Pavilion Design | Architecture Pre-College Program

Benjamin Franklin Parkway Pavilion

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Lina Hofmann

Precedent Studies

Iwill bring a colorful element to my design that not only immerses the pedestrian in the natural light like the Triennial Brugs Pavillion, butalso captures the patron'seye using perforated rays oflight filtered through the glass prisms.

IPTArchitects' element ofrepetition in their piece.

Sou

2013 pavilion makes patronsinclined to interact with the space. The seemingly sporadicline choicein ToyoIto'spiece will be implemented into my design.

Fujimoto's Triennial Brugs Pavillion Sou Fujimoto's 2013 pavilion IPT Architects Selgascano 2015 Serpentine Pavilion Toyo Ito, Serpentine Pavilion 2002

Foot Traffic and Sun Pattern

SiteAnalysis

Varying topography

- large treeson southwest side

Walking routesindicated in red

Sunrise (summer): northeast

Sunset (summer): northwest

Site Selection

Surrounding Territory

PavilionOrientation

Study Model

Final Model ___________________________

Mediums used:

- Chipboard/Cardboard

- Tacky Glue

- Bristol Paper

Not Shown:

- Final orientationofprisms

Northwest Face South Face Northeast Face North Face Prism Construction & Roof-View

Orthographic Drawings Orthographic Drawings

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Turn static files into dynamic content formats.

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Pavilion Design | Architecture Pre-College Program

Published on Jul 30, 2022

linahofmann

During my time at the Architecture Pre-College Program offered at Temple University, I was instructed to design a pavilion meant for public use. We had the freedom to choose a site along the Benjamin Franklin Parkway. The course touched on elements of a project not limited to Concept Boards, Study Models, Chipboard Models, Orthographic Drawings, and Presentation Boards/Pin-ups. Utilizing the tools in Adobe Illustrator, photoshop, and Acrobat I developed my design in a palatable presentation. I participated in group critiques during my time at Temple and worked to implement feedback into my project every day. My intention for this pavilion was to not only immerse the pedestrian in the natural light through stain glass windows like the Triennial Brugs Pavilion, but also capture the patron's eye using light fragmentation from tempered glass prisms. I stayed true to the native trees and paths that resided on the land; indicated in the floor plan of my orthographic drawings.