Ethel Fisher - Selected Works

Ethel Fisher

Each painting is a new adventure, an experience into the unknown and a grinding for a new and personal order.

I cannot pre-determine the exact outcome of the finished painting. The look of the painting changes the demands of the painting, and the painting is right when all formal relationships are under control.

Because things have an inherent character, form, color, and images evoke corresponding feelings and ideas in us. Conversely, our ideas and feelings must have appropriate experiences to express them.

I believe that painting is primarily color (just as the primary factor in music is sound.) Color is charged with a psychological evocative power which associates with one’s own experiences with nature.

To me, form and feeling, images and feeling are all one, and the rational process makes them complete. The sensations should penetrate the thoughts, so that the two constitute a single state.

I try to reduce the natural to the abstract by intensification, and the synthesis of form and color in keeping with the conscious control of my painting, though abstract is usually about something. It is about my reactions to the world around me, what I express of it and how I express it makes the painting, and if I happen to like how the Byzantine artists to the Persian artists handled space and color, then that goes into it too.

I believe that painting is not a recording of nature, but an extension of nature through the vision, expressiveness, and intention of the artist.

- Ethel Fisher, 1960 solo exhibition at Angeleski Gallery, New York

Ethel Fisher

Ethel Fisher Ethel Fisher (1923-2017) carved a distinctive path through the American art scene over seven decades.

Her journey began with studies at the University of Houston and the University of Texas at Austin, under mentors such as Everett Spruce, Howard Cook, and William McVey, and continued at Washington University in St. Louis with Fred Conway. Fisher's formative years at The Art Students League of New York were under the tutelage of Morris Kantor, Robert Beverly Hale, and Will Barnet, where she honed her craft and integrated herself into the vibrant art world of New York City.

Fisher's professional career took flight in the 1950s with a style that initially embraced early modernist styles of abstraction. Her work during this period featured impressionistic elements and organic shapes that often referenced architecture; her influences ranged from European Old Masters to Pre-Columbian and Byzantine artifacts.

The early 1960s marked a pivotal shift in Fisher's career as she moved towards figurative work after a tour of Europe and a move back to New York City. Fisher's return to New York led her to win a Louis Comfort Tiffany Foundation Award for Painting in 1965. In the 1970s, Fisher transitioned again, this time to architectural paintings, drawing from her early interest in the ornate facades of buildings she remembered from her youth in Galveston. These works, while still adhering to a certain realism, were personalized interpretations that combined remembered and invented colors with expressive brushwork.

Ethel Fisher's legacy is vast, spanning a diverse range of subjects and styles, from abstract art to portraiture and architectural paintings. Her work is held in notable collections including: The Los Angeles County Museum of Art (LACMA), the Museum of Contemporary Art San Diego (MCASD), the Crocker Museum of Art, the Museum of the City of New York, the Oklahoma City Museum of Art, the Kalamazoo Institute of Arts, and many others.

A painting is a "series of relationships." As soon as I have introduced a line, a shape, or a color, I must introduce another to relate to it a rhythm is thus established between the proportions which I have created. It is this rhythm which constitutes the law peculiar to the newly created object. It is only by obeying this law that the artist can preserve the unity which is the very life of the painting.

-Ethel Fisher

Ethel Fisher The Constellation, 1957 Oil on canvas 49.75 x 58.5 in.

Exhibited: Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Riverside Museum, New York City, “Nine from Miami,” May 4 – 25, 1958 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: Instituto Nacional de Cultura, Exposicion Ethel Fisher, 1957, brochure, pp.

3 (illustrated) Provenance: Estate of the Artist

Exhibited: Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Riverside Museum, New York City, “Nine from Miami,” May 4 – 25, 1958 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: Instituto Nacional de Cultura, Exposicion Ethel Fisher, 1957, brochure, pp. 3 (illustrated) Provenance: Estate of the Artist

Ethel Fisher Garden Wall #43, 1957 Oil on canvas 51 x 40.75 in.

Ethel Fisher with Garden Wall #43 in her Miami studio, c. 1957

Exhibited: Miami Artists Association, Sarasota Art Association Gallery at the Norton Gallery, West Palm Beach, FL, 1955 Studio Craft Shop, Miami, “Miami Artists Association,” May 1956 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: “Studio Craft and Mirell Top Current Art Shows,” The Miami Herald, May 13, 1956, pp 15F Provenance: Estate of the Artist

Ethel Fisher The Terrace #5, 1956 Oil on masonite 32.75 x 48.75 x 1.5 in.

Exhibited: Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Riverside Museum, New York City, “Nine from Miami,” May 4 – 25, 1958 Provenance: Estate of the Artist

Ethel Fisher Composition #1 (The Shelter), 1957 Oil on canvas 33 x 43 x 2 in.

Ethel Fisher Totem #12, 1956 Oil on masonite 60 x 20.5 x 1.5 in.

Exhibited: Miami Beach Art Center, solo exhibition, December 1956 Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: The Miami Herald, December 23, 1956, pp. 96 Instituto Nacional de Cultura, Exposición Ethel Fisher, 1957, brochure, pp. 4 Provenance: Estate of the Artist

Ethel Fisher Spoon, 1947 Oil on canvas 24 x 18 in.

Exhibited: Michael Ivey Gallery, Los Angeles, “Contemporary Artists Presently Working in California,” April 10 – May 1986 Provenance: Ada Blankfield, Houston Texas, mother of the artist Estate of the Artist, acquired from the above

Exhibited: Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Provenance: Estate of the Artist

Ethel Fisher Façade, 1955 Oil on masonite 48 x 23.75 in.

Ethel Fisher The Trove #14, 1957 Oil on linen 39 x 51 in.

Ethel Fisher and The Trove, displayed at Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, 1957

Ethel Fisher The Trove #14, 1957 Oil on linen 39 x 51 in.

Exhibited: Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba, Exposición Ethel Fisher, 1957 Norton Gallery West Palm Beach, FL, 3 Miami Painters, May 25 - June 8, 1958 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: Norton Gallery of Art, 3 Miami Painters, 1958, brochure Provenance: Estate of the Artist

Exhibited: Miami Beach Art Center, solo exhibition, December 1956 Angeleski Gallery, New York City, “Ethel Fisher: Recent Paintings,” February 15-29, 1960 Literature: The Miami Herald, November 11 1956, pp 103 The Miami Herald, December 23, 1956, pp. 96 Provenance: Estate of the Artist

Ethel Fisher Interior #12, 1956 Oil on canvas 34 x 26 in.

Exhibited: Norton Gallery West Palm Beach, FL, 3 Miami Painters, May 25 - June 8, 1958 Literature: Norton Gallery of Art, 3 Miami Painters, 1958, brochure Provenance: Estate of the Artist

Ethel Fisher Hieratic Painting, 1957 Oil on canvas 30.75 x 58.5 x 1.5 in.

CV: b. 1923 Galveston, Texas d. 2017 Los Angeles, CA

Education

University of Houston The University of Texas, Austin, with Everett Spruce, Howard Cook, and William McVey Washington University, St. Louis, with Fred Conway The Art Students League of New York, with Morris Kantor, Robert Beverly Hale, and Will Barnet

Selected Solo Exhibitions 1986 1975 1960 1958 1958 1957 1956 1956 1956 1954 1954

Michael Ivey Gallery, Los Angeles, CA Ethel Fisher: Recent Paintings, Mitzi Landau Gallery, Los Angeles, CA Angeleski Gallery, New York, NY Norton Gallery, West Palm Beach, FL The Gallery, Miami, FL Instituto Nacional de Cultura, Palacio de Bellas Artes, Havana, Cuba Miami Beach Art Center, Miami Beach, FL Normany Isle Branch of Washington Federal Bank, Miami Beach, FL Sunset Art Theater, South Miami, FL Mirell Gallery, Coconut Grove, FL Joe and Emily Lowe Gallery, University of Miami, Coral Gables, FL

Selected Group Exhibitions 2023 2022 2003 2000 1999 1998 1997 1986 1985 1983 1979 1978 1977 1977 1977 1976 1976 1976 1976 1975 1974 1973 1972 1971 1971 1970 1968 1968 1968 1968

First Look: New to the Museum, Oklahoma Museum of Art, Oklahoma City, OK Personas: Artists on Artists, The Jewish Museum, New York City, NY Face to Face: Portraits, Herman & Marjorie Platt Gallery, University of Judaism, Los Angeles, CA Revealing and Concealing, Portraits, Skirball Cultural Center and Museum, Los Angeles, CA Art Trends 1940s - 1960s, Kendall Campus Art Gallery, Miami, FL Venice Art Walk, Exhibit, Venice, CA Group Show, Paintings, Hooks Epstein Gallery, Houston, TX Contemporary Artists Presently Working in California, Michael Ivey Gallery, Los Angeles, CA AG Nature, Visuals for Performance Art by MAFISHCO, Dance Theater Workshop, New York, NY Facings, Downey Museum, Downey, CA Portraits/1979, Municipal Art Gallery, Los Angeles, CA Déjá vu, Masterpieces Updated, Downey Museum, Downey, CA Shades of Grey, Drawing Survey, Loyola Marymount University, Los Angeles, CA Cityscapes, San Francisco Museum Association, San Francisco, CA California Figurative Painters, Tortue Gallery, Los Angeles, CA West Side Story, Tortue Gallery, Los Angeles, CA Video Interviews, Ron Feldman Gallery, New York, NY Hansen Fuller Gallery, San Francisco, CA Broxton Gallery, Los Angeles, CA Current Concerns II, Los Angeles Institute of Contemporary Art, Los Angeles, CA Painting, Color, Form and Surface, Lang Gallery, Scripps College, Claremont, CA Women Choose Women, New York Cultural Center, New York, NY Small Images Exhibit, California State University, Los Angeles, Los Angeles, CA Figurative Show, Los Angeles County Museum, Los Angeles, CA American Portraits – Old and New – Long Beach Museum of Art, Long Beach Museum of Art, Long Beach, CA Second Annual Art Exhibition, Santa Barbara Art Museum, Santa Barbara, CA The 164th Annual Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia, PA Fourth Annual Juried Exhibition of Painting and Sculpture, Westchester Art Society, Westchester, NY Margo Leavin Gallery, Los Angeles, CA Waddell Gallery, New York, NY

1967 1967 1967 1967 1965 1965 1962 1962 1961 1961 1961 1960 1960 1960 1960 1960 1960 1960 1960 1960 1960 1960 1959 1959 1959 1958 1958 1958 1958 1958 1958 1958 1958 1958 1957 1957 1957 1957 1956 1956 1956 1956 1956 1955 1955 1955 1955 1955 1954 1954 1954 1953 1945 1945

The Silvermine Annual New England Exhibit, Silvermine Arts Center, New Cannan, CT The Contained Object, Los Angeles County Museum, Los Angeles, CA Eugenia Butler Gallery, Los Angeles, CA Artists by Artists, Capricorn Gallery, New York, NY Tavoletta (Table Size Paintings) Show, Castagno Gallery, New York, NY A.M. Sachs Gallery, New York City, NY Recent Acquisitions, Lowe Art Gallery, Miami Beach, FL Miami Artists, Design Center, Miami, FL Paintings and Collages by Ethel Fisher, Edward Dean Gallery, San Francisco, CA Cubism Now and Expressionism in the West, Ford Foundation and Stanford University, San Francisco, CA Artists from Miami, Fine Arts Museum, Springfield, MA The Boston Arts Festival, Boston, MA The Artist Interprets the Figure, Natalie Baskin Gallery, Coconut Grove, FL Survey Show, The Museum of Modern Art (art rental), New York, NY Riverside Museum, New York, NY Miami Artists Assocation, Gallery Restaurant, Coral Gables, FL Hortt Memorial Exhibition, Fort Lauderdale Art Center, Fort Lauderdale, FL The Playhouse Gallery, Coconut Grove, FL Contemporary Arts Gallery, Pinellas Park, FL The Artist Interprets the Figure, Natalie Baskin Gallery, Coconut Grove, FL Staempfli Gallery, New York, NY The Gallery, Miami, FL Tenth Annual Exhibition of the Florida Artist Group, Inc. : 1959-1960, Playhouse Gallery, Coconut Grove, FL Religious Paintings by Miami Artists, Rudolph Galleries, Coral Gables, FL 21st Annual Exhibition of Contemporary American Painting, Society of the Four Arts, Palm Beach, FL 20th Annual Exhibition of Contemporary American Painting, Society of the Four Arts, Palm Beach, FL Three Younger Miami Painters, Norton Gallery, West Palm Beach, FL Friday Night Sketch Group [Member's Exhibition], Lowe Gallery, Coconut Grove, FL Six Miami Painters, The Little Gallery, Lewis State Bank, Tallahassee, FL Nine from Miami, Riverside Museum, New York, NY Art USA, 1958, Madison Square Garden, New York City, NY Studio Craft Shop, Coconut Grove, FL 20th Annual Exhibition of Contemporary American Painting, Society of the Four Arts, Palm Beach, FL Gallery Restaurant, Coral Gables, FL Three Younger Miami Painters, High Museum of Art, Atlanta, GA Four Arts Society, Society of the Four Arts, Palm Beach, FL 7th National [Sarasota Art Association exhibition], The Ringling Museum, Sarasota, FL Recorder Workshop, Coconut Grove, FL Miami Artists Association, Studio Craft Shop, Miami, FL The Lyceum, Esposición Colectiva de pintura Norteamericana, The Lyceum, Habana, Cuba Miami Artists Association, Washington Art Galleries, Miami Beach, FL Miami Artists Assocation, Lowe Gallery, Coconut Grove, FL Corcoran Gallery, Washington, D.C. Prints by Local Artists, Mirell Gallery, Coconut Grove, FL Miami Artists Association, Sarasota Art Association Gallery; Norton Gallery, West Palm Beach, FL Four Arts Society, Society of the Four Arts, Palm Beach, FL Florida Artist Group Exhibition, Norton Gallery, West Palm Beach, FL Mirell Gallery, Coconut Grove, FL Annual Award Winners, Joe and Emily Lowe Gallery, University of Miami, Coconut Grove, FL Eve Tucker Galleries, Miami Beach, FL Mirell Gallery, Coconut Grove, FL Joe and Emily Lowe Gallery, University of Miami, Coconut Grove, FL The Philadelphia Print Club, The Philadelphia Print Club, Philadelphia, PA Artists under 25, Jacques Seligmann Gallery, New York and Bennington College, VT

Awards 1965 1963 1960 1959 1957 1953

The Tiffany Award for Painting, Louis Comfort Tiffany Foundation, NY The Kulicke Award, Westchester Art Association, White Plains, NY The Four Arts Award, Society of the Four Arts, Palm Beach, FL The Four Arts Award, Society of the Four Arts, Palm Beach, FL Harry Rich Exposition, painting award, Miami Lowe Gallery, first prize in painting, Miami

Museum Collections

Archives of American Art, Smithsonian Institution, Washington, D.C. Avery Architectural and Fine Arts Library, Columbia University, New York, NY Crocker Museum, Sacramento, CA Dallas Museum of Art, Dallas, TX Fairfield University Art Museum, Fairfield, CT Jewish Museum, New York, NY Kalamazoo Institute of Arts, Kalamazoo, MI Los Angeles County Museum of Art, Los Angeles, CA Martha Alf Foundation, Los Angeles, CA Metropolitan Museum of Art, New York, NY Morgan Library and Museum, New York, NY Museum of the City of New York, New York, NY Norton Museum of Art, West Palm Beach, FL Oklahoma City Museum of Art, Oklahoma City, OK UCLA Special Collections Library, Los Angeles CA

Publications

Kienholz, Lyn. L.A. Rising: SoCAL Artists Before 1980. California/International Arts Foundation, Los Angeles. 2010.

Garbee, Jenn, and Colleen Dunn Bates. Hometown Santa Monica, The Bay Cities Book. Prospect Park Books, Los Angeles. 2007. cover (illustrated), pp. 108.

Who's Who in American Art: 18th Edition. American Federation of Art, Washington, D.C. 1989. p. 334.

Who's Who in American Art: 17th Edition. American Federation of Art, Washington, D.C. 1986. p. 318.

Who's Who in American Art: 16th Edition. American Federation of Art, Washington, D.C. 1984. p. 290.

Mugniani, J. Hidden Elements of Drawing. Van Nostrand Reinhold Co., New York. 1974. Expressive Drawings.

Eleventh Annual Exhibition of the Florida Artist Group, Inc. : 1960-1961. Florida Artist Group, Inc., West Palm Beach, FL. 1960.

Tenth Annual Exhibition of the Florida Artist Group, Inc. : 1959-1960. Florida Artist Group, Inc., West Palm Beach, FL. 1959. cover (illustrated), pp. 6.

Ninth Annual Exhibition of the Florida Artist Group, Inc. : 1958-1959. Florida Artist Group, Inc., West Palm Beach, FL. 1958. pp. 7 (illustrated).

Eighth Annual Exhibition of the Florida Artist Group, Inc. : 1957-1958. Florida Artist Group, Inc., West Palm Beach, FL. 1957.

7th National [Art Exhibition]. Sarasota Art Association, Sarasota, FL. 1957. p. 5.

Seventh Annual Exhibition of the Florida Artist Group, Inc. : 1956-1957. Florida Artist Group, Inc., West Palm Beach, FL. 1956. pp. 10 (illustrated).

Sixth Annual Exhibition of the Florida Artist Group, Inc. : 1955-1956. Florida Artist Group, Inc., West Palm Beach, FL. 1955.

Press

“Connecticut Art Exhibits.” Hartfourd Courant, April 23, 2023, p. 5 (illustrated).

Douglas, Sarah, “Like that Painting? Swipe Right!” ArtNews, October/November 2021, illustrated.

Smith, Nancy, “At Home with Ethel Fisher.” Palisadian Post, August 17, 2006.

Pagel, David, “Art Review; Who, What . . . and Why?” The Los Angeles Times, September 28, 2000, p. 208.

“Founders' Keepers: Historic Homes of Pacific Palisades.” Palisadian Post, August 10, 2000, p. 13.

Pincus, Robert L., “Master Drawings Due at the Getty.” The Los Angeles Times, May 22, 1983, p. 88.

Wilson, William, “The Portrait: New Life for an Old Form.” The Los Angeles Times, April 29, 1979, p. 92.

Muchnic, Suzanne, “Portraiture by L.A.-Area Artists.” The Los Angeles Times, April 15, 1979, K87.

Loach, Roberta, “Ethel Fisher: In Conversation with Roberta Loach.” Visual Dialogue, Winter 1977-1978, Vol. 3 No. 2, p. 8-11.

“Ethel Fisher: Corbusier Chair in Front of Terrace.” Artweek, December 3, 1977.

Ianco-Starrels, Joseine, “Mother Lode of the Graphic Arts.” The Los Angeles Times, November 13, 1977, p. O103.

Ahern, Charlene, “Buildings Live on Canvas.” Palisadian Post, July 15, 1976, p. 13-14.

Ballatore, Sandy, “Current Concerns Part II.” Art Week, April 10, 1976, p. 1.

Alf, Martha, “Buildings as Icons.” Art Week, March 15, 1975.

Wilson, William, “The Light That Dimmed at LAICA.” The Los Angeles Times, March 9, 1975, p. S70.

Ianco-Starrels, Joseine, “Krasnow Exhibit at Barnsdall Park.” The Los Angeles Times, February 23, 1975, p. T68.

MacMasters, Dan, “An Old House Gets Its Chance.” The Los Angeles Times, March 3, 1974.

Wilson, William, “Portrait Show at Museum.” The Los Angeles Times, August 30, 1971, p. E8.

Good, Jeanne, “The Creators in the Sixties.” San Francisco Valley Times, January 2, 1970, p. 7.

Kreisberg, Louisa, “Area Artists Among Winners in Exhibit.” Herald Statesman, March 30, 1968, p. 4.

“High Brow.” The Miami Herald, September 21, 1965, p. 4BR. Reno, Doris, “Key Miami Painters All in One Place.” The Miami Herald, January 27, 1963, p. 124.

Woods, Joan, “She Packs Impact Into Her Paintings.” The San Francisco Examiner, January 23, 1961, p. 26.

“Artist Showing Works in Frisco.” The Miami Herald, January 23, 1961, p.36.

“Attractive Works at the Playhouse.” The Miami Heraald, January 5, 1961, p. 6D. “New Works on Display at Grove.” The Miami Herald, December 20, 1960, p. 5B. “Suncoast Artists in Contest.” The Tampa Times, December 13, 1960, p. 18.

King, Leone, “Art Show Has Wide Range: 17 Works on View at Four Arts.” The Palm Beach Post, December 3, 1960, p. 12.

“At Baskin.” The Miami Herald, October 30, 1960, p. 6F. “New Shows at Three Art Galleries.” The Miami Herald, October 16, 1960, p. 6F. La Reau, Maurice, “On Gallery Walls.” Fort Lauderdale News, September 25, 1960, p. 72.

“Art Group Opens Annual Show Today.” The Miami Herald, August 7, 1960, p. 12B. “Local Show Opens.” The Miami News, July 31, 1960, p. 6D. “Bankers Find That Art Sort of Grows on Them.” The Miami Herald, July 24, 1960, p. 4.

Taylor, Nancy, “Tired of Clouds? Try the Galleries.” The Miami News, July 12, 1960, p. 7B. “Beach Sculptor's 'Moses' First in Hortt Exhibit.” The Miami Herald, April 8, 1960, p. 64.

“Art Prize Goes to Miamian.” The Miami Herald, March 27, 1960, Section B. Reno, Doris, “Internationally-Known Painters Show at 2 Galleries.” The Miami Herald, March 20, 1960, p. 7J. “New Gallery Opens Friday.” The Miami Herald, March 6, 1960, p. 35F. “Miamian Has Show in N.Y.” The Miami Herald, February 21, 1960, p. 183.

Preston, Stuart, “Galleries Show Paintings By Lee-Smith, Charcoune, Ethel Fisher, and Halpern.” The New York Times, February 20, 1960, p. 21.

“Pinnellas Fair Art Show Opens Tuesday.” St. Petersburg Times, February 20, 1960, p. 6A. Hayes, Richard, “Review of Angeleski Gallery exhibition.” ArtNews, February 1, 1960, p. 49.

“Review of Angeleski Gallery exhibition.” Arts Digest, February 1, 1960, p. 65.

Keyes, Emilie, “Opening the '21st Annual Contemporary American Painting' Exhibition of the Society of the Four Arts'.” Palm Beach Life, January 14, 1960, p. 38.

King, Leone, “Contemporary Painting Show Opens at Four Arts Society.” The Palm Beach Post, December 5, 1959, p. 13.

“Moderns Come to Miami.” The Miami News, June 14, 1959, p. 7B.

“4 Artists Showing in Spring Festival.” The Miami News, April 19, 1959, p. 7B. La Reau, Maurice, “Group of Five Moderns.” Fort Lauderdale News, February 1, 1959, p. 66.

“Miami Artists Display Vigor in Lively Exhibit.” The Miami Herald, December 14, 1958, p. 172.

King, Leone, “Extremes Mark Controversial Show at Four Arts Gallery.” The Palm Beach Post, December 6, 1958, p. 2.

“Work of Six at Gallery.” The Miami News, November 30, 1958, p. 7B. Bower, Nellie, “Showcase Important When Displaying Art.” The Miami News, August 10, 1958, p. 8B. “Ethel Fisher Art on View.” The Miami Herald, August 3, 1958, p. 151.

Reno, Doris, “Our Town's New Shows.” The Miami Herald, August 1, 1958, Review.

“Sketchers to Display Drawings.” The Miami News, July 20, 1958, p. 8B. Campbell, Lawrence, “Review of 'Nine from Miami.’” ArtNews, Summer 1958, Vol. 57, No. 4, p. 18.

“Miami Trio at Norton.” The Miami Herald, May 25, 1958, p. 121.

Bower, Nellie, “Art U.S.A. Picks Rudolph Galleries.” The Miami News, February 2, 1958, p. 8B. Bello, A. Martinez, “Gran Pintura Norteamericana.” Diario de la Mañana, December 18, 1957.

“Visitò el Presidente la Sala de Arquitectura en Bellas Artes.” Diario de la Mañana, December 10, 1957.

Marquina, Rafael, “Vida Cultural y Artistica.” La Informacion, December 5, 1957, Review.

Jaume, Adele, “Cultural Activity, Mastery and Sensitivity, the Paintings of Ethel Fisher.” Diario de la Mañana, December 3, 1957, Review.

“Three Exhibits Debut Sunday at Art Museum.” The Atlanta Journal, December 1, 1957, p. 20F. “Artist Group Circuit Show Now at Tampa.” St. Petersburg Times, November 17, 1957, p. 42.

“Florida Artist Exhibit.” The Tampa Times, November 15, 1957, p. 12.

Bower, Nellie, “To Exhibit Paintings in Atlanta.” The Miami News, August 4, 1957, p. 8C. Bower, Nellie, “Miami Artists Association Shows Members' Works at Lowe Gallery.” The Miami News, July 14, 1957, p. 4C. “Beach Exhibits Offer Treat to Art Viewers.” The Miami Herald, December 23, 1956, p. 96.

Bower, Nellie, “Notes About Art.” The Miami News, December 16, 1956, p. 4C. Reno, Doris, “Hirsch Professional Show Tops 1956's.” The Miami Hearld, November 11, 1956, p. 103.

Bower, Nellie, “Week in Art Sees Exhibits Shift; Lowe Opens Show by Local Clubs.” The Miami News, September 9, 1956, p. 8D. “Let's Stay Home and Have Fun.” The Miami Herald, August 26, 1956, section G (illustrated).

Reno, Doris, “Ethel Fisher Showing 14 Paintings.” The Miami Herald, August 5, 1956, p. 99.

“Studio Craft and Mirell Top Current Art Shows.” The Miami Herald, May 13, 1956, p. 123.

Bower, Nellie, “Miami Lags: Sarasota Painters Exhibit.” The Miami News, April 29, 1956, p. 5C. “Miamians Win Art Mention at Bradenton.” The Miami Herald, April 29, 1956, p. 120.

“Havana Show Now at Beach.” The Miami Herald, April 1, 1956, p. 114.

“Florida Art Steals Contemporary Show.” The Miami Herald, January 7, 1956, p. 120.

“Miamians Stage Surprise at Print Show.” The Miami Hearld, December 18, 1955, p. 76.

“Lowe Offers One of the Finest Shows in Drawing Exhibit by Top Artists.” The Miami Herald, November 14, 1954, p. 95.

“Artists' 'Disease' Can Hit Anyone.” The Miami News, January 24, 1954, p. 24.

“Four Art Exhibits Display Works of Many South Florida Painters.” The Miami Herald, January 24, 1954, p. 15E. Bower, Nellie, “Pleasing Exhibit at Lowe Gallery.” Miami Daily News, December 6, 1953, p. 7F. Reno, Doris, “Upswing in Quality Stands Out as 217 of 311 Entries Are Chosen for Exhibit.” The Miami Herald, December 6, 1953, p. 69.

“Modernists, Clients On Hand for Mirell's Fall Opening.” Miami Daily News, October 11, 1953, p. 6B. Seckler, Dorothy, “Can painting be taught? Barnet answers.” ArtNews, November 1, 1950, p. 45 (illustrated).

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