LISA BIELAWA
The Project of Collecting Clouds For Amplified Chamber Ensemble: Clarinet, Percussion, Violin, and Speaking Cellist
2009
text by Christian Hawkey
Commissioned by Town Hall Seattle Š2009 by Lisa Bielawa
HOUR
Chrisitian Hawkey Out of what perhaps need I take my place among the manufactured willow trees weeping in a thousand directions passing on our left the Project of Collecting Clouds is underway which way to the Engine Room the Personality Room the Room of Automatic Misting Systems Landfills and Instant Refills let the belt carry you to the Pleasure Chute the Sadness Chute the Chute Designed to Make One Feel at Home on the way to intermittent bursts of flames from smokestacks (map a city whatever way you can) such a beautifully run factory you have it makes my lungs drift together through the slats I could almost inhale an infant cloud a cloud untrained in thunder my eyes two water-beads jostled together on a leaf the Project of Recycling Monads is this way move quickly the trick is to avoid returning with the need you began with the desire to surrender slightly offscreen it’s nice for a sec to wait here alongside you how long will this last as long as we’re both riding in the same direction a grove of willow trees leaning in a wind leaning to the left the light always leans in both directions against us in this way we are happily held vertically alive Christian Hawkey, "Hour" from Citizen Of. Copyright 2007 by Christian Hawkey. Reprinted with permission of Wave Books.
Percussion Set-up Vibes Drum Kit: BD Hi-Hat w//foot 3 Toms SD Hi-hat Ride Crash Splash w/Sizzle Triangle Tambourine Wind Chime
Toms
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#
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"
Wind Chime
Performance Note Cellist has a special dedicated staff for spoken text, which is sometimes given in notated rhythms and sometimes given under square, stemless notes with an instruction regarding speed of elocution (SLOW, MED, FAST). Whispered text is expressed with "x" noteheads.
Duration c.10" Transposed Score
The Project of Collecting Clouds Christian Hawkey
Clarinet in Bb
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c.5" per measure, mm. 61-71 (cello cues changes) 61
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