Decorative Arts

DECORATIVE ARTS AUCTION MONDAY 22 JUNE 2020

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AUCTION CATALOGUE VOLUME 13 ISSUE 7

Front Cover 57 A RARE AND IMPRESSIVE BRONZE FIGURAL SCULPTURE, ‘GLORIA VICTIS’

BY FERNINAND BARBEDIENNE & MARIUS JEAN ANTONIN MERCIE, CIRCA 1875 (detail) $12,000-15,000

Inside Cover 202 ARTIST UNKNOWN (Flemish or Dutch, 18th century) Still life with game (detail) oil on canvas unsigned, each nicely framed in ebonised frames with carved scrollwork Each frame 111cm x 89cm $4,000-6,000

leonardjoel.com.au

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DECORATIVE ARTS AUCTION MONDAY 22 JUNE 2020 AT 6.30PM, MELBOURNE Please refer to our website for viewing times.

CONTACT

Chiara Curcio

Dominic Kavanagh

Head of Decorative Arts (03) 8825 5635 | 0412 653 315 chiara.curcio@leonardjoel.com.au

Decorative Arts Specialist (03) 8825 5611 dominic.kavanagh@leonardjoel.com.au

leonardjoel.com.au

ANTIQUITIES LOTS 1-20 1 A RARE ROMAN BRONZE OIL LAMP CIRCA 3RD/4TH CENTURY A.D. The hinged lid cast in the form of the head of Mercury, the handle surmounted by a palmette.

21cm high, 10cm wide, 10cm deep PROVENANCE: Ex: S. Kovar Collection, Collected in the 1930’s.

Ex: East Australian Trading, Sale No. AA201508, Date: 10 Aug 2015 Lot 119. $2,000-3,000 2 AN INDO-GREEK FIGURE OF DIONYSUS CIRCA 1ST CENTURY A.D. Modelled holding a slender pine cone (possibly the top part of a thrysus), rasied on an openwork conical base.

13.3cm high, base 4.7cm diameter $2,800-3,200

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3 A SOLID CAST EGYPTIAN BRONZE FIGURE OF HARPOCRATES PTOLEMAIC PERIOD, CIRCA 332-30 B.C. Modelled wearing the upper and lower crowns of Egypt, holding a cornucopia, and with index finger of right hand to mouth symbolising childhood.

Presented on custom wood and brass display stand.

10.2cm high $900-1,200 4 A BACTRIAN BRONZE KOHL BOTTLE CIRCA 2ND/1ST MILLENNIUM B.C. The freestanding bottle cast naturalistically in bird form.

6.9cm high, 7.5cm long $400-600 5 A RARE AND FINELY CAST BACTRIAN BRONZE RHYTON WITH AN ANTELOPE PROTOME, CIRCA 2ND MILLENNIUM B.C. Presented on a custom made perspex display mount.

4.5cm high, 13cm long, 6.5cm wide $1,200-1,500 6 A PAIR OF BRONZE LION HEAD PROTOME YEMEN, CIRCA 5TH CENTURY B.C. Possibly fixings from an ornamented nobleman’s chair. Presented on custom made display stands.

8cm x 5.5 & 6.6cm x 5.4cm respectively (not including stands) $2,000-3,000 1

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7 A HELLENISTIC BRONZE RING CIRCA 3RD TO 1ST CENTURY B.C. The bronze ring inlaid with a garnet bezel depicting a lion.

The bezel 7mm x 6mm. Outside diameter: 25mm $500-600 8 AN INDO-GREEK SILVER LADY’S RING CIRCA 3RD/2ND CENTURY B.C. The ring set with onyx bezel, engraved with ibex.

2.2cm high, inner band 1.5cm, the stone diameter 0.6cm $500-700 9 A NEO-ASSYRIAN BRONZE RING CIRCA 8TH/7TH CENTURY B.C. The signet style ring with cast bezel depicting a human headed winged horse, this creature is identical to the Islamic Buraq.

Diameter of the bezel 1.4cm, diameter of the shank 1.7cm $600-700 10 AN APULIAN BLACK GLAZED POTTERY CUP 4TH CENTURY B.C. Decorated with vertical striations, flanked by a single handle.

8cm high $300-500

11 TWO SUMERIAN CLAY FOUNDATION CONES CIRCA 2000 B.C. Each conical in form, incised with cuneiform script.

14cm & 14.5cm long $500-700

15 AN EGYPTIAN ALABASTER OFFERING DISH PROBABLY MIDDLE KINGDOM, 2040-1640 B.C. Of shallow rounded form.

28.8cm diameter $300-500

12 AN EGYPTIAN POLYCHROME MODEL OF PROCESSION WITH OXEN MIDDLE KINGDOM, 21ST/20TH CENTURY B.C. The seven wooden figures, each with remnant polychrome paintwork, depicting a small procession.

The tallest figure 16.5cm high including pins. $500-700

16 A MIDDLE EASTERN GLASS EWER CIRCA 1ST TO 4TH CENTURY A.D. The ancient translucent iridescent glass pot with loop handle and curved spout.

12cm high, 19cm long $800-1,200

13 AN EGYPTIAN ALABASTER VASE DYNASTIC PERIOD, 2900-2350 B.C. Cylindrical in form, with a subtly flared rim.

18cm high $600-800 14 AN EGYPTIAN ALABASTER VASE MIDDLE KINGDOM, 21ST TO 19TH CENTURY B.C. Of globular form, with an everted rim.

13cm high $400-600

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17 A FINE ISLAMIC GLASS PERFUME FLASK SYRIA/LEBANON, CIRCA 16TH/17TH CENTURY The mottled glass flask of ovoid faceted form with an elongated neck, presented on a custom display stand.

15.2cm high $500-700 18 A ROMAN DARK OLIVE GREEN GLASS BOWL CIRCA 1ST/2ND CENTURY A.D. The ribbed glass bowl with a flared rim and raised linear banded decoration.

7cm high, 11.2cm diameter $2,000-2,500

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19 A ROMAN PALE-GREEN GLASS VESSEL CIRCA 4TH CENTURY A.D. The globular transparent glass vessel with pinched sides.

9cm high, 10cm diameter $900-1,200 20 A ROMAN PALE-GREEN GLASS BOTTLE CIRCA 1ST TO 4TH CENTURY A.D. The moulded bottle with stylised tree motif, made in the Levant for the Jewish market in Palestine.

7.5cm high, 3.8cm diameter $700-900

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GLASS & LIGHTING LOTS 21-37

21 A FRENCH MOULDED GLASS ‘GUI NO. 2’ BOWL

BY RENE LALIQUE, CIRCA 1930 Decorated with a moulded glass Gui (mistletoe) pattern in cyan hue, the raised mistletoe berries at the base of the bowl functioning as feet 8.5cm high, 20.5cm diameter $1,500-2,000 22 A FRENCH MOULDED GLASS ‘ORMEAUX’ VASE

BY RENE LALIQUE, CIRCA 1930 Of globular bottle form with a flared rim, with moulded feuillages (foliage) pattern in deep amber glass 16.5cm high $3,000-4,000

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23 A FRENCH FROSTED AND CLEAR GLASS ‘AVALLON’ PATTERN VASE

BY RENE LALIQUE, CIRCA 1940s Moulded with a repeating sparrow amongst fruiting vines motif. Marked ‘R. Lalique’ to base.

14.5cm high, 16cm diameter $1,200-2,000 24 A FRENCH FROSTED GLASS ‘AIGLE CACHET’ INKWELL

BY RENE LALIQUE, CIRCA 1920s The eagle seal lifts out to reveal a small cavity, fitted with an inkwell liner, all housed in a fitted, stepped and frosted glass base. Etched signature to side of eagle seal.

Approximately 12.5cm high, the base 22cm x 22cm $600-800 25 A SMALL FRENCH CAMEO GLASS VASE

BY DAUM NANCY, CIRCA 1910 The vase of tapering flattened form, decorated in an autumnal palette with blackberry motif to each side, signed Daum Nancy with the cross of Lorraine to one side.

11.5cm high, 6.8cm wide, 2.9cm deep $400-600 26 AN AMERICAN GOLD FAVRILE GLASS CENTRE BOWL

BY LOUIS COMFORT TIFFANY (1848-1933), CIRCA 1883 The circular iridescent glass bowl with an exaggerated everted rim. Etched signature to base, and dated 1883.

25cm diameter $1,500-2,000

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27 A PAIR OF BOHEMIAN CUT AND ENAMELLED CRYSTAL DECANTERS CIRCA 1880 The tapering ruby flashed decanters, each cut with panels of hobnail, enamelled and gilt with flowers and scrolls, with spire-form stoppers.

50.5cm high $4,500-5,500 28 A LOVELY BACCARAT GLASS AND CRYSTAL FIVE BRANCH CANDELABRUM 19TH CENTURY With a central sconce surrounded by four rope-twist branches, each adorned with hanging crystal prisms, on a shaped baluster column supported on a beaded circular foot 54cm high, 37cm diameter $3,000-5,000 29 AN UNUSUAL VICTORIAN STANDING TELESCOPIC KEROSENE LAMP 19TH CENTURY The scalloped milk glass shade above an amber glass font, raised upon a solid brass Corinthian column 139cm high $1,200-2,000 30 A PAIR OF FRENCH CLASSICAL INSPIRED FLOOR LAMPS 20TH CENTURY In the classical manner, raised on enamelled ironwork bases.

179cm high $700-900 31 A PAIR OF ITALIAN MURANO GLASS GOTO TABLE LAMPS

BY VISTOSI Elegantly tapered in form with a flared rim and foot, hand blown with 24 karat flake inclusions.

70cm high $3,000-4,000 32 A PAIR OF BRAGG & CO. CERAMIC LAMPS DESIGNED BY ADELAIDE BRAGG Of ‘onion’ form, each glazed in ‘jungle green’, mounted on a perspex base. Bearing a Bragg & co sticker to underside.

The lamp bases 56cm high (not including shades) $300-500

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33 A SWEDISH CRYSTAL CHANDELIER LATE 19TH CENTURY The eight branch chandelier adorned with cut and beveled crystal and terminates with faceted solid cut crystal pendant hanging from the centre.

80cm high $1,200-2,000 34 A VENETIAN GLASS CHANDELIER MID 19TH CENTURY The delicate and elaborate hand blown glass chandelier with ten scrolled sconces, each with frilled wax catchers, each arm adorned with link chains and floral encrustations, further decorated with sprays of flowers and bouquets.

Approximately 104cm long, 80cm diameter $15,000-20,000

35 A FLEMISH INSPIRED BRASS CHANDELIER 20TH CENTURY Of traditional form, with eight branches.

53cm long x 70cm diameter $1,800-2,000 36 A FINE FRENCH LOUIS XV STYLE BRONZE ORMOLU ROCAILLE CHANDELIER CIRCA 1880 The finely cast ormolu bronze chandelier with a figural stem with three foliate arms bearing sconces, modelled in Rococo revival taste.

71cm high, 67cm diameter $2,800-3,200

37 AN ART NOUVEAU TWIN BRANCH BRASS AND GLASS PENDANT LIGHT CIRCA 1900 Each branch supporting two sconces fitted with frosted glass shades. The frame adorned with double dragon motifs and scrollwork.

172cm high, 80cm diameter $800-1,200

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THE VICTORIA CASCAJO COLLECTION LOTS 38-50

When considering Melbourne couture royalty, Victoria Cascajo is one of a handful of designers that have shaped the Australian fashion history. Starting her career with Spanish Fashion house Balenciaga, she migrated to Australia in the 1960s and established her own boutique in South Yarra named Balenica, no doubt a nod to the beginnings of her career and to her mentor. Over her career, Cascajo was awarded various accolades for her race day designs, however she was best known for her daring design created for Lady Sonia McMahon in 1971, wife of then Prime Minister William McMahon, and worn to the White House for a state dinner with President Richard Nixon. The dress is still considered to be one of the most daring outfits to have been worn to the white house to this day and became a global sensation. Like many designers, her exceptional taste was not exclusive to her own creations, and her Spanish roots fuelled her inclination to European flair for traditional statuary and particularly her love of Italian Blackamoor sculptures. ©Rennie Ellis/ Pictures Collection, State Library of Victoria

38 A SMALL VENETIAN POLYCHROME PAINTED WOODEN BLACKAMOOR FIGURAL LAMP 19TH CENTURY Modelled as a young gondolier, standing on the prow of a gondola, holding a removable oar in one hand, and holding a torch aloft in the opposite hand; the lamp with frosted glass flamiform shade. The whole painted in a rich colour palette, and raised on a cylindrical pedestal.

Approximately 124cm high $1,500-2,000

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39 A VENETIAN POLYCHROME PAINTED WOODEN BLACKAMOOR FIGURAL LAMP ON STAND LATE 19TH CENTURY Modelled as a woman holding a lamp aloft with a frosted glass flamiform shade. The whole richly painted and raised on a faceted pedestal.

231cm high $3,000-4,000

40 A FINE VENETIAN POLYCHROME PAINTED WOODEN BLACKAMOOR FIGURAL CENTRE TABLE, LATE 19TH CENTURY SIGNED TESTOLINI, VENEZIA The rare centre table with a faux Porphyry painted top, the apron modelled as draped cloth, raised on a female figural stem above a square form base on four lion paw feet. The base signed Testolini, Venezia.

94.5cm high, 74cm diameter $4,000-6,000

43 A FINE PAIR OF RARE VENETIAN POLYCHROME PAINTED AND GLAZED TERRACOTTA BLACKAMOOR FIGURES Modelled as two male court figures, dressed in bold patterns, each standing on rock formations.

173.5cm high $4,000-6,000 44 A PAIR OF FRENCH ORIENTALIST FIGURAL PAINTED TERRACOTTA BUSTS IN THE MANNER OF FRIEDRICH GOLDSCHEIDER, LATE 19TH CENTURY Modelled as a male and female, mirrored in pose, wearing a draped shawl. Each raised on socle bases.

One impressed ‘4081’ ‘DEP’ to verso 74cm high $2,000-3,000 45 A PAIR OF LOUIS XV STYLE GILTWOOD FRAMED BERGÈRES Each with flocked velvet upholstery and a separate fitted seat cushion 100cm high, 79cm wide, 73cm deep $3,000-4,000

48 A PATINATED BRONZE FIGURAL GARDEN STATUE The verdigris patinated hollow bronze figure modelled as a pan holding a flute in one hand, standing on a shell with one leg raised, on a circular base.

136cm high $1,500-2,000 49 A PATINATED BRONZE FIGURAL FOUNTAIN The verdigris patinated hollow bronze figure modelled as a nude female and a small frog, on a rock formation.

117cm high, 63cm wide $1,500-2,000 50 A PATINATED BRONZE FIGURAL FOUNTAIN The verdigris patinated hollow bronze figure modelled as a young Triton blowing a large horn, standing on a conch shell with one leg raised, on a circular base.

134cm high $1,500-2,000

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41 AN IMPRESSIVE VENETIAN POLYCHROME PAINTED WOODEN BLACKAMOOR STATUE WITH SHELL BASIN, LATE 19TH CENTURY Modelled as a young woman kneeling on a pillow, her hands raised to cradle a large gilt wood clam shell basin. The whole richly painted and raised on a square pedestal.

103cm high, 75cm wide, 56cm deep $3,000-4,000 42 A VENETIAN POLYCHROME PAINTED WOODEN BLACKAMOOR FIGURAL LAMP ON STAND Modelled as a young gondolier, standing on the prow on a gondola, holding a removable oar in one hand, and holding a torch aloft in the opposite hand (the lamp having no shade). The whole richly painted and raised on a faceted pedestal.

204cm high $3,000-4,000

46 A FLEMISH VERDURE TAPESTRY 18TH CENTURY Rectangular, depicting two figures within a woodland setting, enclosed with a floriate border. Cloth backed with a velcro strip to verso.

259cm x 181.5cm $5,000-7,000 47 A PATINATED BRONZE FIGURAL GARDEN STATUE The verdigris patinated hollow bronze figure modelled as a young boy holding a rooster in one hand and the other hand held aloft, on a circular base. Modelled after ‘Winner of the cock fight’ by Jean-Alexandre-Joseph Falguerie.

121.1cm high $1,500-2,000 40

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BRONZE & SCULPTURE

51 A LARGE BRONZE SCULPTURE OF A BLACKSMITH SIGNED, BRUSSELS, CIRCA 1880 Modelled in a seated position, signed A. Hainbresin to side and with further inscription to verso.

74cm high $3,800-4,200

LOTS 51-79

52 A FRENCH PATINATED BRONZE FIGURE OF A RESTING FARMER GIRL LATE 19TH CENTURY Modelled resting on a large sheaf of wheat, with a large two-prong fork. Faintly inscribed to verso.

45cm high $2,000-3,000 53 A FRENCH BRONZE FIGURE OF DIANA, THE HUNTRESS AFTER JEAN-ANTOINE HOUDON (1741-1828), CIRCA 1870 The nude huntress, modelled holding a bow in one hand and an arrow in the other, standing on one foot atop an integral circular base, signed ‘Houdon’.

61cm high, 26cm, wide, 27cm deep $1,800-2,500 54 A PATINATED BRONZE FIGURE, THE SNAKE AFTER ADOLPHE JEAN LAVERGNE (1863-1928) Modelled as a young snake charmer, a youth wearing only a loincloth and a turban, holding a stick with a small coiling snake (the original snake missing).

All mounted on a graduated marble base. Signed Lavergne to base.

57cm high $2,600-3,200 55 A LARGE GRAND TOUR BRONZE FIGURE OF NARCISSUS CIRCA 1880 Modelled in contrapposto, with an animal skin draped over his shoulder. Bearing a circular plaque to the base ‘Fonderia Di Ferroe bronzo di Francesco De Luca, Napoli’ 64cm high $2,600-3,200 56 A FRENCH ART DECO COLD PAINTED AND GILT-BRONZE FIGURE, ‘RADHA’

BY PAUL PHILIPPE (1870-1930), CIRCA 1920 Modelled as a dancer with both her hands raised, wearing a flamboyant costume with tones of gold, green, pink and blue cold painted enamel, raised on a marble base. Signed ‘Philippe’ 39cm high LITERATURE: Art Deco & Other Figures by Bryan Catley, 1978, pg 253 $3,000-5,000

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57 AN IMPRESSIVE BRONZE FIGURAL SCULPTURE, ‘GLORIA VICTIS’

BY FERNINAND BARBEDIENNE & MARIUS JEAN ANTONIN MERCIE, CIRCA 1875 The beautifully cast and patinated bronze figural group, depicting the figure fame seizing a dying soldier from the field of combat. Titled ‘Gloria Victis’ to base, and signed A. Mercie and F Barbedienne along with the Barbedienne foundry mark. All mounted to faceted marble base with ormolu mounts.

60.5cm total height, 20cm wide OTHER NOTES: Mercie’s sculpture was awarded a medal of honour when exhibited at the Paris Salon in 1874. $12,000-15,000 58 A HANDSOME PAIR OF ENGLISH REGENCY ORMOLU BRONZE CANDELABRA CIRCA 1820 Each central double tier candlestick flanked by five scrolling foliate branches with acanthus leaf mounts and patera, the tapered fluted columns above a tripartite base with claw feet.

73cm high $6,000-8,000 59 AN ITALIAN GRAND TOUR SIENNA MARBLE MODEL OF THE TEMPLE OF CASTOR AND POLLUX, 19TH CENTURY Realistically carved as a model of the ruin. Mounted on a slate base.

66.5cm high, 30cm wide, 9cm deep $3,000-5,000 60 A LARGE CARVED MARBLE FIGURE OF REBECCA AT THE WELL LATE 19TH/ EARLY 20TH CENTURY Rebecca modelled standing in classical robes, leaning against a well alongside a large water urn.

Unsigned.

74cm high, 39.5cm wide $2,000-4,000 61 A LARGE FRENCH EMPIRE ORMOLU, BRONZE AND PORPHYRY URN CIRCA 1850 Of classical- inspired design, modelled as a shell formed bowl flanked by two semi-nude females, with flowers in each hand, supported by a fluted stem and raised on a stepped porphyry plinth base, with a decorative ormolu lyre mount.

72.5cm high $7,000-9,000

62 A GOOD QUALITY CLASSICAL INSPIRED BRONZE URN JARDINIERE The waisted jardiniere of urn form, with egg and dart motif to rim and lower body, raised on a square pedestal base.

49cm high, 85cm wide, the opening 29.5cm-38cm in diameter $800-1,200 63 A FRENCH PATINATED BRONZE SCULPTURE, ‘CAVALIER MEXICAIN AU LASSO’ AFTER ALFRED DUBUCAND (1828-1894), 19TH CENTURY Modelled as a Mexican cavalier with a lasso in hand, astride his horse, all above an rounded rectangular base. The bronze with a lovely brown patina. Signed Dubacand.

37cm high $3,500-4,500 64 A LARGE PAIR OF FRENCH EMPIRE PARCELGILT BRONZE CANDELABRA CIRCA 1860 Each central candlestick flanked by six scrolling foliate branches each joined to the tapered fluted columns with chain pendants, all above three claw feet and a tripartite base.

87cm high $3,600-4,200

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65 A FRENCH ART DECO BRONZE SCULPTURE ‘DIANA WITH FAWNS’

BY MARCEL ANTOINE BOURAINE, CIRCA 1930 The silvered and patinated bronze, modelled as Diana the huntress, hunting beside two fauns, mounted a stepped pedestal base.

Signed Bouraine to pedestal base.

75cm high, 49cm wide, 12cm deep $9,000-12,000 66 A FRENCH ART DECO BRONZE & MARBLE SCULPTURE

BY RENE ANDRE VARNIER, CIRCA 1940S Modelled as a male hunter with a spear leaning on a rock formation, approached by a crouching lion. Mounted on a rectangular black marble base. The bronze signed R. Varnier.

55cm high, 85cm wide, 17cm deep $1,500-2,000

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67 AN IMPRESSIVE BRONZE AND MARBLE SCULPTURE, ‘THE HUNTER’

BY DEMETRE CHIPARUS (1888-1947), CIRCA 1930 The patinated bronze figural group modelled as an athletic male holding a spear aloft over a snarling panther, all mounted on a stepped portoro marble base signed “D. H Chiparus’ 86cm x 93cm x 14cm OTHER NOTES: For another example please refer to Alberto Shayo.

“Chiparus Master of Art Deco”, 2016, page 215 $9,000-11,000 68 AN ART DECO BRONZE AND IVORY FIGURE OF A DANCER*

BY GERDA GERDAGO, CIRCA 1920 The female modelled in a graceful sweeping pose with one arm extended upward, painted in polychrome enamel and gold patina, her costume incorporating scroll and leaf motifs, a theatrical headpiece, and a gilded brooch inset with semiprecious stones, her carved ivory face with a joyful expression, mounted on an oval green onyx base.

Arthur Rubinstein foundry mark and GERDAGO marked to the bronze around the lower hem of the dress.

34.5cm high, 20.5cm wide, 11cm deep $6,000-9,000 69 AN ART DECO BRONZE AND IVORY FIGURE OF A DANCER WITH CYMBALS*

BY GERDA GERDAGO, CIRCA 1920 The female modelled in a spirited dancing pose holding a cymbal in each hand, painted in polychrome enamel and gold patina, her costume incorporating geometric motifs, and a theatrical headpiece featuring disks inset with semiprecious stones, her carved ivory face with a focused expression, mounted on an oval green onyx base.

Arthur Rubinstein foundry mark, GERDAGO, and AUSTRIA marked to the bronze.

35cm high, 18.5cm wide, 11cm deep $5,000-7,000 70 AN ART DECO BRONZE AND IVORY FIGURE*

BY GERDA GERDAGO, CIRCA 1920 The female modelled in a dramatic pose with outstretched ivory hands, painted in polychrome enamel and gold patina, her costume incorporating swirls and scrolls, and a theatrical headpiece, her carved ivory face with a playful expression, around her neck a long draped chain, mounted on an oval green onyx base. Arthur Rubinstein foundry mark and GERDAGO marked to the bronze along the drapery of her costume.

32cm high, 32cm wide, 15cm deep $8,000-12,000

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71 A FRENCH GILT BRONZE RENAISSANCE REVIVAL LETTER OPENER

BY FERDINAND BARBEDIENNE, LATE 19TH CENTURY Modelled in the Renaissance style with laurel motifs and a scene of Venus and Cupid to the handle.

Signed F. Barbedienne, and L. Sévin inv. 1873 (designer).

31cm long $500-700 72 A FRENCH ART NOVUEAU PATINATED BRONZE LETTER OPENER

BY VICTORIN SABATIER, CIRCA 1900 Elegantly modelled as a nude female beauty reposing on a foliate mound. Signed Sabatier to blade.

Approximately 29.8cm long $300-500 73 TWO FRENCH ART NOUVEAU LETTER OPENERS CIRCA 1900 The first of eucalyptus leaf form with a gum nut modelled to centre, signed, M Bertin. The second of floriate design, signature worn.

15.5cm & 21.2cm long respectively $300-500 74 TWO FRENCH ART NOUVEAU LETTER OPENERS CIRCA 1900 The first with three daisy form flowers, signed M Migneaux. The other, with a floral design, signed F. Claessens 20.5cm & 17.5cm long respectively $250-350 75 TWO BRONZE LETTER OPENERS 19TH CENTURY The first modelled with an equestrian handle, marked ‘bronze’ and ‘fait main’ signed ‘Jeanott’ to verso. The other of classical Art Nouveau design, the handle modelled as branch and leaf motifs, the blade in the Jambiya style with a dolphin motif.

24cm & 22.5cm long respectively $300-500

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76 A BRONZE BUST OF AN ABORIGINAL ELDER Realistically modelled, mounted on a marble base, with additional marble plate. Illegibly signed to base of bronze 42cm high (not including marble plate) $800-1,200 77 A PAIR OF COLD-PAINTED SPELTER HARLEQUIN FIGURES

BY ARTHUR WAAGEN, 19TH CENTURY Modelled as a male and female harlequin, each attired in typical harlequin costume, above an integral square base, one signed Waagen.

102cm & 101cm high respectively $1,000-2,000 78 A FRENCH ART DECO TERRACOTTA SCULPTURE

BY UGO CIPRIANI, CIRCA 1930 Modelled as a semi- nude female, kneeling on a rounded rectangular base. Signed U. Cipriani, and impressed ‘Terre Cuite D’arte’ to verso.

57cm high, 56cm wide, 19cm deep $1,200-1,800 79 A TERRACOTTA BUST OF MARIE ANTONIETTE

BY FRIEDRICH GOLDSCHEIDER, LATE 19TH CENTURY Naturistically modelled depicting a young Marie Antoinette.

The reverse signed “Friedrich Goldscheider, Wein’, ‘Production Reservee’ and numbered 1908 / 8 / 47.

77cm high, 51cm wide, 32cm deep $800-1,200

THE JOHN SCARCE COLLECTION OF PORCELAIN LOTS 80-126

John Scarce has been Newsletter Editor of the Ceramics and Glass Circle of Australia Inc for over 20 years. An avid collector of English ceramics, he applies his background in family history research to his collection. He has a wealth of knowledge on commissioned crested and armorial ceramics from various English manufacturers.

80 80 A CHINESE EXPORT PORCELAIN ARMORIAL SOUP BOWL LATE 18TH CENTURY Decorated to the rim with rococo scrolls and panel en grisaille and to the centre with a large armorial crest. The border of this plate is painted en grisaille with a European strapwork design reminiscent of the style introduced by Cornelis Pronk and there is a gilt rim and an inner line of spearheads. Within the border there are laurel wreathes and pairs of billing doves symbolising matrimony and love. The central arms with the elaborate mantling typical of the 1740s might appear to be rather dull, with its colours of iron-red, gilt and black, but the base of the shield and the two upper elephant heads were originally enamelled in silver which has tarnished over time. The plate is from a service made for Thomas Saunders and it takes us to India and the East India Company headquarters at Fort St George, Madras. Thomas Saunders was appointed Governor of Madras on 19th September 1750; he remained as Governor of Madras until 14th January 1755 when he returned to England.

23..5cm diameter PROVENANCE: Purchased from Schlager Antiques, Melbourne. $1,000-2,000

82 TWO CHINESE EXPORT ARMORIAL PLATES 18TH CENTURY The first of octagonal form, decorated to the centre with flowers and butterfly with floral sprays to three of the sides and the crest of Baynton to the top. Made for William Bayntun (sic) of Greys Inn, London, circa 1750. The second circular with a scalloped rim, having rococo scrolls in gilt and iron red, and bearing and the arms of Mackintosh of that Ilk beneath their crest and motto “Touch not the cat but a glove”. From a service made for Angus Mackintosh, the 22nd chief of the Clan, who married Anne Farquharson, circa 1755.

23cm & 22.5cm diameter LITERATURE: For similar examples of the armorial plates please see David Sanctuary Howard ‘Chinese armorial Porcelain’, Vol 2, page 218 & page 254. $300-400

84 A SAMSON STYLE ARMORIAL ENTREE TUREEN 19TH CENTURY Of oval form, both the lid and dish bearing a large enamelled coat of arms to one side, with a chinoiserie bird and flower vignette to other side.

Unmarked.

14cm high, 31cm wide, 19cm deep $200-300 85 A CHINESE EXPORT FAMILLE ROSE PORCELAIN URN LATE 18TH CENTURY Decorated with festoons of flowers surrounding a monogrammed crest, with entwined handles.

18cm high, 21cm wide $400-600

83 A CHINESE EXPORT ARMORIAL TEA CADDY 18TH CENTURY Of flask form, with famille rose enamel decoration to each side in the rococo manner, with cherubim amongst clouds surrounding a coat of arms.

10.5cm high, 7.5cm wide $200-400

81 A FRENCH PORCELAIN AMOURIAL DISH

BY EDME SAMSON, EARLY 19TH CENTURY Bearing the Lomax family crest and motto to centre.

Decorated with famille rose inspired floral sprays.

Samson mark to verso.

25cm diameter, 3.2cm high $300-500

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86 THREE ENGLISH OCTAGONAL SOFT PASTE ARMORIAL PLATES 18TH CENTURY AND LATER The first being an English replacement for a Chinese export service, decorated with the arms of Murray of Touchdam and Polmaise with the motto ‘’Tout Prest”. Circa 1755. The second with painted flower sprigs to the rim, decorated with the arms of the Douglas family, together with the motto “Spero”, circa 1800.

The third being an English replacement for a Chinese export service decorated with the arms of Tyndall surrounded by mantling and garlands of flowers. Thomas Tyndall married Alicia Smith on 10th September 1756 at Bristol.

21.1cm, 21.5cm & 22.3cm wide respectively $500-700

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87 A PAIR OF RIDGWAY & CO. PORCELAIN ARMORIAL PLATES 19TH CENTURY, CIRCA 1840 The first plate decorated with elaborate gilt maroon borders, the centre painted with the Westhead coat of arms, with the motto ‘Ora et Labora’. The reverse marked John Ridgway & co/ presented to J.P. Westhead Esq. The second plate with similar decoration however instead bearing the arms of Westhead quartering Brown of Lea Castle, representing the marriage of the parents of J. P. Westhead.

26cm diameter OTHER NOTES: J.P.Westhead (1807-1877) was a prominent businessman and Weslyian Methodist. He was Director of the London and North Western Railways, M.P for Knaresborough and later York. He was the son of Edward Westhead, who had married Ann Brown, heiress to Lea Castle. By 1862, the Ridgway factory was known as Brown-Westhead, Moore & co. Several unique presentation services were made for him as gifts, bearing his coat of arms or crest. He married Betsy Chappell in 1828. He later inherited Lea Castle from his father. The service was presented to Joshua on the 15th June 1847 at the Albion Hotel, Piccadilly Manchester by the shareholders of the Manchester and Birmingham Railway Company in recognition of his work as Chairman, before it was absorbed into the London and North Western Railway. $600-800

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88 THREE ENGLISH ARMORIAL PORCELAIN DISHES 19TH CENTURY The first plate with a reticulated edge, intricately decorated in raised gilding. The centre bearing the Prince of Wales crest finely hand-painted in the centre with the motto “Ich Dien” alongside the City of London arms with motto “Domine Dirige Nos”.

Being one of sixty Copeland armorial plates that were made when the Freedom of the City of London was bestowed on Albert Edward, Prince of Wales, on June 8th 1863, shortly after his marriage to Princess Alexandra of Denmark. Soon after the banquet, the plates were individually sold by auction to members of the London Corporation. Bears the Copeland factory mark to reverse. The second a soup bowl, with a gadrooned edge with an elaborately gilded edge and cavetto, enclosing a central coronet to centre. Marked Spode Felspar porcelain to reverse.

The third, a Coalport dessert plate, circa 1805, with a basket weave moulding and spiral flutes, having the central gilt cipher of “SJP” for Spencer and Jane Perceval. Painted to the centre with the crest of a flowering Thistle within a gilt foliate band, and made for Spencer Perceval, the only British prime Minister

to be assassinated when he was shot in the lobby of the House of Commons on 11th May 1812.

22.5cm, 25.5cm & 23.2cm diameter $300-500 89 THREE ENGLISH ARMORIAL PORCELAIN DISHES 19TH CENTURY The first, decorated in the imari palette, the centre painted with a rampant lion crest below the motto ‘In Ecclesiam Regemque’. Flight Barr & Barr factory mark to reverse. The second, with a blue ground and gilt floral decorated border with the central arms of Claxson above the motto ‘ Sapere Aude Incipe’.

Benjamin Saunders Claxson married Charlotte Eamer on 30th April 1839 in Brighton, Sussex.

Marked ‘Davenport Longport Staffordshire’ to reverse, circa 1840.

The third, with a gilded blue ground edge, the centre bearing the arms of Knox with Grogan in pretence, above the motto ‘Moveo Et Proficior’.

A Coalport replacement for an earlier Caughley service, circa 1825.

21cm, 20.8cm & 22cm diameter $300-500

90 THREE ENGLISH ARMORIAL PORCELAIN DISHES 19TH CENTURY The first, decorated with acanthus scrolls in the imari palette, the centre with a horse crest painted en grisaille below the motto ‘Justum Et Tenacem’ for Sir Nicholas Colthurst, 4th baronet, of Ardrum, County Cork, Ireland. Flight Barr & Barr factory mark to reverse (circa 1810), together with a Leonard Joel paper label for the Payne Collection. The second, decorated with acanthus scrolls in the imari palette, the centre painted with a unicorn crest below the motto ‘Duw Dy Ras’ for the Kemeys Tynte family of Glamorgan, Wales. Chamberlain’s Worcester factory mark to reverse, circa 1825. The third, decorated with scrolling flowers, in iron red and blue, the centre painted with an eagle crest below the motto ‘Spero’.

Impressed Flight Barr & Barr factory mark to reverse.

24.5cm, 25cm & 25.7cm diameter $200-300 91 TWO ENGLISH ARMORIAL SERVING DISHES 18TH & 19TH CENTURY The first of lobed form, with a shell form handle.

Decorated with a cobalt blue ground with vermicelli design enclosing a central coat of arms for the Thompson family with the motto, ‘Dum Spiro Spero’.

Signed Chamberlain’s Worcester in red to reverse.

The second dish, Ridgway, with a shaped silhouette, flanked by two palmetto handles. Decorated in a celeste blue ground with impressed flower motifs enclosing a central coat of arms. No marks to base.

The Worcester dish 3.5cm high, 24.5cm wide, 19cm deep $300-500 92 THREE ENGLISH ARMORIAL DISHES 19TH CENTURY The first with a green border and three gilt-bordered reserves, one painted with a Chinoiserie scene, one painted with shells and the third painted with a Regimental cypher and the words “Buffs”. The Buffs (East Kent Regiment) had a tour of duty in New South Wales from 1821-1827. Marked with the numeral 16 for the 16th recipe of Spode’s Feldspar porcelain, circa 1832. The second plate with a peach border and three reserves of decoration, including shells, fruit and flowers and bird motifs, enclosing the arms of William Armitt of County Offlay, with motto ‘Fortis in Ardvis’. Factory mark for Copeland & Garrett to reverse in green, and numbered 5405, alongside an impressed F. The third plate with a gadrooned gilt rim with a maroon border enclosing the Walmesley coat of arms, along with the motto ‘Semper Fidelis’. Impressed and puce Flight, Barr & Barr factory mark to reverse.

23.7cm, 25cm & 26.7cm diameter respectively $300-500

93 A RARE BOUCHER & CO 23RD WALLAJAHABAD LIGHT INFANTRY PLATE CIRCA 1820 The plate decorated with the badge of the 23rd Wallajahbad Light Infantry, surrounded by a green and gilt border. This regiment was originally raised in 1794 as part of the Madras army of the British East India Company. It bears their two main battle honours, Serangipatam (1799) and Nagpore (1817).

23cm diameter $300-500 94 FOUR ENGLISH ARMORIAL PLATES 19TH CENTURY A Chamberlains Worcester shaped dish with a gilt gadrooned rim containing a crest within a gilt cartouche, the centre decorated with the arms of the Naylor family above the motto, “Cassis Titissima Virtus”. Marked Chamberlain’s Worcester in script. c.1825. A Chamberlains Worcester “Royal Gadroon” shaped dish, the green ground reserving three cartouches painted with colourful flowers, the centre finely painted with the arms and crest of the Oliviera family above the motto “Audentior Ibo”. Unmarked. c.1825. A Chamberlain’s Worcester shaped dessert plate, the green ground reserving four cartouches with sprays of flowers, and with scattered white flower heads in between. The centre finely decorated with the Crest, Collar and Badge of the Brazilian Order of the Rose, including the minutely painted motto “Amor E Fidelidad”. Marked with Chamberlain’s Worcester. c.1825. An English dish with a moulded and gilt border, the centre with the finely painted crest, arms and motto of Uderhaj, Maharaja of Burdwan in Bengal. Impressed letters to base. c.1855.

The Maharaja dish 25cm diameter OTHER NOTES: The Royal Gadroon plate illustrated in colour plate XII of Geoffrey Godden’s “Chamberlain-Worcester Porcelain 1788 - 1852”. $600-800 95 FOUR ENGLISH ARMORIAL PLATES 19TH CENTURY An English dessert plate with a shaped rim and a blue celeste border, decorated to the centre with the arms of Prince Doria Pamphili-Landi impaling those of Lady Mary Talbot, daughter of the Earl of Shrewsbury. Unmarked. c.1838.

A Flight, Barr & Barr plate with a gadrooned rim and a turquoise ground, bearing the crests and mottoes of Buller and Yarde of Devon. John YardeBuller married Elizabeth Pattern in 1823. Impressed mark. c.1825. A Grainger Worcester plate with a finely moulded and gilt rococo shaped rim, a blue ground, and decorated with the arms and crests of the Herbert family of Wilton House, Earls of Pembroke. c.1850. A Chamberlain’s Worcester plate with a moulded and gilt rococo shaped rim

and a light blue ground, the centre decorated with the crest of Dalrymple and the motto: “Moneo et Munio”. Printed and impressed marks together with Registration Diamond for 1846.

The Dalrymple plate 26.5cm diameter PROVENANCE: The Flight Barr & Barr plate from the From the Howard Collection, Leonard Joel, 1942. $600-800 96 A MATCHING PAIR OF WEDGWOOD CREAMWARE ARMORIAL DISHES 18TH CENTURY Both with a colourful and distinctive border incorporating the Honywood crest at the top. To the centre of each plate are the arms of Honywood impaling Courtney, celebrating the marriage between Francis Courtney and Sir John Honywood on December 13th, 1779. The plate impressed Wedgwood to reverse with letter B, the bowl bearing no marks.

24.8cm & 16.6cm diameter EXHIBITIONS: The larger plate was exhibited at the National Gallery of Victoria in their exhibition, ‘’Three Centuries of Wedgwood: Art, Industry and Design”, curated by Margaret Legge in 1995. $400-600 97 THREE ENGLISH ARMORIAL CUPS AND SAUCERS 19TH CENTURY The first, a two handled chocolate cup on stand, richly covered in a cobalt blue glaze with gilded crest and monogram ‘SJK’ to each side. Marked “Chamberlain’s Regent China Worcester to reverse.

The second, of generous proportions with a repeating clover motif, above a finely decorated eagle crest of an Irish Viscount and the motto, ‘ Gloria Quo Coelum Que Vocant’. No marks to reverse, but Chamberlain’s Worcester. The third, also of generous proportions, with a floral and C-scroll border, with a crest of a knight beneath the motto ‘ Paratus Ad Arma’. Davenport factory mark to base.

The cobalt cup and saucer 9.5cm high $300-500 98 THREE CREAMWARE DISHES WEDGWOOD & LEEDS, 18TH CENTURY, CIRCA 1770 Each with a feather mould rim. The first decorated with Liverpool Birds by Sadler & Green. No marks to base. The second lobed in form, decorated with Liverpool Birds by Sadler & Green. No marks to base. The third, Wedgwood, transfer printed with ‘The Temple of Pola in Istria’ from Robert Sayer’s 1759 publication “The Ruins of Athens”. No marks to base.

19.3cm, 20.7cm & 24.3cm diameter respectively $300-500

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102 A WORCESTER ‘PARROT PECKING FRUIT’ PATTERN MUG 18TH CENTURY, CIRCA 1760 The bell-shaped mug printed in black with the first version of the ‘Parrot Pecking Fruit’ pattern. No marking to base.

11.8cm high, 11.5cm wide (including handle) $300-500 103 A TIN GLAZED PORCELAIN PLATE ATTRIBUTED TO LIVERPOOL, PROBABLY PHILLIP CHRISTIAN 18TH CENTURY, CIRCA 1770 Underglazed blue decoration in the Kangxi manner.

Bearing the BADA sticker to verso.

22cm diameter, 2.5cm high $800-1,200 104 A WORCESTER DR WALL PORCELAIN PLATE 18TH CENTURY, CIRCA 1770 Of circular form, painted with gilded scale blue borders and reserves of fancy birds, butterfly and insects. Fretted square mark in underglaze blue.

23.5cm diameter, 2.5cm high $600-800

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105 A WORCESTER DR WALL DISH 18TH CENTURY, CIRCA 1770 The shaped oval dish decorated with sprays of flowers within gilded borders on a scale blue ground.

Fretted square mark in underglaze blue.

The dish 4cm high, 24cm wide, 17.5cm deep $400-600 106 A WORCESTER DR WALL DISH 18TH CENTURY, CIRCA 1770 The leaf shaped dish, painted in polychrome enamels with exotic birds in landscape within scattered insects and gilt dentil border, in the manner of George Davis. Handwritten paper label to verso.

3.5cm high, 16cm wide, 19cm deep $700-900

108 99 THREE WORCESTER PORCELAIN TRANSFER PRINTED PLATES 18TH CENTURY Each with a lobed edge, decorated with varying classical ruin scenes.

19cm, 22cm & 22.8cm diameter $500-700 100 A CAUGHLEY PORCELAIN SPOON TRAY 18TH CENTURY, CIRCA 1785 Of scalloped lozenge shape with a dentil border, decorated with blue flower heads. Bearing a Stockspring antiques sticker to reverse.

1.5cm high, 17.5cm wide, 10cm deep $300-500

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101 TWO ‘PARROT PECKING FRUIT’ PATTERN MUGS 18TH CENTURY, CIRCA 1780 A Dr Wall period cylindrical mug with a strap handle, transfer printed in underglaze blue with the Parrot Pecking Fruit pattern (second version) based on a print by Robert Hancock, with an underglazed W to base, circa 1780. Together with a Caughley beer mug with a strap handle, transfer printed in underglaze blue with the Parrot Pecking Fruit pattern (second version), with geometric frieze border running inside and outside the rim. No marks to base.

Dr Wall tankard 11.5cm high. 10.4cm wide (including handle), the beer mug 8.8cm high $400-600

107 A WORCESTER DR WALL ‘SCARLET JAPAN’ PATTERN PLATE 18TH CENTURY, CIRCA 1770 With a scalloped rim, decorated with chrysanthemum plants and branches of prunus blossoms predominately in iron red.

No mark to verso.

2.8cm high, 18.7cm diameter $400-600

108 A WORCESTER FLIGHT BARR & BARR SERVING DISH EARLY 19TH CENTURY, CIRCA 1807-13 The lobed oval dish is finely printed en grisaille with vignettes of seashells and aquatic plants. Impressed FBB to reverse.

8cm high, 35.3cm wide, 24.3cm deep $400-500 109 A CHAMBERLAIN’S WORCESTER PORCELAIN PLATTER CIRCA 1820 Of oval form, with gilded borders with blue ground with alternating reserves decorated with butterflies and birds. No marks to reverse.

3cm high, 33cm wide, 24.8cm deep $400-600 110 A WORCESTER PORCELAIN DISH 18TH CENTURY, CIRCA 1780 The lobed dessert dish with a gilt line rim and a Royal Blue border, decorated with a variant of the ‘Hop Trellis’ pattern. Unmarked.

20.5cm diameter $400-600 111 A WORCESTER KING OF PRUSSIA TANKARD 18TH CENTURY, CIRCA 1760 The Dr Wall period cylindrical tankard with a ribbed handle, transfer printed in black with the King of Prussia (second version) with flags, war trophies and putti.

11.9cm high $500-700

114 A CHELSEA PORCELAN SALT DISH 19TH CENTURY Of shell form, decorated with floral sprays to interior and exterior, with a lion head mask to shoulder.

Gold Anchor mark to base.

6cm high, 11.5cm wide, 9cm deep $300-500 115 A COALPORT PORCELAIN PLATTER CIRCA 1800 With a shaped edge, brown line rim and a ‘Dulong’ moulded border with scattered flowers, having a large bouquet of flowers to the centre. No marks to reverse.

3cm high, 29cm wide, 21cm deep $200-300 116 A COALPORT PORCELAIN SERVING DISH EARLY 19TH CENTURY The shaped dish, with moulded blossom motifs to border, decorated with a Japanese inspired Kakeimon design, of a mythical creature amongst floral motifs, is copying early Meissen.

24cm long $200-300 117 A DERBY PORCELAIN SERVING DISH EARLY 19TH CENTURY , CIRCA 1820 The shaped dish, finely decorated with bouquets of flowers under a cobalt blue shaped border, Painted factory mark in iron red to reverse.

25cm long $400-600

118 A CREAMWARE TANKARD AND TEA CANNISTER CIRCA 1790-1800 The tankard decorated with an unusual masonic scene and bearing the signature of John Aynsley of Lane End. The tea cannister decorated with a courting scene to one side and family scene to the other, signed by Thomas Fletcher. The whole topped with a metal lid.

The tankard 12cm high & 11.5cm wide (including handle). The cannister 11.3cm high $300-500 119 A CREAMWARE TANKARD AND PLATTER 19TH CENTURY The Prague tankard with cover, decorated with a courting scene.

The platter by Wedgwood, with a delicate garland to border, stamped Wedgwood to verso.

The tankard 14.8cm high, the platter 30cm wide $300-500 120 THREE ENGLISH PORCELAIN SERVING DISHES 19TH CENTURY The first shaped with a faceted and lobed edge, decorated with a central bouquet of flowers, attributed to the painter Samuel Astles, enclosed by a pink ground. Impressed Flight Barr & Barr mark to reverse. The second square in form with a lobed edge, decorated with gilt-blue repeating flower motifs. Impressed Flight Barr & Barr mark to reverse.

The third square in form with shaped corners, decorated with a blue ground and gilt highlights.

Impressed Flight Barr & Barr mark to reverse.

The pink ground dish 3.5cm high, 28.5cm wide, 23.5cm deep $400-600

112 A CHELSEA SOFT PASTE SERVING DISH 18TH CENTURY, CIRCA 1760 The oval dish with a petal form rim, decorated with sprays of flowers and a scene of exotic birds in landscape to centre. Painted gold anchor mark to reverse.

2.9cm high, 27.9cm wide, 22.1cm wide $400-600 113 TWO SIMILAR CHELSEA PORCELAIN DESSERT PLATES 18TH CENTURY, CIRCA 1760 Decorated with sprays of flowers, the borders with vignettes of birds in landscapes, within gilded scroll-moulded rims. Gold anchor mark to one plate and red anchor plate to the other.

22cm & 22.2cm diameter respectively $300-500

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121 THREE ENGLISH FLORAL DECORATED PLATES 19TH CENTURY The first, decorated with gilded palm fronds and garlands with small blue flowers. Painted and impressed factory mark for Flight Barr & Barr to reverse. The second, Spode, with a scale gilt ground decorated with four floral bouquets. No marks to reverse. The third plate, Coalport with interlinking gilded borders, decorated with painted flower heads. The centre bearing the monogram ‘GL’.

No marks to reverse.

18.5cm, 20.5cm & 21cm diameter respectively $300-500

122 THREE CHAMBERLAIN’S WORCESTER PORCELAIN 18TH/19TH CENTURY Comprising sucrier, a single coffee can and a bowl.

Each of wrythen form with cobalt blue and gilded decoration. The coffee can bearing a winged eagle head crest for the Horskins family along with the monogram ‘JWH’. The inside of the sucrier lid painted ‘Chamberlain’s Wor Warranted no. 66. in red; the coffee cup painted No. 66 in gold paint and the bowl bearing no. 61 in puce paint to underside of base.

The sucrier 15cm high, 15cm wide, 9.5cm wide. $200-300 123 FOUR ENGLISH GILDED TEA BOWLS AND UNDERPLATES 18TH CENTURY Three sets wrythern in form, the other of typical shape, all painted with classical motifs in gilded decoration. Two incised with a B to underside.

Each cup and saucer approximately 5.5cm high $300-500

124 FOUR SETS OF ENGLISH PORCELAIN TEA WARE 18TH & 19TH CENTURY The first set comprising a tea cup, coffee cup and saucer decorated in a blue and egg yolk palette, painted ‘Spode 4600’ to reverse in red. The second set, comprising a tea cup, coffee cup and saucer, decorated in gilt- blue stripes, no marks to reverse, Flight Worcester, circa 1785. The third set is Caughley, comprising a coffee can, saucer and underplate, decorated in Angouleme sprigs motifs, the coffee can and saucer with the crest and cipher of Sir John Webb of Oldstock, Wiltshire, no marks to reverse, circa 1785. The fourth set is Chamberlain’s Worcester, comprising a coffee cup, tea cup, saucer and underplate, decorated in Chamberlain’s pattern no. 2 with Chinese inspired floral motifs, ‘No. 2’ painted in red to reverse of underplate, circa 1797.

The Flight Worcester cup and saucer 7cm high $500-700 125 A COLLECTION OF WORCESTER PORCELAIN 18TH CENTURY Comprising a matching tea pot stand, bowl, coffee cup and saucer, all decorated with blue border with gold wreath and dot motifs to edges with blue flowers to centre. Together with two coffee cups and saucers, the first decorated in turquoise blue and gilt and the other with sprays of blue flowers with gilt highlights.

The tea pot stand 15cm wide $300-400 126 A RARE SARREGUEMINES FIGURAL JASPERWARE TOBACCO JAR 19TH CENTURY A smear glaze tobacco jar and cover, modelled as a toga-clad monkey bearing a lantern, standing in front of Diogene’s barrel, labelled ‘DIOGENE’.

All above a turning oval base impressed with the numbered 352 and the phrase ‘Je cherghe un singe?’, along with the letter T. 20cm high, 11.5cm wide, 17cm deep OTHER NOTES: Diogene’s was a Greek philosopher, who was well known for his philosophical stunts, which including carrying a lamp during daylight, claiming he was in search of an honest man, during the evenings he often slept in a large ceramic jar, as depicted in this example. $800-1,200

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PORCELAIN, OTHER PROPERTIES LOTS 127-138 127 A RARE FRENCH HAND PAINTED PORCELAIN DINNER SERVICE

BY OLERY Comprising a 20 main plates, 18 entree plates, 22 soup bowls, 19 side dishes, 9 tea cups and 17 saucers, a large circular serving platter, a lidded tureen, oblong serving platter, sugar bowl, creamer, pitcher and a serving bowl The dinner plates 26cm diameter $600-800 128 A PAIR OF BOCAGE PORCELAIN FIGURES

BY EDME SAMSON OF PARIS, LATE 19TH CENTURY Modelled in the manner of the Chelsea porcelain factory, each figures raised on shell cap and scroll bases, no factory marks.

24cm high, 25.5cm wide, 12cm deep $800-1,200 129 A LARGE DRESDEN PORCELAIN URN ON STAND

BY CARL THIEME, POTSCHAPPEL, CIRCA 1900 The baluster rococo style urn, in the Augustus Rex manner, finely painted with a classical scene to front with a floral bouquet to verso, the handles modelled as nymphs holding garlands of flowers, raised on a shaped square stand. The whole adorned with floral encrustations. The lid finial in the form of crown supported by amorini and bearing the arms of Saxony and Poland. The urn and stand both marked with underglaze T over crossed swords.

71cm total height including base, the base 26.5cm wide and deep $2,000-3,000 130 A PAIR OF FRENCH PORCELAIN URNS IN THE SEVRES MANNER, 19TH CENTURY Each of tapering ovoid form, painted with classical scenes of Diana and cupid to one side, with musical trophies to the reverse, each scene set against a rich cobolt blue ground, with enamelled embellishments.

The urns, mounted with twin gilt bronze lion head handles, raised on square platform base with splayed legs and each topped by a bud finial.

31cm high $2,000-3,000 131 A RARE MEISSEN PORCELAIN & ORMOLU CENTREPIECE CIRCA 1890 The intricate centrepiece, modelled with various exotic birds perched on porcelain and ormolu branches, emanating three sconces, all mounted on a shaped ormolu base, raised on four bracket feet.

Crossed swords mark to verso.

47cm high, 43cm wide, 29cm deep $4,500-5,500

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132 A SET OF CAPODIMONTE PORCELAIN FIGURINES OF THE FOUR SEASONS

BY GIUSEPPE CAPPE, CIRCA 1960S Each modelled as a cherub with holding symbols associated with each season. Marked with the N and crown mark to base and incised Cappe to verso.

9cm high, the widest 6cm $300-400 133 A WILLIAM MOORCROFT ‘PANSY’ EWER CIRCA 1911 Tapering in form, decorated with repeating pansy motif on a green ground to upper body, extending to a cream ground to lower body. Facsimile signature and impressed ‘Moorcroft Burslem’ mark to base.

28.5cm high $1,800-2,400 134 A WILLIAM MOORCROFT ‘POMEGRANATE’ VASE CIRCA 1950 Of compressed form with twin handles, having repeated pomegranate and blueberry motifs around the body against a deep blue ground, signed Moorcroft to base.

27.5cm high $1,000-2,000

135 A WILLIAM MOORCROFT ‘POMEGRANATE’ DISH CIRCA 1950 Of compressed form raised on a flared foot, having repeated pomegranate and blueberry motifs over the interior and exterior, signed Moorcroft to base.

7.5cm high, 27cm diameter $800-1,200 136 A WILLIAM MOORCROFT ‘PANSY’ VASE CIRCA 1930 Of tapered ovoid shape with a flared rim, having a repeated pansy motif against a deep blue ground, signed Moorcroft with impressed factory mark to base.

25cm high $800-1,200 137 A HAND PAINTED GERMAN PORCELAIN PANEL PROBABLY KPM, CIRCA 1900 The rectangular panel painted to depict a young female illuminated by candle light, framed.

The frame 19.5cm x 14.2cm $300-500 138 A PAIR OF JAPANESE IMARI VASES CIRCA 1900 Both fluted in form, decorated with dragons on a colourful floral ground.

36.5cm high, 19.5cm wide $600-800

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O B J E T D ’ A R T & S I LV E R LOTS 139-164

139 A CHINESE CLOISONNE COVERED VASE CIRCA 1920S The ‘Hu’ shaped vase with three mask and ring shaped handles, decorated with guardian lions, against a blue ground. The lid with a pierced ovoid finial. A four character mark to base 33cm high, 22cm diameter $300-500

144 A SMALL GEORGIAN HAND PAINTED MINIATURE PORTRAIT* CIRCA 1800 Depicting a lady reading in a garden setting, finely painted on ivory, framed and glazed.

The painting 5.5cm x 4.8cm, the frame 10.7cm x 10cm $400-600

140 A PAIR OF CHINESE CLOISONNE VASES EARLY 20TH CENTURY Of compressed baluster form, with ring handles, decorated with swallows and flowers against a cloud diaper ground.

26cm high, 16cm diameter $300-500

145 A HAND PAINTED MINIATURE PORTRAIT OF THE FIRST EARL OF DEVON* AFTER NICHOLAS HILLIARD, 20TH CENTURY, CIRCA 1920 Painted in the Elizabethan style, depicting Edward Courtenay, 1st Earl of Devon. Framed and glazed.

The painting 9.8cm x 7.7cm, the frame 13.7cm x 11.9cm $400-600

141 A LARGE CHINESE CLOISONNE TWIN HANDLED VASE 20TH CENTURY Baluster in form, decorated with repeating reserves with archaistic motifs, set against a white ground.

37cm high, 38cm wide $400-600 142 A JAPANESE CLOISONNE VASE CONVERTED TO A LAMP BASE MEIJI PERIOD (1868-1912), 19TH CENTURY The tapering vase, decorated with flowering bamboo against a red ground. No shade 69cm high, 18cm diameter $300-500 143 A FRENCH ONYX AND CHAMPLEVE DESK SET 19TH CENTURY Comprising chamber stick and paper weight.

7.5cm high, 24.5cm wide $300-500

146 THREE HAND PAINTED FEMALE PORTRAIT MINIATURES* 19TH & 20TH CENTURIES The first depicting the Empress Josephine, signed Fabry, framed and glazed.

The second depicting Marie Antoinette, signed illegibly, framed and glazed.

The third depicting a female, signed L. Wilkinson, housed in an oval brass frame.

The black frames 14.5cm x 13.3, the oval frame 10.5cm x 8.3cm $300-500 147 A HANDSOME CASED SET OF SCOTTISH PEARL SHELL CAVIAR BOWLS AND SPOONS Comprising a set of six pearl plates and matching spoons. The fitted case bearing a presentation plaque reading ‘Presented by the/ Tenants, Employees and Tradesmen, of/ Ballathie Estate/ To/ John T. Renton, Esq./ Factor/ On the occasion of his marriage/ 11th September, 1922’.

The box 46cm x 36.5cm $1,200-1,800

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148 A SHEFFIELD PLATE WINE COOLER 19TH CENTURY With internal liner, the tapering body cast and engraved in the Rococo taste, flanked by leaf cast handles, above a pierced and leaf cast foot.

23cm high $1,000-2,000 149 AN ASSEMBLED IRISH SILVER THREE PIECE TEA AND COFFEE SET DUBLIN, CIRCA 1825-1826 Comprising a coffee pot of maker’s mark James Le Bass, Dublin, 1826, with a fruit wood knop and handle; a teapot of maker’s mark Smith & Gamble, Dublin, 1826, with a fruitwood knop and handle; and a sugar vessel, maker’s mark rubbed, Dublin, 1825, with angular handles, each with later floral chased and embossed decoration and a fluted lower body.

26cm high, 15.5cm high and 12cm high $3,000-5,000 150 A FINE GEORGE II STERLING SILVER TWO HANDLED SALVER

BY GEORGE WICKES, LONDON, CIRCA 1744 Rectangular, with a pierced rim cast with grapes and vines, Bacchanalian male and female masks to each corner, flanked by scroll handles, centred by an engraved monogram within a foliate surround, raised on shell capped supports.

73.5cm wide across the handles $4,000-6,000 151 A GEORGE III STERLING SILVER BASKET

BY WILLIAM ALLEN III, LONDON, CIRCA 1802 The footed navette form basket with a finely reticulated border of geometric and foliate reserves, and a gadrooned rim.

The basket 10cm high, 37cm wide, 24.9cm deep $1,600-2,000

152 A GEORGE III STERLING SILVER LIDDED ENTREE DISH

BY WILLIAM FOUNTAIN, LONDON, CIRCA 1808 The rectangular dish with rounded corners, and a gadrooned rim, with a removable branch-form loop handle. Hallmarked to each piece, some marks rubbed.

10cm high, 30cm wide, 21.2cm deep $1,000-1,500 153 FOUR RARE GEORGE III STERLING SILVER BREAD AND BUTTER DISHES, BY THOMAS HAYTER & GEORGE SMITH, LONDON, CIRCA 1803-1807 Each dish with a shallow basin, and a reeded rim.

Two plates hallmarked by Thomas Hayter, circa 1807, and the other two by George Smith & Thomas Hayter, circa 1803.

Each dish 1.9cm high, 20.2cm diameter $2,000-3,000 154 A FINE SET OF SIX GEORGIAN SILVER GILT DESSERT KNIVES

BY MOSES BRENT, LONDON, CIRCA 1805 The reeded shell dessert knives bearing a Royal crest to the silver blade.

Each knife 21.6cm long, the blade 2.7cm wide $1,000-2,000 155 A PAIR OF STERLING SILVER BERRY SPOONS

BY WALTER TWEEDIE, LONDON, CIRCA 1770 Of typical design.

21.7cm long, 4cm wide $300-400 156 A STERLING SILVER ‘DU BARRY’ PATTERN FLATWARE SET

BY CARRS, SHEFFIELD Comprising a setting for twelve. Accompanied by matching napkin rings and associated paperwork, and housed in fitted canteen.

Canteen 11cm high, 48cm wide, 34cm deep $4,000-5,000 157 A GEORGE II STERLING SILVER SALVER

BY THOMAS FARREN, LONDON, CIRCA 1732 The tray with a pie crust edge, engraved to the centre with a Rococo border, enclosing a central coat of arms, the whole raised on three hoof feet.

21.5cm diameter, 3.6cm high $2,000-3,000

152

158 A GEORGE IV STERLING SILVER TEA AND COFFEE SERVICE

BY REBECCA EMES & EDWARD BARNARD, LONDON, CIRCA 1808 - 1827 The four piece set consisting of coffee pot, tea pot, sugar and creamer. Each of pumpkin form, with acanthus leaf mounted handles and raised on four shell capped feet. The tea and coffee pot both with finely cast pumpkin-form finials.

The coffee pot 21cm high $1,800-2,000 159 A PAIR OF FRENCH SILVER CANDLESTICKS

BY FRANCOIS-ALPHONSE DEBAIN, PARIS, CIRCA 1850 Modelled in the Rococo fashion, tapering with scrolling floriate decoration. The footrim marked with Debain’s mark along with a French duty mark.

Each 28.5cm high $800-1,200 160 A RUSSIAN NIELLO SILVER SNUFF BOX PROBABLY ALEXANDER AFANASIEV, MOSCOW, CIRCA 1880S The small rectangular box with rounded corners, the whole covered in repeating geometric motifs in niello, enclosing a gilt wash interior. Marked AA, along with 84.

2.3cm high, 7.4cm wide, 4.9cm deep $500-700

162 A PAIR OF SALT CELLARS BY PETER, ANNE & WILLIAM BATEMAN TOGETHER WITH TWO SALT SPOONS BY PETER AND ANNE BATEMAN Each salt cellar of navette form, with bright cut garland border, raised on fluted legs with a blue glass liner. The spoons of typical form with bright cut decoration to handle.

The cellars 5.5cm high, 8.8cm wide, 5.3cm deep.

The spoons 9.3cm long $600-800 163 A SET OF QUEENS PATTERN STERLING SILVER FLAT WARE GEORGIAN & VICTORIAN, 19TH CENTURY Comprising a cutlery setting for six people, plus a pair of sauce ladles, two salt spoons and a pair of sugar tongs.

The soup ladles 17cm long $4,000-6,000 164 A VICTORIAN STERLING SILVER MOUNTED CRYSTAL CLARET JUG

BY WILLIAM GOUGH, BIRMINGHAM, CIRCA 1867 The hinged cover and collar engraved with pendants, above a silver girdle, flanked by a shellcast spout, the body etched and carved with vertical bands, flanked by a scroll handle cast with a griffin.

24.5cm high $800-1,200

161 A VICTORIAN AESTHETIC STYLE BACHELOR TEA SERVICE PROBABLY JAMES REID, GLASGLOW, CIRCA 1899 Comprising teapot, creamer and sugar pot. Each piece inspired by Indian taste, and decorated with a band of reserves representing the twelve symbols of the zodiac.

The teapot 13cm high, 17cm from handle to spout $1,000-2,000

19

CLOCKS

170 A RARE FRENCH EMPIRE DOUBLE FUSEE ORMOLU MOUNTED MARBLE MANTEL CLOCK, 19TH CENTURY The white carrara marble mantel clock with enamel dial with 8 day movement, hour striking movement.

50cm high, 33cm wide, 12.5cm deep

LOTS 165-186

PROVENANCE: The Ken Hose Collection $4,000-6,000 171 A CHAMBER ORGAN DAVRANVILLE, FRANCE, CIRCA 1837 A rectangular mahogany cabinet with a pair of glazed doors to the upper section, providing access to the organ above a pair of blind panelled doors to the lower section. Behind the lower doors three full width drawers each with holders for two music barrels for the organ. Music mainly by Rossini. Weight driven movement with spiral action controlling bellows and supplying air to thirty two wooden pipes.

212cm height, 103cm width, 55cm depth PROVENANCE: The Ken Hose Collection $2,000-4,000 170 165 A WEIGHT DRIVEN MASTER LONG CASE REGULATOR CLOCK MAGNETA, LONDON The mahogany case with glazed door to upper section, fixed hood with shallow arch to top, stepped plinth base below glazed door. The painted dial signed Magneta- London. The movement of eight day duration with single weight driving the escapement through a remontoir system whilst driving a magneto to be impulsed each minute with such speed as to generate enough power to power sixty salve clocks. Side wound movement 230cm height, 51cm width, 30cm depth PROVENANCE: The Ken Hose Collection $600-800 166 A FLOOR STANDING REGULATOR DAVID FALKS & CO, MANCHESTER With domed top and silvered dial. Zinc compensating pendulum. The dial signed David Falks & Co.- Manchester 197cm height, 60cm width, 27cm depth PROVENANCE: The Ken Hose Collection $4,000-6,000

167 AN ENGLISH WALL REGULATOR CLOCK

BY GIBSON, LONDON, MID 19TH CENTURY The oak cased weight driven regulator having a circular dial with two subsidiary dials with deadbeat escapement. Signed J. Gibson, London to dial.

161cm high, 48cm wide, 20cm deep PROVENANCE: The Ken Hose Collection $4,000-6,000 168 A RARE BLACK FOREST AUTOMATA CLOCK CIRCA 1880 Modelled as a house, the upper body featuring a female with broom. The weight driven clock with 30 hour movement.

63cm high (excluding weights and chains)

PROVENANCE: The Ken Hose Collection Acquired from the Carlton United Victoria brewery $4,000-6,000 173 A LARGE SWISS WHEEL CUTTING MACHINE PREVIOUSLY OWNED BY FRITZ ZIEGELER, CIRCA 1880 Of painted cast iron.

75cm high, 88cm wide, 48cm deep PROVENANCE: The Ken Hose Collection

PROVENANCE: The Ken Hose Collection $1,500-2,000

LITERATURE: Illustrated in Ziegeler: Melbourne’s Clockmaker, Complied by Ken & Judy Hose, 2008, pg 153-154.

169 A LONG CASE CLOCK

BY RICHARD BAKER, CIRCA 1750-60 The weight driven clock with 8 day movement, hour striking on bell.

OTHER NOTES: Johann Frederick Wilhelm Ziegeler was born in Hanover, Germany in 1855. He completed an apprenticeship in scientific instrument trade and subsequently spent the following years travelling and working around Europe, where he spent time working for Messrs. T Cook & Sons, clockmakers in York, England.

PROVENANCE: The Ken Hose Collection OTHER NOTES: Richard Baker was a clock maker of repute, and father to Pointer Baker. $4,000-6,000 20

172 A RARE TOWER CLOCK ON STAND

BY T. GAUNT, CIRCA 1880 Three train, ting tang strike on quarters, with gravity escapement.

In 1888, Ziegeler decided to immigrate to Australia, where he was engaged by Mr Newman, a wellknown leading Melbourne clockmaker. After two years under Newman’s direction, Ziegeler started his own business, specializing in the manufacture of large clocks, in fact many of his clocks grace the buildings of Melbourne. He later retired in 1923. $4,000-6,000 174 A GEORGE III LONG CASE CLOCK

BY JAMES BARNARD, SITTINGBOURNE, CIRCA 1820-30 The weight driven clock with 8 day movement, bell strike on hour. The painted dial decorated with two cornucopia flanking a central bird and globe motif.

The dial signed J. Barnard, Sittingbourne.

210cm high, 44.5cm wide, 22cm deep $2,000-3,000 175 A LARGE FRENCH FIGURAL BRONZE AND SIENNA MARBLE MANTEL CLOCK CIRCA 1820 The figurative bronze mount modelled as a seminude Pandora, peering into a small box in her hand, leaning against the domed Sienna marble top, which frames the circular engine turned dial, all raised on a rectangular base with friezes of classical inspired acanthus leaves, raised on acanthus scroll feet.

The clock with a countwell strike movement and silk suspension.

77cm high, 44cm wide, 19cm deep $5,000-6,000 176 A FRENCH LOUIS XVI STYLE GILT METAL CLOCK GARNITURE 19TH CENTURY Comprising a mantel clock and a matching pair of six sconce candelabras. The clock, waisted in form, flanked by figural head loop handles, with an engraved circular clock face, set with porcelain reserves for each hour, beneath a classical urn form mount with a flamiform finial. The lower body inset with latticed panels, with acanthus leaf mounts, above a four block feet. The candelabras, decorated in a similar manner. With an 8 day countwell strike on bell movement.

The clock 70cm high, 34cm wide, 29cm deep $3,000-4,000

178 A FRENCH THREE PIECE BRONZED AND MARBLE CLOCK GARNITURE 19TH CENTURY The clock modelled as a female Goddess overseeing the work of a young blacksmith, mounted onto a varigated marble clock with bracket feet. The matching candelabra adorned with nymphs. Signed Ch. Vely, to the figural group.

The garnitures 78cm high $2,000-3,000 179 A LARGE FRENCH EMPIRE PORTICO CLOCK 19TH CENTURY The Neoclassical style gilt bronze clock, architectural in form, supported by Roman corinthian columns, flanking a central engine turned dial set within a circular garland. The dial signed L’Epine A Paris.

54cm high $3,000-4,000 180 A LARGE SEVRES PORCELAIN AND ORMOLU MOUNTED CLOCK 19TH CENTURY The gilt metal clock baluster in form, and adorned with two putti to each side, beneath a urn form Sevres porcelain mount painted with a young wheat crop farmer. The clock dial and lower body inset with hand painted Sevres porcelain panels, each decorated with wheat themes.

57.5cm high $4,500-5,500 181 A FRENCH SEVRES PORCELAIN INSET GILT METAL CLOCK LATE 19TH CENTURY The clock with acanthus scroll motifs, and inset with Sevres porcelain panels decorated with flowers, birds and a cherub. The porcelain dial signed Picard Her, 9, Rue Monge.

47cm high $2,000-3,000 182 A FINELY CAST CONTINENTAL ORMOLU BRONZE CLOCK GARNITURE CIRCA 1890 Elaborately cast with acanthus, scrollwork and cherub. The dial signed E. Schmoll, Ft De bronzes, Paris $9,500-11,000

175

184 A CHINESE CLOISONNE MANTEL CLOCK 20TH CENTURY The brass and glass cased clock inset with floriate decorated cloisonne panels and columns.

45cm high, 27cm wide, 17cm deep $1,800-2,200 185 A FRENCH ART DECO PATINATED BRONZE AND MARBLE MANTEL CLOCK

BY LIMOUSIN, CIRCA 1930S The shaped portoro and pink marble base mounted with figures of Pierrot et Pierrette, flanking the movement. The reverse signed Limousin France’ With an 8 day countwell strike on bell movement.

32cm high, 55cm wide, 17cm deep $1,200-2,000

186 177 A FRENCH MODERNIST FOUR GLASS A LARGE FRENCH BRONZE AND ROUGE AND CHROME MANTLE CLOCK MARBLE MANTEL CLOCK 183 CIRCA 1930 19TH CENTURY A FRENCH EMPIRE STYLE CLOCK GARNITURE The chromed brass and glass cased clock, typical in The patinated bronze figure modelled as a young 19TH CENTURY, CIRCA 1880 design for the Art Deco period. The top and sides female receiving a love note from Cupid, bearing The empire style clock, inspired by the Neoclassical adorned with cylindrical columns. a title plaque reading ‘Le Messenger Par Anglade’, period. The slate clock having a winged cherub 38cm high, 40.5cm wide and also signed Anglade to side, all above a holding a torch standing in a two dove drawn $1,500-2,000 classical style rouge marble base inset with a circular chariot above a baluster urn form body inset with an dial, signed, ‘Diguet Boulay a’ Chateaudun’, the engine turned dial, flanked by two swans. With an 8 marble nicely mounted with ormolu and raised day movement, bell strike. The associated garniture on splayed legs. With an 8 day countwell strike modelled as pan holding two sconces. movement.

The clock 42.5cm high 78cm high, 47cm wide, 22cm deep $1,800-2,500 $2,500-3,500 21

FURNITURE & FURNISHINGS LOTS 187-274

187 A FINE NAPOLEON III QUEEN SIZE BED CIRCA 1870 In carved ebony, satinwood and brass inlaid, the foot featuring a parquetry cartouche of birds nesting 170cm high (head), 139cm wide, 311cm long $2,000-3,000 188 ARTIST UNKNOWN 20th Century Still Life Oil on canvas (Unframed) 112cm x 86cm $800-1,200 189 A FINE PAIR OF MIRRORED PERSIAN PICTORIAN RUGS CIRCA EARLY 20TH CENTURY Decorated with figures, birds and animals in a garden scene against a dark blue ground, surrounded by a scrolling foliate border.

Approximately 201cm x 136.5cm $2,000-4,000 190 A FRENCH GRIOTTE MARBLE INSET EBONIZED JARDINIERE STAND IN THE MANNER OF GABRIEL VIARDOT, 19TH CENTURY The pedestal of carved and ebonized wood, with decorative apron and legs. The top inset with a beautifully figured griotte marble panel.

100.5cm high, 45cm wide, 45cm deep $800-1,200

192

191 A CONTINENTAL GILDED WALL MIRROR The rectangular mirror inset into a gilt frame with scrolling appliqué, on bun feet. $600-800 192 A FRENCH CHINOISERIE LACQUERED CHEST ON STAND 20TH CENTURY The whole decorated in gold painted scenes over black lacquer, having fielded doors applied with floral engraved metalwork, enclosing a single shelved space above two drawers, raised on four square cut legs terminating in carved scrolls 153.2cm high, 101cm wide, 52cm deep $4,000-6,000 193 A RARE PAIR OF BRITISH REVERSE PAINTED ON GLASS PRINTS EARLY 19TH CENTURY, CIRCA 1806 Each honouring the British Navy, presented in ebonised and gilded frames Each approximately 25.5 x 36cm $600-800

22

194 A PAIR OF ENGLISH REGENCY SIDE CHAIRS 19TH CENTURY Each with turned rope twist top rail, back splat with brass stud mounts and cane seats, over sabre legs.

81cm high, 44cm wide, 40cm deep $500-700 195 A WILLIAM IV ROSEWOOD TEA POY CIRCA 1835 Of sarcophagus form, the hinged top lined with beading and opening to a fitted interior, comprising four square lidded canisters with tin lining, flanking two central glass inserts, the whole raised upon a carved pedestal and a gadrooned platform base, terminating on four claw feet.

82cm high, 43cm wide, 33cm deep $1,000-2,000 196 AN ANGLO-INDIAN ROSEWOOD VENEERED AND EBONY BREAKFAST TABLE 19TH CENTURY The rosewood veneered flip-top, with a carved ebony leaf tip border, raised on a solid ebony fluted and scroll decorated stem above on a quadripartite base with four bun feet.

135cm diameter $1,500-2,500 197 AN ANGLO-INDIAN ROSEWOOD LINEN PRESS 19TH CENTURY The deep moulded cornice above barley twist columns flanking two fielded doors enclosing a single shelf above two drawers, sitting upon a larger matching cupboard enclosing shelves, raised on turned feet.

208cm high, 126cm wide, 53.5cm deep $2,000-3,000 198 A CEYLONESE INDO-DUTCH TEAK AND EBONY LINEN PRESS 19TH CENTURY The moulded ebony cornice and fascia, above ebony columns flanking teak doors with four fielded panels, framed in ebony and inlaid with ebony and bone flower motif, sitting upon a teak base featuring two drawers with further ebony inlay, above a decorative pierced apron of scrolling acanthus leaves, raised on turned legs.

172.5cm high, 122cm wide, 55cm deep $1,500-2,500 199 A SET OF THREE GOOD QUALITY ANGLOCEYLONESE SATINWOOD CHAIRS LATE 19TH CENTURY Modelled in the Victorian style with ballon backs and carved splats, each inset with a cane seat.

87.5cm high, 42cm wide, 35cm deep $300-500

200 AN IMPRESSIVE ANGLO-CEYLONESE TEAK BREAKFRONT ARMOIRE 19TH CENTURY The solid teak wardrobe elaborately carved with flowers, foliage, human figures, cats and dogs.

The whole surmounted by a central eagle with outstretched wings, flanked by two doves, all with coral inset eyes.

Approximately 248cm high $1,200-2,000

206 AN ENGLISH COMMODE IN THE LOUIS PHILIPPE MANNER

BY JAMES SHOOLBRED & CO, CIRCA 1870 The marble plate top having rounded corners and moulded edges, above a shallow shaped front drawer and three lower drawers, raised on moulded bracket feet, the maker’s mark ‘JAS SHOOLBRED & CO’ stamped along the top of each drawer 92cm high, 127cm wide, 56cm deep $600-800

201 A SUBSTANTIAL CEYLONESE INDO-DUTCH COLONIAL CHEST ON STAND EARLY 19TH CENTURY AND LATER Recently refurbished with three drawers to the right and left sides, one deep drawer serving as a cellarette.

112.5cm high, 178cm wide, 87cm deep $1,500-2,500

207 A VICTORIAN CEDAR FLIP-TOP BREAKFAST TABLE LATE 19TH CENTURY The circular top with a moulded edge, raised upon a turned pedestal and carved tripod claw feet 73cm high, 127cm diameter $1,000-2,000

202 ARTIST UNKNOWN (Flemish or Dutch, 18th century) Still life with game oil on canvas unsigned, each nicely framed in ebonised frames with carved scrollwork Each frame 111cm x 89cm $4,000-6,000 203 A RARE DUTCH DOUBLE BUREAU CIRCA 1760 The whole comprising three sections, in mahogany veneered on oak, beginning with two drawers above double fall-front bureaus enclosing fitted interiors, the lower portion with three drawers above an apron front, applied with pierced brass escutcheons and two pairs of campaign handles, raised on curved legs applied with ormolu.

154cm high, 83cm wide, 41cm deep $4,000-7,000 204 AN AFGHAN TURKOMAN STYLE RUNNER 20TH CENTURY Decorated with octagonal guls surrounded by a diamond lattice border.

657cm x 86cm $500-700 205 A FLAME MAHOGANY CONCAVE TWIN DOOR SIDEBOARD 19TH CENTURY Having an unusual concave form, the concave back and top, above two moulded drawers and bookmatched veneer doors, flanked by columns terminating on turned feet 118cm high, 112cm wide, 55cm deep $700-1,000

208 A SMALL DUTCH MARQUETRY CORNER CABINET 18TH CENTURY Floral marquetry and string inlay to overall, the moulded top above a single door with a fielded arched panel, raised upon moulded bracket feet 89cm high, 75cm wide, 46cm deep $1,200-1,400 209 A FRENCH CUSHION FRONTED MIRROR 19TH CENTURY Rectangular, the central projecting plate within a canted mirror panelled surround, the whole applied with foliate embossed brass mounts 136cm x 102.5cm $1,000-1,500 210 A PERSIAN SAROUQ MIR BOTEH CARPET CIRCA 1960S With classic design of all-over Mir Boteh (Paisely) motifs set within a cream field. Major scroll-design border, minor borders of flower heads. The hand knotted rug of 100% hand-spun wool pile with natural dyes.

260cm x 140cm $1,000-2,000 211 A GOOD QUALITY VICTORIAN CAST BRASS FIRE FENDER LATE 19TH CENTURY Adorned with rampant lions to each corner.

39cm high, 163cm wide, 43cm deep $600-800 212 A GOOD QUALITY VICTORIAN CAST BRASS FIRE FENDER LATE 19TH CENTURY The whole decorated with fluted columns and scrollwork.

30cm high, 151cm wide, 38cm deep $500-700

23

221 A VICTORIAN STYLE MAHOGANY FOLDING CAMPAIGN ARMCHAIR 20TH CENTURY The collapsible frame applied with brass hinges and pins, the back, seat and arms covered in button upholstered burgundy leather, raised upon four turned legs on large brass castors 104cm high $1,600-2,000 222 A LOUIS XV STYLE BOMBE COMMODE 20TH CENTURY Of typical bombe form, the shaped marble plate, above three drawers, veneered in kingwood and burr walnut, marquetry inlay, applied with ornate brass handles and escutcheons, raised on four square splayed legs 94cm high, 137cm wide, 55cm deep $2,500-3,500 216

213 AN ITALIAN ROCOCO INSPIRED GILT-WOOD CARVED MIRROR EARLY 20TH CENTURY The rectangular plate mirror with a decorated gilt wood frame with C-scroll decoration to each corner and joined by floral garlands.

150cm x 85.5cm $800-1,200 214 AN ITALIAN CARVED GILTWOOD AND MARBLE PLATE CONSOLE TABLE 18TH CENTURY Rococo inspired, the serpentine white marble top raised upon a heavily ornate base with a frieze and apron featuring relief scrolls, flowers and wreaths, supported by two ‘C’ scroll formed legs united with an acanthus and floriate stretcher.

80.5cm high, 116cm wide, 42.5cm deep $1,800-2,500 215 A CAUCASIAN STYLE RUNNER 20TH CENTURY Decorated with square guls and animal figures against a deep blue ground, surrounded by a cup and leaf border.

290cm x 80cm $400-600 216 A PAIR OF LOUIS XV STYLE GILTWOOD BERGERES 19TH CENTURY The gilded frames having carved shells, flowers and scrolls, the backs, seats and arms upholstered in pink silk, embroidered with crewel work flowers.

102cm high $2,000-3,000

24

217 ARTIST UNKNOWN 20th century Two life drawing studies Pencil on paper Both mounted and framed, depicting a nude male sitter Largest 41.5 x 23.5cm $400-600 218 ARTIST UNKNOWN 20th century Portrait Charcoal on paper Presented in a gilded frame 44cm x 36cm $400-600 219 A LATE GEORGIAN FOLD-OVER GAMES TABLE EARLY 19TH CENTURY Having a rounded hinged top, string inlaid throughout, standing on four turned legs 72.5cm high, 92cm wide, 45cm deep $800-1,200 220 AN ENGLISH OAK GOTHIC REVIVAL CABINET Having a deep moulded cornice and fascia, above carved mythological motifs, the arcade of two arches supported on corinthian columns enclosing a recessed space, above two doors with decorative carved panels, two drawers, and another recess at the bottom, flanked with turned supports, the whole raised on bun feet 178cm high, 93cm wide, 48cm deep $1,000-2,000

223 A FRENCH MARQUETRY MARBLE TOP DRESSER 19TH CENTURY The upper body with a circular mirror inset into a rectangular frame with two classical inspired ormolu mounts to headboard joining to two small drawers, above a marble plate and two marquetry veneered drawers flanked by two further classical inspired ormolu mounts, and all raised on four tapering legs.

146cm high, 96cm wide, 52.5cm deep $1,000-2,000 224 A FINE FRENCH EMPIRE ORMOLU BRONZE FIRE FENDER CIRCA 1820 In the form of two plinths surmounted with opposed crouching lions in gilded bronze, above heraldic releifs of paired swans holding festoons, the front fender mounted with two brackets also applied with gilded bronze reliefs featuring swans 34cm high, 112cm wide, 9cm deep $1,500-2,500 225 A FINE WILLIAM IV FOLD-OVER GAMES TABLE CIRCA 1935 The hinged top with chamfered corners opening to a felted surface, brass string inlay to the top and freize below, raised upon a carved square and foliate pedestal and a quadrapartite base, terminating on ornate brass caps on castors 72cm high, 89cm wide, 89cm deep (extended) $1,500-2,500 226 A GILT-WOOD CONSOLE TABLE WITH PAINTED FAUX MARBLE TOP SIGNED A. DANJON, 1899 Of serpentine form, the green toned faux marble top, above a frieze and carved apron with central Bacchanalian mask, flanked with acanthus scrolls, standing on two serpentine legs 78cm high, 152cm wide, 57.5cm deep $1,000-2,000

227 A FRENCH DECORATIVELY CARVED GILTWOOD CHAIR 19TH CENTURY The carved back rail depicting a reclining lady, with figural supports and a scroll floriate splat, above a cushioned swivel seat featuring a carved rosette, the base also heavily carved with four outsweeping legs with cross stretchers 87cm high, 64cm wide, 64cm deep $500-700 228 A SMALL FRENCH CUSHION FRONTED MIRROR 19TH CENTURY Rectangular, the central projecting plate within a canted mirror panelled surround, the whole applied with foliate embossed brass mounts 93cm x 60cm $400-600 229 ARTIST UNKNOWN 19th century Young Women on a Terrace, 1857 oil on canvas bears signature and date ‘H. Kotarbinsky/Roma 1857’ lower right 228cm x 150cm $1,500-2,500 230 A WILLIAM III OAK COURT CUPBOARD LANCASHIRE, CIRCA 1699 Elegantly carved throughout with a repeated flat carved scroll motif. The open canopy with spiralturned front supports, above a middle-section frieze with turned end-pendants with the initials and date ‘WGE 1699’ carved to the centre, enclosing a pair of recessed cupboard doors with carved panels, the lower-section with drawers and centred by an inlaid bird, over a pair of cupboard doors, the front stile supports with a band of chequered-inlay 198.5cm high, 138cm wide, 48cm deep $2,500-3,500 231 A GEORGE III FLAME MAHOGANY SECRETAIRE BOOKCASE CABINET EARLY 19TH CENTURY The moulded cornice above two astragal glazed doors, enclosing shelves, sitting upon a draw front secretaire fitted with pigeon holes and drawers and leather inset, above two cupboard doors, raised upon bracket feet 219cm high, 108cm wide, 53.5cm deep $1,200-1,800 232 A WILLIAM IV FLAME MAHOGANY ASTRAGAL GLAZED BOOKCASE CABINET CIRCA 1835 Of generous proportions, the pelmet with flanking scrolls above two astragal glazed doors opening to two sets of shelves, sitting upon a cabinet with two inlaid doors, raised upon bracket feet 235cm high, 144cm wide, 56.5cm deep $1,500-2,500

233 A GEORGE III FLAME MAHOGANY ASTRAGAL GLAZED BOOKCASE CABINET EARLY 19TH CENTURY The shallow moulded cornice, above astragal glazed doors enclosing shelves, and three small drawers, sitting upon a chest of four larger drawers, raised on bracket feet 237cm high, 125cm wide, 50.5cm deep $1,200-1,800 234 A SUBSTANTIAL WILLIAM IV MAHOGANY EXTENSION DINING TABLE CIRCA 1835 Having ‘D’ ends, raised upon two tripod leg pedestals with carved acanthus leaf motifs, on castors 71cm high, 46cm wide, 143cm long, (238cm approximately including leaves) $2,000-4,000 235 A WILLIAM IV MAHOGANY TILT-TOP BREAKFAST TABLE CIRCA 1835 Having an almost square tilt-top, raised on a turned pedestal supported on four outsweeping legs, terminating on brass caps on castors 72cm high, 138cm long, and 150cm wide $800-1,200 236 AN OAK REFECTORY TABLE IN THE 17TH CENTURY MANNER 20TH CENTURY Of pinned construction, the solid oak plank top sitting upon a detachable base consisting of three pedestals united with a central stretcher 74.5cm high, 306cm long, 113cm wide $4,000-6,000 237 A SET OF EIGHT FRENCH PROVINCIAL LADDERBACK CHAIRS 20TH CENTURY The turned stiles with carved ribbon slats, continuing down to square cut back legs, the rush seats raised upon turned front legs all united with stretchers 110cm high, seat 47.5cm high $1,600-2,600 238 A WILLIAM IV ROSEWOOD FOLD-OVER GAMES TABLE CIRCA 1835 The rectangular hinged top with rounded corners, opening to a felted surface, raised on a beautifully carved pedestal, terminating on a circular base upon four heavily carved scroll feet 72cm high, 92cm wide, 45cm deep $800-1,200

239 AN OAK CARVER 18TH CENTURY The crest rail dividing into three arches with a central upholstered splat, above out swept arms terminating in scrolls, the upholstered seat raised upon turned front legs and stretchers 129.5cm high $400-600 240 AN ENGLISH CROMWELLIAN OAK AND LEATHER CHAIR 17TH OR 18TH CENTURY Of typical design, the back and seat covered in studded leather, the oak frame incorporating finely turned stiles, front legs and stretcher, M.E.W.W carved to the underside of the seat.

86cm high $800-1,200 241 A PERSIAN TABRIZ CARPET 20TH CENTURY The traditional tabriz design of bold hexagonal medallion and quartered corner medallions in a red background of stylized palmettes, floral sprays & leaf forms, with a major border of palmettes and leaf forms and minor border of flower heads. The finely hand-kotted100% wool carpet of dense pile, and hard-wearing.

290cm x 190cm $1,500-2,000 242 A PERSIAN ‘TREE OF LIFE’ SEMNAN CARPET With classic pictorial ‘Tree of Life’ design with central garden urn bearing floral foliage set against double floral ‘Tree of Life’ forms and birds of paradise.

Border of palmettes and tendrils. The hand-knotted rug of 100% hand-spun wool and organic vegetable dyes, with antique pile.

195cm x 132cm $1,500-2,000 243 A GEORGE III WALNUT VENEERED FALL-FRONT BUREAU CIRCA 1800 The rectangular top above a drop front writing surface enclosing an interior fitted with drawers, pigeon holes and storage compartments, the lower section with an arrangement of four long cockbeaded drawers with brass drop ring handles, the whole with walnut veneer and cross banded inlay, raised on bracket supports 98cm high, 91.5cm wide, 47.5cm deep $1,600-3,200 244 GUNTHER BASZEL (1902-1973) Portrait oil on canvas signed lower left: BASZEL 94 x 62cm

PROVENANCE: Private collection, Melbourne $2,000-4,000 25

253 A GERMAN IRON ARMADA CHEST NUREMBERG,17TH CENTURY The solid cast iron chest, with a concealed key escutcheon to lid, and a secure locking system. The lid opening to reveal a painted cavity.

51.5cm high, 60.5cm wide, 46cm deep $3,000-5,000 254 A PAIR OF DECORATIVE OVAL MIRRORS Each mounted into a ebonised oval frame, with a smoked glass plate.

75cm x 58cm $600-800

253 245 A FRENCH MARBLE TOP MARQUETRY COMMODE 19TH CENTURY Of petit proportions, the three drawer commode, having a serpentine rouge marble top, inlaid with reserves of floral marquetry decoration to the drawers and sides, and additionally mounted with gilt bronze ornamentation to corners, apron and feet, raised on splayed legs.

89cm high, 90cm wide, 46.5cm deep $2,000-2,500 246 A NAPOLEON III CUT-BRASS AND BOULLE INLAID EBONIZED SECRETAIRE CIRCA 1860 The modest- sized ladies secretaire, nicely inlaid with cut brass scrolls, with five drawers and a central drop down door revealing a magenta coloured velvet writing surface, and blonde amboyna interior, the whole with a rouge marble top, ormolu mounts and raised on four bun feet.

139cm high, 74.8cm wide, 35cm deep $2,500-3,000 247 A PERSIAN HERIZ CARPET CIRCA 1950s With a rare design of bold angular anchored medallion set within a terracotta-toned field of stylized floral patterns and leaf forms. The border of herati patterns and rosettes. The hand-spun wool pile with natural organic tones and finely hand-knotted city weave from the East Azerbaijan province.

388cm x 283cm $2,200-2,500

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248 A RARE LEATHER UPHOLSTERED PSYCHIATRIST’S CHAIR CIRCA 1930 Of elongated generous proportions, upholstered in a tan leather with a Swiss wool back, on castors 74cm high, 87cm wide, 121cm deep $1,200-1,500 249 A PSYCHIATRIST’S LEATHER UPHOLSTERED TUB CHAIR CIRCA 1930 Upholstered in a tan leather with a Swiss wool back.

66cm high, 83cm wide, 87cm deep $800-1,200 250 A FRENCH ORNATE MIRROR-BACK ADVERTISING SIGN CIRCA 1880 The large sign, reverse painted in black and gold.

Originally a sign from a Paris based laundry 220cm x 120cm $1,200-1,500 251 A FRENCH ORNATE MIRROR-BACK ADVERTISING SIGN CIRCA 1880 The narrow sign, reverse painted in black and gold.

Originally a sign from a Paris based laundry 235cm x 44cm $600-800 252 A NOMADIC PERSIAN AFSHAR RUG 20TH CENTURY With a design of double rows of hooked medallions containing tribal amulets, with a border of alternating rosette motives. The 100% wool rug, of hand-knotted nomadic weave in virbant organic dye tones.

240cm x 150cm $1,500-2,000

255 RENA NICHOLSON Still life with peacocks, parrot and fruit oil on board signed lower right, housed in elaborate gilded frame 74.5cm x 99.5cm $1,000-2,000 256 A FRENCH MARQUETRY BOMBE BUREAU DE DAME 19TH CENTURY Serpentine in form, the lid opening to reveal a fitted interior and a leather writing surface, above three lower drawers, and raised on four cabriole legs. The whole inset with paquerty veneer, with a central shell shaped reserve with herringbone inlay.

96cm high, 71cm wide, 43cm deep $1,000-2,000 257 A GEORGE III MAHOGANY GATELEG FOLDOVER TEA TABLE EARLY 19TH CENTURY The front with a single drawer with the original brass handles and supported on circular tapering supports with pad feet.

71cm high, 74cm wide, 35cm depth $1,200-1,500 258 A GEORGE III MAHOGANY WINE TABLE EARLY 19TH CENTURY The square table top with rounded edges, raised on a turned stem and tripod base.

77cm high, 49cm wide, 49cm depth $1,200-1,500 259 AN ENGLISH FLAME MAHOGANY SIDEBOARD 19TH CENTURY With three drawers, raised on four fluted tapering legs, on castors.

101cm high, 117cm wide, 52cm deep $800-1,200

260 A CHIPPENDALE MAHOGANY CHEST ON CHEST CIRCA 1760 The upper body with fretwork freize above two small and three large drawers, the lower body with three large drawers above bracket feet.

177cm high, 110cm wide, 59cm deep $1,500-2,500

267 A PAIR OF FRENCH HOLLYWOOD REGENCY BERGERES CIRCA 1940S With shaped back supports and covered in a pale peach upholstery 103cm high $1,200-1,800

262 A VICTORIAN AESTHETIC MOVEMENT BLACK LACQUER PAPIER-MACHE TABLE CIRCA 1870 The table with two circular tiers, each inset with mother of pearl decoration, joined by three faux bamboo legs 74cm high, 36cm wide $500-700

268 A STYLISH ITALIAN WALNUT DESK CIRCA 1930s Of subtly curved rectangular form, having five drawers with moulded dark wood handles, two tiers of recessed shelving extending around the back to the right hand side, the whole raised upon four tapered legs 78cm high, 152cm wide, 72cm deep $600-800

263 A LARGE PERSIAN DESIGNER VINTAGE KERMAN CARPET 20TH CENTURY With classic Kerman design of bold floral medallion and wide elaborately designed border set within a coral-toned field of floral bouquets.

The hand-knotted rug of 100% wool.

414cm x 290cm $2,000-2,500 264 AN IMPRESSIVE PERSIAN GOLPAYEGAN CARPET 20TH CENTURY With traditional design of double anchored elongated medallion and corner medallions in a red field of bold floral Herati Mahi patterns and Heratidesign border. The 100% wool rug, hand-knotted city weave from the Isfahan province.

320cm x 209cm $1,400-1,600 265 A FINE PAIR OF FRENCH ART DECO TUB CHAIRS CIRCA 1930 The walnut chairs, of typical form, each with a rounded back, deep seats, and both covered in their original fabric, raised on reeded ovoid shaped supports, on bun feet.

71cm high, 63cm wide, 64cm deep $1,600-2,000

269 AN ITALIAN BUFFET ATTRIBUTED TO PAOLA BUFFA, CIRCA 1940s Surmounted with a scalloped back, having two doors with inset panels featuring decorative painted chinoiserie scenes, flanking three drawers, raised upon two pairs of flared moulded legs united with stretchers 96cm high, 161cm long, 45cm deep $1,500-2,500 270 A FRENCH TWO-DOOR ‘FUSEAUX’ CABINET ATTRIBUTED TO EMILE-JACQUES RUHLMANN, CIRCA 1930 The rectangular two-door cabinet, with palisander cross banding and ivory string inlay surrounding burl walnut panels. The whole raised on four faceted ‘fuseaux’ (spindle-shaped) legs, terminating in silvered brass sabot.

96cm high, 97cm wide, 52cm deep $1,500-2,500

271 A FRENCH ART DECO WROUGHT IRON FRAMED MIRROR CIRCA 1925 The rectangular mirror plate, handsomely set within an octagonal wrought iron frame, decorated with repeating abstract scroll work.

99cm high, 81cm wide, 2cm deep $1,400-1,800 272 A PAIR OF FRENCH ART DECO IRON GATES CIRCA 1935 Each stylishly composed of scrolling designs.

179.5cm high, 157cm wide. $2,000-3,000 273 A STYLISH ART DECO FRENCH OAK MARQUETRY DINING TABLE CIRCA 1940 The rectangular top, inset with a veneered marquetry panel to centre, below a rounded apron, raised on four splayed legs, each side joined by stretchers.

The sides of the table pull out and have the capacity to hold extension leaves.

75cm high, 168.5cm wide, 93.3cm deep $700-900 274 A FRENCH ART DECO STYLE BURR WALNUT & CHROME DINING TABLE The faceted burr walut veneered table top set into a stylish brass and chrome base.

210cm high, 80cm wide $1,800-2,000

266 A SYRIAN SADELI DOUBLE PEDESTAL DESK CIRCA 1940 Decorated throughout with the remarkable Sadeli marquetry technique. The desk raised upon two pedestals, one having four drawers, the other with a single drawer above a cupboard space 79cm x 179cm x 90cm $4,000-6,000

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CONDITIONS OF BUSINESS - SUMMARY To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction.

Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement.

GST In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged.

For further information contact: Marie McCarthy accounts@leonardjoel.com.au Admission Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person.

Commission (Absentee) Bids Leonard Joel will execute absentee bids when instructed.

Lots will be bought as cheaply as allowed by other bids and/ or reserves.

Telephone Bidding Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis.

Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

Buyer’s Premium There will be a buyer’s premium added to all purchases.

The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST. The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

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Title Leonard Joel guarantees good title to all lots.

Warranties and Condition Reports.

Condition reports will be available for any lot upon request, subject to conditions.

Estimates Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates.

Payment In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale.

Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer.

Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected.

Credit card fees may apply.

Bank telegraph transfers should be directed to: Account name: Leonard Joel Pty Ltd Address: Westpac Banking Corporation

150 Collins Street

Melbourne, VIC

3000 Australia BSB: 033-364 Account no: 942956 Collection of Lots Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale.

Charges are outlined below and are quoted in Australian dollars.

Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense.

Removal Charges Each lot

$55

Storage Charges Each lot

$33 per day

Protection of Movable Cultural Heritage Act 1986 (PMCH Act).

Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia.

The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’.

More information is available on the Department of the Environment, Water Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale.

Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction Pack & Send 03 9521 5822 southyarra@packsend.com.au Bespoke Moves Sasha Tiltins 0417 119 040 sasha@bespokemoves.com.au

Sale Rooms

The Thursday Auction

MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333

Anthony Riepsamen, Manager

SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 email: info@leonardjoel.com.au leonardjoel.com.au

FURNITURE Nick Bastiras, Manager David Price, Assistant Angus McGougan, Assistant JEWELLERY Maria Walker F.G.A.A., Manager ART SALON Hannah Ryan, Manager Ella Perrottet BFA, Assistant OBJECTS & COLLECTABLES Rebecca Stormont , Assistant

MANAGING DIRECTOR & HEAD OF COLLECTIONS John Albrecht BA LLB MBA

Leonard Joel Specialists FINE ART Olivia Fuller BArtTh, Head of Department Lucy Foster EMA, Specialist Summer Masters BDes Hons, Administrator INDIGENOUS ART Olivia Fuller BArtTh, Head of Department DECORATIVE ARTS Chiara Curcio BA, Head of Department Hamish Clark, Head of Sydney Dominic Kavanagh MFA, Specialist Trevor Fleming BA, Consultant, Japanese Art Carl Wantrup, Consultant, Asian Art JEWELLERY Julie Foster F.G.A.A., Dip. Dt., Head of Department Bethany McGougan F.G.A.A., BA Hons, MSc, Senior Jewellery Specialist Maria Walker F.G.A.A., Manager Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant

VALUATIONS Caroline Tickner BA Hons, F.G.A.A., Head of Department

ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager Andrea Del Campo, Accountant CLIENT SERVICES Kim Clarke, Client Services Manager Amelia Lewis, Client Services Liaison Madeleine Norton, Auction Administrator and Client Services Liaison, Sydney OPERATIONS & LOGISTICS Anthony Riepsamen, Manager MARKETING & COMMUNICATIONS Blanka Nemeth, Head of Department Nicole Kenning, Consultant Keryn Gilchrist, Database Administrator

MODERN DESIGN Anna Grassham BA Contemporary Arts, Head of Department

PHOTOGRAPHY Adam Obradovic Henry Murphy

LUXURY John D’Agata F.G.A.A., Head of Department

GRAPHIC DESIGN Maria Rossi

PRINTS Hannah Ryan, Art Salon Manager Ella Perrottet BFA, Assistant

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SYDNEY

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