Literary Cirticism Master

1 The Pykewater Library W. D. S. Pennington Literary Criticism Abrams, M.H. The Correspondent Breeze: Essays on English Romanticism. New York, NY: W.W. Norton, 1984.

Abrams, M. H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York, NY: Oxford University Press, 1971.

Abrams, M. H. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York, NY: W. W. Norton, 1973.

Adams, Robert Martin. Nil: Episodes in the Literary Conquest of the Void during the 19th Century.

New York, NY: Oxford University Press, 1966.

Allen, Gay Wilson & Harry Hayden Clark. Literary Criticism: Pope to Croce. Detroit, MI: Wayne State University Press, 1962.

Andriopoulos, Stefan. Ghostly Apparitions: German Idealism, the Gothic Novel, and Optical Media. Brooklyn, NY: Zone Books, 2013.

Auerbach, Erich. Literary Language and Its Public in Late Latin Antiquity and the Middle Ages.

Trans. Ralph Manheim. Princeton, NJ: Princeton University Press, 1993.

Auerbach, Erich. Mimesis: The Representation of Reality in Western Literature (FiftiethAnniversary Edition). Trans. Willard R. Trask. Princeton, NJ: Princeton University Press, 1953, 2003.

Auerbach, Erich. Time, History, and Literature: Selected Essays of Erich Auerbach. Ed. James I. Porter. Trans. Jane O. Newman. Princeton, NJ: Princeton University Press, 2014.

Barbour, John D. The Value of Solitude: The Ethics and Spirituality of Aloneness in Autobiography. Charlottesville, VA: Virginia University Press, 2004.

Barker-Benfield, G.J. The Culture of Sensibility: Sex and Society in Eighteenth-Century Britain.

Chicago, IL: University of Chicago Press, 1992.

Barzun, Jacques. The Culture We Deserve. Middletown, CT: Wesleyan University Press, 1989.

Bentley, Eric. In Search of Theatre. New York, NY: Vintage Books, 1955.

Berman, Russell A. The Rise of the Modern German Novel: Crisis and Charisma. Cambridge, MA: Harvard University Press, 1986.

Berthold, Daniel. The Ethics of Authorship: Communication, Seduction, and Death in Hegel and Kierkegaard. New York, NY: Fordham University Press, 2011.

Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York, NY: Basic Books, 2010.

Bloom, Allan. Love and Friendship. New York, NY: Simon and Schuster, 1993.

Bloom, Harold. The Daemon Knows: Literary Greatness and the American Sublime. New York, NY: Spiegel & Grau, 2015.

Bloom, Harold. The Shadow of a Great Rock: A Literary Appreciation of the King James Bible.

New Haven, CT: Yale University Press, 2011.

2 Bloom, Harold. Dramatists and Dramas: A Collection of Critical Essays. New York, NY: Checkmark Books, 2007 (2005).

Bloom, Harold. Novelists and Novels: A Collection of Critical Essays. New York, NY: Checkmark Books, 2007 (2005).

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York, NY: Oxford University Press, 1997 (1973).

Bloom, Harold. The Western Canon: The Books and School of the Ages. New York, NY: Riverhead Books, 1994.

Bloom, Harold, Ed. Bloom’s Modern Critical Interpretations: Herman Melville’s Moby-Dick.

New York, NY: Blooms Literary Criticism/Infobase Publishing, 2007.

Bloom, Harold et al. Deconstruction and Criticism. London, UK: Continuum, 1979.

Bloom, Harold. The Visionary Company: A Reading of English Romantic Poetry. Ithaca, NY: Cornell University Press, 1971 (1961).

Bloom, Harold, Ed. Romanticism and Consciousness: Essays in Criticism. New York, NY: W.W. Norton, 1970.

Bogard, Travis and William I. Oliver, Eds. Modern Drama: Essays in Criticism. New York, NY: Oxford University Press, 1965.

Booth, Wayne C. The Rhetoric of Fiction. Second Edition. Chicago, IL: University of Chicago Press, 1983 (1961).

Brooks, Cleanth. The Well Wrought Urn: Studies in the Structure of Poetry. Orlando, FL: Harcourt, Inc., 1970 (1947).

Burton, Robert. The Anatomy of Melancholy. New York, NY: New York Review Books (NYRB), 2001.

Bush, Douglas. Pagan Myth and Christian Tradition in English Poetry: Jayne Lectures for 1967.

Philadelphia, PA: American Philosophical Society, 1968.

Castle, Terry. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford, UK: Oxford University Press, 1995.

Chaudhuri, Amit. The Origins of Dislike. Oxford, UK: Oxford University Press, 2018.

Connelly, Francis S. The Grotesque in Western Art and Culture: The Image at Play. New York, NY: Cambridge University Press, 2012.

Cowley, Malccolm, Ed. After the Genteel Tradition: American Writers, 1910-1930. Carbondale, IL: Southern Illinois University Press, 1967.

Craig, Hardin. The Enchanted Glass: The Renaissance Mind in English Literature. Oxford, UK: Basil Blackwell, 1960.

Curtius, Ernst Robert. European Literature and the Latin Middle Ages. Princeton, NJ: Princeton University Press, 1990.

David, Dierdre, Ed. The Cambridge Companion to the Victorian Novel. Cambridge, UK: Cambridge University Press, 2001.

Deleuze, Gilles. Proust and Signs. Trans. Richard Howard. New York, NY: Continuum, 2008.

Dierick, Augustinus P. German Expressionist Prose: Theory and Practice. Toronto, Canada: University of Toronto Press, 1987.

Dirda, Michael. Book by Book: Notes on Reading and Life. New York, NY: Henry Holt, 2006.

Dirda, Michael. Bound to Please: An Extraordinary One-Volume Literary Education. New York,

3 NY: W. W. Norton, 2004.

Dirda, Michael. Browsings: A Year of Reading, Collecting, and Living with Books. New York, NY: Pegasus Books, 2015.

Dirda, Michael. Classics for Pleasure. New York, NY: Harcourt, 2007.

Dirda, Michael. Readings: Essays and Literary Entertainments. Bloomington, IN: Indiana University Press, 2000.

Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. Durham, NC: Duke University Press, 1993.

Egan, Jim. Authorizing Experience: Refigurations of the Body Politic in Seventeenth-Century New England Writing. Princeton, NJ: Princeton University Press, 1999.

Ellis-Fermor, Una. The Jacobean Drama: An Interpretation. New York, NY: Vintage Books, 1964.

Empson, William. Seven Types of Ambiguity. New York, NY: New Directions, 1947 (1930).

Fergusson, Francis. The Idea of a Theatre: The Art of Drama in Changing Perspective. Garden City, NY: Doubleday Anchor Books, 1949.

Fleming, Paul. Exemplarity and Mediocrity: The Art of the Average from Bourgeois Tragedy to Realism. Stanford, CA: Stanford University Press, 2009.

Forster, E.M. Aspects of the Novel. San Diego, CA: Harcourt, Inc., 1955 (1927).

Foss, Sonja K. Rhetorical Criticism: Exploration & Practice. Prospect Heights, IL: Waveland Press, Inc., 1989.

Foster, Thomas C. How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines (Revised Edition). New York, NY: Harper Perennial, 2014.

Foster, Thomas C. How to Read Nonfiction Like a Professor: A Smart, Irreverent Guide to Biography, History, Journalism, Blogs, and Everything in Between. New York, NY: Harper Perennial, 2020.

Foster, Thomas C. How to Read Novels Like a Professor: A Jaunty Exploration of the World’s Favorite Literary Form. New York, NY: Harper Perennial, 2017.

Foster, Thomas C. How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse.

New York, NY: Harper Perennial, 2018.

Frey, Hans-Jost. Studies in Poetic Discourse: Mallarmé, Baudelaire, Rimbaud, Hölderlin. Trans.

William Whobrey. Stanford, CA: Stanford University Press, 1996.

Frye, Northrop. Spiritus Mundi: Essays on Literature, Myth, and Society. Brighton, MA: Fitzhenry and Whiteside, 2006 (1976).

Frye, Northrop. The Great Code: The Bible and Literature. San Diego, CA: Harcourt, Inc., 1982 (1981).

Frye, Northrop. Fearful Symmetry: A Study of William Blake. Princeton, NJ: Princeton University Press, 1969 (1947).

Frye, Northrop. Fables of Identity: Studies in Poetic Mythology. Dan Diego, CA: Harcourt Brace Jovanovich, 1963.

Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press, 1957.

Gabler-Hover, Janet. Truth in American Fiction: The Legacy of Rhetorical Idealism. Athens, GA:

4 University of Georgia Press, 1990.

Galassi, Jonathan, Ed. & Trans. The Second Life of Art: Selected Essays of Eugenio Montale.

New York, NY: The Ecco Press, 1982.

Gelley, Alexander. Ed. Unruly Examples: On the Rhetoric of Exemplarity. Stanford, CA: Stanford University Press, 1995.

Gilbert, Sandra M. & Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second Edition. New Haven, CT: Yale University Press, 2000 (1979).

Girard, Rene. Deceit, Desire and the Novel: Self and Other in Literary Structure. Trans Yvonne Freccero. Baltimore, MD: Johns Hopkins University Press, 1966.

Gontarski, S.E., Ed. On Beckett: Essays and Criticism. New York, NY: Grove Press, 1986.

Grief, Mark. The Age of the Crisis of Man: Thought and Fiction in America, 1933-1973.

Princeton, NJ: Princeton University Press, 2015.

Hardwick, Elizabeth. American Fictions. New York, NY: The Modern Library, 1999.

Hass, Robert. Twentieth Century Pleasures: Prose on Poetry. New York, NY: Ecco/HarperCollins, 1984.

Hendrix, Grady. Paperbacks from Hell: The Twisted History of ‘70s and ‘80s Horror Fiction.

Philadelphia, PA: Quirk Books, 2017.

Heuer, Christopher P. Into the White: The Renaissance Arctic and the End of the Image.

Brooklyn, NY: Zone Books, 2019.

Highet, Gilbert. The Classical Tradition: Greek and Roman Influences on Western Literature.

New York, NY: Oxford University Press, 1985.

Hill, Archibald A. et al. Essays and Studies in English and Comparative Literature, Vol. VIII: Language and Literature. Norwood, MA: University of Michigan Press, 1932.

Hodgart, Matthew. Satire: Origins and Principles. New Brunswick, NJ: Transaction Publishers, 2010.

Hoffman, Daniel. Barbarous Knowledge: Myth in the Poetry of Yeats, Graves, and Muir. New York, NY: Oxford University Press, 1967.

Howe, Irving. Politics and the Novel. Chicago, IL: Ivan R. Dee Publishers, 2002.

Jacobsen, Josephine & William R. Mueller. Ionesco and Genet: Playwrights of Silence. New York, NY: Hill and Wang, 1968.

Jameson, Fredric. The Modernist Papers. New York, NY: Verso, 2007.

Jepsen, Laura. From Achilles to Christ: The Myth of the Hero in Tolstoy’s War and Peace. USA, 1978.

Kaske, R.E. et al. Medieval Christian Literary Imagery: A Guide to Interpretation. Toronto, CA: University of Toronto, 1988.

Kaufmann, Ralph J., Ed. Elizabethan Drama: Modern Essays in Criticism. New York, NY: Oxford University Press, 1961.

Kayser, Wolfgang. The Grotesque in Art and Literature. Ulrich Weisstein, Trans. New York, NY:

5 McGraw-Hill Book Company, 1966 (1963).

Kerman, Joseph. Opera as Drama. New York, NY: Vintage Books, 1959.

Kermode, Frank. Romantic Image. London, UK: Ark Paperbacks, 1986 (1957).

Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge, MA: Harvard University Press, 1979.

Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York, NY: Oxford University Press, 2000.

Kern, Stephen. The Culture of Time and Space, 1880-1918. Cambridge, MA: Harvard University Press, 2003.

Konstantinou, Lee. Cool Characters: Irony and American Fiction. Cambridge, MA: Harvard University Press, 2016.

Kostelanetz, Richard, Ed. The Avant-Garde Tradition in Literature. Buffalo, NY: Prometheus Books, 1982.

Kugel, James L., Ed. Poetry and Prophecy: The Beginnings of a Literary Tradition. Ithaca, NY: Cornell University Press, 1990.

Lacoue-Labarthe, Philippe. Poetry as Experience. Trans. Andrea Tarnowski. Stanford, CA: Stanford University Press, 1999.

Leary, Lewis, Ed. American Literary Essays. New York, NY: Thomas Y. Crowell Company, 1960.

Leavis, F.R. The Great Tradition: George Eliot, Henry James, Joseph Conrad. New York, NY: New York University Press, 1960.

Levine, Richard A. Backgrounds to Victorian Literature. San Francisco, CA: Chandler Publishing Company, 1967.

Lodge, David. Consciousness and the Novel: Connected Essays. Cambridge, MA: Harvard University Press, 2002.

Lord, Albert B. The Singer of Tales. Cambridge, MA: Harvard University Press,1960.

MacLean, Gerald M. Time’s Witness: Historical Representation in English Poetry, 1603-1660.

Madison, WI: Wisconsin University Press, 1990.

Mayer, Hans. Steppenwolf and Everyman: Outsiders and Conformists in Contemporary Literature. Jack D. Zipes, Trans. New York, NY: Thomas Y. Crowell Company, 1971.

McGann, Jerome J., Ed. Textual Criticism and Literary Interpretation. Chicago, IL: University of Chicago Press, 1985.

McKeon, Michael, Ed. Theory of the Novel: A Historical Approach. Baltimore, MD: Johns Hopkins University Press, 2000.

Mendlesohn, Farah. Rhetorics of Fantasy. Middletown, CT: Wesleyan University Press, 2008.

Meyers, Jeffrey. Homosexuality and Literature 1890-1930. London, UK: The Athlone Press: 1987 (1977).

Miller, Dean A. The Epic Hero. Baltimore, MD: Johns Hopkins University Press, 2002.

Miller, James E., Jr. The American Quest for a Supreme Fiction: Whitman’s Legacy in the Personal Epic. Chicago, IL: University of Chicago Press, 1979.

Miller, J. Hillis. Theory Now and Then. Durham, NC: Duke University Press, 1991.

Mitts-Smith, Debra. Picturing the Wolf in Children’s Literature. New York, NY: Routledge, 2010.

6 Mordell, Albert. The Literature of Ecstasy. Port Washington, NY: Kennikat Press, 1969 (1921).

Moretti, Franco. Graphs, Maps, Trees: Abstract Models for Literary History. London, UK: Verso, 2007 (2005).

Moretti, Franco. Signs Taken for Wonders: On the Sociology of Literary Forms. London, UK: Verso, 2005 (1983).

Muldoon, Paul. The End of the Poem: Oxford Lectures. New York, NY: Farrar, Straus and Giroux, 2006.

Murray, Penelope & T.S. Dorsch, Trans. Classical Literary Criticism. London, UK: Penguin Books, 2000 (1965).

Nicholson, Lewis E., Ed. An Anthology of Beowulf Criticism. Notre Dame, IN: University of Notre Dame Press, 1963.

Nicolson, Marjorie Hope. The Breaking of the Circle: Studies in the Effect of the ‘New Science’ Upon Seventeenth-Century Poetry. New York, NY: Columbia University Press, 1965.

Olmstead, William. The Censorship Effect: Baudelaire, Flaubert, and the Formation of French Modernism. New York, NY: Oxford University Press, 2016.

Orgel, Stephen. The Reader in the Book: A Study of Spaces and Traces. Oxford, UK: Oxford University Press, 2015.

Ossa-Richardson, Anthony. A History of Ambiguity. Princeton, NJ: Princeton University Press, 2019.

Ousby, Ian. Bloodhounds of Heaven. Cambridge, MA: Harvard University Press, 1976.

Outka, Elizabeth. Viral Modernism: The Influenza Pandemic and Interwar Literature. New York, NY: Columbia University Press, 2019.

Palter, Robert. The Duchess of Malfi’s Apricots, and Other Literary Fruits. Columbia, SC: University of South Carolina Press, 2002.

Panichas, George A., Ed. The Politics of Twentieth-Century Novelists. New York, NY: Hawthorn Books, Inc. Publishers, 1971.

Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Evanston, IL: Northwestern University Press, 1981.

Piehler, Paul. The Visionary Landscape: A study in Medieval Allegory. Montreal, Canada: McGill/Queen’s University Press, 1971.

Posner, Richard A. Law and Literature (Third Edition). Cambridge, MA: Harvard University Press, 2009.

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Reiman, Donald H. Intervals of Inspiration: The Skeptical Tradition and the Psychology of Romanticism. Greenwood, FL: The Penkevill Publishing Company, 1988.

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7 Whitmon, Eliot, and Williams. Baltimore, MD: Johns Hopkins University Press, 1990.

Sheriff, John K. The Fate of Meaning: Charles Pierce, Structuralism, and Literature. Princeton, NJ: Princeton University Press, 1989.

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8 Wilson, Edmund. Axel’s Castle: A Study of the Imaginative Literature of 1870-1930. New York, NY: Farrar, Straus and Giroux, 2004 (1931).

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