Art Forgery/Restoration

1 The Pykewater Library W. D. S. Pennington Art Forgery Art Restoration, Conservation Art of Publication Amore, Anthony M. The Art of the Con: The Most Notorious Fakes, Frauds, and Forgeries in the Art World. New York, NY: Palgrave Macmillan, 2015.

Angelova, Lora V., et al, Eds. Gels in the Conservation of Art. London, UK: Archetype Books, 2017.

Applebaum, Barbara. Conservation Treatment Methodology. Unknown location: CreateSpace Publishing, 2011.

Baker, Cathleen Ann. From the Hand to the Machine: Nineteenth-Century American Paper and Mediums: Technologies, Materials, and Conservation. Ann Arbor, MI: Legacy Press, 2010.

Beck, James. Art Restoration: The Culture, the Business, the Scandal. New York, NY: W. W. Norton, 1996.

Berger, Gustav and William Russell. Conservation of Painting: Research and Innovations.

London, UK: Archetype Books, 2007.

Bomford, David. A Closer Look: Conservation of Paintings. New Haven, CT: National Gallery/Yale University Press, 2009.

Calasso, Roberto. The Art of the Publisher. Trans. Richard Dixon. New York, NY: Farrar, Straus and Giroux, 2015.

Casadio, Francesca, et al, Eds. Metal Soaps in Art: Conservation and Research. New York, NY: Springer, 2019.

Charney, Noah. The Art of Forgery: The Minds, Motives and Methods of Master Forgers. New York, NY: Phaidon Press, 2015.

Chiantore, Oscar and Antonio Rava. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles, CA: Getty Conservation Institute, 2013.

Clifton, John. The Conservation and Restoration of Paintings: An Introduction. Jefferson, NC: McFarland and Company, 2012.

Craddock, Paul. Scientific Investigation of Copies, Fakes and Forgeries. Burlington, MA: Butterworth-Heinemann, 2009.

Dardes, Kathleen and Andrea Rothe. The Structural Conservation of Panel Paintings: Proceedings of a Symposium at the J. Paul Getty Museum, April 1995. Los Angeles, CA: Getty Conservation Institute, 1998.

Dolnick, Edward. The Forger’s Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York, NY: Harper Perennial, 2009.

Ellis, Margaret Holben, Ed. Historical Perspectives in the Conservation of Works of Art on Paper.

Los Angeles, CA: Getty Conservation Institute, 2015.

Gaddis, William. The Recognitions. New York, NY: Penguin Books, 1993.

Greenhalgh, Shaun. A Forger’s Tale: Confessions of the Bolton Forger. Crows Nest, New Zealand: Allen and Unwin, 2017.

2 Grundvig, James Ottar. Breaking van Gogh: Saint-Remy, Forgery, and the $95 Million Fake at the MET. New York, NY: Skyhorse, 2016.

Hackney, Stephen. On Canvas: Preserving the Structure of Paintings. Los Angeles, CA: Getty Conversation Institute, 2020.

Hebborn, Eric. The Art Forger’s Handbook. New York, NY: Overlook Books, 2004.

Hebborn, Eric. Confessions of a Master Forger. London, UK: Cassell, 1998.

Hebborn, Eric. Drawn to Trouble: Confessions of a Master Forger (A Memoir). New York, NY: Random House, 1993.

Hoving, Thomas. False Impressions: The Hunt for Big-Time Art Fakes. New York, NY: Simon and Schuster, 1982.

Hunter, Dard. Papermaking: The History and Technique of an Ancient Craft. Mineola, NY: Dover Publications, 2011.

Irving, Clifford. Fake! The Story of Elmyr De Hory, the Greatest Art Forger of Our Time. New York, NY: McGraw-Hill, 1969.

Jones, Mark, Ed. Fake?: The Art of Deception. Berkeley, CA: University of California Press, 1990.

Keats, Jonathon. Forged: Why Fakes are the Great Art of Our Age. New York, NY: Oxford University Press, 2013.

Kelly, Francis. Art Restoration. Exeter, UK: David and Charles, 1971.

Learner, Thomas J. S. Analysis of Modern Paints. Los Angeles, CA: Getty Conservation Institute, 2005.

Lenain, Thierry. Art Forgery: The History of a Modern Obsession. London, UK: Reaktion Books, 2012.

Lener, Dewayne J. Paper Preservation: Conversation Techniques and Methodology. Bountiful, UT: Heritage Quest, 1988.

Lopez, Jonathan. The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren. Orlando, FL: Harcourt Books, 2008.

Moses, Nancy. Fakes, Forgeries, and Frauds. Lanham, MD: Rowman and Littlefield, 2020.

Nicolaus, Knut. The Restoration of Paintings. New York, NY: Konemann, 1999.

Oldale, Peter. Practical Picture Restoration. Marlborough, UK: Crowood Press, 1999.

Parikka, Jussi. A Geology of Media. Minneapolis, MN: University of Minnesota Press, 2015.

Perenyi, Ken. Caveat Emptor: The Secret Life of an American Forger. New York, NY: Pegasus Books, 2013.

Ragai, Jehane. The Scientist and the Forger: Insights into the Scientific Detection of Forgery in Paintings. London, UK: Imperial College Press, 2015.

Ragai, Jehane. The Scientist and the Forger: Probing a Turbulent Art World (Second Edition).

London, UK: World Scientific Publishing Europe, 2018.

Rhodes, Neil and Jonathan Sawday, Eds. The Renaissance Computer: Knowledge Technology in the First Age of Print. New York, NY: Routledge 2005.

Salisbury, Laney and Aly Sujo. Provenance: How a Con Man and a Forger Rewrote the History of Modern Art. New York, NY: Penguin Books, 2010.

Saunders, David. Museum Lighting: A Guide for Conservators and Curators. Los Angeles, CA:

3 Getty Conservation Institute, 2020.

Schweidler, Max. The Restoration of Engravings, Drawings, Books, and Other Works on Paper.

Ed. Roy Perkinson. Los Angeles, CA: Getty Conservation Institute, 2006.

Scott, David A. Art: Authenticity, Restoration, Forgery. Los Angeles, CA: Cotsen Institute of Archeology Press at UCLA, 2016.

Stols-Witlox, Maartje. A Perfect Ground: Preparatory Layers for Oil Paintains, 1550-1900.

London, UK: Archetype Books, 2018.

Stoner, Joyce Hill and Rebecca Rushfield. Conservation of Easel Paintings. New York, NY: Routledge, 2012.

Van den Berg, Klaas Jan, et al, Eds. Conversation of Modern Oil Paintings. New York, NY: Springer, 2020.

Wolbers, Richard. Cleaning Painted Surfaces: Aqueous Methods. London, UK: Archetype Books, 2007.

Wynne, Frank. I Was Vermeer: The Rise and Fall of the Twentieth Century’s Greatest Forger.

New York, NY: Bloomsbury, 2006.