PORTFOLIO 2020-2021
LAM HIU CHING
CONTENT
PROGRAM 1 01 Artist
RESEARCH OBJECT
Wassily Kandinsky
02 Case Study
Inspired by Wassily Kandinsky
PROGRAM 2 03 Base
NTU Architectural Exhibition Hall 04
HISTORY RESEARCH
Modernist Architecture
Chinese Traditional Architecture
Bauhaus 05
Development
Development of Design
Wassily Kandinsky
Sense of rhythm
Musici an
Artist
Floating
Black Relationship, 1924
Several Circles, 1926
Imagine the sounds of the music as colours and shapes
Composition V, 1911
Reappearance Blue rider, 1903
Gloomy color
Impressionism
Composition VIII, 1923 Square, 1927
POINTS
LIGHT?
LINE
ROUTE
GUIDANCE?
SURFACE
Points, Line,Surface study / model
-light or route guidance
False
Appearance
Crossing
Di erent
Space Recreate Colour with di erent colour and weight
Di erent
Perspective
Line Misleading
ff
ff
ff
Perspective line study / model
-transitional spaces
Reappearance study / model
-misleading spaces
Wassily Kandinsky ’s works tracing
Inspire an idea
3-Dimension
Space
unlimited spaces
ff
Staggered di erent routes
study / model
-2D transfer to 3D
-3D transfer to 2D
Curved surface study / model
-uneven ground
-Blur direction
ff
Curved surface model
-uneven ground
-Blur direction
-Misleading column （with di erent colour/ height)
Early concept
ff
Three Important Elements
Line with di erent angle
Circle
Colour
Multi-directional
No sense of weight
Floating / Unlimited
light and shadow make the object seems like Floating
Site Plan
Section 3 , Xinsheng South Road Royal Palm Blvd Fan Palm AVE Site Plan
-surrounded by three main road
-opening entrance
Stair (keep)
-seems like oating
Modern Architecture mixed Chinese Traditional Architecture
Entrance (will change the design)
-Strong sense of ritual
NTU Architectural Exhibition Hall
fl
Exterior Wall洞洞牆（have a deep historical value)
Dormer and stepladder ( Keep )
-Channels of contact with
the outside world
Base climate conditions
TopSite Plan
6
Exterior wall— with many hole
5
Construction— Reinforced concrete
4
3
Courtyard - connect rst oor and
third oor
2
Second oor — Curved Surface
1
fl
fi
fl
fl
fl
fl
Exploded view
Third oor —Long corridor
First oor — Base
fl
fl
spatial study
-divided into 3 oors
-First oor can only absorb light and sound
from upper part through the courtyard
Original Design
-limited
-low permeability
-with so many Chinese
traditional doors and
windows
ff
fl
C
Four entrances move
in the same direction
-Strong sense of ritual
-Did not achieve the e ect of
openness and freedom
New concept
-opened one corner
-Hollow out the middle part
of the space
-let light and wind
ow in the space
t r a p e
l d id
m e th
t u o e w o pac l l o s -H the of
c t s
o
t u o
e p O
Add some functions
in the space
-Information desk , Locker,
WC, Rest area , Cafe ,etc.
d e n
s e th
e w h
r e rn
The base is raised to 240cm
-when llight is on
-the exterior wall seems like
Floating on the base
Perspective View
-stand at the bottom of the courtyard
fl
Original Design
New concept
-curved Surface
-seem like a cloth oating
on the structure
New concept
-curved surface with
courtyard
Entrance
Exit
Route guide
B
B’
fl
Perspective View
-Entrance
Perspective View
-one of the exit
Perspective View
-on the second oor
fl
fl
fl
fi
fl
The top of the courtyard
-Sealed but left a little gap
-let light and sound ow into
rst oor
-let the long corridor seems like
oating on the second oor
There are some spindles divided Wassiliy Kandinsky’s work
Into many parts and made it become more orderly and evenly
Original Design - Dormer and stepladder
-Channels of contact with
the outside world
( Keep )
Explored View
Perspective View - Dormer and stepladder
Perspective View - Long corridor
Thank You