Music Theory

1 The Pykewater Library W. D. S. Pennington Amalgamated: Introduction to the Theory of Music Composition Theory Philosophy of Music Philosophy of Sound Adler, Samuel. The Study of Orchestration (Fourth Edition). New York, NY: W. W. Norton, 2016.

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Adorno, Theodor W. Essays on Music. Ed. Richard Leppert. Trans. Susan H. Gillespie Berkeley, CA: University of California Press, 2002.

Adorno, Theodor W. Night Music: Essays on Music, 1928-1962. Trans. Wieland Hoban.

Chicago, IL: Seagull Books/University of Chicago Press, 2019.

Agawu, V. Kofi. Music as Discourse: Semiotic Adventures in Romantic Music. New York, NY: Oxford University Press, 2008.

Agawu, V. Kofi. Playing with Signs: A Semiotic Interpretation of Classical Music. Princeton, NJ: Princeton University Press, 2014.

Ament, Vanessa Theme. The Foley Grail: The Art of Performing Sound for Film, Games, and Animation (2nd Edition). New York, NY: Routledge, 2014.

Apel, Willi. Harvard Dictionary of Music (Second Edition, Revised and Enlarged). Cambridge, MA: Belknap/Harvard University Press, 1970.

Ashton, Anthony. Harmonograph: A Visual Guide to the Mathematics of Music. New York, NY: Bloomsbury, 2003.

Atlas, Allan W. Renaissance Music: Music in Western Europe, 1400-1600. New York, NY: W. W. Norton, 1998.

Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi. Minneapolis, MN: University of Minnesota Press, 1985.

Audissino, Emilio. John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. Madison, WI: University of Wisconsin Press, 2014.

Auner, Joseph. Music in the Twentieth and Twenty-First Centuries. New York, NY: W. W. Norton, 2013.

Badura-Skoda, Eva and Paul. Interpreting Mozart: The Performance of His Piano Pieces and Other Compositions (Second Edition). New York, NY: Routledge, 2008.

Barbour, J. Murray. Tuning and Temperament: A Historical Survey. Mineola, NY: Dover Publications, 2004.

Belkin, Alan. Musical Composition: Craft and Art. New Haven, CT: Yale University Press, 2018.

2 Bellman,, Jonathan D and Halina Goldberg, Eds. Chopin and His World. Princeton, NJ: Princeton University Press, 2017.

Benade, Arthur H. Fundamentals of Musical Acoustics: Second, Revised Edition. Mineola, NY: Dover Publications, 1990.

Berlioz, Hector. Evenings with the Orchestra. Ed. Jacques Barzun. Chicago, IL: University of Chicago Press, 1999.

Berlioz, Hector and Richard Strauss. Treatise on Instrumentation. Trans. Theodore Front.

Mineola, NY: Dover Publications, 1991.

Bernstein, Leonard. The Infinite Variety of Music. New York, NY: Hal Leonard/Amadeus Press, 2007.

Bernstein, Leonard. The Joy of Music. Pompton Plains, NJ: Amadeus Press, 2004.

Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press, 1981.

Berry, Wallace. Structural Functions in Music. Mineola, NY: Dover Publications, 1987.

Black, Dave and Tom Gerou. Essentials of Orchestration. Van Nuys, CA: Alfred Music, 2009.

Blatter, Alfred. Instrumentation and Orchestration (Second Edition). Boston, MA: Schirmer, 1997.

Boethius, Anicius. Fundamentals of Music: Ancius Manlius Severinus Boethius. Trans. Calvin M. Bower. Ed. Claude V. Palisca. New Haven, CT: Yale University Press, 1989.

Boulez, Pierre. Notes of an Apprenticeship. Trans. Herbert Weinstock. New York, NY: Alfred A. Knopf, 1968.

Bribitzer-Stull, Matthew. Understanding the Leitmotif: From Wagner to Hollywood Film Music.

New York, NY: Cambridge University Press, 2017.

Brown, Clive. Classical and Romantic Performing Practice, 1750-1900. New York, NY: Oxford University Press, 1999.

Buelow, George J. A History of Baroque Music. Bloomington, IN: Indiana University Press, 2004.

Buelow, George J., Ed. The Late Baroque Era: From the 1680s to 1740. New York, NY: Prentice Hall, 1993.

Burkholder, J. Peter and Claude V. Palisca. Norton Anthology of Western Music, Volume One: Ancient to Baroque. New York, NY: W. W. Norton, 2019.

Burkholder, J. Peter and Claude V. Palisca. Norton Anthology of Western Music, Volume Two: Classic to Romantic. New York, NY: W. W. Norton, 2019.

Burkholder, J. Peter and Claude V. Palisca. Norton Anthology of Western Music, Volume Three: Twentieth Century and After (Seventh Edition). New York, NY: W. W. Norton, 2014.

Burkholder, J. Peter, Donald Jay Grout and Claude V. Palisca. A History of Western Music (Tenth Edition). New York, NY: W. W. Norton, 2019.

Butt, John, Ed. The Cambridge Companion to Bach. New York, NY: Cambridge University Press, 1997.

Cage, John. Silence: 50th Anniversary Edition. Middletown, CT: Wesleyan University Press, 2013.

Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of

3 Haydn, Mozart, and Beethoven. New York, NY: Oxford University Press, 1998.

Caplin, William E., James Hepokoski and James Webster. Musical Form, Forms and Formenlehre: Three Methodological Reflections. Ed. Pieter Berge. Leuven, Belgium: Leuven University Press, 2009.

Cheng, William. Sound Play: Video Games and the Musical Imagination. New York, NY: Oxford University Press, 2014.

Chernaik, Judith. Schumann: The Faces and the Masks. New York, NY: Vintage Books, 2018.

Christensen, Thomas, Ed. The Cambridge History of Western Music Theory. New York, NY: Cambridge University Press, 2006.

Cienniwa, Paul. By Heart: The Art of Memorizing Music. Create Space Independent Publishing, 2014.

Cohn, Richard. Audacious Euphony: Chromatic Harmony and the Triade’s Second Nature. New York, NY: Oxford University Press, 2012.

Coker, Jerry, Jimmy Casale, Gary Campbell and Jerry Greene. Patterns for Jazz: A Theory Text for Jazz Compositions and Improvisation. Van Nuys, CA: Alfred Music, 1982.

Collins, Karen. Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design. Cambridge, MA: The MIT Press, 2008.

Collins, Karen. Playing with Sound: A Theory of Interacting with Sound and Music in Video Games. Cambridge, MA: The MIT Press, 2013.

Conus, Leon and Olga Conus. Fundamentals of Piano Technique: The Russian Method (Newly Revised). Ed. James and Susan McKeever. Milwaukee, WI: Hal Leonard, 2016.

Cook, Nicholas. A Guide to Musical Analysis. New York, NY: Oxford University Press, 1994.

Cooke, James Francis. Great Pianists on Piano Playing: Godowsky, Hofmann, Lhevinne, Paderewski and 24 Other Legendary Performers. Mineola, NY: Dover Publications, 1999.

Cooke, Mervyn. A History of Film Music. New York, NY: Cambridge University Press, 2008.

Copland, Aaron. Music and Imagination (New Edition). Cambridge, MA: Harvard University Press, 1980.

Copland, Aaron. What to Listen for in Music. New York, NY: New American Library, 2009.

Cortot, Alfred. Rational Principles of Pianoforte Technique. Trans. R. Le Roy-Metaxas. Paris, France: Salabert Editions, 1930.

Cox, Christoph. Sonic Flux: Sound, Art, and Metaphysics. Chicago, IL: University of Chicago Press, 2018.

Cox, Christoph and Daniel Warner, Eds. Audio Culture: Readings in Modern Music (Revised Edition). New York, NY: Bloomsbury Academic, 2017.

Crocker, Richard L. A History of Musical Style. Mineola, NY: Dover Publications, 1986.

Cyr, Mary. Performing Baroque Music. New York, NY: Routledge, 2016.

Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century. Berkeley, CA: University of California Press, 1989.

Dahlhaus, Carl. The Idea of Absolute Music. Trans. Roger Lustig. Chicago, IL: University of Chicago Press, 1991.

Dahlhaus, Carl. Ludwig van Beethoven: Approaches to His Music. Trans. Mary Whittall. New York, NY: Clarendon/Oxford University Press, 1997.

Dahlhaus, Carl. Richard Wagner’s Music Dramas. Trans. Mary Whittall. New York, NY: Cambridge University Press, 1979.

4 Dahlhaus, Carl. Schoenberg and the New Music: Essays by Carl Dahlhaus. Trans. Derrick Puffett and Alfred Clayton. New York, NY: Cambridge University Press, 1987.

Dahlhaus, Carl. Studies on the Origin of Harmonic Tonality. Ed. Robert O. Gjerdingen.

Princeton, NJ: Princeton University Press, 1990.

Damschroder, David and David Russell Williams. Music Theory from Zarlino to Schenker: A Bibiography and Guide. Hillsdale, NY: Pendragon Press, 1991.

Dart, Thurston. Interpretation of Music. New York, NY: Harper and Row, 1963.

Del Mar, Norman. Anatomy of the Orchestra. Berkeley, CA: University of California Press, 1987.

Del Mar, Norman. Orchestral Variations: Confusion and Error in the Orchestral Repertoire.

Philadelphia, PA: Da Capo Press, 1982.

Donington, Robert. The Interpretation of Early Music (New Revised Edition). New York, NY: W. W. Norton, 1992.

Donington, Robert. The Opera. New York, NY: Harcourt, Brace and Jovanovich, 1978.

Donington, Robert. Opera and Its Symbols: The Unity of Words, Music and Staging. New Haven, CT: Yale University Press, 1992.

Donnelly, K. J., William Gibbons and Neil Lerner, Eds. Music in Video Games: Studying Play.

New York, NY: Routledge, 2014.

Downs, Philip G. Classical Music: The Era of Haydn, Mozart, and Beethoven. New York, NY: W. W. Norton, 1992.

Dubal, David. The Essential Canon of Classical Music. New York, NY: North Point Press, 2003.

Duffin, Ross W. How Equal Temperament Ruined Harmony (and Why You Should Care). New York, NY: W. W. Norton, 2008.

Farnell, Andy. Designing Sound. Cambridge, MA: The MIT Press, 2010.

Felts, Randy. Reharmonization Techniques. Boston, MA: Berklee Press, 2002.

Forsyth, Cecil. Orchestration. Mineola, NY: Dover Publications, 1982.

Forte, Allen. The Structure of Atonal Music. New Haven, CT: Yale University Press, 1977.

Frisch, Walter. Music in the Nineteenth Century. New York, NY: W. W. Norton, 2012.

Fux, Johann Joseph. The Study of Counterpoint: From Johann Joseph Fux’s Gradus Ad Parnassum. Ed. Alfred Mann. New York, NY: W. W. Norton, 1971.

Gann, Kyle. The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician.

Urbana, IL: University of Illinois Press, 2019.

Gann, Kyle. No Such Thing as Silence: John Cage’s 4’33”. New Haven, CT: Yale University Press, 2010.

Gates, Jerry. Arranging for Horns. Boston, MA: Berklee Press, 2015.

Gauldin, Robert. A Practical Approach to Eighteenth-Century Counterpoint. London, UK: Pearson, 1988.

Gauldin, Robert. A Practical Approach to Sixteenth-Century Counterpoint. Long Grove, IL: Waveland Press, 1995.

Gerig, Reginald R. Famous Pianists and Their Technique (New Edition). Bloomington, IN: Indiana University Press, 2007.

Gibbons, William. Unlimited Replays: Video Games and Classical Music. New York, NY: Oxford

5 University Press, 2018.

Gibbons, William, Ed. Music in the Role-Playing Game. New York, NY: Routledge, 2019.

Gieseking, Walter and Karl Leimer. Piano Technique. Trans. Frederick C. Rauser. Mineola, NY: Dover Publications, 1972.

Gioia, Ted. The History of Jazz (Second Edition). New York, NY: Oxford University Press, 2011.

Gioia, Ted. How to Listen to Jazz. New York, NY: Basic Books, 2017.

Gjerdingen, Robert O. Music in the Galant Style: Being an Essay on Various Schemata Characteristic of Eighteenth-Century Music for Courtly Chambers, Chapels, and Theaters, Including Tasteful Passages of Music Drawn from Most Excellent Chapel Masters in the Employ of Nobel and Noteworthy Personages. New York, NY: Oxford University Press, 2007.

Goehr, Lydia. Elective Affinities: Musical Essays on the History of Aesthetic Theory. New York, NY: Columbia University Press, 2008.

Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Revised Edition). New York, NY: Oxford University Press, 2007.

Goetschius, Percy. The Material Used in Musical Composition: A System of Harmony (New Fourteenth Edition). New York, NY: G. Schirmer, 1913.

Gollin, Edward and Alexander Rehding, Eds. The Oxford Handbook of Neo-Riemannian Music Theories. New York, NY: Oxford University Press, 2011.

Gottschalk, Jennie. Experimental Music Since 1970.

Gould, Elaine. Behind Bars: The Definitive Guide to Music Notation. Van Nuys, CA: Alfred Music, 2011.

Griffiths, Paul. Modern Music and After (3rd Edition). New York, NY: Oxford University Press, 2011.

Grove, George. Beethoven and His Nine Symphonies (Third Revised Edition). Mineola, NY: Dover Publications, 2012.

Hanslick, Dr. Eduard. The Beautiful in Music: A Contribution to the Revisal of Musical Aesthetics (Seventh Edition, Enlarged and Revised). New York, NY: Forgotten Books, 2012.

Harkleroad, Leon. The Math Behind the Music. New York, NY: Cambridge University Press, 2007.

Hatten, Robert S. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington, IN: Indiana University Press, 2004.

Hatten, Robert S. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation.

Bloomington, IN: Indiana University Press, 2004.

Helmholtz, Hermann L. F. On the Sensations of Tone as a Psychological Basis for the Theory of Music. Ed. Alexander J. Ellis. Mineola, NY: Dover Publications, 1954.

Hepokoski, James and Warren Darcy. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York, NY: Oxford University Press, 2006.

Hermand, Jost and Michael Gilbert, Eds. German Essays on Music: Theodor W. Adorno, Ernst Bloch, Thomas Mann, and Others. New York, NY: German Library/Coninuum, 1994.

Hill, Andy. Scoring the Screen: The Secret Language of Film Music. Milwaukee, WI: Hal Leonard,

6 2017.

Hindemith, Paul. The Craft of Musical Composition, Book 1: Theory (Fourth Edition). Mainz, Germany: Schott Music, 1984.

Hindemith, Paul. The Craft of Musical Composition, Book 2: Exercises in Two-Part Writing.

Mainz, Germany: Schott Music, 1984.

Hoppin, Richard H. Medieval Music. New York, NY: W. W. Norton, 1978.

Hough, Stephen. Rough Ideas: Reflections on Music and More. New York, NY: Farrar, Straus and Giroux, 2020.

Huron, David. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, MA: The MIT Press, 2007.

Ijzerman, Job. Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters.

New York, NY: Oxford University Press, 2018.

Isacoff, Stuart. A Natural History of the Piano: The Instrument, the Music, the Musicians—from Mozart to Modern Jazz and Everything in Between. New York, NY: Vintage Books, 2012.

Isacoff, Stuart. Temperament: How Music Became a Battleground for the Great Minds of Western Civilization. New York, NY: Vintage Books, 2003.

Jeans, Sir James. Science and Music. Mineola, NY: Dover Publications, 1968.

Jeppesen, Knud. The Polyphonic Vocal Style of the Sixteenth Century. Trans. Glen Haydon.

Mineola, NY: Dover Publications, 1992.

Jeppesen, Knud. The Style of Palestrina and the Dissonance. Mineola, NY: Dover Publications, 2005.

Kamp, Michiel, Tim Summers and Mark Sweeney, Eds. Ludomusicology: Approaches to Video Game Music. Jakarta, Indonesia: Equinox Publishing, 2016.

Keefe, Simon P, Ed. The Cambridge Companion to Mozart. New York, NY: Cambridge University Press, 2010.

Kelly, Thomas Forrest. Capturing Music: The Story of Notation. New York, NY: W. W. Norton, 2014.

Kennan, Kent. Counterpoint (Fourth Edition). London, UK: Pearson, 1998.

Kennan, Kent and Donald Grantham. The Technique of Orchestration (Sixth Edition). New York, NY: Prentice Hall, 2002.

Kennicott, Philip. Counterpoint: A Memoir of Bach and Mourning. New York, NY: W. W. Norton, 2020.

Klorman, Edward. Mozart’s Music of Friends: Social Interpaly in the Chamber Works. New York, NY: Cambridge University Press, 2017.

Kochevitsky, George. The Art of Piano Playing: A Scientific Approach. Van Nuys, CA: SummyBirchard/Alfred Music, 1967.

Kostka, Stefan, Dorothy Payne and Byron Almen. Tonal Harmony: With an Introduction to PostTonal Music (Eighth Edition). New York, NY: McGraw-Hill Education, 2018.

Krebs, Harald. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. New York, NY: Oxford University Press, 1999.

Krukowski, Damon. Ways of Hearing. Cambridge, MA: The MIT Press, 2019.

7 LaBelle, Brandon. Sonic Agency: Sound and Emergent Forms of Resistance. London, UK: Goldsmith’s Press/University of London, 2018.

Laitz, Steven G. The Complete Musician: An Integrated Approach to Theory, Analysis, and Listening (4th Edition). New York, NY: Oxford University Press, 2015.

Lehman, Frank. Hollywood Harmony: Musical Wonder and the Sound of Cinema. New York, NY: Oxford University Press, 2018.

Lerdahl, Fred. Tonal Pitch Space. New York, NY: Oxford University Press, 2001.

Lerdahl, Fred and Ray Jackendoff. A Generative Theory of Tonal Music. Cambridge, MA: The MIT Press, 1996.

Lester, Joel. Compositional Theory in the Eighteenth Century. Cambridge, MA: Harvard University Press, 1994.

Levine, Mark. The Jazz Piano Book. Petaluma, CA: Sher Music, 1989.

Levine, Mark. The Jazz Theory Book. Petaluma, CA: Sher Music, 1995.

Levy, Ernst. A Theory of Harmony. Ed. Sigmund Levarie. Albany, NY: State University of New York Press, 1985.

Lewin, David. Musical Form and Transformation: Four Analytic Essays. New York, NY: 2011.

Lewin, David. Studies in Music with Text. New York, NY: Oxford University Press, 2009.

Lhevinne, Josef. Basic Principles in Pianoforte Playing. Mineola, NY: Dover Publications, 1972.

Liebman, David. A Chromatic Approach to Jazz Harmony and Melody (New Edition). Van Nuys, CA: Alfred Music, 2015.

Ligon, Bert. Connecting Chords with Linear Harmony: A Study of Three Basic Outlines Used in Jazz Improvisation and Composition, Based on a Study of Hundreds of Examples from Great Jazz Artists. Lebanon, IN: Hal Leonard/Houston Publishing, 1996.

Lloyd-Watts, Valery and Carole L. Bigler. Ornamentation: A Question and Answer Manuel. Van Nuys, CA: Alfred Music, 1995.

Lowell, Dick and Ken Pullig. Arranging for Large Jazz Ensemble. Boston, MA: Berklee Press, 2003.

Loy, Gareth. Musicmathics: The Mathematical Foundations of Music, Volume 1. Cambridge, MA: The MIT Press, 2006.

Loy, Gareth. Musicmathics: The Mathematical Foundations of Music, Volume 2. Cambridge, MA: The MIT Press, 2011.

Lucier, Alvin. Music 109: Notes on Experimental Music. Middletown, CT: Wesleyan University Press, 2012.

Lucier, Alvin, Ed. Eight Lectures on Experimental Music. Middletown, CT: Wesleyan University Press, 2017.

Malin, Yonatan. Songs in Motion: Rhythm and Meter in the German Lied. New York, NY: Oxford University Press, 2010.

Mann, Alfred. The Study of Fugue. Mineola, NY: Dover Publications, 1987.

Mann, Thomas. Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend. Trans. John E. Woods. New York, NY: Vintage Books, 1997.

Maor, Eli. Music by the Numbers: From Pythagoras to Schoenberg. Princeton, NJ: Princeton University Press, 2018.

8 Marston, Nicholas. Heinrich Schenker and Beethoven’s ‘Hammerklavier’ Sonata. London, UK: Royal Musical Association, 2013.

Mathieu, W. A. Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression. Rochester, VT: Inner Traditions, 1997.

Mauceri, John. For the Love of Music: A Conductor’s Guide to the Art of Listening. New York, NY: Borzoi Books/Alfred A. Knopf, 2019.

Mauceri, John. Maestros and Their Music: The Art and Alchemy of Conducting. New York, NY: Vintage, 2018.

McElheran, Brock. Conducting Technique: For Beginners and Professionals (Third Edition).

New York, NY: Oxford University Press, 2004.

Meier, Gustav. The Score, the Orchestra, and the Conductor. New York, NY: Oxford University Press, 2009.

Mirka, Danuta. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 17871791. New York, NY: Oxford University Press, 2009.

Mirka, Danuta, Ed. The Oxford Handbook of Topic Theory. New York, NY: Oxford University Press, 2006.

Mirka, Danuta and Kofi Agawu, Eds. Communication in Eighteenth-Century Music. New York, NY: Cambridge University Press, 2008.

Monelle, Raymond. The Musical Topic: Hunt, Military and Pastoral. Bloomington, IN: Indiana University Press, 2006.

Monelle, Raymond. The Sense of Music: Semiotic Essays. Princeton, NJ: Princeton University Press, 2000.

Mortensen, John J. The Pianist’s Guide to Historic Improvisation. New York, NY: Oxford University Press, 2020.

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Nagano, Kent and Inge Kloepfer. Classical Music: Expect the Unexpected. Montreal, Canada: McGill-Queens University Press, 2019.

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9 Novak, David and Matt Sakakeeny, Eds. Keywords in Sound. Durham, NC: Duke University Press, 2015.

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Ratner, Leonard G. Romantic Music: Sound and Syntax. Boston, MA: Schirmer Books, 1992.

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10 Rochberg, George. The Aesthetics of Survival: A Composer’s View of Twentieth-Century Music (Revised and Expanded Edition). Ann Arbor, MI: University of Michigan Press, 2004.

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Rosen, Charles. The Romantic Generation. Cambridge, MA: Harvard University Press, 2005.

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Russell, George. The Lydian Chromatic Concept of Tonal Organization: The Art and Science of Tonal Gravity (4th Edition). New Delhi, India: Concept Publications, 2001.

Rutherford-Johnson, Tim. Music After the Fall: Modern Composition and Culture Since 1989.

Berkeley, CA: University of California Press, 2017.

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