Political Aesthetics Applied

1 The Pykewater Library W. D. S. Pennington Political Art, Applied Political Spectacles Politics and Architecture Adam, Peter. Art of the Third Reich. New York, NY: Harry N. Abrams, 1992.

Adamson, Walter. Avant-Garde Florence: From Modernism to Fascism. Cambridge, MA: Harvard University Press, 1993.

Aggregate, Ed. Governing by Design: Architecture, Economy, and Politics in the Twentieth Century. Pittsburgh, PA: University of Pittsburgh Press, 2012.

Allais, Lucia. Designs of Destruction: The Making of Monuments in the Twentieth Century.

Chicago, IL: University of Chicago Press, 2018.

Aman, Anders. Architecture and Ideology in Eastern Europe During the Stalin Era: An Aspect of Cold-War History. Cambridge, MA: The MIT Press, 1992.

Andriopoulos, Stefan. Possessed: Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema. Trans. Peter Jansen and Stefan Andriopoulos. Chicago, IL: University of Chicago Press, 2008.

Antliff, Mark. Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 19091939. Durham, NC: Duke University Press, 2007.

Asch, Ronald G. Sacral Kingship Between Disenchantment and Re-Enchantment: The French and English Monarchies, 1587-1688. New York, NY: Berghahn Books, 2014.

Augusteijn, Joost, Patrick G. C. Dassen and Maartje J. Janse, Eds. Political Religion Beyond Totalitarianism: The Sacralization of Politics in the Age of Democracy. New York, NY: Palgrave Macmillan, 2013.

Bakhtin, Mikhail. Rabelais and His World. Trans. Helene Iswolsky. Bloomington, IN: Indiana University Press, 2009.

Ballon, Hilary. The Paris of Henry IV: Architecture and Urbanism. Cambridge, MA: The MIT Press, 1991.

Barron, Stephanie. “Degenerate Art”: The Fate of the Avant-Garde in Nazi Germany. New York, NY: Harry N. Abrams, 1991.

Baumgartner, Michael, Kathleen Buhler and Nina Zimmer, Eds. The Revolution is Dead, Long Live the Revolution! From Malevich to Judd, from Deineka to Bartana. New York, NY: Prestel, 2017.

Bell-Villada, Gene H. Art for Art’s Sake and Literary Life: How Politics and Markets Helped Shape the Ideology and Culture of Aestheticism, 1790-1990. Lincoln, NE: University of Nebraska Press, 1996.

Bernstein, Anya. Religion Bodies Politic: Rituals of Sovereignty in Buryat Buddhism. Chicago, IL: University of Chicago Press, 2013.

Bianchi, Cristiano and Kristina Drapic. Model City: Pyongyang. Cambridge, MA: The MIT Press,

2 2019.

Bloch, Marc. The Royal Touch. Trans. J. E. Anderson. New York, NY: Dorset Press, 1961.

Bonner, Nick. Made in North Korea: Graphics from Everyday Life in the DPRK. New York, NY: Phaidon Press, 2017.

Bonner, Nick. Printed in North Korea: The Art of Everyday Life in the DPRK. New York, NY: Phaidon, 2019.

Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America (25th Anniversary Edition).

New York, NY: Vintage Books, 1992.

Buci-Glucksmann, Christine. The Madness of Vision: On Baroque Aesthetics. Trans. Dorothy Z. Baker. Athens, OH: Ohio University Press, 2014.

Burke, Peter. The Fabrication of Louis XIV. New Haven, CT: Yale University Press, 1994.

Bushnell, Rebecca W. Tragedies of Tyrants: Political Thought and Theater in the English Renaissance. New York, NY: Penguin, 1990.

Celik, Zeynep. Empire, Architecture, and the City: French-Ottoman Encounters, 1830-1914.

Seattle, WA: University of Washington Press, 2008.

Chytry, Josef. The Aesthetic State: A Quest in Modern German Thought. Berkeley, CA: University of California Press, 1989.

Clark, T. J. The Absolute Bourgeois: Artists and Politics in France, 1848-1851. Princeton, NJ: Princeton University Press, 1988.

Clark, T. J. Image of the People: Gustave Courbet and the 1848 Revolution. Berkeley, CA: University of California Press, 1999.

Cohen, Ralph, Ed. Studies in Eighteenth-Century British Art and Aesthetics. Berkeley, CA: University of California Pres, 1985.

Cole, Alison. Italian Renaissance Courts: Art, Pleasure and Power. London, UK: Laurence King Publishing, 2016.

Costelloe, Timothy. The British Aesthetic Tradition: From Shaftesbury to Wittgenstein. New York, NY: Cambridge University Press, 2013.

Curran, Brian A., Anthony Grafton, Pamela O. Long and Benjamin Weiss. Obelisk: A History.

Cambridge, MA: Burndy Library/The MIT Press, 2009.

Doherty, Gareth. Paradoxes of Green: Landscapes of a City-State. Oakland, CA: University of California Press, 2017.

Doss, Erika, et al. Decoding Dictatorial Statues. Eindhoven, The Netherlands: Onomatopee, 2019.

Edelman, Murray. Constructing the Political Spectacle. Chicago, IL: University of Chicago Press, 1988.

Edelman, Murray. From Art to Politics: How Artistic Creations Shape Political Conceptions.

Chicago, IL: University of Chicago Press, 1995.

Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Trans. Roger Greaves. Berkeley, CA: University of California Press, 2008.

Fairey, Shepherd. Covert to Overt: The Under/Overground Art of Shepard Fairey. New York, NY: Rizzoli, 2015.

3 Falasca-Zamponi, Simonetta. Fascist Spectacle: The Aesthetics of Power in Mussolini’s Italy.

Berkeley, CA: University of California Press, 1997.

Figes, Orlando and Boris Kolonitskii. Interpreting the Russian Revolution: The Language and Symbols of 1917. New Haven, CT: Yale University Press, 1999.

Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot.

Chicago, IL: University of Chicago Press, 1988.

Friedland, Paul. Political Actors: Representative Bodies and Theatricality in the Age of the French Revolution. Ithaca, NY: Cornell University Press, 2003.

Gentile, Emilio. The Sacralization of Politics in Fascist Italy. Trans. Keith Botsford. Cambridge, MA: Harvard University Press, 1996.

Glaser, Milton and Miro Ilic. The Design of Dissent: Greed, Nationalism, Alternative Facts, and the Resistance. Beverly, MA: Rockport Publishers, 2017.

Golding, John. Paths to the Absolute: Mondrian, Malevich, Kandinsky, Pollock, Newman, Rothko, Still. Princeton, NJ: Princeton University Press, 2000.

Golomstock, Igor. Totalitarian Art: In the Soviet Union, the Third Reich, Fascist Italy and The People’s Republic of China. Trans. Robert Chandler. New York, NY: Abrams Press, 2011.

Gomez-Barris, Macarena. Beyond the Pink Tide: Art and Political Undercurrents in the Americas.

Oakland, CA: University of California Press, 2018.

Gordon, Eric. The Urban Spectator: American Concept-Cities from Kodak to Google. Hanover, NH: Dartmouth College Press, 2010.

Greenblatt, Stephen, Ed. Representing the English Renaissance. Berkeley, CA: University of California Press, 1988.

Hagen, Joshua and Robert C. Ostergren. Building Nazi Germany: Place, Space, Architecture, and Ideology. Lanham, MD: Rowman and Littlefield, 2019.

Heller, Steven. Iron Fists: Branding the 20th Century Totalitarian State. New York, NY: Phaidon, 2008.

Heller, Steven. The Swastika: Symbol Beyond Redemption? New York, NY: Allworth, 2008.

Hewitt, Andrew. Fascist Modernism: Aesthetics, Politics, and the Avant-Garde. Stanford, CA: Stanford University Press, 1993.

Hinz, Berthold. Art in the Third Reich. New York, NY: Pantheon, 1979.

Hyde, Timothy. Ugliness and Judgment: On Architecture in the Public Eye. Princeton, NJ: Princeton University Press, 2019.

Janowitz, Naomi. Icons of Power: Ritual Practices in Late Antiquity. University Park, PA: Pennsylvania State University Press, 2002.

Jones, Caroline A. Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses. Chicago, IL: University of Chicago Press, 2006.

Jowett, Garth. S, Ian C. Jarvie and Kathryn H. Fuller. Children and the Movies: Media Influence and the Payne Fund Controversy. New York, NY: Cambridge University Press, 1996.

Jowett, Garth S. and James M. Linton. Movies as Mass Communication (Second Edition).

Thousand Oaks, CA: Sage Publications, 1989.

Kantorowicz, Ernst H. The King’s Two Bodies: A Study in Medieval Political Theology.

Princeton,

4 NJ: Princeton University Press, 1981.

Kantorowicz, Ernst. H. Laudes Regiae: A Study in Liturgical Acclamations and Medieval Ruler Worship. Berkeley, CA: University of California Press, 1958.

Kaplonski, Christopher. Truth, History and Politics in Mongolia: The Memory of Heroes. New York, NY: Routledge, 2004.

Khatib, Lina. Image Politics in the Middle East: The Role of the Visual in Political Struggle.

New York, NY: I. B. Tauris, 2013.

Kinser, Bill and Neil Kleinman. The Dream That Was No More a Dream: A Search for Aesthetic Reality in Germany, 1890-1945. New York, NY: Harper Colophon Books/Harper and Row, 1969.

Klaniczay, Gabor. Holy Rulers and Blessed Princes: Dynastic Cults in Medieval Central Europe.

Trans. Eva Palmai. New York, NY: Cambridge University Press, 2002.

Klaniczay, Gabor. The Uses of Supernatural Power: The Transformation of Popular Religion in Medieval and Early-Modern Europe. Ed. Karen Margolis. Trans. Susan Singerman.

Princeton, NJ: Princeton University Press, 1990.

Klibansky, Raymond, Erwin Panofsky and Fritz Saxl. Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art (New Edition). Eds. Philippe Despoix and Georges Leroux. Montreal, Canada: McGill-Queen’s University Press, 2019.

Koerner, Joseph Leo. The Reformation of the Image. Chicago, IL: University of Chicago Press, 2008.

Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of German Film (Revised and Expanded Edition). Ed. Leonardo Quaresima. Princeton, NJ: Princeton University Press, 2019.

Kracauer, Siegfried. The Mass Ornament: Weimar Essays. Ed. Thomas Y. Levin. Cambridge, MA: Harvard University Press, 1995.

Ladd, Brian. The Ghosts of Berlin: Confronting German History in the Urban Landscape.

Chicago, IL: University of Chicago Press, 2018.

Landes, Joan B. Visualizing the Nation: Gender, Representation, and Revolution in EighteenthCentury France. Ithaca, NY: Cornell University Press, 2001.

Lane, Barbara Miller. Architecture and Politics in Germany, 1918-1945. Cambridge, MA: Harvard University Press, 1968.

Lasansky, D. Medina. The Renaissance Perfected: Architecture, Spectacle, and Tourism in Fascist Italy. University Park, PA: Pennsylvania State University Press, 2005.

Lee, Pamela M. Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present. Cambridge, MA: The MIT Press, 2020.

Lewis, Michael J. The Politics of the German Gothic Revival: August Reichensperger.

Cambridge, MA: The MIT Press, 1993.

Loeffler, Jane C. The Architecture of Diplomacy: Building America’s Embassies (Second Edition).

5 Princeton, NJ: Princeton Architectural Press/Princeton University Press, 2010.

Lui, Elizabeth Gill. Building Diplomacy: The Architecture of American Embassies. Los Angeles, CA: Four Stops Press, 2004.

Mainardi, Patricia. Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867. New Haven, CT: Yale University Press, 1987.

Marshall, David. The Frame of Art: Fictions of Aesthetic Experience, 1750-1815. Baltimore, MD: Johns Hopkins University Press, 2005.

Matless, David. Landscape and Englishness (Second Expanded Edition). London, UK: Reaktion Books, 2016.

McKee, Yates. Strike Art: Contemporary Art and the Post-Occupy Condition. New York, NY: Verso, 2016.

McQuiston, Liz. Protest!: A History of Social and Political Protest Graphics. Princeton, NJ: Princeton University Press, 2019.

Michaud, Eric. The Cult of Art in Nazi Germany. Trans. Janet Lloyd. Stanford, CA: Stanford University Press, 2004.

Moscow Design Museum. Designed in the USSR: 1950-1989. New York, NY: Phaidon, 2018.

Necipoglu, Gulru. Architecture, Ceremonial, and Power: The Topkapi Palace in the Fifteenth and Sixteenth Centuries. Cambridge, MA: The MIT Press, 1992.

Niven, Bill. Hitler and Film: The Fuhrer’s Hidden Passion. New Haven, CT: Yale University Press, 2018.

Nolan, Mary Lee and Sidney Nolan. Christian Pilgrimage in Modern Western Europe. Chapel Hill, NC: University of North Carolina Press, 1989.

Nouvel-Kammerer, Odile. Symbols of Power: Napoleon and the Art of the Empire Style, 18001815. New York, NY: Harry N. Abrams, 2007.

Oosterbaan, Martijn. Transmitting the Spirit: Religious Conversion, Media, and Urban Violence in Brazil. University Park, PA: The Pennsylvania State University Press, 2017.

Orgel, Stephen. The Illusion of Power: Political Theater in the English Renaissance. Berkeley, CA: University of California Press, 1975.

Osman, Michael. Modernism’s Visible Hand: Architecture and Regulation in America.

Minneapolis, MN: University of Minnesota Press, 2018.

Otter, Chris. The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910.

Chicago, IL: University of Chicago Press, 2008.

Panofsky, Dora and Erwin. Pandora’s Box: The Changing Aspects of a Mythical Symbol.

Princeton, NJ: Princeton University Press, 1978.

Panofsky, Erwin. Idea: A Concept in Art Theory. Trans. Joseph J. S. Peake. Columbia, SC: University of South Carolina Press, 1968.

Panofsky, Erwin. Perspective as Symbolic Form. Trans. Christopher S. Wood. New York, NY: Zone Books, 1997.

Parkinson, Gavin. Futures of Surrealism: Myth, Science Fiction and Fantastic Art in France, 1936-1969. New Haven, CT: Yale University Press, 2015.

Paxton, Robert O. Vichy France: Old Guard and New Order, 1940-1944. New York, NY: Columbia University Press, 2001.

Peters, Olaf, Ed. Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937. New York,

6 NY: Prestel, 2014.

Pick, Daniel. Svengali’s Web: The Alien Enchanter in Modern Culture. New Haven, CT: Yale University Press, 2000.

Pomerantsev, Peter. Nothing is True and Everything is Possible: The Surreal Heart of the New Russia. New York, NY: PublicAffairs, 2015.

Preciado, Paul. Pornotopia: An Essay on Playboy’s Architecture and Biopolitics. New York, NY: Zone Books, 2014.

Reckitt, Helena, et al, Eds. The Art of Feminism: Images that Shaped the Fight for Equality, 18572017. San Francisco, CA: Chronicle Books, 2018.

Rippon, Jo. The Art of Protest: A Visual History of Dissent and Resistance. Watertown, MA: Imagine Books, 2020.

Roberts, Ian. German Expressionist Cinema: The World of Light and Shadow. London, UK: Wallflower Press, 2008.

Robin, Ron. Enclaves of America: The Rhetoric of American Political Architecture Abroad, 19001965. Princeton, NJ: Princeton University Press, 1996.

Rogger, Basil, Jonas Voegeli and Ruedi Widmer, Eds. Protest.: The Aesthetics of Resistance.

Zurich, Switzerland: Zurich University of the Arts/Lars Muller Publishers, 2018.

Rosenthal, Norman. Citizens and Kings: Portraits in the Age of Revolution, 1760-1830. London, UK: Royal Academy of the Arts, 2007.

Scobie, Alex. Hitler’s State Architecture: The Impact of Classical Antiquity. University Park, PA: Pennsylvania State University Press, 1990.

Seldon, Anthony and Daniel Collings. The Architecture of Diplomacy: The British Ambassador’s Residence in Washington. Paris, France: Flammarion, 2014.

Schmolders, Claudia. Hitler’s Face: The Biography of an Image. Trans. Adrian Daub.

Philadelphia, PA: University of Pennsylvania Press, 2006.

Sharpe, Kevin and Steven N. Zwicker, Eds. Refiguring Revolutions: Aesthetics and Politics from the English Revolution to the Romantic Revolution. Berkeley, CA: University of California Press, 1998.

Spotts, Frederic. Hitler and the Power of Aesthetics. New York, NY: Harry N. Abrams, 2018.

Starn, Randolph and Loren Partridge. Arts of Power: Three Halls of State in Italy, 1300-1600.

Berkeley, CA: Cambridge University Press, 1992.

Steinberg, Michael P. The Meaning of the Salzburg Festival: Austria as Theater and Ideology, 1890-1938. Ithaca, NY: Cornell University Press, 1990.

Stewart, Susan. The Ruins Lesson: Meaning and Material in Western Culture. Chicago, IL: University of Chicago Press, 2020.

Stourton, James. British Embassies: Their Diplomatic and Architectural History. London, UK: Quarto Publishing, 2017.

Strobinski, Jean. 1789: The Emblems of Reason. Trans. Barbara Bray. Charlottesville, VA: University of Virginia Press, 1982.

Strong, Roy. Splendor at Court: Renaissance Spectacle and the Theater of Power. Boston, MA: Houghton Mifflin Company, 1973.

Summers, David. The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics.

New

7 York, NY: Cambridge University Press, 2007.

Taws, Richard. The Politics of the Provisional: Art and Ephemera in Revolutionary France.

University Park, PA: Pennsylvania State University Press, 2013.

Thomas, Keith. Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth- and Seventeenth-Century England. New York, NY: Penguin Books, 1991.

Venturi, Robert, Denise Scott Brown & Steven Izenour. Learning from Las Vegas: The Forgotten Symbolism of Architectural Form (Revised Edition). Cambridge, MA: The MIT Press, 1977 (1972).

Weizman, Eyal. Forensic Architecture: Violence at the Threshold of Detectability. Brooklyn, NY: Zone Books, 2019.

Weizman, Eyal. The Roundabout Revolutions. Berlin, Germany: Sternberg Press, 2019.

Werbner, Pnina, Martin Webb and Kathryn Spellman-Poots, Eds. The Political Aesthetics of Global Protest: The Arab Spring and Beyond. Edinburg, Scotland: Edinburgh University Press, 2014.

Wert, Hal Elliott. George McGovern and the Democratic Insurgents: The Best Campaign and Political Posters of the Last Fifty Years. Lincoln, NE: University of Nebraska, 2015.

Westfall, Carroll William. In This Most Perfect Paradise: Alberti, Nicholas V, and the Invention of Conscious Urban Planning in Rome, 1447-55. University Park, PA: Pennsylvania State University Press, 1974.

Wilentz, Sean, Ed. Rites of Power: Symbolism, Ritual, and Politics Since the Middle Ages.

Philadelphia, PA: University of Pennsylvania Press, 1999.

Williams, Tara. Middle English Marvels: Magic, Spectacle and Morality in the Fourteenth Century. University Park, PA: Pennsylvania State University Press, 2018.

Woodfin, Warren T. The Embodied Icon: Liturgical Vestments and Sacramental Power in Byzantium. New York, NY: Oxford University Press, 2012.

Young, James E. At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture. New Haven, CT: Yale University Press, 2000.

Young, James E. The Texture of Memory: Holocaust Memorials and Meaning. New Haven, CT: Yale University Press, 1993.

Zanker, Paul. The Power of Images in the Age of Augustus. Trans. Alan Shapiro. Ann Arbor, MI: University of Michigan Press, 1990.