Curriculum vitae work list of lee kah hong bernard

Lee Kah Hong Bernard, Curriculum Vitae

List of compositions/ works: Large ensemble: -

Weaving onto the Wave of Time for chamber orchestra, 2014, composed for orchestra reading at the Atlantic Music Festival 2014. Read by AMF festival orchestra, 15th Jul 2014.

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And Suddenly I have Nothing but to Accept for two pianos, percussions, string quartet, double bass, flute and clarinet, 2007 – 2008. Planned for premiere on 13th May 2008.

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In Search of A(n) (E)Motional Life for Flute, clarinet, violin, cello, double bass and piano. Premiered at Esplanade Concourse on 25th Jun 2007.

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Wind Field for 10 piece brass ensemble. Premiered in YMS on 19/9/2005 played by NAFA Brass players. Concert co-organized by the composer with his teacher, Mr Goh Toh Chai

Wind band: -

There Is No Date Tree on a Maroon Sky for Wind Orchestra, 2010. One of the 3 works selected for The Philharmonic Winds “Singapore Compose!” open call for new works in 2010

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Wind Field II rearranged from Wind Field for Wind ensemble as requested by Clarence Tan for his Orchid Park Wind Orchestra, 2006.

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I Hear Wind Blow From The Morning Calm for Wind Band, 2006

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Wind Blew over Cherry Blossom (Variations on a Japanese Folk Tune – “Sakura”) For Wind Band. Commissioned by Clarence Tan for his Orchid Park Wind Orchestra. 2005. Premiered at 21st century International Band Competition in Genting on 7th Dec 2005.

Ensemble or chamber (without voice): -

Let the Eyes Open in the Hour of Autumn II transcribed and revised for 4 western instruments: piano, flute, violin and viola (which later also did a version with cello). 2014. Premiered at Esplanade Recital Studio, on 30th May 2014.

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Lee Kah Hong Bernard, Curriculum Vitae

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Over there Where I Chanced Upon That Eternity for violin and piano. 2012.

Premiered at The Living Room, Arts House on 23rd May 2013, by Gabriel Lee and Angelies Earlnus.

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Let the Eyes Open in the Hour of Autumn for 4 Chinese instruments (pipa, dizi, erhu and sanxian) in response to an open call for score “Singapore Composium 2012”, organized by Ding Yi Music, Singapore. It was selected as one of the finalists and awarded honorary mentioned prize.

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Though Nothing Can bring Back The Hours for saxophone quartet (sop.alt.ten.bar.). Commissioned by Amigo Saxophone quartet, 2011.

Premiered at Singapore Saxophone Symposium Gala concert held at Lee Foundation Theatre, 31st Jul 2011 by Amigo Saxophone Quartet.

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Seeing Through the Unbondable Links of Hours for piano, oboe, violin and percussion. 2011. Premiered at The Living Room, Arts House, 2nd May 2012.

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Remembering Lucien Wong for solo percussionist with multi percussion instruments and piano. 2009 Commissioned by Jean-Gabriel Pophillat; premiered by Jean- Gabriel Pophillat and Nicholas Loh at Lee Foundation Theatre.

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I Saw a thread but the String was Pulling for flute, clarinet, violin and double bass. Premiered at Esplanade Concourse on 25th Jun 2007.

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Colours of Autumn (Clarinet trio – clarinet, violin & viola), 2006

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When The Wind begun to Rock The Grass re-arranged for woodwind quintet and vibraphone. Premiered on 8/5/2006 in NAFA Recital Studio in his Graduation Recital.

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How Slow the Moon Wane for bassoon, F horn, E-flat clarinet and double bass. Premiered on 15/4/2005. Concert co-organized by the composer.

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When Pendulum Swing thro and fro for saxophone quartet. Premiered by Saxophile on 15/4/2005. Concert co-organized by the composer.

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Façade Within The Cicada Tree for violin and bass clarinet. Premiered on 8/5/2006 in NAFA Recital Studio in his Graduation Recital.

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Visions on Butterfly over Lily for multi-percussion and Piano. Premiered by Jean-Gabriel Pophillat and Lee Yun Xin on 2/3/2005.

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Lee Kah Hong Bernard, Curriculum Vitae

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Autumn Comes, Autumn Wind for Flute, Viola and Marimba. Premiered on Oct 2004.

Ensemble or chamber with voice -

Songs on Poems of Emily Dickinson for Mezzo Soprano, Piano, Flute and Bassoon, 2007 – 2008. Planned for premiere on 13th May 2008.

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When the Wind Begun to Rock The Grass for Mezzo Soprano, Guitar, Horn and Vibraphone. Premiered on 27/4/2005

Solo instrument: -

And Suddenly, of Night in Acceptance of Nothing for solo piano 2013.

Premiered at The Living Room, Arts House on 23rd May 2013, by Angelies Earlnus.

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And It Happened to Drop From Beneath for unaccompanied violin, in response to an open call for score, organized by National Arts Council, Singapore. It was selected as the set piece for artist category (violin) of the National Piano & Violin Competition 2011,

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Wind Shore I for Solo Flute, 2007.

Solo instrument with chamber orchestra: -

Wind Leaves – Concertino for solo euphonium and chamber orchestra, 2005

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Work for solo viola and orchestra, 2005

Choral works and arrangements: -

Love Song I for unaccompanied SATB choir. An arrangement of two Chinese folksongs, 2008.

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In My Box for unaccompanied SATB choir, 2006.

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Dawn for unaccompanied SATB choir, 2005.

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Lee Kah Hong Bernard, Curriculum Vitae

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Youth! Scale The Mountain of Kosen Rufu in the 21st Century for drum corp marching band. 2013/2014. For Singapore Soka Association Brass Band.

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Di Tanjong Katong for wind ensemble. Commissioned by Singapore Wind Symphony. 2012. Premiered by Singapore Wind Symphony in Esplanade Concert Hall, as part of “Singapore! A Musical Celebration” concert, on 22nd Aug 2012.

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Love Song II for string quartet. An arrangement of two Chinese folksongs, 2008. Premiered on 30/1/2008 in Lee Foundation Theatre.

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Heaven Knows for brass quintet. 2006.

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Let Singapore Celebrate! Co-composed with Lu Heng. Finalist in the 1st

Others:

National Music & Song Writing Competition (Instrumental, Student Category) organized by Central CDC. Premiered on 10/6/2006 at NAFA Lee Foundation Theatre.

Artistic Activities: 

A work for flute, violin, piano and violoncello, titled Let the Eyes Open in the Hour of Autumn II, was recently selected for performance in Yogyakarta Contemporary Music Festival 2014 held from 26th Nov to 28th Nov 2014 at Yogyakarta, Indonesia

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Selected as participant to Composition programme for Atlantic Music Festival 2014 (7th jul 2014 to 3rd Aug 2014), held at Waterville, Maine.

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A work for violin and piano, titled It Was There Where I Chanced Upon That Eternity, was recently selected for performance in Asian Composers League 2014 held from 2nd Nov to 7th Nov, at Tokyo, Japan.

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Formed a solely composers group with 4 other NAFA composition alumni, calling ourselves Quinnuance. We had since put up 2 annual concerts under the title “The Music, Our Works” in May 2012 and May 2013 in The Living Room of Arts House. Another one in the annual series will be held at Esplanade Recital Studio on 30 May 2014.

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Collaborated with Amigo Saxophone Quartet, composed a work for them which the group premiered in 2011 edition of Singapore Saxophone Symposium.

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Lee Kah Hong Bernard, Curriculum Vitae

“Living with” Young Composers -

Collaboration with The Arts House for their “Living with..” concert series with fellow young composers which premiered new works with various young musicians on 2nd May 2011.

3J Reunion Concert – Held on 4th August 2009, collaborated with Interfusions composers cum alumni of NAFA, presented works in NAFA Lee Foundation Theatre.

Interfusions -

Collaborated with fellow composition students under the name Interfusions which showcase some works for an installation work, entitles “Crash”, at the Concourse of Esplanade in Mar 2006.

Interfusions –

Clockwork at Concourse, 26th and 27th June 2007.

It was organised by Esplanade, performance at The Concourse, showcase of Bernard’s compositions and other fellow young composers’ works.

“3 J” concert –

An intimate sized concert recital organized by Bernard, together with fellow NAFA student composers Jeremiah Lee and Liong Kit Yeng, featuring works by the three of them. They are also composition students of Dr Goh. It was held at YMS Auditorium on 22nd July 2007.

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