LEONARD, issue 83, December-January 2020

Celebrating

ISSUE 83 DECEMBER – JANUARY 2020

LEONARD

FEBRUARY

Decorative Arts: A Private Collection

MARCH

Jewels & Timepieces

Wednesday 19 February, 6pm / MELBOURNE The Collectors' Auction Monday 17 February, 6pm / SYDNEY

Monday 16 March, 6.30pm / MELBOURNE Fine Art Tuesday 17 March, 6.30pm / MELBOURNE Collectables Thursday 26 March, 2pm / MELBOURNE

APRIL

auction calendar —

Modern Design Monday 6 April, 6.30pm / MELBOURNE Prints & Multiples Wednesday 8 April, 6pm / MELBOURNE Luxury Wednesday 8 April, 6pm / MELBOURNE Australiana Thursday 30 April, 2pm / MELBOURNE The Thursday Auction Furniture & Interiors – 10am Jewellery – 10.30am Art Salon – 11.30am Objects & Collectables – 12pm MELBOURNE

LEFT: OSCAR NIEMEYER 'RIO' CHAISE

COVER TOP: An Impressive Fancy

MANUFACTURED BY TENDO BRAZILIERA Designed 1978 Hand crafted wood, rattan and leather Sold for $11,250 November 2014

Intense Yellow Diamond Necklace Sold for $195,200 June 2015

Originally designed in 1978 by Oscar Niemeyer and his daughter Anna Maria Niemeyer, the "Rio" rocking chaise is exemplary of Niemeyer’s exquisite curves and sinuous forms made famous by his seminal modern architecture. Like many great artists, Niemeyer structures thought through the act of drawing. The curved line that defines the feminine figure, sensual and delicate, is the same line that defines Niemeyer’s architecture and his design.

COVER BELOW: A fine and rare

Lladro Porcelain Figure decorated with gold, silver, diamonds and sapphires Sold for $5,856 May 2015

welcome —

This Issue FROM THE DIRECTOR 3 Celebrating the Cycle of Collecting PRIVATE COLLECTIONS 4 Ten Moments in Time AUCTIONS 10 Jewels 12 Fine Art 14 Modern Design 16 Decorative Arts 18 Sydney 20 Prints & Multiples 22 Luxury 24 The Thursday Auction 26 My Leonard Joel: The Centenary Series

As our centenary celebrations draw to a close, we take a moment to reflect on some of the most memorable pieces to have passed through the doors of Leonard Joel over the past ten years.

30 Centum IN FOCUS 32 5 Minutes with... Joe Hammond 33 The 22nd Report: Our 2020 Commitment 34 IFAW: Lessons Learned in 50 Years

And, as we look to the future, we announce an exciting new auction, Centum, which will focus on presenting a curated selection of contemporary art to market once a year.

JOIN US

We also share news on a new Traineeship Program we have launched in collaboration with Arts Project Australia, and alongside our friends at IFAW, we look back on a significant year.

41 Contact a Leonard Joel Specialist

36 Valuations 37 Arts Project Australia: A New Traineeship Program 38 Ovation 40 Connect & Buy with Leonatrd Joel

We wish you all a healthy and enjoyable summer, and look forward to welcoming you back to Leonard Joel in 2020!

leonardjoel.com.au | 1

— FROM THE DIRECTOR —

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— FROM THE DIRECTOR —

CELEBRATING THE CYCLE OF COLLECTING The career motif of the auctioneer; discovery, history-sharing and story-telling.

100 years ago, a young auctioneer by the name of Leonard Joel borrowed 8,000 pounds and conceived an auction house that would celebrate collecting and the magic of discovery that comes with it.

At its simplest an auction house is not a particularly remarkable enterprise but add the human element and the sheer breadth of artistry, subject matter, materials and history that imbues every object and you have “alchemy”; a fascinating economy of beautiful things and interesting people and one that we find as endlessly compelling as the collections that are entrusted to us.

An auction house would be without purpose if it wasn’t for these things; the objects, the jewels, the art, the furniture, the design, the luxury and the decoration that perpetually swirl around the auctioneer; unwanted by someone but wanted by someone else and this flow creates a veritable Wunderkammer. And when people and things meet and collecting “happens”, we realise these things (the inanimate) have soul; they speak to us, remind us and connect us with moments in time. So, as auctioneers, we are really celebrating your memories and the cycle of collecting with you.

In this sense, it is not just the privilege of an almost museum-quality education that an auction house delivers; it is also often the immersion in the deeply personal, with the families and owners we meet. In the last decade alone our Private Collections department had the honour of celebrating James Fairfax’s antiques collection, the complete thrill of being chosen by Ron Barassi to handle his life-long sporting archive and only so very recently the almost forensic, sacred engagement to meticulously catalogue and recreate Mirka Mora’s entire studio. This is the career motif of the auctioneer; discovery, historysharing and story-telling.

This human element is also what creates evolution within an auction house; our tastes and our values change and our living environments change too. This is where we are lucky as ultimately, we reflect the secondary market of your lives and wait for your cue as to what will be bought and sold. Whether you’re a buyer, a seller or a spectator at Leonard Joel, you represent an evolving collecting and decorating spirit that we are committed to as we thoughtfully challenge with you, traditional notions about what should and should not be collected.

LEFT: A fine and very rare Gilt Bronze and Verde Marble

Neoclassical George III Period English Clock

by James McCabe of London. $12,000-14,000 The Hyde Collection Auction: Monday 2 December, Sydney

And on that note and as we conclude our first century of business, I want to thank all our clients, from Australia and afar, that bring the inanimate to life for us every day and give our work real meaning.

JOHN ALBRECHT

Managing Director & Head of Private Collections leonardjoel.com.au | 3

— PRIVATE COLLECTIONS —

PRIVATE COLLECTIONS Extraordinary Private Collections pass through the salerooms of our Melbourne and Sydney offices or national affiliates every year and as head of this department my privilege is that I learn something or numerous things from every auction.

Collections can be diverse in content, challenging operationally or unique in their demands. I describe this as an “In and Out” journey and I love it; in simple terms I always come out of an auction knowing a little more and wiser for the experience. Here, I distil ten of those moments as we reflect on one hundred years of auction history.

JOHN ALBRECHT Managing Director & Head of Private Collections

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— PRIVATE COLLECTIONS —

A Significant Photographic Auction

THE ANDY MAC COLLECTION

Featuring selected works from the Estate of Wolfgang Sievers.

Leonard Joel - Auctioneers & Valuers 333 Malvern Road, South Yarra VIC 3141 Australia tel +61 (0) 3 9826 4333 fax +61 (0) 3 9826 4544 www.leonardjoel.com.au

Sunday 23 May 2010, Melbourne

Street and Fine Art from Citylights Projects 1992-2012 AUCTION SUNDAY 6 MAY 2012 MELBOURNE

er Spine.indd 1

29/4/10 1:12:02 PM

THE WOLFGANG SIEVERS COLLECTION OF PHOTOGRAPHY 2010

THE ANDY MAC COLLECTION 2012

When I came back to Leonard Joel a decade ago the

public auction in Australia before and I suspect no

photographic estate of this great Australian photographer

urban artist would believe an auction house would be

lay dormant in boxes; complex in its volume, delicate in

interested. Andy Mac, one of the great creative forces

its medium and with little to no auction history to support

behind Melbourne’s street art scene, was brave enough

such an auction. What to do with one of Australia’s

to make that leap and tentatively contacted us about his

greatest photographers at auction and how to generate

extraordinary collection. The result was the first auction

sale results that would ultimately respect this? No

of its type in the country and a record price for (with

guarantees I soon realised at public auction but equally, it

hindsight now) an extraordinarily important collaborative

could not remain in boxes for ever. With these conflicting

mural. He challenged my notions about the more

requirements we set about carefully valuing the collection

controversial aspects of the genre and I left that auction

but with little market history that process had to reflect

and his gentle manner no longer with the view that graffiti

that reality. No greater sin for an auctioneer than to

was largely a belligerent, anti-social activity.

No one had ever brought an urban art collection to

over-value and then generate an auction result known for its low sale rate. Prior to auction we were presented with what I would describe as a cheeky offer and at that moment I had to decide, better to sell privately or trust the market place? We decided the latter and the result was a packed room of photography aficionados, record prices and a good example of how auctions can assist the markets for artists.

leonardjoel.com.au | 5

— PRIVATE COLLECTIONS —

Leonard JoeL

LEONARD JOEL

THE DAVID BROMLEY CHAPEL STREET STUDIO COLLECTION Viewing at 877 High Street, Armadale, Melbourne, Australia Saturday 8 September 2012 10am – 5pm Sunday 9 September 2012 10am – 5pm Monday 10 September 2012 10am – 5pm Tuesday 11 September 2012 10am – 5pm Wednesday 12 September 2012 10am – 8pm Thursday 13 September 2012 10am – 8pm Friday 14 September 2012 10am – 5pm

No Viewing Auction Days

SATURDAY 15 SEPTEMBER 2012 SUNDAY 16 SEPTEMBER 2012 MONDAY 17 SEPTEMBER 2012

Enquiries Guy Cairnduff Head of The Specialist Collector +61 (0) 3 8825 5611 / +61 (0) 407 828 137 guy.cairnduff@leonardjoel.com.au

THE DAVID BROMLEY CHAPEL STREET STUDIO COLLECTION

THE GRAHAM GEDDES COLLECTION OF IMPORTANT ANTIQUES & OBJECTS

THE GRAHAM GEDDES COLLECTION OF IMPORTANT ANTIQUES & OBJECTS

Liza Hallam Specialist Assistant +61 (0) 3 8825 5626

SUNDAY 18 NOVEMBER 2012 liza.hallam@leonardjoel.com.au Information for Buyers To assist prospective purchasers a summary of our conditions of business is available on page 194, followed by our general conditions on page 196.

Bids +61 (0) 3 9826 4333 +61 (0) 3 9826 4544 fax info@leonardjoel.com.au (email bids will only be accepted at this address, using the absentee/telephone bidding form and must include the bidder’s full name and postal address) Please note that bids should be submitted no later than the day prior to the sale.

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bids not being processed.

Please note live internet bidding will be available for this auction at artfact.com AUCTION CATALOGUE VOLUME 5 ISSUE 19 CATALOGUE $20

333 MALVERN ROAD, SOUTH YARRA MELBOURNE, AUSTRALIA

© Leonard Joel Pty Ltd. This catalogue and its contents are protected by copyright.

Except as permitted under the Copyright Act no part may be reproduced without permission of the copyright owner. Enquiries about reproducing materials from the catalogue should be directed to rick.merrie@leonardjoel.com.au or contact (03) 9826 4333.

SUNDAY 18 NOVEMBER 2012

15, 16 & 17 SEPTEMBER 2012

Front Cover Illustration 190 AN IMPORTANT ITALIAN PAINTED, IVORY INLAID EBONY AND EBONISED CABINET*, CIRCA 1860 $46,000 - 55,000 Opposite Page 20 A PAIR OF LOUIS XV FLOOR STANDING GILTWOOD FIGURAL CANDELABRA, LATE 18TH CENTURY $6,000 - 8,000

LJ1736-David Bromley Cover FINAL.indd 1

THE GRAHAM GEDDES COLLECTION 2012 When Graham Geddes decided to bring the largest

23/10/12 5:33 PM

THE DAVID BROMLEY CHAPEL STREET STUDIO COLLECTION 2012

stock-in-trade decorative arts auction in Australian

Very few people have had the privilege of entering the

history to market he had every auctioneer in the country

upstairs levels of what is affectionately known as “the old

falling over him (but not because of the work that

Dan Murphys building” in Chapel Street, Prahran but that

they knew would be involved!) and we were thrilled to

changed when artist David Bromley decided to sell the

have been selected. His sprawling Aladdin’s Cave of a

entire contents of this grand Victorian building that had

collection, a trade collection like no other, challenged

become his home, his studio and his world. The viewing

all our notions about how to catalogue, photograph,

period was attended by hundreds of Melburnians eager

present and ultimately sell such volume and value. We

to get a glimpse of an artist’s private world and just as

now understand better the challenges of photographing

eager to wander the interior that lay behind Chapel

treasures too heavy to move, antiquities too rare to rush

Street’s grandest, and most haunting facade. Typically

the cataloguing of and, practically speaking, the sheer

viewing numbers are larger than auction attendance but

number of specialists required to manage such an event

on this day that rule was broken. Thirty minutes in to the

effectively.

auction we literally couldn’t fit anyone in to the building, the stairwells were choking and crowds were gathering on Chapel Street Crowd safety was paramount but the show had to go on so I made the difficult but necessary decision to lock the doors and send eager bidders home to bid live online from their homes. Those affected were disappointed but understood and the auction was an extraordinary success.

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— PRIVATE COLLECTIONS —

THE MR JOEL BARLOW COLLECTION UNDER INSTRUCTIONS FROM THE PUBLIC TRUSTEE, QLD

AUCTION SUNDAY 10 MARCH 2013 AT 9AM ANTIQUE & FINEART AUCTIONS 29 LOGAN ROAD, WOOLLOONGABBA QUEENSLAND

THE JOEL BARLOW COLLECTION 2013

THE RON BARASSI COLLECTION 2016

When The Public Trustee of Queensland contacted me

When I first met the sporting legend I greeted him as

about this “gentleman’s” collection I knew little of the

“Mr Barassi” and as I suspected he would, more rapidly

controversy surrounding him, nor was I versed in just

than immediately, he requested with his trademark

how voracious the appetite had become for luxury,

humility “please, Ron”. The journey then began that

whether old or new. I’ll never forget being asked by a

saw us cataloguing the most important archive of

group of men in a room, lit a little like I felt I was being

Australian football memorabilia ever assembled and

interrogated, what the most expensive television in

making friendships along the way. The catalogue was

the world, purchased for $95,000 and still brand new,

complete, the viewing was set and the media frenzy was

would sell for? I remember shrugging my shoulders

as perfect as an auctioneer could wish for and during all

and guessing to them quizzically “$25,000”? I had no

of this time we heard whispers that there might be an

response and felt I’d perhaps let the room down.

offer before auction on the entire collection! I completely

We were ultimately engaged for what has come to be

doubted that because, in Australia anyway, the sale

known as the largest auction of luxury in the country

of an entire collection as vast and complex as this was

and on that day I learnt that collectors, decorators and

unprecedented. But sure enough, and just before the

private clients were very much ready for new collecting

viewing was to proceed, Paul Little, with a promise to

categories at auction.

keep the collection intact and ultimately establish a museum purchased the entire collection. I’ll never forget the final moments before the collection transacted, leaving the room for Ron and his advisers to decide and several minutes later that was it, it was sold and never again will I be so sure that great public gestures like this can’t find their way to auction land.

leonardjoel.com.au | 7

— PRIVATE COLLECTIONS —

THE DECORATIVE ARTS COLLECTION OF JAMES FAIRFAX AC 2017

THE MONTY NOBLE COLLECTION 2017

James Fairfax was in every sense the traveller and his

public auction and with only perhaps three in the

collection reflected that; its sheer diversity reflected

world and one missing there was no reference point

his extraordinary eye and focus on quality. To make

as to how to price for auction such a treasure. This is

the collection even more challenging was a significant

where we auctioneers begin to assemble in our minds

Asian Art component, one that could not be simply

the sale of objects that while not similar at least help

catalogued or valued given its range and the chaotic

us inform an estimate that we can take to the general

prices realised in this category over the last decade. Up

public with some credibility. In auction land we call this

against international competition during the pitch stage

the educated guesstimate and in this case the process

and naturally, with the requirement that we priced the

was so much more interesting given the import of the

pieces internationally, the collection was earmarked for

object in question. We drew on the sale of recent Ashes

dispersal across the globe, with multiple sale dates and

trophies, the sale of other sacred sporting objects such

a huge transport bill! Our challenge here was to bring a

as Brownlow medals and quite literally just our good old-

simpler international environment to our proposal. One

fashioned “gut feel” as auctioneers. We finally settled on

grand auction in Sydney, live-bidding offered to every

an estimate of $50,000 - $70,000. It sold for $65,000 plus

corner of the globe for those that could not attend and

buyer’s premium and now? Well, now we know what that

cross-referenced pricing of the Asian art component by

missing Ashes Urn, if it were ever found, might be worth.

no less than three specialists secured the collection and delivered an extraordinary result. And at that auction we learnt that distance from international collecting markets, with the right platform and expertise, was genuinely no longer an impediment to international collections being sold on our shores.

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Never before had an original Ashes trophy come to

— PRIVATE COLLECTIONS —

THE MAGICAL STUDIO OF MIRKA MORA 2019

THE JOHN HURLSTON COLLECTION 2019

I can’t think of another time when an auctioneer was

I know very little about guitars, stringed instruments and

asked to not just manage the sale of an artist’s estate but

the value of them but that did not stop us managing

also the intimacy of the complete living environment and

probably the largest private collection of musical

studio that quite literally represented that artist's world.

instruments in Australia. Partnering with experts in this

Such was the case when we were appointed to perform

field we set upon a journey with collectors and experts

the sacred task of sympathetically and patiently recreating

from around the world that as we drew closer to the

Mirka Mora’s studio, her life really, for public celebration

auction became more excited and asked more questions

and auction. But who to oversee such a task? Not a

about the instruments; questions that challenged

traditional art specialist and certainly not a generalist

our traditional notions about what a condition report

valuer either. This situation did not fundamentally require

should contain. Having worked through the intricacies

one specialist, it required an individual sensitive to the

and nuances of instrument collecting we came to our

intimacy and privacy associated with the task and we

viewing days. The collection was expertly displayed

were lucky enough to have such a skill-set in our Head

with numerous guitars attached museum-like to our

of Modern Design, Anna Grassham. A curious selection

walls. It looked splendid and we were very proud of

from the outside looking in I suspect. But Anna oversaw

its presentation. But not long into the viewing we

the entire project with perfection, from beginning to end,

encountered one slight problem; most of the visitors

and in the process I learnt that specialists should not

wanted to play the instruments as part of their condition

necessarily be defined by their specialty.

research. We relented, allowed the regular dismantling of our beautiful display, enjoyed a viewing full of spontaneous music and learnt that viewings can come to life in wonderful ways.

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— AUCTIONS —

JEWELS The jewels and timepieces we are presented with, for auction and valuation, are memorable for many reasons. Sometimes, it’s the client that leaves a lasting impression; sometimes it’s a compelling story that makes a piece so special. For me, as a gemmologist, it can be the excitement of seeing a jewel that I know I may see only once in a lifetime.

Among so many that are memorable, here are some of my favourites.

We are privileged to see large diamonds on a regular basis. However, most are round, brilliant cut diamonds. The emerald cut is a favourite cut of mine and as such this ring/stone also became a favourite. The buyer wore the piece to the Leonard Joel Centenary function, having had it re-modelled, and wore it most elegantly.

Sold for $69,440 September 2019

This exquisite tiara was passed down to the vendor by his aunt, Paula von Rosthorn, the wife of an Austrian diplomat who had been posted in China during the Boxer rebellion. Throughout the uprising, Paula cared for the wounded, helped with barricades and manned the machine guns whilst most of the men were wounded. Paula was later made a Knight of the French Legion of Honour and was awarded a military decoration for valour.

She was the first female recipient of the award.

Sold for $19,840 June 2019

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— AUCTIONS —

Next Jewels Auction Mon 16 March, 6.30pm MELBOURNE

This late Victorian diamond pendant featured an octahedral faceted diamond, which weighed 12.5cts and was suspended within a pear-shaped diamond set frame and bow surmount. The diamond was a most unusual cut, having been polished in the original shape of the rough crystal.

The piece was submitted for auction by a humble farmer, and was accompanied by a handwritten note stating that the diamonds were ‘Disraeli’ diamonds, having once been owned by the British Prime Minister, Benjamin Disraeli.

After extensive research, we traced the provenance of the piece back to Queen Victoria’s jeweller. However, despite Queen Victoria’s association with the Prime Minister, the vendor’s links to the him was inconclusive.

Sold for $52,800 September 2014

Albeit my forte is gems, timepieces such as this Breguet Tourbillon are memorable, the workmanship and mechanics being incomparable.

I recall the initial discussions with our vendor about the potential consignment of the piece and the excitement of discovering what a special piece it was when he brought it in for me to inspect.

Sold for $59,520 March 2019

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— AUCTIONS —

FINE ART LEFT: NORMAN LINDSAY

(1879-1969) The Lute Player c.1924 oil on canvas 92 x 100.5cm Sold for $161,200 November 2019 Whilst many artists of the early 1900s turned to the landscape for inspiration, Norman Lindsay devoted himself to the figural.

His sumptuous nudes, though masterpieces of sensual beauty, were highly controversial for the time. This painting, The Lute Player c.1924, portrays the central nude, victoriously stealing the attention of the lute player in the lower right, highlighting the contest between the senses of sight (her beauty) and sound (the lute). It was a privilege for us to offer this museum quality work of art in our recent Fine Art auction.

RIGHT: PATRICIA PICCININI (born 1965)

Cyclepups: Firestarter 2005 fibreglass, automotive paint, leather and stainless steel 40 x 110 x 50cm Sold for $29,760 September 2016 Renowned for her hyper-realistic works which are often hybrids between humans and animals, Patricia Piccinini has quite rightly become one of this country's most high-profile and celebrated contemporary artists.

She's also one of my favourites, and as we launch our first contemporary art auction next year, I'm hoping we'll see many more of her works presented at auction.

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— AUCTIONS —

Next Fine Art Auction Tues 17 March, 6.30pm MELBOURNE

TOP LEFT: JOY HESTER (1920-1960)

Girl with Cocky c.1957 oil on paper on board 49 x 62cm Sold for $322,400 June 2018 TOP RIGHT: CHARLES BLACKMAN (1928-2018)

Trumpeter 1954 enamel paint on board 75 x 62cm Sold for $179,800 June 2018 These two paintings by Joy Hester and Charles Blackman, dating from the 1950s were offered fresh to the market from The De Stoop Collection. The De Stoop family epitomised a significant era in Melbourne's cultural history, a time when European migrants were flocking to the city and when food, art, poetry and literature became intertwined.

BOTTOM LEFT: ARTHUR STREETON (1867-1943)

Valley of Sir Richard Arkwright 1911 oil on canvas 51 x 75cm Sold for $105,400 November 2019 Arthur Streeton, like many artists of his generation, travelled to Europe to enhance his practice. During time spent in England, he produced two significant paintings of Cromford – the home of Sir Richard Arkwright. The larger of the two, Arkwright’s Valley, Derbyshire 1911, is part of the National Gallery of Victoria’s permanent collection. The smaller landscape, Valley of Sir Richard Arkwright 1911, recently sold in our November Fine Art auction, after being in the same family collection for 105 years.

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— AUCTIONS —

MODERN DESIGN

MARIO BELLINI "CAMELEONDA' SEVEN PIECE SETTING FOR B&B ITALIA Designed 1971 Sold for $25,000 November 2019 I love everything about Mario Bellini, who has been an influential figure in Italian design since the 1960s. His prolific body of work spans architecture, urban planning, furniture and industrial design. The 'Camaleonda' is currently in the top 3 'hottest' sofas in the world right now. This is the first of its kind ever to be offered at auction in Australia. Designed in 1971 for B&B Italia, the 'Camaleonda' became famous almost immediately after its launch when it featured in the exhibition Italy and The New Domestic Landscape at MOMA in 1972.

CASTIGLIONI BROS RR226 RADIO-PHONOGRAM FOR BRIONVEGA Designed 1966 1st edition, white laminated wood with detachable speakers Sold for $5,000 July 2017 This design made the headlines when David Bowie’s own model sold recently at Sotheby's auction house for £257,000. A considerable sum of money, driven no doubt by its star value, but also because of the design of this 1960s icon. That design dates back to 1965, the work of Piergiacomo and Achille Castiglioni and despite being over five decades old, this is still one of the most talked-about record players ever made. What I love most is the ‘smiley face’ on the front, which is actually a set of controls and dials for both the vinyl player and an AM/FM radio.

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— AUCTIONS —

Next Modern Design Auction Mon 6 April, 6.30pm MELBOURNE MICHELE DE LUCCHI 'OCEANIC' LAMP BY MEMPHIS MILANO Designed 1981 Painted metal Sold for $5,500 November 2018 This striking table lamp is a postmodernist work of art designed by Michele De Lucchi in 1981 when the Memphis Movementc was founded by Ettore Sottsass. How can you not love a movement that stems from a reaction against the staus quo! Turning the seriousness of design completely upside down. Sottsass quotes the group’s thinking around “radical, funny, and outrageous—essentially, disregarding what's considered in “good taste”.

WARREN MCARTHUR CHAISE c 1950s Re-upholstered in pale blue fabric, polished aluminium Sold for $3,000 April 2019 Warren McArthur was an innovator in machine age furniture design during the 1930s, working mainly aluminium for the commercial and residential markets.His furniture designs are completely unique and true to the machine age aesthetic, sleek forms inspired by automobiles, locomotives and aeroplanes. Some find his pieces, offensive, like hospital furniture. I don't believe the Australian market have embraced his designs yet. So, definitely a designer to look out for and start collecting.

GUIDO DROCCO & FRANCO MELLO 'CACTUS' COAT STAND FOR GUFRAM LIMITED EDITION, 1303/2000 Designed 1972 - 1986 Limited edition, 2000 Green lacquer Sold for $6,000 April 2018 The cactus rack designed in 1972 by Guido Drocco and Franco Mello, is subject to many ambiguous interpretations, an icon of Italian design that has revolutionized the domestic landscape, by subverting the borders between indoor area and open space. I love how it embodies the imagination and humor of the design of the Seventies.

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— AUCTIONS —

DECORATIVE ARTS

A GEORGE II MUSICAL ORGAN BRACKET CLOCK CHARLES CLAY, LONDON, CIRCA 1735 109 cm high, 66 cm wide, 48 cm deep Sold for $49,600 June 2018 Considered one of the greatest clockmakers of his time, this complex mechanical creation by Clay is very similar to one that resides in the English royal collection.

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— AUCTIONS —

Next Decorative Arts Auction Mon 25 May, 6.30pm MELBOURNE

AN ART NOUVEAU STERLING SILVER AND SILVER GILT COFFEE POT MOUNTED WITH BAROQUE PEARLS AND JADE MAKER’S MARK TIFFANY & CO, CIRCA 1886 With intricate foliate repoussé design interspersed with claw-mounted pearls continuing to the slender handle and spout, the hinged lid with a jade finial, 400grs total weight, 19.5cm high.

Sold for $15,600 November 2012

A FRENCH PORCELAIN TEAPOT LATE 19TH CENTURY The teapot with recessed shoulder and scrolled handled decorated with figural scenes depicting French soldiers at leisure within a cobalt blue reserve with gilt details, stamped Manufacture Imperiale SEVRES to base, handle restored, 19cm high.

Sold for $15,600 June 2012

Period pieces by the great American maker Tiffany rarely find their way to Australian shores but this delightful coffeepot did.

So coveted was Napoleonic porcelain that this single piece with identified restoration realised more than ten times its estimate.

A CHINESE JADE FIGURE OF A RECLINING SCHOLAR EARLY 20TH CENTURY The jade of celadon and pale brown colour with a russet skin, carved to depict a Taoist sage reclining under a rock and peonies.

The jade 7.5cm high, 10.5cm wide Sold for $80,600 May 2019

A RARE VICTORIAN SILVER MOUNTED NOVELTY CLARET JUG IN THE FORM OF A SEAL ALEXANDER CRICHTON / LONDON / 1882 15cm high Sold for $12,400 May 2016

This unassuming jade carving of a scholar at rest confirmed the historically unparalleled collector interest in all things Chinese, of age, when it sold for more than 130 times its low estimate!

There are decanters and then there are fascinating decanters and this Victorian example by Crichton perfectly encapsulates the 19th century obsession with animalia in design.

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AUGUSTE RODIN (1840-1917) Head of Eustache de Saint-Pierre Bronze Sold for $186,000 March 2019 A posthumous cast authorized by MusÊe Rodin, 1968, Eustache de Saint-Pierre, is one of Rodin’s most well-known sculptures.

Originally commissioned by Calais Town Hall, the sculpture was one of a group of figures collectively known as The Burghers of Calais, created to commemorate the gallantry of six of its inhabitants during the Hundred Years War. Following this group sculpture, Rodin created individual sculptures of each figure, portraying this particular figure as a person in despair.

After its acquisition at the David Jones art gallery in 1974 this handsome bronze reappeared at Leonard Joel some 45 years later.

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— AUCTIONS —

SYDNEY EXHIBTION QUALITY ROYAL DOULTON TALL DOUBLE HANDLE VASE DEPICTING ROMEO AND JULIET Landscape on reverse, hand painted stylised acanthus leaf mounts.

Height 69cm Sold for $7,440 May 2019

AN EMERALD AND DIAMOND RING Sold for $55,800 August 2019

A PAIR OF RUBY CUFFLINKS Each set with twenty channel set baguette cut rubies, in 18ct gold Sold for $1,984 August 2019 These cufflinks are elegant, yet understated, and like the nut and bolt cufflinks, stemmed from The Hinkley Collection of jewellery, a renowned Sydney jewellery whose stock in trade we had the pleasure of offering at auction this year.

A VERY RARE WEDGEWOOD BASALT, BRONZE AND GOLD COLOURED CAMPANA VASE Circa 1880 Height 31cm Sold for $4,216 May 2019 This rare piece depicts Bacchanalian Boys At Play by Lady Templetown, an amateur artist who supplied Josiah Wedgwood with ‘cut Indian paper’, a form of silhouette design, between 1783 and 1789. Wedgwood’s 1787 Catalogue, lists a ‘Bacchanalian tablet’ of boys ‘under arbours, with panthers’ skins in festoons’.

leonardjoel.com.au | 19

— AUCTIONS —

Next Prints & Multiples Auction Wed 8 April, 6pm MELBOURNE

Prints & Multiples

BELOW: ANNE ZAHALKA (born 1957)

TOP: DORA CHAPMAN (1911-1995)

The Bathers 1989/2008 c-type photograph ed. 9/12 93.5 x 110cm Sold for $8,680 June 2019

Teener 1969 screenprint 11/50 28 x 38.5cm Sold for $680 September 2018

One of the artists’ most celebrated and iconic images, this work directly refers to Charles Meere’s iconic painting Australian Beach Pattern (1938-40).

The artist has used the same composition as the painting but has changed the characters to be more culturally diverse, thus altering the stereotypical view of Australian culture. It was wonderful to see a contemporary female photographer achieve spectacular results at auction.

Artist Dora Chapman and her husband and fellow artist, James Cant were influential figures in Australian art, and instrumental in establishing SORA (Studio of Realist Art) in 1945 in Sydney. Chapman was also a popular and well-respected teacher at the South Australian School of Art in Adelaide.

20 | leonardjoel.com.au

One of Chapman’s most iconic and vibrant images from her portrait series, this print delighted collectors as it came from the artist’s own estate.

— AUCTIONS —

HALL THORPE (1874-1947) A Country Bunch 1923 colour woodcut 75 x 63cm Sold for $3,970 September 2019

DAMIEN HIRST (British, born 1965) The Souls II (Oriental Gold/ Silver Glass/ Blind Impression) 3 colour foil block on 300gsm arches 88 archival paper 11/15 69 x 49cm Sold for $4,200 September 2017

The success of this beautiful woodcut by Hall Thorpe demonstrates the ongoing interest in still life subject matter and the method of woodcuts in today’s market. This was one of the artists best results for his print works, and it was a joy to showcase a beautiful example of the artist’s laborious 15 block printing process.

Rarely seen on the Australian market, this work was a memorable feature in our Prints & Multiples auction. The artist’s use of the foil block gave the print a feel similar to actual butterflies in the way that they reflect the light.

ERIC THAKE (1904-1982) Nuns on the Geelong Road 1969 linocut 14.5 x 21cm Sold for $2,730 June 2018

JOHN COBURN (1925-2006) Berrilee 1977 screenprint 30/40 56 x 76cm Sold for $1,600 June 2019

One of the most iconic and humorous works by the artist, this work set an auction record for becoming the highest result for this particular image in Australia. Collectors were thrilled to have the chance to acquire one of Thake’s most popular works, celebrating the ingenuity of the prolific printmaker.

A work from the artist’s most iconic and popular period of printmaking, the 1970s, this print was a refreshing change from the often bold and primary colours used by the artist. Influenced by his European travels in the early 70s, this work embodies Coburn’s influences of the period: Matisse, Miró, Mondrian and Picasso.

leonardjoel.com.au | 21

— AUCTIONS —

Luxury

TOP: A COFFRET MONTRES WATCH CASE

BY LOUIS VUITTON Sold for $5,700 April 2019 With space for eight watches, this case is particularly functional with an additional removable tray for other valuables. Styled in monogram canvas with gold hardware, it is an elegant choice for home or travel.

LEFT: A BIRKIN 30 BY HERMÈS

Styled in tan Clemence leather with gold metal hardware, stamped.

Sold for $21,080 April 2019 The Birkin reached iconic status some time ago, and its allure shows no sign of fading!

Named after the English actress Jane Birkin, the bag was created when she told Jean-Louis Dumas - then artistic director of Hermès - that she couldn't find a bag big enough to carry her daughter's milk bottles. Dumas went away and created a 40cm deep handbag, and named it the Birkin.

Later produced in 35cm and 30cm, like this one here, the Birkin remains one of the most sought after handbags in every Luxury auction.

22 | leonardjoel.com.au

— AUCTIONS —

Next Luxury Auction Wed 8 April, 6pm MELBOURNE

A LIMITED EDITION ICONA 10 HANDBAG BY BVLGARI Sold for $12,400 April 2019 Created to celebrate Bvlgari’s 130th anniversary, this design pays tribute to the Bvlgari flagship store at via Condotti 10 in Rome by taking cues from elegant Roman architecture.

A KELLY FLAP BAG SET BY CHANEL Sold for $8,100 April 2019

A JUMBO FLAP BAG BY CHANEL Sold for $3,970 June 2019

First designed in 1994 under the guidance of Karl Lagerfeld, this matching flap bag and mini flap bag were held together with a gold screw lock. The bags could be used together, or separately as a 'Mother-Daughter' set.

A twist on the classic 2.55 model, the Chanel jumbo flap bag uses the same design in a larger format. Crafted from soft lambskin leather with statement gold hardware, this particular lot was in near perfect condition.

leonardjoel.com.au | 23

— AUCTIONS —

The Thursday Auction The Thursday Auction attracts an eclectic range of Furniture, Jewellery, Art and Objects every week and an equally eclectic range of people - from avid collectors through to interior designers - making it this country's most dynamic marketplace.

It was almost impossible to select our favourite pieces, so here are just a few!

AN ENGLISH MAHOGANY APOTHECARY Sold for $2,980 September 2019

A GEORGIAN LEATHER FIRE BUCKET Sold for $810 September 2018

This mahogany apothecary cabinet caught the eye of our Thursday team and has no doubt been repurposed inside a contemporary interior...

This rare, Georgian fire bucket, with a leather buckle handle was in excellent condition with hand-painted British insignia in gold-leaf and was bought by an interior designer with a keen eye.

24 | leonardjoel.com.au

AUSTRALIAN SCHOOL Portrait of Creole Boy oil on canvas 44 x 33.5cm Sold for $8,060 August 2018 This beautiful painting was estimated at $4,000-6,000 and after attracting much attention in the Art Salon viewing that week, sold for $8,060. The buyer is still trying to establish the identity of the artist, for whom we could find no record. However, regardless of origin, it's one of our favourite pieces in recent years.

A PAIR OF ANTIQUE ENAMEL CUFFLINKS DEPICTING THE FOUR VICES Sold for $520 June 2019 First gaining in popularity during the late Victorian period, this example of the four vices cufflinks is from around 1920. The enamel for this fabulous example was in pristine condition with the hallmarks indicating they were hand-crafted in Birmingham.

Celebrating

100 Years of Auction History, our centenary publication, celebrates and documents the evolution of taste, culture and collecting through the eyes of Leonard Joel.

The limited edition, fully illustrated publication is available to purchase onsite at Leonard Joel Melbourne and Sydney and 100% of proceeds will be donated to the two causes we, as an organisation, are most passionate about; Arts Project Australia and the International Fund for Animal Welfare.

So, if you're looking for a special gift this Christmas, pop into Leonard Joel!

We will provide complimentary gift-wrapping for all copies of the publication purchased in December.

Enquiries | info@leonardjoel.com.au

leonardjoel.com.au | 25

— THE CENTENARY SERIES —

MY LEONARD JOEL —

We thank Norman, Marie-Laure, Richard and Brendan

I used to wag school on Thursdays to visit the auctions. It was like a wonderland to me. You’d see so many treasures; and the characters that used to go there – the dealers, the collectors – they were as interesting as the pieces they bought.

and Jaci for sharing your stories, your inspirations

— Collector Norman Rosenblatt, 2019

As we began to celebrate our 100th year, we knew

we wanted to include our collectors; to know more about their collections and how they curate their homes.

And so we created The Centenary Series: My Leonard Joel for which we stepped in to the homes of four Leonard Joel collectors.

and your collections.

Norman Rosenblatt 26 | leonardjoel.com.au

— THE CENTENARY SERIES —

In my world you could see a 17th century Renaissance chest flirting with a Ming Dynasty Chinese warrior or a Cubist piece with a Flemish painting. A butter churn sitting on a turquoise Afghan throw next to some telemark skis.

— Collector Marie-Laure Claisse, 2019

Marie-Laure Claisse leonardjoel.com.au | 27

— THE CENTENARY SERIES —

You are a custodian for all the beautiful things that come through your life.

— Collector Richard Barassi, 2019

Richard Barassi and Brendan Davies

28 | leonardjoel.com.au

— THE CENTENARY SERIES —

I can’t know what this week or next week will bring. They’re someone else’s treasures so it’s an alignment of the moment of someone releasing and me coming and acquiring that is so special.

— Collector Jaci Foti-Lowe, 2019

Jaci Foti-Lowe

leonardjoel.com.au | 29

30 | leonardjoel.com.au

— AUCTIONS —

CENTUM THE GROWING DEMAND FOR CONTEMPORARY ART

But, how does this impact on the Australian art market?

There’s an historic perception in the art world that an

Kingdom and America are no longer the only major

artist’s real value is only known once they pass on. This ‘ultimate career move’ heralds the end of production, thereby enhancing the value of those works remaining in existence as they become more scarce in the eyes of collectors and the wider marketplace. Up until the early 2000s, it would have been nearly unthinkable to conceive that a living artist could dominate both primary and secondary markets whilst being alive to experience it first-hand.

Today, we see a new wave of collectors setting the pace, with auction records for contemporary art being set and then bettered again within 12-month periods, and living artists seeing their works soaring across dual markets.

ArtPrice provides its annual report on the global contemporary art market at auction with some interesting observations.

Demand for Contemporary Art has expanded – both numerically but also geographically. Europe, the United players, with growth across the southern hemisphere becoming evident. On local shores, we’ve seen some incredible results for some of Australia’s top female living artists. Del Kathryn Barton achieved her two highest ever auction prices in 2018, whilst still selling out in her gallery exhibitions as expected. Cressida Campbell secured two top prices for watercolours in 2019, and, proving that multiples can be just as collectable as unique works, she also achieved her two highest results in 2019 for woodblocks. These four outstanding results were each more than double their corresponding lower estimates, indicating immense market demand.

In the public sector, we’re seeing more exhibitions of living artists at the forefront of our top museums’ calendars. This year we saw contemporary photographer Petrina Hicks enjoy her first major survey exhibition at the National Gallery of Victoria, which

Driven by growing demand, the total volume of

coincided with a new auction record achieved for her

auction turnover generated by the Contemporary

iconic image Shenae and Jade in July.

Art auction segment worldwide has doubled over the past decade. Twice the number of contemporary artists have appeared at auction in comparison to the previous decade, in addition to its 15% share of the global secondary art market as opposed to the 3% share contemporary art held back in 2000.

Inspired by this paradigm shift in market activity, Leonard Joel is excited to announce the birth of its annual contemporary art auction concept, Centum.

Centum will bring together one hundred works by leading Australian contemporary practitioners, in an exhibition and auction which celebrates and

We have seen some momentous results for living artists

contextualises the genre for the benefit of a wider

at auction, with the record broken twice in the past

secondary market audience.

twelve months. David Hockney’s Portrait of an Artist achieved a record price of US$90.3 million on 15 November 2018, but its top position did not last long with Jeff Koons’ Rabbit achieving US$91 million on 15 May 2019. It marks the moment the market literally dropped its attachment to notions of historical hierarchy: the market now values the most sought-after living artists at the same levels as the confirmed monuments of Art History.

We are currently seeking select, individual entries by artists including Vernon Ah Kee, Cressida Campbell, Del Kathryn Barton, Paul Davies, Martine Emdur, Nicholas Harding, Brent Harris, Louise Hearman, Bill Henson, Sam Leach, Patricia Piccinini, William Robinson, Phillip Wolfhagen, and Michael Zavros for the May 2020 auction. Please contact us if you would like a complimentary valuation.

LEFT: Petrina Hicks (b.1972)

Shenae and Jade 2005 (detail) Image courtesy the Artist and Michael Reid Sydney + Berlin

leonardjoel.com.au | 31

— PROFILE —

Minutes with…

JOE HAMMOND

This issue, we spend 5 minutes with Photographer & Videographer, Joe Hammond, who has an innate ability to beautifully bring so many of the human stories that we encounter to life, as seen in our recent My Leonard Joel: The Centenary Series.

FAVORITE BOOK Recently, Sapiens by Yuval Noah Harari. I love the way it's written. Another would have to be Scar Tissue by Anthony Kedis. This one is a real page-turner.

IDEAL DAY IN MELBOURNE As clichéd as it sounds, a very early morning surf on the south coast. Particularly in the autumn months when the light is low and the sun is still warm. It creates these calm, crystal clear mornings that become pretty addictive.

FAVOURITE ARTIST

Edinburgh gardens, then if the weekend gods allow, a gig

photography, Richard Mosse would have to be right up

at the forum with some friends.

there. He has his finger on the pulse and continues to produce incredible work. His new series 'Ultra' is a visual overload of the unseen. Using UV light to highlight the delicate breathtaking beauty of rainforests eco-systems.

FAVOURITE WORK OF ART That's a tough one, maybe The Weather Project

by Olafur Eliasson.

FAVOURITE COFFEE / WINE! A tidy Japanese roastery called Acoffee. It's tucked away on Sackville Street in Collingwood. Blink and you'll miss it. The flavours won't disappoint. As for wine, I tend to gravitate towards beer but when I feel like letting my hair down I'll dabble in a few buttery chardonnays or grüner veltliner.

32 | leonardjoel.com.au

After that probably a late lunch and a game of Kubb in

So many favourites! Sticking to the medium of

22

ND REPORT

We were once the biggest trader, now the smallest and no negative commercial impacts, whatsoever!

In 2020, this is our commitment to this cause.

— Our cessation journey and advocacy for the removal of

pulses through the veins of too many auction houses and

elephant ivory and rhinoceros’ horn from auction circulation

antique shops and in depressingly large quantities that,

is not over yet but in the almost three years since we began

whether old or new, make it impossible for any adequate

to make the connection between our own auction trade

detection of illegal and recently poached ivory. In simple

and the ongoing poaching that remains at catastrophic

terms, while any trade remains it will provide not just cover

proportions, progress is emerging.

for the illegal material but will drive value in it and only

While our own policy has not yet been adopted by any

encourage further poaching.

of my industry colleagues, it is at least being discussed

At nation state level things are shifting and it may just be

within antiques trade and auction circles; we have

that government’s ultimately drive the cessation through

presented the policy in local and international forums, it

bans rather than the current mix of regulation and industry

has been presented as part of our submission to a federal

collaboration – an arrangement that for almost half a

parliamentary enquiry and encouragingly, domestic

century has simply failed to stem the poaching. The world

government interest in the issue is only increasing.

cautiously applauded China’s decision to ban and shut

Additionally, we continue to monitor the impacts of this cessation on our own business and communicate those findings – to date those findings confirm that the Leonard Joel business has enjoyed no commercial side effects; no reduction in overall sales and no staff-resourcing impacts.

We were once the biggest trader, now the smallest and no negative commercial impacts, whatsoever!

In international circles the direction is also encouraging.

To Bonham’s credit and after global public outcry, a year ago they cancelled the sale of an entire multi-million-dollar antique rhinoceros horn collection in Hong Kong, vowing never to sell the material again. Not long after Sotheby’s and Christie’s also confirmed their decision never to deal in the material.

But while this is truly promising, rhinoceros horn cessation for auction houses at least, is the “easy cessation”. The

down its ivory industry by the end of 2018, while this year the United Kingdom, home to one of the world’s great collecting cultures, passed in to law the most stringent ban on ivory trade in the world. The UK’s move will now hopefully set the example for other countries and their industries to follow suit.

At Leonard Joel our mission on this issue is to lead with conviction and when we overlaid the UK legislation with our current policy, we realised that we had room for improvement. With this in mind and as part of our joint centenary celebrations with IFAW, we announced our commitment to adopt in full on 1st January 2020, the UK legislation which effectively brings our policy in line with that legislation’s intent and outcomes.

So, as we say goodbye to our centenary year this is our 2020 commitment to this cause.

profound one and the one Leonard Joel is calling for, with very limited exceptions, is the removal from trade of ivory; whether old or new from all markets, whether at auction or in the antiques trade. It is this material that regrettably 33 | leonardjoel.com.au

BY JOHN ALBRECHT — leonardjoel.com.au | 33

— PROFILE —

Lessons Learned in 50 Years —

Upon a foundation formed by 50 years of history and

Reaching this milestone anniversary has given us not

in-the-field experience across Oceania and throughout the

only the gift of experience, but a lens through which to

globe, the International Fund for Animal Welfare (IFAW)

effectively reflect upon our key projects and priorities both

has remained steadfast in its mission to ensure that both

domestically and abroad. Though Oceania is home to

animals and people thrive together. From regions that

some of the most diverse wildlife on the planet, it is also

are as diverse as the species that inhabit it, IFAW’s work

home to some of wildlife’s greatest dangers, with one of

throughout these five decades and for the future that lies

the highest mammal extinction rates in the world. And

before it, continues to embody the fundamental principle

though there is no one-size-fits-all solution in conservation

that individual animals matter. And it is this principle that

and, sadly, no shortage of critical animal welfare and

plays out as the IFAW story in diverse landscapes day after

conservation issues to confront, there are still tremendous

day---in the rescue, rehabilitation, and release of individual

successes that inspire us each and every day.

animals, one by one into safe spaces.

34 | leonardjoel.com.au

From our disaster response efforts with NGO partners

workshops to train veterinarians in the triage and

in the wake of the most ravaging bushfires on record

treatment of wildlife harmed in bushfires. And within this

across New South Wales and Queensland that have

diverse backdrop lies one of our seemingly most unlikely

decimated koala populations and critical habitat,

partnerships---the Melbourne institution of Leonard

IFAW has helped successfully train dogs like Bear, a

Joel. Assisting the auction house to phase out ivory

border collie/koolie mix and recent media sensation, to

sales over a two-year period as well as implementing

locate koalas and transport them to safe spaces. This

a full ban on rhino horn, Leonard Joel, through the

comes in conjunction with existing efforts underway

tireless commitment of its Managing Director John

in our Northern Rivers project, an integrated solution

Albrecht, has driven critical momentum for change and

to improve the long-term welfare and conservation of

become a vocal champion of the domestic ivory ban,

koalas by combining rescue, rehabilitation, community

influencing other auction houses both domestically and

engagement, landscape conservation, and policy work.

internationally to do the same.

Our priorities further extend to our Wildlife Rescue

IFAW’s work in Oceania reflects not only the critical

Australia initiative, training veterinarians and equipping

needs of this incredibly biodiverse region, it also

local volunteers with innovative tools, including the

fundamentally reflects key IFAW priorities on a global

pioneering ‘Wildlife Rescue’ app, that connects people

scale. From various pillars that include landscape

to their nearest animal rescue group if they discover

conservation, disaster response and risk reduction,

injured wildlife. This has helped form the foundation

animal rescue, and the fight against wildlife cybercrime,

for other partnerships including with the Bonorong

we are now rescuing more animals and securing more

Wildlife Sanctuary in Tasmania which resulted in the

habitats than at any other point in our history.

opening of a free wildlife hospital, the establishment of the New South Wales Wildlife Council to achieve better outcomes for native wildlife, and collaboration with the Australian Veterinary Association to conduct advanced

One of the fundamental lessons we have learned time and again over the past 50 years is that when people can take better care of themselves, they often take better care of the animals and habitats they share as well. And it is this understanding, coupled with our exhaustive work and collaboration with local communities and within diverse partnerships, that exemplifies the fact that our commitment to both people and animals thriving together will continue unwavering for generations to come.

BY REBECCA KEEBLE —

Photo: Picture Alliance/Getty Images

leonardjoel.com.au | 35

— VALUATIONS —

Valuations Leonard Joel is the only auction house in Australia with a dedicated Valuations department, enabling us to offer a broad range of specialist expertise for the valuation and auction of single items and entire collections.

— COMPLIMENTARY VALUATIONS IN MELBOURNE & SYDNEY

INTERSTATE VALUATIONS Our team of specialists regularly hit the road, and 2020

We offer complimentary verbal valuations in our

is no different. If you’re not in Melbourne or Sydney, you

Melbourne and Sydney salerooms by appointment.

can join us at one of the following Valuation Days:

We also host complimentary Valuation Evenings in

Sunday 23 February

Melbourne on the first Wednesday of every month from

Shepparton Art Gallery

5pm and in Sydney, Valuations Days every Wednesday from 10am.

No appointment necessary. *Please note that, during busy times, we can only spend 15 minutes with each client. If you have several items for valuation, please make an appointment with one of our specialists.

Saturday 4 April Adelaide (venue TBC) Saturday 9 May Canberra (venue TBC) Saturday 18 & Sunday 19 July Brisbane & Gold Coast (venue TBC) Saturday 10 October Hobart (venue TBC) Please contact Head of Valuations, Caroline Tickner, if you would like further information.

03 8825 5638 | caroline.tickner@leonardjoel.com.au

36 | leonardjoel.com.au

— PROFILE — BELOW Artist Michael Camakaris at Leonard Joel.

Arts Project Australia and Leonard Joel: A New Traineeship Program Arts Project Australia supports over 150 artists with intellectual

Michael recently joined the Leonard Joel team two days a week

disabilities, promotes their work and advocates for their

to gain arts industry auction experience. He is working across all

inclusion within the broader contemporary art sector. Our

departments, and is developing a range of skills to support the

Northcote gallery and studio are a hive of creative industry.

business, including client and colleague-facing skills, handling,

Leonard Joel has been a proud partner of Arts Project Australia for the past 10 years, supporting the production of exhibition catalogues and hosting fundraising auctions for this unique social enterprise.

As part of Leonard Joel’s Centenary celebrations, we are also proud to join with them in a new Traineeship Program, where two Arts Project artists participate in a fully paid 12-month traineeship in our respective workplaces. The trainees are supported by Interact Australia, who are mentoring each participant throughout the program.

departments. Michael is thoroughly enjoying his traineeship, and says “It’s a constantly changing environment. I’ve really enjoyed doing research into the history behind the paintings for auction.”

Leonard Joel Managing Director, John Albrecht says, ”We are passionate in our support of Arts Project Australia, all that they achieve and strive to achieve, and in addition to financial support, I wanted to implement an initiative that would make a real difference in our centenary year. Our involvement in this Traineeship Program not only provides social, economic and wellbeing benefits to the trainee, it also benefits our staff and

NDIS participants with intellectual disabilities are the least likely to be in open employment, and data shows that only 24% of working age participants are currently in paid work. Recognising that on-the-job training is one of the best ways to build skills and confidence, Leonard Joel has welcomed Michael Camakaris as their first trainee in this program.

presentation, auction and despatch skills across various

adds diversity to our workplace.”

In addition to the Traineeship Program, we are delighted to announce that Leonard Joel will host an exhibition of Michael’s work at their premises in December.

Sue Roff | Executive Director, Arts Project Australia For more information visit artsproject.org.au and leonardjoel.com.au

GALLERY HOURS Mon to Fri 9am–5pm Sat 10am–5pm

24 High St Northcote VIC 3070 Australia

T +61 3 9482 4484 F +61 3 9482 1852

gallery@artsproject.org.au www.artsproject.org.au

Find us on social media #artsprojectaust leonardjoel.com.au | 37

— EVENT —

Arts Centre Melbourne

Over the past two years, The Ovation Dinner has raised funds to enable Arts Centre Melbourne through their program, ACCESS, to bring the performing arts to disadvantaged children around Victoria, regardless of gender, age, ability or cultural or socioeconomic background.

Leonard Joel is proud to support Ovation 2020 and we recently spoke to Andy Dinan, Director of MARS Gallery and Chair of Ovation about the project.

38 | leonardjoel.com.au

ABOVE: Image courtesy John Gollings TOP RIGHT: Images courtesy Arts Centre Melbourne

— EVENT —

1. CAN YOU TELL US ABOUT OVATION, AND THE

Arts Centre Melbourne has been a big part of my life and

ACCESS AND INCLUSION PROGRAM IT SUPPORTS?

I thoroughly enjoy helping stage this very special event, which gives back to our centre.

ACCESS is an inclusive participation program, which forms part of the philanthropic arm of the Arts Centre.

3. CAN YOU TELL US A LITTLE (WITHOUT GIVING TOO MUCH AWAY!) ABOUT THE FUNDRAISING EVENT

The performing arts influence and shape our world. They

IN FEBRUARY, WHICH WILL BE DIFFERENT TO

inspire us as individuals, help us build stronger, more

PREVIOUS YEARS?

connected communities and bring us together for shared experiences that can be life-affirming, life-changing and

Ovation is Arts Centre Melbourne’s signature fundraising

life-saving.

event and in February 2020 we will host 240 black tie VIPs who will dine on a specially created menu (this is

ACCESS provides subsidised or complimentary transport

Melbourne, so it has to be about the food as much as it

for regional schools, specially produced access programs

is about the entertainment!), sipping Yabby Lakes finest

and relaxed performances, and free or low-cost

wines on stage of the magnificent Sidney Myer Music

programming to nurture and celebrate participation,

Bowl, entertained by an array of old and new artists who

creativity, imagination, cultural engagement and diversity.

have all, at some point, performed at the Arts Centre.

We founded Ovation two years ago, to support ACCESS

Fiona Myer will graciously dress the staff in her fashion

and we will be hosting an exquisite fundraising dinner

label, White Story and Leonard Joel’s John Albrecht

for Ovation on 19 February 2020 on stage at the Sidney

will auction two amazing pieces - one a jewellery piece

Myer Music Bowl.

generously donated by the auction house and the other donated by the estate of Inge King.

2. WHEN DID YOU FIRST BECOME INVOLVED IN THE PROGRAM?

I can’t give away much more, except that those that attend will experience a once in a lifetime event they will

I proudly joined the Foundation Board for ACM two years

never forget, while aiding our beloved Arts Centre.

ago and it’s been a wonderful enriching experience.

5. ANYTHING ELSE YOU’D LIKE TO ADD? I joined because I was interested in the ACCESS programme and helping to raise funds so every child can

Please book your seats now! You can do so online, or by

visit the Arts Centre regardless of age, gender, ability or

contacting Jordan Bowering at Arts Centre Melbourne on

cultural or socioeconomic background.

03 9281 8973 or ovation@artscentremelbourne.com.au

I am extremely passionate about building a creative and

And, I would like to thank you for considering supporting

prosperous community through the arts.

Arts Centre Melbourne by attending this dinner. Your support means we can deliver our mission to create,

Each year, hundreds of schools and thousands of

connect and enrich the lives of many.

students, along with families, communities and lifelong learners, participate in Arts Centre programmes that

Find out more at ovationdinner.com

provide unique opportunities to engage with arts and artists. leonardjoel.com.au | 39

— JOIN US —

Connect

With regular auctions in Fine Art, Jewels & Watches, Decorative Arts, Modern Design and Luxury, there’s something to suit every taste and budget at Leonard Joel.

Connect

Bid

Subscribe to stay up to date with news on

Create an account online and use it every time

upcoming auctions, special events and

you bid. You can also receive Lot alerts tailored to

industry insights, or follow us on social.

your interests. Bidding is easy and you can do so in person, online, or by phone. Our team is always on hand to guide you.

Browse Browse our online auction catalogues or view in person at one of our salerooms.

40 | leonardjoel.com.au

Contact a Leonard Joel team member or stop by a saleroom if you have any questions.

— JOIN US —

Value / Sell / Buy Contact a Leonard Joel Specialist

John Albrecht

The Thursday Auction Specialists —

03 8825 5619 | john.albrecht@leonardjoel.com.au

ART SALON

MANAGING DIRECTOR & PROPRIETOR

Auction Specialists — PRIVATE COLLECTIONS John Albrecht, Head of Department 03 8825 5619 | john.albrecht@leonardjoel.com.au FINE ART Olivia Fuller, Head of Department 03 8825 5624 | olivia.fuller@leonardjoel.com.au JEWELS Julie Foster, Head of Department 03 8825 5605 | julie.foster@leonardjoel.com.au

Hannah Ryan 03 8825 5630 | hannah.ryan@leonardjoel.com.au FURNITURE Nick Bastiras 03 8825 5640 | furniture@leonardjoel.com.au JEWELLERY Bethany McGougan 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au OBJECTS & COLLECTABLES Nora Merralls 03 8825 5604 | nora.merralls@leonardjoel.com.au

Chiara Curcio, Head of Department

Valuations —

03 8825 5635 | chiara.curcio@leonardjoel.com.au

Caroline Tickner, Head of Department

DECORATIVE ARTS

Hamish Clark, Head of Department, Sydney 02 9362 9045 | hamish.clark@leonardjoel.com.au MODERN DESIGN Anna Grassham, Head of Department 03 8825 5637 | anna.grassham@leonardjoel.com.au COLLECTABLES Nora Merralls 03 8825 5625 | nora.merralls@leonardjoel.com.au

03 8825 5638 | caroline.tickner@leonardjoel.com.au

Marketing & Communications — Nicole Kenning, Head of Department 03 8825 5620 | nicole.kenning@leonardjoel.com.au Maria Rossi, Graphic Artist Adam Obradovic, Videographer & Photographer Joseph Hammond, Videographer & Photographer

LUXURY Bethany McGougan 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au

Sale Rooms — MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: 03 9826 4333 SYDNEY The Bond, 36–40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: 02 9362 9045

LEFT: AN IMPORTANT DIAMOND SET ENAMEL AND GOLD RUSSIAN IMPERIAL PRESENTATION BOX WITH MONOGRAM OF TSAR ALEXANDER II (1855-1881) Sold for $124,000 December 2017

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— PROFILE —

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