LEONARD, issue 77, Dec-Jan 2019

ISSUE 77 DEC - JAN 2019

C E L E B R AT I N G

MELBOURNE

|

SYDNEY

Auction Calendar A Gentleman’s Collection: The Estate of Mr Neil Robertson Sunday 2 December 2018 – 11am

MELBOURNE

The Sydney Morning Herald Vintage Photographic Collection Online Auction Wednesday 5 December 2018 – 10am

SYDNEY

The Kellies Antiques Collection Wednesday 5 December 2018 – 6.30pm

MELBOURNE

Selected Danish Thursday 6 December 2018 – 10am

MELBOURNE

The Frank & Jill Jones Collection Monday 10 December 2018 – 5pm

MELBOURNE

The Asian Art Edit Wednesday 12 December 2018 – 6.30pm

MELBOURNE

Collectables Thursday 13 December 2018 – 2pm

MELBOURNE

The Fine Art of Dining Wednesday 27 February 2019 – 6.30pm

MELBOURNE

The Mirka Mora Collection Sunday 3 March 2019 – 12pm

MELBOURNE

Jewels Monday 18 March 2019 – 6.30pm

MELBOURNE

Fine Art Tuesday 19 March 2019 – 6.30pm

MELBOURNE

Collectables Thursday 28 March 2019 – 2pm

MELBOURNE

Lot 76 AN ART DECO DIAMOND AND EMERALD RING, IN PLATINUM, SIZE K. Estimate $3,000-5,000 The Kellies Antiques Collection, Auction Wednesday 5 December, 6.30pm

The Thursday Auction Furniture & Interiors – 10am Jewellery – 10.30am Art Salon – 11.30am Books & Objects – 12pm MELBOURNE Front Cover: Mirka Mora 1954 carrying basket The Mirka Mora Collection, Auction Sunday 3 March at 12pm

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Our Expertise

Almost 100 Years of Auction History...

MANAGING DIRECTOR & PROPRIETOR John Albrecht 03 8825 5619 | john.albrecht@leonardjoel.com.au

Auction Specialists PRIVATE COLLECTIONS John Albrecht, National Head of Department 03 8825 5619 | john.albrecht@leonardjoel.com.au FINE ART Sophie Ullin, National Head of Department

Welcome to the Summer issue of Leonard, where we are delighted to announce that Leonard Joel will present the studio of Melbourne artist, Mirka Mora at auction

03 8825 5609 | sophie.ullin@leonardjoel.com.au JEWELS John D’Agata, National Head of Department 03 8825 5605 | john.dagata@leonardjoel.com.au DECORATIVE ARTS Chiara Curcio, Head of Department, Melbourne

in 2019.

03 8825 5635 | chiara.curcio@leonardjoel.com.au Hamish Clark, Head of Sydney Office 02 9362 9045 | hamish.clark@leonardjoel.com.au

Also in this issue, we review the year that was, some of our favourite pieces and moments, and a glimpse of what

MODERN DESIGN Anna Grassham, Head of Department 03 8825 5637 | anna.grassham@leonardjoel.com.au COLLECTABLES Nora Merralls, Manager

is to come...

03 8825 5625 | nora.merralls@leonardjoel.com.au LUXURY Bethany McGougan, Manager

We’d like to thank our clients and wish you all a happy

03 8825 5645 | bethany.mcgougan@leonardjoel.com.au

and healthy festive season. We look forward to welcoming

The Thursday Auction Specialists

you back to Leonard Joel in 2019.

Lucy Foster, Art Specialist

ART SALON 03 8825 5630 | lucy.foster@leonardjoel.com.au

FURNITURE Toby Lennox-Hilton, Manager 03 8825 5640 | furniture@leonardjoel.com.au JEWELLERY Bethany McGougan, Manager 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au OBJECTS, BOOKS & COLLECTABLES Moira Rogers, Manager 03 8825 5604 | moira.rogers@leonardjoel.com.au

Valuations Caroline Tickner, Head of Department 03 8825 5638 | caroline.tickner@leonardjoel.com.au

Marketing & Communications Nicole Kenning, Head of Department 03 8825 5620 | nicole.kenning@leonardjoel.com.au Claire Mazzone, Manager 03 8825 5620 | claire.mazzone@leonardjoel.com.au Maria Rossi, Graphic Artist Adam Obradovic, Videographer & Photographer Joseph Hammond, Videographer & Photographer

Sale Rooms MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: 03 9826 4333 SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: 02 9362 9045

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THE RITUALS OF AN AUCTIONEER

The day of a major auction is often nerve wracking and exciting, for all involved.

Leonard Joel Managing Director John Albrecht shares his auction day rituals…

On the morning of a major auction, I ensure I take an

My next ritual relates to sustenance; I always have

When a Lot attracts intense bidding across all four

hour for exercise and more often than not that will

a banana with yoghurt and honey as I find it settles

bidding modes, this is the time an Auctioneer can add

mean a fast walk with my walking partner and beloved

my stomach and sustains me, particularly for a long

value; successfully weaving and further encouraging

family dog, Buddy. This helps me to focus and I find,

auction. It also saved Michael Chang in the French

bids, before the gavel falls. It is always our aim, of

always gives me extra energy throughout the day.

Open (a banana that is), and his decision to choose a

course, to achieve the best possible price for our

banana has always stuck with me!

vendors.

During the day, I will monitor ‘auction interest’ closely,

There is no doubt that the experience of stepping up

reading through all absentee and telephone bids. I

Once on the rostrum, I set my wristwatch in front of

on to the rostrum - the theatre, the pace, the pressure,

also check in with the relevant head of department to

me and take a moment to connect with any of the

the direction and the control that it commands - is a

ensure all reserves are accurately set and any notations

audience members I know, and then, welcome the

heady one but I won’t deny it, I’m addicted!

regarding, for example, condition reports, are properly

entire audience to the room and introduce the auction.

recorded and easy to read when I am in the middle of

Pace is incredibly important to the success of an

the auction.

auction, and I will sell between 60-80 Lots per hour.

This ensures the auction has momentum, but also that

About an hour before the auction, I meet with the head

I capture every bid. It can be a complex juggling act;

of department or auction manager for a final time so

ensuring all bids - in the room, on the phones, online

that I am aware of any change in interest on specific

and absentee bids - are successfully recorded, and at

lots, and so that we both know what to expect once

exactly the right moment.

the auction commences.

JOHN ALBRECHT, MANAGING DIRECTOR AND NATIONAL HEAD OF COLLECTIONS

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Private Collections

CELEBRATING MIRKA MORA

Could I think of a more fitting, a more magical or

discover a magical space. A wonderfully cramped

loved to live and create. Inspiration was everywhere,

a more Melbourne collection to celebrate and

(no, cosy; because this is Mirka Mora) configuration of

and where it wasn’t; well, she created it. The windows

commence our 100th year of business? No, I could not.

naturally formed walkways was teeming with paintings,

in her shower were painted with colourful signature

It is a privilege to announce that Leonard Joel has

furniture, objects, fabrics and curiosities of all shapes

geometric motifs and the sliding doors to her studio

been entrusted to present the studio of Melbourne

and sizes.

were not left as mere glass; they too were decorated

artist, Mirka Mora at auction.

with her signature mythical figures, flowers and plants.

I joked with William Mora that the walkways worked

Nothing is more reflective of an artist than their studio,

like a mystery maze, weaving through her apartment-

Within the studio were all of the memories and

and Mirka’s is no exception. When I was invited to

studio, and were so tight that it would make it almost

possessions that captured her and that acquired a

visit her quarters in Richmond, I did not know what

impossible for her to fall. William agreed, with his

permanency within her surrounds, her world. There

to expect. But, upon viewing it, it was no surprise to

trademark smile. And this was the way that Mirka

were curious and long-lost paintings by artists of the

Melbourne Auction Sunday 3 March, 12pm 333 Malvern Road, South Yarra VIC 3141

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Melbourne Viewing Wednesday 27 February, 9am-8pm Thursday 28 February, 11am-4pm Friday 1 March, 11am-4pm Saturday 2 March, 11am-4pm

Enquiries Anna Grassham Head of Modern Design 03 8825 5637 anna.grassham@leonardjoel.com.au

leonardjoel.com.au

Announcing the Magical Studio of Mirka Mora post-war Melbourne art period; many of which were gifted to her and Georges. There were dolls, toy animals and child-like creations of all shapes and sizes. Every space, however tiny, was filled. Mirka collected inspiration in every size and every shape and with a playfulness that I dare say was unique.

Mirka not only embraced the cultural scene of Melbourne, she was also instrumental in creating it, and in creating a legacy that we all now enjoy.

Her magic can be seen everywhere throughout this city; at Tolarno’s, where you can marvel at the joyous decoration of the restaurant walls, at Heide Museum of Modern Art, which of course was so much part of Mirka’s life and where you can now enjoy a wonderful documentary exhibition of her drawings and dolls, and of course, in the Flinders Street Train Station Mural. As I write this, and contemplate her extraordinary influence, I realise that Mirka’s art and vision are perhaps in more parts of our city than any other artist. Her gregarious embrace of Melbourne and its affection for her that lasted a lifetime and will, I feel, never end.

The contents of Mirka’s studio have now been meticulously catalogued and packed away, prior to display at Leonard Joel in the late summer of 2019, and the auction on 3 March. So, while the living studio has now passed and the artist, sadly no longer walks its maze of naturally formed corridors.

The magic will, I hope, be recreated and once again come to life in our exhibition to reflect the creativity, humour and humanity that was Mirka Mora.

John Albrecht, Managing Director & Head of Private Collections

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DECORATIVE ARTS

Melbourne Auction Wednesday 27 February, 6.30pm 333 Malvern Road, South Yarra VIC 3141

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Melbourne Viewing Wednesday 20 February, 9am-8pm Wednesday 27 February, 9am-4pm

Enquiries Chiara Curcio Head of Decorative Arts 03 8825 5635 chiara.curcio@leonardjoel.com.au

leonardjoel.com.au

The Fine Art of Dining While contemplating the theme of our February

memorable dining experience is indeed an art form,

silver flatware with modern Italian glass stemware; a

Decorative Arts auction, ‘The Fine Art of Dining,’ I

and some fans of the program might even declare her

Spanish provincial banquet table may be set with blue

couldn’t help but recall Hyacinth Bucket (Bouquet

their guru!

and white transferware china and Louis XV fauteuils

if you please) and her legendary candlelight

upholstered in contemporary fabric.

suppers. She was, as some might remember, the

Personally, I am excited to see that dining trends have

uncompromising lady of the house from the 1990s

moved on from the era of Keeping up Appearances,

At Leonard Joel, we look forward to celebrating and

British sitcom ‘Keeping up Appearances’. Although

and with its fastidiousness of tradition continuing to

presenting our own observations in this boundless

somewhat dated, this program satirizes so well

fade, creativity and vibrancy now abounds in the fine

world of tablescapes and dining room decor. Stay

Hyacinth Bucket’s fastidious obsession with the fine art

art of dining. Today, eclecticism rules supreme, mixing

tuned for ‘The Fine Art of Dining’, 27 February 2019.

of dining and the painfully hysterical efforts she took

the old with the new, and juxtaposing traditional with

to impress her elitist acquaintances.

modern is undoubtedly a major theme.

Dominic Kavanagh Decorative Arts Specialist

The fine art of dining refers to the overall dining

Whether preparing for an intimate dinner or a grand

experience as much as it does to the tableware genre

soirée, decorators are boldly engaging with the wealth

and associated decor. As Hyacinth preaches from one

of choice available at auction houses like Leonard

episode to the next, providing one’s guests with a

Joel. Tablescapes of today may feature Georgian

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JEWELS

ENTRIES INVITED AUCTION MONDAY 18 MARCH 2019

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A Ring for all Occasions Whether you’re looking for something special

incorporate gemstones such as diamonds, pearls,

The occasion will often influence the type of ring

to celebrate love or simply wanting a ring to

rubies, sapphires or emeralds.

selected, commonly being engagements, weddings,

complement an outfit, there is always an eclectic

anniversaries, birthdays, milestone events or simple

selection of fine and fashion jewellery on offer at

Birthstones are gems associated with the month that

Leonard Joel.

a person was born, commonly identified as follows

gifts of love.

and often used in ring settings:

Styles and designs may vary enormously, from single

A ring is defined as ‘a small circular band, typically

•

January Birthstone: Garnet

plain bands, to elaborate statement pieces in bold

of precious metal and often set with one or more

•

February Birthstone: Amethyst

settings and vary in age from finely detailed antiques

gemstones, worn on a finger, or as an ornament or a

•

March Birthstone: Aquamarine

to modern/contemporary pieces for wearing on a

token of marriage, engagement or authority’.

•

April Birthstone: Diamond

casual day-to-day basis or elegant formal wear.

Choosing a ring can be an emotional process

•

May Birthstone: Emerald

Whether it be our Thursday Jewellery auctions or

and there are multiple factors to consider when

•

June Birthstone: Pearl or Alexandrite

quarterly Fine Jewels auctions, there is bound to be

contemplating purchasing, with each and every

•

July Birthstone: Ruby

a wide selection of beautiful rings suiting all budgets

individual having their own style and budget to

•

August Birthstone: Peridot

and tastes.

cater for.

•

September Birthstone: Sapphire

•

October Birthstone: Tourmaline or Opal

Julie Foster

Rings from our Thursday or Fine jewellery

•

November Birthstone: Topaz or Citrine

Associate Head of Jewels

categories are generally constructed with the use

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December Birthstone: Tanzanite, Zircon

03 8825 5618 | julie.foster@leonardjoel.com.au

of gold, platinum and occasionally silver and often

or Turquoise

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FINE ART

CHARLES BLACKMAN (1928-2018) Boy in the Bush 1954 enamel paint on board 75 x 62cm Sold for $105,400

CHARLES BLACKMAN (1928-2018) Trumpeter 1954 enamel paint on board 75 x 62cm Sold for $179,800

ENTRIES INVITED AUCTION TUESDAY 19 MARCH 2019

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JOY HESTER (1920-1960) Girl with Cocky c.1957 oil on paper on board, 49 x 62cm Sold for $322,400

A year in review As the auction calendar for 2018 draws to a close

more keenly appreciating her contribution to the

offer a level of support that played a significant part

and we look back on the year that was, we have

artistic and social history of Australia in harmony

in the development of Blackman’s iconic Alice in

borne witness to new records and strong results for

with her contemporaries and fellow members of

Wonderland series.

post-war modernist artists. Collectors continue to

the Angry Penguins.

be drawn to this transformative period of Australian

2018 sadly marked the end of an era with the passing

art, and this is highlighted more than ever when

The Hester painting, Girl with Cocky, and two

of Charles Blackman and Mirka Mora. They both left

significant and unseen works appear on the market.

striking paintings by Charles Blackman, formed part

an extraordinary legacy, as two of this country’s most

of the collection of Roger and Wivine De Stoop,

talented and much-loved artists, creating as they

One of the most thrilling results of 2018 was Joy

who arrived Australia in 1952 from Belgium and

did, some of the most iconic images of the twentieth

Hester’s painting Girl with Cocky c. 1947 which

established a textile manufacturing company. During

century.

sold for $322,400, awarding Hester the enhanced

the cataloguing process, we learned of the important

market recognition she has long deserved. Coupled

role they played as patrons. Roger first met Blackman

Sophie Ullin

with consistently strong prices for her drawings

at Georges and Mirka Mora’s restaurant Balzac, and

National Head of Art

throughout the year, it seems that collectors are now

went on to establish a friendship and

03 8825 5609 | 0407 360 513 sophie.ullin@leonardjoel.com.au

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MODERN DESIGN

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GERRIT RIETVELD 635 RED AND BLUE CHAIR FOR CASSINA Sold for $3,720

A TESTAMENT TO REAL VS REPLICA We live in an age of mass-consumerism and it

Before buying something new, online or off the

often produced in overseas factories, using sub-

seems we’re always striving for the new: new cars,

showroom floor, think about investing in pre-

standard materials and manufacturing methods.

new fashion, new chairs, new phones. The best of

owned furniture, an original. This not only helps the

They are mere imitations, with little meaning or

everything is at our fingertips, we just tap and pay!

environment, but more importantly it celebrates and

reference to the original concept, which were built to

Let’s take a moment, however, to think about how

pays homage to the designers, and designs that have

last. A designer chair, however old, is not just a chair,

this impacts our environment and the authenticity of

sometimes taken decades to perfect. These pieces

it has beauty and relevance, and a connection to the

design, the real vs the replica.

have been constructed with skill and imagination and

time and place it was created.

with enduring materials. They reflect the relationship One of my favourite Japanese words is ‘Shibui’.

between the designer, and often embody the fashion

If you want to own a design classic that will stand

Shared with me by a scholar of design history, it is

and history of an era - a timeless work of art.

the test of time, do your research and purchase an

similar to ‘patina’, a more widely used reference for

original. Find the magic in the real! And importantly,

the softening to the surface of an object over time

I am passionate about original pieces and always

help the environment along the way.

and natural age. ‘Shibui’ describes the ‘life’ behind

keen to educate buyers on the benefits of buying

the quality of any experience, a sense of evolving

real vs replica. Real products are manufactured using

Anna Grassham

character or perfection. In the context of furniture

innovative techniques and quality materials. Even

Head of Modern Design

and lighting, it is the wear and tear, and the folds

today, licensed manufactures of design classics follow

03 8825 5637 | 0415 076 480

and the forms, that only add to the character of

very specific guidelines stipulated by the original

anna.grassham@leonardjoel.com.au

timeless design.

design. This is in stark contrast to replica furniture,

F

LE CORBUSIER & CHARLOTTE PERRIAND LC3 SOFA FOR CASSINA Sold for $4,960

ENTRIES INVITED AUCTION APRIL 2019 leonardjoel.com.au

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A monumental event for Leonard Joel Sydney this year was our change

Undoubtedly one of the rarest clocks ever to be sold at auction in

of address in September! Our new home, within the historic building,

Australia is the exceptional George II musical organ clock by renowned

The Bond, at 36-40 Queen Street, sits in the heart of the art and antiques

English clockmaker, Charles Clay. Made in London circa 1735, the

district and provides us with the space to host valuations, viewings and

clock is housed in a large mahogany bell-topped case with gilt brass

auctions. Our first auction in the showroom, Decorative Arts, was a roaring

feet and an exquisite, hand-painted frontispiece depicting allegorical

success and we look forward to showcasing more auctions in 2019.

scenes and featuring moving figures. Clay was a master clockmaker and two very similar models to this were acquired for the British Royal Collection in the 1700s. This was one of many unique pieces featured in The Hose Collection of Clocks sold in June this year.

The year that was...

The Thursday Auction always presents rare and unusual objects, and this

We were surprised and delighted when this beautiful Clarice Beckett

year was no exception. We were particularly intrigued by a hand-painted

painting Boats on the Shore passed through the doors of Leonard Joel

Georgian red leather fire bucket from the 19th century. It is incredible to

in February as a highlight of the El Tovar Collection. Not only is it a

think about the history of this piece and it’s journey from the UK to Australia.

beautiful work, it was also purchased by the vendor’s mother in 1944 and still bears the original Leonard Joel paper label to verso. It’s beautiful to see a piece coming back to us 74 years after it was last sold.

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Wivine and Roger De Stoop moved from Belgium to Australia in 1952 with

The piece of jewellery that stays ours minds from this year is a Georgian eye

their five children, some twenty employees and their families, and instantly

locket. Georgian pieces are rare in Australia and miniature portrait eye lockets

connected to the vibrant and progressive cultural scene in Melbourne. Their

exceptionally scarce in any country. The provenance of purchase in Australia, from

home, Middlefield House, became an important place for artists such as

the renowned Anne Schofield Antiques, Sydney, with the original purchased from

John Perceval, Arthur Boyd, Charles Blackman and Joy Hester to connect

Christie’s London, Miniatures & Objets de Vertu, Property of the Earl of Warwick,

and exchange ideas with the new wave of European émigrés that included

Warwick Castle, added immensely to the value of the piece. However, and most

Georges and Mirka Mora. The De Stoop’s also became great patrons of

importantly, the locket was just beautiful. Exquisitely crafted with embossed

many of the artists, and we were thrilled to auction their collection as part

and engraved worked case, set with turquoise and a single seed pearl, the

of our June Fine Art auction this year, which included Charles Blackman’s

reverse set with a single diamond and emerald, opening to reveal a hair locket

Trumpeter and Boy in the Bush and Joy Hester’s Girl with Cocky.

and a hand painted miniature of a female right eye within a cloud surround.

The July Modern Design auction included a rare collection of Italian furniture

Our Collectables auctions never fail to attract a crowd. Our June offering, which

manufactured by Cassina. The selection of pieces honoured luminaries such

included The 1970 TV Week Logie for Best Overseas Show, created a stir amongst

as Ettore Sottsass, Gio Ponti, Achille Castiglioni and Gerrit Reitveld. Their

clients and media alike. The 1970 awards, the 12th iteration of the ceremony,

designs and aesthetics have stood the test of time, continue to break new

was hosted by show biz stalwart Bert Newton and the award for ‘Best Overseas

ground and propose a type of European lifestyle. We were excited to auction

Show’ was presented to The Mod Squad. That category no longer exists, as the

a selection of works that are so iconic and admired by true lovers of design.

awards focus on local productions and talent. On the day of the auction, there was fierce bidding, resulting in a record-breaking hammer result of $7,000.

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LUXURY

A GUIDE FOR YOUR SUMMER WARDROBE Resort, Cruise, Pre-Spring, Pre-Fall – these sartorial terms all refer to the the Holiday season collections. Conjuring images of the glitzy, sun-kissed beaches of St Tropez or glamorous winter escapes such as St Moritz, these ‘mid-season’ or ‘pre-collections’ traditionally targeted jet-setting clients who holidayed at exclusive resorts or aboard luxurious cruise ships. Showcased on the catwalks of Paris, Milan and New York, these collections have become important events in the fashion calendar, now more so than ever as international travel becomes more popular and accessible.

Whether you’re dressing for a pool party, a barbecue, a wedding or for summer cocktails, you can take some inspiration, looks and trends from the runway. Below we share some of our favourite key trends from 2019 international Resort collections: Shimmer Metallic sheens, shine and glitz from fabrics to accessories were seen in an array of colours on the catwalks of Gucci, Baja East and Christian Siriano.

Florals Always popular in summer months, new-generation floral fabrics have been paired with romantic cuts this season, as demonstrated on the catwalks of Louis Vuitton and Erdem.

Saturated Colours Masterfully presented in the Sonia Rykiel 2019 collection, strong colour saturation is not for the faint-hearted, but it is a favourite trend of ours for Summer.

Bethany McGougan Luxury Manager 03 8825 5645 | bethany.mcgougan@leonardjoel.com.au

A DRESS BY GUCCI Sold for $1,200

A PAIR OF SUNGLASSES

BY DOLCE AND GABBANA Sold for $220

AN ALMA BAG BY LOUIS VUITTON Sold for $2,500

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Artists have long supplemented their painting or sculpture practice by

Q: How do I take care of my prints?

creating prints; original works, usually on paper, created in numbered

A: Because prints are typically on paper, they require some degree

editions. Here are four questions about Prints & Multiples that we’re

of care, whether they’re in storage or on a wall. They are best kept in

often asked:

a frame when on display and away from direct sunlight so they don’t fade or discolour. Think too, of rotating your prints from time to time

Q: Is a print numbered first in the edition more valuable than one

to give them a rest. Humidity can also affect them, too high and prints

numbered at ‘100’?

may be damaged by mould, which causes small dark spots (also

A: Works are printed one at a time, and each print is assigned an

referred to as foxing). A general rule of thumb for prints is to keep

individual number, but the print editioned ‘1/100’ has the same value

them in a clean and well-ventilated area.

as the print that is ‘100/100’. The misconception that lower editions are more valuable dates back to more than 100 years ago when prints

Q: Why is there such a difference in print prices?

were made using copper plates. Copper is a soft metal, and as each

A: It’s the same reason why the art market has such a wide range: it

edition was printed, the plate would compress in the press, and so the

depends on the quality of the print, the popularity of subject matter,

higher edition numbers would lack some of the detail of the first few

the artist, the complexity of how the print was made and the size of

editions. Often, editions are not numbered in the order in which they

the edition. Traditionally, buying prints has been seen as a gateway

were printed, further de-emphasising the idea that an edition with a

into fine art collecting, and this is definitely true, however, people

lower number is more valuable.

acquire prints at all stages of their collecting journey, and at all different price levels.

Q: Are prints just copies of an artist’s original work?

A: No, prints are neither copies nor posters. They are distinct works

Our next Prints & Multiples sale will be held in early March 2019.

that are made independently. Prints are usually made with a plate, that

We look forward to celebrating the work of some exceptional

is then transferred onto paper with ink, as many times as the edition

printmakers with you in the New Year.

requires. Printmaking allows exciting experimentation and is a crucial medium in many artists’ practice.

PRINTS & MULTIPLES

YOUR QUESTIONS ANSWERED

Ella Perrottet Art Assistant 03 8825 5630 | ella.perrottet@leonardjoel.com.au

ENTRIES INVITED AUCTION MARCH 2019 leonardjoel.com.au

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COLLECTABLES

59 (part) THREE AUTOGRAPHED TILES, COMPRISING VERA LYNN, ANNE MURRAY AND KEITH POTGER $200 - 260

79 A REPRODUCTION HIS MASTER’S VOICE GRAMOPHONE, WITH METAL HORN AND WINDER $300 - 500

THOMAS’ MUSIC COLLECTION OF AUTOGRAPHS Thomas’ Music Collection of Autographs will be offered as part of our Collectables Auction on 13 December. The 96-year-old Melbourne

68 AN AUTOGRAPHED TILE SIGNED BY JON VOIGHT $180 - 220

institution, Thomas’ Music, sadly closed its doors for the final time earlier this year. For generations, it was a much-loved destination for classical music performers, fans and enthusiasts alike. A memorable feature of the shop was the back wall of signed ceiling tiles, bearing signatures and dedications from hundreds of international and local artists, all of whom made sure to stop in at Thomas’ while on tour.

The Collection features celebrated figures, such as sopranos Dame Kiri Te Kanawa, Dame Joan Sutherland, Elisabeth Schwartzkopf, Victoria de Los Angeles, conductors Arthur Fiedler and Neville Marriner, alongside more contemporary artists including Elvis Costello, Nana Mouskouri, Adam Ant, and John Clarke. Those with fond memories of Thomas’ will also recognise the gramophone by His Master’s Voice, which held a prime position in the Bourke Street store.

Nora Merralls

11 (part) TWO AUTOGRAPHED TILES, COMPRISING CONDUCTOR ARTHUR FIEDLER AND VIOLINIST ANDRE RIEU $200 - 300

Collectables Manager

Melbourne Auction Thursday 13 December, 2pm 333 Malvern Road, South Yarra VIC 3141

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Melbourne Viewing 333 Malvern Rd, South Yarra VIC Wednesday 12 December, 9am-8pm

Melbourne Enquiries Nora Merralls Collectables Manager 03 8825 5625 nora.merralls@leonardjoel.com.au

leonardjoel.com.au

SYDNEY 212 RAY LEIGHTON Surf Sirens Silver gelatin photograph 20.3 x 48cm $400-600

THE SYDNEY MORNING HERALD VINTAGE PHOTOGRAPHIC ARCHIVE COLLECTION Leonard Joel is pleased to present The Sydney Morning Herald

of Dupain and Moore, we are inspired to see formal elegance in

Vintage Photographic Archive Collection, an online auction from

Sydney’s architecture. Through the lens of artists such as Sievers, we

28 November – 4 December.

see the aestheticisation of the heavy industrialisation and through the candour and deceptive simplicity of Carter’s photography, we

The auction offers a rare opportunity to acquire works by some of

glimpse insights into rural and outback Australia.

Australia’s most celebrated photographers such as Harold Cazneaux, Max Dupain, David Moore, Wolfgang Sievers, Jeff Carter, Olive

The Sydney Morning Herald Vintage Archives collection comprised

Cotton and Carol Jerrems.

over two million photographs, purchased by Daniel Miller, the owner of Duncan Miller Gallery in Los Angeles. The archive’s diversity of the

The auction celebrates the social, economic, architectural and

famous as well the forgotten, lesser and unknown makers yields the

industrial development of twentieth-century Australia through the

humble, surprising and the marvellous.

thoughtful selection of approximately 350 lots. We witness the early development of Sydney’s urban environment, notably the Harbour

Hamish Clark

Bridge and George and Castlereagh Streets. Through the works

Head of Sydney Office

Online Sydney Auction Wednesday 5 December, 10am Please note that this is an online auction.

Bidding will open on 28 November and close on 5 December, from 10am.

Sydney Viewing The Bond, 36-40 Queen Street, Woollahra NSW 2025 28 November - 4 December, 10am-4pm

Enquiries Hamish Clark Head of Sydney Office 02 9362 9045 hamish.clark@leonardjoel.com.au

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THE THURSDAY AUCTION

We asked the Thursday Auction managers to reveal their favourite piece of 2018...

MOIRA ROGERS

BETHANY MC GOUGAN

Objects, Books & Collectables Manager

Bethany McGougan, Manager

03 8825 5604 | moira.rogers@leonardjoel.com.au

03 8825 5645 | bethany.mcgougan@leonardjoel.com.au

These medals were undoubtedly my favourite item this year. They

For me, jewellery is incredibly sentimental and so when this locket

landed at Leonard Joel tucked away in a box containing many

passed over my desk I was immediately drawn to it. The forget-me-

other items and I was immediately drawn to them. The vendor

not has been used as a symbol in jewellery since the 19th century

had no information about them other than they had been in the

and saw a surge in popularity during the romantic movement of

family for many years. My initial attraction was to their beautiful

the Edwardian period. Soldiers heading to World War I would gift

engraving, so elegantly and artfully done. I then began to journey

beautiful enamelled pieces as memento’s to loved ones, a tradition

into the origins and history of the medals and discovered that they

that carried well into the Second World War. Not only is it a beautiful

were from early colonial Australia. It is a lovely experience to have

piece of craftsmanship, but it is also wonderfully sentimental – and

a part of Australia’s history pass through your hands. It led me

I wasn’t at all surprised when it fetched a hammer price that was

into the archives of Melbourne’s first educational institutions and

double the estimate.

to reflect on the early beginnings of the city and how it became the metropolitan that I love today. Two very small, seemingly insignificant pieces of silver that will now circulate and inspire further research and interest from a very happy buyer.

TWO MEDALS AWARDED BY ONE OF MELBOURNES FIRST SCHOOLS PORT PHILLIP ACADEMICAL INSTITUTION (ESTABLISHED 1814) TO W.BLACK FOR GOOD CONDUCT AND A FIRST IN ENGLISH 1844 AND 1845.

Sold for $6,200

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AN ANTIQUE ENAMEL ‘FORGET ME NOT’ LOCKET, IN GILT Sold for $868

LUCY FOSTER

Furniture & Interiors, Manager

Art Salon, Manager

03 8825 5640 | furniture@leonardjoel.com.au

03 8825 5630 | lucy.foster@leonardjoel.com.au

We have sold an eclectic range of

2018 was a wonderful year for the Art Salon, we saw some fantastic

treasures in the Interiors & Furniture

artworks come to market. However, if I had to choose, my favourite

Department this year but the piece,

piece would be the Portrait of Creole Boy. The unusual subject

which resonates with me most, is

matter and vibrant pink background immediately caught my eye,

an antique stain glass window that

and I was thrilled to offer it for auction. Not much is known about

sold in August. The provenance was

the artist, except that it was most likely a work of a student in the

unknown to us beside an inscription

National Gallery School. Although we were not able to attribute it

dating back to 1917 ‘in loving

to a particular artist, it is a fine example of the Australian School,

memory of sisters Stella and Irene’. I

and achieved an exceptional result at auction. It is thrilling when a

appreciated the intricate details and

work like this catches your eye and I loved spending the the time

it’s craftsmanship, however, like many

researching it. A definite highlight for 2018.

mysterious items that have passed through our doors this year, we were unsure how it would resonate with clients. It happened to be sunny on viewing day and I still recall how the sunlight was beaming through the 2.4-metre tall window and how the

THE THURSDAY AUCTION

TOBY LENNOX-HILTON

piece’s various coloured panels were glowing sublimely. Fortunately, I was not the only one who appreciated the splendour of this piece as it sold for $2,800 after a bidding frenzy with bidders in-room, online and on the AUSTRALIAN SCHOOL Portrait of Creole Boy oil on canvas, 44 x 33.5cm Sold for $8,060

telephone.

A LARGE ANTIQUE STAIN GLASS CHURCH WINDOW IN WOODEN FRAME Sold for $3,472

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5 Minutes With...

JOHN ALBRECHT MANAGING DIRECTOR, LEONARD JOEL In a new feature, we spend 5 minutes with a Leonard Joel staff member, taking our readers behind the scenes of the workings of an auction house. Where better to start than with the man at the helm - Leonard Joel Managing Director, John Albrecht.

1. FAVOURITE ARTIST AND SCULPTOR

2. FAVOURITE OBJECT OR JEWEL

3. WHERE DO YOU GO TO FEEL INSPIRED?

I have two all-time favourites and I became transfixed

I would have to say that Faberge’s Winter Egg

I wish I could say I had an impressive or grand

by them in this order. Firstly, Edward Hopper, the

of 1913, gifted by Tsar Nicholas II to his mother

environment that I escaped to for inspiration but in

great American artist who captured with a unique

to celebrate Easter, remains in my mind one of

reality, I find it in strange places and for different rea-

realism, American social and domestic life, during

the most beautiful jewelled objects ever cre-

sons. As mundane as it sounds, I find deadlines and

the inter-war period. His use of light and shadow is

ated. The egg itself resembles frost and ice crys-

time pressure inspires me because I do subscribe to

as haunting as it is moody and if one were to look

tals and was one of the few imperial Easter eggs

the view that one’s best work cannot be produced in

for similar Australian visions the artists, Badham,

designed by Faberge’s only female work master.

advance of its deadline. However, I have no proof of

Wakelin or Smart in his early period would all be

It was said to be inspired by the maker, Alma

that the theory is correct! And bizarrely (given that

interesting points of comparison. Clement Mead-

Pihl’s, time spent staring through frost and snow-

I’m a nervous plane traveller) I find long flights where

more, the great sculptor and designer, trained at

laden windows during Russian winters. Whenever

I am contained generate some of my best thinking

RMIT but who found demand and bigger audi-

I look at it, I’m reminded of what a Russian Disn-

and ideas when it comes to Leonard Joel. I have

ences in the USA for his often monumentally large

eyland may have looked like if such a place had

often wondered whether I’d be more productive if I

sculptures, is my other favourite. His minimalist,

ever been created in pre-revolutionary times.

turned my office into an aisle seat resembling 13C.

highly geometric and often large-scale sculptures of twisted steel draw me in every time I see one in the flesh. His book is a must-see for anyone sceptical about just how beautiful contemporary sculpture can look in garden and landscape settings. I look forward to visiting the first major survey of his work at The Ian Potter Museum of Art.

CLEMENT MEADMORE (1929-2005) Outspread 1991, bronze sculpture ed 4/8 Sold for $18,300

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A WINTER ENCHANTMENT EGG

BY IGOR CARL FABERGE Sold by Leonard Joel

4. WHAT’S YOUR FAVOURITE COFFEE / WINE?

5. YOUR IDEAL DAY IN MELBOURNE?

6. FAVOURITE BOOK?

My favourite coffee is a soy latte and I fluctuate

Begins with an hour long walk with my dog Buddy,

consistent or regular) reader of books. I find I often

between weak and normal strengths. I’m very fussy

then breakfast at one of the many Melbourne cafes

need a connection to become interested and then

when it comes to soy milk brands and I was devas-

offering exceptional egg offerings and in terms

consumed by a book. When I was assisting Ron Bar-

tated when Vitasoy removed their original green

of seasons I’m often heard saying that Spring and

assi with his sporting collection, I read his definitive

label from production. When I am “coffeed out” I

Autumn in Melbourne are, in my opinion, the periods

biography and I was hooked. After visiting Boston, I

happily shift to powdered chai lattes (yes, I prefer

that best reflect our beautiful city. But if there was a

read a brief history of that beautiful city and wanted

the powder version) or peppermint tea. In terms of

period in Melbourne that I could replicate more than

to return even more, and when I want a global poli-

wine (and my parents would think I’m self-indulgent

once a year, it would be that strange quiet and emp-

tics “fix” I simply love reading anything, Chomsky.

saying this) I have progressed from New Zealand and

tiness that descends over hot Melbourne between

Adelaide Sauvignon Blanc to Sancerre and Chab-

Christmas and New Year. During this interim, I

lis, both can be purchased at a reasonable price!

love walking, wandering and exploring the city.

I’m embarrassed to say that I’m not a good (or rather

VALUATIONS AT LEONARD JOEL Join us for complimentary auction valuations, on the first Wednesday of every month, 5-8pm in Melbourne.

No appointments necessary.

Alternatively, you can submit a valuation request online at leonardjoel.com.au

Caroline Tickner, Head of Valuations 03 8825 5638 | caroline.tickner@leonardjoel.com.au

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25

THE 22ND REPORT #20

A DEFINING MOMENT

On 1st January 2019, Leonard Joel’s voluntary policy on the cessation of trade

This is why I applaud Bonhams’ decision last week to cancel their forthcoming

in rhinoceros horn and elephant ivory comes in to full effect and will conclude

auction of antique Rhinoceros horn carvings in Hong Kong following

a 24-month journey of transformation for our decorative arts department and

increasing pressure from conservation groups. It was a courageous decision

our overall business.

and an important step forward towards a complete ban in the trade of these materials.

This journey began two years ago when Leonard Joel was identified as the largest auction trader of ivory in Australia. It was a defining moment as we

Their decision inspired Sotheby’s International to follow suit with the

were made aware that we were part of the value-chain that contributes to the

announcement a day later that they too would cease trade in Rhino horn.

slaughter of these animals. We immediately began work on and introduced a voluntary cessation policy under the guidance of the International Fund

The decision now of these two international auction houses to follow the

for Animal Welfare (IFAW); a policy that, now implemented, is free for others

path of Christie’s finally acknowledges at the highest levels of the global

to adopt.

auction market the undeniable part we auctioneers play in the value chain and ultimate poaching of these animals, if we are to continue to trade in

Before this realisation, we were aware of CITES (the Convention on the

these materials.

International Trade in Endangered Species) and like every other auctioneer in the country and indeed, globally, we often sought formal approval for both

I hope that we will, one day very soon, look back on these recent announcements

the sale and potential exportation of ivory and horn. We assumed, wrongly,

as defining moments in history; establishing a clear precedent that such

that CITES protected the elephant and rhinoceros species and that our

materials should not and must not be traded.

industry, with this compliance, adequately protected these animals from the illegal trade in their tusks and horns. In reality, and as I have learnt over the

The next, equally important step, and one which forms part of our policy, is

last two years, current conventions, legislation and industry regulation have

the international cessation of trade in elephant ivory.

almost completely failed in stemming the flood of recently poached ivory and horn from entering the global art and antiques marketplace.

John Albrecht Managing Director

When we introduced the policy, industry reaction was regrettably predictable; we were labelled “blatant opportunists” by one auctioneer and while others were somewhat supportive of our sentiment, to date none have come on board in any meaningful way or embraced our policy.

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leonardjoel.com.au

What’s Your Leonard Joel Story?

Leonard Joel turns 100 next year, and to celebrate, we are inviting you to share your Leonard Joel story with us. Do you have a collection acquired over many years, a rare, unusual or beautiful item you discovered or a treasure sold at auction?

The top 10 stories will feature in our magazine LEONARD in 2019.

Winners will also receive a one year free subscription to LEONARD and a $100 voucher to spend at any Leonard Joel Auction.

To enter, send your Leonard Joel story to nicole.kenning@leonardjoel.com.au by 31 January 2019.

Maharajah of Mysore Collection 21 February 1974 Maharajah’s Town Carriage

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27

MEDITATION ON A BONE: ALBERT TUCKER BEYOND THE MODERN AT HEIDE 1 September – 24 February Heide Museum of Modern Art

Dorothy Berry, Not titled, 2002, foam, material, texta and cotton, 40 x 36 x 1 cm

www.artsproject.org.au

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leonardjoel.com.au

Summer Recipe Located just a few steps from Leonard Joel, Hobba is a brekkie favourite of ours and another local institution. Originally a mechanic’s warehouse, the space has retained much of its former character with concrete floors, industrial furniture, exposed brick walls and lofty ceilings. The family-run café uses only the best quality produce to create delicious, no-nonsense dishes with a creative flair.

We’re delighted to share this recipe, Braised Octopus and Pickled Beetroot Carpaccio, from their Specials Board with you.

Made using delicate slices of locally sourced braised octopus, pickled beets and blood orange this refreshing combination is made complete with a dotting of spicy salsa verde, and garnishing of finger lime pearls, blanched Samphire and dill tips.

INGREDIENTS

METHOD

For the octopus 1kg octopus, head removed 1 litre extra virgin olive oil 3 bay leaves Zest of blood orange 1-2 sprigs of rosemary 8 pepper corns 2 chillies split 3 garlic cloves crushed 2 finger limes, pearls removed to garnish Samphire (blanched for 39 seconds and refreshed in ice water) and dill tips to garnish 1 blood orange peeled and sliced into thin rounds

the pot of boiling water. Making sure the whole octopus is submerged, usE a plate to weigh it

For the pickled beets 1 bunch baby beets 1 bunch baby target beets 1 bunch baby golden beets 2tsp salt 3tbs sugar ½ two mustard seed 1 red peppercorns 1 star anise 2 cloves 4 allspice berries 1 cup white vinegar 2 cups water

beetroot in a separate container to prevent colour smearing.

For the salsa verde 1 bunch Italian parsley 1 bunch basil ½ bunch mint 2 tbs capers 2 tbs lemon juice ¼ cup extra virgin olive oil 1 jalapeno or green chilli Salt and pepper 3 anchovies

Preheat oven to 130°C. Bring a large pot of salted water to the boil. Rinse octopus and add to down if necessary. Boil for 10 mins then carefully put octopus into an ice bath to chill.

Using a sharp knife separate the tentacles of the octopus into singular tentacles and pat dry with a tea towel.

Add olive oil, bay leaves, chilli, garlic, orange zest, thyme and peppercorns into a deep roasting dish and add octopus tentacles. Cover tightly with tinfoil and place into preheated oven for 2 hours or until tender. You can check by inserting a skewer into the thickest part of the tentacles and if it slides in and out with no resistance then it is done.

Remove from oil and chill in refrigerator till it is firm and slice paper-thin. Reserve until plating.

For the pickled beetroot Using a mandolin or sharp knife slice the beetroot into ½ cm thick rounds and store each layer of Place all remaining ingredients in a saucepan and bring to boil. Reduce heat and simmer for 3 to 4 minutes. Allow to cool and strain. Pour brine over beetroot and leave for minimum two hours or overnight is best. They will store in the fridge for up to 7 days and are great addition to any salad.

Salsa verde Pick the leaves of the herbs discarding the stems, as adding those will result in a bitter salsa.

Soak herbs in cold water to clean and drain thoroughly.

Add all ingredients into a blender and blend to a smooth consistency adding more oil if necessary and lemon juice and salt and pepper to taste. Place in an airtight container and it will last in the fridge for up to 5 days.

To plate Place octopus, beetroot and blood orange on a plate in desired shape slightly overlapping each other. Carefully dot salsa verde on top as well as finger lime pearls and garnish with blanched Samphire and dill tips. Pick a sunny spot and enjoy with a glass of Chardonnay.

428 Malvern road, Prahran, VIC 3181 hobba.com.au | @hobbaprahran

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BUYING AT AUCTION. IT’S SIMPLE, REALLY! Browse With regular auctions in Contemporary Art,

Connect with us

Stay up to date with news, insights and auctions via our e-newsletter and social media platforms.

Furniture, Jewels & Watches, Luxury, Modern Design and Sporting Memorabilia, there’s something to suit every taste and to tempt every collector.

Browse our online catalogues before each auction, or view in person at one of our salerooms.

Register Create an account with Leonard Joel and register your details, just as you would when you shop online. Once you have registered, you’ll have your own Leonard Joel account which you can use every time you bid.

Bid Bid in person, from home or even while you’re on holiday on the other side of the world. It’s easy to do so either at one of our salerooms, online or on the telephone, and our team is always on hand to guide you.

1. ONLINE All of our auctions are available for online bidding via our online bidding platform partner, Invaluable, which you can access via our website.

2. ABSENTEE OR TELEPHONE BIDS

SUBSCRIBE leonardjoel.com.au

If you can’t make it to the auction, you can leave an absentee bid (the maximum amount you would like to bid up to) through the Leonard Joel website, or bid on the

PINTEREST

phone with one of our team members.

pinterest.com/leonardjoel

INSTAGRAM instagram.com/leonardjoelauctions

FACEBOOK facebook.com/leonardjoel

3. BID IN PERSON All of our auctions are open to the public and you are more than welcome to attend if you are in Melbourne or Sydney. If successful bidder, you’ll be sent an invoice via email after the auction, and then you can arrange

YOUTUBE youtube.com/LeonardJoel1919

collection or delivery of your purchase/s.

Contact a member of our team or stop by our Melbourne or Sydney salerooms if you have any questions.

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ISSUE 24 OUT NOW

AUS $17.50 NZ $25.00

SUBSCRIBE NOW AND RECEIVE YOUR COPY OF VAULT MAGAZINE FIRST

ISSU E 2 4 · NOV E M BER to J A N UA RY 2019

Genesis Belanger, Bill Culbert, Juan Davila, Shoufay Derz, David Goldblatt, Pierre Mukeba, Alondra de la Parra, Easton Pearson, Michael Rakowitz, Sally Ross, Eva Rothschild, Nicola Smith, teamLab, The 9th Asia Pacific Triennial of Contemporary Art & more

GENESIS BELANGER, BILL CULBERT, JUAN DAVILA, SHOUFAY DERZ, DAVID GOLDBLATT, PIERRE MUKEBA, ALONDRA DE LA PARRA, EASTON PEARSON, MICHAEL RAKOWITZ, SALLY ROSS, EVA ROTHSCHILD, NICOLA SMITH, TEAMLAB & MORE

GENESIS BELANGER Flutter, 2018 porcelain and stoneware 28 x 30 x 5 cm

SUBSCRIBE NOW VAULTART.COM.AU

Courtesy the artist and Nathalie Karg Gallery, New York

Bowerbank_October_195 x 265 FA.indd 1

16/11/18 11:49 am

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SUBSCRIBE ONLINE FOR THE NEXT ISSUE.

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