Graphic design for Wine

Graphic Design for

A selection of contemporary wine labels

GD4

Graphic Design for (01)

Design: Lavernia & Cienfuegos Design Web: www.lavernia-cienfuegos.com Client: Wines of the World / Delhaize* Year: 2012 This is a range of wines that Belgian supermarket chain Delhaize offers within its own brand “365�, which includes simple, everyday products at affordable prices. The cork is a sign of humility, an object of little value, often used as craft material, as a simple and easily manipulated element with which to play and create.

The use of cork gives it the air of something simple, typical of an everyday product. The cap is the element that unifies and personalizes the whole range. The motif designed for each label refers to the country of origin. * DELHAIZE is a Belgium distribution chain with more than 800 supermarkets in nationally and over 1500 on the east coast of the USA.

Australia

Chile

California

Provence

Bergerac

C么tes du Rh么ne

Australia

Francia

California

Argentina

Africa

Italia

Design: Atipus Web: www.atipus.com Client: Celler Hidalgo Albert Year: 2010

A strong wine, hand-made and organic, produced by a small familiar cellar in the Priorat. To obtain a handmade character the label is made manually, as if it was made by the members of the family

Design: Dorian Web: www.estudiodorian.com Client: Lagravera Year: 2013 At the gates of the Pyrenees, embraced by the northern mountain range “Sierra Larga” and halfway between the regions of Segrià and Noguera, lie the vineyard of the winery “Lagravera”. A singular and unique vineyard in Catalonia for being located on an old gravel pit. Laltre is the youngest wine they produce and its new design represents, through an optical illusion, the merged values of his youth with the experience and wisdom of the traditional methods which follows the winery.

Design: Less Web: www.lessindustries.es Client: Bodega RodrĂ­guez-Menayo Year: 2012

Less was born in 2012 in Barcelona as a result of common grounds of two designers and friends, Higinio RodrĂ­guez and Eduardo Lizaga. They move between Illustration, Typography and Handmade Design. This project is to commemorate the 20th anniversary of the RodrĂ­guez-Menayo wine cellar. This family cellar is based in the Guadiana river basin in Badajoz, Spain. They produce a limited number of bottles with different grapes of their own vineyard. The vineyard grows between different plants and fruit trees such as apple, cherry, lemon, olives, and flowers like poppies, lilies or roses.

All of this gives a unique flavor and color to the wine.

These elements conform the main image, made with local sand, stones, wood sticks, flowers and leaves around the vineyard. The project was made in 2012 and includes the redesign of the identity, wine labels for three varieties, wrapping paper, paper bags and a poster for the cellar.

Design: Olsson Barbieri Web: www.olssonbarbieri.com Client: Pietro di Campo Year: 2014 Italians gestures..

There have been identified around 250 gestures that Italians use in everyday conversation.

«There are gestures expressing a threat or a wish or desperation or shame or pride ».

It is almost a language. In fact over the centuries, languages have evolved, but gestures remain.

«Gestures change less than words» The art of winemaking in Italy can also claim a long and proud history.

Pietro di Campo creates a link between the old Italian tradition of using their hands to gesticulate and to master winemaking to underlay the handcraft of the wine and to create a full-of-charm but also fun product line.

The images are from the book “Supplement to the Italian dictionary” from Bruno Munari first published in 1958 from Corraini Editore.

The names are the Italian name of what the gestures means: Scongiuro = Horns (knock on wood) Bugia = Lie Silenzio = Silence

Design: Dorian Web: www.estudiodorian.com Client: Finca de la Rica Year: 2011 “El Buscador”, “El Guía” and “El Nómada” are three wines from a line designed under the concept of leisure. The packaging focuses on the moment of relax and pleasure that gives you a good glass of wine, through a fun and original label that invites consumers to participate directly on the bottle itself to complete or resolve the puzzles.

The book is a collection of about one hundred graphic designs for wineries of various size from across the world. The graphic design approaches are equally varied, either photographic or minimal, based on line drawings or digital concepts, resulting in either artisanal or serial solutions.

L0115

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