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Music
What is a Cadence?
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Markus Neuwirth, Pieter Bergé (eds)
The variety and complexity of cadence The concept of closure is crucial to understanding music from the ‘classical’style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers.
Contributors Pieter Bergé (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University)
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n Musical Form, Forms & Formenlehre. Three Methodological Reflections William E. Caplin, James Hepokoski, James Webster. Pieter Bergé (ed.) €24,90 / £21.90, isbn 978 90 5867 822 5, paperback – also available as eBook (eisbn 978 94 6166 004 6) n Two-Dimensional Sonata Form. Form and Cycle in Single-Movement Instrumental Works by Liszt, Strauss, Schoenberg, and Zemlinsky Steven Vande Moortele € 39,50 / £35.00, isbn 978 90 5867 751 8, hardback – also available as eBook (eisbn 978 94 6166 014 5)
What is a CadenCe?
Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire
Markus Neuwirth Pieter Bergé (eds)
markus neuwirth is a postdoctoral researcher at the Department of Musicology at KU Leuven. pieter bergé is Professor of Musicology and head of the Department of Musicology at KU Leuven.
n € 45,00 / £39.00
n isbn 978 94 6270 015 4 n November 2014 n Paperback, 16 x 24 cm n ca. 320 pp. n Includes numerous music scores, tables and graphs n English
Successor to the Dutch Journal of Music Theory / Tijdschrift voor Muziektheorie
ONLINE JOURNAL
For more information, visit the website www.mtajournal.be
n Online journal with a print edition n Biannually (April/October) n Print issn: 2295-5917 n Online issn: 2295-5925 n Online available via ingentaconnect.com
Leuven University Press presents a new journal Music Theory & Analysis (mta)
Edited by Pieter Bergé (KU Leuven), Nathan John Martin (KU Leuven / Yale University), Steven Vande Moortele (University of Toronto)
First issue available September 2014 Music Theory & Analysis (mta) is a peer-reviewed international journal focusing on recent developments in music theory and analysis. It appears twice a year (in April and October) as an online journal with a print edition. mta takes a special interest in the interplay between theory and analysis, as well as in the interaction between European and NorthAmerican scholarship. Open to a wide variety of repertoires, approaches, and methodologies, the journal aims to stimulate dialogue between diverse traditions within the field. mta is the official journal of the Dutch-Flemish Society for Music Theory (Vereniging voor Muziektheorie). It is the successor to the Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie).
Advisory Board David Bracket (McGill University), Vasili Byros (Northwestern University), Mark Delaere (KU Leuven), Felix Diergarten (Schola Cantorum Basiliensis), Julian Horton (Durham University), Henry Klumpenhouwer (Eastman School of Music), John Koslovsky (Conservatory of Amsterdam), Christian Leitmeir (Bangor University), Danuta Mirka (University of Southampton), Thomas Noll (Escola Superior de Musica de Catalunya), Alexander Rehding (Harvard University), Michiel Schuijer (Conservatory of Amsterdam), Lauri Suurpää (Sibelius Academy), Christian Thorau (Potsdam University), Barbara Titus (University of Amsterdam)
Each issue of the journal will contain five sections: an invited keynote article, a selection of peer-reviewed articles, colloquies and short analytical vignettes, contributions to the pedagogy of music theory and analysis, and book reviews, with a focus on transatlantic exchange.
Table of Content – Vol. 1, I & II
Editorial Pieter Bergé, Steven Vande Moortele, and Nathan John Martin
Keynote article Harald Krebs, Motion and Emotion: The Expressive Use of Declamatory Irregularity in the Lieder of Richard Strauss
Articles Beverly Jerrold, Diderot – I. Authorship and Illusion Frank Lehman, Schubert’s SLIDEs: Tonal (Non-)Integration of a Paradoxical Transformation
Colloquy Jan Philip Sprick, Schema, Satzmodell and Topos: Reflections on Terminology Oliver Schwab-Felisch, The Butterfly and the Artillery: Models of Listening in Schenker and Gjerdingen Folker Froebe, Schema and Function
Analytical vignettes Nathan John Martin, Morgengruß
Pedagogy Pieter Bergé and David Lodewyckx, Partimento, Waer bestu bleven? Partimento in the European Classroom: Pedagogical Considerations and Perspectives
Reviews Suzannah Clark, Analyzing Schubert David Damschroder, Harmony in Haydn and Mozart Subscribe to MTA
The first issue of MTA will be launched in September 2014, with exceptionally only one issue in this volume 1. Subscribers for 2014 only pay 50% of the subscription fee. From 2015 (volume 2) onwards, there will be two issues a year (April/October).
Annual subscription fees*
Institutional online only: € 115,00 Individual online only: € 55,00 Institutional online & print: € 140,00 Individual online & print: € 70,00
To sign up for a subscription, contact orders@lup.be
* Subscriptions to print only are not available. Prices include 21% VAT, and postage and handling charges for subscribers within Benelux. For subscribers outside the Benelux a postage fee is applicable.
Artistic Experimentation in Music
An Anthology
Darla Crispin, Bob Gilmore (eds)
With CD and online resource of video illustrations
darla crispin is a pianist and musicologist tracing perspectives from artistic research. Formerly an ORCiM Research Fellow, she is currently Associate Professor of Musicology at the Norwegian Academy of Music (nmh), Oslo. bob gilmore is a Research Fellow at the Orpheus Institute (Belgium) and editor of Tempo: A Quarterly Review of New Music (uk).
n € 59,50 / £52.00
n isbn 978 94 6270 013 0 n October 2014 n Hardback, 19 x 28,5 cm n ca. 410 pp. n 28 figures, 4 tables (b&w) n English n Orpheus Institute Series Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (orcim) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues.
For a list of contributing authors go to www.lup.be.
Previously published in the Orpheus Institute Series
n Composing under the Skin. The Music-making Body at the Composer’s Desk Paul Craenen € 45,00 / £ 39.00, isbn 978 90 5867 974 1, paperback n Experimental Systems. Future Knowledge in Artistic Research Michael Schwab (ed.) € 39,50 / £35.00, isbn 978 90 5867 973 4, paperback n Sound and Score. Essays on Sound, Score and Notation Paulo de Assis, William Brooks, Kathleen Coessens (eds) € 39,50 / £35.00, isbn 978 90 5867 974 1, paperback
