LE GRAND MAG issue 53 | Summer 2025

®

Ad maiora !

Made in the United Kingdom

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THE ELEGANCE OF THINGS WELL MADE ELEGANCE | REAL ESTATE | AVIATION | HIGH JEWELLERY | YACHTS | AUTOMOTIVE | INTERIORS | TRAVEL Heritage, tradition, and the road ahead.

BEST IN SHOW. THE ICONS OF AN INDUSTRY

A Gateway to the Culture of the Ultra-Luxury Industry

AIRCRAF T AS BOLD AS YOUR AMBITION From takeoff to touchdown, Boeing Business Jets are designed to meet every demand of your lifestyle without compromising luxury, privacy or comfort. Whether you are relaxing, entertaining or conducting business, your custom Boeing Business Jet allows you to seamlessly transition between your life on the ground and your life on the go.

boeing.com/bbj

Exceptional comfort in refined surroundings Relax in your personal suite offering you ultimate comfort and balanced privacy. From the moment you book to the moment you arrive at your destination, First delivers exclusive luxury with the finest attention to detail.

Discover more at ba.com/first

DISCOVER MORE

Fuel consumption combined: 14,9 l/100km (WLTP) CO2 emissions combined: 337g/km (WLTP) Emission law. Reg. EU 715/2007

lamborghini.com

HURACÁN STERRATO BEYOND THE CONCRETE

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AUDIENCE, TARGETING & INTELLIGENCE

DIRECTOR OF SUBSCRIPTION STRATEGY Ambrogio Rossini

MARKETING

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DIGITAL EFFICIENCY

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VIDEO EDITORIAL & CREATIVE

Marta Verniaghi, Sue Taylor, Thom Websey, Alex Thund

Celine Benvenuti, Patrick O’Graady, Matthew Yeo, Debbie Curtis, Colette Chan, Federico Colussi, Valeria Bellini, Giovanni della Biglia, Henry Ashbourne, Victoria Ellesmere, Edward Hawthorne, Arabella Langley, Alexander Chatsworth, Ophelia Montague, Charles Wentworth, Philip Blackstone, Camille Beaumont, Magnus Stjärnholm , Olivier d’Artois, Margaux Chanterelle, Amélie von der Linde, Clara von Reichenbach, Misaki Yoshikawa, Kaito Morikami, Ren Fujisawa, Alexander Chatsworth, Wilhelm Adlerstedt, Ingrid Norrheden, Giulia Rossi,Hahoi Koharu, Hana Smith, Rupert Blackwood, Julian Gainsborough, Theodore Pembroke, Lydia Wetherby

B2B DEVELOPMENT & TRAINING

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PARTNERSHIPS & RELATIONS

August von Heimburg, William McCoy, Luca Piscitelli, Serena Maldini , Silvio De Santis, Elisabeth von Altenberg Ayaka Hasekura, Emil Gurgen, Gustav Lindeborg

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MILAN LONDON PARIS ZURICH HAMBURG MUNICH BERLIN FRANKFURT NEW YORK MIAMI LOS ANGELES DUBAI RIYAD TOKYO SINGAPORE SAINT MORITZ GSTAAD CORTINA D’AMPEZZO HAMPTONS PORTO CERVO FORTE DEI MARMI MYKONOS COURCHEVEL MEGEVE CAPRI PORTOFINO SYLT PRINCIPAUTE DE MONACO SAINT TROPEZ PALM BEACH BEVERLY HILLS BEL AIR KNIGHTSBRIDGE MAYFAIR NANTUCKET MARTHA’S VINEYARD THE HAMPTONS ASPEN UPPER EAST SIDE TRIBECCA FISHER ISLAND 16TH ARRONDISSEMNT MUSTIQUE ST. BARTH ST. KITTS & NEVIS MINATO (TOKYO ) KOBE PALM JUMEIRAH, DUBAI SAADIYAT ISLAND, ABU DHABI LE GRAND MAG ® is a registered trademark. All rights reserved. LE GRAND MAG is a global media channel, combining a print flagship edition with tailored digital exposure and special initiatives.

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SUMMER 2025 | SUMMARY 22 ELEGANCE Celine Home Summer 2025 24 SPORT Rolex at WImbledon 26 HERITAGE Rolex 30 ELEGANCE Dior Cruise 2026 36 THE GUIDE The Ultimate Calendar 44 ELEGANCE Giorgio Armani Mare 50 TRENDS Kering Party at Cannes Film Festival 57 TRENDS The List 78 FASHION Giorgio Armani 10 Corso Como 84 FASHION Charlize Theron Portrait 101 CAMPAIGN Dolce & Gabbana by Steven Meisel 116 ELEGANCE Giorgio Armani 128 WATCH Tom Ford lines 130 CELEBRITY Gigi Hadid 138 WATCH Rolex Red Dressed

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SUMMARY

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148 HERITAGE Mercante in Fiera 162 AUTOMOTIVE BMW 7 Premium Line 172 AUTOMOTIVE Bentley Traditions 183 AUTOMOTIVE Bentley Icon 201 AVIATION Bombardier 210 AVIATION Leonardo Helicopters 246 AVIATION Boeing Business Jets 254 AVIATION Lufthansa Technik 262 AVIATION Airbus Helicopters 274 YACHT Lürssen Kismet 284 PHOTOGRAPHY Guillaume Plisson 302 YACHT Giorgio Armani for The Italian Sea Group 306 YACHT Rolex and Sailing 310 YACHT My Platinum by The Italian Sea Group 323 YACHT The Ultimate by Perini Navi 337 INTERIORS Best in Show 368 PROJECT Neom - Kingdom of Saudi Arabia 374 TRAVEL Premium Grand Canaria 388 HERITAHE The Princess 404 TRAVEL Orient Express 409 HOTEL Belmond Hotel Cirpriani

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Ultra-luxury is a cultural topography—an ecosystem where intellect, heritage and innovation are expressed through objects, spaces and services of rare distinction.

From aviation to yachts, from private education to haute joaillerie, it is a world shaped by connoisseurship, not commerce. It speaks in architectural proportion, in the cadence of discreet hospitality, in the grain of bespoke cabinetry or the itinerary of a journey designed around wonder. Whether in health, interiors, real estate or refined mobility, ultra-luxury is never a singular gesture—it is continuity, intent, and the art of surrounding time with meaning.

COVER CREDITS:Ballroom Soiree by LE GRAND MAG MEDIA, Bentley Overhead UJack, Giorgio Armani Privè, Boucheron High Jewellery, Imperial Yachts, Steinway & Sons Pianoforte, AW109 Treker by Leonardo Elicotteri, Rolex Osyer Perpetual, Tom Ford Lost Cherry 284

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SUMMARY

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NASCE MEDIOLANUM GRANDI PATRIMONI

CONSULENZA EVOLUTA

WEALTH PLANNING

PASSAGGIO GENERAZIONALE

ASSET PROTECTION

SERVIZI FIDUCIARI

INVESTMENT BANKING

Messaggio pubblicitario con finalità promozionale. “Grandi Patrimoni” è il programma esclusivo che Banca Mediolanum dedica ai suoi clienti con patrimoni investiti superiori ai 2 milioni di euro, sottoscrittori di contratti di consulenza evoluta. Dettagli e costi del servizio presso i Family Banker.

Chic, modern and ever so fashionable, Anglomania collection by Celine. Hedi Slimane’s portrait of British high society

CELINE HOMME www.celine.com

“The Bright Young,” It’s in a British country garden that Hedi Slimane set his SS25 Celine Homme collection film. In the walled grounds of Holkham Hall, an 18th-century mansion; home of the Earls of Leicester. Here, the drums, distortion and synths of previous seasons are replaced by a trumpet call that leads into Les Indes galantes, written by French composer Jean-Philippe Rameau in 1736.

For Celine Menswear Spring/Summer 2025, Hedi Slimane once again expands the Maison’s evocative lexicon, weaving a narrative steeped in nostalgia and refinement. If the previous season transported us to the searing vastness of the American desert, this time, Slimane orchestrates a return across the Atlantic, where the bucolic elegance of the British countryside sets the stage for a tale of youthful splendour.

True to his auteurial vision, the collection is accompanied by a film that enshrines it within its natural milieu. Amidst the palatial estates and ancient woodlands of Norfolk, England, Slimane unveils a collection that is both an ode to youth and a reverie of an era long past. Titled The Bright Young, the show parades an assemblage of sartorial reveries: exquisitely tailored jackets and boating blazers evoke the cloistered world of an elite boarding school, their heraldic silver insignia whispering echoes of early 20th-century military regalia.

Yet Slimane is not merely a chronicler of place—he is a cartographer of time.

The spirit of the 1920s courses through the collection, manifesting in the subtlest of details. Accessories—Richelieu shoes, monk straps, and impeccably tapered derbies—recall the elegance of a forgotten era, while cashmere flannels, seemingly plucked from the pages of F. Scott Fitzgerald, infuse literary romanticism into the maison’s tailoring.

The craftsmanship is nothing short of exquisite. Rowing jackets, reborn under the meticulous hands of Celine’s ateliers, ascend to the realm of couture. English wildflowers, rendered with breathtaking delicacy, are hand-embroidered onto waistcoats, while tailcoats are adorned with silk faille gilets, their floral motifs shimmering with sequins, crystals, and pearls— an opulent interplay of texture and light.

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ELEGANCE

Yet it is not only the artistry that captivates; Slimane’s meticulous attention to detail extends to the very fabric of the collection. The geographic inspiration is interwoven into its materiality: canvas tailoring, sourced from English mills, is rewoven by Celine’s artisans to emulate the airy luxury of 1920s summer cashmere and wool.

To the stately strains of Les Indes Galantes, Slimane unveils a collection that is at once deeply referential and strikingly modern—where bygone elegance is reimagined with audacity, and the ghosts of the past walk hand in hand with the avant-garde.

THE CHAMPIONSHIPS, WIMBLEDON www.wimbledon.com lawn tennis. Epic duels in an English garden The Championships, Wimbledon, are still played on grass courts – mowed The Wimbledon finals occupy a revered place in tennis to exactly 8 mm – just like they were in 1877 for the The Championships 2025 will history. As much as the winners, we recall the thrilling tournament’s inaugural edition. take place from 30 June 2025 moments that raised the sport’s values to the highest level Though ever-changing, the Wimbledon rules remain to 13 July 2025. on Centre Court. We think back to epic encounters steeped in tradition, highlighting the organizers’ desire to The Championships 2026 will between Rod Laver and John Newcombe, Björn Borg maintain the highest standards of etiquette. Testament to take place from 29 June 2026 and John McEnroe, Chris Evert and Martina Navratilova, this is the rule that player attire must be predominantly to 12 July 2026.

Roger Federer and Rafael Nadal, and many others. Over white. With the exceptional playing surface, respect for The Championships 2027 will the decades, these clashes have written the legend of tradition and a storied past decorated by the greats who take place from 28 June 2027 Wimbledon, and Rolex has witnessed it all from a frontmade their name on the courts of the All England Lawn to 11 July 2027. row seat. Images by Rolex, Officla Sponsor.

Tennis and Croquet Club, Wimbledon is the temple of

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SPORT

FASTEST TOUCHDOWN TO DOWNTOWN

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L O N D O N

HELI SHUTTLE OPERATED BY

MINUTES TO

LONDON

AT THE CORE OF EXCELLENCE www.rolex.com A singular vision of watchmaking Since its creation in 1905, Rolex has been on a quest which assembles the skills of many and requires arduous work, day after day, year after year. A demanding, rigorous and perpetual endeavour. The quest for excellence. Rolex’s greatest watchmaking innovations are indelible.

They imprint the dial of each watch with new words that, alone, can attest for the unique vision of the brand. With the invention of the word “Rolex”

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WATCH

in 1908, Hans Wilsdorf did not only create a new brand. He immediately affirmed his unique vision of watchmaking and embarked on the quest for excellence that Rolex has unceasingly pursued ever since.

Having these exacting standards from the outset meant gradually incorporating all the know-how and every expertise into the manufacture, thus guaranteeing the brand’s autonomy and integrity.

BODYGUARD

L’ABUS D’ALCOOL

EST DANGEREUX POUR LA SANTÉ. CONSOMMEZ

AVEC MODÉRATION. bodyguard : garde du corps

The scene is set in Rome, whose history is dappled with images from the cinema, theater, fashion, and art. Our history.

DIOR CRUISE 2026 www.dior.com

Presented in the gardens of the Villa Albani Torlonia on May 27, 2025, this défilé Dior combines haute couture and ready-to-wear creations.This is how Maria Grazia Chiuri reconstructs the characters, landscapes, stories, and mythology of her city, Rome, in her own unique way. A mindset that favors questioning as well as daydreaming, poetic intuition, and magical realism, to define a new network of stellar affinities.

This cruise collection is the autobiographical synthesis of a moment in time. A temporal place where the act of imagination unfolds; in a certain bella confusione* that refers to the title proposed by Ennio Flaiano to Federico Fellini for his film 8 1⁄2 . For Maria Grazia Chiuri, Creative Director of Dior women’s lines, it was her encounter with Mimì PecciBlunt, a charismatic 20th-century figure of the Eternal City, Paris, and New York, that served as a commencement.

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ELEGANCE

© LAURA SCIACOVELLI © FONDAZIONE TORLONIA

© DIOR

1 Disguise, to break the rules and free us from ourselves.

Crossing the blurred line, both real and figurative, between living characters and ghosts.

A profusion of luminous friendships.

The ensemble comprises metaphorical pieces, the clothing elements from the history of fashion and costume merging with a contemporary syntax.

ELEGANCE

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hotographer: Adrien Dirand / ©Fondazione Torlonia

With more than 60 years of aviation experience Harrods Aviation is one of the UK’s leading providers of FBO services.

With exceptional facilities and scrupulous attention to detail, Harrods Aviation delivers a seamless travel experience for passengers and crew alike at both London Luton and London Stansted airport.

As part of the Harrods Aviation suite of services, Harrods Air Charter offer a boutique aircraft and helicopter charter service to a select group of customers.

Any aircraft, from any location, at any time.

Whether you require a large cabin aircraft to comfortably bring your family from Shanghai to London, or a smaller jet for a quick trip from London to Scotland, Harrods Air Charter are there to ensure your needs are met. Efficiently, discreetly and with the minimum of fuss.

CONTACT HARRODS AIR CHARTER: T: +44 (0)1279 665353 E: aircharter@harrodsaviation.com

A premier equestrian event featuring elite riders competing in dressage, cross-country, and showjumping disciplines.

BURGHLEY www.burghley-horse.co.uk

With over 173,000 visitors over the four days, more than 600 carefully selected exhibitors, an average of 80 of the world’s top competitors and a prize fund of over £300,000, 21st century Burghley Horse Trials is a far cry from the inaugural event, which took place 60 years ago with just 19 competitors and in front of a mere 12,000 people. Eventing came to the magnificent Elizabethan parkland surrounding Burghley House in 1961 by accident rather than design, after the Marquess of Exeter, a keen equestrian, heard that the three-day event at Harewood was to be cancelled due to a suspected outbreak of Foot and Mouth disease. He invited the British Horse Society to transfer the event to his estate in a move which was to prove the start of a remarkable journey.

Defender Burghley centres round the CCI5* competition - the elite test of dressage, cross-country and showjumping at the highest level within the sport of eventing for the very best horses and riders in the world.

Burghley has long been graced with Royal visitors and competitors.

In 2011 HRH The Princess Royal presented the prizes, but in 1971 as the young Princess Anne, she also rode here and took the European Champion title. Captain Mark Phillips also has a longstanding association with the event, winning Burghley in 1973 and subsequently becoming its Course Designer. Their daughter Zara Tindall is the only child of two former winners to compete at the Event. In both 2019 and 2017 HRH The Countess of Wessex visited Burghley on the Sunday of the Event to present the winner with the Defender Perpetual Challenge Trophy.

HERITAGE

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HERITAGE

HERITAGE

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Happenings Top-List the big-name global events

THE ULTIMATE CALENDAR EVENTS & SPOTS ONE-STOP GUIDE

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CALENDAR

British Classic Car Saint Moritz An elegant highlight for friends of classic cars from the UK. Every year more than 100 British classic cars meet for a regularity test rally and the Concours d’Elégance.

Peeble Beach Concours d’Elegance It is the flagship of Pebble Beach Automotive Week.

Each year, the finest collector cars gather on the 18th fairway of Pebble Beach Golf

US Open

The US Open Tennis Championships, a hardcourt tennis tournament held annually in Queens, New York.

August

Stunning cars, world-class tailoring. The world’s greatest cars on Savile Row, and its bespoke tailoring history.

Some of the greatest cars ever made, matched with specific tailors to continue a long tradition of car manufacturers pairing with the craftsmanship of Savile Row.

July

June Councours de Savile Row. London

The Wimbledon Championships is the oldest tennis tournament in the world.

July

A racecourse rich in history and heritage, hosting one of the world’s most prestigious race meeting’s, Royal Ascot, as well as 21 racedays and high sociery events.

Founded in 1711

by Queen Anne who, when riding out from Windsor Castle, came across a piece of land “ideal for horses to gallop at full stretch”

Wimbledon

June

Royal Ascot

Almost a century of history looking at the future. Since its origins, the 1000 Miglia has represented the expression of the bold, innovative and pioneering spirit.

June

June

Millemiglia

The world’s greatest celebration of motorsport and car culture ! Held in the beautiful parkland surrounding Goodwood House, the Festival of Speed presented

by Mastercard is motorsport’s ultimate summer garden party.

August

Goodwood Festival Of Speed

Dubai Internationl Horse Fair Dubai International Horse Fair (DIHF) is the equestrian industry’s pivotal gathering ground. It connects a diverse array of equestrian suppliers with the region’s avid enthusiasts, owners, breeders, stables and clubs.

Yachting Festival Cannes The Cannes Yachting Festival has been held every September since 1977 in the sparkling Bay of Cannes, in a luxurious and elegant universe.

March

Saudi International Airshow connects the Aviation and Aerospace industry to Saudi Arabia. 450 Exhibitors, 45.000 international Trade Attendees, + 100 aircrafts, 100.000 sqm of exhibit space.

March

February Saudi Internationl AirShow

The Abu Dhabi Air Expo brings together major players in Aviation & Aerospace and offers a unique platform for industry leadership through its high-level conference, latest developments and innovations.

Monaco Yacht Show The ultimate destination for the latest designs & innovations in yachting. More than 100 of the world’s most exclusive and high-end yachts on display including dozens of world premieres.

September

The I.C.E. St. Moritz is a cultural & lifestyle automotive event, held in the most unconventional venue

Cricket on Ice, the most prestigious annual event in the domestic Swiss cricketing calendar, takes place on the lake of St Moritz.

Watches and Wonders Geneva and its 48 exhibiting Maisons are the largest watchmaking event of the year.

Exclusively for professionals in Fine Watchmaking.

Abu Dhabi Air Expo

September

THE ICE SAINT MORITZ The International Concours of Elegance

Cricket On Ice Saint Moritz

Watches & Wonders Geneva

March

The Classic, the Concorso d’Eleganza entirely dedicated to the prancing horse.

We can certainly say that over five decades Cavallino has grown and protected Enzo Ferrari’s legacy by preserving its authenticity and originality.

February

January Cavallino Classic

Noble thoroughbred horses from all over Europe and international jockeys inspire guests from all over the world in On the frozen St. Moritzersee.

February

Every last weekend in January, it happens on the frozen lake of St. Moritz.

The Snow Polo World Cup St. Moritz is the world’s only highgoal tournament on snow.

The Australian Open held annually at Melbourne Park in Melbourne, Victoria, Australia.

White Turf Saint Moritz

February

Snow Polo Saint Moritz

Australian Open

January

January

THE ULTIMATE CALENDAR

Twice a year, in June and September.

Showcasing over 250 designers to a global audience of influential media and retailers, it is one of the ‘Big Four’ fashion weeks, along with New York, Milan, and Paris.

Swiss and international outreach: exhibitions around the world Each year, the GPHG stages a round-the-world celebration of contemporary watchmaking vitality, creativity and excellence during a roadshow presenting the 84 nominated watches.

Art Basel Miami Basel fair brings the international artworld together. It features over 200 leading galleries and more than 4,000 artists from 5 continents.

Longtime Greenwich residents Bruce and Genia Wennerstrom founded the Greenwich Concours. Worldclass automobiles, coupled with the heritage and community involvement of Greenwich.

RM Sotheby’s

RM Sotheby’s is the number one classic car auction house in the world. Cars for auction include rare antique, classic, and sports & racing cars.

CALENDAR

May to September

May to June Greenwich Concours D’Elegance

All Year

May Grand Prix D’ Holorolegerie de Geneve

Roland Garros was the first Grand Slam tournament to join the “Open” era

May

May The Qatar Boat Show promises an extravagant celebration of marine life, leisure, and luxury at Old Doha Port.t

Representing centuries of tradition and driven by an open-minded spirit, GemGenève is a trade show organised by industry insiders who understand the needs of their exhibitors and aims to be a hub of creativity and innovation.

Roland Garros

The Polo Club with the most members and the most important training center for polo in all of Switzerland.

The more than 7,5 hectare flat area made it possible to create a large main field and secondary fields on which games can be played from May to the end of September.

Christie’s Auctions Christie’s is a world-leading art and luxury business.

Renowned and trusted for its live and online auctions, as well as its bespoke private sales.

All Year

London Fashion Week

Qatar Boat Show

Gem Geneve

November

June & September

Paris Fashion Week news, schedule, calendar of events, videos, dates, VR experiences, shopping, live streams, and more.

Nearby are the renowned Savill and Valley Gardens, at Windsor Castle.

A spectacular location, impressive fixtures list and the Club’s unrivalled, close relationship with the Royal Family ensures that Guards Polo Club is one of the most famous polo clubs in the world.

The European Business Aviation Convention & Exhibition is the annual meeting place for the business leaders, buyers, manufacturers, avionics firms, charter/lease companies involved in business aviation.

December

The streets of Milan become a runway during Fashion Week. The Ultimate trade show held semi-annually in Milan, Italy.

Many designers showcase and upcoming collections.

April

April Milan Fashion Week

Paris Fashion Week

Guards Polo Club

Polo Park Zurich

Ebace Geneve

November

The world’s largest and most important mobility event offers manufacturers, suppliers, tech companies, service providers and startups a wide range of opportunities to present themselves and their services to a broad international B2B and B2C audience.

PURE Life Experiences is the world’s leading experiential travel show, and a community with the attitude, commitment.

Every year it brings experiential travel’s most inspiring names together in Marrakech.

The global benchmark event for the furnishing and design sector.

More than 2,300 of the most dynamic and creative companies on the global market.

Over 370,000 professional visitors from 188 countries, 550 young designers from 31 different countries.

The premier boat and yacht show in Asia, significantly contributing to the development of the fast-growing ASEAN maritime and luxury lifestyle markets through innovation and and a touch of glamour.

June, July & September

IAA Mobility

Pure Life Experiences

February & September

September

The Amelia by Hagerty (NYSE: HGTY) celebrates global car culture and motoring excellence as it returns to the breathtaking oceanside Golf Club of Amelia Island and The RitzCarlton Resort.

Milan’s Design Week

September

The Amelia Concours D’elegance

The most renowned single-marque championship, that has been bringing together over 1000 drivers dream cars and esteemed clients on the world’s most picturesque tracks.

Europe and North America series.

Singapore Yacht Show

March to September

March

Ferrari Challenge Trofeo Pirelli

From APRIL to SEPTEMBER

THE ULTIMATE CALENDAR

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REVENGE LATER DIE ZAUBERFLÖTE © Vienna State Opera / Michael Pöhn

#TicketsNow

The NEW SEASON 2025/26 WIENER-STAATSOPER.AT

“For Van Cleef & Arpels, each creation tells a story, blending poetry and beauty to create timeless elegance.” – Van Cleef & Arpels

VAN CLEEF & ARPELS www.vancleefarpels.com

Culminating on the wrist or hanging from the neck, Van Cleef & Arpels precious watches combine jewelry know-how and watchmaking expertise to offer time an elegant setting. The pieces reinterpret the emblematic of the Perlée® jewelry collection in a bold and contemporary way, giving rise to new combinations of materials, carefully chosen for their color and quality. At the crossroads of watchmaking and jewelry

The Van Cleef & Arpels Perlée Toi & Moi Secret Watch exemplifies feminine elegance and playful ingenuity. Featuring two delicate golden bead motifs, the watch integrates a concealed dial beneath a hinged cabochon. This design, marrying form and function, allows for discreet timekeeping. Equipped with a Swiss quartz movement, the watch ensures precise timekeeping. Its harmonious aesthetic and technical mastery highlight the Maison’s dedication to blending artisanal expertise with a timeless, contemporary vision.

Crafted with precision, the Perlée Toi & Moi Secret Watch showcases Van Cleef & Arpels’ commitment to exceptional materials and craftsmanship. The bracelet and settings feature 18-karat yellow or rose gold, adorned with the Maison’s signature golden beads, meticulously polished to achieve their lustrous finish. Some variations include pavé-set diamonds, selected for their clarity and brilliance, enhancing the watch’s luxurious appeal.

The concealed dial, a hallmark of “secret watches,” is protected by a hinged gemstone cabochon or gold bead motif, blending practicality with artistry. Powered by a reliable Swiss quartz movement, the watch ensures consistent and precise performance.

Each component, from the hidden mechanism to the exquisite finishing, reflects Van Cleef & Arpels’ dedication to timeless quality and innovative jewelry craftsmanship.

WATCH

41

NOW INVITING CONSIGNMENTS

CLIVEDEN HOUSE | 8 JULY 2025 INCREDIBLE CARS MEET GARDEN PARTY CHIC AT ONE OF BRITAIN’S MOST BEAUTIFUL VENUES

EMEA +44 (0) 20 7851 7070 NORTH AMERICA +1 519 352 4575 info@rmsothebys.com

Giorgio Armani Mare sets sail once again, tracing the world’s most coveted summer destinations with quiet elegance and unmistakably Italian modernity.

GIORGIO ARMANI MARE www.armani.com

Credits: Vito Fernicola

Debuting in Porto Cervo, the bespoke yacht Sørvind by Giorgio Armani regattas in honour of the house’s signature style, elegance unfurled across the sea.

1

From Porto Cervo to the Hamptons, Giorgio Armani Mare crafts a narrative of refined escapes. A summer itinerary of sea, fabric and understated luxury, brought to life through curated experiences and sunkissed textures. Palm motifs, teak flooring, linen silhouettes and coastal architecture compose a visual symphony, wrapped in écru, white and black—and framed by the horizon.

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ELEGANCE

Each location—from Cannes to Shelter Island—embodies the Giorgio Armani summer ethos: surfboards bearing the maison’s insignia, ice cream carts by Armani/Dolci, and teak terraces shaded by stylised palms.

Outdoor pieces by Armani/Casa redefine leisure as an art form.

Music curated by DJ Emmanuelle completes the tableau, offering a sun-drenched soundtrack in perfect harmony with linen shirts, evening glows and the hush of saltkissed breezes.

ELEGANCE

45

Giorgio Armani continues his support of One Ocean Foundation, preserving marine ecosystems through the Blue Forest initiative, focused on safeguarding the Posidonia oceanica, the Mediterranean’s lifesustaining underwater lung.

46

ELEGANCE

In Capri’s Piazzetta, Giorgio Armani Mare transforms Caffè Caso into a seasonal haven, blending Mediterranean flair with the designer’s timeless aesthetic codes.

ELEGANCE

47

50

FASHION

ELEGANCE, INFLUENCE, AND INTENTION: CARLA BRUNI AND THE RESONANCE OF KERING’S WOMEN IN MOTION AT CANNES

There are moments, fleeting yet unforgettable, when fashion, cinema, and cultural consciousness intertwine with such refinement that they become a prism through which the spirit of an era is refracted. This year’s Women in Motion gala by Kering—held on the fringes of the 77th Cannes Film Festival—offered precisely such a moment. Under the gilded lights of the French Riviera, within the rarefied air of Palais des Festivals, glamour was not merely paraded; it was politicised, poised, and purposefully recast. Among the constellation of international figures in attendance—Nicole Kidman, Salma Hayek, Isabelle Huppert, Julianne Moore—one presence, both quietly regal and fiercely resonant, drew particular attention: Carla Bruni. Dressed in a liquid silk column gown by Saint Laurent, its silhouette recalling the pared-back majesty of 1930s couture, and adorned with Chopard’s glacial diamonds, Bruni was a vision of understated opulence. But beyond the sartorial spectacle lay something more: a symbol of transversality. Bruni’s appearance—at once fashion icon, former First Lady, and enduring cultural muse—embodied the intersectionality that Kering’s initiative has sought to illuminate over the last decade. Women in Motion is not simply a celebration of female talent in film, but a platform for examining and correcting the cultural imbalance in representation, opportunity, and authorship. And Bruni, in her duality as both artist and institution, made that mission vividly material. Launched in 2015 by the French luxury group Kering under the aegis of François-Henri Pinault, Women in Motion has since become a lodestar of the Cannes agenda—less an accessory to the festival than its ethical backbone. This year marked its tenth anniversary, and with it, a renewed commitment to visibility, support, and structural change. Nicole Kidman, honoured with the Women in Motion Award, spoke not merely of cinema, but of storytelling as a tool of resistance. Meanwhile, the Brazilian filmmaker Marianna Brennand, recipient of the Emerging Talent Award, reminded the crowd of the power—and precarity—of new voices. In such a landscape, what does it mean for Carla Bruni to glide across the marble floor of this curated celebration? It is more than attendance. It is a gesture—quiet, confident, and layered. For a generation of women who have navigated the industries of spectacle, voice, and visibility, Bruni’s presence signifies a return to the idea that fashion is not frivolity, but semiotics. Her image, polished yet human, curated yet sincere, speaks to the very premise that Women in Motion was founded upon: that the female gaze—artistic, intellectual, or sartorial—is not niche, but necessary.

As the evening unfurled to the rhythm of crystal clinking, camera flashes, and causes espoused with velvet gravity, the real subject became not merely cinema nor fashion, but cultural authorship. And for a brief, shimmering moment, Carla Bruni and the house of Kering conjured a tableau of what that future might look like: elegant, inclusive, intentional.

To speak of Cannes is to summon an imaginary gilded with whispers Bruni, by contrast, did not speak publicly—but she didn’t need to. Her of heritage, decadence, and unapologetic glamour. But in recent years, presence was a discourse unto itself. As she moved through conversations thanks to initiatives such as Women in Motion, the narrative has matured. and camera flashes, her gestures betrayed a fluency not only in elegance It now carries within its folds a lexicon of equity, of redefinition, of a but in solidarity. She was not there to endorse. She was there to affirm. culture that dares to reconsider who tells the story—and how. Kering, in That fashion, when worn with purpose, becomes language; that presence, its role as both benefactor and provocateur, has made of Cannes a forum when informed by conviction, becomes participation. There is a quiet not only for cinematic beauty but for cultural recalibration. At the heart activism in Bruni’s manner—a refusal to reduce the female experience of this confluence, Carla Bruni’s presence operated less as a social call to aesthetic currency. than as an exquisite annotation.

Her gown, a black silk crepe that clung like shadow and shimmered When she arrived—poised, statuesque, her Saint Laurent gown more like lacquer, was both timeless and utterly contemporary. There was poetry than textile—there was a silence, the kind reserved for moments no excess—only precision. And with Chopard diamonds at her ears and of aesthetic clarity. But fashion alone does not define Bruni. Hers is wrist, she did not glitter, she punctuated. It is this kind of restraint that a lineage of multiplicities: Italian aristocracy, French chanson, haute defines her relevance: never theatrical, always thoughtful. In the midst of couture, and diplomatic decorum. She is a woman who has lived several louder statements, Bruni’s fashion operated like a sotto voce—intimate, lives, and with each reinvention, has maintained an elegant opacity— cultivated, and devastatingly articulate. revealing only what is necessary, always retaining a certain hauteur that Indeed, the real triumph of Women in Motion lies in its ability to hold feels almost archival. It is precisely this curated complexity that makes this tension—to juxtapose the grandeur of couture with the urgency her the perfect guest to such an evening—one that celebrates not the of change. It is not an event that pacifies with platitudes; it distils the spectacle of femininity, but the layered architecture of it. aesthetic with the ethical. The guests are not decorative. They are The tenth edition of Women in Motion was more than a milestone—it discursive. And the language they speak is one that the industry, slowly was a reckoning. Launched in 2015 by Kering, the initiative emerged but surely, is learning to listen to. from a need not only to highlight female contributions to cinema but As the evening progressed, what lingered was not the applause nor the to disassemble the mechanisms that had long marginalised them. This flashbulbs but a sense of architecture—of a narrative structure being year’s awards were testament to that evolving mission. Nicole Kidman, slowly, elegantly reassembled. In a world saturated with performative luminous and deliberate, was honoured not merely for her filmography, inclusivity, Kering’s initiative remains committed to longevity. It invests but for her stewardship of female narratives in cinema. Her acceptance in the infrastructure of storytelling, in the education of audiences, in the speech, restrained yet magnetic, reminded us that power is not volume— recalibration of legacy. And in that mission, Carla Bruni—enigmatic, it is permanence. “To be seen,” she said, “is one thing. To be allowed to articulate, unshakably composed—remained its most refined cipher. author your story is another.”

For those attuned to the codes of fashion and the grammar of culture, The Brazilian director Marianna Brennand, recipient of the Emerging this edition of Women in Motion was not merely a celebration, but Talent Award, offered a quiet but resonant a symposium. One where gowns were read as Carla Bruni’s presence at Kering’s homage to the silent battles of young filmmakers arguments, appearances as declarations, and elegance Women in Motion soirée at Cannes whose vision is too often obstructed by economic as authorship. It was a reminder that femininity, 2025 was more than symbolic. It fused and cultural thresholds. Her words were raw and when unfettered by stereotype, is not a genre—it is a style and substance, embodying a unvarnished—a necessary counterpoint to the form of power. And Bruni, in the hush of her silence vision of femininity where elegance opulence of the evening, reminding guests that and the depth of her gaze, wore that power with the access and equity are still urgent pursuits, not mere kind of effortlessness that only the truly cultivated becomes agency, and fashion a refined gestures of liberal luxury. ever achieve. medium of cultural authorship.

FASHION

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By hand we write our most intimate thoughts and authenticate the most valuable documents Little by little ideas take shape From hand to hand we pass the baton of metaphorical relays Hands caress, touch, tickle, squeeze.

Hands feel, create, speak and make dreams tangible Actual hands of actual people who masterfully do what they do and pass it on to as many hands until they at last reach yours You who clearly appreciate, understand and feel what you have in your hands

EXCLUSIVE WORKSHOP Via Trebbia 26, Milano - fontanamilano1915.com

Fondazione di diritto privato

OPERA SEASON 2024 • 2025 LA FORZA DEL DESTINO Music by Giuseppe Verdi 7 December 2024 - 2 January 2025

FALSTAFF

Music by Giuseppe Verdi 16 January - 7 February 2025

L’OPERA SERIA

Music by Florian Leopold Gassmann 9 March - 9 April 2025

EVGENIJ ONEGIN

DIE WALKÜRE

Music by Francesco Filidei 27 April - 10 May 2025

Music by Kurt Weill 14 - 30 May 2025

Progetto Accademia

NORMA

LA CENERENTOLA

Music by Richard Wagner 6 - 21 June 2025

Music by Vincenzo Bellini 27 June - 17 July 2025

RIGOLETTO

LA FILLE DU RÉGIMENT

Music by Giuseppe Verdi 7 - 28 October 2025

Music by Giacomo Puccini 15 March - 4 April 2025

DIE SIEBEN TODSÜNDEN / MAHAGONNY-SONGSPIEL / HAPPY END

IL NOME DELLA ROSA

SIEGFRIED

TOSCA

Music by Pëtr Il’ič Čajkovskij 19 February - 1 March 2025

Music by Richard Wagner 5 - 23 February 2025

Music by Gioachino Rossini 6 - 19 September 2025

COSÌ FAN TUTTE

Music by Wolfgang Amadeus Mozart 5 - 26 November 2025

Music by Gaetano Donizetti 17 October - 7 November 2025

BALLET SEASON 2024 • 2025 KRATZ / PRELJOCAJ / DE BANA

THE NUTCRACKER

Choreography: Rudolf Nureyev Music by Pëtr Il’ič Čajkovskij 18 December 2024 - 12 January 2025

SOLITUDE SOMETIMES Choreography: Philippe Kratz Music by T. Yorke e Radiohead

ANNONCIATION Choreography: Angelin Preljocaj Music by S. Roy / A. Vivaldi

CARMEN Choreography: Patrick de Bana Music by R. Ščedrin

28 February - 12 March 2025

PEER GYNT

Choreography: Edward Clug Music by Edvard Grieg 8 - 18 April 2025

PAQUITA

LANDER / KYLIÁN / BÉJART ÉTUDES Music by Carl Czerny

SWAN LAKE

Choreography: Pierre Lacotte Music by Édouard M. E. Deldevez / L. Minkus 11 - 26 June 2025

PETITE MORT Music by Wolfgang Amadeus Mozart 22 September - 3 Ocotber 2025

BOLÉRO Music by Maurice Ravel

Choreography: Rudolf Nureyev Music by Pëtr Il’ič Čajkovskij 7 - 18 July 2025

SERATA WILLIAM FORSYTHE THE BLAKE WORKS

Choreography: William Forsythe - Music by James Blake PROLOGUE - THE BARRE PROJECT - BLAKE WORKS I 11 - 29 November 2025

www.teatroallascala.org

The List THE LIST

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1 2 5 41

3

9

7

10

11 8

1. CARTIER Ballon Bleu de Cartier in Pink Gold & Diamonds (www.cartier.com) 2. AUDI www.audi.com 3. HARRY WINSTON www.harrywinston.com 4. CHANEL No. 5 Eau de Parfum (www.chanel.com) 5.GIORGIO ARMANI PRIVE’ www.armani.com 6. GIORGIO ARMANI www.armani.com 7. HARRY WINSTON Necklace with a Cushion-Shaped Sapphire Weighing 111.73 Carats, auctioned by Sotheby’s (www.harrywinston.com) 8. PRADA Ardesia Sunglasses (www.prada.com) 9. BROOKS BROTHERS Burgundy Bow Tie (www.brooksbrothers.com) 10. CARTIER www.cartier.com 11. GUERLAIN Eau de Fleurs de Cedrat 100th Anniversary (www.guerlain.com)

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THE LIST

12 14

17

13

15

16

18

12. AUDI www.audi.com 13. LOUIS VUITTON www.louisvuitton.com 14. APOLLO ART & ANTIQUES Empire Clock Nymphe a la Coquille (www. apolloartantiques.nl) 15. VAN CLEEF & ARPELS www.vancleefarpels.com 16. TOM FORD Velvet Bow Tie (www.tomford.com) 17. GRAFF Eternal Twins Earrings (www.graff.com) 18. DIOR Jardins De La Couture (www.dior.com)

THE LIST

59

1

3

2 4 5

6 7

8 9

1. HENRY POOLE Formalwear (www.henrypoole.com) 2. CARTIER Panthere de Cartier (www.cartier.com) 3. GIORGIO ARMANI X 10 CORSO COMO www.armani.com 4. HARRODS Margarita Bear (www.harrods.com) 5. LOUIS VUITTON Monogram Motif (www.louisvuitton.com) 6. TOM FORD Shirt & Bow tie (www.tomford.com) 7. BOUCHERON Jodhpur Ring (www.boucheron.com) 8. GRAFF Festive Campaign (www.graff.com) 9. DIOR www.dior.com

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THE LIST

15

10 12

11 13

17

14

19

16

18

20

10. CARTIER Santos Dumont (www.www.cartier.com) 11. CELINE www.celine.com 12. CHOPARD Red Carpet Collection (www.chopard.com) 13. HUGO BOSS Patent Leather Oxford Shoes (www.hugoboss.com) 14. MIKIMOTO Pearl Necklace (www.mikimoto.com) 15. LOUIS VUITTON www.louisvuitton.com 16. LOUIS VUITTON www.louisvuitton.com 17. HERMES A Parisian Icon (www.hermes.com) 18. CHANEL No. 5 Eau de Parfum (www.chanel.com) 19. TURNBULL & ASSER Pre-Tied Cotton Piqué Bow Tie (www.turnbullandasser.co.uk) 20. DIOR www.dior.com

THE LIST

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2

3

1 7

4 5

6 9

8

11 10

1. GUCCI www.gucci.com 2. SOTHEBY’S The Sunrise Ruby, World’s Most Expensive Ruby (www.sothebys.com) 3. CHANEL Eyewear Collection (www.chanel.com) 4. MANOLO BLAHNIK Black Satin Finamu Mule (www.manoloblahnik.com) 5. MIKIMOTO Necklace with Tanzanite and Pearls (www.mikimoto.com) 6. DOLCE & GABBANA www.dolcegabbana.com 7. PATEK PHILLIPE www.patek.com 8. SAINT LAURENT Opyum Patent Leather Pumps (www.ysl.com) 9. DOLCE & GABBANA Spring Summer 2025 (www.dolcegabbana.com) 10. GIEVE & HAWKES www.gievesandhawkes.com

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THE LIST

3

2 5 1

4 7

8

6

10

9

1. CHANEL www.chanel.com 2. AUDEMARS PIGUET www.audemarspiguet.com 3. CARTIER Tank (www.cartier.com) 4. LEO PIZZO www.leopizzo.com 5. STEINWAY & SONS www.eu.steinway.com 6. BULGARI Sapphires and Diamonds High-Jewellery (www.bulgari.com) 7. LEVIEV Sapphire Ring (www.leviev.com) 8. FERRARI 812 Superfast (www.ferrari.com) 9. LURSSEN www.lurssen.com 10. FONTANA MILANO 1915 Trebbia 26 model ( www.fontanamilano1915.com )

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THE LIST

13 11 15

14

12 16

18 19

17

11. MIKIMOTO Necklace with Tanzanite and Pearls (www.mikimoto.com) 12. CHANEL Rouge Allure (www.chanel.com) 13. TIFFANY’S www.tiffany.com 14. PIAGET www.piaget.com 15. ARMANI Made To Measure (www.armani.com) 16. TOM FORD Shirt & Pre-Tied Silk Bow Tie (www.tomford.com) 17. HARRY WINSTON Diamond and Sapphire Cascading Drop Necklace (www.harrywinston.com) 18. BACKES & STRAUSS www.backesandstrauss.com 19. ROLLS ROYCE www.rollsroyce.com

THE LIST

65

2 1 3

4 7 7

5

8

9

6

1. LOUIS VUITTON La Passion Necklace from the Bravery High Jewellery Collection (www.louisvuitton.com) 2. BULGARI Diva’s Dream (www.bulgari.com) 3.RENE’ CAOVILLA www.renecaovilla.com 4. LOUIS VUITTON www.louisvuitton.com 5. GRAFF Blue Sapphire ring (www.graff.com) 6. COACH www. coach.com 7. CARTIER www.cartier.com 8. BOODLES Asoka Ring (www.boodles.com) 9. BENTLEY CLASSIC www.bentley.com

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11 10 12

13 18

16

15 14 17

19

10. TOM FORD Evening Shirt and Bow Tie (www.tomford.com) 11. CHOPARD Precious Chopard Necklace (www.chopard.com) 12. GRAFF Sapphire and Diamond Scroll Necklace (www.graff.com) 13. HARRY WINSTON www.harrywinston.com 14. HUBLOT www.hublot.com 15. ROLEX Day-Date Watch (www. rolex.com) 16. DIOR Preciuese Rubin Watch (www.dior.com) 17. MIKIMOTO Necklace with Tanzanite and Akoya Cultured Pearls from the Essence of Mikimoto High Jewellery Collection (www.mikimoto.com) 18. TOM FORD www.tomford.com 19. DIOR Jardins De La Couture (www.dior.com)

THE LIST

67

1

2 7

5 6

3

10

8 9

4 10

1. DIOR www.dior.com 2. CHANEL Rouge Allure (www.chanel.com) 3. TOM FORD www.tomford.com 4. VERSACE Iris Law for Versace (www.versace.com) 5. BOUCHERON Lumière de Jodhpur Ring (www.boucheron.com) 6. HUGO BOSS Pre-Tied Cotton-Velvet Bow Tie (www.hugoboss.com) 7. CHOPARD Red Carpet Collection (www.chopard.com) 8. LOUIS VUITTON X MURAKAMI www.louisvuitton.com 9. DAVID MORRIS www.davidmorris.com 10. CHOPARD Laguna Secret Watch (www.chopard.com)

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11 14

12

13

16

18 17

15 19

11. MONCLER www.moncler.com 12. DIOR www.dior.com 13. CHANEL www.chanel.com 14. GIORGIO ARMANI MARE www.armani.com 15. AUDEMARS PIGUET www.audemarspiguet.com 16. VAN CLEEF & ARPELS www.vancleefarpels.com 17. LOUIS VUITTON www.louisvuitton.com 18. DIOR www.dior.com 19. GUCCI www.gucci.com

THE LIST

69

1

2

4

3

7

5

6

8

9

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1. ROLEX www.rolex.com 2. CHANEL Visor Sunglasses (www.chanel.com) 3. GRAFF www.graff.com 4. GIVENCHY www.givenchy.com 5. PATEK PHILIPPE www.patek.com 6. GUCCI Lipstick (www.gucci.com) 7. TOM FORD www.tomford.com 8. VALENTINO PAVILLON DES FOLIES SPRING www.valentino.com 9. FORTNUM & MASON Royal Blend Tea Bags (www.fortnumandmason.com) 10. BULGARI Aeterna (www.bulgari.com)

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THE LIST

11

12

14

16

13

15 18 19

17

20

21

11. LOUIS VUITTON X MURAKAMI www.louisvuitton.com 12. OSCAR HUNT Men’s Tailoring (www.oscarhunt.com.au) 13. CHAUMET Fluted Engagement Ruby Ring (www.graff.com) 14. GIORGIO ARMANI www.armani.com 15. GRAFF www.graff.com 16. FAWAZ GRUOSI Rose Gold & Rubies Bracelet (www.fawazgruosi.com) 17. GIORGIO ARMANI www.armani.com 18. BOUCHERON www.boucheron.com 19. JACOB & CO www.jacobandco.com 20. PRADA L’Homme Intense Eau de Parfum (www.prada.com) 21. AUDEMARS PIGUET www.audemarspiguet.com

THE LIST

71

1 2

4 3 6

7

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1. GRAFF Ruby and Diamond Necklace (www.graff.com) 2. CHANEL www.chanel.com 3. HENRY JACQUES Haute Parfumerie (www.parfumshenryjacques.com) 4. CHANEL Waterproof Defining Longwear Eyebrow Pencil (www.chanel.com) 6. BEAUREGARD www.beauregard.ch 7. AUDEMARS PIGUET Royal Oak Concept Split-Seconds Chronograph GMT Large Date www.audemarspiguet.com 8. TOM FORD www.tomford.com 9. CHANEL www.chanel.com

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14

11 12

15 13 16

18

17

19

11. PATEK PHILLIPE www.patek.com 12. BOUCHERON www.boucheron.com 13. PRADA www.prada.com 14. TOM FORD Shirt and Bow Tie (www.tomford.com) 15. FABERGE www.faberge.com 16. CHAUMET Joséphine Éclat Floral Ruby Ring (www.chaumet.com) 17. TOM FORD Velvet Bow Tie (www.tomford.com) 18. BULGARI www.bulgari.com 19. MERCEDES www.mercedes-benz.com

THE LIST

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4 6 3

2 8

9

5 10

1. PORSCHE www.porsche.com 2. CARTIER www.cartier.com 3. GUERLAIN Cherry Blossom (www.guerlain.com) 4. BACCARAT www.baccarat.com 5. CELINE www.celine.com 6. CHANEL www.chanel.com 8. LEONARDO www.helicopters.leonardo.com 9. HARRODS www.harrods.com 10. CHOPARD www.chopard.com

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12 11 14 13

17

16

18

20

11. MB&F www.mbandf.com 12. GIEVE & HAWKES www.gievehawkes.com 13. TOM FORD www.tomford.com 14. DIOR www.dior.com 16. GRAFF Galaxia (www.graff.com) 17. LOUIS VUITTON www.louisvuitton.com 18. FENDI www.fendi.com 20. BULGARI Diva’s Dream (www.bulgari.com)

THE LIST

75

2

1 5

3

6

4

7

8

9

1. BALMAIN www.balmain.com 2. DOLCE & GABBANA Bow Tie (www.dolcegabbana.com) 3. BULGARI www.bulgari.com 4. BULGARI www.bulgari.com 5. CELINE www.celine.com 6. BULGARI www.bulgari.com 7. BORSALINO www.borsalino.com 8. CELINE www.celine.com 9. ROLLS ROYCE Black Badge (www.rollsroyce.com)

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!

"#$%

From the Giorgio Armani and 10 Corso Como collaboration, a current, versatile selection of footwear featuring light and refined shapes in a classic style.

1 0 CORSO COMO www.armani.com

Evoking the architectural purity of Armani’s iconic tailoring, the collection embraces fluid, deconstructed lines and barefoot minimalism. Sartorial stitching and an inscribed insole echo the house’s androgynous codes—whispering elegance through structure, proportion and silence.

Giorgio Armani x 10 Corso Como: An Elegy of Simplicity and Form.

In a harmonious encounter between two icons of Italian refinement, Giorgio Armani and 10 Corso Como renew their artistic dialogue with the unveiling of a women’s footwear capsule collection—an ode to quiet elegance and the sartorial grace of understatement. Presented during Milano Fashion Week within a dedicated pop-up at 10 Corso Como, the collection captures the shared aesthetic sensibility of its creators: timeless yet resolutely modern, architectural in line yet soft in intention. The immersive installation will remain open to visitors until the end of March and will be echoed with a mirror presentation at Giorgio Armani’s boutique in the Galleria Vittorio Emanuele II—a space as steeped in history as it is in glamour. This marks the third collaboration between the maison and the concept store now under the visionary curatorship of Tiziana Fausti, whose contemporary interpretation of 10 Corso Como encompasses not only the boutique but an entire cultural ecosystem—Café, Galleria, Project

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ELEGANCE

A Philosophy in Step This third encounter between Giorgio Armani and 10 Corso Como reveals a shared pursuit of understated clarity. The capsule articulates a vision of dress where restraint becomes identity— low-heeled silhouettes are not ornamental diversions but central tenets of an aesthetic that privileges calm over spectacle, balance over trend.

Tiziana Fausti’s contemporary lens brings a curatorial sharpness to this alliance, merging architectural minimalism with feminine poise.

© Rolex Room, 3Rooms and Terrazza—each space infused with curatorial precision and conceptual depth. At the heart of the collection lies a celebration of the flat shoe—not as a compromise but as a declaration. Ballerinas, sabots, loafers and slippers become vehicles for a sartorial philosophy centred on softness, comfort and form, rendered with exquisite craftsmanship and composure. Materials are sensuous yet essential: suede, patent, nappa, all handled with Armani’s signature restraint. These are not merely accessories, but expressions of a lifestyle rooted in ease, purity and a beauty that resists spectacle. Available shortly in Giorgio Armani boutiques and selected flagship locations across Europe, Japan, China and, in the United States, through Neiman Marcus, this capsule underscores an enduring principle: that style, at its most powerful, speaks in quiet, deliberate tones—unfazed by season, untouched by excess.

From Archive to Evening Among the most distinctive pieces are unlined ballerinas and dual-wear loafers with collapsible backs—engineered to transition from relaxed tailoring to fluid eveningwear.

Unexpected details emerge: rhinestone mesh referencing an archival clutch, or plush faux-fur finishes that lend visual texture. These elements express a refined irreverence, capturing the spirit of versatility and nocturnal sophistication within the otherwise quiet rigor of the Armani lexicon.

ELEGANCE

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ELEGANCE

Rachel’s diadem in Ph èdre with pearls and cameos, 1943 © CollComèdie-Française.

Photo: L’École des Arts Joailliers - Benjamin Chelly

THE PERFECT PLACE

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CHARLIZE THERON ELEGANCE There are actresses who occupy fame like a garment—draped in myth, embellished by access. And then there is Charlize Theron, who wears hers like a tailored blade: sharp, silent, and impossible to misread. Her beauty is almost mythological—high cheekbones drawn by geometric certainty, Nordic gaze suspended between frost and fire—but to reduce her to appearance is to mistake surface for story. She is not beautiful despite her intellect, nor powerful despite her grace; she is the rare figure in whom both reside in such tension that they generate something rarer still: authorship. Born on the high plateaux of South Africa and forged in the unspoken grief of a violent childhood, Theron never performs victimhood. Her past, like her presence, is unflinching—neither buried nor brandished. One senses that her silence is not evasion but choice, and that her gaze, so often mistaken for distance, is in fact structure. She is not aloof; she is constructed. The camera does not seduce her—it interrogates, and is interrogated in return. From her early roles, already one understood she did not aim to charm. Instead, she occupied roles with an architect’s instinct: calculating force, tension, weight. In Monster, she disfigured herself not cosmetically but ontologically, excavating empathy from horror. In Mad Max: Fury Road, she stripped dialogue down to breath and stillness, and let her body speak the grammar of fury and survival. She is that rare cinematic presence whose intelligence is felt bodily. She moves not like a dancer but like a hypothesis. In couture, she glides. In action, she strikes with the precision of someone who mistrusts spectacle and prefers consequence. No glance is accidental. No gesture unscored. To watch Theron is to understand that film, in her case, is not occupation—it is method. She does not ask for your attention. She assumes it. Not with arrogance, but with the poise of someone who has read the room and chosen, consciously, not to lower her volume. In a culture allergic to silence, she is orchestral. Her pauses resound.

Her body—long, athletic, refined—has been used both as weapon and Charlize Theron’s artistry resides in refusal. The refusal to be reduced, to canvas. In Atomic Blonde, it bruises, bleeds, commands. In The Italian be defined by prettiness, to be softened for consumption. She is not the Job, it teases with elegance, then detonates with skill. Even her walk holds kind of actress who dissolves into her characters; rather, her characters intention, as if rehearsed in some invisible theatre of purpose. It is no are elevated by her refusal to vanish within them. There is always a sliver accident that she trained in ballet. Her movement has discipline, yes—but of awareness, a spine of intellect that holds form beneath fiction. And more importantly, it has logic. Each step belongs to a wider grammar. yet this does not dilute the performance—it deepens it. She does not Theron is not an intuitive actress in the conventional sense; she is “disappear” into roles because she never needs to. She is there, entirely, architectural. She understands character as structure, not as indulgence. crafting structure from contradiction.

And this is where her intelligence becomes legible—because it is In North Country, she weaves pain into restraint; in Young Adult, she embedded, not advertised. She is the rare performer who can convey sculpts immaturity into a tragic mirror; in Bombshell, she becomes an emotion without adornment. A flicker. A narrowing of the mouth. A anatomical study of mannerism and mimicry. Each performance is a silence that, somehow, becomes the loudest line in the script. thesis—precise, unembellished, often uncomfortable. She never pleads Even her beauty, so often canonised by magazine spreads and red with the audience. She hands them the material and lets them decide. carpet columns, resists saturation. She is glamorous, yes, but only when This restraint—so often confused for coldness—is in fact a radical trust she chooses. Her allure is not performative—it is in the viewer’s intelligence. conditional. She never invites the gaze. She tolerates She is also a master of pacing, of tempo. Unlike Charlize Theron does not act—she it, then reverses its direction. In Tully, she gained many contemporaries who chase visibility, Theron architects. Every role, every frame, weight and wore fatigue like a costume. In Monster, calculates it. Her public appearances are sparse, every silence is carved with intent. she deconstructed every assumption the audience deliberate, often wordless—an entrance on a red Beauty, in her, is not offered but could project onto her face. And yet, even beneath carpet becomes a declarative sentence. A Dior reclaimed. She is the actress who prosthetics and character fatigue, there was that campaign becomes a cinematic breath. In interviews, listens before she speaks, who studies unmistakable through-line: the refusal to beg, to she speaks not with hesitation but with calibration. before she stuns. Watching her is not an decorate pain with flattery.

She is not selling a brand; she is setting a perimeter. escape—it is an encounter with form, consequence, and fire.

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calm that defines her performances. The woman on the red carpet in Her activism, like her performances, is unsentimental. She speaks of 2024 is not the ingénue of The Cider House Rules—she is something gender-based violence and systemic injustice not with the emotive cadence rarer: a woman who has rewritten the terms of allure. of performance, but with the clipped cadence of a witness. She does not Theron’s ability to shift from indie films to blockbuster franchises mythologise her past, nor does she deploy it as currency. It exists, like the without compromising integrity is rare. Consider The Old Guard, hard light in her performances, as fact. Not as plot. Her foundation work a Netflix action epic where she plays a centuries-old warrior with a in South Africa is not Instagrammed for virtue—it is done. Quietly. Like sadness that seeps through the fight choreography. She does not rely her performances, her philanthropy seeks efficacy, not applause. on superhuman stoicism, but on weariness. Her strength is laced with Theron also challenges the architecture of fame by remaining fundamentally burden. She makes invincibility look like a form of mourning. It is this unreachable. She is not omnipresent on social media, not a fixture in gossip layering that gives the film, otherwise conventional, a centre of gravity. columns. Her children are not props. Her choices, both professional and Or The School for Good and Evil, in which she embraces camp with personal, are unmediated by trend. This, in today’s cultural economy, is calculated archness, showing that she can play to genre without ever radical. She is a woman not of the moment, but of measure. playing it cheaply. She mocks tropes by inhabiting them fully. Even in There is also, undeniably, a literary quality to her presence. One imagines satire, she brings philosophy. her not in a rom-com, but in a Bergman frame. Not on a sitcom sofa, She once remarked that the greatest compliment she could receive was but on a windswept balcony, speaking few words but holding the not to be called “brave” or “versatile,” but simply “necessary.” That scene. Her voice—measured, low, slightly textured—suggests a kind of word seems to echo through her entire career. Necessary because she philosophical weight. She could play Anna Karenina or Antigone. She is does not explain the world, but refracts it. Necessary because she elevates both flame and statue. cinema—not through scale, but through consequence.

But perhaps her most subversive gesture is not in the roles she accepts, but And this brings us to perhaps the most significant, least spoken aspect of in the spaces she denies. There are careers made by acceptances, and others Theron’s persona: her relationship with time. Not time as in punctuality made by refusals. Theron’s trajectory is marked as much by what she has or momentum, but time as an existential field. She lets moments not done—no franchised rom-coms, no indulgent memoirs, no televised breathe. She allows her roles to stretch. She gives silence room to mean breakdowns. She has not submitted herself to the theatre of accessibility. something. She works less than many of her peers, but what she creates She remains, in a culture of oversharing, incompletely known. accumulates—like sculpture, not like content. The gaps between her This incompleteness is not an absence. It is architecture. It allows her roles are not absences. They are spaces where one senses she is reading, to inhabit archetypes without cliché: the rebel (Fury Road), the mother thinking, realigning. Her career is not a sprint; it is a composition.

(Tully), the monster (Monster), the martyr (North Country), the media This resistance to velocity is mirrored in how she speaks. She does not star (Bombshell), the assassin (Atomic Blonde). Yet she imbues each with chase relatability. She speaks as if the sentence were a contract—with the a thread of singularity, as if the role had waited for her, not the reverse. audience, with herself. In interviews, she is often blunt, not to shock but Her performances function not as narratives, but as arguments. They to anchor the dialogue in reality. She does not decorate her statements dismantle assumptions with forensic care. In Monster, she does not ask with appeal. She says what she means and leaves it there. This is, in a for redemption; she asks for attention to context. In Young Adult, she postmodern media landscape, nearly defiant. doesn’t seek catharsis; she presents stasis as tragedy. In Long Shot, her The word “elegance” is often misused. It is applied to gowns, to posture, brief foray into political comedy, she delivers wit not as charm, but as to table manners. But Theron reclaims it in its original sense: from the intelligence costumed in ease.

Latin elegantia—choice, selection, deliberateness. Her elegance is in her And always, she lets the body do half the speaking. Watch her hands in decisions. In how she enters a scene. In what she withholds. In what she Bombshell—how they hover before gestures, how they retreat as words allows. It is not soft—it is exact. land. Watch her shoulders in Fury Road—tense, then folding, then Perhaps one of the most overlooked truths about Theron is that she has squared again. Her embodiment is sculptural. Not performative. Not been playing the long game from the beginning. Her career is not made exaggerated. Just precisely scored. of trends, but of tectonic movements. What she sacrifices in quantity, When she founded Denver & Delilah, her production company, she extended she reclaims in weight. What she denies in ubiquity, she gains in density. her authorship from in front of the camera to behind it. The name, halfHer performances do not decorate the cultural moment—they press into whimsical, half-biblical, is also telling: strength and subversion, femininity it, altering its shape. and myth. She produces not for profit, but for provocation. Projects like A And still, she remains a mystery not because she Private War, Brain on Fire, and Girlboss may not all conceals, but because she reveals only what has carry her face, but they all carry her ethic: that stories “At the end, the realization is that she been earned. The public, hungry for narrative, should sharpen the gaze, not dull it. had to get to a place in her life where she has often misread her silence as distance, her There is also an evolving beauty in the way she could drop her guard and make peace privacy as coldness. But those who watch has allowed herself to age—not reluctantly, not with the fact that whether she had a small closely recognise it for what it is: discipline. disguised, but integrated. She has not opted for the amount of time, that she had to kind of The discipline of an artist who understands that permanent adolescence so often required of women live it completely through, instead of attention is not owed—it is won. And once it is in Hollywood. Instead, she has leaned into change, living by the rules.” won, it must be respected. inhabiting her face and body with the same analytic Charlize Theron

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Portrait of an Actor

Celine

Evolution of Sophistication: Celine Homme unveils The Portrait of an Actor series by Hedi Slimane, featuring the captivating portrayal of actor and musician Blake Richardson. Renowned for crafting stage attire for globally acclaimed acts like The Libertines, Daft Punk, Franz Ferdinand, and The Kills, as well as iconic artists including David Bowie, Mick Jagger, Beck, and Jack White, Slimane chooses timeless Celine Tailoring, Celine Black Tie, Celine Cashmere Coat, and Celine Black Frame Sunglasses for Richardson’s photoshoot.

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Slimane’s vision for Celine Homme is clear: to create a wardrobe that resonates with the nuances of modern life while remaining faithful to the brand’s heritage of elegance.

CELINE HOMME www.celine.com

Celine Homme presents a campaign that captures the essence of classic sophistication through Hedi Slimane’s lens. Blake Richardson took part in the Portrait of an Actor series, gracefully embracing the timeless allure of a subtle monochromatic palette. The imagery, stark in its black-and-white simplicity, allows the intricate details of each piece to be a focal point.

Texture takes center stage in this tale, with the leather biker jacket imbuing a rebellious aura that harmonizes perfectly with the collection’s polished allure. The classic black tie ensemble reimagines convention, offering a contemporary spin on formality that is simultaneously bold yet understated.

Each impeccably tailored piece contours the body flawlessly, showcasing Celine’s contemporary craftsmanship and precision in design. The accessories, particularly the sunglasses, inject a modern edge that elevates Richardson’s sleek presence.

The advertisement celebrates Celine’s refined aesthetic, prioritizing the purity of form and material over fleeting seasonal fads. Slimane’s vision for Celine Homme is unmistakable: to craft a wardrobe that reflects the intricacies of modern life while remaining true to the brand’s legacy of sophistication.

“My journey in fashion has definitely grown, having worked with the brand and going out of my comfort zone a little bit. There’s been a few pieces that I wouldn’t usually touch, and now I put on a tight pair of jeans, a cool boot, and a leather jacket, and I’m like ‘this is a rockstar’,” explained Richardson in the interview to Vman when asked to describe his personal relation with fashion.

Admitting taht he was always “very drawn to how suits used to fit back in the day, even in the 20s and ‘30s”, Richardson is describing his current style as timeless, giving credit to Celine.

“They’ve really opened my eyes to a lot, as well. When I was on my own, picking out little pieces from vintage shops and stuff, [my style] was a bit all over the place and they’ve shown me how you can combine different style eras into one.”

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Born in Northern England, Blake Richardson is a 24-year-old vocalist and guitarist of the British pop rock trio New Hope Club. The band debuted their self-titled album in February 2020, reaching number five on the UK Album Charts.

Formed in 2015, the band initially gained traction by posting covers on YouTube, featuring songs by The Vamps, One Direction, 5 Seconds of Summer, Justin Bieber, and Shawn Mendes. Subsequently, they became the second band signed by The Vamps’ music label, Steady Records, a subsidiary of Virgin EMI Records. They have since joined The Vamps on three UK/ European tours and a USA tour.

Richardson is also venturing into acting, portraying Paul McCartney in Joe Stephenson’s upcoming film “Midas Man,” a biopic about music entrepreneur Brian Epstein.

Blake Richardson makes his onscreen debut as Paul McCartney in Midas Man, an upcoming film about The Beatles’ manager Brian Epstein.

Richardson has been the house’s ambassador for quite some time.

“I love everything they do, to be honest.

CELINE hits with everything—the jackets, the suits, the boots, everything.

It’s just so surreal to just walk in and be a part of this world,” continued the rising actor in the interview with VMan. “I’ve always been a big fan of The Beatles and bands like that and I like seeing how fashion evolved through music,” says Richardson and promises many new experiences for his fans this year.

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High-end Entertainment Rendez-vous 40

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A HALF-CENTURY OF ENCHANTMENT:THE GRAFF BUTTERFLY www.graff.com The year 2025 heralds the golden jubilee of the Graff Butterfly—an enduring icon, ever in flight, a silhouette that has come to embody the very essence of the House of Graff.From its inception in 1975, when it first emerged as an exquisite yet understated diamond pendant, to its later incarnation as a brooch capturing the ethereal creature in a moment of delicate repose—alighting upon the revival of the legendary Hair and Jewel composition in 2013—this emblematic motif has continually transformed. It has taken myriad forms, each iteration a testament to

its infinite metamorphosis, including its expression in Graff’s horological creations, where the passage of time is enshrined in the flutter of its diamond-set wings.

Every Graff Butterfly is conceived and crafted with an artistry that elevates its wings mid-flight—a fleeting instant of nature’s poetry, transfigured into an eternal vision of scintillating brilliance. Today, this exquisite motif is universally revered, a beacon of transformation, empowerment, and beauty, inspiring a new generation of jewellery connoisseurs and collectors drawn to its timeless allure.

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GIORGIO ARMANI PRIVÉ. LUMIÈRES www.armani.com

For Spring/Summer 2025, Giorgio Armani Privé offers a luminous homage to two decades of haute couture. Inspired by China, Polynesia, India, Japan and North Africa, the collection translates cultural echoes into fluid silhouettes, shimmering embroidery and sculpted tailoring. Presented in the new Paris headquarters, it is a meditation on elegance as memory—where light, refinement and quiet mastery converge in every thread.

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Steven Meisel Art Direction: BAron & BAron Styling: KArl templer HAir: guiDo pAlAu mAKeup. pAt mcgrAtH cASting Direction: roSie Vogel FASHION

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Voted “No 1 Best Resort Hotel in Europe” by readers of Conde Nast Traveler 2010 • 13th Century Castle hidden from the World amidst 350 acres of its own private estate • Located on the 2nd largest lake in Ireland Lough Corrib, 30 minutes from Galway city • Easy driving distance from Dublin and Shannon airports • Luxury hotel since 1939 • 83 individually designed bedrooms • Once the country estate of Lord Ardilaun and the Guinness family • Three dining options available to suit all guests • A host of activities from Golf to the Ancient Art of Falconry available on the estate

Ashford Castle, Cong, Co Mayo, Ireland - Tel: 353 94 9546003 E-mail@ashford@ashford.ie - www.ashford.ie

THE WORLD’S LEADING DEPARTMENT STORE www.harrods.com emporiums, it offers a transformative experience to customers who know Opened by Charles Henry Harrod, an East End grocer and tea merchant, in that true value of exceptional goods and services lies beyond price. They 1834, relocating to Knightsbridge in 1849, our store is recognised globally are committed to excellence and artistry, inspired to reinvent and surprise, as a symbol of excellence. It was after a fateful evening in 1883 that our ensuring the position as a leader in the category. Every year, over 60 million defining moment came. On this night, despite the store burning down, domestic and international visitors connect with we still managed to fulfil all Christmas orders on us online and through our stores in Knightsbridge, time and exceeded all of our original trade targets.

Since 2017, our Owner Qatar Investment Heathrow and Gatwick airports as they wish to Since this event and the unswerving determination Authority (QIA) has supported our decision experience something unique that is quintessentially of our people that followed, the desire to make the to invest into the evolution of the store. From British. This can only be possible with the dedication impossible possible became embedded in our culture.

Fashion Designer rooms to extended beauty of our people. Speaking in Mandarin, Arabic, French At Harrods, the mission is to make Anything Possible.

Halls, food halls and restaurants, every or English (just to name a few), our people are our It is truly unique - a house of maisons, a modern aspect of the store is being re-imagined to strength. their unique personalities and their desire atelier, a workshop of wonders, a convener, patron optimise the customer experience and enable to exceed expectations are what enable us to make and a celebrator of the world’s finest. us maintain our place as the masters of anything possible for our customers.

Known around the world as one of the great luxury luxury and the experts of exceptional.

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“True elegance is effortless, born from the harmony of impeccable craftsmanship and a touch of provocation.” Tom Ford

TOM FORD RESORT www.tomford.com

Tom Ford’s Resort SS2025 collection radiates timeless sophistication, balancing sharp tailoring with fluid silhouettes. Embodying Ford’s signature luxe aesthetic, the pieces boast meticulous craftsmanship with an edge of sensuality. Jewel tones, opulent fabrics, and unexpected details command attention, catering to a clientele fluent in the language of high fashion. This collection reiterates Ford’s mastery of modern glamour.This latest addition in black ceramic was presented in Gabrielle Chanel’s apartment on Rue Cambon, while the campaign was shot in Chanel’s other Parisian home, the Ritz Paris.

Captured in black and white, it follows models Soo Joo Park, Nozomi Iijima, Alice Dellal and Alma Jodorowsky behind the scenes inside the hotel as they nonchalantly go about their sojourn highlighting the allure of the timepiece.This new model makes a sophisticated addition to the Code Coco Collection which now has five variations: stainless steel or black ceramic with the Maison’s signature quilted pattern. These two versions are available with or without a diamond encrusted bezel set with 52 brilliantcut diamonds. A final variation, dubbed Baselstar, is made in 18-carat white gold and is completely covered in diamonds for a total weight of 56.47 carats and is limited to only 20 timepieces.

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Tom Ford’s Resort SS2025 Collection is a testament to his mastery of understated glamour and provocative sophistication. This season, the collection embraces fluid silhouettes and tailored precision, merging jewel tones with neutral palettes.

Luxurious fabrics—silk, satin, and cashmere—are enhanced with metallic accents, while plunging necklines and bold cutouts add sensuality. Key pieces include flowing maxi dresses, sharply tailored blazers, and statement accessories like oversized sunglasses and sculptural jewellery. Ford’s signature attention to detail is evident in the intricate stitching and innovative textures. Perfectly balancing timeless elegance and contemporary edge, the collection caters to the confident, styleconscious global elite.

First featured in the 2.55 handbag, the turnlock had disappeared and it was not until Karl Lagerfeld came onboard the maison in the 1980s that it made a reappearance, acquiring the name Mademoiselle Lock.First featured in the 2.55 handbag, the turnlock had disappeared and it was not until Karl Lagerfeld came onboard the maison in the 1980s that it made a reappearance, acquiring the name Mademndbag, the turnlock had disappeared and it was not until Karl Lagerfeld came onboard the maison in the 1980s that it made a reappearance, acquiring the name MademoiselleLock.

First featured in the 2.55 handbag, the turnlock had disappeared and it was not until Karl Lagerfeld came onboard the maison in the 1980s that it made a reappearance, acquiring the name Mademoiselle Lock.

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Renowned photographer Alasdair McLellan captures the campaign’s refined aesthetic, blending cinematic intimacy with timeless Dolce & Gabbana sophistication.

DOLCE & GABBANA www.dolcegabbana.com

Dolce & Gabbana’s campaign featuring Colin Farrell elevates made-tomeasure menswear, celebrating timeless craftsmanship and refined masculinity.

The collaboration bridges cinematic elegance with sartorial artistry, embodying the essence of contemporary Italian sophistication.

Colin Farrell, the face of Dolce & Gabbana’s latest campaign, epitomizes the allure of bespoke tailoring. Shot against minimalist backdrops, the campaign underscores the precision and artistry of the brand’s madeto-measure creations. Farrell’s effortless charisma complements the meticulous craftsmanship, creating a visual narrative that celebrates individuality and style. The campaign redefines modern elegance, portraying luxury as a personal journey deeply rooted in heritage and the highest standards of tailoring.

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Dolce & Gabbana’s made-tomeasure service exemplifies Italian excellence, offering hand-selected fabrics such as superfine wools, silks, and cashmeres sourced from renowned mills. Each garment is meticulously crafted by master artisans, ensuring unparalleled attention to detail, from hand-stitched lapels and custom linings to precisely measured cuts. The process, tailored entirely to each client, celebrates individuality while preserving the brand’s commitment to heritage. Combining traditional techniques with contemporary innovations, these creations blend timeless style, superior craftsmanship, and the precision of a flawless fit, elevating tailoring to an art form.

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The zenith of sartorial refinement lies in the harmonious fusion of the finest fabrics, consummate craftsmanship, and enduring design, culminating in garments of unparalleled sophistication and grace.

GIORGIO ARMANI www.armani.com

Credits: Giulio Rustichelli

Exclusive Capsule Collection SS25 Shot by Giulio Rustichelli. Giorgio Armani embodies sartorial excellence with his bespoke tailoring, offering the refined exclusivity of a “Made to Order” service.

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A NEW DIGITAL EXPERIENCE. An innovative digital journey that allows you to personalise every detail— from the selection of fine fabrics to the precision of the cut, the choice of lining, and the style of buttons— ensuring that each piece is a true reflection of your individuality.

This virtual design experience grants access to an exclusive service that embodies Giorgio Armani’s distinctive stylistic codes, seamlessly blending technological innovation with the timeless artistry of Italian tailoring.

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In the early 1980s, Giorgio Armani redefined feminine elegance, introducing a new era of sartorial sophistication. With a visionary approach, he reimagined the silhouette and modern wardrobe, blending structure with fluidity. Rooted in simplicity and precision, his designs transcended fashion, empowering women with confidence, poise, and natural grace. The result is an enduring dialogue between Armani and the women who embrace his vision—yielding timeless, impeccably crafted pieces that embody individuality and lasting elegance.

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These pieces can be realised in an extensive selection of the finest materials and artisanal finishes, including wool crêpe, cashmere, and vicuña, as well as certified sustainable fabrics such as organic cotton, linen, and recycled cashmere, ensuring a perfect balance of luxury and responsibility.

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Available for both men and women, the Made to Order service offers clients the opportunity to select from a curated collection of garments—ranging from impeccably tailored suits to elegant eveningwear, outerwear, and shirts—each crafted with the utmost precision and attention to detail.

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Gucci’s Spring/Summer 2025 collection, under Sabato De Sarno, masterfully blends ‘60s mod aesthetics with contemporary tailoring, epitomizing the brand’s evolving vision of casual elegance.

GUCCI SOCIETY www.gucci.com

Sabato De Sarno’s Spring/Summer 2025 collection for Gucci refines the codes of ease and elegance, proposing a precise yet understated vocabulary. This is not a return to maximalism, but rather a confident calibration of silhouette, proportion and gesture—where every line feels drawn with intention. An oversized white poplin shirt, worn as a dress and anchored by a burnished leather belt, encapsulates the collection’s austere elegance and timeless relevance.

With his third runway collection, Sabato De Sarno continues to rearticulate Gucci’s lexicon through the prism of rigour and restraint.

The Spring/Summer 2025 show, held within a luminous architectural space stripped of theatrics, placed the garments at the centre of attention: unadorned, unapologetic, and quietly commanding. Gone are the eccentric flourishes of recent memory; in their place, razor-sharp tailoring, minimal hardware, and subtle sensuality. Short coats with truncated lapels, crisp cotton shirts layered beneath sheer tunics, and fluid trousers that hover just above the ankle exude a kind of nonchalant discipline. The palette shifts from optic white to parchment, sage, and the now-signature Rosso Ancora—a burnished burgundy De Sarno wields with exacting intention. Accessories, from the reinterpreted Jackie bag to discreetly embellished loafers, are executed with sculptural precision.

But the real sophistication lies in the silhouette: constructed yet fluid, controlled yet never rigid. Sleeves are dropped but never slouched; waistlines are hinted, not cinched. Fabrics float, but their geometry remains intact. There is a sensuality here, yes—but it’s one born of clarity, not provocation. The garments suggest intimacy, not exposure.

What De Sarno achieves is a redefinition of ease—where comfort is not equated with sloppiness, and elegance is never overwrought. In an era saturated with noise, his Gucci proposes quiet conviction. It is a wardrobe for the cultivated eye—where every piece contains its own logic, and where the wearer’s intelligence is assumed rather than courted.

The result is less a collection than a manifesto of restraint.

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The true innovation of this collection lies not in surface experimentation but in its architectural clarity.

Double-faced wools are cut with surgical precision, silk organza is treated not as eveningwear but as quotidian layering, and even denim is elevated through construction rather than embellishment.

The tempo of the show echoed this philosophy—measured, deliberate, devoid of spectacle.

De Sarno’s Gucci speaks to a wearer who requires no declaration of taste, because her discernment is silent, embodied. The silhouettes— narrow, cropped, elongated— articulate a new modernity grounded in movement and tactility. This is luxury not as display, but as discipline.

And in that discipline lies its quiet provocation.

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Prada’s SS25 collection, “Infinite Present,” juxtaposes algorithmic logic with human unpredictability, celebrating individuality through eclectic, era-defying designs.

PRADA www.prada.com

In “Infinite Present,” Miuccia Prada and Raf Simons delve into the interplay between digital determinism and human spontaneity. The collection features skirts suspended from belts, trompe-l’œil elements, and superhero-inspired accessories, reflecting a fusion of past and future aesthetics. By reimagining archival pieces with a contemporary twist, Prada challenges linear fashion narratives, offering a wardrobe that empowers individuality amidst the algorithmic age. It’s a sartorial exploration of identity in a digitally saturated world.

“Infinite Present” showcases Prada’s signature subversion through innovative design elements. Skirts appear to hover, suspended by belts; wired collars defy gravity; and accessories like oversized sunglasses and faceless hats evoke a futuristic sensibility.

The palette spans from metallic silvers to vibrant chartreuse, underscoring the collection’s dynamic energy. By blending archival references with avant-garde techniques, Prada crafts a narrative that transcends temporal boundaries, inviting wearers to embrace a multifaceted identity in an era dominated by digital algorithms

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BAMBI NORTHWOOD BLYTH

There are faces that attempt to fit the industry’s evolving template—and then there are those that redefine the template itself, by existing outside of its grammar. Bambi Northwood-Blyth has, from the beginning, belonged to the latter. Her presence is both unmistakable and unrepeatable: arched brows, disarming freckles, a gaze that reads less like a pose and more like punctuation. Her appearance suggests youth, but her aura implies something else—an awareness, a slight remove, a cultivated misalignment from the commercial flow. Discovered in Melbourne and cast against the conventional heights of fashion modelling (she is five-foot-seven), she became not a disruption, but a recalibration. Her rise was not meteoric, but textured: early campaigns for Calvin Klein, Balenciaga, and Topshop; runway work that carried the same paradox she still holds today—of seeming utterly herself, even when styled into abstraction. And that, in the coded world of fashion, is a rare currency: authenticity without anecdote. To speak of Bambi in aesthetic terms alone is to miss her atmospheric quality. She is a model who seems to exist with a world behind her. Her gaze does not plead—it considers.

Her beauty, while striking, carries imperfections that are neither hidden nor embellished. She does not transcend her features; she articulates through them. There is no strategy in her charm, and therein lies its power: she is not “relatable” in the forced, social-media sense of the word, but genuinely resonant—someone whose presence lingers beyond the image. Much of that resonance may stem from the fact that her narrative is personal without being performative. Diagnosed with type 1 diabetes at the age of 12, she has transformed vulnerability into quiet advocacy, not by making it her brand, but by refusing to conceal it. Her interviews reveal not self-promotion, but reflection. She speaks of the body—its constraints, its brilliance, its demand for attention—with a kind of poetic frankness rare in public figures. This balance—between exterior allure and interior candour—is perhaps what makes Bambi Northwood-Blyth so compelling to those who follow fashion not for noise, but for nuance. She is not the trend. She is the pause that gives the trend meaning.

a tragedy; she frames it as a practice of balance. In an age of performative To understand Bambi Northwood-Blyth is to acknowledge the quiet wellness, her approach is quietly radical. defiance embedded in her trajectory. She does not conform to the typical Her forays into lifestyle branding—including co-founding a fragrance label measurements of the modelling elite—neither in stature, nor in spectacle. And and experimenting with editorial ventures—are never about empire-building. yet she has walked for Diesel and Chanel, fronted campaigns for Prada and They seem exploratory, intellectual, and personal. She is not trying to H&M, appeared in Vogue, Elle, and Harper’s Bazaar across continents. She is dominate an industry. She is attempting, instead, to inhabit it fully, humanly. not an anomaly—she is an alternative.

That distinction is important, particularly in the influencer era, where The name “Bambi,” a childhood nickname now enshrined in fashion’s personality is often flattened into content. Bambi resists this. She is content in lexicon, evokes a certain fragility—but her presence undoes that softness. the older sense of the word: filled with something real, subtle, slow-burning.

She is neither wide-eyed nor naïve. Instead, there is a studied detachment She has also, with time, embraced the temporality of fashion without losing to her expression, a refusal to overperform. In the fast cadence of today’s her centre. Many of her contemporaries chased virality; she has chosen fashion imagery—where overstimulation reigns—her stillness is magnetic. longevity. Her recent campaigns—especially those in Europe and Japan—lean Her portrait is never about saturation; it is about restraint. She seems to edit into her expressive maturity. There is a different kind of beauty emerging the frame just by inhabiting it. now in her work: one less tied to youth, more aligned with presence. Not the She was one of the early figures of the 2010s to suggest that beauty could— debut, but the echo. Not the noise, but the residue. and perhaps should—accommodate contradiction: vulnerability and strength, And always, there is the ocean. A surfer, swimmer, and self-confessed water athleticism and softness, coolness and kindness. The language around her has obsessive, Bambi often returns to the sea—not as metaphor, but as matter. She always hovered in that liminal zone: she is “alternative,” but never niche; lives between cities, but the coast remains her axis. Her writing and interviews “girl-next-door,” yet impossibly specific. Her eyebrows, famously thick, repeatedly circle back to the ocean’s rhythm, its therapy, its frankness. It is predated the Instagram trend by years, not as a statement but as an essence. perhaps no surprise that her modelling reflects that same energy: mutable, She didn’t arrive to challenge the norm. She simply never subscribed to it. clean, non-linear. She does not crash into the scene—she glides, she recedes, Her style—off-duty and otherwise—leans toward the tactile: denim, silk, she returns. oversized shirting, eyewear with architectural sensibility. Nothing feels overly If one were to describe her contribution to fashion, it would not be in styled, and yet everything seems considered. It’s not just what she wears, collections or campaigns, but in atmospheres. She introduced a softness that but how she moves through clothing. The fabric doesn’t sit on her—it had spine. She brought emotional reality into aesthetic participates with her. Fashion editors have long praised Bambi Northwood-Blyth redefines fantasy. She offered a blueprint for how to be seen her for “bringing the clothes to life,” but in truth, she beauty with quiet defiance. Between without having to scream. does something rarer: she reminds the viewer that the fashion and advocacy, presence Bambi Northwood-Blyth is, in the end, not a model person inside the clothing is still thinking, still breathing, and privacy, she embodies a rare of rebellion—but of refinement. A different kind of still resisting reduction. elegance shaped by restraint. Her iconography, built not on image saturation, but on Bambi’s voice outside of fashion is equally compelling. gaze, deeply lived-in, offers no resonance. She reminds the industry—and the observer— She has written openly about living with diabetes— explanation—only recognition. that fashion, at its most meaningful, is not only about not as a token gesture, but as an exercise in real-time Freckled, articulate, and elemental, vision, but about feeling. Not just what is worn, but how vulnerability. Her foundation work, her essays, even her she reminds us that sincerity, like style, it is carried. Not only the photograph, but the breath Instagram captions, avoid grand declarations in favour is a form of authorship. between the frames. of honesty. She doesn’t narrate her life as a triumph or

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Ackermann’s debut melds Ford’s iconic allure with contemporary minimalism, introducing a fresh, poised narrative to the brand’s storied aesthetic.

TOM FORD www.tomford.com

Haider Ackermann’s Spring/Summer 2025 debut for Tom Ford reimagines the brand’s signature sensuality through a lens of refined restraint. Set against a moody, nightclub-inspired backdrop, the collection marries sharp tailoring with fluid silhouettes, encapsulating a modern elegance that pays homage to Ford’s legacy while charting a distinct new course.

In his inaugural collection for Tom Ford, Ackermann delivers a masterclass in balancing heritage and innovation. The lineup features impeccably tailored pinstripe suits, fluid silk ensembles, and shimmering eveningwear, all exuding a quiet confidence. Notable pieces include a floor-length silver-beaded T-shirt dress and sleek leather separates, reflecting a nuanced take on glamour. The palette—dominated by blacks, greys, and muted jewel tones—enhances the collection’s sophisticated aura. Ackermann’s approach respects the brand’s DNA while infusing it with his distinctive, restrained elegance, signaling a compelling evolution for Tom Ford.

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The collection’s meticulous craftsmanship is evident in its luxurious fabric choices and precise tailoring.

Metallic yarns woven into knits add subtle shimmer, while buttery leathers and silk satins provide textural depth.

Accessories, including oversized sunglasses and minimalist clutches, complement the ensembles without overshadowing them. The show’s ambiance—mirrored walls and subdued lighting—mirrored the collection’s introspective tone. Ackermann’s debut not only honors Tom Ford’s legacy but also introduces a refined, contemporary perspective, positioning the brand for a new era of understated sophistication.

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GIGI HADID n the rarefied echelons of contemporary fashion, where legacy and reinvention walk hand in hand, Gigi Hadid has emerged as a paradox: the archetype of 21stcentury glamour, yet crafted with the rigour and resonance of an old-school supermodel. Born Jelena Noura Hadid in Los Angeles in 1995, she occupies a singular space at the intersection of American pop culture and European haute couture. Hers is not merely a face on covers — though over 40 international Vogue editions might suggest otherwise — but a calibrated presence: from the Balmain runway in Paris to her equestrian roots in Santa Barbara, her career traces the outline of an industry that demands both visibility and mystique.Hadid has never been the type to be consumed by the machinery of fame. Instead, she has manoeuvred within it with remarkable precision. Her command of image — equally at ease in the hands of Mert & Marcus as she is in self-directed editorial concepts — reflects not just beauty, but authorship. Even in the most theatrical couture environments, she remains legible: a woman not merely styled, but self-styled. She has taken the genetic lottery and made it work on her terms, constructing a professional arc less about influence and more about influence redefined. As the industry veers towards the performative and viral, Gigi Hadid’s voice remains deliberately measured. She embodies a new calibre of model: both muse and strategist, icon and architect — not the mannequin of a designer’s vision, but the quiet auteur of her own.

lensmen. Her face, strikingly symmetrical yet subtly modern, has been To speak of Gigi Hadid is to speak of inheritance — not only of beauty, used not merely to sell, but to signify a generational shift: the Instagram but of ambition shaped by generational refinement. The daughter of model who transcended the grid and redefined legitimacy in a saturated Palestinian-American real estate magnate Mohamed Hadid and Dutch visual culture. model Yolanda Hadid, Gigi was born into a constellation of privilege.

But beyond analytics, Hadid has made meaningful choices. She walked But privilege alone does not walk the Chanel Métiers d’Art in Salzburg fewer shows in 2023 than in previous years — not out of scarcity, but with the timing of a seasoned performer. Her evolution from commercial selectivity. In an industry fuelled by relentless exposure, absence, when catalogue work at age two (as a Baby Guess model) to fronting campaigns choreographed, can be as powerful as presence. Hadid has mastered this for Versace, Prada, and Valentino reflects a methodology rarely discussed rhythm. When she appears, it matters. And when she recedes, it is to refine in an industry that fetishises spontaneity.

— a strategy lifted not from celebrity culture, but from design thinking.

Hadid’s career arc mirrors a well-structured maison: a steady construction Her entrepreneurial pivot, Guest in Residence, is neither a vanity project rather than a meteor. She graduated from Malibu High School where she nor a merchandising cliché. Focused on fine-grade cashmere knitwear, was captain of the varsity volleyball team and a competitive equestrian — the brand reflects Hadid’s own predilection for tactile, lasting elegance. pursuits that subtly taught her command of body, pace, and presence, all Its palette — neutral, but never dull — speaks to a post-streetwear critical assets on the catwalk. Her later enrolment at The New School in sensibility, one that privileges texture over logomania, and comfort over New York, to study criminal psychology, may appear unrelated, yet it ostentation. The brand’s quiet launch, absent of bombast, was itself a underscores her cerebral disposition, a quality too often dismissed in models statement: that fashion can be intimate, intelligent, and anti-hype. whose visual dominance overshadows their intellectual frameworks.

Hadid also commands rare cross-genre resonance. She is as at ease front Behind her public persona lies a deeply collaborative ethos. Designers row at Dior as she is barefoot at her Pennsylvania farmhouse, raising including Pierpaolo Piccioli and the late Karl Lagerfeld have praised her her daughter with ex-partner Zayn Malik. This duality — metropolitan for her precision and respect for clothing, noting her talent not simply and maternal, curated and candid — is not merely personal narrative. It in wearing garments but in translating their internal logic. During the is part of the Hadid brand: resilient, rooted, and resistant to caricature.

Spring/Summer 2020 Paris shows, Hadid famously intervened to escort Ultimately, Gigi Hadid belongs to that rare breed of modern muses a runway crasher off stage at Chanel — a moment emblematic of her who shape trends without chasing them. She exists composed authority. In this subtle choreography of not merely within fashion, but as part of its cultural action and discretion, she became not just the face of Hadid has walked for over 50 major infrastructure — a fluent interlocutor between the the house but its guardian. houses globally and has opened or atelier and the algorithm, the archive and the TikTok Statistically, her influence is formidable: over 80 closed more than 30 shows. In 2022, feed. Her presence offers a counterpoint to the million followers on Instagram; campaigns with she co-hosted the CFDA Awards and fashion industry’s current obsession with velocity. brands as disparate as Maybelline and Jacquemus; and joined the British Vogue Forces for She decelerates the gaze, invites reconsideration, and, editorials with Mert and Marcus, Steven Meisel, and Change initiative, signalling her above all, stays — not just in memory, but in meaning.

Inez & Vinoodh — a rare trifecta of high-fashion cultural relevance beyond fashion.

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A nude corset gown, glistening under cathedral lighting, concluded the show. Adorned with crystal fringe and sheer panelling, it was not merely sensual— it was ecclesiastical. A final whisper of cinematic glory.

DOLCE & GABBANA www.dolcegabbana.com

Dolce & Gabbana’s Spring/Summer 2025 collection is less a seasonal offering and more a manifesto—a reverent yet audacious homage to Italian femininity, refracted through the chiaroscuro lens of classic cinema. The designers summon the seductive power of sartorial memory: cone bras, black veils, sequinned bodycon dresses. It is not fashion for the faint-hearted, but rather for the woman who commands the room with a glance and leaves behind the scent of history.

Beneath the spectral glow of mirrored staircases and enveloped in theatrical chiaroscuro, Dolce & Gabbana unveiled a Spring/Summer 2025 collection that was neither nostalgic pastiche nor mere revival. It was a cinematic meditation— intimately familiar, deliberately provocative. Referencing the sacred and the sensual, Domenico Dolce and Stefano Gabbana revisited their foundational codes not with restraint, but with operatic confidence. Corseted bodices, sheer trench coats, satin tuxedos with ecclesiastical rigour, and lingerie reimagined as armour were not trends—they were invocations. The show unfolded like frames of a lost Italian noir, each silhouette more declarative than the last. The colour palette was both ritualistic and defiant: crimson like relics, black like confessionals, white like lace altar cloths, and the occasional roseate nude recalling boudoir intimacy. Sequins appeared not as embellishment but as testimony—each bead an echo, each shimmer a moment of self-possession. Madonna’s visual legacy, especially the Blond Ambition tour, was omnipresent but never parodied. It served as liturgy: cone bras, fishnet, crucifix earrings, and veils were reborn not as props but as votive objects in a theatre of femininity.In a season where many brands lean towards sustainability platitudes or minimalist commerciality, Dolce & Gabbana chose instead to stage a spectacle of remembrance and reinvention. Their vocabulary—baroque, maximalist, defiantly Italian—was spoken fluently, but with new inflections. What might have risked anachronism was instead imbued with urgency. Even the silhouettes—curvaceous, sculpted, unyielding—spoke not to the past, but to the body politic of now. Madonna, seated front-row, veiled and imperial, did not need to speak. Her presence sanctioned the rite. This was not simply a fashion show. It was a benediction wrapped in satin and crystal, an exhalation of heritage, theatre and identity. And, unmistakably, an act of devotion.

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Craft and Theatrics, in Perfect Union. What distinguished this collection was its forensic attention to detail, cloaked in operatic drama. Corsetry was not merely referential—it was engineered. Tulle was treated as architecture. Embroidery followed the rhythm of chiaroscuro, not just motif.

The garments were less worn than performed. Yet the drama never eclipsed the mastery: each stitch honoured tradition while subverting it. It’s a tension that few houses navigate well, but Dolce & Gabbana excel when they lean into baroque maximalism with precision. The outcome? A collection that feels both viscerally theatrical and technically immaculate. As if each dress held a script within its lining.

Madonna, the Muse Eternal. Few figures have inscribed their silhouette onto the collective consciousness of fashion like Madonna. Her Blond Ambition era forms the aesthetic bedrock of this collection—not as mimicry, but as liturgy. The cone bra becomes a relic, the black veil an altar cloth, and sequinned mesh a rite of transgression.

Dolce & Gabbana, long aligned with her audacity and reverence in equal measure, here do not flatter her—they canonise her. At 66, her front-row presence in black lace was not nostalgia: it was benediction. A reminder that fashion, when done properly, is not seasonal— it is ritual.

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TAYLOR HILL

There are faces in fashion that dazzle, and others that endure. Taylor Hill belongs emphatically to the latter. Her beauty does not erupt—it reveals. It takes its time.

There is a paradox in her gaze, where innocence and wisdom negotiate, unhurried. Born in the crisp altitude of Palatine, Illinois, and raised in the rugged stillness of Colorado, Hill carries a quiet that the fashion world, so often raucous and restless, seems to crave in cyclical waves. Her aesthetic is not manufactured; it is organic, inherited from silence and shaped by landscape. There is something in her rhythm that resists urgency. Discovered at the age of fourteen while riding horses, she was propelled into modelling before most teenagers understand the velocity of image. By seventeen, she was walking for couture. At eighteen, she was crowned an Angel

by Victoria’s Secret, the youngest on their roster. And yet, to frame her only through that lens is to miss her tonal range. She never fully subscribed to the choreography of spectacle. There was always restraint—even at the height of the brand’s maximalism. Hill’s walk was never a performance; it was an offering, her posture an act of stillness in a moving world. She became, within seasons, a mainstay on the runways of Chanel, Elie Saab, Valentino, and Ralph Lauren. Photographers didn’t simply shoot her; they studied her. There is a painterly geometry to her features—symmetrical yet soft, cinematic yet unpretentious. The camera doesn’t consume her; it converses. Like the early muses of Avedon or Demarchelier, she evokes mood more than she asserts identity. And that is precisely her power: she does not arrive announcing herself—she lingers, slowly inhabiting the frame.

and alpine stillness, Hill returns often to the terrain of her upbringing. It is To understand Taylor Hill is to look beyond the metrics of popularity not nostalgia—it is grounding. She has spoken openly about mental health, or commercial reach. She is not a product of trend but of temperament. solitude, and the need to retreat. Her wedding to Daniel Fryer in 2022, held Where others are styled, she appears composed. Where others are outdoors and away from media fanfare, reinforced this ethos. No exclusives curated, she remains felt. This distinction is subtle, but vital, especially were sold. No spectacle ensued. The images, when they appeared, felt like in an age where aesthetics often precede essence. Born in 1996, her early fragments from a dream, not a press release. introduction to fashion came with a degree of precocity. But rather than There is also the matter of time. Hill seems to understand time differently. She combust under the flashbulbs of adolescent fame, she paced herself with is not rushed. Her transition into acting has been equally discreet, favouring remarkable emotional agility. There was never the sense that she was art-house collaborations and fashion films over mainstream allure. There is chasing fashion; rather, it seemed fashion came to find her. a maturity to her pace, a refusal to convert fame into frenzy. She does not Her years as a Victoria’s Secret Angel—2015 to 2020—coincided with dilute her presence by being everywhere; instead, she concentrates it by both the peak and the decline of that aesthetic empire. Yet Hill managed appearing where meaning resides. Stylistically, Hill is perhaps best described to elevate the role. She was ethereal without being unreachable, sensual as editorial classicism infused with American naturalism. Her features recall without being explicit. While the brand increasingly edged toward artifice, the bygone muses of early 2000s Calvin Klein, but her aura is older, almost she remained remarkably unconstructed. Her aura, even in those wings and European in its gravity. She can inhabit a Fendi coat or a bare linen dress heels, was not performance—it was presence. It is unsurprising, then, that with equal conviction. She is neither maximalist nor minimalist—she is post-VS, her career pivoted not to mass celebrity but toward refinement. tonal. Her presence blends, and yet holds. Few models today possess that Hill’s alignment with high fashion intensified through carefully chosen duality: to be seen and yet not interrupt the scene. collaborations. She became a muse not only for heritage maisons but for Hill joins a lineage of figures—Valletta, Turlington, Harlow—who photographers of narrative depth. Sorrenti, Lindbergh, Craig McDean— understood the long game of fashion. Their appeal did not expire with names that frame not just faces, but moods. Her editorials in Vogue Italia, a season; it evolved. They were not dictated by trend but by rhythm. In Numéro, and WSJ Magazine reveal a model capable of disappearing into that, Hill is both a continuation and a reimagining. She reflects a generation character without losing identity. There is a cultivated ambiguity to her weary of visibility and hungry for something subtler: narrative, stillness, and image: enough distance to be mysterious, enough warmth to remain human. emotional elegance.

Equally noteworthy is her approach to public life. Where many models In the coming decade, it is likely that Hill will continue to move laterally inhabit the digital stage with the rhythm of influencers, Hill remains rather than vertically, choosing depth over scale. strikingly absent from the algorithm’s choreography.

Whether in fashion, film, or a quieter creative medium, Her Instagram, though followed by millions, is quiet, Taylor Hill combines cinematic her instincts suggest curation over conquest. And for almost contemplative. There is no overexposure, no beauty with a deep sense of those who follow fashion not for noise but for nuance, constant product alignment. Even her sponsorships— presence. Raised in the Rocky that choice is the mark of an artist rather than an image. beauty, fashion, lifestyle—are curated with coherence Mountains, fluent in high fashion, Taylor Hill’s legacy will not be catalogued through rather than commercial appetite. Her digital persona and increasingly drawn to artistic volume, but through resonance. In the multiplicity mirrors her physical one: composed, minimal, sincere. solitude, she is one of the rare models of modern beauty, hers is the kind that doesn’t shout, Her personal life, meanwhile, serves as a kind of counterwhose legacy lies not in excess, doesn’t chase, doesn’t fade. It simply stays—quiet, narrative to the urban mythos of the fashion world. but in restraint. Her elegance is luminous, unshaken.

Residing primarily in Colorado, surrounded by animals instinctive, her silence—deliberate.

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The collection’s finale showcased vibrant brocade jackets paired with lace skirts, highlighting Vaccarello’s adeptness at blending bold colours with classic silhouettes.

YVES SAINT LAURENT www.yvessaintlaurent.com

In Saint Laurent’s Spring/ Summer 2025 collection, Anthony Vaccarello masterfully bridges the maison’s storied past with contemporary flair.

Drawing inspiration from Yves Saint Laurent’s personal style, the collection showcases oversized tailoring, structured silhouettes, and a muted palette of anthracite, black, and plum. The runway, set beneath a golden oval frame at Rue de Bellechasse, provided a dramatic backdrop to the fluid yet commanding ensembles.

This presentation reaffirms Saint Laurent’s commitment to empowering femininity through sartorial precision and timeless elegance.

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COCO CHANEL www.chanel.com

The highlight of Chanel’s unprecedented high jewellery collection is an emblematic and exceptional necklace set with a 55.55-carat diamond, stated Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio.

To celebrate the 100th year of the N°5 perfume’s fame, Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio, has imagined the “Collection N°5”, the first High Jewelry collection ever to be dedicated to a perfume. From the bottle to the sillage, these 123 extraordinary pieces express the different facets of the N°5 perfume. In 1921, the first “perfume for women with the scent of a woman” composed by Ernest Beaux and Gabrielle Chanel made a sound of commotion. The modernity of the fragrance, the purity of the bottle and the mystery of the name, the N°5 perfume was nothing short of a revolution. In 1932, Mademoiselle shattered the codes of French High Jewelry with her one and only collection in platinum and diamonds. These “Bijoux de Diamants” introduced new ways of wearing jewelry and took jewelry into a new realm... that of allure. In 2021, Leguéreau decided to bring these two domains together with the Collection N°5. “Gabrielle Chanel approached these two universes with the same visionary values, focusing on audacity and the quest for excellence. I wanted to rediscover that creative gesture with this collection, which has been conceived like a journey through the meanderings of the N°5 perfume’s soul, from the architecture of the bottle to the olfactive explosion of the fragrance. The highlight of this unprecedented collection is an emblematic and exceptional necklace set with a 55.55-carat diamond.”

The Creation Studio magnifies five of the N°5 perfume’s identifying elements through compositions of rare and exceptional gemstones. With 100 years of fame behind it, only a rich, unique and mysterious perfume like the N°5 perfume could inspire such a majestic collection of High Jewellery.

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Just like the last rays of the sun piercing the horizon at nightfall, the dial of the new Oyster Perpetual Datejust 31 presents a communion of light and shade.

THE DATEJUST www.rolex.com

Light and shade. The red ombré dial displays a subtle transition between the fire at its centre and a deep darkness at its edge – a chiaroscuro enhanced by the sparkling diamonds set on the bezel and dial.

Within the pantheon of Rolex creations, the Datejust stands not merely as a pillar of the brand’s legacy, but as a case study in horological balance: between function and form, heritage and modernity, understatement and opulence. The Datejust 31 in yellow gold with diamonds — particularly in its Oyster configuration — exemplifies this equilibrium with a confidence that borders on architectural serenity.

At 31 mm, the case occupies a space of deliberate proportion. Not too large to court ostentation, not so discreet as to fade from memory, it sits at the confluence of elegance and presence. This is Rolex’s vision of femininity: not fragility, but clarity. Forged entirely in 18 ct yellow gold — produced in the brand’s own foundry — the case is not merely precious but purposefully radiant. The metal, warm and reflective, absorbs light with softness and returns it with tonal depth, complementing the brilliance of the factory-set diamonds that punctuate the bezel and hour markers.

The Oyster case is, as always, Rolex’s promise of resilience. With its monobloc middle case, screw-down crown, and hermetically sealed construction, it guarantees water resistance to 100 metres — a feature that may seem

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© Rolex incidental in such a jewel-like piece, but is in fact a philosophical constant of the brand: beauty must never preclude function. The dial, offered in various luxurious executions including white mother-of-pearl or sundust, reveals Rolex’s singular expertise in surface treatment. The application of 18 ct gold Roman numerals or diamond-set hour markers — often hand-set — is not decorative but deliberate, ensuring legibility without sacrificing lustre. The Cyclops lens over the date aperture at 3 o’clock remains iconic and gently unapologetic: it is Rolex’s visual signature and ergonomic claim in a single stroke.

Inside beats the Calibre 2236, a self-winding mechanical movement entirely developed and manufactured by Rolex. At its core is the Syloxi hairspring, an in-house innovation in silicon that ensures exceptional stability across temperature variations and magnetic fields. Precision is certified to -2/+2 seconds per day — a standard that exceeds COSC and is verified after casing

by Rolex itself. The movement offers approximately 55 hours of power reserve and is, like the watch, an object of elegant restraint: technically advanced, but never flamboyantly so.

The first red ombré dial using PVD technology This is the first time that Rolex has presented a red ombré dial created using PVD (Physical Vapour Deposition), a particularly delicate colour to achieve with this process. Adorned with 10 diamond hour markers, the new dial has a sunray finish and elegantly complements the 18 ct yellow gold of the watch.

The brand’s dialmaking expertise, combined with the skill of its master gem-setters, has created a watch face that shimmers with reflections by day and shadows by night.

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“At Graff, we have long been inspired by the image of a bow and its femininity, delicacy, and sensuality,” says design director Anne-Eva Geffroy about the Tilda’s Bow collection.

BOWS OF GEMS www.graff.com

Capturing the exquisite elegance inherent in silk, the intricate bows gracefully wrap and fold the pieces. The white gold takes on a sculpted form, adorned with resplendent pavé diamond ribbons bound in modern knots, breathing life into the composition. Complemented by pear-shaped diamond drops, this collection epitomizes a reverie brought to reality.

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Caught on camera. The nostalgic elegance of Tilda’s Bow is captured behind the scenes of Graff’s latest campaign shoot. The lingering question arises: Who is Tilda?

Tilda emerges as a liberated muse, an aficionado of meticulous artistry, and a connoisseur of dazzling elegance. Her influence gives birth to diamondencrusted bows, gracefully adorning bracelets, earrings, necklaces, and rings that make up the Tilda’s Bow collection.

Tilda’s world is a luminous spectacle—a show aglow with an irresistible, effervescent charm. Here, a seamless fusion of fluid grace and playful exuberance manifests. Rings, earrings, bracelets, and necklaces metamorphose into voluminous diamond ribbons, entwined in undulating loops, delicate knots, or spun into radiant bows, occasionally embellished by pear-shaped diamond drops. The vivacious collection unfolds in a palette of white on white, where hand-cut diamonds, bespoke and gleaming, find their place against polished white gold. The Tilda’s Bow collection captures that precise moment when a woman delicately ties a bow on her dress or in her hair. Anne-Eva Geffroy, the design director at Graff, says, “With the Tilda’s Bow collection, we capture the precise moment a woman finishes tying a bow on her dress or in her hair—the loose, organic shape and expressive movement.”

The timeless allure of the Tilda’s Bow collection mirrors Tilda’s captivating persona, urging the wearer to express their unique individuality. The hand-cut curves and lifelike charm of these exquisite pieces epitomise the house’s unparalleled craftsmanship and artistry, bringing dazzling diamonds to everyday indulgence.

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1. Graff’s strong heritage of craftsmanship is evident in the designs, which feature organic, voluminous shapes as well as clusters and streams of diamonds in a way that’s both dramatic and elegant.

2. Liberated from tradition, the jewellery is sensual yet uncompromisingly modern. Artistry and unfettered imagination meet under the unmistakable Graff signature.

3. Drawing inspiration from the symbolic essence of a bow, the collection is an ensemble that captures the graceful fluidity of silk transformed into a diamond bow.

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ARTYA PRESENTS ‘PURITY STAIRWAY TO HEAVEN’ Transparency and suspension, an ideal of beauty. Seemingly simple... yet so complex.

Elegance that expresses purity in its most absolute form.

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“A holy grail for any collector, with a classic and elegant design typical of Bulgari that emphasizes the beauty and extraordinariness of the gem.” Benoît Repellin, Worldwide Head of Jewellery, Phillips

A GEM MIRACLE www.phillips.com

Phillips to offer a Magnificent Sapphire and Diamond Necklace by Bulgari - a work of art that embodies a miraculous and singular occurrence in nature, savoir faire from an illustrious Italian jewelry house, and the utmost caliber of a rare gemstone collection.

The Magnificent Sapphire and Diamond Necklace by Bulgari was realised in 2004, after the House came into possession of an exceptional and rare ‘Royal Blue’ sapphire from Sri Lanka. Coming to the auction market for the very first time from an esteemed private collection, the unheated cushion-shaped sapphire weighing 118.35 carats is among the largest sapphires ever offered at auctions in the past three decades. Accompanied

by SSEF and Gübelin gemological reports and appendix letters expressing the rarity and exceptionality of the stone, this sapphire was awarded 98 out of 100 Gübelin Points, which places it on the highest ‘Exceptional’ grade.

Moreover, it received the ‘Royal Blue’ colour grading by Gübelin Gem Lab, promising an even saturation rarely seen in unheated blue sapphire of this size. The rich and homogenous colour is the first thing that draws one’s eyes towards it, yet upon closer inspection, its high transparency easily inspires awed admiration from the most seasoned connoisseurs.

The necklace assumes absolute symmetry that reminds of classic noble and royal jewels. Centring on a single coloured gemstone of impressive size, the diamondset necklace employs a stone arrangement that is found in earlier works from the thirties to the fifties.

Each circular link is formed by carefully selected tapered baguette diamonds instead of brilliant-cut diamonds, connected by pearshaped diamonds at their points to afford the lightness of an otherwise substantial necklace. The repeating circular links are typical of Bulgari’s ‘modulo’ jewellery designs, where a single element is produced in series and then connected to each other. The Parentesi Collection, inspired by details of the Eternal City pavements, is one of the house’s most successful modular designs.

The unusual horizontal setting gives it a timeless modern appeal 143

TIMELESS ELEGANCE henrypoole.com

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“Gran Nichetto is a great example of an object with multiple souls – craftsmanship, technology and legacy merge perfectly with the sculptural appearance.” – Luca Nichetto, Nichetto Studio.

GRAND NICHETTO www.steinway.com

For the first time since its US launch in winter 2022, Steinway & Sons brought their latest Limited Edition, the Gran Nichetto, to Europe. The grand piano, limited to 50 editions worldwide, is the collaborative work of award-winning designer Luca Nichetto and the master craftspeople at Steinway & Sons.

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The Gran Nichetto, with its elegant aesthetic and contoured design, celebrates the famed shape of Venice’s beloved gondola, and the incorporation of leather details adds to the Italian signature. Nichetto approached the piano like he would a piece of furniture, dissecting and redefining all external elements in close collaboration with Steinway’s craftspeople. He described the assembly of these elements as similar to a micro-architecture project, evolving the aesthetic of the Model B in a way that honours the history and tradition of Steinway & Sons. The Gran Nichetto Limited Edition was more than four years in the making. It was initially conceived by Nichetto as a homage to Venice, where he was raised; in designing Gran Nichetto, he sought to translate the smoothness and dynamism of the gondola into the detailing of the piano, accenting the lines and celebrating the contours across the instrument’s every detail. Gran Nichetto sits atop elegantly sculpted legs defined with brass or stainlesssteel accents. The music desk is distinguished from the case’s high-polish finish by the fine lustre of Italian leather. The gracefully tapered top stick supports the piano lid, which is reinforced with brass or stainless-steel hardware integrated into the piano rim. The pedal lyre is a single piece of hand-crafted bent lamination. The Gran Nichetto is accompanied by a matching bench. Together with its exquisite design, Gran Nichetto also offers the show-stopping capabilities of Spirio | r, the world’s finest highresolution player piano offering live music, on demand, as well as live performance capture, editing and playback. The Spirio music library offers an ever-expanding collection of music from the world’s finest artists, both living legends and immortal giants.

2 1. The Steinway Gran

Nichetto Limited Edition comprises 50 Model B Spirio | r pianos in a range of finishes: Midnight Red, Black Polished, and Walnut Veneer.

2. This exclusive Gran

Nichetto Limited Edition piano is featured as a Model B in Black Polish coupled with stunning stainless-steel hardware.

3. With its exquisite

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design, Gran Nichetto also offers the showstopping capabilities of Spirio | r, Steinway’s most technologically advanced piano.

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Mercanteinfiera – A Growing Legacy An acclaimed event, Mercanteinfiera gathers global collectors to celebrate rarity, provenance, and enduring design. Its international prestige and cultural relevance continue to grow.

MERCANTE IN FIERA Chronicles of rarity: a journey through time at Mercanteinfiera www. mercanteinfiera.it In the autumnal stillness of Parma, Mercanteinfiera returns as a cartography of human culture and memory—where objects are not merely exhibited, but reanimated.

This year, its October edition aligns with deeper reflections, threading sacredness, craftsmanship and cultural identity through centuries of collecting and design.

Mercanteinfiera Autumn 2025 | Parma, 11-19 October 2025

Mercanteinfiera is more than an exhibition—it is an intellectual and sensorial expedition into the layered history of collecting. This October, as Parma plays host to its 44th edition, LE GRAND MAG observes a fair at its most resonant, a dialogue between the sacred, the symbolic and the serially crafted. The event’s thematic core, Il Libro dei Libri, unfurls as a rare bibliophilic encounter: ancient Bibles from 1400 to 1800, many never before shown publicly, tracing the intertwining of devotion, illumination, and printing innovation. Their presence echoes the spiritual tenor of the Jubilee year, anchoring the fair in a wider cultural meditation.

But sacred texts give way to secular icons. The Antonio Colombo Gallery Archive lends an industrial counterpoint: an ode to Italian steelwork where metallurgy meets motion. Through frames and sketches, we witness how bicycle design evolved from utilitarian rigour to sculptural ambition. These artefacts, once raced, now reside in the realm of design history—testaments to aerodynamics, sponsorship culture and mechanical purity.

In another arc of the fair’s narrative, Da Ogni Capo del Mondo, curated

by Martina Barison, elevates the hat beyond accessory to anthropological relic. The Barison family’s collection becomes a lens through which identity, ceremony and climate shape form and function—from Andean

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Martina Barison’s curation of Da Ogni Capo del Mondo reframes the hat as a vessel of meaning. Whether ecclesiastical mitres, tribal headdresses or early 20th-century cloches, each tells a story of region, rite, and rank. Displayed not chronologically but thematically, the collection underscores how weather, worship and social codification shape an object as quotidian as it is symbolically dense.

© Rolex

Il Libro dei Libri A concise journey through five centuries of sacred printing, from illuminated manuscripts to incunabula—charting the evolution of Biblical typography and devotional artistry.

peaks to Venetian parlours.

This edition also honours the voice of Italian sport—Bruno Pizzul— whose cadences remain inseparable from an era. Simultaneously, Greenitaly, the adjacent horticultural fair, offers a quiet dialogue with living materials—where landscapers and designers contemplate botanical structures as spatial artefacts.

Talks, expert stations, and the ever-popular Angolo del Restauro complete a fair where erudition is not ornamental, but structural.

Mercanteinfiera in autumn becomes a space where collectors don’t just pursue rarity—they investigate it.

Antonio Colombo Archive From industrial tubing to iconic racing frames, the archive traces how postwar Italian engineering shaped Cinelli and Bianchi designs—where form met performance in pre-carbon aerodynamic experimentation.

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FINNAIR’S BUSINESS CLASS www.finnair.com Business class travel takes a leap forward with Finnair’s new Business Class cabin and the spacious new Collins Aerospace AirLounge seat. Finnair is the launch customer for this new and innovative seating concept that is to be rolled out across Finnair’s entire long-haul fleet of A330s and A350s. The AirLounge is not a traditional aircraft seat but takes inspiration from lounge furniture. The seat is designed to maximise your comfort, space, and freedom to move during a long-haul flight. The clean lines and the dark, comforting colour scheme follow Finnair’s Nordic design style that is visible also in Finnair’s lounges in the non-Schengen area at Helsinki Airport.

COLLINS AEROSPACE AIRLOUNGE SEAT Created to resemble more of a residential environment, the new Business class cabin is equipped with AirLounge seats designed with 3D curved shells. A larger flexible living space allows a passenger to move more freely and get comfortable in different positions that traditional aircraft seats can not offer.

doubles as a reading light, a do not disturb light is included if total privacy The seat’s innovative fixed contoured shell with no recline enables a is desired. The new cabin mood lighting designed in partnership with Jetlite variety of positions: you can sit at different angles, rest your feet on the combats the effects of jet lag. The design scheme is inspired by Nordic ottoman or use infill panels to create a large flat surface. A mattress and nature, complete with the northern lights as the cabin is duvet turn the space into a comfortable bed, and you The flexible table can be used dimmed for sleep. The various storage options within the can use the cushy pillows to relax in a variety of sitting to read, dine or work. Each seat include spaces for personal items, laptop, and all pillows positions. The high cocoon-like shell of the seat provides seat comes with impressive and blankets; all certified for taxi, take-off, and landing, so privacy, while the divider between central seats can be connectivity, including USB customers can settle in right away and have their essential lowered when travelling with a companion. The lighting A, USB C, PC power, and items conveniently at hand. (Images courtesy of Finnair, options in the seat allow tailoring the ambience of every wireless mobile charging. photographer Mikko Ryhänen) customer’s own “nest”. Along with a customised lamp that

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BARBARA PALVIN

There are models who adapt to fashion’s rhythms, and those who subtly, almost imperceptibly, alter the rhythm itself. Barbara Palvin belongs to the second category.

Her rise may seem conventional—discovered at thirteen on the streets of Budapest, signed shortly thereafter, campaigns with major houses, covers of Vogue, and the inevitable angelic chapter at Victoria’s Secret—but that narrative, while factual, doesn’t explain the enigma. Because Palvin is not a story of escalation. She is a story of distillation—of reducing beauty to essence, image to presence. Her allure resists superlatives. She is not “ethereal,” nor “edgy,” nor “girl-next-door”—she is, instead, tonal, like a chord that refuses to resolve. And in that unresolved quality lies her intrigue. She offers a rare modern contradiction: familiarity without banality, sensuality without aggression, and above all, depth without distance. From her earliest editorials, there was something cinematic about Palvin. Her face does not simply register light—it conducts it. Her symmetry is not mathematical, but narrative; one sees her and imagines a plot. There is often a retrograde quality to how she is styled—thick brows, full lips, a visage that could have belonged to a 1950s actress caught between takes. Yet she never plays dress-up. Her ability to evoke vintage without irony is what lends her presence a kind of grounded glamour. She is Hungarian, but never provincial; she is fluent in the codes of modern fashion, but never frantic in their execution. Designers and photographers consistently return to her not because she reinvents herself, but because she remains—adaptable, magnetic, emotionally legible. In a digital age of overexposure and accelerated reinvention, Palvin has chosen a different tempo. She does not appear everywhere, and when she does, it’s with the composed grace of someone who has learned to edit not only their image, but their impact.

Unlike many in her field, Palvin speaks with thought. Her interviews Barbara Palvin’s face is frequently described as cinematic—and yet the avoid gloss; her tone is measured. Whether discussing Hungarian literature, comparison, while apt, underestimates the fullness of her effect. She does her passion for classical ballet, or her ambivalence toward hypervisibility, not merely recall the cinema of the past; she occupies it. Her features— she offers complexity over charisma. She once cited The Master and high cheekbones, deep-set eyes, and a mouth that seems to shift from Margarita as a favourite novel—not out of pretension, but because its mirth to melancholy in a single frame—create not an image but a climate. surreal melancholy resonated with her. It is precisely this inner world, so She is not so much photogenic as she is phototropic: turning naturally rarely flaunted, that leaks into her modelling. It’s not what she says—it’s toward the camera, not with hunger, but with familiarity. that she seems always to be thinking.

She was born in 1993 in Budapest, a city that itself carries a layered Outside of fashion, she moves between worlds with unhurried curiosity. elegance—part Austro-Hungarian gravitas, part Balkan melancholy, A brief foray into acting (notably, the Chinese film Hercules) suggested part architectural stillness. And there is something of Budapest in her: a an awareness of her visual power beyond stillness. But she did not gravity cloaked in velvet, a grace that does not seek approval but assumes leverage this into stardom. She returned to modelling, as if to remind it. By the time she debuted for Prada in 2010, she had already developed the world that not all beauty craves narrative domination—some prefers a rapport with the lens that many cultivate over decades. Not so much a to observe, to dwell in nuance. Even her highly visible relationship with pose as a punctuation. actor Dylan Sprouse, though adored by fans, has been protected from Her career, however, is less a climb than a curve. There were major spectacle. Their shared life, split between Budapest and New York, campaigns—Armani, L’Oréal, Chanel Beauty—and global recognition evokes a kind of cultural quietude—almost literary in tone. through Victoria’s Secret, where in 2019 she became the first Hungarian Barbara Palvin’s identity as a Hungarian in fashion also offers a fascinating Angel. But Palvin never fully allowed herself to become a brand product. cultural texture. She is not the first from her country to achieve There was a quietude even in her most commercial moments. A sense international renown—Enikő Mihalik and Vanessa Axente precede and that the moment did not define her; she defined the moment. follow her—but Palvin carries herself with a distinctly Central European Her presence is inimitable in an era defined by sameness. While many modernity. She is not defined by exile or exoticism. She brings Budapest models strive for androgyny or sculptural minimalism, Palvin remains with her, intact. Her accent, never erased; her sense of time, shaped by a resolutely womanly—not in the curated sense of the word, but in its place where modernity arrived in chapters, not surges. classical fullness. Her body, often discussed in reductive terms, challenges More than most, Palvin represents the possibility of durable softness in an industry expectations not through rebellion but through existence. She age of high-speed image turnover. Her beauty is recognisable, but never occupies space unapologetically, and designers have responded to this not exhausted; familiar, but never flattened. She resists the meme, the moment, with compromise, but with celebration. She is proof that softness is not the monetisation. And this, paradoxically, makes her a lack of precision, but a different kind of structure. more resonant. She is not the model of the moment— Her collaborations with fashion houses are marked Barbara Palvin’s beauty speaks in she is the model who makes the moment linger. by a tactile aesthetic: she wears clothes as if they nuance: classical, deliberate, quietly Like certain perfumes or piano nocturnes, her have memory, as if the fabric has conspired with subversive. More than a model, she is presence is best experienced in quiet. One does her mood. In editorials shot by the likes of Mert a presence—resistant to trends, fluent not consume Barbara Palvin. One deciphers her. & Marcus or Ellen von Unwerth, there’s a tension in restraint. With Hungarian elegance Her beauty is not an end—but a method: a way between the posed and the personal. Her gaze always and a cinematic soul, she has become of appearing, enduring, and vanishing—only to be contains a degree of narrative delay—it makes the a figure less of fashion’s moment than remembered in detail, like the pages of a novella viewer wait, listen, read. of its memory. Her gaze? Always one once read by lamplight, and never forgotten.

And then, there is the linguistic quality of her fame. sentence ahead.

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THE 12TH SAUT HERMÈS

© Freddie Barbera

www.sauthermes.com

© Prix Hermes Sellier, CSI 5, Martin Fuchs, 18 March 2022, credit Christophe Taniere

Fifty-five of the world’s best riders took part in the 12th edition of Saut Hermès at the Grand Palais Éphémère, the CSI 5*-certified show jumping competition.

© Nacho Alegre

COURSES DESIGNED BY the Spaniard Santiago Varela Ullastres, in charge of the Saut Hermès at the Grand Palais courses.

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EQUESTRIAN

© Jessica Rodrigues

During the high point of the Saut Hermès, the €25,500 Prix Hermès Sellier CSI 5*, the accumulator competition with jumps measuring 1m50, there were 22 clear rounds out of the 53 competing horse and rider pairings. Swiss rider Martin Fuchs (SUI) took the win as the only competitor to go clear in a sub-57-second time (56’’94). The recent European team champion and world No. 3 partnered with The Sinner, a 14-year-old gelding. “It was a bit of a tricky course with some very tight bends. When walking the course, I didn’t think there would be so many riders taking all the options. However, wearing No. 28, I was able to see the rounds posted by several riders before me and I knew that I’d have to take the bends as tight as possible to win it!

My horse Sinner was fabulous today. I’m delighted to take the win here at the Saut Hermès. I love this competition!”

DEFENDING CHAMPION Among the competitors are the Frenchman Simon Delestre and his gelding Hermès Ryan, who together won the Grand Prix Hermès two years in a row.

YOUNG RIDERS Jennifer Hochstadter (LIE), 18, Lily Atwood (GBR), 20, Jeanne Sadran (FRA), 20, Sanne Tijssen (NED), 23 and Harry Charles (GBR), 22.

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2014 Pagani Zonda LM Roadster Sold for a record-breaking $11,086,250 USD at Dubai 2024

Photo by Davide Bianchet @dzy.photo

Davide Bianchet AUTOMOTIVE COMMERCIAL MOTORSPORT

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Photo by Davide Bianchet @dzy.photo www.bianchetdavide.com What’s the meaning of Photography in this era?

Life through a camera lens?

I think that photography in this era, more than ever, allows us to make time Having a camera puts you in a different position. stop at the perfect time and create memories that otherwise would get lost in Viewing the world through a camera lens places you in a unique position, the chaos of everyday life. At the same time, I think it’s a powerful means to it allows you to notice details that often escape others, it highlights specific deliver emotions to others, inspire and make different realities feel closer to us. aspects of the world around you.

Define your style, please.

I think it also allows us to emotionally connect with the people we photograph, I don’t confine my photography into a single style, I appreciate the freedom almost as if we’re experiencing their feelings through the lens. It’s like getting to range between different ones. I take inspiration from commercial a glimpse of a life we could live, emotions we could feel. photography, which displays clean, polished images with a strong visual Is it important for you that your work is not just for an art audience impact. In contrast, I’m also captivated by the ethereal mood of vintage but builds bridges to a wider audience? photography. My work frequently features natural landscapes, woodlands It’s crucial to me that my work can resonate with audiences who may not and mountains, a homage to the beautiful region I grew up in, the Dolomites. naturally be inclined towards art, photography, or automobiles. I believe Ultimately, I think my style is a mix of all of this, and it’s constantly changing that exceptional photographers have the skill to communicate the passion and evolving as I do. felt by enthusiasts to a broader audience. It serves as a sort of key, enabling Which are your favourite works? outsiders to understand why some individuals are devoting their whole lives Some of my favorite works come from the 24 Hours of Le Mans. I think to these subjects, which may feel very far from their own everyday life. the setting allows you to capture such incredible moments. It was one of Is painting an inspiration for you? my dreams to be able to experience it from the inside and be part of a team, Yes it is, I draw inspiration from various artistic periods in my photos, it’s truly an unparalleled experience. You feel the pressure, the exhaustion, in particular I admire the harmony, proportions, and compositions of and simultaneously a sense of excitement in the air. I hope people can have Renaissance art. I believe it offers an intriguing insight when seeking a glimpse of that through my work. captivating perspectives in a scene.

How did you get involved with Automotive?

Who is your favourite legendary photographer (and why)?

Since I was a kid, I’ve always loved cars. When I bought my first car I It’s Bert Hardy, I resonate with his approach and his fondness for started taking pictures of it just for fun, but soon I found myself cruising photographing ordinary people. One of my favorite quotes from him is through the Dolomites looking for the perfect shot.

“Everywhere I look and most of the time I look, I see I was sharing my pictures online and I realized that photographs.” I aspire to innovate and push boundaries Davide Bianchet is a 26 years old many people were interested in my work, this kept just like he did. professional automotive photographer. me striving to create more and get better. That drive What are your projects and dreams?

Born and raised in the Italian made me decide to pursue automotive photography I look forward to partaking in my first Formula One as a career, and that’s how it all started. I believe that race, which hopefully won’t be too far away in the Dolomites, his style is heavily the only way to enter this field is through passion and future. My dream is to travel and capture the diverse car influenced by the eclectic car culture dedication, alongside a pinch of luck. cultures around the world, showing how they influence of the region—a blend of luxury, Who were your heroes? people’s lives. speed, and breathtaking landscapes.

Although it may seem unrelated, I consider Michael Is there someone or something you’ve always His experience in the automotive field Jordan one of my heroes. I admire his dedication and wanted to photograph? ranges from the adrenaline-fueled discipline, it’s truly inspiring to witness how he was able I’ve always wanted to travel to Japan and capture their world of Motorsport to prestigious to achieve his goals through passion and determination, automotive culture. From drifting, to the Japanese historical events and concours of overcoming hardships and rejections. It serves as a craftsmanship and tuning, to the iconic roads they have elegance, as well as commercial and daily motivation to me, I strive for the same level of raced on, every aspect fascinates me. I think it’s an excellence in my own work. experience I can’t miss out on. editorial photography

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The Hypercar / GTP technical regulations limit aerodynamic performance within well-defined parameters. The rear fin, which gives the car stability, is standard on all Lamborghini racing cars.

SC63 AT DAYTONA www.lamborghini.com

Lamborghini Centro Stile, together with the Squadra Corse aerodynamics, have succeeded in combining performance requirements with the trademark aesthetics of Automobili Lamborghini.

Lamborghini Squadra Corse will write a new page in its history by entering the top class of the IMSA WeatherTech SportsCar Championship as an official factory team for the very first time, fighting for overall honours at the season-opening 24 Hours at Daytona this weekend.

Competing as Automobili Lamborghini Squadra Corse, the Lamborghini SC63 enters its second season of racing after making its debut in both the IMSA and FIA World Endurance Championships in 2024. This year, Squadra Corse has elected to concentrate its efforts purely on the Michelin Endurance Cup rounds of the North American series.

Having made its IMSA bow at Sebring last season, Lamborghini Squadra Corse therefore is embarking on its first full campaign in the Endurance Cup, utilising the highly experienced quartet of Mirko Bortolotti, Romain Grosjean, Daniil Kvyat and Edoardo Mortara for the opening round of the year.

Bortolotti and Kvyat move over from the WEC programme and will contest all five rounds of the IMSA Endurance Cup season at the wheel of the #63 Lamborghini SC63. They will team up with Grosjean, who returns to the Lamborghini fold following a number of impressive drives in 2024, most notably in the early stages of the Battle on the Bricks at Indianapolis where the Frenchman mastered wet conditions to lead. The trio will benefit from the expertise and prowess of Mortara at Daytona, before the Swiss driver embarks on a GT3 campaign with Lamborghini for the remainder of 2025.

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Lamborghini will also be entered in a full season of IMSA in the GTD Pro class, with Canadian outfit Pfaff Motorsports joining as a factorysupported team in both the Sprint and Endurance Cup championship.

Full season drivers Andrea Caldarelli and Marco Mapelli will be joined by fellow Lamborghini factory driver Jordan Pepper for Daytona while former IndyCar Series and long-time Pfaff Motorsport driver James Hinchcliffe will be the Endurance Cup co-driver.

In GTD, Wayne Taylor Racing returns for another full-season assault.

Lamborghini Young Professional driver Danny Formal leads the team’s efforts alongside 2017 Lamborghini Super Trofeo World Finals winner Trent Hindman. Youngster Graham Doyle joins for the five Endurance Cup rounds, while last year’s full-season driver Kyle Marcelli will race at Daytona. Keen to build on the past two successful seasons, Forte Racing will field a full-season entry of Misha Goikhberg and the experienced Mario Farnbacher, with Franck Perera contesting the Endurance rounds.

NASCAR veteran Parker Kligerman joins the team at Daytona.

Lamborghini has a strong record in the Daytona 24 Hours, having won the event in three successive years between 2018 and 2020. Two years after it made its first appearance, it achieved its maiden win courtesy of Grasser Racing Team (Mirko Bortolotti, Rolf Ineichen, Rik Breukers and Franck Perera). A year later, it bagged another win in a red-flag impacted race, while it completed the hat-trick in 2020 with Paul Miller Racing (Andrea Caldarelli, Marco Mapelli, Rolf Ineichen and Corey Lewis).

ENGINEV8 v 90° Twin turbo Hybrid DISPLACEMENT3.8 cm³ TRANSMISSIONRWD

The distinctive features of the SC63 bear the signature of Lamborghini Centro Stile, with all the typical details of the Sant’Agata Bolognese cars.

The aerodynamic elements comprising the carbon fiber body together with the floor and rear wing are tested in the wind tunnel to ensure the best performance. The characteristic Y-shaped LED headlights follow the strong lines of the car and accentuate its shape, as well as guaranteeing the ideal lighting in the nighttime hours of the race through laser modules.

The alternating colors on the livery are: the iconic Verde Mantis (green), Nero Noctis (black), Bianco Alpi (white) and Rosso Sangue (red).

The SC63 represents a milestone for Lamborghini Squadra Corse. The first Lamborghini hybrid racing car prototype will make its debut at the 2024 FIA World Endurance Championship (Hypercar class) and at the IMSA WeatherTech SportsCar Championship (GTP class). This will take Lamborghini to the highest level of covered-wheel motorsport, with the chance to race in the world’s most prestigious endurance competitions such as the 24 Hours of Le Mans and the 24 hours of Daytona.

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PAGANI, ACT III ‘Utopia’ ... For the philosopher Thomas More in 1516, Utopia was a place that did not exist, and ever since the name has been given to the idealized places of which we dream. But for those who make their own future, for creators, utopia exists, it is ‘merely’ a case of finding it!

www.kessel.ch

BENTLEY BLOWER JNR NOW CONFIGURABLE “To build a fast car, a good car, the best in its class.”

Walter Owen Bentley, the founder of Bentley Motors

First Edition models of electric, road-legal, scale version of iconic 1929 Bentley Blower now sold out. Newly launched configurator allows customers to visualise personalised specifications as standard ordering opens, limited to 250 cars First example of bespoke Bentley Blower Jnr presented at Monterey Car Week,

Following the success of the launch of the Bentley Blower Jnr at Monterey Car Week last year, Bentley and Hedley Studios (formerly The Little Car Company) now showcases an array of configurable options for the 85 per cent scale, fully electric and road-legal recreation of Bentley’s legendary 1929 4½-Litre supercharged ‘Blower’.

The configurable Bentley Blower Jnr made its public debut at Monterey Car Week in California from 15 August. Finished in stunning Old English White exterior paint, with a Cricket Ball leather interior, ‘The White Pack’ Bentley Blower Jnr was displayed during Car Week at the House of The Macallan powered by Bentley.

Customers can now visualise their individual specification via an all-new online configurator, enabling them to build and commission a Bentley Blower Jnr that is entirely bespoke and unique to them. With thousands of possible configurations including interior and exterior colours, the opportunities for personalisation extend to hand painted numbers and national flags added to the body.

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At the front of the car, the supercharger now houses the charging port that connects the onboard charger to any Type 1 or Type 2 socket, and is surrounded by the famous Bentley mesh grille, in an authentic nickel-plated radiator housing.

Hedley Studios’ configurator for the Bentley Blower Jnr includes six carefully curated packs, each paying tribute to Bentley’s immersive and legendary history.

‘The Blue Pack’, for example, harks back to Woolf Barnato’s famous race against the Blue Train, from the Côte d’Azur to Calais, in which Barnato provided triumphant behind the wheel of his Bentley Speed Six. In a similar vein, ‘The Grey Pack’ pays tribute to the Speed Six that took victory at Le Mans in 1929 and 1930, before being converted by Barnato into road-going coupé finished in a visceral gunmetal grey. Just 250 configurable models are available, which will take the total production run of the Bentley Blower Jnr to 349 worldwide after the success of the 99 limited First Editions.

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Crafted by hand to the same standards as any Bentley, and adorned with beautiful details all inspired by the original Team car, Blower Jnr is built around a 48V electric powertrain with a 15 kW (20 bhp) motor, meaning a top speed of 45 mph / 72 km/h in the UK and EU (25 mph / 40 km/h in the USA due to legislation) and an expected range of around 65 miles, with tandem seating for two adults.

Beyond the headline figures, the beauty of Blower Jnr is in the recreation and repurposing of details from the original car.

The frame is painted steel, to which an authentic chassis specification is attached. Leaf springs and scaled-down, period-correct friction dampers bring a comfortable ride, while Brembo disc brakes at the front and drums at the rear provide the stopping power. The electric motor is mounted across the rear axle, while the batteries and drive electronics are all housed in a hidden undertray.

Ben Hedley, Founder and CEO of Hedley Studios, commented: “Since we launched the Bentley Blower Jnr last year, its reception has continued to blow us away, and with all First Editions sold out, we’re excited to launch the configurable options for the Blower Jnr. Craftsmanship lies at the heart of what we do, and giving customers the opportunity to curate their very own Bentley Blower Jnr through our online configurator provides a wonderful route into owning a slice of history, but with a very personal touch.

“Each configured pack we have on offer bears its own unique story and provenance, celebrating the great seminal moments and creations of the legendary Bentley brand. Therefore, it was only right that we unveiled these at an event of equal prestige, Monterey Car Week.”

A Faithful Homage Blower Jnr is a collaboration between Hedley Studios and

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Bentley’s Heritage Collection. The original Team Car from 1929 – insured for £25m – was used by Hedley Studios to master the design of Blower Jnr, with details recreated at a sizeable 85 per cent scale. The result is a vehicle that will have even experts looking twice – with the car measuring 3.7 metres long and 1.5 metres wide. Unlike Hedley Studios’ other products, Blower Jnr is fully road legal and designed specifically to be used on the road and is perhaps the most sophisticated city car ever built.

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ROLLS-ROYCE PHANTOM: THE SOVEREIGN LINE www.rollsroyce.com There are automobiles that move, and there are automobiles that command space. The Rolls-Royce Phantom, in its latest evolution, does not simply occupy a road—it orchestrates it. For over ninety years, the Phantom has stood as a monument to motorised sovereignty, transcending utility, fashion, or era. It has never been about performance figures, but about consequence. This is not transport; it is a statement of existence. In a market flooded with noise—literal and metaphorical—the Phantom’s refinement reads as a defiant whisper. This new iteration refines that whisper further. A subtle retouching of lines, a deepening of materials, a heightened acoustic absence: Rolls-Royce does not redesign. It re-articulates. The proportions remain imperial, the silhouette unmistakable, and yet everything—headlamp treatment, grille finish, wheel geometry—has been reconsidered for a more sculptural quietude. This is design not for attention, but for reverberation.

art: silk embroidery, bas-reliefs, or even 3D-printed ceramics. The Starlight The heart of the new Rolls-Royce Phantom is not its 6.75-litre twin-turbo Headliner, hand-woven with fibre optics, remains a constellated ceiling V12, although its delivery remains a masterclass in controlled torque. What above an already celestial experience. Options extend into the metaphysical: defines the driving experience is resonance control—not just NVH metrics, a bespoke scent, a monogrammed umbrella in a hermetically sealed but the philosophical ambition to eliminate mechanical punctuation altogether. compartment, rear doors that close with an imperceptible hydraulic sigh.

Rolls-Royce engineers speak not of acceleration, but of “waftability”—a term While other marques speak of connectivity and interfaces, Rolls-Royce no other manufacturer dares to use, because no other has earned it. speaks of ritual. The Phantom is not driven; it is inhabited. Touchpoints From the rigid aluminium spaceframe to the Flagbearer system (a camera-fed are not gadgets, but thresholds. To adjust a seat is to engage with tactile suspension anticipating imperfections), the Phantom turns every metre into choreography. To recline is to enter a dimension of choreography. It does not glide—it levitates. The steering, engineered stillness. light yet precise, insulates without detaching. There is The new Phantom does not In a world rushing toward the autonomous and ephemeral, communication, but never intrusion. Even the tyre walls shout, nor whisper. It resonates. the Phantom’s proposition is stark and sovereign: not are layered with acoustic foam—evidence that in this car, A manifesto of stillness, novelty, but continuity. Its luxury is not what it adds, but silence is not absence but structure. Materials science plays precision, and sculpted gravitas, what it refuses to abandon—presence, density, stillness, and a starring role. The Gallery—an uninterrupted expanse it remains the only car that turns the unmatched elegance of restraint. behind glass across the dashboard—invites commissioned motion into monument.

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GUNS CLOTHING ACCESSORIES WWW.PURDEY.COM 020 7499 1801

THE ONE – 1962 FERRARI GTO “Being the only series I GTO to ever race as a factory campaigned car, it represents an unparalleled piece of automotive history. Its appeal transcends the automotive sphere and reaches every kind of collector.” – Gord Duff, Global Head of Auctions, RM Sotheby’s

Unique build provenance and an in-period racing pedigree that includes rare use by the factory make this GTO one of the model’s most singular examples. Chassis number 3765 is the only Works GTO example that was originally equipped with a 4-litre engine. This engine, built with the Colombo-style architecture but with an increased displacement of nearly four litres, was converted to dry sump lubrication and tuned with special carburetors and camshafts.

A three-carburettor motor (engine number 42 SA) was tested in May 1962 and installed into chassis number 3765, which was approximately the ninth car built by date and sequentially the 14th of 34 examples built with Tipo 1962 coachwork.

Finished in Rosso Cina paint, the uprated GTO debuted for the Scuderia Ferrari at the Nürburgring 1000 KM on May 27, where it was entered as race #120. Works drivers Mike Parkes and Willy Mairesse piloted the car to a class win and a second-overall finish, quickly justifying Maranello’s speculation about the potential of a 4-litre GTO. The 3765 is the only factory GTO Tipo 1962 example to have been campaigned by Scuderia Ferrari. With sights set on Le Mans, Ferrari removed the three-carburettor engine and replaced it with a second engine (number 48 SA) fed by six Weber 42 DCN carburettors. The 390 horsepower output was a big

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Some minor alterations were made to the nose. While the characteristic triple triangular cooling vents above the grille had been blocked off at the Nürburgring, they were reopened for Le Mans. Unique driving lamps were added to the sides of the fenders just underneath the tear-shaped markers, and the hood bulge was reshaped, in all likelihood to accommodate the new six-carburettor intake set-up.

SEFAC Ferrari entered four total cars at the 1962 24 Hours of Le Mans, including two in the 4-litre class: a 330 TRI LM (which eventually won the race) and the 4-litre GTO, chassis number 3765. Two Dino racecars comprised the balance of the team. But the #7 GTO was not the only car of its kind, for it was joined by no less than four other 250 GTO examples entered by privateers, which figured among the 13 total Ferraris on the starting grid.

upgrade of power from the 3-liter engine.

The 3-litre Colombo short-block V-12 engine gave the 250 GTO its power. It was a dry-sump-lubricated, competitiontuned engine with six dual-throat Weber carburettors that made 300 horsepower, which was similar to the specifications of the Testa Rossa engine. A new all-synchromesh five-speed gearbox, smaller, lighter tubing in some parts of the frame, and a revised rear suspension with stiffer springs and a stabilising Watts linkage were some of the engineering advances that went into the new type 539/62 chassis. With the new chassis architecture and dry-sump oil system, the engine could be placed lower than on the old SWB. This gave the car a lower centre of gravity, which made it easier to handle. Longer and lower than the 250 GT SWB, the new model also weighed 250 pounds less than its predecessor.

(Photo credit: RM Sotheby’s)

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Let the journey inspire you.

The new Bentayga Extended Wheelbase Azure.

Discover new levels of comfort, space and luxury at BentleyMotors.com/BentaygaEWB Bentayga EWB (V8) WLTP drive cycle: fuel consumption (petrol), mpg (I/100km) – Low 13.5 (20.9), Medium 21.4 (13.2), High 25.9 (10.9), Extra high 23.9 (11.8), Combined 21.7 (13.0). Combined CO₂ Emissions – 294 g/km.

The name ‘Bentley’ and the ‘B’ in wings device are registered trademarks. © 2023 Bentley Motors Limited. Model shown: Bentayga Extended Wheelbase Azure.

“BLOWER CONTINUATION SERIES IS A CELEBRATION OF ONE OF BENTLEY’S MOST ICONIC CARS, RECREATED WITH ABSOLUTE FIDELITY TO THE ORIGINAL ENGINEERING AND CRAFTSMANSHIP.” — BENTLEY MOTORS

THE BENTLEY BLOWER DEMONSTRATOR: A SUPERCHARGED LEGACY ON WHEELS A mechanical icon of the interwar period, the Blower Bentley Demonstrator embodied British engineering audacity and uncompromising sporting ambition.

4.398 cc – Engine displacement 4-speed manual – Gearbox

240 bhp– Power output 1.625 kg – Dry weight

2 SU carburettors – Fuel delivery 185 km/h – Top speed

1 Roots-type supercharger – Forced induction

3.3 m – Wheelbase

18-inch – Wire wheels diameter

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Hand-built in 1929, the Blower Demonstrator featured a Roots-type supercharger front-mounted on a 4½ Litre engine, delivering 240 bhp.

Its heavy chassis, SU carburettors, and manual crash gearbox reflect pure pre-war racing DNA. Extensively tested by Birkin, it became the archetype for Bentley’s 12-car Continuation Series—meticulously recreated using original blueprints and period-correct techniques.

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“My life is driven by the needs of the horses; they return the favour by performing with me and helping to achieve these victories that would be unattainable without them”. Steve Guerdat

A ROLEX TRADITION www.rolex.com

With more than a century of knowledge and expertise in watchmaking, Rolex is driven by tradition and craftsmanship, along with a commitment to innovation and a passion for perfection. These qualities are reflected in the brand’s support of equestrianism. For almost 70 years, Rolex has cultivated an enduring legacy with this elite world and is now a major presence at play behind the finest riders, competitions and institutions.

The brand’s contribution to excellence in equestrianism is based on this heritage, encouraging modernization while respecting the elegance of this prestigious sport. Whether supporting leading athletes, the CHI Geneva or the Rolex Grand Slam of Show Jumping, Rolex has built on a relationship that began in 1957, through an alliance with British show jumper Pat

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Rolex supports all leading events in the equestrian season.

It partners leading eventing competitions, including the three that make up the Rolex Grand Slam of Eventing. The brand has also created the ultimate show jumping challenge, the Rolex Grand Slam of Show Jumping, which comprises the four most prestigious Grands Prix in the world.

Furthermore, since 2024, the Rolex Series – a shared initiative between the brand and its partners – has brought together six of the sport’s most emblematic, historic competitions.

© Rolex Smythe. A pioneer in equestrianism, she became the brand’s first equestrian Testimonee. Rolex’s perpetual support is highlighted by its affiliation with international events and competitions that represent the pinnacle of the sport, from the equestrian Majors to the shows making up the Rolex Series. Building trust, never breaking the intimate pact that binds rider and horse. Facing all obstacles, riding with precision and aiming for excellence, together as one. The very spirit of the sport has defined the strong ties between Rolex and equestrianism for almost 70 years. In partnering with the most prestigious competitions, including the Rolex Grand Slam of Show Jumping, the brand supports riders who are writing the history of the discipline.

An intimate pact The relationship a rider forms with their horse is like no other in the sporting world. It is based on a reciprocated trust, forged over years of working together. It is a mutual respect that inextricably binds two beings in a single movement in the pursuit of performance. The search for the perfect technique, the quest for excellence and humility – these shared values underpin the longterm partnerships that unite the brand and equestrianism.

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© Rolex

Rolex is a major player in equestrian sports. The brand works alongside the best riders and the biggest competitions in show jumping, dressage and eventing.

True to its commitment, Rolex has become a Founding Partner of the Rolex Grand Slam of Show Jumping and the Rolex Series, which includes the ten major competitions.

Rolex has been a committed partner of equestrianism for almost 70 years, dating back to 1957 when pioneering British show jumper Pat Smythe became the sport’s first Testimonee. The brand’s contribution to excellence in equestrianism encourages modernization while respecting the traditions and elegance of the sport, as can be seen as they take their commitment of the sport to the next level with the introduction of the Rolex Series in show jumping.

The Rolex Series unites six of the most respected equestrian shows in the world, each supported by Rolex. These six historic shows are now united under the Rolex Series and all share several distinguishing qualities, with each globally renowned event offering some of the best infrastructures and facilities, age-old traditions, the highest standard of competition, and have been won by the very best riders in the history of the sport.

Each of the shows within the Rolex Series reflect Rolex’s own enduring commitment to excellence, all having a deep-rooted history in equestrianism, harnessing the tradition of the sport while embracing innovation with a continual drive for improvement.

The introduction of the Rolex Series reflects the brand’s continued support of equestrianism and its mission to unite and inspire. By being part of the collective group of shows that make up the Rolex Series, each event will be distinguished as one of the very best competitions in the world whilst also maintaining their unique and historic identities.

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© Rolex

© Rolex

“I believe that this is what modern show jumping is about: a close partnership and a solid connection between the horse and the rider. Kent Farrington

Rolex is an integrated and independent Swiss watch manufacture.

Headquartered in Geneva, the brand is recognized the world over for its expertise and the quality of its products - symbols of excellence, elegance and prestige. The movements of its Oyster Perpetual and Perpetual watches are certified by COSC, then tested in-house for their precision, performance and reliability. The Superlative Chronometer certification, symbolized by the green seal, confirms that each watch has successfully undergone tests conducted by Rolex in its own laboratories according to its own criteria.

These are periodically validated by an independent external organization.

The word ‘Perpetual’ is inscribed on every Rolex Oyster watch. But more than just a word on a dial, it is a philosophy that embodies the company’s

© Rolex

© Rolex

© Rolex

When you work with a horse every day to improve, and your effort bears fruit at a major competition, it’s so gratifying”. Martin Fuchs

Present and future talent Multiple medal-winning riders such as Isabell Werth, established champions including Steve Guerdat and rising stars like Harry Charles – regardless of their track record or experience, all of these equestrians share a set of values that align with those of Rolex.

Through its Testimonees, the brand perpetuates the equestrian tradition and encourages young emerging talents with the Young Riders Academy. Every year, this training programme helps five to 10 new riders from all over Europe to blossom.

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vision and values. Hans Wilsdorf, the founder of the company, instilled a notion of perpetual excellence that would drive the company forward. This led Rolex to pioneer the development of the wristwatch and numerous major watchmaking innovations, such as the Oyster, the first waterproof wristwatch, launched in 1926, and the Perpetual rotor self-winding mechanism, invented in 1931. In the course of its history, Rolex has registered over 600 patents.

At its four sites in Switzerland, the brand designs, develops and produces the majority of its watch components, from the casting of the gold alloys to the machining, crafting, assembly and finishing of the movement, case, dial and bracelet. Furthermore, the brand is actively involved in supporting the arts and culture, sport and exploration, as well as those who are devising solutions to preserve the planet.

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“I’m only one person, what can I do?”

Said 8 billion people.

Find out more 1ocean.org

All current Bombardier models support SAF usage and are assembled in facilities certified to ISO 14001 for environmental management and resource efficiency.

AVIATION MASTERY www.bombardier.com From intercontinental range to refined cabin ergonomics, Bombardier’s latest business jets—Global 5500, Global 6500 and Challenger 3500—reaffirm the Canadian manufacturer’s leadership in long-range performance, cabin innovation and flight deck technology. These aircraft embody a philosophy where engineering precision meets operational efficiency and personalised luxury in equal measure.

Bombardier’s newest generation of business jets—comprising the Global 5500, Global 6500, and Challenger 3500—reflects a meticulous evolution of performance, design and in-flight experience. Engineered to address the demands of a discerning global clientele, each model offers a distinctive blend of range, speed, cabin sophistication and cockpit technology tailored for today’s dynamic business travel landscape. At the heart of the Global 5500 and 6500 lies the Rolls-Royce Pearl engine family, developed specifically for Bombardier. The Pearl 15 engines deliver increased thrust and improved fuel efficiency, enabling the Global 6500 to achieve a maximum range of 6,600 nautical miles and the 5500 to reach 5,900 nautical miles—placing both models firmly in the intercontinental class. These aircraft are optimised for transoceanic missions while maintaining operational flexibility at constrained airports, thanks to improved short-field and hot-and-high performance. Cabin comfort is a key differentiator across Bombardier’s portfolio. The Global 6500 features the award-winning Nuage seating system, which incorporates a deep recline mechanism and a floating base for unparalleled ergonomic support. The cabin is divided into three separate zones and includes a full galley and a private suite with en-suite lavatory, offering a seamless transition between business and rest. The Global 5500, slightly shorter in range, retains the same cabin cross-section and signature interior innovations, making it a compelling choice for those seeking global capability with optimised operational economics. Both models include Bombardier’s Pũr Air purification system and Ka-band connectivity for uninterrupted work or rest.

Engine Technology The Rolls-Royce Pearl 15 engines deliver 15,125 lbf of thrust with reduced emissions, contributing to higher speed, lower fuel burn and superior climb performance.

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Heritage of Distinction. With over 50 years of legacy, Bombardier is a benchmark in business aviation—synonymous with engineering excellence, refined design and trusted performance for global leaders, Fortune 500 executives and discerning private operators.

The Vision flight deck features dual head-up displays, synthetic vision, enhanced weather radar, and predictive approaches—significantly improving safety in low-visibility and complex environments.

The Challenger 3500, an evolution of the bestselling Challenger 350, merges mid-size economics with features typically reserved for largecabin jets. It offers a range of 3,400 nautical miles and is powered by two Honeywell HTF7350 engines. The aircraft introduces a fully redesigned interior, incorporating Bombardier’s signature Nuage seats—a first in the super midsize segment—plus voice-controlled cabin management and wireless charging throughout.

The flight deck across the range is equally advanced. Bombardier’s Vision flight deck integrates synthetic vision, graphical flight planning, and head-up display capabilities, enhancing situational awareness and reducing pilot workload. The Challenger 3500 also introduces a paperless cockpit environment and advanced auto-throttle, supporting reduced pilot fatigue during longer missions.

Environmental sustainability remains a priority. All three models are certified for Sustainable Aviation Fuel (SAF) and are manufactured

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Bombardier’s patented Nuage seat offers zero-gravity positioning, deep recline, and a floating base—designed to reduce pressure points during ultra-long-haul missions.

in facilities adhering to ISO 14001 standards. Bombardier also offers comprehensive carbon offset programmes for operators wishing to further mitigate their environmental impact.

Whether serving as transcontinental flagships or regionally optimised mid-size solutions, Bombardier’s latest fleet exemplifies the company’s enduring focus: delivering aircraft that balance performance, innovation, and the evolving expectations of elite business travellers.

With advanced systems, peerless interiors and long-range capability, these jets confirm Bombardier’s position at the forefront of modern business aviation.

The Challenger 3500 includes voice-controlled cabin systems, wireless charging docks, 4K display screens, and flat-floor cabin configuration—rare in the super midsize category.

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Proven Long-Range Capability The Challenger 650 offers a range of 4,000 nautical miles, enabling nonstop transatlantic flights. Powered by General Electric CF34-3B engines, it combines reliable long-range performance with reduced operating costs and exceptional short-field takeoff capability.

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Signature Comfort and Cabin Volume With the widest cabin in its class, the Challenger 650 features executive seating for up to 12 passengers, advanced sound insulation, and Ka-band connectivity—delivering a highly productive and restful inflight environment on long missions.

The LINLEY Luca Desk

B ES P O K E CO M M I S S I O N S | I N T E R I O R D ES I G N | K I TC H E N S & C A B I N E T RY | F U R N I T U R E & H O M E AC C ES S O R I ES LONDON STORES BELGRAVIA, 60 PIMLICO ROAD | WWW.DAVIDLINLEY.COM

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LEONARDO AW 109 TREKKER PRECISION IN VERSATILITY www.agusta.com

A synthesis of engineering precision and operational flexibility, the AW109 Trekker elevates the legacy of Leonardo’s light twinengine line, integrating digital avionics and rugged performance into a sleek, high-performance platform.

The AW109 Trekker is Leonardo’s most recent evolution of the iconic AW109 family—an aircraft engineered to balance style, agility and operational utility. Powered by twin engines and equipped with the modular Genesys Aerosystems glass cockpit, the Trekker supports both VFR and IFR missions with single or dual-pilot configurations. Its skid landing gear enhances off-airport versatility, enabling landings in remote or rugged terrain. The cabin, acoustically insulated and flooded with natural light, accommodates up to six passengers in comfort. Sliding doors on both sides ensure swift embarkation, while the generous baggage hold affirms its suitability for both business and leisure operations.

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The AW109 Trekker boasts a maximum cruise speed of 282 km/h and a range of 833 km. Its skid landing gear enhances versatility, allowing operations from unprepared surfaces, making it ideal for diverse missions in challenging environments.

Equipped with a modular Genesys Aerosystems glass cockpit, the AW109 Trekker supports both VFR and IFR operations. The ergonomic design reduces pilot workload, while advanced avionics enhance situational awareness and flight safety.

Agusta by Leonardo offers a refined vision of private aviation—where aesthetics, technology and personalisation converge into a tailored flight experience. Each helicopter becomes a collaborative expression of individual taste, with curated materials, cabin layouts and finishes echoing a cultured lifestyle.

Designed for seamless transitions—whether to a boardroom, alpine lodge or coastal retreat—Agusta aircraft combine advanced connectivity, acoustic comfort and ergonomic interiors. Leonardo complements this with global support services, predictive maintenance and bespoke pilot training, ensuring readiness and reliability.

In the Agusta universe, private flight is not merely transport, but the orchestration of discretion, performance and elegance.

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Powerplant:

Maximum Cruise Speed:

Maximum Range:

Maximum Takeoff Weight

Twin Pratt & Whitney Canada PW207C turboshaft engines, each delivering 548 kW (735 shp), equipped with Full Authority Digital Engine Control (FADEC).

274 km/h (148 knots) at 5,000 ft, ISA, Maximum Gross Weight (MGW), Maximum Continuous Power (MCP).

828 km (447 nautical miles) at 5,000 ft, ISA, MGW, with auxiliary fuel tanks—no reserve.

3,175 kg (7,000 lb).

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(Internal Loads):

Maximum Takeoff Weight

Cabin Capacity:

Avionics Suite:

3,350 kg (7,385 lb).

Accommodates 1–2 crew members and up to 6 passengers.

Modular Genesys Aerosystems glass cockpit, configurable for single or dual pilot operations under Visual Flight Rules (VFR) or Instrument Flight Rules (IFR).

(External Loads):

Landing Gear: Fixed skid-type landing gear, enhancing versatility for operations on unprepared terrains.

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DASSAULT FALCON The Falcon 10X elevates comfort, style and flexibility beyond all expectations. It has the largest cabin of any purpose-built business jet and pioneering safety innovations. Its 7,500 nm (13,890 km) range and Maximum Mach Operating (MMO) speed of Mach .925 make it a powerful business tool. The Falcon 10X is powered by business aviation’s most advanced and efficient engine, the Rolls-Royce Pearl® 10X. It’s the latest, largest and most powerful version in the Pearl series, delivering more than 18,000 pounds (80.1 kN) of thrust. It gives the 10X the power to leap off runways and climb swiftly above air traffic and turbulence. It operates much cleaner for more efficient fuel consumption and lower emissions.

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The 10X cabin is 6 feet, 8 inches (2.03 m) tall and 9 feet, 1 inch wide (2.77 m). That’s almost 8 inches (20 cm) wider and 2 inches (5 cm) taller than the widest and tallest purpose-built business jet flying today. What can you do with all that space? The real question is—what can’t you do?

With the biggest cabin on the market, the 10X offers far greater layout flexibility. Thanks to its unique modular construction, you can specify a cabin with different zone lengths to create more customized interiors. For example, you can have an expanded dining/conference area, an entertainment area with a large-screen monitor, a private stateroom with a true queen-size bed or a master suite with a private stand-up shower. The baggage compartment is the largest in its class, conveniently accessible in flight.

Innovative systems in the Falcon 10X originated in Dassault’s fighter aircraft. Our Digital Flight Control System (DFCS) is more advanced than ever for precise, smooth flying.

Breakthrough automated protections exponentially increase safety. The revolutionary FalconEye® Combined Vision System vastly enhances situational awareness in low-visibility conditions. And like all Falcons, the 10X is compatible with Sustainable Aviation Fuel (SAF).

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AIRBUS CORPORATE JETS WHERE IT MATTERS, WHEN IT MATTERS. An impactful action requires presence, Airbus Corporate Jets (ACJ) provides connectivity solutions to bring people seeking to leverage their role in society to make positive change happen to the right spaces, supported by our best-in-class technology and a network of trusted partners.

Simply run your business without compromise. Experience space, facilities and comfort like no other aircraft, stimulating creativity, innovation and efficiency.

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A unique flying experience ACJ offer the most modern corporate jet family, with customizable, spacious cabins, letting customers choose the comfort they want in the size they need.

Airbus Corporate Jets provides exclusive aircraft for private, corporate, and governmental use.

Our state-of-the-art fleet offers the highest levels of comfort, safety, and reliability. With tailored configurations, cabin sizes, and features, our aircraft are customized to meet your specific needs.

From long-haul international flights to shorter flights, Airbus Corporate Jets delivers a unique flying experience.

Ultimate comfort. No place is comfier than your home and we have truly endorsed this and brought it to our products.

Whichever ACJ you choose, that feeling of ultimate comfort and wellbeing for you, your families and business partners is paramount and constantly present. Intercontinental range ACJ understand how important freedom and flexibility is for you. Which is why when you select ACJ, you choose flying anywhere you desire non-stop, without compromising on everything you love to do. Pioneering technology ACJ design and make our products at the forefront of innovation so you can experience state of the art flying that is tailored around your needs.

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DIFFERENT BY DESIGN. DISRUPTIVE BY CHOICE.

+1 321 751 5050 | embraer.com/praetor600

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Chic, modern and ever so fashionable, Code Coco pays tribute to one of Chanel’s most iconic items, the 2.55 handbag with a watch that is functional and sophisticated

TURBOPROP AIRCRAFT: PRECISION, PERFORMANCE, AND THE EVOLUTION OF PROPULSION

Turboprop aircraft represent a unique synthesis of power and efficiency, bridging the gap between piston-powered planes and jet-engine technology.

Engineered for versatility, these aircraft dominate regional aviation and niche markets, excelling in short-haul operations and challenging environments.

For the seasoned pilot, the turboprop offers an unparalleled combination of responsive handling, fuel efficiency, and operational reliability. This article delves into the engineering advancements, aerodynamic principles, and operational nuances that make turboprops a cornerstone of modern aviation.

Turboprop aircraft are dominated by industry-leading manufacturers known for their engineering excellence and reliability. Pilatus stands out with its PC-12, a single-engine marvel renowned for versatility and rugged performance, often used in executive transport and medevac missions.

Beechcraft, with its King Air series, remains a benchmark in multi-engine turboprops, excelling in corporate and regional aviation. Cessna’s Caravan, celebrated for its simplicity and payload capacity, is a favourite for cargo and short-haul passenger services. Daher, with the TBM series, merges speed and luxury, appealing to private owners and business operators.

Additionally, ATR, a joint venture of Airbus and Leonardo, leads the market for regional commercial turboprops, offering models like the ATR 72 that deliver efficiency and reliability on high-frequency routes.

The turboprop market continues to grow, driven by its efficiency and versatility. Regional airlines value turboprops for short-haul routes and operations on shorter runways, particularly in regions with underdeveloped infrastructure. Emerging markets in Africa, Southeast Asia, and South America are adopting them for their reliability and costeffectiveness. In private aviation, turboprops attract corporate and individual buyers seeking lower operational costs, excellent performance, and modern technology, making them a practical choice for both business and leisure travel.

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NEW BBJ SELECT CABINS

The new “BBJ Select” cabin options streamline the design process, accelerating interior installation and jet delivery. Customers can select pre-designed cabin layouts, developed exclusively for the BBJ 737-7, to purchase a new turnkey BBJ at a fixed price.

Boeing [NYSE: BA] Business Jets (BBJ) customers have a new way to customise cabin interiors for the BBJ 737-7, reducing costs and accelerating the delivery of new VIP jets, the company announced late last year. With BBJ Select, Boeing offers a wide range of predesigned cabin layouts and configurations to expedite installation while lowering the total purchase price of the aircraft.

From guest rooms and private offices to family rooms and VIP passenger seating configurations, customers select modules for each section of the aeroplane. In all, BBJ Select offers 144 unique modular cabin combinations in three different colour palettes: Serene, Earthbound, and Midnight. Additionally, curated colour palettes can be further customised for a unique look. The BBJ Select can be configured to suit any mission, from relaxed family travel to productive business trips to representative head-of-state flights.

BBJ Select layouts, designed in collaboration with award-winning business jet completion centres Aloft AeroArchitects and Greenpoint Technologies,

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eliminate the cost of one-time engineering and related work for the installation of a clean sheet cabin design. To simplify the purchase experience, customers sign one contract with Boeing, and the company oversees the design, build, and delivery of the fully outfitted VIP aircraft.

“Boeing Business Jets is offering customers a new, streamlined approach to designing a unique, comfortable and functional interior for our BBJ 737-7 jet,” said BBJ President Joe Benson. “For customers who may not have the time or desire to create a fully bespoke interior, BBJ Select offers predesigned options to outfit their cabin, which allows us to offer the jet at a

THE FERRARI

488 PISTA BRINGS THE

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With more than 260 jets sold since its founding in 1996, Boeing Business Jets is the industry-leading VIP jet division that brings the best of commercial aviation into the realm of personal air travel. Boeing Business Jets offers a wide range of high-performance aircraft, allowing for unique customization for private, business, or governmental use.

very attractive, fixed price.”

The BBJ Select cabins are exclusively available for the BBJ 737-7, the newest member of the BBJ 737 MAX family. With an unmatched combination of globe-spanning range, superior cabin space of 884 ft² (82 m2) and length of 85 ft 8 in (26.1 m), and best-in-class operating economics, the BBJ 737-7 can fly passengers over 15 hours non-stop while reducing fuel use and emissions compared to previous generation business jets.

Built for daily flights, BBJs provide far higher reliability and retain more residual value compared to competitors.

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CESSNA CITATION CJ4 ACCOMMODATING UP TO 7 PASSENGERS and RANGE OF OVER 3700KM AND A TOP SPEED OF 839KMH Cessna presents ONE OF THE HIGHEST PERFORMING LIGHT JETS ON THE MARKET . 6 sUItCase and 1.45 METERS HEIGHT wIth a wIdth OF 1.47 Meters the state - OF - the - art weather radar systeM allOws It tO deteCt pOtentIally dIsrUptIve weather Far In advanCe and , thereFOre , avOId tUrbUlenCe , gUaranteeIng a sMOOther FlIght .

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VOLOCOPTER BRINGS URBAN AIR MOBILITY TO LIFE www.volocopter.com Just like self-driving cars, autonomous aircrafts are expected to launch commercially in the next couple of years, and they’re set to pave the way for all. Compared to ground vehicles, autonomous aircraft will initially navigate through uncongested skies, and need not account for pedestrians, cyclists, or other road users. Instead, they will share the airspace with other highly automated aircraft, all communicating with each other. In fact, most aircraft already operate using smart systems like autopilots, which automatically execute direct routes or help with landing. Autonomous air mobility can and will build on that, according to Volocopter.

autonomous operations rulebook, the practice will not be implemented Autonomous flight is a core element of the Volocopter mission overnight. Volcopter is gradually increasing the degree of automation statement, and the VoloCity was designed to ultimately take to the its aircraft will offer: first, through the number of control functions skies as an autonomous air taxi. From the very beginning, Volocopter’s (like speed control or autopilot). Second, by preparing for unforeseen intention was for its aircraft to one day fly solo in the commercial skies. future events and the decisions that will have to be made. In short, this Today, the company is working closely with autonomous technology is a gradual process that will be moderated by technological, regulatory, leaders like Near Earth Autonomy on the beyond visual line of sight and economic considerations. As it gears up to offer fully autonomous (BVLOS) capabilities of its VoloDrones. But why is this an intrinsic part flights, Volocopter will collect data from piloted flights in an operational of Volocopter’s vision? Urban air mobility needs to be tailored to the environment that will flow into the VoloIQ data lakes, as well as offer challenges of flying within a city – tall buildings, narrow roads, moving training, and test autonomous applications. Only then will the company obstacles. And while highly trained pilots will be more than capable of launch autonomous flights. In the envisaged fully autonomous VoloCity navigating this environment, Volocopter will also be deploying smart, air taxi, several sensors will ensure a 360-degree view and detect objects redundant assistance systems to ensure maximum safety right from day in its flight path. An independent monitoring system will keep an eye one. And by gradually moving toward full autonomy will continue to on all components at any given time, whether radio communication, promote more flexible and even safer urban operations. Furthermore, propulsion, or a flight plan. The flight management autonomy will lower costs and thus boost affordability, Volocopter’s aircrafts are system will make decisions and automate predefined availability and help scale eVTOL operations. To make already designed to one processes that are always on time, accurate, and safe. autonomous air traffic a reality, however, a number of day fly autonomously, and Even without a data connection back to the ground, the steps must first be taken. As this is a novel kind of mobility, the company is actively VoloCity will be connected to Europe’s digital airspace regulations are still being compiled and may well not working on making this management system U-SPACE and the Mission Control be set in stone for a good few years yet. Volocopter is a reality in terms of Center, ensuring smooth and safe flights for all. And the working closely with Europe’s aviation authorities and regulations, technology, and passengers? Well, all they need to do is sit back and enjoy other experts in the field to bring urban air mobility to public acceptance. the view on their super-quick journeys. life and share its insights. Just as it takes time to develop an

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PIPER M500, SINGLE ENGINE TURBOPROP www.piper.com

The M500 combines stellar performance with state-of-the-art technology and safety features, and stylish, elegant luxury. The tried-and-true PT6A-42A turbine engine with 500 SHP and the impressive Garmin G1000 NXi Avionics Suite with the GFC 700 Autopilot come together to set a new standard for capability and value. Long-range and short-range missions alike are easily mastered while cruising high above weather and traffic. The M500 sets the new standard in its class for efficient operations and freedom. This single-engine turboprop remains a study in priority.

through the cockpit windscreen is dark, foggy, hazy or solid IMC. SVT Six-place seating and a pressurized cabin comfortably accommodate pasprovides a 3D graphical depiction with a colour-coded landscape identifying sengers, prioritizing precious assets. The aircraft seats two in the cockpit rising terrain and hazards, pathways in the sky, traffic, terminal procedures, and four in the cabin—in adjustable fold-down club seating. The 500 ILS or BGPS/WAAS vertical approaches, and more. When flying approaSHP Pratt & Whitney PT6-42A turbine satisfies the most discerning pilot ches and conducting a go-around in M500, the autopilot can be engaged by providing adrenaline-inducing, powerful performance and unmatched during a coupled go-around. The aircraft maintains a speed above stall warreliability. The M500 can fly 1,150 miles without refuelling and can reach ning and pitch attitude automatically adjusts as required. The blue Automatic a maximum cruising speed of 300 mph.

Level Mode button engages the GFC 700 autopilot and returns the aircraft to The finest interior in its class, the M500 boasts premium leather, carpet straight-and-level flight. Equipped with Underspeed Protection (USP), the and wood/metal trim. Creature comforts abound with the exclusive Piper M500 recognizes when underspeed conditions are about to occur and cause air-stair door, USB charging ports, lighting controls, beverage holders, an inadvertent stall, and makes the appropriate adjustments work table, and seat controls for each passenger. to the controls to rectify the situation. Electronic Stability The Piper Meridian M500 turboprop suits owner-pilots seePiper M-Class offers three Protection (ESP) keeps you safe in stable flight when handking to step up from a piston aircraft. The Meridian models top-of-the-line personal and flying the M500. The ESP system functions independently are renowned for being easy to operate, and the M500 adds business aircraft that elevate of the GFC 700 autopilot and applies control force toward even more automation. The M500 is designed for efficient, the Meridian designs. The stable flight whenever pitch or roll deviations exceed recomfortable and safe flight. Its robust engineering design has M350, M500, and M600/SLS commend limits, or when overspeed or underspeed condistood the test of time in some of the most demanding flight were designed to offer besttions are about to occur. ESP will also automatically activate environments worldwide. Synthetic Vision (SVT) allows in-class performance and the GFC700 autopilot if engaged for too long. one to see clearly and navigate safely even when the view safety features.

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LONGEST-RANGE BUSINESS JET Boeing Business Jet BBJ 777X is a model that can fly more than half way around the world without stopping, farther than any business jet ever built.

“Our most exclusive customers want to travel with the best space and comfort and fly directly to their destination. The new BBJ 777X will be able to do this like no other airplane before it, redefining ultra-long range VIP travel,” said Greg Laxton, head of Boeing Business Jets, at the bi-annual Middle East Business Aviation Association Show (MEBAA). Customers can choose between two models: the BBJ 777-8 and BBJ 777-9.

Boeing Business Jets BBJ 777-8 offers the longest range of 11,645 nautical miles (21,570 km) and a spacious 3,256 sq. ft. (302.5 sq m) cabin. The BBJ 777-9 provides an even larger cabin measuring 3,689 sq. ft. (342.7 sq m), while still offering ultra-long range of 11,000 nautical miles (20,370 km). Jet Aviation Design Studio’s interior concept takes advantage of the BBJ 777X’s size; featuring lounges, a game and cinema area, a stately office, private work spaces, three guest bedrooms and a master suite that includes its own lounge, luxurious bedroom,

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spacious dressing/bathroom area and a very large shower and hammam.

The interior is designed to accommodate 43 passengers plus a crew of eleven. “Like many contemporary homes, our design incorporates modern and traditional elements that are contrasted through the use of colors, materials and the general design intent,” explained Director of Design Elisabeth Harvey. “This is intensified with extremely detailed, very light ceilings and sidewall treatments with patterns and traditional paneling structures, opposing the darker wood floor which replicates

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To demonstrate the versatility of the airplane’s spacious cabin, BBJ unveiled interior concepts from three leading design firms: Greenpoint Technologies, Jet Aviation, and Unique Aircraft Design. Each concept shows how the BBJ 777X can be transformed to suit the tastes of any VIP customer.

A true family, the 777X offers low-risk, profitable growth, industry-leading reliability and integration with the 777 and 787 Dreamliner families for even more flexibility. But performance is just part of the story. With a spacious, wide cabin, new custom architecture and innovations from the 787 Dreamliner, the 777X will deliver the flight experience of the future.

the ceiling pattern with fine marquetry inlays. Light sidewall and bulkhead treatments are balanced by minimalistic but colorful furniture with delicate detailing, such as engraving inlays and floral fabric inserts. “Artwork, such as the balloon rabbit by Jeff Koons in the forward dining lounge column display and the deconstructed mirror by Matthias Kiss in the forward master lounge add to a playfulness throughout the interior. The result is a carefully orchestrated, playful and holistic combination of shapes, patterns and colors that brings our unique interior concept to life.” Head of Boeing Business Jets Greg Laxton expressed appreciation for Jet Aviation’s commitment to the highest design and completion standards. “Jet Aviation Basel is a very well-known and highly regarded completions center,” said Laxton. “Their interior concept for our new BBJ 777X is a compelling combination of a beautiful design and the latest technologies.

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PILATUS AIRCRAFT LTD Pilatus redefines private aviation with precision-engineered aircraft that unite Swiss craftsmanship, performance excellence and bespoke adaptability for discerning global operators and private owners.

Each Pilatus aircraft embodies the brand’s heritage of meticulous Swiss engineering, blending technical innovation with artisanal quality to deliver aircraft of outstanding durability, reliability and aesthetic refinement.

Pilatus Aircraft Ltd, founded in 1939 in Stans, Switzerland, has long been synonymous with technical precision, operational ruggedness and understated luxury. Renowned for its commitment to bespoke aviation solutions, Pilatus produces some of the world’s most versatile and reliable aircraft, including the celebrated PC-12 NGX and the PC24 Super Versatile Jet. These aircraft are uniquely designed to offer short-field performance, low operating costs and exceptional comfort, making them ideal for private owners, corporate operators and government agencies alike.

The PC-12 NGX, celebrated for its single-engine efficiency, offers the capability to access remote, unpaved airstrips while maintaining a level of interior refinement comparable to that of larger business jets. Meanwhile, the PC-24, often termed the world’s first Super Versatile Jet, combines the speed

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From demanding short-field operations to intercontinental range, Pilatus aircraft are designed for exceptional adaptability, offering unrivalled efficiency, ruggedness and comfort across a spectrum of missions and environments.

Pilatus cabins offer a fully bespoke experience, where every element—from premium leather upholstery to hand-crafted wood veneers—is meticulously selected to reflect the owner’s individual aesthetic. Advanced connectivity systems, ambient lighting solutions, and optimised acoustic insulation ensure a cabin environment that balances refined visual elegance with superior ergonomic comfort.

Whether configured for executive, private or special mission use, each interior seamlessly integrates functionality and style, reaffirming Pilatus’ commitment to personalisation without compromise.

and range of a light jet with the ruggedness and adaptability typically reserved for turboprop platforms.

Pilatus interiors are fully customisable, with hand-finished materials and advanced cabin technologies designed to enhance passenger experience. Behind this craftsmanship lies a rigorous engineering ethos that prioritises safety, performance and reliability under all conditions. Global support networks further reinforce Pilatus’ reputation for service excellence.

Discreet yet bold, technologically advanced yet intuitively functional, Pilatus aircraft exemplify the quiet confidence of Swiss design—delivering an experience where capability, elegance and endurance converge.

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“FAST FIVE” WITH ED BOLEN, NBAA, NATIONAL BUSINESS AVIATION ASSOCIATION PRESIDENT AND CEO Founded in 1947 and based in Washington, DC, the National Business Aviation Association (NBAA) is the leading organization for companies that rely on general aviation aircraft to help make their businesses more efficient, productive and successful. The association represents more than 11,000 companies and professionals, and provides more than 100 products and services to the business aviation community, including the NBAA Business Aviation Convention & Exhibition (NBAA-BACE), the world’s largest civil aviation trade show.

What are the challenges facing business aviation in the forthcoming decades?

Our industry faces a high level of scrutiny from global regulators and the general public about environmental sustainability. While these voices have grown louder in recent years, their concerns are not new; in fact, business aviation has worked for more than 40 years to reduce our industry’s carbon footprint, with each new generation of aircraft markedly cleaner and more efficient than older models.

Since 2009, our industry has codified its commitment to reduced carbon emissions, culminating in our 2021 pledge to achieve net-zero by 2050.

At NBAA’s recent Business Aviation Convention & Exhibition (NBAABACE) we further strengthened this pledge with the introduction of Climbing. Fast., a new campaign to inform community leaders and citizens about business aviation’s leadership role in sustainability and its many benefits to society, from increased access to underserved communities to its prominent humanitarian roles.

Where do you see opportunities in the industry?

This is truly an exciting time for business aviation. We’ve seen our industry grow rapidly over the past four years, as new users have entered the market and more people have discovered business aviation’s unique value in providing safe, secure and efficient transportation across countries and around the globe.

on electric-powered vertical takeoff and landing (eVTOL) AAM vehicles, as well as full-electric, hybrid and hydrogen-powered aircraft for longerduration trips.

What is the current status and prospects for the adoption of electric or hybrid aircraft in the business aviation industry? Are there technological or infrastructure challenges to address?

AAM, in particular, is expected to become an increasingly prominent part of our transportation system in the next several years. Manufacturers are meeting the technological challenges head-on with new electric propulsion methods and battery systems that extend range and improve safety, but we do face obstacles with development of infrastructure – vertiports, charging facilities and traffic management – to fulfill these missions safely and efficiently. We’re making progress, but infrastructure currently lags behind the industry in this regard.

Many of these vehicles are already flying and some are close to certification by the European Union Aviation Safety Agency (EASA), U.S. Federal Aviation Administration (FAA) and other global regulatory agencies. For example, Volocopter’s AAM vehicle performed several flights throughout NBAA-BACE, and the company is poised to launch commercial operations at the 2024 Paris Olympics.

Lastly, what are the NBAA’s plans for the 2024 edition of EBACE?

I see tremendous opportunities to not only further this growth, but to also do so sustainably. Our industry is at the forefront of new technologies, including advanced air mobility (AAM) and sustainable aviation fuel (SAF) derived from renewable feedstocks, which promise to not only reduce our carbon footprint but to also bring the advantages of business aviation to new audiences, including urban areas and regional travel providers.

Co-hosted by the European Business Aviation Association (EBAA) and NBAA, the European Business Aviation Convention & Exhibition (EBACE) is where some of the most influential business leaders and entrepreneurs come to learn more about our industry and to make aircraft purchasing decisions. Whether they’re looking for efficiency and maximum passenger capacity, or the latest in cabin technologies and amenities, they’ll find what they’re looking for at EBACE.

How are various utilization models for business aviation reflected in the marketplace? Are there new models or technologies gaining particular attention?

Equally important for our industry, EBACE also serves as a celebration of business aviation’s resilient present and exciting future – of the inspiring people, bold ideas and new markets propelling the sector forward, across Europe and around the globe.

The highest amount of business aviation activity has traditionally been in the U.S. and North America, and in particular for trips within a few hundred miles of a base. That said, business aviation – like the greater marketplace – is becoming ever more global, and we also see increasing demand for long range, large cabin aircraft, capable of connecting any two points around the world in just one takeoff and one landing.

Coming back to opportunities, we’ve seen not only established OEMs move to offer products that appeal to both segments, but also a significant influx of new providers aiming to revolutionize business aviation travel and the regional segment in particular. These new entrants are focused

EBACE traditionally hosts the latest aircraft and products on display and an exciting and informative roster of educational sessions addressing key industry concerns and sustainable aviation. The show is also renowned for hosting key European figures, including tennis superstar Martina Navratilova and racing legends Toto and Susie Wolff.

We’re at work to present an even more thrilling lineup for EBACE2024, with details to be announced after the New Year. On behalf of NBAA, I invite all Le Grand Mag readers to come to Geneva from 28-30 May to experience the excitement of EBACE firsthand.

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DASSAULT FALCON 8X: PRECISION REDEFINED www.dassault,com

synthetic vision and intuitive controls. The groundbreaking FalconEye The Dassault Falcon 8X epitomizes trijet engineering, combining range, system, the first combined vision system (CVS), merges synthetic and efficiency, and versatility. Powered by three Pratt & Whitney Canada enhanced vision, enabling superior performance in all-weather operations.

PW307D engines, it delivers 21,000 pounds of thrust with reduced fuel burn The spacious cabin, customizable in multiple layouts, offers unparalleled and noise. With a range of 6,450 nautical miles, it seamlessly connects global comfort, with industry-leading soundproofing ensuring a serene destinations such as Los Angeles to Beijing or Paris to Singapore non-stop. flight experience. Its ability to operate from Advanced aerodynamics, including optimized shorter runways and challenging airports makes wings and enhanced winglets, contribute to fuel Dassault Aviation, renowned for its Falcon the 8X exceptionally versatile. Whether for efficiency and remarkable stability. The aircraft’s series, holds a prominent position in business transcontinental missions or complex approaches, Digital Flight Control System, adapted from aviation. With over 2,600 Falcons delivered the Falcon 8X sets a benchmark for performance, Dassault’s fighter jets, ensures precise handling and worldwide, the brand serves elite operators technology, and operational flexibility, earning safety in demanding conditions. prioritizing performance and innovation. its place as a favourite among elite pilots and The Falcon 8X cockpit features the EASy III Falcon jets operate across 90+ countries, operators worldwide. avionics suite, prioritizing situational awareness with excelling in long-range missions.

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LUFTHANSA TECHNIK

With a worldwide network of facilities, Lufthansa Technik Engine Services offers comprehensive maintenance, repair, and overhaul solutions. Their expertise ensures optimal engine performance, supporting airlines across diverse operational environments.

Excellence in motion defines Lufthansa Technik, the world’s foremost provider of maintenance, repair, overhaul and bespoke modification services for civil aviation. From commercial fleets to VIP and special mission aircraft, precision, innovation and tailored expertise shape every dimension of their global service offering.

Renowned for engineering precision and technological innovation, Lufthansa Technik has established itself as the undisputed leader in maintenance, repair, overhaul, and modification services for civil aviation. With a global network of facilities and a portfolio of international certifications spanning maintenance, design, and production, the company offers highly bespoke solutions tailored to the most exacting operational requirements.

From large commercial airliners to bespoke VIP and special mission aircraft, Lufthansa Technik delivers a comprehensive suite of services encompassing individualised maintenance programmes, full completions, cabin conversions, and pioneering modifications. Its expertise extends to the development of cutting-edge cabin products, engine overhaul and material pooling, as well as advanced digital fleet support

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Thomas Illner. President and CEO. Lufthansa Technik Engine Services

Our commitment to excellence drives us to deliver tailored engine solutions that meet the highest standards of performance and reliability. At Lufthansa Technik Engine Services, we continually innovate to support our clients’ evolving needs.”

— Thomas Illner, President & CEO, Lufthansa Technik Engine Services

designed to enhance operational continuity and efficiency.

Special attention is devoted to cabin completions, where craftsmanship meets innovation to create interiors that seamlessly blend aesthetic excellence with functional sophistication. Whether designing ultramodern VIP layouts or mission-specific configurations, Lufthansa Technik remains synonymous with technical artistry, reliability, and unparalleled customisation.

Committed to pushing the boundaries of aviation support, the company combines German engineering heritage with a visionary approach to future challenges, ensuring that clients not only meet, but surpass, the evolving standards of global air transport. Excellence in motion is not merely a promise; it is a philosophy embedded in every project undertaken.

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THE ICONS BEHIND AN INDUSTRY A gateway to the culture of the ultra-luxury.

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AIRBUS PRIVATE HELICOPTER Airbus Private Helicopters redefines bespoke aviation, offering tailored rotary-wing solutions that merge technical mastery, aesthetic sophistication and unparalleled in-flight comfort for discerning global clientele.

With a worldwide network of service centres and dedicated maintenance programmes, Airbus ensures seamless, uninterrupted operations, delivering peace of mind to private helicopter owners across all continents.

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Each Airbus Private Helicopter is fully customisable, from cabin layouts to advanced avionics, ensuring every detail reflects the owner’s vision of functionality, luxury and operational performance.

Rooted in decades of aerospace innovation, Airbus Private Helicopters blend cutting-edge composite materials, advanced fly-by-wire controls and optimised aerodynamics. This technical mastery ensures superior fuel efficiency, reduced vibration levels, enhanced flight stability and exceptional resilience in diverse environments. Every model encapsulates Airbus’ commitment to safety, performance and sustainable excellence, setting new standards in modern rotary aviation.

Airbus Private Helicopters epitomises the pinnacle of bespoke rotary aviation, delivering unparalleled comfort, technological sophistication and operational versatility.

Drawing on Airbus’ legendary aeronautical expertise, each helicopter is individually crafted to reflect the owner’s precise specifications—from interior materials and layouts to advanced avionics and mission equipment. Clients benefit not only from a seamless fusion of design and engineering excellence, but also from an integrated global support network ensuring operational continuity. Safety, innovation and aesthetic refinement are hallmarks of the Airbus experience. Whether intended for private, corporate or special mission use, Airbus Private Helicopters elevates the art of personal flight, offering solutions where performance meets tailored luxury without compromise.

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LUXURY INDUSTRY MEDIA London

| Aviation | Automotive | Travel | Yachts | Education | Finance | | Interiors | High-Jewellery | Elegance | Real Estate | Culture |

KING AIR 350I ENDURING PERFORMANCE IN THE SKIES www. beechcraft.txtav.com soundproofing systems, and executive club seating, creating a tranquil and The Beechcraft King Air 350i remains a cornerstone of executive ergonomic flying environment. turboprop aviation, combining robust performance with a level of Beechcraft’s latest avionics suite, Rockwell Collins Pro Line Fusion, provides refinement rarely found in its category. Capable of operating from short pilots with enhanced situational awareness and and even unimproved runways, the 350i delivers The Beechcraft King Air 350i merges operational control, ensuring optimal safety and a perfect blend of utility and elegance, offering a legendary reliability with refined cabin reduced workload. The 350i also integrates Wi-Fi range of over 1,800 nautical miles and a maximum comfort. Its twin Pratt & Whitney connectivity and environmental controls for a fully cruising altitude of 35,000 feet. turboprops ensure exceptional range and adaptable in-flight experience.

Powered by twin Pratt & Whitney PT6A-60A short-field performance, while advanced Equally at home in business, charter, or medevac roles, engines, the aircraft achieves a cruise speed of 312 avionics and soundproofing technology the King Air 350i exemplifies rugged sophistication—a knots while maintaining low fuel burn and excellent make every journey smooth, quiet and platform trusted by operators worldwide for its payload flexibility. The cabin, configured for up remarkably efficient. consistency, capability and understated prestige. to nine passengers, features a flat floor, proprietary

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CESSNA CITATION ASCEND

The Cessna Citation Ascend redefines the midsize jet category, blending advanced performance, cutting-edge avionics and bespoke cabin refinement into an uncompromising new aviation standard.

The redesigned cabin features larger windows, flat floor architecture, advanced acoustic insulation and customisable seating, providing an elevated in-flight experience for up to ten passengers in absolute comfort.

The Cessna Citation Ascend, the latest evolution within the storied Citation family, represents a meticulous balance of innovation, comfort and operational performance.

Designed to meet the expectations of discerning owners and operators, the Ascend introduces a new standard in the midsize jet segment, combining proven airframe heritage with technological advancements that enhance every aspect of the flight experience.

Powered by twin Pratt & Whitney Canada PW545D engines, the Ascend delivers optimised fuel efficiency, improved take-off performance and reduced emissions, underscoring Cessna’s commitment to sustainability and operational economy. The aircraft’s maximum cruising altitude of 45,000 feet enables smoother flights above commercial traffic and weather systems, while its Honeywell

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The Citation Ascend is equipped with the latest Honeywell Epic 2.0 avionics suite, featuring large touchscreen displays, intuitive graphical interfaces, and enhanced automation capabilities.

Advanced Synthetic Vision Technology (SVT) provides pilots with a clear, real-time 3D depiction of surrounding terrain and obstacles, significantly improving situational awareness in all conditions. Integrated flight planning tools, improved weather radar, and automated checklists contribute to a streamlined, safer cockpit environment. Designed for both seasoned and professional pilots, the Ascend’s flight deck embodies operational sophistication and ease of command.

The Citation Ascend offers a maximum range of 1,900 nautical miles and a cruising speed of 441 knots, delivering outstanding efficiency and flexibility for regional and transcontinental operations.

Epic 2.0 avionics suite offers state-of-the-art situational awareness and pilot interface enhancements.

Inside, the cabin is a masterpiece of ergonomic sophistication, offering a full flat-floor configuration, expanded baggage capacity, wireless connectivity and reimagined seating designs to elevate both comfort and functionality. Optional features such as a bespoke refreshment centre and fully tailored cabin appointments allow owners to imprint their personal taste onto every flight.

The Citation Ascend reaffirms Cessna’s enduring reputation for building aircraft that embody reliability, elegance and technical prowess—delivering an experience where performance meets personalised refinement.

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KISMET: A MASTERCLASS IN SHIPBUILDING EXCELLENCE www.lurssen.com design mastery from Nuvolari Lenard on the exterior and Reymond Langton “The Owner wanted an exceptional design that makes you travel through time Design on the interior, the yacht has exceeded all expectations and has embarked and space,” says Pascale Reymond of Reymond Langton Design. “KISMET is on her long-awaited maiden voyage. “To execute such a comprehensive not just a yacht or a home, she is a journey where all your passion and senses are project, an excellent team is necessary,” says Managing Partner, Peter Lürssen. challenged. The main idea is that, as the vessel is very large, the Owners and guests “We are very proud of KISMET as yet another statement of Lürssen’s ability and should find their way and recognise each area by the design, and they should desire to build yachts that meet all of our exacting Owners’ requirements, guided experience many different journeys. KISMET is a time capsule, from the glorious by our core focus of expert engineering, beautiful parties of Versailles under Le Roi Soleil, Louis XIV, design and being at the forefront in developing in the Gallery des Glasses, to the matinee theatre of the “KISMET was a lovely project for us because sustainable technologies.” roaring twenties Art Deco Hollywood area.” it was made for an Owner with considerable KISMET has a length of 122 metres and just Lürssen delivered Project JAG, now renamed technical knowledge and a great passion,” says squeezes in under 5,000 GT at 4,918 GT. She KISMET, to her delighted Owners. The yacht is Carlo Nuvolari of Nuvolari Lenard. “This was represents the pinnacle of engineering with many the third for this experienced and long-standing important because it allowed us to make proposals pioneering features, including an innovative Lürssen client, and with their previous becoming an knowing that they would be understood from all propulsion system that allows for 15 minutes immediate fan favourite, the launch of Project JAG points of view: functional, stylistic and technical. cruising on electrical power alone. She also features was eagerly anticipated.

In all its external details – the stairs, the details, the a 4.9 x 1.3 metre single pane of glass – by far the Following in the footsteps of such an iconic yacht was furnishings – KISMET is a boat rich in shapes and largest single piece of structural glazing ever fitted always going to be a challenge, but with the technical on a yacht’s transom. expertise of the Lürssen shipyard and the distinguished choice of materials.”

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MASERATI TRIDENTE Designed for both speed and comfort, the yacht offers expansive outdoor spaces, including a sun deck, swim platform, and alfresco dining area, providing the perfect environment for relaxation and entertainment.

The Tridente Yacht also incorporates Maserati’s signature attention to detail, from its Trident logo emblazoned on the bow to the ergonomically designed helm station inspired by Maserati GranTurismo cockpits. Innovative technology, such as a gyroscopic stabilisation system, ensures a smooth ride even in rough seas, while advanced navigation tools and touchscreen controls make piloting seamless and intuitive.

The Maserati Tridente Yacht is a groundbreaking project that seamlessly blends the sophistication of Italian yachting with the dynamism of Maserati’s automotive heritage. Designed in collaboration with renowned naval architects and inspired by the iconic lines of Maserati’s sports cars, the yacht embodies performance, elegance, and technological innovation. Its streamlined profile, defined by sleek hull contours and aerodynamic features, ensures reduced drag and enhanced efficiency on the water, mirroring the brand’s commitment to speed and refinement.

At 24 metres in length, the Tridente Yacht’s structure is crafted from carbon fibre and advanced composites, reducing weight while maintaining exceptional strength and durability.

The lightweight construction, combined with cutting-edge

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hydrodynamic engineering, allows the yacht to reach speeds of over 40 knots, making it one of the fastest in its class.

Powered by dual V12 engines developed by a leading marine propulsion manufacturer, the yacht delivers an impressive 3,800 horsepower, ensuring unrivalled performance.

The Maserati Tridente Yacht is not merely a vessel; it is a symbol of Italian innovation and craftsmanship. By combining the artistry of luxury yacht building with the precision and performance of automotive engineering, Maserati has created a new benchmark in the world of high-performance yachting. This avant-garde masterpiece appeals to those who demand excellence in every aspect of their lifestyle, on land and at sea.

The luxurious interior, designed by Maserati’s Centro Stile in collaboration with top yacht designers, features a harmonious blend of fine Italian leather, polished teak, and brushed aluminium accents. Inspired by the opulent cabins of Maserati’s flagship vehicles, the interior layout includes a master suite, two guest cabins, and a spacious saloon, all equipped with state-of-the-art amenities such as smart climate control, entertainment systems, and LED lighting.

“The Maserati Tridente represents the perfect fusion of nautical elegance and automotive dynamism, embodying the essence of Italian design and technological innovation.” Hedi Slimane, Maserati Creative Director.

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Guillaume Plisson PHOTOGRAPHE P R O V E N C E - A L P E S - C Ô T E D ’A Z U R , F R A N C E C U T T I N G E D G E T E C H N O L O GY

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Navigate to photograph, photograph to navigate.

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INTERVIEW GUILLAUME PLISSON Beyond the image.

Photographer and Visual Artist Monsieur Plisson, what specific challenges do you face when photographing superyachts in motion, and how do you manage stability and sharpness in such dynamic environments?

It’s true that conditions can sometimes be rough and challenging, but I have the privilege of having grown up on a boat. This has given me a natural ability to stay steady on my feet and maintain my gaze on the sea.With experience, I have developed the ability to feel and anticipate the motion of the waves, which allows me to keep both hands on my camera most of the time. On tenders, the pilot’s work is essential.

Not only is he responsible for positioning the boat exactly where I need it, but more importantly, he ensures my safety. This includes avoiding sudden acceleration without warning and signalling waves that could unsettle me.

Given your background and your father’s influence, how has your technique evolved to integrate both legacy practices and modern photographic technologies?

The passion for the sea, emerged very early in my life and my fathers passion surely added up to the already natural love for this endless source of inspiration which for me has always been the sea.

Back then, digital photography did not exist, and I worked exclusively with film, specifically E6 slides. Every shot was a challenge, as even a slight miscalculation in the settings would often render the photograph unusable.This drove me, from the very beginning, to master as many techniques as possible and to hone my precision. My goal was to develop, over time, instinctive reflexes that would become second nature. These skills eventually allowed me the freedom to focus entirely on my subject, liberated from the technical constraints of the craft.

In terms of post-processing, which tools and adjustments do you consider essential for preserving the natural majesty of maritime landscapes without sacrificing realism?

It is difficult for me to answer this question because it is highly subjective, but for me, it is my sensitivity that has always been guiding me in the process of post producing my images. I reunite my heart with my eyes and it all comes together by itself.

Can you walk us through your workflow for a high-profile shoot on location? From logistics to camera setup, how do you ensure that your artistic vision is executed to perfection?

The only thing I can tell you is that you must know your subject perfectly in order to prove the alignment of all possible scenarios. My team anticipates a lot ahead of a shoot and thanks to that I am able to remain free and creative.

The ocean is an ever-changing subject; how do you approach timing and patience to capture the ‘perfect’ shot, and what indicators tell you that a scene is at its visual peak?

The truth is the ideal world and perfect circumstances don’t exist and waiting for optimal moment, simply would become too expensive. We can only anticipate based on our experience and make sure we study well the weather which becomes more and more difficult to predict those days.

What role does ambient sound play in your creative process, if any? Does it influence how you frame or anticipate a shot on the open water?

My work can get very risky and the situations that I find myself in require high concentration and perfect communication, with the tender or helicopter pilot.

However while I post produce my images, I am attached to my headphones and I loose myself in the music for days in order to create a comfort bubble that allows my to remain focused and efficient.

Many of your images convey a sense of scale and grandeur. How do you approach compositional elements to evoke these qualities without overwhelming the subject?

I am very rigorous in the way I frame the scenes, it’s like being in a 3D world where the positioning of the lens in terms of height, angle, distance and of course the choice of the lens itself will define the balance of the final result.

When collaborating with yacht designers or luxury brands, how do you tailor your approach to align with their vision while retaining your signature style?

The relation with the designer is crucial, to take the time to exchange and analyse is the beginning of the process. It allows to understand the design, architecture and features that are not always visible on the first sight but often have a real reason and a story behind.I could consider myself lucky but I guess it actually comes with the experience that I am granted a certain freedom and trust, by the designers that automatically comes with the responsibility to deliver a level of creativity and possibly to reveal new to them angles.

Could you elaborate on the specific gear and camera settings you rely on to capture fastmoving scenes on water while maintaining clarity and detail?

I am not gonna give you a course on photography because it would take too many pages but I can tell you that each part of the shoot, whether I am on the tender, in the helicopter, on board, inside or outside I use very different settings, cameras and lenses.

I am obsessed with the quality of the image when it comes to it’s sharpness, it’s depth of field and the framing, so when you look at it, you don’t know why but somehow it feels like everything in it’s rightful place and the image becomes immersive.

How do you innovate in your craft? Are there any techniques or technologies you’re currently exploring to push the boundaries of marine photography?

I like to consider I always have something to learn.

The world of image is evolving constantly, I make sure I keep myself and my equipment updated in order to always provide the highest standard to my clients and for myself.

Guillaume Plisson’s journey unfolds like a captivating voyage across the azure expanse of the sea. Raised aboard a sailing boat, he was introduced to the art of photography at the tender age of twelve, marking his entry into the world of visual storytelling with his first double-page spread in the esteemed magazine Paris Match, capturing the exhilarating departure of the Fastnet sailing race. His lens then turned to the grand arenas of yachting, as he chronicled prestigious events such as the Admiral’s Cup and the America’s Cup for both Paris Match and Le Figaro.

Over a decade ago, Guillaume dedicated his talents to the enchanting realm of super yacht photography, intertwining his deep-seated passion for the ocean and elegant design. Residing in the picturesque South of France, he asserts his mantra: “navigate to photograph, photograph to navigate,” embodying the symbiosis of his dual passions.

In 2010, Guillaume responded to Philippe Starck’s call to photograph the iconic Motor Yacht A, igniting a profound fascination for the super yacht industry. He primarily collaborates with yacht owners, designers, and shipyards, capturing the essence of design and craftsmanship.

For the past 15 years, Guillaume has dedicated himself to photographing extraordinary vessels and establishing deep and meaningful relationships with designers. His primary interest lies in translating the unique signatures of the yachts and the visionary concepts of designers into compelling imagery. His work reflects the artistic visions of renowned names such as Espen Oeino, Philippe Starck, Andrew Winch, Igor Lobanov, H2, Luca Bassani, Reymond Langton Design, Frank Neubelt, Martin Francis, and Vripack Design and Zuccon International Project In collaboration with esteemed shipyards like Lürssen, Oceanco, Feadship, Heesen, Fincantieri, San Lorenzo, Abeking Rasmussen, and Royal Huisman, he meticulously follows the construction of these magnificent vessels, ultimately creating exquisite coffee table books that celebrate the artistry and innovation behind each yacht.

The recent photographic adventure was a collaboration with the private jet builder Bombardier that can be viewed in one of the latest Ultimate Collection books by Assouline.

Latest publications: Ultimate Collection: Yachts by Assouline Ultimate Collection: Bombardier by Assouline The Classics Collection: Yacht Club de Monaco The Classics Collection: Saint Tropez Yachting

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Regarding my photographic post-production work, I always say: I remove nothing, I add nothing, I change everything!

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GIORGIO ARMANI’S SIGNATURE TOUCH ON THE ADMIRAL 72M At the Marina di Carrara headquarters, The Italian Sea Group has launched a 72-metre Admiral megayacht—its first collaboration with Giorgio Armani. Blending naval architecture with haute couture, this is the first of two yachts entirely designed by Armani, whose aesthetic language permeates both the exterior silhouette and the interior concept. Attended by the owner’s team, local authorities, Armani Group representatives and the full TISG crew, the launch ceremony marked a milestone in Italian excellence and design philosophy at sea.

www.armani.com

www.theitalianseagroup.com

Developed in synergy with The Italian Sea Group’s in-house Centro Inside, Armani/Casa curates a distinctive, timeless atmosphere through Stile, the Admiral 72M by Giorgio Armani exemplifies the fusion a palette of exquisite materials: Black Marquinia marble, Calacatta gold, of minimalism, advanced engineering and and Canaletto walnut meet mirrored finishes, couture-level craftsmanship. The yacht’s handcrafted lighting and fine textiles. The result Giorgio Armani’s aesthetic is defined by understated strong architectural form is composed of bold is a composed, intimate interior, both opulent elegance, architectural precision, and a palette geometric volumes and soft curves, sheathed and refined in its restraint. rooted in tonal sophistication. The Italian Sea Group, in brushed aluminium and polished steel.

“This yacht embodies the poetic elegance by contrast, expresses technical mastery through Floor-to-ceiling windows dissolve boundaries of Giorgio Armani and the technical mastery sculptural forms and advanced naval engineering. between interior and seascape, while the of The Italian Sea Group,” notes Giovanni Together, they craft vessels where sartorial restraint upper decks unfold like terraced sanctuaries— Costantino, Founder & CEO of TISG. The meets marine innovation—a synthesis of couture with open-air lounges, a helipad and highly Admiral Armani 72M will make its official and shipbuilding excellence, forged in the Italian tradition of refined design. versatile layouts. debut at the Monaco Yacht Show 2025.

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Since Rolex’s first partnership with the New York Yacht Club in 1958, the brand has supported the development of competitive sailing through alliances with yacht clubs around the world.

Places of exchange and competition, yacht clubs are the organizers of regattas and offshore races. They uphold sailing traditions and drive technological developments in the nautical world. They are also training centres for young sailors.

Through its relationships with yacht clubs, Rolex is committed to supporting efforts to perpetuate the discipline and transfer sailing expertise to new generations.

As a partner of yacht clubs and the international federation World Sailing, Rolex stands with those who develop the future of this sport every day.

Rolex is the Official Timepiece and Global Partner of World Sailing, the

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international sailing federation. It organizes the annual Rolex World Sailor of the Year Awards, crowning the season’s best men’s and women’s sailors. As Title Sponsor of these highly regarded awards, the brand offers each winner a Rolex timepiece.

Yacht clubs, renowned sailors, iconic offshore races and some of the most celebrated regattas. For almost 70 years, Rolex has forged strong relationships with the world of yachting. A prominent yacht racing partner, the brand shares the common pursuit of excellence and a passion for premium performance with major custodians of the sport’s enduring spirit.

Rolex partners some of the top crewed coastal regattas and offshore races.

The brand is associated with numerous annual and biannual coastal regattas all over the world. It is Official Timepiece for two such championships that are at the cutting edge of nautical technology: SailGP, featuring the planet’s

fastest catamarans, and the 52 SUPER SERIES for high-performance TP52 monohulls. Rolex also partners prestigious offshore races, such as the Rolex Fastnet Race, the Rolex Sydney Hobart Yacht Race and the Rolex Middle Sea Race.

Rolex is committed to continuously supporting the most dynamic yacht clubs, institutions essential to the evolution of sailing that help perpetuate and develop the discipline in equal measure. These clubs are a harmonious blend of tradition and progress, organizing regattas and offshore races of global importance. Chronometric precision is a vital part of navigation, essential for determining exact location. Sailors have, therefore, always sought to equip themselves with the most accurate instruments available, a quest that has extended to competitive yachting. Starting strongly, coordinating crews, optimizing boat trajectories; precision is crucial at every stage of the race.

A great number of the yachts designed by German Frers have been known to cross the start line in leading international events. A celebrated naval architect, he has designed more than 1,300 yachts. For more than half a century, he has been at the forefront of technological progress in the yachting industry and supported several generations of sailors. The Argentinian has left his mark on cruising, regatta racing and ocean racing. He started out in the 1980s by designing some of the fastest and most modern Maxis of the time (Matador, Il Moro di Venezia II, Cannonball and Flyer II). Frers also collaborated with the highly regarded Nautor Swan boatyard. Many of his yachts have competed in international races partnered by Rolex. In 2021, the designer unveiled Recluta, a replica of a boat that his father, also a naval architect, had designed 80 years earlier. The 20-metre ketch was shown at Les Voiles de Saint-Tropez, the home par excellence of yachting tradition and its continuation.

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ADMIRAL PLATINUM 78 M www.theitalianseagroup.com

Powered by twin MTU diesel engines, Platinum reaches a top speed of 17.5 knots and maintains a refined cruising speed of 15.0 knots—balancing dynamism with absolute navigational grace.

In a realm where engineering excellence and artistic expression seldom coexist at this scale, M/Y Platinum emerges as a singular presence—an eloquent synthesis of sheer scale and purposeful design. Launched in 2024 by Admiral – The Italian Sea Group, Platinum is more than a vessel: she is a maritime artefact, built not only to traverse oceans, but to assert a new aesthetic and functional paradigm in the world of superyachts. Her stature places her within the rarefied top 5% of yachts worldwide by length, while her gross tonnage—an impressive 2,146 GT—exceeds the average for her class by over 350 GT, ensuring extraordinary interior volume and spatial fluidity. She sails under the Cayman Islands flag, a preferred registry among the global elite, and currently graces Port Hercule de Monaco with her presence—a beacon of modern seafaring sophistication. With her steel hull, aluminium superstructure and precision-laid teak decks, Platinum conveys not just status, but vision—crafted for those who demand the exceptional.

Admiral Platinum 78: The Apex of Naval Elegance and Engineering Mastery.

The Admiral Platinum 78-metre megayacht, flagship of The Italian Sea Group’s illustrious fleet, stands as a paragon of contemporary naval architecture—an extraordinary convergence of artistry, innovation, and refined engineering poised to recalibrate the very notion of maritime luxury.

This magnificent vessel emerges from the seamless synergy between avant-garde design, cutting-edge technological integration, and the peerless Italian craftsmanship that defines the Group’s ethos. It is the result of a strategic alliance between two internationally acclaimed studios: the exterior, sculptural and fluid, bears the unmistakable signature of Lobanov Design Studio, while the meticulously orchestrated interiors are entrusted to the masterful vision of Sinot Yacht Architecture & Design, whose approach combines architectural clarity with tactile elegance.

Naval architecture has been entrusted to Azure Yacht Design & Naval Architecture, in collaboration with The Italian Sea Group’s in-house technical department—an assurance of structural harmony and hydrodynamic excellence.

M/Y Platinum is not merely a yacht; it is an aesthetic and technological statement, destined to become a reference point for future builds in the segment of large custom superyachts.

I wish to extend my deepest gratitude to the owner’s representatives, notably the team at Magnitude, whose unwavering dedication and strategic guidance proved invaluable throughout the construction process of this exceptional maritime opus. Stretching 78 metres over six expansive decks, M/Y Platinum encapsulates a vision of elegance and modernity.

Her silhouette, at once commanding and graceful, is matched by an internal spatial philosophy that privileges both grandeur and conviviality—an invitation to a lifestyle defined by discretion

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Spanning a beam of 13.05 metres, Platinum features six decks, a steel hull, an aluminium superstructure and expansive teak decking—ensuring optimal durability and aesthetic continuity at sea.

and cultivated leisure.

On board, every material speaks the language of excellence.

The interiors evoke a refined yet understated luxury, where innovation and harmony coalesce to create immersive living environments. M/Y Platinum is conceived not only for navigation, but for an elevated experience of the sea, delivering a sense of serene escape within an exquisitely engineered envelope.

Silent operation, uncompromising comfort, and remarkable hydrodynamic performance are cornerstones of the Platinum’s identity. Notably, the vessel has surpassed her projected top speed—an achievement that underscores the meticulousness of her engineering and construction, and reaffirms Admiral’s prowess in delivering yachts of formidable capability and refinement.

Admiral Platinum 78 is more than a flagship; she is a floating testament to the highest ideals of yachting—where form, function, and feeling converge in a sublime expression of seaborne excellence.

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Ferretti Group Custom Line Navetta Remaining true to its origins, Custom Line has built a fleet of timeless yachts with a special focus on the bespoke. A perfect combination of cutting-edge technology, ingenious functional solutions, and elegant, unmistakable design, every Custom Line creation is a unique work of art that reflects the owner’s personality, their thirst for the horizon and their own way of living the sea.

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WALLY POWER 165 www.wally.com

Unapologetically contemporary. Revealed at the Monaco Yacht Show, the 165 Wallypower takes inspiration from the radical look of the 118 Wallypower, resulting in a Mediterranean cruiser with a piercing bow, uncluttered lines and open decks. It is the first motor superyacht concept to be unveiled by the brand since its acquisition by the Ferretti Group earlier this year and follows the unveiling of a 30.8 metre sailing sloop at the Cannes Yachting Festival earlier this month. Designed for owners intending to cruise the Mediterranean, the 165 Wallypower incorporates “Wally DNA” with a “sharp, angular look”, according to the yard. The main deck also features a large saloon, dining area with double fold down balconies and a swimming pool flanked by sunpads.Port and starboard staircases lead down to the beach club aft, which is extended thanks to fold-down bulwarks. The 15 metre sundeck includes a large raised sofa, central U shaped bar and high glass bulwarks.

The 499GT interior includes accommodation for a total of 10 guests including an owner’s stateroom on the main deck and four further guest suites on the lower deck. The crew and service areas are located forward towards the bow.

Emphasis is on blurring the lines between indoor and outdoor living, with There’s nothing else on the market that comes close to the wallypower165. smart spaces that serve multiple functions.

Its genesis is a story in its own right, uniting for the first time ever the Glass bulwarks are used wherever possible, and exterior doors that fully stellar team of Wally founder Luca Bassani and the world’s most inopen. The vast sundeck is a case in point, with the ability to offer sun or demand superyacht designer, Espen Øino. Naturally the result is a mouldshade for a variety of activities, from the bar to the sunpads. The large breaking yacht – a mid-range Mediterranean cruiser that has created an pool on the main deck has a glass wall and there is exceptional entertaining entirely new category. space below it in the beach club.

Fast, effortlessly cool and unapologetically contemporary, the wallypower165 Radical and modern, the wallypower165 once again shows that Wally is features Wally’s typical clean, uncluttered lines, open decks and angular 20 years ahead. styling. As ever, form follows function, so the wave “Exhilarating performance Alongside the futuristic exterior design, the layout is a bit piercing bow and naval architecture are all conceived for and pitch-perfect handling more traditional with the owner’s suite on the main deck stable, comfortable cruising with no rolling or slamming. is fused with Wally’s taut forward that features a fold-out balcony to enjoy some Wally have enhanced the boat’s large 500GT volume with aesthetic to offer guests a privacy. Four guest cabins are located on the lower deck. fold-down balconies in the owner’s suite forward and on truly sublime experience on The crew and service area is also on the lower deck in either side of the main saloon, as well as with Wally’s the water.” the bow area. signature aft wings, which double the beach club area.

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LUXURY YACHT MARKET

The global luxury yacht market size is projected to grow from $7.67 billion in 2023 to $13.67 billion by 2030.

The Global Luxury Yacht market is anticipated to rise at a considerable rate during the forecast period, between 2023 and 2030.

The number of ultra-wealthy households are projected to increase. In the coming years, the number of ultra-wealthy households having assets worth $100 million or more is projected to increase by 70% in the next five years. Shipyards have therefore started to invest in new facilities and technologies to meet the expected demand which will eventually lead to growth in the market for Luxury Yachts. Green Yachting is becoming popular amongst an environmentally conscious generation. The new generation millennials, belonging to 35-45 year age bracket, have become highly environmentally conscious. This is extremely important to factor in since up to 40% of the yacht buyers are now millennials. Therefore, the sector is slowly switching to green yachting by adopting a more eco friendly approach. By 2050, the International Maritime Organization has instructed the maritime industry to reduce greenhouse gas emissions by 50 percent from 2008 levels by the year 2050 and to reduce carbon footprints of their boats. Electric yachts are also becoming quite popular.There’s a new wave of design trends shaping the fleet in the forthcoming years. The 2023 Monaco Yacht Show was back with exciting innovations to redefine luxury in the yachting industry. From the highly anticipated Yacht Design & Innovation Hub to the immersive experience and the new carbon neutrality transition plan, MYS2023 promises to showcase advanced design, sustainability, and cutting-edge technology. Cannes Yachting Festival reports record numbers amid increasing demand for bigger boats. According to event organisers, this year’s Cannes Yachting Festival reached a record 705 boats on display (ranging from five to 50 metres in length) with 610 exhibitors and 55,000 visitors.

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The 56-metre model features a full-carbon sail plan and a performance-optimised hull by Malcolm McKeon. Perini Navi’s proprietary sail-handling system enables precision manoeuvring with minimal crew, while the enclosed aft cockpit ensures privacy without compromising deck visibility or airflow dynamics.

SAILING INTO THE FUTURE: THE RENAISSANCE OF PERINI NAVI www.perininavi.it sail plan, combined with optimised weight distribution and hull architecture, With quiet authority and precise intent, The Italian Sea Group ushers in a delivers superior sailing performance without compromising comfort or safety. new era for Perini Navi—an emblem of sailing heritage now reinterpreted The design features retain Perini’s trademark privacy-focused aft cockpit and through contemporary lens and engineering depth. A year after acquiring the uninterrupted sightlines across deck and sea. storied brand, TISG presents a triad of sailing yachts—48m, 56m, and 77m— The flagship 77-metre platform is both a technical and experiential milestone. that reassert its mastery in the art of large sailing vessels. These yachts are not It becomes the first Perini to integrate the legendary Falcon Rig—twin masts evolutions but revolutions, each shaped by a design philosophy that merges with an electro-hydraulic system that simplifies handling and maximises safety. legacy and modernity into a seamless whole.

This model also debuts a fold-out spa-beach club, seamlessly connected to the Each model showcases the unmistakable Perini DNA: muscular elegance, aft platform, making it as much a sanctuary as a sailing machine. Generous open sterns, continuous glazed surfaces, and interiors defined by volume, light, beam dimensions enhance onboard liveability, while and adaptive use. Yet, it is their hidden engineering The 48m offers twin rudders, a lifting keel, long-range capability positions the yacht for ambitious that defines their gravitas. The 48-metre model, and joystick-assisted sail control via dual blue-water passages. conceived in both “regatta” and “cruise” versions, helm stations. The 56m features a carbon rig Throughout the fleet, a refined signature element introduces a new hull form with limited heeling and performance-optimised hull by Malcolm threads through each space: a blue leather handrail, angles, twin rudders, and a centreboard system that McKeon. The 77m includes the iconic Falcon subtly evocative and consistently present, guiding radically enhances shallow-draught versatility. Solar Rig with electro-hydraulic automation, foldthe visual and tactile narrative of the next-generation panels can be integrated for greater sustainability. out beach terraces, and is the first Perini Perini Navi experience. It is a language of quiet The 56-metre yacht—long regarded as the archetype platform designed around an integrated full confidence—where innovation speaks through of Perini identity—is reimagined in collaboration with spa-beach club experience. proportion, silence, and sea-born poetry.

Malcolm McKeon Yacht Design. A new full-carbon

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The 77-metre flagship integrates the iconic Falcon Rig with twin rotating masts and over 2,000 m² of sail area. Its electro-hydraulic automation system guarantees effortless sail deployment and trimming, enabling safe ocean crossings with remarkable windward efficiency and reduced mechanical complexity.

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With an expansive beam and retractable beach terraces, the 77-metre offers a spa-beach club connected to the aft platform. A reduced variable draught enhances anchoring in shallow waters, making this yacht equally suited to high-seas performance and secluded coastal mooring.

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Four Seasons Hotel George V, 31 avenue George V, 75008 Paris, France www.fourseasons.com/paris

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A lot happened in 1897: Queen Victoria celebrated her diamond jubilee; the Blackwall Tunnel opened; and the novel Dracula was published. It was also when Harrods Estates opened.

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Discover a new masterpiece in the heart of Rome

Experience the height of elegance at Hotel de Russie’s newly refurbished Nijinsky Suite – timeless Roman design with peerless views across Villa Borghese and the rooftops of the Eternal City.

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Armani Casa Vivace table www.armani.com Dining table distinguished by sculptural legs inspired by a bamboo grove. Vivace features an oval top and six legs arranged in three pairs, enhancing the lightness of the structure by creating generous open spaces between them.

Surface in rose gold leaf, legs in gilded bamboo, and feet in light satin-finished brass.

Dimensions: 240 x 105 x 75H cm.

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Armani Casa Pa s c a l A r m c h a i r www.armani.com The Pascal Armchair is distinguished by its elegantly curved design, where the armrests seamlessly extend from the backrest itself. Its enveloping shape is by no means imposing, making it an ideal choice for small spaces, cosy corners, and even the contract sector.

Another defining feature of this piece is the presence of four solid wood legs. The seat’s internal structure incorporates harmonic steel springs, while the backrest is padded with highquality foam. Due to its curved lines, Pascal may have some limitations in upholstery selection: it is therefore available in all Armani/Casa fabrics suitable for this shape, as well as in all softtouch leathers from the collection. Additionally, this armchair is offered in a special vintage brown leather, exclusively developed for this line. The upholstery is non-removable.

Dimensions 80 x 83 x 70H cm - Seat height (SH): 40 cm

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Armani Casa Logo Lamp www.armani.com This table lamp was the very first product designed for Armani/Casa in 1982 by Giorgio Armani himself. For this reason, it became the brand’s logo. The black satin-finished metal structure features a truncated pyramid-shaped lampshade crafted from ivory methacrylate.

Made in Italy.

Dimensions: 48x48x82.3H cm – 18.9x18.9x32.4H inches Light temperature: 2700 Kelvin

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Dolce & Gabbana Ve rd e M a i o l i c a Co l l e c t i o n www.dolcegabbana.com The Verde Maiolica print imbues the Dolce&Gabbana Casa collection with an evocative new aesthetic, inspired by the allure of a secret garden. The pristine white and the deep, vibrant green of Verde Maiolica lend a fresh elegance to each creation, reflecting timeless design and the unparalleled excellence of Made in Italy craftsmanship. Every piece in the collection contributes to a captivating atmosphere, elevating interiors with a refined yet distinctive touch.

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Gianfranco Ferré Home ZURICH_armchair

www.gianfrancoferrehome.com With its perfect balance of defined geometries, soft lines and tailored details, the Zurich armchair embodies the essence of the Gianfranco Ferré Home 2025 collection. The reference to fashion codes is represented by thin leather bands that seal the seams, enhancing the purity of the forms, and by characteristic dark brown leather straps with details in Brushed Bronze finish. The enveloping silver nubuck upholstery completes the sophisticated allure of the seat, with its discreet but not banal presence. Part of a line that also includes the matching sofa, Zurich is designed to create a living area with a unique character, an authentic expression of Gianfranco Ferré Home style.

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Etro Home Interiors Reed_armchair

www.etro.com/it-it/home-interiors-collection The new Etro Home Interiors proposal for 2025 combines tradition and modernity in a journey through time and styles. Each piece in the collection reflects a precious know-how that adapts to the new needs of living. The result is a sophisticated and contemporary vision of furnishing, born from a daring fusion of historical influences, the heritage of a company made up of symbols and codes waiting to be reinterpreted.

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DFN

Canopo wood www.dfnsrl.com A wooden collection that harmoniously interacts with travertine, enhancing its texture and timeless elegance. The feline lines that have made this collection iconic here meet the natural beauty of wood and stone, shaping a renewed stylistic language while remaining true to its signature glamour.

In a highly competitive world, DFN stands out for its ability to create truly exclusive products.

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At Abercrombie & Kent, we appreciate that your idea of a perfect holiday may differ from someone else’s.

That’s why we specialise in tailor-made travel. We make it our business to understand exactly what you are looking for – and then make sure we deliver it.

By focusing on the little details and leveraging our contacts, we believe a great holiday can be elevated into the experience of a lifetime.

Whether you are looking for a family adventure, a fabulous honeymoon, a cultural tour or an exhilarating safari, or simply to relax on a beautiful beach, we’d love to help you find it.

Abercrombie & Kent at Harrods Lower Ground Floor

020 7173 6440

Collect Harrods Rewards points with every holiday booking

Heritage Values.

The Ultra-Luxury Industry Media.

www.issuu.com/legrandmag

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Bisazza

Co l l e z i o n e M A R M O, S o f i a G re e n www.bisazza.com Doriana and Massimiliano Fuksas Polychrome marble pattern obtained through the combination of different geometric shapes declined in various sizes and colors. Matt finish.

Marbles: Verde Imperiale, Nero Marquinia, Bianco Carrara

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Bisazza

C o l l e z i o n e M A R M O , I p a z i a Ye l l o w www.bisazza.com Doriana and Massimiliano Fuksas Polychrome marble pattern obtained through the combination of different geometric shapes declined in various sizes and colors. Matt finish.

Marbles: Giallo Reale, Marrone Emperador, Avorio Perlino, Rosso Alicante

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De Padova Pillow 20

www.depadova.com Celebrating twenty years of Vico Magistretti’s visionary design, this modular sofa embodies a modern, informal, and almost instinctive aesthetic.

In its latest configurable version, it gains depth, enhancing an already remarkable level of comfort. The carefully crafted structure embraces generously proportioned cushions, creating a welcoming and reassuring space—an invitation to moments of pure relaxation and conviviality.

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Roberto Cavalli Home NEVADA armchair

www.robertocavallihomeinteriors.onirogroup.it The Nevada armchair embodies a contemporary softness, structured and elegant, blending comfort and design. Inspired by the majesty of the desert from which it takes its name, Nevada evokes the sinuous shapes of the dunes and the power sculpted by the wild nature of the canyons.

The design is enveloping, dominated by soft, undulating lines that blend harmoniously into the high, imposing backrest. The quilting draws a pattern that recalls the irregularity of the desert dunes, emphasising the three-dimensionality of the seat.

Precious details enrich the whole, paying homage to the brand’s attention to detail and fashion spirit.

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Porro LOAD-IT

www.porro.com With its protruding shelves that cut through space, Load-it is a Porro classic, an icon that has evolved over time while retaining its radical simplicity. Originally designed as a white bookcase blending into the wall to create the illusion of floating books, it has embraced new materials and finishes without losing its expressive power. Its ultra-thin L-shaped steel shelves, paired with wall panels in steel or wood, ensure enduring relevance, adapting to contemporary aesthetics and lifestyles.

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Porro Load-it

www.porro.com

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Porro

STORAGE, www.porro.com With three different structural concepts, Storage is the first modular system that allows for continuity of space throughout the wardrobe. The innovation stems from the new conception of the supporting element of the structure. Traditionally viewed and designed as a separator within wardrobes, with Storage, the side panel is no longer a barrier but becomes the element that enables the airy continuity inside the wardrobe, while still performing its function as a structural support and a base for horizontal elements. Inside the wardrobe, the concept of space takes on new meaning. Thanks to the three distinct structural types—walk-in closet, traditional wardrobe, and boiserie—that now integrate seamlessly with one another, it’s possible to create both open and closed spaces by alternating different materials for transparent and non-transparent solutions.

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Porro MODERN

www.porro.com

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Porro EX LIBRIS www.porro.com Ex-Libris is a refined display case designed to showcase collections. Its aluminium uprights, melamine base, and crystal sides create an ethereal aesthetic, enhanced by optional back panels in melamine, fabric, or crystal. Extra-clear glass shelves heighten the illusion of floating objects, framed by sculptural Iron or minimalist Block doors.

Integrated spotlights illuminate the interior, making Ex-Libris a striking centrepiece that defines space while maintaining visual continuity.

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NEOM - SAUDI ARABIA Redefining livability, business and conservationAudi e-tron, leads the charge. At NEOM Social Impact, education, opportunity, and cohesion are the true infrastructures of tomorrow.

Located in the temperate northwest of Saudi Arabia, NEOM’s diverse climate offers both sunsoaked beaches and snow-capped mountains. NEOM’s unique location will provide residents with enhanced livability while protecting 95% of the surrounding natural landscape. NEOM is the land of the future where the greatest minds and best talents are empowered to embody pioneering ideas and exceed boundaries in a world inspired by imagination. To build the cities of the future, we need to build the communities of the future. At NEOM Social Impact, we are developing transformative educational and training programs that empower students, entrepreneurs and individuals to be part of NEOM’s sustainable society.

In an era where cities are increasingly conceived through digital twins, carbon-neutral targets, and AI-driven urban planning, the true foundation of the metropolis of tomorrow remains profoundly human. At NEOM Social Impact, the blueprint is not limited to buildings, mobility corridors or sensor grids. It begins with people: empowered, skilled, and socially integrated individuals capable of driving a shared and sustainable vision.

As NEOM advances its physical and technological frontiers, the Social Impact team is designing and deploying a parallel infrastructure of education and human capital development.

The ambition is bold: to cultivate a society as innovative as its skyline. From transformative training programmes to next-generation learning environments, NEOM is

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The name NEOM is derived from two words. Envisioned by His Royal Highness Mohammed bin Salman, Crown Prince and Chairman of the NEOM Company Board of Directors, the first three letters come from the Ancient Greek prefix neo – meaning ‘new’. The ‘M’ is the first from ‘Mustaqbal’, an Arabic word meaning ‘future’. The M is also the first letter of the Crown Prince, Mohammed bin Salman.

AN ECONOMIC ENGINE. These distinct regions and sectors will be fueled by USD 500 billion from the Public Investment Fund of the Kingdom of Saudi Arabia and local and international investors. NEOM will become a community powered by talent and diversity across 15 sectors.

The land of the future, where the greatest minds and best talents are empowered to embody pioneering ideas and exceed boundaries in a world inspired by imagination.

rethinking what it means to prepare a population for a city that does not yet exist.

At the heart of this effort is the Social Impact Framework—a cross-disciplinary model that aligns educational strategy with socio-economic outcomes. Tailored to the region yet global in scope, the framework spans formal education, vocational training, entrepreneurial incubation and lifelong learning. Whether equipping students with AI fluency, mentoring local business creators, or empowering women in leadership, each initiative operates under a shared imperative: that no part of the community be left behind in the city-building process.

NEOM’s programmes are not abstract exercises in corporate philanthropy. They are strategic investments in resilience

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From early childhood to executive training, NEOM is designing a fully integrated learning city. Modular, inclusive, and adaptive, the approach combines international standards with regional relevance, fostering a lifelong education continuum.

Social inclusion is not a by-product of NEOM—it is an operating principle. Programmes are structured to reach underserved communities, bridge gender gaps, and enable equitable access to opportunity at every level.

In a rapidly shifting global economy, adaptability is the new literacy. NEOM’s education models prioritise resilience, creativity, and the capacity to lead in industries that do not yet exist.

Beyond metrics, NEOM Social Impact uses impact-driven indicators to evaluate programme success—from social mobility and entrepreneurial growth to community trust and ecological awareness—ensuring long-term value creation.

RESIDENCES INCLUDING 2,500+ PREMIUM VILLAS AND APARTMENTS

NEOM.COM

73 DINING DESTINATIONS

& LEISURE 102 RETAIL DESTINATIONS

15 LUXURY HOTELS GALLERIES AND STUDIOS

ROOMS, SUITES 1,600 HOTEL AND APARTMENTS PERFORMING ARTS AND EVENTS

3 LUXURY MARINAS PREMIER 500 STUDENT BOARDING SCHOOL

and inclusion. The establishment of learning ecosystems— from coding academies to social innovation labs—is generating both measurable ROI and intangible cultural dividends. In a global context of widening inequality and disaffection, NEOM is positioning education not just as a public good, but as an urban operating system.

Critically, NEOM Social Impact treats community not as a static demographic, but as an evolving co-author of its own future. This means continuous engagement, from youth consultations to participatory design labs. It means leveraging data ethically, not to manipulate, but to illuminate needs and accelerate inclusion. It means training not just for jobs, but for adaptability and civic agency. Through partnerships with world-leading institutions, NEOM is bringing global

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NEOM sees talent not as an output of urbanisation, but as its origin. Educational initiatives are treated as long-term infrastructural investments, ensuring that human capital is as intelligently designed as physical systems.

Through strategic partnerships with leading global universities and innovators, NEOM aligns international excellence with local needs, empowering a new generation to become globally fluent yet deeply rooted in their communities.

best practices into a regional context. Collaborations span climate tech, creative industries, robotics, and applied sciences—delivered in formats that match the pace of innovation. Education here is not a silo, but a catalytic system, engineered to scale social mobility alongside digital progress. Ultimately, what NEOM Social Impact recognises is that infrastructure alone does not constitute a city. No amount of photovoltaic glass or high-speed transport can replace the cohesion forged through shared opportunity.

The society of the future must be equitable by design, inclusive by intention, and sustainable by education.

This is not a secondary mandate. It is the bedrock of a city meant to endure.

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Where landscape and language coalesce, and beauty resides in shadows, silences, and the scent of thyme.

THE INTIMATE GRAMMAR OF PROVENCE “ “P rovence does not seduce— it lingers, like a stanza half-remembered, fragrant with meaning.” ” In Provence, beauty is not an affectation—it is an inheritance.

From the chalky flanks of the Luberon to the windswept plateaux of the Alpilles, the region speaks in a dialect of restraint and radiance. Light is not mere illumination here; it is a narrative, casting long sentences across stone walls, lavender rows, and the pages of countless literary pilgrims.

Jean Giono captured its tactile silence, where “the wind is a storyteller,” while Albert Camus saw in Provence a place “where the sun gives the world back to itself.” Even Virginia Woolf, wandering through the gardens of La Bastide, wrote of a landscape “composed like a sonata in dust, scent, and slow time.” The Provençal aesthetic is a form of quiet grammar—nothing shouts, yet everything is imbued with memory, intention, and tactile nuance.

In hilltop villages like Gordes or Ménerbes, shutters fade in perfect symmetry with the sky. Bougainvillea is not trimmed but allowed to compose its own sonnet across ancient limestone. Meals are taken slowly, not out of leisure but reverence. The table becomes a forum, the wine—a dialogue.

The scent of wild herbs (sarriette, thyme, fenouil) mingles with the dry hum of cicadas, creating a kind of olfactory music. The Mistral, fierce and sudden, cleanses the air and minds alike. Life in Provence is edited down to essentials: shade, stone, scent, and silence.

This is not the indulgence of luxury, but the cultivation of essence. A way of being that remembers the difference between style and spectacle.

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Puerto de Mogan www.grancanaria.com

GRAN CANARIA’S HIDDEN SOPHISTICATION

by Silvia Donatiello

Gran Canaria unveils a refined side where silence, nature, and tradition intertwine. Beyond beaches, it offers discreet escapes, ancestral flavours, and landscapes shaped by centuries of quiet resilience.

“A storm made stone” wrote Unamuno of the Canaries. In Gran Canaria, discreet luxury dwells in lava-carved sanctuaries, timeless cuisine, and landscapes suspended between sky and sea.

La Aldea Playa de Güi-Güi

Agaete Marina

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The South: Private Paradises and Seaside Sophistication While Maspalomas is famed for its dunes and vibrant ambience, just moments away lies Meloneras — Gran Canaria’s most refined promenade, where designer boutiques, discreet fivestar properties, and acclaimed restaurants line the Atlantic shore. Here, the Seaside Grand Hotel Residencia exudes quiet grandeur, blending colonial architecture with contemporary wellness. With only 94 rooms, it appeals to connoisseurs of intimacy over ostentation.

For those in search of true seclusion, the private villa enclaves surrounding Salobre Golf Resort offer panoramic views, horizon-edge pools, and personal chefs. Long favoured by European aristocracy and discerning celebrities, this enclave remains one of Gran Canaria’s best-kept secrets. Its adjacent 36-hole course, etched into the desert, is among Europe’s most scenically dramatic rounds.

In the heart of the Atlantic Ocean, where the wind carries whispers from distant continents and volcanic cliffs rise solemnly above jade-green swells, lies a land both ancient and unspoilt. Gran Canaria, long admired for its eternal spring and golden shores, is revealing a quieter, more cultivated facet. It is a place where luxury is not flaunted but felt — not imposed, but discovered. For the discerning traveller, this island now speaks a more nuanced language: one of serenity, discretion, and harmony with its elemental beauty.

Anfi del Mar At sunset, a table at Restaurante La Aquarela — proud bearer of a Michelin star — becomes the stage for a culinary voyage through the island’s volcanic terroir. Think Atlantic bluefin tuna delicately marinated in tropical fruit, paired with rare wines from nearby volcanic vineyards — a preview of paradise, elegantly plated.

Casa Museo Colon So Much to Live For In Gran Canaria, luxury is not announced — it is whispered. It is the silence above the clouds, the stillness of ancient land, the legacy of lives lived in harmony with place and time. True exclusivity here is not extravagant. It is elemental.

Inland Elegance: Boutique Stays and Authentic Encounters Journey inland towards the island’s mountainous heart, and the scenery shifts into a tapestry of almond groves, pine forests, and ancient cave dwellings. In Tejeda — officially one of Spain’s most beautiful villages — luxury assumes a rustic, contemplative form.

The Parador de Cruz de Tejeda, perched 1,500 metres above sea level, offers not just panoramic views over the famed “sea of clouds” but a spa hewn from volcanic stone, as quiet as it is restorative. Morning yoga on the terrace, followed by breakfast with local honey and handmade cheeses, becomes a daily rite of reconnection.

Maspalomas Dunes

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Be Aloe Wellness by Salobre Hotel Resort & Serenity.

“These islands are fragments of volcanic soul floating upon the ocean.”— Miguel de Unamuno

Coralium Spa by Lopesan Hotels Tailored excursions led by private guides follow the ancient Via de la Plata, a Royal Summit Path once traversed by shepherds and kings, now recognised by UNESCO. Along the way, one might meet Artenara’s last traditional embroiderers or potters who preserve pre-Hispanic methods passed down through generations.

The North: Noble Estates and Cultural Gems The island’s northern reaches unfold with aristocratic poise. In Arucas, beyond sugarcane fields and a striking neo-Gothic cathedral, the Hacienda del Buen Suceso offers sanctuary within a colonial estate wrapped in whispering palms. Horseback excursions through the nearby plantations culminate in rum tastings at Arehucas — among Europe’s oldest distilleries, still producing with reverence and pride.

Regata Arc

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Puerto de Mogan Las Palmas de Gran Canaria, the cosmopolitan capital, is experiencing a quiet cultural renaissance. In the historic Vegueta district, behind Renaissance façades and cobbled alleys, lie private museums, hidden gardens, and ateliers preserved by generations. Curated walking tours open doors usually closed — to private collections, sculptors’ studios, and restored mansions.

Evenings are best spent atop the Hotel Santa Catalina, a Royal Hideaway — a 19th-century icon, recently restored to its Belle Époque splendour. Order a G&T infused with local botanicals, and let the notes of live jazz drift under the stars.

The Luxury of the Land: Gastronomy, Wine, and Timeless Traditions Gran Canaria’s gastronomic identity is flourishing anew. Private tastings introduce guests to Flor de Guía, a cheese crafted from wild thistle, and to the vineyards of Agaete, where Europe’s only organic coffee ripens in a singular microclimate.

Roque Nublo

Helicopter flights to secluded bodegas, or sailing charters to inaccessible coves, offer privileged access to a different rhythm of life. Here, snorkelling in crystal waters is followed by chefprepared picnics on pebbled shores.

This is not the ostentation of marble atriums or the predictable indulgence of champagne on cue. The true exclusivity of Gran Canaria rests in its subtleties: a guided ascent through a biosphere reserve as dawn breaks; a tasting menu that reinterprets ancestral Canarian recipes with volcanic ingredients; a restored 18th-century finca where the silence itself becomes the most precious luxury. Here, elegance does not need to be declared — it is lived, quietly, and with meaning.

Evenings spent in traditional fincas, among just a dozen guests, present something richer than luxury: ethnographic soirées where Canarian folklore, cuisine, and storytelling unfold beneath a blanket of stars — ephemeral, deeply human, and quietly unforgettable.

Parador Cruz de Tejeda

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DOLCE & GABBANA EYEWEAR www.dolcegabbana.com

Dolce&Gabbana presents the new Eyewear Campaign for the Fall/Winter 2024-25 season, shot by Mert Alas. Once again, the spotlight is on Miley Cyrus, the American singer, actress, and performer. Joining her is American actor and model Matthew Noszka. It’s late at night, with only the city lights illuminating the sky. Wrapped in an air of mystery and seduction, Miley and Matthew traverse the bustling streets of Los Angeles from the backseat of a vintage car. Alas’ artistic lens captures the chemistry between the two stars, translated into elegant and sensual poses in a noir-inspired campaign that highlights the uniqueness of the new Dolce&Gabbana Eyewear Collection. The Autumn/Winter 2024 collection will be available worldwide starting October 2024, online at www.dolcegabbana.com and through select EssilorLuxottica opticians and retailers.

energy. At the heart of the collection lies Dolce & Gabbana’s unparalleled The Dolce & Gabbana Fall 2024 eyewear campaign unveils a masterful commitment to innovation and craftsmanship. Featuring ultra-feminine interplay of cinematic allure, bold fashion, and contemporary luxury. Set silhouettes, bold geometries, and intricate detailing, each frame is a against the dusky, luminous backdrop of Los Angeles, Miley Cyrus takes statement of modern glamour. The iconic DG logo, delicately incorporated center stage, embodying the brand’s audacious spirit and undeniable charisma. into the designs, adds an unmistakable touch of identity. From angular, Accompanied by model Matthew Noszka, Cyrus effortlessly captures the commanding styles to softly contoured shapes that exude essence of the collection, blending her own iconic style with Campaign shows brand’s subtle allure, the collection invites wearers to explore new Dolce & Gabbana’s unmistakable aesthetic. This campaign, signature opulence with a dimensions of expression. Miley Cyrus’s magnetic presence artfully captured by renowned photographer Mert Alas, contemporary urban edge. Set lends an edgy, contemporary appeal to the campaign, while channels a noir-inspired mood that is both timeless and against the glow of city lights, Alas’s artistic direction elevates it into a visual masterpiece. intensely modern. Known for his ability to create evocative the imagery evokes a noirTogether, they capture the essence of Dolce & Gabbana’s visual narratives, Alas brings an unmistakable dynamism to inspired aesthetic, positioning vision: a celebration of individuality, sensuality, and the shoot. His lens transforms the bustling city streets into the eyewear collection as a timeless elegance. The Fall 2024 eyewear line is more than a stage where elegance and seduction converge. The duo’s striking complement to the a collection; it is an ode to the enduring power of cinematic chemistry, framed by the soft glow of vintage streetlights, vibrancy of city life after dark. artistry and the brand’s dedication to refined aesthetics. creates an atmosphere charged with sophistication and

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Matthew Noszka exemplifies modern versatility in the fashion and entertainment industries. First discovered through a viral social media post, the model-turnedactor has carved a niche as a face of global luxury. With his chiseled looks and innate ability to adapt to diverse aesthetics, Noszka has become a frequent collaborator for brands like Dolce & Gabbana, embodying their blend of timeless sophistication and contemporary edge. In the Fall 2024 eyewear campaign, Noszka’s performance under Mert Alas’s lens elevates the narrative, seamlessly blending sensuality, elegance, and cinematic storytelling.

Matthew Noszka, a model and actor of Polish-American descent, has swiftly ascended to international acclaim since his discovery in 2015. Known for his striking features and commanding presence, Noszka has graced the campaigns of luxury fashion houses, including Dolce & Gabbana.

In the Fall 2024 eyewear campaign, his charisma complements Miley Cyrus’s bold energy, adding depth to the noir-inspired narrative. Noszka’s ability to embody both classic elegance and modern allure makes him a perfect fit for the brand’s vision.

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THE GEMS OF THE BILLIONAIRE CARD www. jacobandco.com, www.insignia.com, www.billionairesociety.com DRT packs a 4-kW m motor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of torque to the motor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of t Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of torque to the motor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he orque to the motor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of torque to the motor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of torque to the otor, a 14-speed Rohlof Speedhub and a SmeshGear transmission. he motor can send up to 184 lb-ft of torque to the rear wheel.

sporting events such as the Super Bowl or the F1 Paddock Club Privé Jacob & Co. joined forces with longstanding partner Billionaire and or even Oscar night, Coachella in California, Burning Man in Nevada, Insignia to design and launch a rare breed of Visa credit card. The New York Fashion Week, Vogue’s Fashion Forces, and Highsnobiety’s Billionaire Card is tailored to fit the needs of the UNHWI individuals private gatherings. both brands cater to. As a sign of actual rarity, membership is by invitation Billionaire card members will enjoy an array of benefits with Insignia, only and deliberately capped at a maximum of 150 clients to preserve the including a dedicated 24/7 personal assistant, Insignia Jets’ instant exclusivity and premium services offered. booking app, which offers priority access to aircrafts and industryDesigned by Jacob & Co. and developed by Insigna, the physical card leading pricing, coveted VIP entry to exclusive events, a treasure trove of is a luxurious piece that belongs in the jewellery world. Meticulously enticing perks, and unparalleled preferential rates through the illustrious crafted from metal and lavishly gold-plated for a touch of opulence, it Luxury Hotel Collection, including premium travel insurance, access to offers a unique appearance: like many of Jacob & Co.’s movements, it a bespoke luxury loyalty program, among other resplendent, exclusive, is openworked, featuring a graphic, radiant pattern. The card presents and premium services. The Billionaire card also gives a jewellery variant, adorned with a constellation of clients direct and privileged access to all Majestas pavé diamonds.

Among many other benefits, exclusive events and venues such as Billionaire (Dubai, Entering the world of the Billionaire Card allows the Billionaire card offers Monte-Carlo, Porto Cervo, Doha, Riyadh), Twiga unparalleled access to coveted experiences and events, the Insignia Private Jet (Monte-Carlo, London, Doha and Forte Dei Marmi), personalized to each member’s interests. With strategic Programme, Insignia Wine exclusive access to Aston Martin’s off-track experiences partner alliances spanning Jacob & Co., Aston Martin, Club, VAT Refund Programme and once a year, a special invitation to a holiday at the Riva, Spring and Ginori 1735, cardholders can revel in and Complimentary LoungeKey™ Billionaire Resort & Retreat, in Malindi. privileged entry to concerts, fashion shows, international Membership.

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ALILA KOTHAIFARU The Raa Atoll is a secluded paradise renowned for its vibrant coral reefs and abundant marine life. Its turquoise lagoons, pristine white sands, and tranquil atmosphere make it a coveted escape for discerning travelers.

Alila Kothaifaru’s overwater spa is a tranquil oasis offering panoramic ocean views.

With treatments blending ancient healing traditions and modern techniques, it features open-air pavilions and holistic therapies designed to rejuvenate both body and mind in unparalleled serenity.

Nestled in the serene Raa Atoll, Alila Kothaifaru is a masterpiece of refined hospitality that redefines the concept of luxury escapes. Surrounded by crystal-clear turquoise waters and pristine white sands, the resort seamlessly integrates its architecture with the natural beauty of the Maldives, offering an unparalleled sense of tranquillity and exclusivity. Designed to harmonise with its tropical surroundings, Alila Kothaifaru features sleek, contemporary villas crafted from sustainable materials, blending modern elegance with an eco-conscious ethos.

Each of the resort’s 80 pool villas—both beachfront and overwater—provides private sanctuaries with panoramic views of the Indian Ocean. Interiors are thoughtfully curated, combining natural textures, bespoke furnishings, and stateof-the-art amenities, ensuring every moment is steeped in comfort and style. Guests can also explore the resort’s lush tropical garden, where indigenous flora creates a sanctuary of

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The resort’s dining highlights include “SeaSalt,” showcasing Maldivian seafood, and “Umami,” offering refined Japanese dishes. Bespoke culinary experiences, like private beach dinners under the stars, elevate dining to an art, making every meal an unforgettable indulgence.

Personalised service is at the heart of Alila Kothaifaru, with dedicated hosts catering to every need, ensuring that each stay is uniquely tailored to individual preferences. Whether seeking relaxation or adventure, aesthetes and bon vivants alike will find their desires met in this exquisite destination, which celebrates the art of indulgent living amidst the unparalleled natural splendour of the Maldives.

serenity, perfect for moments of mindfulness.

Alila Kothaifaru is a haven for culinary enthusiasts, boasting an array of dining options that celebrate global and local flavours.

The resort’s signature restaurant, “SeaSalt,” serves Maldivianinspired seafood delicacies, while “Umami” offers exquisite Japanese cuisine featuring fresh, sustainably sourced ingredients.

The resort also provides bespoke dining experiences, including romantic beachfront dinners under the stars, all tailored to create unforgettable gastronomic memories.

Wellness is a cornerstone of the Alila experience. The resort’s overwater spa offers an extensive range of treatments inspired by ancient healing traditions and modern techniques, complemented by breathtaking ocean views. Yoga and meditation sessions are held at sunrise and sunset, fostering a deep connection with nature. Additionally, adventure seekers can enjoy a variety of activities, from diving in vibrant coral reefs teeming with marine life to exploring the hidden gems of the Raa Atoll on private excursions.

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BEACH CABIN ON THE BALTIC SEA www.kuczia.com enhances the scenic landscape but also offers ecological benefits.

Nestled in the temperate climate zone of northern Poland, the awardThe striking contrast between the two parts of the building is highlighted winning Beach Cabin by architect Peter Kuczia offers a harmonious blend both during the day and at night, with the interior of the winter garden of modern design and ecological sustainability. warmly lit and welcoming guests into its tranquil ambience. Raised on stilts, This minimalist building consists of two distinct areas: an opaque part the cabin gently floats above the sandy terrain, preserving with windows and a fully glazed winter garden. The the natural landscape while offering unobstructed views of transparent glass structure, which accounts for one-third The Beach Cabin on the Baltic the surroundings. The conservatory’s system construction, of the building, not only provides panoramic views of Sea winter garden utilizes the characterised by slender aluminium profiles, creates a the sea, coast, and sky but also passively harnesses solar SOLARLUX winter garden delicate effect that enhances the cabin’s purist elegance. energy to improve indoor comfort in the cooler climate system, featuring woodThe Beach Cabin by Peter Kuczia is a testament to of northern Poland. aluminum construction. The architectural innovation and environmental protection, In the colder seasons, the conservatory acts as a large air applied thermo-insulating offering users an immersive experience that blends collector, using the sun’s rays to supplement heating with glass also has sun protection seamlessly into the coastal environment. a heat pump system. This eco-friendly design not only properties.

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Awards: A´DESIGN AWARD & COMPETITION | Italy 2023 – GOLD INTERNATIONAL ARCHITECTURE AWARDS | USA 2023 – WINNER. Kuczia used the SOLARLUX winter garden system with wood-aluminium construction to build a winter garden for Beach Cabin on the Baltic Sea. A wintergarden glazed extension is the perfect way to create more living space.

The space provides a front-row seat to observe the changing seasons, while providing shelter from wind and weather. This system is available with a wide range of design options for almost any application; optimum thermal insulation and bespoke solutions are available. Architectural construction or a half-timbered house—Solarlux wintergardens offer the perfect solution for any situation.

High-quality materials such as aluminium and wood/aluminium will lend your wintergarden a unique aesthetic. A glass extension can be a lot more than a classic wintergarden, as Solarlux has demonstrated with its SDL Avalis spatial concept.

The new space has a positive impact on the building’s energy balance, making it a proven contribution to reducing heating costs. What’s more, with its cubic design and flat roof extension, SDL Avalis is on point when it comes to all the latest architectural trends, setting it apart from more traditional wintergarden concepts.

The prefabricated roof module is available in any size, so it can even cover larger spaces. Customers are free to choose whether or not a roof opening with a glazed skylight fits their design expectations and the existing building.

A solar architecture expert, Kuczia thinks that it’s time to embrace the oftencriticised aesthetic to harness solar power, introducing a new concept: Building Exposed Photovoltaics.

The cabin is about 6 m wide and 18 m long, with a building area of 72 m2 and a gross floor area of 88 m2.

Peter Kuczia is an architect and designer from Germany, specialising in sustainable and solar architecture. He is an educator and expert in ecological construction with more than twenty years of experience.

In 2008, he completed his doctoral thesis on solar architecture in Germany.

He has lectured in Poland, Germany, Japan, and the United States. He is the initiator and curator of the international “Design Educates Awards,” as well as a jury member in international competitions.

His designs have been published in more than 70 books and hundreds of magazines on five continents and exhibited in many countries in Europe, as well as in China, India, and Japan. He is the author of the book “Educating Buildings - Learning Sustainability through Displayer Design”, co-editor of the book series “Design Educates” and numerous other publications on architecture. He is a jury member in international competitions, as well as the initiator and curator of the Design that Educates Awards.

His work has been awarded more than 80 international prizes, including many main prizes at A’Design Award & Competition (Italy), Iconic Award (Germany), Architecture Masterprize (USA), New York Product Design Award (USA), European Product Design Awards (Hungary), Muse Design Awards (USA), Green Good Design (USA), DNA Paris Design Awards (FR), LICC London Creative Competition (UK), German Design Awards (Germany) or International Architecture Awards (USA).

Kuczia’s designs integrate photovoltaics into the facade in diverse angles and patterns. The key is to ensure panels are visually appealing, ideally frameless, and mounted from the rear.

According to Kuczia, increased use of solar panels on building facades can take advantage of morning and evening sunlight that traditional rooftop panels may not fully capture.

Images: Alek Pluta.

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THE WILLIAM KENT ROOM www.theritzlondon.com the backdrop of the rich red wallpaper and delicate wood paneling that The William Kent Room is one of The Ritz London’s most opulent envelop the area. A richly carved fireplace dominates one side of the event rooms. Located in the 18th century townhouse designed by room. An ornately carved chandelier hangs from the center of the ceiling architect William Kent, this room boasts lavish velvet interiors, first-class illuminating the majestic room. Velvety red curtains frame windows, service and Michelin-starred cuisine as key elements for an unforgettable including the central bay window that offers a glimpse event. Mostly used for private dining events, this room In 2002, The Ritz London was of the well-kept gardens of the Green Park across the is simply magnificent. Featuring original architectural awarded a Royal Warrant street. The room’s pièce de résistance is the impressive elements, the room houses an exquisite coffered ceiling

by His Royal Highness The mahogany dining table in the center of the room. This in Italian Renaissance style with ornately carved elements Prince of Wales for Banquet three-pedestal dining table can accommodate up to 26 in rich gold accents that frame delicate figures of cherubs and Catering Services, guests seated in plush red chairs in tone with the room’s set in blue and red backgrounds. A dark wood carved becoming the only hotel in wall coverings. The William Kent House is an exquisite frieze with exquisite golden details frames the room, the world to receive such setting for any event, with several equally impressive while golden elements in mirror frames and paintings an honor. rooms for that next special occasion. throughout the room add a touch of contrast against

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THE PRINCESS To speak of Catherine, Princess of Wales, is not to speak merely of titles, appearances, or ceremonial gestures. It is to examine an evolving embodiment of the Crown’s delicate paradox: the necessity of being seen, and the virtue of being silent. In a monarchy predicated on longevity rather than immediacy, Catherine has become a figure of rare consistency—a study in how grace, when matched with discipline, becomes not performance but purpose. She did not enter royalty by blood, but by gaze. The world watched her long before she spoke, long before she bore children or stepped onto foreign tarmacs with a clutch and tailored coat. She arrived without scandal, without haste, without noise. Her story was one of waiting. And in that waiting, she mastered the art of poise. Not the brittle kind that demands applause, but the kind that listens before it speaks. In a society addicted to revelation, her discretion has become her distinction. Catherine is not a revolutionary. She does not seek to modernise the monarchy through rupture, but through refinement. Her interventions are tonal, not structural. She wears tradition as one might wear heirloom jewellery—not to impress, but to continue. Her presence at state occasions, military ceremonies, or simple school visits is never about her, and therein lies her quiet revolution: she does not overshadow the institution, she deepens it. She is the palimpsest upon which the Crown writes continuity. Unlike the more polarised figures of contemporary royalty, Catherine occupies a rarer cultural space: one of acceptance. She is neither adored with blind fervour nor dismissed with cynicism. She is, instead, observed. And in that observation lies her artistry. Every gesture, every glance, every tailored repetition of silhouette becomes a language of stability. She is, for many, not the future of the monarchy, but its centre of gravity. In an age that rewards transparency, Catherine offers intentional opacity. She does not post, proclaim, or perform. And yet, she resonates—precisely because she does not compete with the noise. Her gestures of compassion, her loyalty to causes long-term rather than fashionable, her unapologetic preference for modesty over spectacle—all serve to reinforce a notion long eroded in public life: that dignity is a form of strength.

Catherine, Princess of Wales, is an icon not of celebrity but of continuity. it. Whether attending a Commonwealth reception in traditional fabrics Her image, polished yet unyielding, is the visual proof that the monarchy or placing a poppy with a child at a Remembrance ceremony, her acts still understands the symbolic weight of stillness. In a time when most serve as soft codifications of national empathy. In this, she shares more public figures cultivate intimacy as a brand, Catherine resists. Her with a poet than a politician. She does not declare. She suggests. distance is not cold; it is constitutional. She understands, implicitly, that She has also become, quietly, a keystone in the evolving dynamic of the royalty is not personality—it is persona. royal family. As Prince William steps into an increasingly public role Where others confide, she confirms. Where others overshare, she as heir apparent, Catherine’s presence offers balance—not by absorbing orchestrates. Her appearances are never impromptu; they are scored. And attention, but by shaping atmosphere. Her rapport with heads of state, yet, within that restraint lies an unusual warmth. Her laughter, unforced. children, and frontline workers is not theatrical; it is crafted through Her gaze, attentive. Her hand, extended to veterans, schoolchildren, or consistency. She does not charm; she reassures. grieving families—always sincere, never indulgent. In those moments, This reassurative function is no small feat in a Britain wrestling with one recognises the core of her training: not to dazzle, but to anchor. questions of post-imperial identity, cultural pluralism, and institutional Her fashion—inevitably dissected—is a lexicon of symbolism. The fatigue. Catherine embodies a monarchy that does not seek to entertain, repeated coats, the recycling of gowns, the preference for national but to endure. She does not mirror the anxieties of the age; she absorbs designers: these are not mere choices, but statements. Not about trends, them—and returns not comfort, but composure. but about values. She does not dress to impress. She dresses to remind.

And yet she is not without edge. There is steel in her smile, firmness in her Each public engagement is an act of anchored diplomacy, each look silence. She knows the cost of scrutiny, the tension of inheritance. Her calibrated to the audience, the occasion, the legacy. image may be one of serenity, but it is built upon tectonic concentration.

Catherine’s causes reflect this same long-view ethic. Mental health, early She is aware of the comparisons, the projections, the legacy of women childhood development, addiction, the wellbeing who came before her. And still, she walks. Not of families—these are not media-ready campaigns. faster. Not louder. But truer.

To be Princess of Wales is to walk a path lined They are slow work. Deep work. Her commitment Her recent health battles, handled with the with ghosts: the charisma of Diana, the duty is measured not by moments, but by momentum. characteristic privacy that has defined her tenure, of Elizabeth, the expectancy of a modern She visits, she returns, she listens. Her patronages have only underscored this truth. The nation nation. Catherine bears this weight with do not fade with headlines; they mature with time. waited not for gossip, but for reassurance. And silent choreography—neither imitating nor That she does not demand constant recognition when it came—not through tabloids, but through resisting. Her every gesture acknowledges for this work only strengthens the integrity with a controlled, calm message—it reminded the public the past while insisting on the present. which she approaches it. why Catherine is not simply a princess, but a pillar.

She does not wield legacy as spectacle; she Behind the visible presence lies a highly strategic She is the proof that in monarchy, as in architecture, inhabits it as structure. In doing so, she gives awareness of her role as a cultural interface. She does it is not innovation that ensures longevity—it is continuity a new vocabulary: not loud, not urgent, but enduring. not simply represent the monarchy; she interprets integrity. Catherine does not demand relevance.

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“The early years are not simply about how we raise our children. They are about the society we will become.”

HER ROYAL HIGHNESS THE PRINCESS OF WALES

In Catherine’s wardrobe lies a grammar of allegiance. Her preference for British designers, her commitment to rewearing outfits, and her seasonal nods to host nations speak not of fashion, but of fluency. She wears coats as creeds, gowns as gestures. In a world obsessed with statements, she offers syntax—precise, composed, resonant. Her clothing is not armour, but articulation. And in that articulation, the monarchy is not just dressed—it is translated.

She emanates it. Not as novelty, but as necessity. And in the balance between ceremonial presence and human sincerity, she becomes the monarchy’s most articulate gesture.

For a generation adrift between the virtual and the disenchanted, Catherine stands not as an idol, but as a compass. A figure rooted not in noise, but in form. In her restraint lies reassurance. In her composure, a rare kind of clarity. In a nation rebuilding its identity, she reminds us that some legacies are not inherited but inhabited.

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Catherine’s composure is often mistaken for absence.

But her stillness is not inertia; it is intent.

She moves without noise, listens without interruption, and occupies public space with the gravity of someone who understands that true influence is never declared—it is felt.

In a world of volume, she is frequency. In an age of spectacle, she is silence with weight. And in a monarchy that must now convince as much as command, she is its most persuasive form of presence.

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SUMMER OF NELLNESS A Higher Elevation of Self-Care

Trail-inspired treatments, cold-pressed mocktails, transformative yoga, and curated adventures—just another day at The Little Nell.

The summit of self-care starts here.

Book your moment.

WAKE UP WORLD

Waking up in a Hästens bed is an eye-opener about the value of perfect sleep. It’s built with the ultimate combination of nature’s materials – together with tireless craftsmanship. You can’t see it. But you’ll definitely feel it. 24 hours a day.

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Heritage Values.

The Luxury Industry Summit

LE GRAND MAG BUSINESS is an online B2B luxury industry publication.

A global perspective on the industry, exploring cultural trends and global patterns.

It acclaims long-lasting values, heritage of time-honored craftsmanship and creative masteries and takes great care in divulging the savoir-faire that has sometimes been passed on for centuries.

Ultra-Luxury imperatives that inspire excellence and constitute the pillars of performance and long-term success.

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CARRIAGES, CRAFT AND CONTINENTAL GRACE of modern sustainability and regional pride.

At the pinnacle stands the Venice Simplon-Orient-Express by Belmond, an In Asia, the Seven Stars in Kyushu presents a distinct Japanese take on rail art deco reverie in motion. With its original 1920s carriages meticulously opulence: limited to just 30 guests, it offers tatami-inspired interiors, kaiseki restored, it connects Paris to Venice, Florence, or Istanbul on seasonal menus, and panoramic observation lounges with voyages that prioritise ambience over speed. Each Beyond first class, a select tier of rail travel shoji-style window frames. cabin is a chamber of lacquered panelling and endures—where time slows and landscapes Less known but equally revered is the Royal Lalique glass, with stewards delivering bespoke unfold like theatre. These are not mere trains Scotsman, also part of the Belmond family, threading service attuned to the quiet rituals of elite travel. but immersive experiences. Belmond, Rovos through the Highlands with stops for castle visits and Further south, Rovos Rail traverses the vast African Rail and others offer curated itineraries whisky tastings, all while maintaining the hush of landscape between Pretoria and Cape Town—or across continents and seasons, blending private club intimacy. onwards to Namibia or Tanzania. Its Edwardianhistoric charm with modern craftsmanship, These trains are not about destinations—they are style coaches offer wood-panelled suites with designed for travellers fluent in discretion, about journeys that restore the forgotten grammar of full en-suite bathrooms, echoing the grandeur of ritual, and the rare pleasure of truly slowness, service, and scenography. colonial-era expeditions but reframed through a lens unhurried motion.

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Seven small cubes on stilts, with glass walls that offer you an immaculate view of the valley, the forest or the dramatic river below. Welcome to the award-winning architecture at Juvet.

JUVET LANDSKAP HOTELL. NORWAY www. juvet.com

Juvet Landscape Hotel is located in the idyllic landscape by Gubrandsjuvet in Valldal, about 90 minutes by car from the coastal town Ålesund.

It is a design Hotel in Alstad, Norway. Dramatic Eco cabins on stilts and nature inspired architecture, also used in the cult-film Ex-Machina.

Every Landscape room has one or two walls that are entirely built of glass.

Through careful orientation every room offers its own exclusive view of the landscape, when changing with the season, weather and time. No room looks into another. Shielded and private, even though curtains are not given.

The rooms are experienced as large as the landscape beyond. While no two rooms are alike, all of them have a dark interior to avoid stealing focus from the scenery. Apart from the little bathroom, of course, where the sun shines even in the middle of the winter.

The 100 year-old farm building in Burtigarden has been restored and rebuilt, giving the old rooms new functions; the cow byre is a dining room and sitting room with an open fire, the pigsty is the kitchen, and the old hay store has been turned into a outdoor lounge area. All meals are based on local ingredients, changing from season to season.

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A synthesis of raw Norwegian nature, cultural history and modern architecture.

Writer’s Lodge is a “chalet” of 70 sqm (750 sqf) and contains two bedrooms with space for four people, living room, kitchen and a nice patio facing the forest. The view is framed by windows that serve as landscape paintings towards the valley, the river and the mountains. The large windows face the forest with birch and pine and with a beautiful forest floor with moss and blueberry heather. Writer’s Lodge is a place for those who want to escape from the hustle and bustle once in a while, either to write, compose or simply to recharge. ( Credits: Michael Kowalski and Eric Ellioth)

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Welcome to a hotel alive with a vibrant spirit and convivial soul. A hotel that captures the energy of London and matches its pace, stride for stride.

Welcome to The Dorchester.

THE DORCHESTER www.dorchestercollection.com/london The tranquillity of Hyde Park, the buzz of Park Lane, elegant Mayfair and glittering Bond Street – all are close at hand. The Dorchester Hotel, an emblem of luxury on London’s Park Lane, is steeped in history and sophistication.

From its origins as the opulent Dorchester House to its transformation into a world-renowned hotel in 1931, The Dorchester has continually set the standard for excellence. A hub for royalty, celebrities, and global dignitaries, this architectural marvel intertwines classic elegance with modern luxury, embodying London’s ever-evolving cultural and social grandeur.

Nestled on the prestigious Park Lane in Mayfair, The Dorchester Hotel is a timeless symbol of British elegance and hospitality. Its journey began in the 18th century as Dorchester House, a grand residence celebrated for hosting London’s elite. By 1929, the original structure gave way to the ambitious vision of Sir Robert McAlpine and Sons, who constructed The Dorchester with the goal of redefining luxury accommodation. Opening its doors in 1931, the hotel quickly became a favourite among notable figures, from royalty and Hollywood stars to political leaders.

Designed with enduring strength and style, The Dorchester even played a pivotal role during World War II, serving as General Dwight D. Eisenhower’s headquarters during the planning of the Normandy Invasion. Its resilience and charm have since attracted generations of distinguished guests. In recent years, The Dorchester underwent a meticulous renovation under the eye of designer Pierre-Yves Rochon, blending contemporary touches with its storied heritage. Today, it stands as a beacon of refined service and unparalleled comfort, hosting high-profile events and embodying the best of British hospitality. For visitors and Londoners alike, The Dorchester remains a quintessential landmark, seamlessly connecting the city’s rich history with its vibrant present.

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Enter a world of timeless glamour, where each carriage holds a new experience to be discovered.

ORIENT EXPRESS www.belmond.com

Be wined and dined in meticulously restored 1920s dining cars, before raising sparkling toasts in iconic Bar Car ‘3674’. Between plush cabins and palpable history, an astonishing journey awaits.Navigate through our opulent carriages and discover the wonders that await aboard the Venice Simplon-Orient-Express.

When the Venice Simplon-Orient-Express embarked on its first voyage, a new era of travel was born. It was an iconic moment in time, inspiring artists, socialites and actors alike. Throughout the twentieth century, our train has held a distinguished role in the art of continental travel.

With grand interiors and flowing champagne, we pioneered the most magnificent mode of transport to tour Europe and her finest cities. With a history for hosting famed parties and intriguing guests, among them spies, authors, ambassadors and royalty, our journeys have developed a reputation for memorable connections made over fine dining and late night toasts.

Then and now, guests are surrounded by unrivalled furnishings, marquetry design and legendary artefacts – each with a story of their own.

Opulence, peerless luxury, and a return to the golden age of travel. Our train has seen us travel across Europe in search of the world’s top artisans, including glassblowers, restorers, wood workers, and master of marquetry.

We’re on a continuous quest to celebrate meticulous design and craftsmanship, bringing new heights of luxury and comfort to the original legend of the rails.

The result? A luxurious vision of art-deco indulgence.

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Whether it’s unwinding as Europe passes your window, or retreating after an evening in the bar car, even the most convivial traveller will require a quiet space to retire. And where better than your own private suite or cabin.

Lay amid plush furnishings, fresh linens, and handcrafted furniture in our magnificently restored 1920s cabins. Order morning coffee to your bed, or a cocktail while you dress for dinner.

Our stewards are only ever a short call away.

© Rolex Keeping the journey of a lifetime rolling through Europe takes a special kind of expertise. Fortunately, we’ve assembled a crew of the finest talents.

Take our stewards, who’ll attend to your every whim. Crave a coffee in bed or a cocktail as you dress? They’ll be happy to help.

Or our chefs, who have travelled Europe and trained in the finest kitchens.

Anticipate stunning dishes from our kitchen as you travel through Europe.

And we’d best not forget our waiters and barmen, who’ll keep you sated as we journey along the rails. Or the lounge car pianist who’ll play your favourite songs on request until you’re ready to retire.

L’Observatoire is an entire carriage for exclusive use, imagined by the pioneering French artist and photographer JR. Inspired by Renaissance cabinets of curiosity, JR worked with both old masters and up-and-coming trailblazers to inject a level of detail never-before-seen in a train carriage.

Attentive eyes can find intricate details hidden in the marquetry patterns, the aptly chosen book selection by French publisher Gallimard, or in the intriguing hidden tea room.

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THE GRITTI PALACE www.MarriottBonvoy.marriott.com.

was purchased by the CIGA group, from which the roots of today’s The The Gritti Palace, a Luxury Collection Hotel, Venice reopened its Luxury Collection brand derive. legendary doors in February 2013 after a meticulous restoration that Following renovation, the Gritti Palace now offers 61 rooms and 21 returned the historic building to its original splendour. Located in front of suites, some with breathtaking views of the Grand Canal, all inspired the majestic basilica of Santa Maria della Salute, just a few steps from St.

by Venice’s rich historical heritage and the illustrious Mark’s Square and La Fenice, the Gritti Palace owes its personalities who have marked the history of the hotel current architec-tural appearance as a Gothic building to Marriott International, Inc. and the city, such as Ernest Hemingway and Somerset the work carried out by the Pisani family in 1475. In 1525 is a company headquartered Maugham, or named after the city’s emblematic init became the pri-vate residence of the Doge of Venice in Bethesda, Maryland, USA stitutions, such as La Fenice and Punta della Dogana, Andrea Gritti and in the following centuries was the home with approximately 8500 symbolising the artistic and cultural roots of Venice and of many noble families and illustrious visitors, before being properties and 31 brands in the Gritti Palace. converted into a hotel in 1895. In 1947, the Gritti Palace over 138 countries.

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The Gritti Palace in Venice, an icon of luxury and history, is housed in a 16th-century palazzo originally constructed as the residence of Andrea Gritti, the Doge of Venice from 1523 to 1538. Situated on the Grand Canal, it offers sweeping views of landmarks such as the Basilica di Santa Maria della Salute.

The building’s Renaissance architecture is marked by ornate facades, arched windows, and exquisite interior details, including intricate frescoes, Murano glass chandeliers, and original terrazzo flooring. Once a meeting place for royalty, diplomats, and literary figures, the palace embodies the opulence of Venetian heritage while serving as a celebrated hotel that preserves its rich historical essence and timeless elegance.

the world’s most famous hotels and resorts in more than 35 countries The Luxury Collection® part of Marriott International, Inc, brings and in the most spectacular cities and destinations. The together a selection of hotels and resorts that offer unique The cuisine of The Gritti Gritti Palace, originally a 16th-century Venetian Doge’s and authentic experiences that evoke lasting treasures Palace, A Luxury Collection residence, evolved into a luxury hotel in 1895. Renowned and memories. The Luxury Collection offers the global Hotel, Venice, welcomes for hosting royalty, artists, and dignitaries, it combines explorer access to the world’s most fascinating destinations.

Alberto Fol, the new Executive historical grandeur with modern refinement, epitomising Each hotel and resort is a unique and precious example Chef and head of the hotel’s Venice’s rich cultural and architectural heritage. of the destination in which it is located, a true access to entire restaurant offer. The the traditions and charm of the place. Created in 1906 Chef takes over the same role under the CIGA brand as a collection of Europe’s most that until today was held by “Venice is like eating an entire box of chocolate liqueurs celebrated and iconic properties, today The Luxury Daniele Turco. in one go.” — Truman Capote.

Collection brand brings together more than 120 of

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Photo credit: Belmond/Mattia Aquila

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HOTEL CIPRIANI, A BELMOND HOTEL www.belmond.com the largest swimming pool in Venice—an impressive 600 square metres As one of the most celebrated luxury hotels in Venice, Italy, every aspect of filtered seawater surrounded by manicured gardens. The magnificent of this iconic hideaway is designed to captivate visitors. Exquisite antiques pool is among the finest in Europe and the only one in central Venice. and local artefacts transport guests back in time, while Michelin-starred It is fully heated and serves as the social hub of the gastronomy, charming staff, and the only OlympicLong before George Clooney Hotel Cipriani. Originally, a mix-up in measurements inspired swimming pool in the city provide modern and Amal Alamuddin’s stay between feet and metres resulted in an unusually large sophistication. It is the special air of romance that truly at Hotel Cipriani during pool, turning a mistake into one of Venice’s most sets Cipriani apart from others. their wedding festivities exclusive meeting places.

The hotel first welcomed guests in 1958 under made international news, Now a part of the LVMH luxury group, like the rest of the management of Giuseppe Cipriani and swiftly the Hotel Cipriani was a the Belmond properties, Hotel Cipriani welcomes guests gained fame for its wonderfully relaxed atmosphere, favourite amongst movie and to 79 rooms and suites, offering Michelin-star fine dining, impeccable service, and superbly prepared food. Its rock stars, presidents, prime an al fresco restaurant with views of St. Mark’s, a poolside success led to the purchase of adjoining land a decade ministers, and royalty. restaurant and bar, a tennis court, and a private marina. later, expanding the hotel to include new rooms and

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HOTEL CIPRIANI, A BELMOND HOTEL www.belmond.com a true legend. Sporting 270-degree views out across the water, stay at Hotel Transport yourself to an oasis of serenity Gliding on the water in the slow Cipriani and enjoy vistas spanning the Doge’s Palace to the ballet of boats, any arrival at Hotel Cipriani carries a cinematic church of St Giorgio and the islands beyond. mystery. We gaze across the lagoon at St Mark’s Square, Check in to one of the premier As one of the most celebrated luxury hotels in Venice, enjoying all the intimacy of our island perch. With Michelinluxury hotels in Venice for Italy, every inch of this iconic hideaway is guaranteed to star dining and unrivalled views of Venice, this is indulgence mesmerising lagoon vistas, enchant. Exquisite antiques and local artifacts whisk you that knows no bounds. By day, take in the poolside scene or select the adjoining 15thback in time, while Michelin-starred gastronomy, charming while enjoying a Bellini, an emblem of our refined rituals. century Palazzo Vendramin. staff and the only Olympic-inspired swimming pool in the Or find calm in nature, as you wander through our sprawling Rooms are light and fresh, city offer modern sophistication. The special air of romance private gardens. A serene home from home, our careful combining Venetian elegance is what sets us apart from the rest. blend of relaxation and artistry is why our Venice hotel is with modern glamour

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Make your mark.

Four mountains. Two towns. One lift ticket.

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FOUR SEASONS HOTEL FIRENZE www.fourseasons.com/florence five centuries of Italian nobles, and a Viceroy of Egypt (who sold his home Set in Renaissance-era Palazzo della Gherardesca and La Villa (a former when his harem was barred from moving in), who have all lived, worked convent), the Four Seasons Hotel Firenze is pure decadence, a living museum or worshipped in the 15th-century Palazzo della Gherardesca and 16thYou’ll find original architectural details, such as the loggia adorned with century La Villa, the two residences home to Four Seasons Hote Firenze. bas-relief frieze and stucco in the lobby; art and antiques; a formidable 11acre private garden, complete with statues and century-old trees. Removed Through half a millennium, successive owners and residents have made from epicenters of tourist activity, the Four Seasons Hotel Firenze is a their mark with additions and improvements, with each preserving resort in its fullest sense; a place you return to for rest and rejuvenation the work of their predecessors. The result is an epic journey through after exploring the city. The hotel’s service embodies the Four Season Florentine history. standard: nothing is too much for the staff to organize, whether you want to fly in a hot-air balloon departing from the hotel or cruise down the The Four Seasons Hotel Firenze consists of two buildings, the 16thArno at sunset by boat. century Conventino and the 15th-century Palazzo Palazzo della Gherardesca was the private residence della Gherardesca. In the two structures 116 rooms of Florentine nobles for five centuries until Stroll the city’s biggest private garden and suites with a unique style, where magnificent becoming Four Seasons Hotel Firenze in 2008.

– a tranquil haven of statues, fountains frescoes have been restored to their original splendor.

For seven years, architects, historians and craftsand centuries-old trees – or retire to your The Four Seasons offer includes a Spa with swimming men lovingly prepared two historic Florentine palsuite where frescoes line the walls amid pool, a lounge bar, Trattoria Al Fresco and Il Palagio aces and the city’s largest enclosed private gardens original architectural features. Our Restaurant, awarded by a Michelin star, obtained for the next evolution in their storied history, as a historic Hotel, with its Michelin-starred from the ancient stables of Palazzo della Gherardesca.

Four Seasons hotel.

Italian restaurant and a locally inspired Four Seasons Hotel Firenze History Spa where you can spend afternoons in Located in a charming green corner in the heart of Now, guests may join the ranks of a Pope, an order pure indulgence, is just steps away from the city, the Four Seasons Hotel Firenze is composed of nuns, executives of Italy’s first railway company, the cultural heart of Florence.

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of two richly preserved buildings, which feature original frescoes and furnishings from the 15th and 16th centuries, in the shade of majestic old trees and just a stone’s throw from the Duomo.

Its 116 rooms are located between the Palazzo della Gherardesca and the Conventino, which with careful restoration respectful of the spaces and original details, offer accommodation, welcoming, spacious and bright.

All rooms have king-size beds, a large number of services and marble bathrooms. Available in the Superior, Deluxe, Premiere, Junior Suite, Parlor Suite and Executive suites, they offer views of the palaces and streets of the streets or the private park and the surrounding gardens.

The Spa of the Four Seasons Hotel Firenze covers an area of 791 square meters in the heart of the garden. It consists of 10 rooms and two VIP treatment suites, an outdoor pool, hydromassage sessions and a gym. It offers wellness and relaxation treatments, manicures and pedicures and exclusively uses the Officine Profumo products of the Pharmaceutical of Santa Maria Novella.

The location offers a first class gastronomic experience, based on a series of original and imaginative interpretations of the typical Italian and Tuscan gastronomy. The products are always fresh, seasonal and highly selected and some specialties such as pasta, bread, desserts and ice creams are produced by the chef and prepared daily. Delights to savor in the elegant rooms with vaulted ceilings, on the outdoor terraces or at the edge of the pool. Even the winery offers a wide selection of wines, with the best national labels and the excellence of the territory.

The wellness center features 9 beauty treatment rooms, a Turkish bath, a gym and an upstairs terrace with a pool and a hot tub. In addition, a 205 square meter gym equipped with the most modern Technogym machines and managed by a team of professional instructors will satisfy the most sporty.

Yoga classes, personalized training sessions and guided walks are also available at the park, while tennis, golf and horse riding are also nearby.

Being enchanted by the beauty of Florence is practically assured, but we are sure that what you will experience going through Borgo Pinti, leaving the Duomo, Santa Croce and the Annunziata behind, until you reach number 99 will not be the same. Once you have crossed the threshold of the Four Seasons Hotel Firenze, in fact, your concept of beauty will pass to a level never before imagined.

A true metropolitan oasis in the city, the Four Seasons is housed in the historic 15th century Della Gherardesca palace, built by the wish of Bartolomeo Scala in 1472, a close friend of Lorenzo Il Magnifico, and designed by Giuliano da Sangallo. Conceived as the first city resort in Italy, the historic Palazzo has seen different properties over the centuries, up to present day, where the magnificence of the past has been further enriched by all the modern comforts of 5-star hospitality- luxury.

Located within the city’s largest private garden of the city, the hotel consists of two buildings, the “Palazzo della Gherardesca” and “The Villa”, a former 16th-century convent. Located all around a park of 4.5 hectares of beauty that leaves literally breathtaking surrounds them, with its thick vegetation and rare plants that come from all over the world. In addition to the 116 rooms, including 42 suites, and two restaurants, Il Palagio (awarded with a Michelin star) and Al Fresco (open during the summer), the hotel offers its guests a spa with a pool of over 790 square meters, five meeting rooms and a cocktail bar, the Atrium Bar, for a stay that will exceed your expectations beyond all limits.

But, the Four Seasons is not a show for the exclusive use of hotel guests: the Four Seasons is Florence and it is to you and to all those who gravitate to you for longer or shorter periods that opens its doors, in the inclusion project that wants to ensure that this historical heritage is within the reach of all citizens. After centuries the wonderful garden of the Gherardesca has reopened its doors to the city and you will never have the sensation of austerity that sometimes is felt in the big luxury hotels. The rooms are full, they are alive, and the Atrium Bar and the Palagio are now a favorite meeting point for the city and its inhabitants.

You can breathe Renaissance air at the Four Seasons, in every corner of the common areas, rooms and suites. The sumptuousness of the decorations, the frescoes, the statues, the stuccos, the original works of art, the perfectly preserved bas-reliefs, the Oriental wallpaper hand painted in silk are all details that will flow in your head, but there you will not be able to assimilate everything together, not yet, not while you walk surrounded by the beautiful Carrara marble.

Then, once you get out, the magic of this unique experience will slowly begin to materialize, one piece at a time. So, you will try to remember every detail, every perfume, every taste, trying to understand if you really were there or if it was just a dream.

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