng, ESAD, Caldas da Rainha, 2006. About 4 years ago come to live in Lagoa, Algarve. Since then, the muta2on in her work has been remarkable. Made of contrasts, her pain2ng reflects outbursts, cri2cs… but always with a touch of fantasy. Expression, color and rhythm are some of the main characteris2cs of her work. In these last two years she has been developing a line of pain2ngs where the analysis of the society where she is inserted and her “self” in that society is very pronounced, being the fantasy always present in her way of doing it. Clowns, characters from the stories of our childhood and others from her alter ego emerge like an outburst!

Aranka Székely

Aranka is a doctor by profession and an ar9st by her passion and crea9ve mind. She currently runs her private medical prac9ce in Alsózsolca and Miskolc, Hungary.

As a self-taught ar9st she tried her hand in different styles of pain9ng from realis9c to abstract using pastels, acrylic and watercolours. Aranka’s color paleEe is very vivid and at the same 9me very feminine.Aranka has par9cipated to a lot of solo and group interna9onal exhibi9ons and has been awarded a few 9mes with interna9onal prizes .Her masterpieces were displayed in art magazines and yearbooks.Art gives her a huge joy and helps her coping with everyday stress.

Aykid Tiger

Original art for me is something spiritual and I truly believe that it can be soul-feeding. If my pain9ng makes you feel a par9cular emo9on... you can know that you're hearing the echo of what was poured into it. Every stroke of the brush and the flow of liquid paint is an outlet for love, peace, and joy. It's ar9s9c therapy and self-expression.

Beatriz Lopez Lopez

Born in Madrid in 1974, within an ar9s9c family.

Learn to draw and paint at a young self-taught, surrounded by an atmosphere of painters and sculptors who come frequently to the study of his father, a doctor-painter, in Palma de Mallorca.

He studied architecture at La Coruna, abandoning the first year, avoiding stereotypes set by the University.

This race takes experience and perspec9ve on no9ons of construc9on and aYernoons and evenings at street drawing, of which there is a whole block of sea port, his favorite corner of this city.

Back to Madrid, his hometown, where just studying engineering, without abandoning the idea of one day devoted en9rely to pain9ng. These studies define end of linear and geometric style of pain9ng.

Always using a rich chroma9cism, acquired during his travels through La9n America, Asia and Europe, and his love of nature, light and color.

It is in these last years when he decided to devote himself en9rely to pain9ng, moving back to Palma de Mallorca, where he now has his studio.

Chan Suk On

“Loose pieces” is her latest work in 2021. She like taking photographs very much, so her camera always need to repair. The cost is also very expensive. She has an urge to crack down on this black box. What's the secret inside? She used a lot of strength to loosen the screws to sa9sfy her curiosity. She discovered the small parts inside and revealed the unknown things hidden in the camera. There is no connec9on between parts and parts. It is very interes9ng to look carefully at their shapes. They are not geometric shapes, but are composed of irregular shapes, and these irregular shapes are based on different func9ons. The design is very interes9ng. When every small parts are disassembled, like an anatomical picture and has no func9on. Its beauty naturally emerges. These liEle parts are in her collec9on, and she reorganized them to make this artwork. She used top shots and arranged them carefully on white background. This arrangement is simple and neat, a Japanese aesthe9c of Wabi-Sabi. Wabi-Sabi refers to the external incompleteness, irregular shape, simplicity, minimalism, without too much modifica9on, and the pursuit of inner peace and indifference. Un9e the parts and deconstruct them, let the objects display and breathe naturally, and appreciate the craYsmanship of the creator.

Domingo Parada

I believe that, as a painter, my crea0ve work is fruit of my awareness of the world which surrounds us. But the world is not only a visual world. It is also the immensurable world of our interior mind, its landscape of emo0ons, imagina0on and fantasy.

All that exists in the Universe is constantly created by energy. This energy manifests itself in billions of vibra0ons, among this is light. Light is color. The infinite colors of the spectrum together with the geometric forms that are essence of the Universe give me a paleXe that I can use to demonstrate the moments of my conscious experience.

My work can be interpreted by consciously or un-consciously grasping the vibra0ons of the light in all of its forms and colors as if they were a form of pure music.

Dominique Weiss

Dominique is a mul9-award-winning exhibi9ng fine art photographer & photo adventure tour guide and digital art creator, sending out visual medita9ve impulses of transforma9on into the universe through alpine magic realism to manifest world freedom. She is highly passionate about drama9c alpine landscapes and the magic those giants embody. Playing with light and shadow, different perspec9ves and techniques to tell emo9onally cap9va9ng photographic stories is her signature. Her photographs take beholders on a journey to higher grounds, where the air is fresh and filled with the scent of new beginnings, portraying the beauty of nature in her purest form. Dominique takes inspira9on from her travels, nature and mostly alpine landscapes where she captures grand landscapes, but also more in9mate frames and closeups. Her fine artworks have been associated with the works of Karl Chris9an Ludwig Hofer and Magic Realism is her home. Dominique is located in central Switzerland and addresses current social issues such as recentering, self-reflec9on and conserva9on with her artworks and invites everyone to discussions on her social media accounts.

Elisabeth Vaze

Elisabeth VAZ born in 1972 in Isère, self-taught painter. I started pain2ng a ligle over 22 years ago, ohen in the evening when the children are asleep and sneaking around! Yes in secret because in my entourage we do not understand my new craze for pain2ng ... Being of Portuguese origin, in our environment Art is not part of our culture or my educa2on ... I persevere despite everything because it brings me a lot, I who am quite withdrawn, in front of my canvas I finally express myself, I transmit my emo2ons, I am me in another world, I exist. In my pain2ngs we find a dominance of warm tones, a lively and luminous palege. When I started I worked with brushes and very quickly I integrated the square and the rule. I mainly work with oil, I recently tried acrylic and aerosol. Aher a period marked by in2mate and rela2vely confiden2al work, I decided to show my work to the general public. My first exhibi2on will take place in 2008 at the Grenoble Painters 'Market, for the next 8 years, I exhibited at the Hôtel de l'Europe in Grenoble, at the Comptoir de l'Armaccord, at the Marché de l'Art d' Annecy and in St Cyr au Mont d'Or. This will be followed by an individual exhibi2on at the Lyon City Hall and other exhibi2ons.

Gloria Keh

I paint because I just have to.

Call it an obsession, an addic9on, or whatever, but I just have to paint as pain9ng completes me.

I only sell my work for charity as I believe very strongly in using my art, which is a giY and a blessing, to help others in need. My artworks are my painted prayers and I hope they will be of some good and that through my art, I will be able to fulfill my soul’s purpose.

Peace be with you.

Katrin Loy

In my ar9s9c work, the essence and soul of man is at the centre, his struggle for a vision, his utopias and abysses, his confronta9on with the self and the encounter with the other. It arises both from spontaneously emerging inner images as well as from ideas about the psychic and intui9ve func9ons of man and about his archaic experiences. It also feeds on a state of mind and emo9ons, in which consciousness walks on the small degree between the conscious and the subconscious, revealing something like an inner myth that leaves its mark in the form of ar9s9c work. This process takes place in the hope that these traces, which have become visible in this way, will also touch or even infect the other, ideally a form of infec9on that allows the viewer to immerse himself in his own inner myth. I work photographically with the overlay of images and/or digital image edi9ng. Both the superimposi9on and the digital aliena9on of the images play a decisive role in my photographic work, since I am not concerned with the depic9on of the found reality, but with the new imagery created by associa9ve overlay or aliena9on of the original photographic image. One might ask: Does the form in which we perceive the world sensually, thinking, feeling and intui9vely grasp a composi9on of a percep9on of reality and associa9ve-projec9ve imagina9on actually correspond? And what exactly corresponds to reality and what corresponds to imagina9on? And what exactly is reality and what is fantasy? Ul9mately, everything is a maEer of consciousness...

Kayo Sato

Kayo Sato was born in Fukuoka, Japan. She received her Ph.D in fine art in 2006. She is a versa2le and unique ar2s2c innovator adept at working with fiber, including dyeing, weaving, and plea2ng. Her work is regarded as a contemporary art. The ar2st has exhibited her artwork throughout Europe, especially Italy, and is also ac2ve in regional promo2on, cultural property protec2on, design educa2on dissemina2on, and product produc2on, etc. Kayo currently lives in Japan, working as an ar2st. While her style of art-making has changed over the years. She con2nues to enchant the viewer. “In my work, color is an important factor. My soul is in the color.

So I dye the colors myself.

I've always done that and will con2nue to do so.”

Leonor Sousa

Leonor Trindade Sousa, born in Vagos, Aveiro - Portugal. She finished school on the Arts’ area at Liceu Dr. Manuel Laranjeira in Espinho, the city which saw her growing up. Since adolescence that curiosity and intui2on awakened her to the world of arts, par2cularly to the pain2ng. Through various techniques ... from figura2ve to abstract ... from acrylic to oil ... She has painted different collec2ons. Her curriculum already has a huge amount of individual and collec2ve exhibi2ons, either na2onal or interna2onal (Portugal, France, Italy, Switzerland, Spain, Denmark, Brazil, México, India, Colombia, Bangladesh, France, South Korea, U.S.A. and Turkey).

Margot Vogl

In my childhood I already liked to paint, immersed in colors felt a lot of joy when pain2ng.

The joy of colors and shapes, the pain2ng process, trying out new things has remained with me un2l today.

Full of curiosity, I embark on the journey into a new picture.

Many detours, - but ohen a wave of chance bring me to new ideas.

Wondering, experimen2ng, searching and finding, so I give some a chance to develop into something new.

Long years of experience and exposure to many different techniques, give me the certainty that the process takes a direc2on.

With full agen2on and love I let the direc2on free run, - and voila! a picture with which I am sa2sfied, some2mes surprised, - is created! Learning many prin2ng techniques ohen benefits my mul2-layered work.

In the "free art academy Augsburg" I have learned a lot.

Likewise in earlier years in the open studio in Munich Schwabing.

María Isabel Salazar de Lince

María Isabel Salazar de Lince, is a colombian ar2st. Studied Art & Arquitecture Design and Psychology, Javeriana University, Bogotá Colombia. Drawing and pain2ng in Cooperartes Workshop, and with Masters David Manzur, Fernando Dávila, and Miguel Moyano. Has par2cipated in several exhibi2ons, here are some of them: Museum of Hispanic and La2n American Art. Florida - USA, Euroamerica Galleries. New York - USA, Beijing Art Fair - China, Carousel of Louvre. Paris - France, 1st Interna2onal Modern Art Austria Biennale.

Viena - Austria, Interna2onal Fine Art Masters. Viena - Austria, Interna2onal Prize Colosseo. Brancaccio Palace. Rome - Italy, Awmi di Luce. MXM Arte. Pietrasanta - Italy, Leonardo Da Vinci Award. Galleria La Pigna.

Rome - Italy,, Ambassador of Art 2021. Effego Arte. Rome - Italy, and Honorable men2on. 30 Anniversary of the Americas Museum. Impulse Art Gallery 2021. Houston - USA. In 2014 She was awarded the Moments Life2me Award. She currently lives and works in Bogotá.

Maria Luigia Scala

Maria Luigia Scala, aka Marilù, was born in '79 in Puglia, to a Roman mother and an Apulian father; Puglia is the place of the family, of the roots. At ten he moved to Gubbio, Umbria, where he s2ll lives today. Just a ligle more than a child, she began to show a great interest in art in all its forms, she loves drawing and pain2ng, she is fascinated by sculpture and has an innate predisposi2on for music. Aher finishing her scien2fic studies, she enrolled in the Faculty of Psychology, graduated, deciding to combine her other great passion: that for horses with her studies, becoming coordinator of a hippotherapy center, a job that fills her with great sa2sfac2on and emo2ons always new and very strong. Her works, which are born in the most disparate ways, from a memory to a news heard in passing, are the perfect synthesis between her roots, the land in which she lives and the curiosity that leads her to experiment with various techniques using different colors and materials .Marilù's art is like her: constantly evolving, an art with a strong personality, but never the same as itself.

Marta Iglesias

Since I started a Fine Arts Degree in Madrid I have never stopped pain2ng, observing and learning about Geometry, Architecture, Design, Lines, Color and Shapes. I have been on the long, long road of Art, full of experiences, surprises and If you keep your eyes open on this road, you find the light of the Mystery of Crea2on. The years I spent in Mexico gave me knowledge and apprecia2on about other Cultures. The Mexican ceramics, murals, and tex2les, reveal a great spiritual enrichment and I understood that the principles of Abstrac2on and Geometrical Art that exist around the World. Art is not only decora2on - Art is full of Cultural symbols. I came home to Galicia, Spain where my current works were completed. I also came home with new eyes from all my travels.

My des2ny is to stay on the fulfilling Road of Art.

Michael Henry Ferrell

In my work I endeavour to portray life in a posi2ve light, to show the love I have for the world, its cultures and the environment in which we all live. The interpreta2on between colour, texture and the way that people interact with their surroundings are very important to me. If in my own way I can use my art to bring love, happiness, and the apprecia2on of life into the lives of people who see my work then I have achieved my goal. In the end it is up to the individual.

I work in oils, watercolours, inks and pastels. I do not like to 2e myself down to any one media or subject mager.

Miranda Escobar

Many years ago, I felt the need to find out my own spiritual truth, and started to paint, create and portray light with the wish that one day all of us can see the heaven on earth.

My work arts are created with strong brushstrokes that shake off and take you to reflect and move to the change that is into yourself. I want to touch your soul, and make you to be immersed for an instance on dimensions of light and hope because the change must come into you. We are brothers, we are only one, and you are responsible for genera2ng light or darkness with your thoughts. Let’s join under a single energy, the biggest one in the world, the Love

Natália Gromicho

A gihed painter, in the purest sense, Natália has skilfully created a body of work that is simultaneously lyrical and mysterious, jubilant yet poe2c. Employing these paradoxes, she skilfully applies her raw talent into different mediums and styles crea2ng a sense of flux, depth and dominance.

Natália’s work takes elemental images, from nature and the landscape to culture and individuals she encounters on her travels, and transforms using drama2c ploys such as contrasts in scale, shihs in focus, irrored reflec2ons, staccato images, and mul2ple or layered surfaces.

Sensory percep2on for Natália is a spiritual ac2vity, one that leads to a heightened awareness of both nature and culture—this thought process points to a new kind of realism—one that is engaged with the actual processes of life. Yet, it also references the theore2cal avant-garde concep2ons of deconstruc2on emerging during Modernism.

Reyna Zapata

I was born on December 30, 1951, in Merida, Yucatan, Mexico. Since my earliest years I felt ar9s9c inclina9ons and decided to be a painter, which years aYer drove me to study the Bachelor´s Degree in Fine Arts, and later the Master Degree in pain9ng at former Escuela de Artes Plas9cas of the Na9onal Autonomous University of Mexico (UNAM), currently the Faculty of Arts and Design of the UNAM (FAD). I think that one of my main skills is the domain of the techniques of pain9ng material which have enabled my ability to give full rein to my crea9vity on a whim, from the most academic figura9on to the purest abstrac9on from color, form and materials. Through so many years, there are several trends in my pain9ng: from surrealism, portrait, fish, birds, landscape and flowers, where abstrac9on is currently placed as my favorite ludic mo9va9on. Each of my individual exhibi9ons contains 30-40 works, almost always, all of them new. In the last 10 years I only show one individual exhibi9on per year and par9cipate in 1 or 2 collec9ve exhibi9ons. I define myself as an ar9st who admires Magic Realism using primi9ve and Vene9an techniques, some9mes divided between figura9ve pain9ng and abstrac9on. I am truly commiEed to manufacturing, technical quality, and also passionate about color.

Šárka Darton

“My prac2ce is interdisciplinary. I much enjoy working across various subjects and media. Fundamental to my art is the act of deep looking and seeing, examining the no2on of iden2ty in the context of ever-changing 2me and space that we occupy.” Šárka has had 18 solo exhibi2ons in the Czech Republic, Italy and the UK and 39 group par2cipa2ons in The UK, Italy, USA, France, Portugal, Czech Republic, Slovakia and Morocco among them the important par2cipa2on at the 57th Venice Biennale where she was commissioned to designed a dress for the commemora2on of the 20th anniversary of the death of Diana the princess of Wales. Notable accolades also include the overall First Prize at Italian Trionnale in Verona (2016) and a gold medal at Florence Biennale (2015) Šárka’s work is held in private and corporate collec2ons worldwide and has been published on several interna2onal pla•orms. She is a mul2ple award winning ar2st and an interna2onal tutor and lecturer in fine art.

Šárka Darton

Sinikka Elfving is a Nordic painter. She was born in the Northern part of Finland close to Arc2c Circle. She lives and works in Norway. She is inspired by the strong contraries of the Arc2c life, the dark, long and cold Winters and the bright Summers. This is revealed in her works. She uses symbols in her art which are found in nature. In that way her art becomes lyrical, spiritual and expressionis2c. The metaphysical aspect of colors has a special place to embrace emo2ons. She is also fascinated by the phenomena of light that has certain magic in the Arc2c Zones during the seasons. With her art she tries to inspire people to value the spiritual meaning of life, to protect the nature and work for peace. The Earth is our only home that we should be able to share with each others, live and let live in peace and harmony. The nature is the exclusive provider of life on Earth and our survival is depending on it. We should find a turning point in our evolu2on towards humanity and respect for life.

Stanislav Riha

Visual ar2st, photographer, and writer was born in 1952 in Prague, former Czechoslovakia. Since 1980 he lives in Vancouver BC Canada. All his life he loves to create art full of feelings and “soul,” with the sa2sfac2on of fun. He has been pain2ng since childhood, as a young man mainly surrealism, last decade working in sculptured wall mounts combined with canvas and gold leaf as well as lately exploring computer as a tool for both physical and digital artwork. Since 2009 he is Editor-in-Chief of IQNexus Journal, in 2015 wrote a book “Judy and Bob Dialogues,” published by FriesenPress, Victoria BC, Canada,

Ursa Schoepper

Nothing is as it seems at first; everything is in process and thus in change. Photographing what has not yet been photographed is not interes2ng for me, discovering what photography can also be and working with this material, a light picture and a data image, an icon, a foil of a pictorial percep2on, is exci2ng. This always means our percep2on is in process. As in pain2ng, photography is also about ideas of reality. The camera loses the character of an objec2ve recorder of factual truthsin this case. In order to gain new perspec2ves, it some2mes helps to destroy familiar ways of seeing in the figura2ve sense, to think visually in processes, not in states. For me as an ar2st this means, for example, that I am destroying a photographic image by transforma2on, that I have previously taken. In other words, through a new algorithmic ordering structure, I arrive at a new seeing and visual order.

Xavier Yarto

My name is Xavier Yarto, I’m a visual ar2st, It started with Pop Modern Expressionism, during the COVID-19 pandemic, where the ar2st enhances the beauty of women with a very special touch which Yarto calls “Niñas bonitas” who have won interna2onal awards. Raffaello & Canova Art Award 2021; Collector’s Vision Interna2onal Award 2021; Interna2onal Prize Dante Alighieri, Award Winner. 2021. Italy; Ar2st Of the Future Award Winner 2020, Dubai; Giorgio Vasari Award Winner 2019; Global Art Award nomina2on 2017, 2018 & 2020; Award nomina2on Images Of the World, Bangkok, Thailand. 2019

Yvonne Wiese

As a child artclasses inspired me to paint people and I liked it very much. Therefore, when I start as technical translator, I never stopped pain2ng only slowed down un2l I stopped working. Then I started in art schools and learned by professional ar2sts. When I was introduced to paint with ar2st knife I found the expression I wanted. I specialized in acrylic paint layer on layer with ar2st knife on canvas, as I very much like the raw and not photographically expression. I paint impressively and with bright colours, and like the contrast between light and shadow. My mo2ves are people, animals and nature from own photos and inspira2on from different medias.My speciality is portraits. I have exhibi2ons in Denmark as well as Spain Italy , and Portugal. In Denmark I am member of the art coopera2on K21 with 3 exhibi2ons each year and I exhibit in Art Nordic 2020 in Copenhagen in March. I have been awarded with many interna2onal prices.

Zoran Petrušić

Zoran Petrušić was born in 1966, in Podgorica. Graduated from the Faculty of Fine Arts in Ce2nje in 1993, the Department of Pain2ng in the class of Prof. Dragan Karadžić. He received several significant awards in the country and abroad, out of which the following stand out: Podgorica Art Salon (1998), Montenegrin Art Salon (2004), "November 13" (2009), "Kotor Visual Ar2sts" (2014), Caravaggio Award – Art Expo Rome (2017), Special Award in Rome (2017) and Art Expo Venezia Award (2018). He had a number of solo and group exhibi2ons home and abroad (New York, Mantua, Rome, Barcelona, Venice, Lisbon, Zagreb, Pula, Salerno).

2021