Fine Art

FINE ART

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AUCTION CATALOGUE VOLUME 13 ISSUE 6

Front Cover 118 DORRIT BLACK (1891-1951) Landscape (Possibly Near Mirmande) c.1934-1940 (detail) oil on board 26 x 40cm $30,000-35,000

Inside Cover 34 DALE HICKEY (born 1937) Yellow Stool (detail) oil on canvas 182 x 182cm $18,000-24,000 © Dale Hickey / Copyright Agency, 2020

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FINE ART CONTACT

Olivia Fuller

Lucy Foster

Head of Art 03 8825 5624 olivia.fuller@leonardjoel.com.au

Art Specialist 03 8825 5609 lucy.foster@leonardjoel.com.au

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The Landscape in Focus I think we could all agree 2020 has brought the unexpected. As many of us are

The Australian landscape has historically promised fortune, success, and stability.

now spending much of our time indoors, it is only fitting, then, that our June

A name often recorded in Australia’s colonial history is Henty, and lot 22 presents

auction presents a selection of key works that highlight the outdoors – the

two rare stereographic plates of Edward Henty (1810-1878) and Anna Henty

beauty, richness, and timelessness of the landscape.

(1818-1901). Edward Henty, “The Pioneer”, was known as the founder of Victorian settlement. Edward and Anna Henty owned upwards of 20,000 acres, with a

Our front cover is graced by one of Australia’s most talented Modernists. Dorrit

large area of land under crop. The Henty family legacy is strongly interwoven

Black has seen a resurgence in the last decade with record prices being made

in the history of Tasmania and Victoria specifically. These rare items are in good

and then beaten regularly. A modern master, Dorrit learnt under the direction of

company with lot 23, a significant collection of writings and drawings belonging

Claude Flight at the Grosvenor School in London and at Andre Lhote’s academy

to James Walker (1785-1856). James came to New South Wales from Scotland,

in Paris. Lot 18, Landscape (Possibly Near Mirmande) c.1934-1940, by Dorrit

joining his brother William and establishing Walker and Co. James Walker

Black has never before been seen in the public eye. A true gem of the auction

established himself at Wallerawang in 1824, developing a large sheep and cattle

and a remarkable discovery, the work reinforces Dorrit’s position as a leading

station on the land that became a significant outpost for many travellers.

light of Cubism and Modernism in Australian art history.

We hope this catalogue finds you and your family safe and well, and look forward Albert Namatjira and Ginger Riley present two very different approaches

to sharing our latest catalogue with you in a variety of ways during our viewing

to depicting the landscape, both revered Indigenous Australian artists with

and auction period.

exceptional talent in their fields. Namatjira’s Group of Ghost Gums (lot 13), originally exhibited at Claude Potchin Galleries in Perth, spotlights the native

Olivia Fuller, Head of Art

Eucalyptus, towering above the landscape further accentuated by the work’s portrait orientation. Namatjira’s delicate and refined skill in watercolour highlights both the beauty and severity of the Australian landscape. Riley’s Untitled 1994 (lot 48) is grand in both scale and story. The Ngak Ngak, or whitebreasted sea eagle, is seen fulfilling its role as guardian of the country amongst the rain clouds, a symbol for his mother.

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3 WILL ASHTON (1881-1963) Bridge and Dock Scene oil on canvasboard signed lower right: WILL ASHTON 23 x 31cm PROVENANCE: Private collection, Melbourne $1,800-2,800 4 ROLAND WAKELIN (1887-1971) Rose Bay, Sydney 1962 oil on masonite signed and dated lower right: R. Wakelin 62 24 x 33cm PROVENANCE: Private collection, Melbourne $3,500-4,000 5 ROLAND WAKELIN (1887-1971) Darling Point oil on board signed lower left: R.Wakelin 29.5 x 40.5cm

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PROVENANCE: HOTA Gallery, Gold Coast $2,000-3,000 6 KENNETH MACQUEEN (1897-1960) Edge of the Reef 1935 watercolour on paper signed and dated lower right: KENNETH MACQUEEN/ 1935 titled on label verso 31 x 40cm PROVENANCE: S. A. Parker, Sydney (label verso) Private collection, New South Wales $4,000-6,000

3 1 HERBERT ROSE (1890-1937) Street Scene oil on canvasboard signed lower right: HERBERT ROSE 25 x 32cm PROVENANCE: Private collection, Melbourne $2,000-4,000

2 HANS HEYSEN (1877-1968) The Bridge - Paris 1901 oil on board signed and dated lower left: HANS HEYSEN 1901 titled verso 25 x 32cm PROVENANCE: Private collection, Melbourne OTHER NOTES: Heysen studied in Paris from November 1899 to May 1902 and found lodgings on the Boulevard du Montparnasse, the centre of the Parisian art world. $7,000-9,000

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7 HENRY HANKE (1901-1989) The Landscape Painter oil on canvasboard signed lower right: HANKE titled verso 29 x 36.5cm PROVENANCE: Private collection, Melbourne $1,000-1,500

8 CHARLES WHEELER (1881-1977) North Wind oil on board signed lower left: C. Wheeler titled verso 30 x 39cm PROVENANCE: Private collection, Victoria $1,000-1,500 9 ERNEST BUCKMASTER (1897-1968) Landscape c.1940 oil on canvas signed lower left: E Buckmaster 46 x 76.5cm PROVENANCE: Private collection, Melbourne $3,000-5,000 10 § WILLIAM DARGIE (1912-2003) Equestrian Scene oil on canvas signed lower right: Dargie 59 x 68cm PROVENANCE: E. J. Ainger Pty. Ltd., Melbourne, 22 May 2016, lot 466 Private collection, Melbourne $3,000-4,000 11 JAMES R. JACKSON (1882-1975) House on the River oil on canvasboard signed lower right: JAMES R JACKSON 39 x 38cm PROVENANCE: Avant Galleries, Melbourne (label verso) Private collection, Melbourne $1,800-2,800 13 ALBERT NAMATJIRA (1902-1959) Group of Ghost Gums watercolour on paper signed lower right: ALBERT NAMATJIRA titled on gallery label verso 38 x 27.5cm PROVENANCE: Claude Hotchin Galleries, Perth (label verso) Private collection, Victoria Thence by descent $20,000-30,000

13 © Namatjira Legacy Trust/Copyright Agency, 2020

14 HANS HEYSEN (1877-1968) Study - Gums charcoal and pastel on paper title and catalogue number on David Heysen certification label verso 39 x 30.5cm PROVENANCE: Private collection Melbourne $3,000-5,000

15 HAL HATTAM (1913-1994) Portrait of Fred Williams 1959 oil on board signed lower right: HAL 59 52.5 x 74cm PROVENANCE: Private collection, Melbourne $2,000-3,000

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16 ROLAND WAKELIN (1887-1971) Garden Scene 1962 oil on masonite signed and dated lower right: R Wakelin ‘62 46.5 x 59cm

18 DORRIT BLACK (1891-1951) Landscape (Possibly Near Mirmande) c.1934-1940 oil on board signed lower right: Dorrit Black 26 x 40cm

PROVENANCE: Private collection, Melbourne $3,000-4,000

PROVENANCE: Gifted to the artist’s niece Thence by descent Private collection, Melbourne

17 JOHN SANRTY (1910-1990) On the Beach – Bondi c.1948 oil on canvasboard signed lower right: SANTRY 69 x 96cm PROVENANCE: Private collection, Melbourne EXHIBITIONS: John Santry: A Retrospective, Melbourne Art Exchange exhibition catalogue, Melbourne, c.1985 cat. no. 31, p. 30 (illus. in exhibition catalogue) $2,000-4,000

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LITERATURE: Lock-Weir, T., Dorrit Black: Unseen Forces, Art Gallery of South Australia, Adelaide, 2014, p. 180 RELATED WORKS: Houses, Mirmande 1934, oil on canvas 35.2 x 53.3cm, Private collection Study for painting ‘Houses at Mirmande’ 1934, pencil on paper, 18.4 x 26.7cm (sheet), Private collection

Dorrit Black and her mother ventured to London and Europe between 1934-1935, first heading to France in March. They arrived in Mirmande and stayed for more than a fortnight. The bitter cold prevented her from painting so instead she made a series of preliminary sketches which she later finished in England. Black completed at least two major oils of Mirmande based on these sketches. Dorrit’s time overseas during these years reinvigorated her commitment to modern art.

This painting is quite likely painted after her second visit to Mirmande in 1934. The brushwork is quite impasto, in line with Dorrit’s later works. The painting has a fragmented and Cubist feel, while the treatment of the trees refer back to the influence of Andre Lhote. $30,000-35,000

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19 ARTHUR MURCH (1902-1989) Dance Fantasy c.1963 oil on board signed lower right: MURCH titled on exhibition label verso 42 x 91cm PROVENANCE: HOTA Gallery, Gold Coast

20 NORMAN LINDSAY (1879-1969) Nude Reclining oil on canvas signed lower centre: NORMAN LINDSAY 29 x 34.5cm

21 ERNEST BUCKMASTER (1897-1968) Daffodils oil on canvas signed lower right: E. Buckmaster 80 x 60cm

PROVENANCE: Private collection, Melbourne $16,000-20,000

PROVENANCE: Private collection, Melbourne $3,000-5,000

EXHIBITIONS: Arthur Murch Project 19, Art Gallery of New South Wales, Sydney, 30 July - 28 August 1977, cat. no. 34 (label verso) $3,500-4,500

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22 PHOTOGRAPHER UNKNOWN (19th Century) Edward Henty (1810-1878) and Anna Henty (18181901) two stereoscopic plates in original leather bound cases each inscribed in interior of case: MASCHER’S IMPROVED STEREOSCOPE/ PHILADA/ PATENT/ MARCH 8TH 1852 12 x 15cm (each, case size) PROVENANCE: Marion Dorothea Armstrong Edrina Caroline Tanning Dunstan Estate of the above Private collection, Melbourne RELATED PHOTOGRAPH: Photographer Unknown, Portrait of Edward Henty, 10.8cm x 15.1cm, published c. 1860, in the collection of the State Library of South Australia (B 3071)

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Edward Henty, “The Pioneer”, was known as the founder of Victorian settlement. Edward headed to Australia with his brothers and father, Thomas Henty, and eventually settled in Van Diemen’s Land.

The aim that they had before them was to breed sheep and produce wool on a large scale, and so the decision was made to seek wider land on the southern edge of the continent. Edward made his way to Portland Bay, Victoria.

Sheep were fetched across from Tasmania, pastures occupied, houses erected, land cultivated. At the time of his death Edward and Anna Henty owned upwards of 20,000 acres, with a large area of land under crop. The Henty family legacy is strongly interwoven in the history of Tasmania and Victoria specifically. $10,000-15,000

23 JAMES WALKER (Scottish/Australian, 1785-1856) i) A red sketchbook containing illustrations including Wallerawang, the Jones and Walker Wharf, Warrumbungle Mountains, the Walker crest, and plans for the construction of a cottage at Wallerawang ii) A brown sketchbook containing illustrations including the property Loowee, Indigenous Australians, and Walker’s own recreation of “Portrait of Lord Edward Fitzgerald After Hugh Douglas Hamilton” iii) A brown notebook containing diary entries including voyage logs, recipes, notes on the import of wool and wool washing, and Walker’s own personal ‘inventions’ iv) A notebook titled “Collectanea” inscribed with James Walker on the cover containing miscellaneous writings including his notes on Laurence Sterne’s “The Koran” and Robert Watson’s “History of Philip II of Spain” PROVENANCE: Mr. James Walker The Yuille Family Thence by descent Private collection, UK Private collection, Melbourne In 1823, James Walker formally arrived in Sydney from Scotland, joining his younger brother, William Walker who had been residing there for the past 10 years. Together the two brothers developed Walker and Co. engaging in coastal shipping and whaling from their wharf and warehouse at Dawes Point.

Walker established himself at Wallerawang in 1824, taking its name from an Indigenous word meaning “place of plenty of wood and water”. In correspondence to the Colonial Secretary, Alexander McLeay, dated 1837, Walker outlines his status: “I beg you will be pleased to submit to his Excellency the Governor’s consideration the following grounds upon which I venture to solicit an extension of my present grant of land of 2000 acres which I received when I first came into this country in 1823, as a free settler. I brought out with me 18 merino sheep (having lost nine on the voyage), a free man as overseer, who is still in my employment, agricultural implements and workmen’s tools to the amount of £200 and I have purchased sheep in this colony to the amount of £1500, and although I suffered the severe loss of upwards of 400 head last winter”.

Wallerawang was a sheep and cattle station which also served as a major stop-over location for travellers between Sydney, Mudgee and Bathurst.

James Walker continued to build both property and livestock numbers over the following two decades including Loowee (Lue) about 70 miles from Wallerawang, Biambil on the Castlereagh River, Yooloondoory, Coonamble, Barradean, and Mobilla near the Warrumbungle Ranges. $15,000-25,000

24 FREDERICK MCCUBBIN (1855-1917) Ti-Tree Study (The Glade) c. 1904 oil on canvas signed and dated lower right: F. McCubbin / 1903 36 x 46cm

26 BRYAN WESTWOOD (1930-2000) The Last Man Who Knew Everything c.1990 oil on canvas initialled lower right titled on unknown label verso 73 x 73.5cm

PROVENANCE: Private collection, Melbourne c. 1980’s Thence by descent Leonard Joel, Melbourne, 5 September 2017, lot 57 Private collection, Melbourne

PROVENANCE: HOTA Gallery, Gold Coast $1,500-2,500

LITERATURE: MacDonald, J. S., The Art of F. McCubbin, Boolarong Publications, Brisbane, 1986, p. 47 (illus. pl. xiii) (date listed here as 1904) $30,000-35,000

27 ANTHONY VANDERZWEEP (born 1960) Raven With Bell 2013 bronze on slate ed. 6/6 artist’s seal on base date and edition inscribed on base 30 x 43 x 30cm

25 ARTHUR STREETON (1867-1943) Amiens 1918 watercolour on paper signed lower right: A STREETON titled and dated lower left 39 x 49cm

PROVENANCE: The Artist Private collection, Melbourne $5,000-7,000

PROVENANCE: Sotheby’s Australia, Melbourne, 28 November 2005, lot 114 Private collection, Brisbane LITERATURE: The Arthur Streeton Catalogue, Arthur Streeton, Melbourne, 1935, cat. 586 $5,000-7,000

28 SUSAN NORRIE (born 1953) Be Seeing You (Together) 2006 oil and screen print on canvas signed, titled and dated verso: Susan Norrie/ Be Seeing/ You/ 2006/ TOGETHER 141.5 x 132cm PROVENANCE: Private collection, Melbourne $10,000-15,000

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29 JEFF KOONS FOR GUGGENHEIM BILBAO (American, born 1955) Hecho a Mano Flower Puppy 1992 mixed media artist‘s name, title and date printed on base 20 x 18 x 14cm PROVENANCE: Private collection, Perth $2,000-3,000 30 DALE HICKEY (born 1937) Yellow 1992 oil and enamel on canvas signed and dated lower right: Dale Hickey 92 titled on canvas edge 182 x 182cm PROVENANCE: Private collection, Melbourne $20,000-26,000 31 DALE HICKEY (born 1937) Vision 1991 pastel on paper signed lower right: Dale Hickey titled and inscribed lower left: 70 VISION titled and dated on label verso 49.5 x 57.5cm PROVENANCE: Powell Street Gallery, Melbourne (label verso) Private collection, Melbourne $1,800-2,800 32 PETER TYNDALL (born 1951) Untitled oil on canvas 44 x 29cm PROVENANCE: Gift of the artist Private collection, Melbourne $2,000-4,000 32A JOHN COBURN (1925-2006) Study for Dark Land watercolour and gouache signed lower right in image: Coburn titled lower centre below image 34 x 34cm PROVENANCE: Private collection, Melbourne $2,500-3,500

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33 SUSAN NORRIE (born 1953) Untitled (Peripherique Series) 1989 oil on canvas signed, titled and dated verso: Susan Norrie/ UNTITLED/ PERIPHERIQUE SERIES/ 1989 140 x 90cm PROVENANCE: Private collection, Melbourne $9,000-12,000 34 DALE HICKEY (born 1937) Yellow Stool oil on canvas signed lower right: Dale Hickey titled on stretcher bar verso 182 x 182cm PROVENANCE: Private collection, Melbourne $18,000-24,000

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35 CHRISTOPHER BEAUMONT (born 1961) Still Life With Brown Paper Parcel 2001 oil on canvas signed, dated and titled verso: C. BEAUMONT/ 2001/ “Still life with brown paper parcel” 101 x 91.5cm PROVENANCE: HOTA Gallery, Gold Coast $1,200-1,800 36 LOUISE HEARMAN (born 1963) Untitled #851 2001 oil on board signed, dated and inscribed verso: #851/ Hearman 01 68 x 52cm PROVENANCE: Private collection, Melbourne $4,500-6,500

30 © Dale Hickey / Copyright Agency, 2020

37 LOUISE HEARMAN (born 1963) Untitled #813 2000 oil on board signed, dated and inscribed verso: #813/ Hearman 00 68 x 53cm

38 TIM MAGUIRE (born 1958) 97U6 1997 oil on poly canvas titled, signed and dated verso: Untitled 97U6 / Maguire ‘97 80 x 80cm

PROVENANCE: Private collection, Melbourne $4,500-6,500

PROVENANCE: Andreas Binder Gallery, Munich Private collection, Miami Bruce Kodner Galleries, Lake Worth, Florida, USA Private collection, Melbourne $7,000-9,000

39 § ROBERT HANNAFORD (born 1944) Bromeliad oil on board signed lower right: HANNAFORD 118 x178cm PROVENANCE: Artarmon Galleries, Sydney (label verso) Elder Fine Art, Adelaide, 28 May 2017, lot 38 Private collection, Melbourne EXHIBITIONS: Robert Hannaford, Artamon Galleries, Sydney, 16 September - 7 October 2000, cat no. 8 $18,000-22,000

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41 © Dorothy Napangardi/ Copyright Agency, 2020

40 EMILY KAME KNGWARREYE (c. 1910-1996) Wildflower Dreaming 1995 acrylic on linen inscribed verso with artist’s name, title and cat. no. 95DG 1606 90.5 x 119.5cm

42 GLORIA TAMERRE PETYARRE (born 1945) Anunangra Growth 1999 acrylic on canvas (four parts) inscribed verso with date and Dacou Gallery cat no. 03728 / 1999 183 x 240cm

PROVENANCE: Dacou Aboriginal Gallery, Melbourne (accompanied by a copy of the certificate of authenticity) Private collection, Sydney $9,000-12,000

PROVENANCE: Gallery Savah, Sydney 2001 Private collection, Sydney $12,000-16,000

41 DOROTHY NAPANGARDI (1956-2013) Salt on Mina Mina 2008 acrylic on Belgian linen inscribed verso with artist’s name and Mason Gallery cat. no. #DN0802 120 x 180.5cm PROVENANCE: Mason Gallery, Northern Territory (accompanied by a certificate of authenticity) Private collection, Brisbane $8,000-12,000

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43 WALANGKURA NAPANANGKA (c.1946-2014) Katunga 2007 acrylic on Belgian linen artist’s name and cat. no. inscribed verso: WNPA07 180.5 x 121cm PROVENANCE: Corroboree Exports, South Australia (accompanied by a certificate of authenticity and original photographs of the artist throughout the work’s creation) Private collection, Brisbane $7,000-9,000

44 NYURAPAIYA NAMPIJINPA (MRS BENNETT) (1935-2013) Punkilpirri acrylic on canvas inscribed verso with artist’s name and cat. no. NN/054 123 x 123cm PROVENANCE: Corroboree Exports, South Australia (accompanied by a certificate of authenticity and original photographs of the artist throughout the work’s creation) Private collection, Brisbane $4,000-6,000 45 WARLIMPIRRNGA TJAPALTJARRI (born c. 1945) Watulka acrylic on canvas inscribed verso with cat. no. 21205 168 x 184cm PROVENANCE: Kiwirrkura Aboriginal Community Corroboree Exports, South Australia (accompanied by a certificate of authenticity) Private collection, Brisbane $8,000-12,000

48 © The Estate of Ginger Riley & Alcaston Gallery, Melbourne

46 ALMA WEBOU (c.1920-2009) Pinkalarta 2004 acrylic on canvas inscribed verso with Short Street Gallery cat. no. AW 8640 107 x 71cm PROVENANCE: Short Street Gallery, Western Australia (accompanied by a certificate of authenticity) Private collection, Perth $3,000-5,000 47 BARBARA WEIR (born c.1945) Grass Seed Dreaming 2005 acrylic on canvas inscribed verso with date, artist’s name and Mbantua cat no. MB25723 and 1.2.05i 150 x 269cm PROVENANCE: Mbantua Gallery, Alice Springs, 2005 (accompanied by a copy of the certificate of authenticity) $14,000-18,000

48 GINGER RILEY MUNDUWALAWALA (1936-2002) Untitled 1994 synthetic polymer paint on cotton duck signed lower centre: GINGER RILEY inscribed verso with artist’s name, date and Alcaston Gallery cat. no. AK2431 1994 G.R.M. 143 x 201cm PROVENANCE: Beverly Knight of Alcaston Gallery, Melbourne 1996 (accompanied by a certificate of authenticity) Private collection, San Francisco, USA $22,000-30,000 49 JOY GARLBIN (born 1968) Two Mimi Figures acrylic on wood (2) i) cat. no. M3274-08 inscribed on base ii) cat. no. M892-10 inscribed on base i) 225cm (including base); ii) 130.5cm (including base) $1,000-1,500

50 ARTHUR BOYD (1920-1999) The Lovers pastel on paper signed lower right: Arthur Boyd 46 x 62.5cm PROVENANCE: Leonard Joel, Melbourne, 16 April 1991, lot 321 Private collection, Melbourne $9,000-12,000 51 CHARLES BLACKMAN (1928-2018) Caryatids and Titania’s Bower 1982 ink on paper signed, initialled and dated lower right: BLACKMAN C.B. 22.11.82 titled lower left: CARYATIDS + TITANIA’S BOWeR 36 x 53.5cm PROVENANCE: Private collection, Melbourne $1,800-2,800

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52 ROBERT DICKERSON (1924-2015) Mother and Child pastel on paper laid on board signed lower right: Dickerson 37 x 29cm PROVENANCE: Private collection, Melbourne Thence by descent $3,000-5,000 53 YOSL BERGNER (1920-2017) Yossi’s Violin bronze ed. 4/9 signed and editioned at base accompanied by a certificate of authenticity from the artist 39 x 13 x 10cm PROVENANCE: Private collection, Melbourne $9,000-12,000

54 CELIA PERCEVAL (born 1949) Abandoned Orchard in Flower oil on canvas signed lower right: Celia Perceval titled verso 76 x 101cm

56 RAY CROOKE (1922-2015) Sorrento Front Beach II 2006 oil on board signed lower left: R Crooke titled, signed and dated verso 24.5 x 29.5cm

PROVENANCE: Private collection, Melbourne $4,000-6,000

PROVENANCE: HOTA Gallery, Gold Coast $2,000-4,000

55 DAVID BOYD (1924-2011) The Punishment of Judas 1971 oil on canvas signed and dated lower right: David Boyd / 1971 86 x 76cm

57 CELIA PERCEVAL (born 1949) Flowering Banksias with Red Faced Galahs 2001 oil on canvas signed lower right: Celia Perceval titled and dated verso 95 x 126cm

PROVENANCE: Private collection, Melbourne EXHIBITIONS: David Boyd Retrospective, Von Bertouch Galleries, Newcastle, November 21- December 13 1975, cat. no. 6 LITERATURE: Benko, N., The Art of David Boyd, Lidums Art Gallery, Adelaide, 1973, p. 171 (illus.) $16,000-20,000

PROVENANCE: Private collection, Melbourne $6,000-8,000 58 CLIFTON PUGH (1924-1990) First of the Swamp Birds 1960 oil on masonite signed and dated lower right: Clifton / 60 titled on gallery label verso 54 x 70cm PROVENANCE: Lauraine Diggins Fine Art, Melbourne (label verso) Private collection, Melbourne EXHIBITIONS: The Antipodeans, Lauraine Diggins Gallery, Melbourne, 17 Oct - 4 Nov, 1988, cat. no. 32 Nolan Gallery, Lanyon, ACT, 12 Nov 1988 - 8 Jan 1989 S. H. Ervin Gallery, Sydney, 21 Jan - 26 Feb 1989 $4,000-6,000 59 JEAN MARY BELLETTE (1908-1991) Rift Valley 1974 oil on canvas signed and dated lower right: J Bellette / 74 artist’s name and title inscribed verso 90 x 121cm PROVENANCE: HOTA Gallery, Gold Coast $2,500-4,500

55 © David Boyd/Copyright Agency, 2020 14

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60 PRO HART (1928-2006) Figures in Landscape oil on board signed lower right: PRO HARt 25.5 x 43cm PROVENANCE: Private collection, Melbourne $2,500-4,500 61 KARL DULDIG (1902-1986) Female Figure bronze 34cm (including base) PROVENANCE: Gift of the artist Private collection, Melbourne $1,800-2,800 62 BILL COLEMAN (1922-1993) Standing Nude oil on board signed lower left: Bill Coleman 42 x 32cm PROVENANCE: Private collection, Melbourne $2,000-4,000

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63 JOHN PERCEVAL (1923-2000) Man in Brown Suit c.1940 oil on board signed lower left: Perceval titled verso 66 x 51cm PROVENANCE: HOTA Gallery, Gold Coast $3,000-5,000 64 JOHN PERCEVAL (1923-2000) Moustached Man Adjusting His Tie c.1940 oil on board signed lower right: Perceval titled verso 64.5 x 54.5cm PROVENANCE: HOTA Gallery, Gold Coast $3,500-5,500 65 JOHN PERCEVAL (1923-2000) Portrait of A Young Girl c.1940 oil on canvas laid on board signed lower right: Perceval 70.5 x 54cm

66 JOHN PERCEVAL (1923-2000) The Oldest Student At The National Gallery Art School 1948 oil on canvas laid on masonite signed and dated lower right: ‘48 / Perceval titled verso 32 x 25cm PROVENANCE: HOTA Gallery, Gold Coast LITERATURE: Allen, T., John Perceval, Melbourne University Publish, 1 Jan 1992, page 65 (illus.) $2,000-3,000 67 MURRAY GRIFFIN (1903-1992) Portrait of a Woman (Possibly Edith Ileen Macpherson) oil on masonite signed lower right: MURRAY/ GRIFFIN 55 x 45cm PROVENANCE: Gift of the Artist Estate of Edith Ileen Macpherson Private collection, Victoria $3,000-5,000

PROVENANCE: HOTA Gallery, Gold Coast $3,500-5,500

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68 DOROTHY BRAUND (1926-2013) Ancient Indian Women 1962 watercolour and gouache on paper signed and dated lower right: DOROTHY BRAUND ‘62 titled on unknown label verso 32 x 21cm PROVENANCE: Private collection, New South Wales $1,200-1,800 69 BILL COLEMAN (1922-1993) Resting Nude oil on card signed lower left: Bill Coleman titled on gallery label verso 38 x 28cm PROVENANCE: Artist’s studio 1985 David Bradshaw Gallery, Victoria (label verso) Private collection, Melbourne $2,000-4,000

70 NANCY WILMOT BORLASE (New Zealander/Australian 1914-2006) Pioneers c.1939 oil on board monogrammed lower right: NB 24.5 x 37cm PROVENANCE: Savill Galleries, Sydney (label verso) Deutscher~Menzies, Melbourne, 23 August 1999, lot 2 (label verso) HOTA Gallery, Gold Coast EXHIBITIONS: Contemporary Art Society, Melbourne, 1939, cat no. 29 (label verso) $1,000-2,000 71 ROLAND WAKELIN (1887-1971) Afternoon Cloud oil on board signed and titled verso: R. Wakelin / Afternoon Cloud 22 x 30.5cm PROVENANCE: Private collection, Victoria $1,800-2,800 72 ROLAND WAKELIN (1887-1971) The Old Pub at North Richmond 1948 oil on canvasboard signed and dated lower right: R. Wakelin 48 artist’s initials and title verso 23 x 32cm PROVENANCE: Private collection, Melbourne $2,000-3,000

73 LUDMILLA MEILERTS (1908-1998) Still Life oil on masonite signed lower left: Meilerts 58 x 48cm PROVENANCE: Private collection, Melbourne $2,200-3,200 74 INGE KING (1915-2016) Angel (Maquette) 1993 bronze, unique cast initials inscribed on side of base title, date, and medium inscribed on label at base 27 x 20 x 12cm (irregular) PROVENANCE: Gifted to the vendor by Mark Strizic, 2010 Private collection, Melbourne $12,000-18,000 75 ROY JACKSON (1944-2013) Gads View 2006 acrylic on board signed and dated verso: “GADS VIEW / Roy Jackson / 2006.”

90 x 63cm PROVENANCE: Martin Browne Fine Art, Sydney (label verso) EXHIBITIONS: A Feeling For Space: The Landscape Now, Martin Browne Fine Art, Sydney, 28 May 2006 $4,000-6,000 75A JOHN FIRTH-SMITH (born 1943) Fin Keel 1978 charcoal, pastel, and acrylic on paper signed, dated and titled lower right: Firth-Smith 78/ “Fin Keel” 77 x 116cm $3,000-5,000 76 ANTHONY PRYOR (1951-1991) Marker II 1981-82 Huon pine, stainless steel and granite 220 x 162 x 71cm PROVENANCE: Corporate collection, Melbourne RELATED WORK: Box Limits 1981-82, Huon pine, granite, anodised aluminium, brass, steel, 300 x 300 x 60cm, Collection of the National Gallery of Victoria $12,000-18,000

74 © Inge King/ Copyright Agency, 2020 16

77 DALE FRANK (born 1959) Inland Sea That Protected Its Shores From Lovers and Shipwrecks 1984 acrylic on canvas titled and dated on gallery label formally affixed verso 176 x 124.5cm

81 ANTHONY VANDERZWEEP (born 1960) Icarus 2020 bronze on blue stone ed. 1/6 artist stamp, date and edition on base artist’s seal on base edition and date inscribed on base 45 x 67 x 17cm

PROVENANCE: Private collection, Melbourne

PROVENANCE: Private collection, Melbourne $4,000-6,000

82 § JASPER KNIGHT (born 1978) Cuban Blue Cat 2010 acrylic and enamel on board signed, titled and dated verso: JASPER / KNIGHT / CUBAN / BLUE / CAT / 2010 120 x 120cm PROVENANCE: Private collection, Melbourne $3,000-4,000

EXHIBITIONS: Dale Frank, Mori Gallery, Sydney 1987 or 1988 (accompanied by gallery label formally affixed verso) Modern Australian Painting, Charles Nodrum Gallery, Melbourne, 23 March - 15 April 2006, cat no. 23 $6,000-8,000 78 RICHARD DUNLOP (born 1960) Hinterland: Making Gum With Woodworm Graffiti XIV 1999-2003 oil on canvas signed and dated lower right: ‘Dunlop ‘03’ title, artist’s name and date inscribed verso 168 x 168cm PROVENANCE: Jan Murphy Gallery, Brisbane Private collection, Queensland $7,000-9,000 79 ROSS WATSON (born 1962) Actresses, Off Set 1993 oil on board signed and dated lower right: Ross Watson 1993 162 x 119.5cm PROVENANCE: Acquired from the artist Private collection, Melbourne $3,000-5,000 80 ROSS WATSON (born 1962) Off Set 1988-92 oil on board signed and dated lower right: Ross Watson 88-92 titled on label verso 120.5 x 119.5cm PROVENANCE: Acquired from the artist Private collection, Melbourne $2,000-3,000

76 17

85 DAVID BROMLEY (born 1960) Charlotte cast bronze signed and inscribed: BROMLEY A/P 86 x 85 x 85cm PROVENANCE: Private collection, Melbourne $18,000-22,000 86 DEL KATHRYN BARTON (born 1972) That’s When I Was Another Tree #3 2007 lithograph ed. 1/30 signed, titled and editioned below image: 1/30 thats when i was another tree 3 del kathryn barton 106 x 76cm PROVENANCE: Karen Woodbury Gallery, Melbourne Private collection, Melbourne EXHIBITIONS: Del Kathryn Barton The Whole of Everything, Karen Woodbury Gallery, Melbourne, 5 March-5 April 2008 (another example) $6,000-8,000 87 GUAN WEI (born 1957) Floating No. 52 1999 acrylic on card titled, signed and dated lower right: No. 52. Guan Wei 99 19.5 x 25cm PROVENANCE: Sherman Galleries, Sydney 1999 Private collection, Melbourne $1,000-2,000

83 © Angela Brennan/ Copyright Agency, 2020

83 ANGELA BRENNAN (born 1960) Peking 2003 oil on canvas signed, titled and dated verso: Angela Brennan / 2003 / Peking 150 x 110cm PROVENANCE: Niagara Galleries, Melbourne 2004 Private collection, Melbourne $4,000-6,000

18

84 DAVID LAITY (born 1958) Allure 1997 oil on canvas on board signed lower right edge: Laity title, date and artist’s name inscribed verso 80 x 80cm $1,800-2,600

88 ZHONG CHEN (born 1969) Shanghai Autumn X 2005 mixed media on canvas 120 x 132cm PROVENANCE: Metro 5 Gallery, Melbourne, 2005 Private collection, Melbourne $6,500-8,500

89 ยง ADNATE (born 1984) Tibetan Fire spray paint and mixed media on board on MDF 122 x 63cm PROVENANCE: RTIST Gallery, Melbourne, 2012 EXHIBITIONS: Lost Culture, RTIST Gallery, Melbourne, 2012 $1,200-1,800 90 DAVID BROMLEY (born 1960) Butterflies acrylic and silver leaf on canvas signed lower centre: BROMLEY 152.5 x 182.5cm PROVENANCE: Scott Livesey Galleries, Melbourne (stamp verso) Private collection, Melbourne $5,000-7,000 91 DAVID BROMLEY (born 1960) (Children Series) oil and acrylic on canvas triptych signed lower right on right hand panel: BROMLEY 152.5 x 121.5cm (each); 152.5 x 364.5cm (overall) PROVENANCE: Private collection, Melbourne $10,000-15,000 92 ANGELA BRENNAN (born 1960) Mars oil on canvas 113 x 150cm PROVENANCE: Niagara Galleries, Melbourne 2001 Private collection, Melbourne $4,000-6,000 93 DENISE GREEN (born 1946) Layout for After Sol Configuration 2009 pencil on paper with collage signed and dated lower right: Denise Green 2009 titled lower left 45.5 x 61cm PROVENANCE: Liverpool Street Gallery, Sydney Private collection, Victoria $2,000-3,000

86 Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney

94 ยง COL JORDAN (born 1935) Arcana 6 2014 oil on canvas signed, titled and dated verso: Jordan / 2014 / ARCANA 6 91.5 x 92cm

95 CHARLES BLACKMAN (1928-2018) Girl with Fan 1994 ceramic and oil on board signed upper right: BLACKMAN title and dated on gallery label verso 74 x 50.5cm

PROVENANCE: Mossenson Galleries, Perth Private collection, Victoria $3,000-5,000

PROVENANCE: Wagner Art Gallery, Hong Kong (label verso) Private collection, Melbourne EXHIBITIONS: Blackman Exhibition, Wagner Art Gallery, Hong Kong 1995, cat no. 17 $10,000-15,000

19

96 RICHARD BRIAN CRICHTON (born 1935) Man Resting 1960 oil on masonite signed and dated lower right: Crichton 60 artist’s name and title inscribed verso 90 x 120.5cm PROVENANCE: Private collection, Melbourne $3,000-5,000 97 RICHARD BRIAN CRICHTON (born 1935) Untitled (Geometric) 1965/1966 mixed media on masonite signed and dated lower right: CRICHTON / 65/66 122 x 136.5cm PROVENANCE: Private collection, Melbourne $2,500-3,500 98 GEORGE DJAYKURRNGA (1930-1887) Untitled natural earth pigments on bark inscribed verso with Western Arnhem Land Paintings cat no. 35 GR11 and 1838/OE01/GR11 artist name printed on Western Arnhem Land Paintings (label verso) 106 x 61cm PROVENANCE: Playhouse Gallery, Canberra c.1979 Private collection, Melbourne $1,200-1,800 99 LIMPI PUNTUNKA TJAPANGATI (1930-1985) The Flower Gathering acrylic and natural earth pigments on canvas inscribed verso with Papunya Tula Artists Pty Ltd cat no. LT830460 122 x 76cm PROVENANCE: Papunya Tula Artists Pty. Ltd., NT (accompanied by a certificate of authenticity) Chapman Gallery, Canberra, 1984 Private collection, Melbourne $1,800-2,500

98

20

100 BARDAYAL (LOFTY) NADAMERREK (1926-2009) Wakkewakken (Sugarbag Spirit) natural earth pigments on paper inscribed verso with Marrawuddi Gallery cat. no. 1198 and gallery stamp 96 x 75.5cm PROVENANCE: Marrawuddi Gallery, NT (accompanied by a copy of certificate of authenticity) Private collection, Melbourne $3,000-5,000 101 JAMES IYUNA (born 1959) Rainbow Serpent 1975 natural earth pigments on bark artist’s name and date inscribed verso: IYUNA / 75 92 x 39cm PROVENANCE: Private collection, Melbourne $2,000-4,000 102 MARRIRA MARAWILI (born c. 1937) Untitled natural earth pigments on bark artist’s name inscribed on Yirrkala Arts and Crafts label verso 117 x 60cm (irregular) PROVENANCE: Yirrkala Arts and Crafts, Adelaide c.1980 Private collection, Melbourne The Story of this painting is concerned with a special part of the area near Yathikba (Ethika), near Blue Mud Bay (Eastern Coast of Arhnem Land, NT). This place is marked by two rocks in the centre of the painting. At the bottom of the sea in this area there is a fire burning (Walwaluna) This fire was placed there by the saltwater crocodile (Gadugado). The sea today still boils at this spot.

This painting shows two men hunting dugong with a harpoon and paddles. The diamond pattern in the painting is special to the Yirritja moiety. Yirritja ancestors have passed down unique patterns to identify their clans. The pattern here can be identified as belonging to the Madarrpa people by the elongated tail at the end of each row of diamonds the red and yellow represents fire and flames and black and white represent ashes. The central panel contains barramundi and sea grass which the dugong eats. Sea grass is also used to make armbands worn in ceremonies. $1,800-2,800

100 © Bardayal (Lofty) Nadamerrek/ Copyright Agency, 2020

103 GALUMA MAYMURU (born 1951) Yirrkala natural earth pigments on bark inscribed verso with artist’s name and cat no. 1675-E / GALUMA / DHU299 41 x 109cm PROVENANCE: Private collection, Melbourne $2,000-3,000

104 HENRY GRITTEN (c.1818-1873) Landscape 1871 oil on canvas signed and dated lower right: H c Gritten / 1871 59 x 89.5cm PROVENANCE: Private collection, Melbourne $6,000-8,000

21

111 FRANZ POLEDNE (Austrian, 1873-1932) Interior Scene watercolour on paper signed lower left: FRANZ / POLEDNE 18 x 24cm PROVENANCE: Private collection, Melbourne Thence by descent $1,200-1,800 112 JOSEF DANILOWATZ (Austrian, 1877-1945) The Bookseller 1921 oil on board signed and dated lower left: Josef Danilowatz / 1921 28 x 21.5cm PROVENANCE: Private collection, Melbourne Thence by descent $1,000-2,000 113 ERNST CZERNOTZKY (Austrian, 1869-1939) Still Life oil on panel signed upper right: E. Czernotsky 26.5 x 20cm PROVENANCE: Private collection, Melbourne Thence by descent $1,200-1,800 114 EDWARD SEAGO (British, 1910-1974) The Kite oil on composition board signed lower left: Edward Seago titled verso 50 x 75.5cm

105

105 JAMES ALFRED TURNER (1850-1908) Man, Dog and Horse in Landscape oil on board initialled lower left: JA.T 17 x 13cm

107 JOHN BARR CLARKE HOYTE (1835-1913) View to Water watercolour signed lower right: J.C. Hoyte 19.5 x 40cm

PROVENANCE: Private collection, Victoria $3,000-5,000

PROVENANCE: Private collection, Melbourne $2,000-4,000

106 HENRY RIELLY (1845-1905) Macedon Ranges 1880 oil on canvas signed and dated lower right: H. REILLY / 1880 50 x 75cm

108 JOHN BARR CLARKE HOYTE (1835-1913) View to Water and Rocks watercolour signed lower right: JC Hoyte 16.5 x 40cm

PROVENANCE: GFL Fine Art, Perth, 27 May 2014, lot 100 Private collection, Melbourne $6,000-8,000

PROVENANCE: Private collection, Melbourne $2,000-4,000

22

PROVENANCE: Private collection, Victoria Thence by descent $12,000-16,000

114

115 EDWARD SEAGO (British, 1910-1974) Waxham Beach, Norfolk 1967 watercolour on paper signed lower left: E Seago titled and dated verso 33.5 x 50.5cm PROVENANCE: The Taylor Gallery Ltd., London (label verso) Private collection, Victoria EXHIBITIONS: Memorial Exhibition, Marlborough Fine Art London, 4 Dec 1974 – 3 Jan 1975 cat. no. 70 (label verso) $3,000-5,000 116 WILL ASHTON (1881-1963) Surf 1906 oil on canvas laid on board signed and dated lower left: WILL ASHTON ‘06 titled on unknown label verso 43 x 57cm

117 ERNEST BUCKMASTER (1897-1968) Still Life Rhododendrons oil on canvas signed lower left: E Buckmaster 80 x 60cm PROVENANCE: Private collection, Melbourne $3,500-5,500 117A MAX MIDDLETON (1922-2013) Golden Afternoon 2000 oil on canvas signed lower left: Max Middleton 60 x 50cm PROVENANCE: Estate of the Artist $2,500-3,500

119 ERNEST BUCKMASTER (1897-1968) Morning Fog 1963 oil on canvas signed and dated lower left: E Buckmaster 1963 titled verso 70 x 85.5cm PROVENANCE: Private collection, Melbourne $3,000-5,000 120 GLEN PREECE (born 1957) The Provincial Hotel, Fitzroy oil on canvas signed lower left: Glen Preece artist’s name and title verso 119 x 119cm PROVENANCE: Leonard Joel, Melbourne, 16 April 2007, lot 96 (label verso) Private collection, Melbourne $3,000-4,000

PROVENANCE: Private collection, Melbourne Thence by descent $2,000-3,000 23

121 JOHN SANTRY (1910-1990) Aboriginal Boy with Crossed Arms 1964 oil on board signed and dated lower right: SANTRY ‘’64 title on unknown label verso 36.5 x 44cm

126 VIC O’CONNOR (1918-2010) Warsaw Street Scene oil on canvas signed lower left: V.G. OCONNOR titled verso 45.5 x 61cm

PROVENANCE: HOTA Gallery, Gold Coast $1,000-2,000

PROVENANCE: Private collection, Melbourne $1,800-2,800

122 MAX MELDRUM (1875-1955) Self Portrait 1944 oil on canvas on board 43.5 x 33cm (tondo)

127 HERMAN PEKEL (born 1956) Waterhole Northern Territory oil on canvasboard signed lower left: PEKEL titled verso 98 x 63cm

PROVENANCE: Private collection, Victoria EXHIBITIONS: Paintings by Max Meldrum, Georges Gallery, Melbourne, 19 April - 3 May 1945, cat no 5. (catalogue attached verso) $2,000-3,000 123 WILLIAM A. POWER (1819-1911) Street Scene with Mother and Child oil on canvas signed lower left: WA POWER 45.5 x 34.5cm PROVENANCE: Private collection, Melbourne $1,500-2,500 124 BERNARD DUNSTAN (1920-1917) Diana At Subiaco II 1976 oil on masonite initialled lower left titled and date inscribed verso 37.5 x 27cm $1,500-2,500 125 HERBERT WOODHOUSE (British/Australian 1854-1937) Melbourne Cup From 1900 Won by Clean Sweep watercolour on paper signed lower right: Herbert Woodhouse titled on mount 34 x 53cm PROVENANCE: Private collection, Melbourne $1,500-2,000

PROVENANCE: Private collection, Adelaide $2,000-4,000 129 JUSTIN FEUERRING (born 1985) The Lord Works in Mysterious Ways 2014 oil on canvas signed, titled and dated verso: Justin Feuerring/ 2014/ The Lord Works in Mysterious Ways 107 x 107cm PROVENANCE: The Artist Private collection, Melbourne $4,800-6,000 130 HELEN NORTON (born 1961) Leap 1998 oil on linen signed and dated lower right: NORTON 98 signed, titled and inscribed with dedication verso 121.5 x 121.5cm PROVENANCE: Private collection, Melbourne $3,000-4,000 131 CHARLES BLACKMAN (1928-2018) Couple charcoal on canvas signed upper right: BLACKMAN 183 x 122cm PROVENANCE: Private collection, Melbourne $12,000-18,000

132 ADAM CULLEN (1965-2012) Australian Saint (Space Drunk) 1999 oil on canvas signed, dated and titled on stretcher bar verso: ADAM Cullen 1999 / AUSTRALIAN SAINT (SPACE DRUNK) 61 x 51cm PROVENANCE: The Artist The Collection of Mikey and Laura Robins $3,000-5,000 133 ADAM CULLEN (1965-2012) Australian Saint (Craven A) 1999 oil on canvas signed, dated and titled on stretcher bar verso: ADAM CullEN 1999 / AUSTRALIAN SAINT (CRAVEN A) 71.5 x 55.5cm PROVENANCE: The Artist The Collection of Mikey and Laura Robins $3,000-5,000 134 § MATTHEW JOHNSON (born 1963) Stages I 2003-4 oil on linen signed, titled and dated verso: Mathew Johnson / 2003/4 / Stages I 170 x 140cm PROVENANCE: Leonard Joel, Melbourne, 23 June 2015, lot 117 Private collection, Melbourne $3,500-4,500 135 ABBEY MCCULLOCH (born 1975) Cabin Fever III 2010 charcoal on paper signed and dated lower right: Abbey 2010 63 x 51cm PROVENANCE: Helen Gory Gallery, Melbourne (label verso) Private collection, Melbourne $1,000-1,500 136 RHYS LEE (born 1975) Untitled 2012 oil on canvas signed and dated verso: ‘Rhys Lee 2012’ initialled and dated verso ‘RL 12’ 152 x 122cm PROVENANCE: Private collection, Queensland $3,000-4,000

24

137 KIRRA JAMISON (born 1982) Not Even I Can Save You 2008 acrylic, pen, gouache and vinyl on canvas artist’s name and title on gallery label verso 198 x 198cm PROVENANCE: Jan Murphy Gallery, Brisbane (label verso) Private collection, Melbourne $5,000-7,000 137A § DANE LOVETT (born 1984) True Stories 2010 acrylic on board signed, titled and dated verso: DANE LOVETT / TRUE STORIES / 2010 66.5 x 96.5cm PROVENANCE: Lawson~Menzies, Sydney, 13 February 2013, lot 102 Private collection, Melbourne $2,000-3,000 138 JO DAVENPORT (born 1957) View from the Pines 2014 oil on Belgian linen signed right hand side on stretcher bar: DAVENPORT signed and titled verso on stretcher bar 153 x 153cm PROVENANCE: Flinders Lane Gallery, Melbourne 2014 Private collection, Melbourne $7,000-9,000 139 DAVID BROMLEY (born 1960) Butterflies acrylic and gold leaf on canvas signed lower left: BROMLEY 123 x 152cm PROVENANCE: Private collection, Melbourne $4,000-6,000 140 ALLAN WOLF-TASKER (born 1945) South Yarra Scene - Version 2 acrylic on thermal print on canvas signed lower right: a. Wolf-Tasker titled verso 106.5 x 117cm PROVENANCE: Private collection, Melbourne $1,000-1,500

141 PETER CALLAS (born 1952) Fish Market, Manaus digital print on photographic paper ed. 8/10 signed lower right: Peter Callas titled, editioned and inscribed lower left: FISH MARKET, MANAUS 8/10 RA4 IP2000 100 x 195cm PROVENANCE: Private collection, Melbourne $6,000-8,000 142 DAVID BROMLEY (born 1960) Travel Stories 2003 acrylic and metal leaf on canvas signed lower left: ‘BROMLEY’ titled and dated verso 122 x 153cm PROVENANCE: Jan Murphy Gallery, Brisbane Private collection, Queensland $5,000-7,000 143 JASPER KNIGHT (born 1978) Candy Coloured Pedestrian Footbridge 2008 acrylic and enamel on board signed, titled, and dated verso: JASPER KNIGHT/ “CANDY COLOURED 2008/ PEDESTRIAN FOOTBRIDGE” 90 x 90cm PROVENANCE: Private collection, Melbourne $2,500-3,000 144 NYUJU STUMPY BROWN (c.1924-2011) Ngapawarlu Story acrylic on canvas inscribed verso with artist’s name and Japinka cat. no. WJ 221 97 x 96cm PROVENANCE: Private collection, Melbourne $1,600-2,000 145 MINNIE PWERLE (1922-2006) Awelye 2004 acrylic on canvas inscribed verso with artist’s name, title, date and cat. no. ‘FW 8053’ 124 x 141.5cm

146 WENTJA MORGAN NAPALTJARRI (born c.1943) Rockholes, Country West of Kintore acrylic on canvas artist’s name, title and cat. no. 77-10542 inscribed verso 150 x 180cm PROVENANCE: Watiyawanu Artists of Amunturrngu Peter Appleyard Gallery Nanda Hobbs, Sydney Private collection, Melbourne $8,000-10,000 147 GABRIELLA POSSUM NUNGURRAYI (born 1967) Grandmother’s Country acrylic on Belgian linen inscribed verso with artist’s name and cat. no. 18275 197 x 103.5cm PROVENANCE: Adam Knight Fine Art, Victoria (accompanied by a certificate of authenticity) Private collection, Victoria $4,500-5,500 148 JUDY WATSON NAPANGARDI (c.1925-2016) Mina Mina acrylic on canvas artist’s name, title and cat no. 10237 and PA261 inscribed verso 140 x 90cm PROVENANCE: IndigeArt, NT (accompanied by a certificate of authenticity, showing the artist with painting) Private collection, Melbourne $3,000-5,000 149 JUDY WATSON NAPANGARDI (c.1925-2016) Mina Mina Jukurrpa 2004 acrylic on linen inscribed verso with artist’s name and Warlukurlangu cat. no. 1106 / 04 122 x 122cm PROVENANCE: Warlukurlangu Artists, Alice Springs (accompanied by a certificate of authenticity) Private collection, Perth $4,000-6,000

PROVENANCE: Fireworks Gallery, Queensland Private collection, Queensland $6,000-9,000

25

154 GUO JIAN (Chinese, born 1962) Untitled #1 2006 oil on canvas signed and dated lower center: 2006 / Guo Jian 152 x 212cm PROVENANCE: Arc One Gallery, Melbourne (label verso) Private collection, Melbourne EXHIBITIONS: Guo Jian, Arc One Gallery, Melbourne, 13th June - 1st July, 2006 $8,000-10,000 155 § BRUCE EARLES (born 1953) Pond Life 2019 oil on canvas signed and dated lower right: Bruce Earles 19 titled verso 122 x 150cm PROVENANCE: Private collection, Melbourne $3,500-4,500

145 © Minnie Pwerle / Copyright Agency, 2020

150 YUKULT NAPANGARDI (born 1970) Women’s Dreaming acrylic on canvas inscribed verso with artist’s name and cat. no. YUKULTI 1831 122 x 92cm

152 § PASQUALE GIARDINO (born 1961) Carlisle Street 2018 oil on canvas diptych signed in centre of left hand panel: Pasquale 91 x 244cm

PROVENANCE: Creative Native, Perth (accompanied by a certificate of authenticity) Private collection, Melbourne $1,000-2,000

PROVENANCE: The Artist, 2019 Private collection, Melbourne $3,000-5,000

151 JEANNIE MILLS PWERLE (born c.1965) Desert Yam acrylic on canvas inscribed verso with artist’s name and cat no. CAA19742 147 x 92cm PROVENANCE: Private collection, Melbourne $2,000-4,000

26

153 ESTHER ERLICH (born 1955) Bikini acrylic on canvas signed lower right: Esther 138 x 137cm PROVENANCE: Libby Edwards Galleries, Melbourne (label verso) Private collection, Melbourne $1,500-2,500

156 IAN PARRY (born 1947) Sailing Boat 1989 oil on canvas signed and dated lower right: parry 89 121 x 152cm PROVENANCE: Private collection, Melbourne $3,000-5,000 157 § MARK HANHAM (born 1978) Luna Park acrylic on canvas signed lower left: Mark Hanham 109.5 x 175cm PROVENANCE: Acquired directly from the artist c. 2015 Private collection, Victoria $3,000-5,000

ARTIST INDEX ADNATE 89

HANKE, HENRY

ASHTON, WILL

HANNAFORD, ROBERT

39

NORTON, HELEN

130

3, 116

7

NORRIE, SUSAN

28, 33

BARTON, DEL KATHRYN

86

HART, PRO

60

NUNGURRAYI, GABRIELLA POSSUM

147

BEAUMONT, CHRISTOPHER

35

HATTAM, HAL

15

O’CONNOR, VIC

126

BELLETTE, JEAN MARY

59

HEARMAN, LOUISE

PARRY, IAN

156

BERGNER, YOSL

53

HEYSEN, HANS

PEKEL, HERMAN

127

18

HICKEY, DALE

BLACK, DORRIT BLACKMAN, CHARLES

51, 95, 131

HOYTE, JOHN BARR CLARKE

BORLASE, NANCY WILMOT

70

IYUNA, JAMES

BOYD, ARTHUR

50

JACKSON, JAMES R.

BOYD, DAVID

55

BRAUND, DOROTHY

68

BRENNAN, ANGELA BROMLEY, DAVID BROWN, NYUJU STUMPY BUCKMASTER, ERNEST

83, 92 85, 90, 91, 139, 142 144 9, 21, 117, 119

CALLAS, PETER

141

CHEN, ZHONG

88

36, 37 2, 14 30, 31, 34

PERCEVAL, CELIA

54, 57

107, 108

PERCEVAL, JOHN

63, 64, 65, 66

101

PETYARRE, GLORIA TAMERRE

42

11

PHOTOGRAPHER UNKNOWN

22

JACKSON, ROY

75

POLEDNE, FRANZ

111

JAMISON, KIRRA

137

POWER, WILLIAM A.

123

JIAN, GUO

154

PREECE, GLEN

120

JOHNSON, MATTHEW

134

PRYOR, ANTHONY

JORDAN, COL

94

PUGH, CLIFTON

KING, INGE

74

PWERLE, JEANNIE MILLS

151

40

PWERLE, MINNIE

145

RIELLY, HENRY

106

KNGWARREYE, EMILY KAME KNIGHT, JASPER

82, 143

COBURN, JOHN

32A

KOONS, JEFF

29

ROSE, HERBERT

COLEMAN, BILL

62, 69

LAITY, DAVID

84

SANRTY, JOHN

CRICHTON, RICHARD BRIAN

96, 97

LEE, RHYS

CROOKE, RAY CULLEN, ADAM

56 132, 133

LOVETT, DANE

DANILOWATZ, JOSEF

112

MACQUEEN, KENNETH

DAVENPORT, JO

20

LONG, LEONARD

113

10

136

LINDSAY, NORMAN

CZERNOTZKY, ERNST

DARGIE, WILLIAM

118 137A 6

MAGUIRE, TIM

38

SEAGO, EDWARD

45

TJAPANGATI, LIMPI PUNTUNKA

99

TURNER, JAMES ALFRED TYNDALL, PETER

MARAWILI, MARRIRA

102

VANDERZWEEP, ANTHONY

MAYMURU, GALUMA

103

WAKELIN, ROLAND

DJAYKURRNGA, GEORGE

98

MCCUBBIN, FREDERICK

DULDIG, KARL

61

MCCULLOCH, ABBEY

78

MEILERTS, LUDMILLA MELDRUM, MAX

EARLES, BRUCE

155

MIDDLETON, MAX

ERLICH, ESTHER

153

MUNDUWALAWALA, GINGER RILEY

FEUERRING, JUSTIN

129

MURCH, ARTHUR

FIRTH-SMITH, JOHN

75A

NADAMERREK, BARDAYAL (LOFTY)

23

WATSON, ROSS

79, 80

73

WEBOU, ALMA

46

WEI, GUAN

87

122 117A

WEIR, BARBARA

47

48

WESTWOOD, BRYAN

26

19

WHEELER, CHARLES

100

WOLF-TASKER, ALAN

140

WOODHOUSE, HERBERT

125

NAMATJIRA, ALBERT

13

49

NAMPIJINPA, NYURAPAIYA (MRS BENNETT)

44

NAPALTJARRI, WENTJA MORGAN

93

NAPANANGKA, WALANGKURA

GRIFFIN, MURRAY

67

NAPANGARDI, DOROTHY

GRITTEN, HENRY

104

NAPANGARDI, JUDY WATSON

HANHAM, MARK

157

NAPANGARDI, YUKULT

27, 81 4, 5, 16, 71, 72

WALKER, JAMES

77

152

32

24

GARLBIN, JOY

GREEN, DENISE

105

135

FRANK, DALE

GIARDINO, PASQUALE

114, 115

TJAPALTJARRI, WARLIMPIRRNGA

52

124

1 17, 121

25

138

DUNSTAN, BERNARD

58

STREETON, ARTHUR

DICKERSON, ROBERT

DUNLOP, RICHARD

76

8

146 43 41 148, 149 150

27

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Charges are outlined below and are quoted in Australian dollars.

Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense.

Removal Charges Each lot

$55

Buyer’s Premium There will be a buyer’s premium added to all purchases.

The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST.

Storage Charges Each lot

$33 per day

The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

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Protection of Movable Cultural Heritage Act 1986 (PMCH Act).

Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia.

The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’.

More information is available on the Department of the Environment, Water Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale.

Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction Bespoke Moves Sasha Tiltins 0417 119 040 sasha@bespokemoves.com.au Collection and Storage: All lots must be collected no later than two days after the auction by 4pm. All uncollected items will be removed to third party storage at the purchaser’s expense.

Sale Rooms

The Thursday Auction

MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333

Anthony Riepsamen, Manager

SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 email: info@leonardjoel.com.au leonardjoel.com.au

FURNITURE Nick Bastiras, Manager David Price, Assistant Angus McGougan, Assistant JEWELLERY Maria Walker F.G.A.A., Manager ART SALON Hannah Ryan, Manager Ella Perrottet BFA, Assistant OBJECTS & COLLECTABLES Rebecca Stormont , Assistant

MANAGING DIRECTOR & HEAD OF COLLECTIONS John Albrecht BA LLB MBA

Leonard Joel Specialists FINE ART Olivia Fuller BArtTh, Head of Department Lucy Foster EMA, Specialist Summer Masters BDes Hons, Administrator INDIGENOUS ART Olivia Fuller BArtTh, Head of Department

VALUATIONS Caroline Tickner BA Hons, F.G.A.A., Head of Department

ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager Andrea Del Campo, Accountant

DECORATIVE ARTS Chiara Curcio BA, Head of Department Hamish Clark, Head of Sydney Dominic Kavanagh MFA, Specialist Trevor Fleming BA, Consultant, Japanese Art Carl Wantrup, Consultant, Asian Art

CLIENT SERVICES Kim Clarke, Client Services Manager Amelia Lewis, Client Services Liaison

JEWELLERY Julie Foster F.G.A.A., Dip. Dt., Head of Department Bethany McGougan F.G.A.A., BA Hons, MSc, Senior Jewellery Specialist Maria Walker F.G.A.A., Manager Hannah Grace-McIntyre BFA, Administrator Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant

MARKETING & COMMUNICATIONS Blanka Nemeth, Head of Department Nicole Kenning, Consultant Keryn Gilchrist, Database Administrator

MODERN DESIGN Anna Grassham BA Contemporary Arts, Head of Department COLLECTABLES Rebecca Stormont , Assistant

OPERATIONS & LOGISTICS Anthony Riepsamen, Manager

PHOTOGRAPHY Adam Obradovic Henry Murphy GRAPHIC DESIGN Maria Rossi e-mail all lower case firstname.surname@leonardjoel.com.au

LUXURY John D’Agata F.G.A.A., Head of Department PRINTS Hannah Ryan, Art Salon Manager Ella Perrottet BFA, Assistant

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MELBOURNE

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SYDNEY

leonardjoel.com.au