Autumn Fine Art Catalogue by Lawrences-Auctioneers

24th, 25th & 26th SEPTEMBER 2024

437.

Signed, oil on thin panel, 22.5 x 26cm.

Estimate: £1000 - 1500

Lot

ARTHUR HAYWARD (1889-1962). BOATS BY SMEATON’S PIER, ST IVES.

Autumn Fine Art Sale

24 TH , 25 TH & 26 TH SEPTEMBER

TUESDAY 24 TH SEPTEMBER 10am

Silver, Objects of Vertu & Pictures

WEDNESDAY 25 TH SEPTEMBER 10am

Jewellery and Watches

THURSDAY 26 TH SEPTEMBER 10am

Clocks, Furniture, Rugs, Works of Art, Collectors’ Items, 19th/20th Century Design and Ceramics

VIEWING

Saturday 21st September 9.30am - 12.30pm Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm Wednesday 25th September 9.30am - 4.30pm

Thursday 26th September 9.30am - 4.30pm

You can view our sales and find additional images and condition reports in conjunction with auctionet.com . Scan the QR code to view all lots.

ENTRIES ARE CURRENTLY BEING ACCEPTED FORTHCOMING AUCTIONS

Auction Calendar

20th & 21st November 2024 MILITARIA & MEDALS

22nd November 2024 COINS & BANKNOTES

14th, 15th & 16th January 2025 WINTER FINE ART SALES

14th March 2025 BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHY

GENERAL SALES

Hundreds of lots on view with new items added daily.

CONSIGNMENTS WELCOME THROUGHOUT THE YEAR

If you are thinking of selling an item or collection, then we would be delighted to help.

We hold free valuation mornings at our Crewkerne salerooms every Monday from 9am - 1pm where our team of specialists are available. No appointment necessary. For larger items, as well as multicategory collections, we can arrange a home visit without charge or obligation.

1219 A RARE WHITEFRIARS BANJO VASE - MEADOW GREEN.

Estimate: £1500-2000

Lot

19th/20thCentury Design Ceramics, Oriental Works of Art & Collectors

MIRANDA BINGHAM Jewellery & Watches

MATTHEW DENNEY Coins, Medals & Militaria

ANTHONY KILROY Objects of Vertu

CONNOR SWANWICK Silver

RICHARD KAY Pictures

CHRIS FLOWER Valuations

SIMON JONES

HAYLEY WOOLDRIDGE Furniture, Clocks & Rugs

BIMMY AMOR Jewellery Consultant

MATTHEW LACEY Senior Valuer

SOPHIE TREGARTHEN-LEISK Books, Maps, Manuscripts & Photography

ROBERT ANSELL Books, Maps, Manuscripts & Photography Consultant

JOSHUA JUKES Valuer

RYAN EDWARDS General Saleroom Manager

VIVIEN BUTLER Head of Viewing Staff

JON MATTHEWS General Manager

The Celts and their Coins

BY MATTHEW DENNEY

In the coin department, one of the most interesting areas that I am lucky enough to encounter is that of ancient coins, an era over 1,000 years earlier than any that normally troubles a fine art auctioneer. Our next coins medals and militaria auction, which is set to be one of our best ever, will span three days in November and it will include some interesting Celtic coins. We sold some wonderful examples from the Durotriges tribe (our `locals` here in the South West) in our Spring auction. With the evocative name of ʻBadbury Rings’ type and the iconic disjointed horse they were keenly contested by our buyers.

MATTHEW DENNEY Coins, Medals & Militaria

T. 01460 73041

The gold coin illustrated here will be included in the November auction. On one side is a warrior on horseback carrying a shield; on the other, a vine leaf with the letters VI and R to either side. It is a coin of Verica, c. A.D. 10-40, ʻthe high one’, one of the most powerful Kings of Britain in the earliest of times. The detail on this coin is superb - the depiction of the horse and rider are as good as we ever see – and it is small gold coin with clear

E. matthew.denney@lawrences.co.uk

influences from Greek and early Roman examples in its design. It suggests a sophisticated trading people who did business across borders with many different nations. ʻCeltic’ is still a term that is widely understood today, used in many different ways by those wishing to promote various ideas of nation and peoples. To us in the coin world it brings these enchanting, beautiful, even exotic coins closer to us. They were the first to be used in these lands from about 150 B.C. As such, they are often the only material culture to have survived and the only pieces that we are able to hold in our hands in exactly the way that our ancestors once did. As we hold them, we can wonder at their lives, we can share their hopes and we can sense their excitement at having a gold coin, perhaps as the result of a successful trade deal. When it comes to history there really is nothing like a coin!

To be included in our Militaria, Medals and Coins auction on the 20th, 21st & 22nd November. For further details or to consign to this sale, please contact Matthew Denney.

WELDMAR 30 TH ANNIVERSARY ONLINE AUCTION

Help Weldmar provide free vital specialist end of life care across Dorset for patients and their loved ones, in our community, in the hospice and especially at home.

Over 30 lots to view and choose - from vintage wines, holidays, fine art and original family days out.

Auction opens on Saturday 21st September 2024 - more details online. Click link below to discover more:

www.jumblebee.co.uk/auctionforweldmar

The Easiest Way to Explore, Find and Buy Valued Objects.

Our marketplace gathers valued objects from auction houses around the world – and delivers them safely to your door. It’s the easiest way to explore, find and buy Valued Objects.

Front Cover: Lots 170 & 172

MARSHAL OF THE ROYAL AIR FORCE, THE VISCOUNT TRENCHARD G.C.B., O.M., G.C.V.O., D.S.O

HUGH MONTAGUE TRENCHARD, 1ST VISCOUNT TRENCHARD (1873-1956)

When unveiling the statue of Trenchard by the Victoria Embankment Gardens in 1961, Prime Minister, Harold Macmillan described him as one of the “Outstanding men of our time. Indeed, he was, regularly referred to as “The Father of The Royal Air Force” he is still commemorated by name in every RAF station around the world. Hero of the Boer War, friend and confidant to Kitchener and Churchill, a brave and successful Officer in the Royal Scots Fusiliers, Commissioner of the Metropolitan Police he was hugely energetic and talented man of his time.

Trenchard’s statue is surrounded by four crests which reflect the diversity of his career, the crests are for the Royal Scots Fusiliers, the West African Field Force, the RAF and the Metropolitan Police. The young Trenchard may have struggled to join the military failing to pass the necessary examinations for the Army and Navy, but he found a way in through the “backdoor of the Militia”. He saw much action during his career with the Royal Scots Fusiliers, indeed he actively looked to be involved with action wherever he could find it. His record in South Africa is impressive, becoming one of Lord Kitchener’s preferred officers for sorting out trouble spots. He was badly injured during a Boer raid being shot through the chest and rendered almost incapable of walking. This was not sufficient to put him off and following his fortuitous recovery he looked for new military challenges.

Trenchard saw the potential of flying earlier than most, he learnt to fly in 1912 and understood the way in which the power of flight could shape future wars. Military flying became his life’s work, supporting the Army and learning how aerial support might be best used from the Battle of Neuve Chapelle to use alongside tanks at Cambrai and for bombing raids on Germany towards the end of The Great War. Following the War his great struggles began, firstly against the presumption that there would be no war within the next ten years and that the cost of an air force could no longer be justified and secondly with the Navy and Army who also wanted to take control of the air. Although not a skilful politician his energy and determination saw him out manoeuvre his adversaries and bring about the birth of the first Independent Air Force anywhere in the world.

Always happier in the front line with his men than in a Whitehall Office, at times lonely, argumentative and abrupt, he was loved by his men and his ability to boost morale during one of his many visits to airbases was legendary. Trenchard was without a doubt a great man who shaped the birth of the RAF and is rightly remembered for his role in our history. His birthday is one of two that the RAF celebrate every year, the other is His Majesty the King.

The lots offered throughout the sale, come by descent directly from the 1st Viscount Trenchard.

There will also be three presentation cigarette boxes offered in our Militaria, Medals and Coins sale on the 20th, 21st and 22nd November.

TUESDAY 24 TH SEPTEMBER 10AM

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

CONNOR SWANWICK

Silver Specialist T.01460 73041

E.connor.swanwick@lawrences.co.uk

ANTHONY KILROY Objects of Vertu Specialist

T.01460 73041

E.anthony.kilroy@lawrences.co.uk

Spoons, Flatware & Cutlery

A PAIR OF LATE VICTORIAN SILVER GRAPE SHEARS.

with scroll decoration and engraved with a crest, by Atkin Brothers, Sheffield 1895, together with three butter spreaders, a French spoon and an Egyptian spoon, some of the above initialled, mixed makers & dates; the Egyptian spoon 7.8” (19.8cm) long; 11.95ozt (6).

£100-150

2 MIXED SILVER FLATWARE.

to include 13 tablespoons, 14 table forks, 12 dessert spoons, 12 dessert forks and 23 teaspoons, most of the above either crested or initialled, mixed patterns, makers & dates, 18th-20th century; 98ozt (74).

£1000-1500

SCOTTISH SILVER FLATWARE.

5 table forks, 5 dessert forks and a toddy ladle, King’s pattern (single struck), by three different makers, Edinburgh 1836-49, together with 3

Exeter table forks, 2 Newcastle dessert spoons, a Newcastle teaspoon and a pair of George III table forks, by Peter & Ann Bateman, London 1791, the majority of the above initialled; 33.6ozt (19).

£300-400

EIGHT VARIOUS SILVER TABLESPOONS.

some pieces initialled or crested, mixed patterns, makers & dates, 17321819, together with a Japanese spoon (lacking handle), a pair of sugar tongs, a sugar spoon, a dessert spoon and a caddy spoon; 20ozt (13).

£200-300

A GEORGE III SILVER MOTE SPOON.

with a diamond-point finial and a single drop, initialled “W” over “B.S”, the pierced bowl with crosslets and scrolls, makers mark “IB”, London c.1800; 6” (15.2cm) long; 0.46ozt.

£80-100

A PAIR OF WILLLIAM III SILVER DOG-NOSE SPOONS. the oval bowls with plain rattails and the reverse of the terminals with scratch initials “M*L”, by Thomas Allen, London 1699; the largest 7.75” (19.7cm) long; 3.8ozt (2).

£300-500

* Buyers premium of 30% (25% plus VAT)

A 20TH CENTURY MATCHED PART-CANTEEN OF SILVER FLATWARE & CUTLERY.

in a Feather-Edge variant, comprising of 6 tablespoons, 8 table forks, 8 dessert spoons, 8 dessert forks, 6 soup spoons, a pair of fish servers, 6 pairs of fish knives & forks, 2 sauce ladles, 12 teaspoons and the following items with steel blades; 8 table knives, 8 side knives and a five-piece carving set, by two different makers, Sheffield 1947-1970; 79ozt (85).

£1000-1500

8 AN ELIZABETH II CASED SET OF SIX SILVER & ENAMEL TEA/ COFFEE SPOONS. with floral enamel bowls, contained in original fitted case, by Henry Clifford Davis, Birmingham 1959, together with 3 preserve/ jam spoons, a sauce ladle, a pair of fish servers (loaded handles), a pair of grape shears, 2 enamel teaspoons, a reproduction St. Nicholas spoon, 2 butter spreaders, a small fork and 26 loose tea/ coffee spoons, mixed makers & dates; 29.5ozt weighable silver (lot).

£300-400

9 A LATE VICTORIAN PART-CANTEEN OF OLD ENGLISH PATTERN SILVER FLATWARE.

to include 6 table forks, 4 tablespoons , 6 dessert forks, 6 dessert spoons and 2 sauce ladles, all initialled “M” (gothic), by Holland, Aldwinckle & Slater, London 1894/95 (one tablespoon by John & George Angell), together with 6 George III Old English pattern tablespoons, initialled “B”, by various makers; 54.4ozt (30).

£500-600

MIXED SILVER FLATWARE.

comprising of 6 table forks, 2 tablespoons, 6 dessert spoons and 6 dessert forks (Old English Bead pattern), 6 dessert forks & 6 dessert spoons (Fiddle & Thread pattern) and the following in Fiddle pattern; 3 tablespoons, 13 dessert spoons and 3 sauce ladles, all but one sauce ladle initialled, mixed makers & dates but mostly Victorian; 96.7ozt (51).

£1000-1200

MIXED SILVER FLATWARE.

to include a set of six Victorian Feather-Edge pattern dessert forks, initialled “L”, by Elkington & Co, Birmingham 1881, 12 table forks and 12 teaspoons in Fiddle & Thread pattern, most pieces with crests or initials, mixed makers & dates; 52.2ozt (30).

£300-500

SIX GEORGE IV FIDDLE PATTERN SILVER TABLE FORKS & NINE MATCHING DESSERT FORKS.

crested below the motto “CRAGGAN AN FHITHICH”*, by John Hawkins, London 1824; 30.2ozt (115)

*Crest that of M’Donnell/ Macdonnell.

£300-400

A SET OF SIX GEORGE III SCOTTISH SILVER TABLESPOONS & SIX MATCHING DESSERT SPOONS.

Old English pattern, crested below the motto “PER MARE PER TERRAS”*, by William Davie, Edinburgh 1783, together with a late 18th/ early 19th century Scottish provincial silver toddy ladle, Fiddle pattern, initialled, by John Keith of Banff c.1800; 21.4ozt (13)

*Crest that of Macdonald/ Macdonnell.

£200-300

A GEORGE III OLD ENGLISH PATTERN SILVER SOUP LADLE. with a fluted bowl, crested, by John Lambe, London 1779, together with a George IV Fiddle pattern silver soup ladle, by John Brydie, London 1825 ; the latter 13.5” (34.5cm) long; 14.1ozt (2).

£150-250

A MATCHED PART-CANTEEN OF OLD ENGLISH PATTERN SILVER FLATWARE.

including 12 tablespoons, 12 table forks, 12 dessert spoons and 16 teaspoons, mixed makers & dates but all George III; 82.4ozt (52).

£800-1000

A SET OF TWELVE PAIRS OF ELIZABETH II SILVER HANDLED TABLE KNIVES & SIDE KNIVES.

Old English Pip pattern, with stainless steel blades, by C.J Vander Ltd, London 1962/63 (24).

£200-300

A MATCHED PART-CANTEEN OF FIDDLE PATTERN SILVER FLATWARE.

to include 18 table forks, 18 table spoons, 18 dessert forks, 18 dessert spoons, 16 teaspoons, 4 condiment spoons and a basting/ serving spoon, all either initialled or crested, mixed assay offices (including Exeter, Newcastle & Edinburgh), makers & dates (George III-William IV); 154.3ozt (93).

£1500-2000

20 AN ELIZABETH I SILVER SEAL TOP SPOON.

with prick-engraved initials “EF?” on the terminal, by James Cluatt, London 1601; 6” (15.2cm) long; 0.94ozt.

£400-600

AN ELIZABETH I SILVER APOSTLE SPOON.

St. Andrew, with a fig-shaped bowl and a slightly tapering stem, makers mark mis-struck or overstriking another, possibly a bird’s claw or a hand grasping a cross*, London 1576; 6.8” (17.3cm) long; 1.67ozt

*See Jackson’s p.p 94 & 95.

£800-1000

TWO CASED SETS OF SILVER TEASPOONS.

a set of six with open-work terminals, by Joseph Rogers & Sons, Sheffield 1908 and another set of six with fluted bowls, by William Hutton & Sons Ltd, London 1908, together with a Victorian cased set of four silver salts with associated salt spoons, by Levesley Brothers, Sheffield 1886; the latter case 7.25” (18.5cm) diameter; 9ozt (3).

£120-160

MIXED DANISH SILVER FLATWARE & CUTLERY.

to include 9 pairs of fish knives & forks, 4 tablespoons, a table fork, 3 dessert spoons and 3 dessert forks, some pieces initialled, mixed patterns, makers & dates, mostly by Christian F Heise of Copenhagen & 20th century; 46ozt (gross) (29).

£300-500

HANOVERIAN PATTERN SILVER FLATWARE.

to include a Queen Anne tablespoon, by Isaac Davenport, London 1709, eight other tablespoons, first half of the 18th century, a set of six George III dessert spoons, fifteen teaspoons and a pair of sugar tongs, most pieces either initialled or crested, mixed makers & dates; 32.2ozt (31).

£300-400

A SET OF NINE GEORGE III OLD ENGLISH PATTERN SILVER TABLESPOONS, BY HESTER BATEMAN.

initialled on the terminals, London 1787, together with the following pieces of Old English flatware; 8 tablespoons, 3 dessert spoons, 2 sauce ladles, a sugar sifter ladle, 4 condiment spoons and a soup ladle, crested, mixed makers & dates; 48.7ozt (28).

£500-700

24 FIDDLE PATTERN SILVER FLATWARE:.

to include 22 table forks, 19 dessert forks, 4 tablespoons, 13 dessert spoons, 9 teaspoons, an egg spoon, 2 condiment spoons, 2 sauce ladles, a sugar sifter ladle, a pair of sugar tongs and a fish slice, most of the above crested, mixed makers & dates, George III-Edwardian; 116.5ozt (75).

£1200-1500

A SET OF NINE WILLIAM IV WEST-COUNTRY PROVINCIAL SILVER DESSERT SPOONS.

Fiddle pattern, crested, by Joseph Hicks, Exeter 1831, together with 6 table forks and 10 tea spoons, in King’s & Queen’s pattern, mixed makers, all 19th century; 42.6ozt (25).

£500-600

A LATE 19TH/ EARLY 20TH CENTURY CASED PART-CANTEEN ON KING’S PATTERN SILVER FLATWARE & CUTLERY.

comprising of 39 table forks, 12 tablespoons, 12 dessert forks, 12 dessert spoons, 11 teaspoons, 6 egg spoons, 2 basting/ serving spoons, 5 salt spoons, 2 sauce ladles, a soup ladle and a pair of sugar tongs, crested to match, by Francis Higgins, London 1892/1920/22 (2 dessert spoons with an overstriking makers mark, London 1882), together with 12 pairs of fish knives & matching forks (loaded handles) and 12 pairs of dessert knives & matching forks, by Martin, Hall & Co, Sheffield 1889/90/91, all contained in original fitted oak box; the box 23” (58.4cm) long; 270.85ozt (151).

£3000-5000

A GEORGE II SILVER MOTE SPOON. with a plain drop, a spearhead terminal and the bowl with pierced scrolls, makers mark (worn) and lion passant only, London c.1740; 5.7” (14.5cm) long; 0.23ozt.

£70-100

28 THREE SETS OF SIX SILVER HANDLED TABLE KNIVES & MATCHING SIDE KNIVES.

Old English Pip pattern, with stainless steel blades, by three different makers (C.J Vander Ltd, Sheffield 1989, Roberts & Belk, Sheffield 1988/89 and makers mark “DJ” over “S” in a heart-shaped punch, Sheffield 1978); (36).

£200-300

A GEORGE II / III SILVER MOTE SPOON.

with a plain drop and the bowl with pierced scrolls, makers mark partially visible, possibly for Isaac Cookson, London c.1750; 5” (12.6cm) long; 0.23ozt.

£70-100

A GEORGE II / III SILVER MOTE SPOON.

with a plain drop, a spearhead terminal and the pierced bowl decorated with satires and scrolls, makers mark partially visible, possibly for James Tookey, London c.1760; 5” (12.6cm) long; 0.24ozt.

£70-100

A GEORGE III SILVER MOTE SPOON, BY HESTER BATEMAN.

with an acanthus leaf heel, a spearhead terminal and the pierced bowl decorated with a radiating crosslet and scrolls, London c.1785; 5.6” (14.2cm) long; 0.32ozt.

£100-150

FIDDLE PATTERN FLATWARE.

comprising of 9 table forks, 6 dessert forks (+1 smaller fork), 6 tablespoons, 6 dessert spoons and 4 teaspoons, some pieces with initials, mixed makers & dates, George III-Victorian; 53.1ozt (32).

£700-800

A VICTORIAN PART-CANTEEN OF SCOTTISH SILVER FLATWARE.

35 AN 18TH CENTURY SILVER MOTE SPOON.

with a spearhead finial and the pierced bowl decorated with crosslets & scrolls, initialled on the back “N” over “F.A”, unmarked c.1780, together with a pair of George III bright-cut sugar tongs, initialled, by William Sumner c.1800 (no date letter); the spoon 5.75” (14.6cm) long; 1.3ozt (2).

£70-100

36 A CASED SET OF SIX 20TH CENTURY NORWEGIAN SILVERGILT & ENAMEL TEA/ COFFEE SPOONS. with polychrome enamel stems, by J. Tostrup of Oslo, together with a set of six 20th century Danish silver lobster picks, inscribed, by Christian F Heise of Copenhagen 1926, a Child’s spoon, a pusher, 2 tea spoons and a small ladle with an owl terminal; the case 5.6” (14.3cm) long; 11.1ozt (12).

£200-300

SEVEN SILVER CADDY SPOONS.

including a filigree example, unmarked, a George III caddy spoon, no makers mark and 6 others, mixed makers & dates, together with an Edwardian parcelgilt spoon, decorated in the bowl with a view of Shakespeare’s House, Stratford-on-Avon, by George Unite, Birmingham 1901; the latter 5.1” (13cm) long; 2.8ozt (8).

£200-300

A 20TH CENTURY CASED SET OF TWELVE PAIRS OF SILVER DESSERT KNIVES & FORKS.

with mother-of-pearl handles, contained in original oak box, by Frank Cobb & Co. Ltd, Sheffield 1939; the case 12.8” (32.7cm) long.

£200-300

Old English pattern, initialled “S” (gothic), comprising of 12 tablespoons, 12 table forks, 6 dessert spoons and 6 dessert forks, by William Clarke Shaw (probably), Glasgow 1853; 78.4ozt (36).

£1000-1200

A SET OF SIX LATE 19TH/ EARLY 20TH CENTURY CHINESE SILVER FORKS & MATCHING KNIVES, BY WANG HING.

with simulated bamboo handles and engraved blades, Hong Kong c.1900; the knives 8.5” (21.5cm) long; 18.2ozt (12).

£300-500 38

39 A 19TH CENTURY PART-CANTEEN OF KING’S PATTERN SILVER FLATWARE. to include 12 tablespoons, 12 table forks, 12 dessert spoons & 11 dessert forks, by Mary Chawner, London 1837, together with 10 teaspoons & a dessert fork, by two different makers, London 1830 & 1844, the majority of the above initialled; 134.8ozt (58).

£1500-2000

FIDDLE PATTERN SILVER FLATWARE.

comprising of 8 table forks, 5 tablespoons, 14 dessert forks, a dessert spoon, 8 teaspoons, a pair of sugar tongs and a condiment spoon, most pieces either initialled or crested, mixed makers & dates; 58.6ozt (38).

£600-700

41 A COLLECTED OR HARLEQUIN PART-SERVICE OF FIDDLE PATTERN SILVER FLATWARE.

to include 16 tablespoons, 17 table forks, 18 dessert spoons, 16 dessert forks, 6 teaspoons, 2 basting spoons, a pair of sugar tongs and a butter spreader, some of the above initialled, mixed makers & dates but mostly Victorian; 143.5ozt (77).

£1400-1800

AN ELIZABETH II PART-CANTEEN OF OLD ENGLISH BEAD PATTERN SILVER FLATWARE & CUTLERY.

comprising of 4 tablespoons, 8 table forks, 8 soup spoons, 8 dessert spoons, 8 dessert forks, 8 teaspoons, 8 table knives & 8 side knives (both with steel blades), by Birmingham Mint, Sheffield 1986; 78ozt (60).

£800-1200

43 *

VARIOUS SILVER FLATWARE.

44 * A VICTORIAN MATCHED PART-CANTEEN OF FIDDLE & THREAD PATTERN SILVER FLATWARE.

to include 24 table forks, 24 tablespoons, 18 dessert forks, 17 dessert spoons, 15 teaspoons and a fish slice, all crested to match, by three different makers (George Adams, William Theobalds & William Theobalds & Robert Metcalfe Atkinson), London 1838/40/46/47; 223ozt (99).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£2500-3000

to include a set of 12 Hanoverian pattern teaspoons, by Daniel & John Welby, London 1907, a set of 4 berry spoons, by Charles Boyton, London 1896, a pair of sugar tongs, makers mark “H.P”, London c.1750, a Victorian fish slice, by H.J Lias & Sons, London 1864, 2 Dutch spoons, 6 coffee bean spoons, 6 pistol-grip knives (steel blades), and a Victorian teaspoon, by different makers & dates, some of the above crested; 29.5ozt (33).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£300-400

AN EARLY 20TH CENTURY CASED PART-CANTEEN OF FEATHER-EDGE PATTERN SILVER FLATWARE & CUTLERY.

to include 24 table forks, 18 tablespoons, 24 dessert forks, 24 dessert spoons, 24 table knives (steel blades), 24 side knives (steel blades) (with two different style blades), 6 teaspoons, 12 grapefruit spoons, 6 dessert forks (silver blades), 6 dessert knives (silver blades), 3 sauce ladles, a five-piece carving set (steel blades), a pair of sugar tongs, a pickle fork and a pair of asparagus tongs, all contained in original fitted oak box, by Goldsmiths & Silversmiths Co. Ltd, London 1925/26, together with 11 tea/ coffee spoons by two different makers & dates; the case 21.75” (55.3cm) long; 192ozt (189).

£2500-3500

Silver & Hollowares

A GEORGE V SILVER FRUIT DISH.

A CASED EDWARDIAN THREE-PIECE SILVER TEA SET & PAIR OF CAFE AU LAIT POTS.

the tea set of oval form, with gadrooned borders, scroll handles and on ball feet, by Charles Stuart Harris, London 1905/06 and the cafe au lait pots of baluster form, with ‘S’-scroll handles and spreading circular feet, by George Howson, Sheffield 1906/07, all crested to match and contained in a fitted wooden case; the case 18.25” (46.3cm) long; 67ozt (5).

£700-800

A LATE VICTORIAN FOUR-PIECE SILVER TEA & COFFEE SERVICE. of oval form, with scroll handles and the bodies, covers & spouts with partfluted decoration, by Mappin & Webb, Sheffield 1889; the tea pot 10.5” (26.6cm) long; 58.1ozt (4)

Ivory Submission Reference: BM1WECNZ CITES permit is included. Exporting outside the EU will require an additional export permit.

£600-700

shaped circular outline, with a gadroon & shell border, pierced rim & sides and raised on three scroll legs, by George Howson, London 1911, together with a small silver tea pot, a pierced bonbon dish and and an Art-Nouveau period sugar bowl, mixed makers & dates; the fruit dish 8” (20.2cm) diameter; 31.25ozt (4).

£300-400

A GEORGE II SILVER BALUSTER MUG. with an ‘S’-scroll handle and a spreading circular foot, gilt interior, contained in a unassociated fitted box, makers mark overstriking another, London 1741, together with a George V tapering circular silver mug with a ‘C’-scroll handle, by Goldsmiths & Silversmiths Co. Ltd, London 1935 and a pair of William IV silver candlesticks decorated in high relief (loaded bases), by Hawkesworth, Eyre & Co. Ltd, Sheffield 1835; the candlesticks 8.6” (22cm) high; 14.3ozt weighable silver (4).

£200-300

A GEORGE III SILVER MUG.

tapering circular form, with a slightly everting rim, an ‘S’-scroll handle, initialled “I*B” and with a later inscription to the body, makers mark worn, possibly “I.D”, London 1773; 5” (12.6cm) high; 11.4ozt.

£200-300

AN EDWARDIAN CASED SILVER CHRISTENING BOWL & MATCHING SPOON.

in the form of a bleeding bowl, with a pierced handle and a hammered finish, with a matching trefid spoon, the bowl inscribed around the rim “JOAN

DOUGLAS MEDLICOTT, FROM HER GODFATHER. SEPTEMBER 21ST 1910”, the spoon initialled “J.D.M”, contained in original fitted case, by Goldsmiths & Silversmiths Co. Ltd, London 1909, together with a Victorian cased sugar bowl, milk jug & sugar tongs, by Wakely & Wheeler, London 1890 and a cased vacant birth record spoon, by Cohen & Charles, Birmingham 1965; the largest case; 10” (25.3cm) high; 17.5ozt (3).

£200-300

Buyers premium of 30% (25% plus VAT)

A GEORGE V SILVER COFFEE POT. of baluster form, with a scroll handle and a turned knop finial, by Collingwood & Co, London 1927; 9” (22.8cm) high; 19.6ozt.

£200-300

A GEORGE III SILVER SAUCE BOAT. with a gadroon border, leaf-capped ‘S’-scroll handle and on three shell legs, initialled, makers mark partially worn possibly for William Grundy, London 1762, together with a French silver dish and a a George III small salver or waiter, (A/F), initialled; the sauce boat 8.5” (21.5cm) long; 28.6ozt (3).

£250-350

A QUEEN ANNE SILVER COFFEE POT. circular tapering form, with a faceted swan-neck spout, a wooden scroll handle and the domed cover with a volute thumbpiece, crested, marks worn, London c.1710; 9.25” (23.5cm) high; 22.5ozt.

£300-400

A GEORGE V SILVER SAUCE BOAT. with a wavy rim, ‘S’-scroll handle and raised on a spreading oval foot, by Collingwood & Co, London 1933, together with a Victorian squat milk jug, crested, a George III engraved cream jug, crested, and a 20th century small silver mug, inscribed, mixed makers & dates; the sauce boat 7.75” (19.7cm) long; 23.6ozt (4).

£200-300

A GEORGE V SILVER SALVER. of shaped circular outline, with a gadrooned border and on four ball & claw feet, by Goldsmiths & Silversmiths Co. Ltd, London 1932; 10.25” (26cm) diameter; 20.5ozt.

£200-300

A 19TH CENTURY FRENCH SILVER TWO-HANDLED TEA TRAY. of oval outline, with twin scroll handles, an anthemion border and engraved in the centre with initials within a shield-shape cartouche, makers mark “AS” and with 18091819 standard & guarantee marks; 23.5” (59.7cm) long; 98ozt (approx).

£1000-1500

A LATE 19TH/ EARLY 20TH CENTURY GERMAN SILVER TUREEN & COVER. circular form, with bead borders, twin scroll handles and an ivory finial, makers mark “WH” above “H”, together with a German silver ladle, by H.J Wilm c.1900; the tureen 8.25” (21cm) high; 32.7ozt (2)

Ivory Submission Reference: YWGEQRM3 CITES permit is included. Exporting outside the EU will require an additional export permit.

£250-350

A 20TH CENTURY GERMAN SILVER FRUIT DISH.

shaped circular outline, with a slightly hammered finish, a presentation inscription to the centre and on a raised foot, by M. H Wilkens & Söhne, BremenHemelingen c.1935, together with a German silver sauceboat on a fixed base, by the same maker; the dish 8.5” (21.5cm) diameter; 24.75ozt (2).

£200-300

A MID-20TH CENTURY DANISH SILVER COFFEE POT.

baluster form, with engraved & chased decoration, a scroll handle and a flower finial, by P. Hertz of Copenhagen 1953, together with a late 19th/ early 20th century German silver coffee pot, with bead borders, a ‘C’-scroll handle and a ball finial, by Binder Wilhelm of Schwäbisch Gmünd c.1900; the former 7.75” (19.6cm) high; 30.3ozt (2)

Ivory Submission Reference: 3Q51T1F2 CITES permit is included. Exporting outside the EU will require an additional export permit.

£250-350

A LATE 19TH/ EARLY 20TH CENTURY GERMAN SILVER NOVELTY CREAM JUG.

in the form of a plump gentleman, his hat flaring to create a rim and with an ‘S’-scroll handle, German pseudo marks for Karl Kurz of Kesselstadt and import marks for Samuel Boyce Landeck, Chester 1904, together with a William IV christening mug of campana form and an embossed lower body & foot, makers mark distorted, London 1833 ; the jug 3.4” (8.5cm) high; 7.1ozt.

£200-300

62 AN EDWARDIAN FOUR-PIECE SILVER TEA & COFFEE SERVICE.

circular form, with plain bellied bodies and husk & scroll borders, by Josiah Williams & Co, London 1903; the coffee pot 9.25” (23.5cm) high; 58.5ozt (4).

A VICTORIAN SILVER TEAPOT & MATCHING MILK JUG.

circular form, with scroll handles and embossed & chased with foliage and scrolls, by Martin, Hall & Co., Sheffield 1858; the teapot 10.3” (26.3cm) long; 27.4ozt (2)

Ivory Submission Reference: NM9HQX78 CITES permit is included. Exporting outside the EU will require an additional export permit.

£500-700

A GEORGE V SILVER TWO-HANDLED PEDESTAL DISH.

circular form. with twin flying-scroll handles, an applied moulded girdle and raised on a trumpet foot, by Jay, Richard Attenborough Co. Ltd, Chester 1922; 10.25” (26cm) high; 36.6ozt.

£400-500

£300-400

AN EDWARDIAN SILVER SALVER. of shaped circular outline, with a moulded border, engraved in the centre with a vacant foliate scroll cartouche within a border and raised on three hoof feet, by Barker Brothers, Birmingham 1901; 12.2” (31cm) diameter; 29.25ozt.

£300-400

THREE EDWARDIAN SILVER TROPHY GOBLETS.

with knopped stems and with part-fluted decoration, a pair by Goldsmiths & Silversmiths Co. Ltd, London 1904 and a larger example by Mappin & Webb, Sheffield 1901, all with presentation inscriptions; the latter 9.6” (24.5cm) high; 19.6ozt (3).

£200-300

A GEORGE V SILVER SALVER. of shaped circular outline, with a moulded border, engraved in the centre with a presentation inscription and raised on three scroll feet, by Blackmore & Fletcher Ltd, London 1923; 10” (25.3cm) diameter; 17.4ozt.

£200-300

A GEORGE V FOUR-PIECE SILVER TEA SET. with oblong bodies, husk & scroll corners, and raised on bun feet, the tea pot with a presentation inscription, by Atkin Brothers, Sheffield 1933; the hot water jug 8.5” (22.5cm) high; 63ozt (4).

£600-800

A GEORGE V THREE-PIECE SILVER TEA SET.

of baluster form, with scroll handles, on spreading circular feet and each piece initialled “B”, by R.W Burbridge (for Harrods Ltd), London 1934; the hot water jug 8.8” (22,5cm) high; 49.9ozt (3).

£400-600

A CASED SET OF SIX LATE VICTORIAN SILVER CHAMPAGNE GOBLETS. the lower halves of the bowls with embossed fluting and raised on flat, circular pedestal bases, by Walker & Hall, Sheffield 1899; each 4” (10.2cm) high; 28.4ozt.

£300-400

A GEORGE V THREE-PIECE SILVER TEA SET.

with rounded oblong bodies, reeded borders and on ball feet, initialled “A”, by Barker Brothers, Chester 1918; the tea pot 11” (28cm) long; 31.6ozt (3).

£300-400

AN EDWARDIAN SILVER KETTLE ON STAND.

shaped oval form, with a wavy rim and ribbed decoration, initialled “A”, the base with a lift-out burner and on paw feet, by John Round & Son Ltd, London 1906; 11” (28cm) high; 35.2ozt.

£300-400

A LATE 19TH/ EARLY 20TH CENTURY GERMAN SILVER PRESENTATION CUP. circular form, with a fluted stem and engraved with the inscription “LUGE RACES 1ST PRIZE R.N THOMAS MEN’S SINGLES SITTERS CAUX JANV, 1911”, no makers mark c.1900, together with a mug, initialled, a miniature or toy mug, initialled, a beaker, inscribed, a small tea caddy and a bell, mixed makers and dates; the German cup 10” (25.3cm) high; 24.5ozt weighable silver (6).

£200-300

A GEORGE IV THREE-PIECE SILVER TEA SET.

with rounded oblong bodies, gadrooned borders, fluted decoration and raised on decorative paw feet, gilt interiors, by Charles Fox, London 1820/21; the tea pot 11.75” (29.7cm) long; 40ozt (3)

Ivory Submission Reference: LFTBETPW CITES permit is included. Exporting outside the EU will require an additional export permit.

£400-500

A GEORGE IV SILVER COFFEE POT. with an embossed lobed body, a waisted neck, decorated with an applied floral scroll border and a knop finial, initialled, by J. Wrangham & William Moulson, London 1828; 8.5” (21.6cm) high; 31.25ozt. Ivory Submission Reference: WDRM1SU6 CITES permit is included. Exporting outside of the EU will require an additional export permit.

£300-400

A GEORGE III SILVER SALVER. shaped circular outline, with a husk & scroll border and later chased & embossed in the centre, makers mark “IC”, London 1772; 14.5” (36.8cm) diameter; 38.2ozt.

£400-500

A PAIR OF GEORGE III SILVER SALTS. navette-shaped, with bead borders and on pedestal feet, by Robert Hennell, London 1785, together with a matched pair of circular salts on hoof feet, by two different makers, London 1755 & 1756; the former pair 4.25” (10.8cm) long; 10.9ozt (4).

£150-250

AN 18TH CENTURY NORTH-COUNTRY PROVINCIAL SILVER SAUCE BOAT. oval form, with a wavy rim, on pad feet and the flying-scroll handle initialled “G” over “I.M”, by John Langlands, Newcastle 1760-8, together with an octagonal milk jug, by Adie Brothers, Chester 1902, a George III chased & embossed baluster cream jug, initialled, makers mark partially worn, London 1763 and a George III engraved milk jug, monogrammed, gilt interior, by Charles Chesterman, London 1796; the octagonal jug 5.4” (13.8cm) high; 17.25ozt (4).

£200-300

A LATE VICTORIAN SMALL SILVER TEA POT.

with an oviform body, embossed & chased decoration, a wooden ‘C’-scroll handle and raised on a reeded circular foot, by Pairpoint Brothers, London 1899, together with a George V vase-shaped hot water jug, by Roberts & Belk, Sheffield 1923; the latter 10” (25.5cm) high; 29.8ozt (2).

£300-400

TWO VICTORIAN ENGRAVED SILVER CHRISTENING MUGS.

one with straight sides, monogrammed & dated, by Martin, Hall & Co, London 1884, the other with a bellied body and raised on decorative feet, initialled, by George John Richards, London 1854, both with gilt interiors; the latter 4” (10.2cm) high; 8.5ozt (2).

£120-160

A VICTORIAN TWO-HANDLED SILVER TEA TRAY.

shaped rectangular form, with foliate scroll borders, profusely engraved decoration, centred with a coat of arms and with a presentation inscription to the reverse, by Messrs Barnard, London 1848; 31.5” (80cm) long; 145ozt (approx).

£1500-2000

A LATE 19TH/ EARLY 20TH CENTURY THREE-PIECE CHINESE SILVER TEA/ COFFEE SET.

circular form, with naturalistic finials & handles, decorated in high relief with dragons & bamboo, by Cheong Shing of Shanghai c.1900; the largest vessel 9” (22.8cm) high; 62.4ozt (3)

Ivory Submission Reference: 44WP4ZVB

CITES permit is included. Exporting outside the EU will require an additional export permit.

£1000-1200

A LATE 19TH/ EARLY 20TH CENTURY NORTH-AMERICAN THREE-PIECE SILVER TEA/ COFFEE SET.

circular form, with Greek-key borders, figural finials and engraved & chased decoration, the rims with applied classical side-profile head motifs, the angular handles with female masks and the spouts with bearded masks, monogrammed, by Gorham Manufacturing Company of Rhode Island c.1900; the largest vessel 11.75” (29.8cm) high; 88ozt (3)

Ivory Submission Reference: FF97TNX4

CITES permit is included. Exporting outside the EU will require an additional export permit.

£1000-1200

83 A VICTORIAN SILVER BUTTER DISH & COVER.

shaped circular outline, with a floral scroll border, pierced sides and cover and with a cow finial, lacking its glass liner, by Charles Reily & George Storer, London 1843; 5.5” (14cm) diameter; 10.25ozt.

£150-250 85

AN EDWARDIAN SILVER TWO-HANDLED CUP & COVER.

shaped circular outline, with twin angular handles, a pull-off cover and a flaring rim, by William Hutton & Sons Ltd, London 1904; 8” (20.3cm) long; 17.8ozt.

£200-300

A GEORGE III SILVER TEA POT.

inverted baluster form, with a figural finial, scroll handle and later embossed & chased decoration, makers mark lost in the decoration, London 1809; 8.5” (21.6cm) long; 15.25ozt.

£150-250

A VICTORIAN GOTHIC STYLE SILVER INKSTAND.

shaped rectangular outline, with foliate borders, the body with chased & engraved stylised arched windows and raised on stepped bracket feet, crested, fitted with two associated mounted cut-glass bottles, the holders decorated with stiff leaves around the lower bodies and fitted with a central detachable chamberstick, by Joseph & John Angell, London 1838; 10.5” (50.1ozt).

£600-800

VARIOUS SILVER CONDIMENTS ETCETERA.

to include a pair of salts (blue glass liners), 3 pairs of salt/ pepper casters, a small kitchen pepper caster, a matching pepper caster & mustard in the form of a thistle, a tea strainer & non-matching stand and a pair of butter shell dishes (one lacking its glass liner), mixed makers & dates; the largest casters 3.75” (9.5cm) high; 17.4ozt (15).

£150-250

A VICTORIAN SILVER SWING-HANDLED BASKET. of navette outline, with reeded borders, chased foliate scroll decoration and on a flaring foot, by Horace Woodward & Co, Birmingham 1883; 12.25” (31.2cm) long; 14.75ozt.

£150-250

A GEORGE II SILVER MUG. baluster form, with an everting rim, ‘S’-scroll handle and raised on a spreading circular foot, the body initialled “T, trident, S” and the base later inscribed “D.G.S.P. from his Godfather Andrew Agnew Jnr 30th May 1936”, by John Bayley, London 1755; 4.75” (12cm) high; 13.3ozt.

£200-300

A VERY NEAR PAIR OF 20TH CENTURY SILVER CAFE AU LAIT POTS. circular form, with gadrooned borders, applied cut-card decoration and turned wooden finials, by Garrards & Co. Ltd, London 1949 & 1959; 6.7” (17cm) high; 32ozt (2).

£300-400

A GEORGE V SILVER KETTLE ON STAND. rounded rectangular form, with a matching lift-out spirit burner and on spread ovoid feet, by Atkin Brothers, Sheffield 1935; 11” (28cm) high; 39.8ozt.

£400-500

A GEORGE II SILVER COFFEE POT.

tapering circular form, with a knop finial, ‘S’-scroll handle, engraved with a coat of arms on each side and with an inscription to the base of the foot, by Aymé Videau, London 1752; 9.25” (23.5cm) high; 26.7ozt.

£300-400

A GEORGE V SILVER TEA POT & MATCHING SUGAR BASIN. rounded rectangular form, with angular handles and on ball feet, the tea pot with a presentation inscription and lacking its finial, by William Hutton & Sons, Sheffield 1934, together with a small silver tea caddy, with the same inscription and by the same maker & year; the tea pot 11” (28cm) long; 35ozt (3).

£350-450

A GEORGE V SILVER MUG. circular form, with straight sides, a tucked in base and a ‘C’-scroll handle, by Alexander Clarke & Co. Ltd, Birmingham 1935, together with two silver christening mugs, one engraved & one plain, by different makers & years; the former mug 4.8” (12.2cm) high; 18.75ozt (3).

£200-300

A GEORGE III SILVER SWING-HANDLED SWEETMEAT BASKET.

shaped oval outline, with pierced sides, embossed decoration and the corded border with alternative flowers & shells, by Edward Aldridge, London 1767, together with an Edwardian silver swing-handled sugar basket (lacking its glass liner), with wirework sides and applied adornment, by William Comyns & Sons, London 1907; the former 6.1” (15.5cm) long; 9.4ozt (2).

£150-250

A SET OF FIVE VICTORIAN SILVER SALTS. circular form with bellied bodies & metal linings, decorated in high relief with landscape scenes of buildings, maids, figures, romantic couples, trees & foliate scrolls and raised on masked paw feet, by William Brown & William Nathaniel Summersall, London 1840; 2.75” (7cm) high; 35.2ozt (5).

£400-500

20TH CENTURY DANISH SILVER:-.

an oval tea tray, small bowl with a hammered finish, a beaker, a wooden mounted box and a warming pan, mixed makers, mostly Christian F Heise, of Copenhagen; the tray 19.75” (50.1cm) long; 55ozt (5).

£400-600

A LATE 19TH CENTURY INDIAN SILVER MUG. of baluster form, profusely chased & embossed with foliage and animals on a matted ground, with a leaf-capped scroll handle and the circular foot with a wooden insert & an applied shield-shaped cartouche, inscribed “PIGEON MATCH CAPTAIN GILLEPSIE 28TH JULY 1870”; 4.25” (10.8cm) high.

£200-300

100

A PAIR OF LATE VICTORIAN SILVER SALT & PEPPER CASTERS. in the form of shotgun cartridges, with screw-off bases, by Horace Woodward & Co. Ltd, London 1897, together with a George V silver beaker, embossed with an archer & rifleman and presented as a prize for a revolver shooting competition, inscribed, by Elkington & Co, Birmingham 1923; the beaker 4” (10.2cm) high; 3.6ozt (3).

£100-150

101

A 19TH CENTURY SILVER TEA POT. of melon fluted form, with a leaf-capped ‘C’-scroll handle, a cast flower finial and raised on four decorative feet, unmarked c.1860; 11.5” (29.2cm) long; 29.5ozt.

£200-300

102

A CASED ELIZABETH II LIMITED EDITION

PARCELGILT GOBLET.

made to commemorate the Silver Jubilee of Queen Elizabeth II (1977), the stem sculpted by Tim Minett, contained in original fitted box, with a relating inscription to the base & associated paperwork, hallmarked Aurum Ltd, London 1977; 7.3” (18.5cm) high; 14.2ozt.

£200-300

103

a Danish silver footed bowl, with an everting circular bowl, an open-work stem with ball motifs, a spreading foot and the whole with a spot-hammered finish, also bearing import marks for London 1930; 4” (10.2cm) high; 5.7ozt.

£200-300

107

THE WORSHIPFUL COMPANY OF MERCHANT TAYLORS’:-.

a George V small silver tankard, tapering circular form, with a volute thumbpiece, an ‘S’-scroll handle, decorated with stiff leaves around the lower body and engraved with the arms & motto of The Worshipful Company of Merchant Taylors’, inscribed “Merchant Taylors Co. 1st Charter 1327”, by D & J Welby, London 1926, together with a George V silver double-lipped jug, with a fruiting vine border, twin ‘S’-scroll handles mounted with classical figures playing instruments, the body with embossed festoons & part-fluting, gilt interior, by Messrs Barnard, London 1917 and a George III silver milk jug on a square base, crested, makers mark “H.A”, unascribed, London 1788; the tankard 3.3” (8.5cm) high; 19.8ozt (3).

£200-300

105

A LATE 19TH/ EARLY 20TH CENTURY INDIAN SILVER GOBLET.

of rounded circular form, the whole abundantly chased & engraved with arabesque patterns, unmarked, Kashmir c.1900; 6.7” (17cm) high; 8.7ozt.

£150-250

106

A CONTINENTAL PARCELGILT TUMBLER CUP.

circular form, with a domed centre, incised borders, engraved with two sets of initials and indistinctly marked to the centre, probably Dutch or German, together with a Dutch spoon (A/F), with import marks for Theodore Hartmann, London 1902; the tumbler cup 2.8” (7.3cm) diameter; 2.6ozt.

£100-150

AN 18TH CENTURY SILVER SALVER. of shaped circular outline, with a husk & scroll border and raised on three scroll feet, engraved with the Arms of a widow to the centre, the reverse with scratch-weight, initialled “S*T” and dated 1757, struck four times with an overstriking makers mark only; 11.2” (28.5cm) diameter; 27.9ozt.

£300-400

108

A GEORGE III SILVER TWO-HANDLED TRAY.

oval outline, with a gadrooned border, leaf-capped twin handles, engraved decoration and centred with a crest & motto*, by William Stroud, London 1803; 27” (68.6cm) long; 95ozt (approx)

*That of Fownes Luttrell

** John Fownes Luttrell (1752-1816), born in Dunster, resided & former owner of Dunster Castle, was a Tory Politician, MP for Minehead and sat in the House of Commons of Great Britain & The United Kingdom. Oldest son of Henry Fownes Luttrell (formally Henry Fownes, c.17221780). His mother Margaret, was the daughter of Alexander Luttrell (17051737), whom bequeathed his estates to Margaret on the condition that her husband take the surname Luttrell. John Fownes Luttrell married Mary Drewe on 2nd August 1782, they had 10 children in 11 years. Fownes Luttrell is buried in his hometown.

£1200-1500

109

AN EDWARDIAN SILVER FRUIT DISH.

shaped circular outline, with a wavy rim, pierced centre & frieze and raised on a spreading pedestal foot, makers mark overstriking another, Sheffield 1907; 8.4” (21.3cm) diameter; 14.8ozt.

£150-250

110

AN EDWARDIAN SILVER SWINGHANDLE BASKET.

navette-shaped, with a pierced frieze and raised on a spreading foot, by Fenton Brothers Ltd, Sheffield 1906; 13” (33cm) long; 18.3ozt.

£150-250

111

A 20TH CENTURY THREE-PIECE SILVER TEA SET.

circular form, with incised borders and scroll handles, by Mappin & Webb, Birmingham 1937/38; the tea pot 9.5” (24.3cm) long; 21.8ozt (3).

£200-300

112

113

A GEORGE III SILVER TEA POT.

rounded oblong form, with gadrooned borders, a cushion finial and on ball feet, inscribed “PRESENTED BY THE OFFICERS OF THE ROYAL CUMBERLAND MILITIA AT THE DISEMBODYING THERE OF IN THE YEAR” 1815”, initialled “H”, by Peter & William Bateman, London 1814; 12” (30.5cm) long; 22.3ozt

A 20TH CENTURY THREE-PIECE NORTH AMERICAN SILVER TEA SET. of shaped oval form, with reeded handles and urn finials, by Gorham Manufacturing Co. of Rhode Island, c.1950; the tea pot 11.8” (30cm) long; 41.5ozt (3).

£400-500

*Edward Batchelor Harraden (17641846), owned and resided at Hunter Hall, Great Salkeld, Cumbria and was Paymaster to the Cumbria Militia.

Ivory Submission Reference: H66H5MKM CITES permit is included. Exporting outside the EU will require an additional export permit.

£200-300

114

A PAIR OF ELIZABETH II SILVER SALVERS.

shaped circular outline, with a moulded border and raised on four hoof feet, by Francis Howard Ltd, Sheffield 1974; 10” (25.4cm) diameter; 35ozt (2).

£300-500

115

A LATE 19TH CENTURY CHINESE SILVER BONBON DISH.

of shaped oval outline, pierced with prunus, bamboo, dragons & scrolls, by Wang Hing & Co, Hong Kong 1890-1900; 5.9” (15cm) long; 2.3ozt.

£200-300

116

A GEORGE V THREE-PIECE SILVER TEA SET.

with rounded oblong bodies, gadrooned borders and part-fluted lower bodies, by Cooper Brothers & Sons Ltd, Sheffield 1915, together with a coffee pot in the same design, by the same maker, Sheffield 1903; the latter 8.5” (21.5cm) high; 63ozt (4).

£700-800

117

A LATE VICTORIAN BACHELOR’S SILVER TEA SET.

circular form, with bats-wing fluted decoration, scroll handles and raised on pedestal feet, by James Deakin & Sons, Sheffield 1900; the tea pot 8.25” (21cm) long; 10.6ozt.

£150-250

118

A GEORGE III SILVER STAND. of navette outline, with a reeded border, on four scroll legs (loaded base) and lacking its central handle, crested, by Robert Hennell, London 1794, together with 5 various silver mounted cut glass bottles/ casters, by different makers & dates; the stand 9.25” (23.4cm) long (6).

£200-300

119

AN EDWARDIAN THREE-PIECE SILVER TEA SET.

shaped rectangular outline, with gadrooned borders, angular handles and raised on ball feet, by Elkington & Co. Ltd, Birmingham 1901/02/03; the tea pot 10.25” (26cm) long; 38.9ozt (3).

£400-600

120

A GEORGE V THREE-PIECE SILVER TEA SET.

shaped rectangular form, with angular handles and on bun feet, by John Turton & Co, Sheffield 1934; the tea pot 11” (28cm) long; 31.1ozt (3).

£300-400

121

A LATE VICTORIAN SILVER SALVER.

shaped circular outline, with a husk & scroll border, engraved with a presentation inscription to the centre and raised on three decorative feet, by Atkin Brothers, Sheffield 1900; 10.5” (26.6cm) diameter; 16.5ozt.

£150-250

122

AN EDWARDIAN SILVER MUFFIN DISH & COVER.

shaped circular outline, with a wavy rim & a knop finial, by Charles Stuart Harris, London 1906; 7.6” (19.5cm) diameter; 18.4ozt.

£200-300

123

A LATE 19TH/ EARLY 20TH CENTURY NORTH-AMERICAN SILVER DISH.

shaped oval outline, with a pierced foliate scroll border and the shallow centre initialled, dated & crested, by William B. Durgin Co. of New Hampshire & Rhode Island, c.1900; 14” (35.5cm) long; 14.5ozt.

£120-160

124

A GEORGE V FOUR-PIECE SILVER TEA SET.

shaped rectangular outline, with angular handles and flat bases, by Charles Boyton & Son Ltd, London 1924; the hot water jug 9.1” (23cm) high; 55ozt (4).

£600-800

125

A 20TH CENTURY SILVER SALVER.

126

A LATE VICTORIAN THREE-PIECE SILVER TEA SET.

of oval outline, with angular handles and part-fluted bodies, by Walter & John Barnard, London 1893; the tea pot 10” (25.3cm) long; 29.3ozt (3).

£300-400

127

A LATE VICTORIAN SILVER TOAST RACK.

128

A PAIR OF GEORGE III SMALL SILVER SALVERS.

circular outline, with gadrooned borders, crested in the centre below the coronet of a Baron and raised on three cast feet, by Thomas Hannam & John Crouch, London 1803; 8.1” (20.5cm) diameter; 31.1ozt (2).

£300-400

129

shaped square outline, with incurved corners and a moulded border, raised on four scroll legs and engraved in the centre with initials and the coronet of a Baron, by Goldsmiths & Silversmiths Co. Ltd, London 1936; 10.2” (25.8cm) long; 24ozt.

£300-400

boat-shaped, with seven arched bars and a central handle, by Atkin Brothers, Sheffield 1899, together with a Victorian christening mug with straight sides, punch-bead borders and engraved decoration, by Goldsmiths Alliance Ltd, London 1877 and a late Victorian sweetmeat dish, heavily embossed with foliate scrolls and putti, by William Comyns & Sons, London 1893; the toast rack 10.3” (26.2cm) long; 19.7ozt (3).

£200-300

A GEORGE IV SILVER COFFEE POT. of melon fluted form, with a scroll handle and a shell-capped spout, makers mark “WE”, London 1824, together with a modern cased “Armada” dish, by Carr’s of Sheffield, 2007; the latter 8” (20.3cm) diameter; 38.7ozt (2).

£300-400

130

AN EDWARDIAN LARGE SILVER SALVER.

of shaped square outline, with a moulded border and incurved corners, resting on four scroll feet, by Charles Stuart Harris, London 1909; 19” (48.2cm) square; 111ozt (approx).

£1500-2000

131

A VICTORIAN SILVER INKSTAND.

with a lobed base, fitted with a detachable ink pot in the form of a classical lamp (clear glass liner), with engraved decoration, inscribed, by James Charles Edington, London 1859; 9.25” (23.5cm) long; 13.6ozt.

£200-300

132

A PAIR OF MODERN CAST SILVER CANDLESTICKS.

with knopped stems, a spoolshaped capital and on canted square bases, by Wakely & Wheeler. London 1985; 6” (15.2cm) high; 23.4ozt (2).

£400-500

136

133

A PAIR OF ELIZABETH II CAST SILVER TAPERSTICKS. with knopped stems and on stepped octagonal bases, by C.J Vander Ltd, London 1965; 4” (10.2cm) high; 7.1ozt (2).

£200-300

134

A GEORGE III SILVER TEA POT & MATCHING SUGAR BOWL. of squat circular form, with angular handles and partfluted bodies, by Richard Cook, London 1809, together with a 19th century silver milk jug, similar in style, marks worn; the tea pot 11” (28cm) long; 47.2ozt (3).

£500-700

135

A PAIR OF GEORGE III SILVER SUGAR BASKETS.

circular form, with pierced sides decorated with festoons, scrolls and an embossed corded girdle, raised on claw legs (lacking one blue glass liner), makers mark “H.A”, unascribed, London 1803; 4.6” (11.7cm) high; 13.1ozt (2).

£200-300

137

A LATE 19TH/ EARLY 20TH CENTURY FRENCH SILVER DISH.

of shaped circular outline, with a gadrooned border and a fixed divider with a loop handle, crested twice, by Louis Wiese of Paris c.1900, together with a George V twohandled silver cup, with a plated grille insert for use as a rose bowl, by S. Blanckensee & Son Ltd, Birmingham 1921; the former 9.25” (23.5cm) diameter; 28.9ozt (2).

£300-400

A GEORGE V FIVE-PIECE SILVER TEA & COFFEE SET, HUNT & ROSKELL LTD.

of octagonal baluster form, crested, each piece with the retailers mark of “HUNT & ROSKELL LTD LATE STORR & MORTIMER”, London 1921/22; the coffee pot 9” (22.8cm) high; 63.6ozt (5).

£800-1000

138

A PAIR OF LATE VICTORIAN SILVER FIVE-LIGHT CANDELABRA BRANCHES.

the Corinthian capitals with four scrolling arms, a central light on a baluster stem and decorated with gadrooned borders, acanthus leaves and detachable nozzles, by Mappin & Webb, Sheffield 1896; 8.5” (21.6cm) high; 83ozt (2).

£800-1200

139

A GEORGE II SILVER OIL & VINEGAR STAND.

double circular form, with an ‘S’scroll handle, gadrooned borders and on decorative feet, crested, by Jabez Daniel & James Mince, London 1759; 7.4” (18.7cm) long; 13.8ozt.

£200-300

140

144

AN ARTS & CRAFTS SILVER BOWL, BY AMY SANDHEIM.

of oval form, with Celtic band borders, a spot-hammered finish and on four bun feet, the base with the makers facsimile signature, London 1924; 5” (12.7cm) long; 4.8ozt.

£200-300

A SET OF FOUR GEORGE III BOATSHAPED SILVER SALTS. with twin loop handles, reeded borders, and on a raised oval foot, gilt interior, crested, by John Wakelin & William Taylor, London 1789, together with two silver mustard pots (replacement glass liners), by different makers & dates; the salts 5.3” ( 13.6cm) long; 22.4ozt (6).

£200-300

141

A LATE 19TH/ EARLY 20TH CENTURY NORTH-AMERICAN SILVER JUG. with a bellied body, a leaf-capped ‘S’-scroll handle, decorated with embossed swirls & chased leaves, raised on a circular foot, by S. Kirk & Son of Baltimore, c.1900; 12” (30.5cm) high; 36.1ozt.

£300-400

142

AN ELIZABETH II LIMITED EDITION PARCELGILT GOBLET.

made to commemorate The Ninth Centenary of the foundation of Chichester Cathedral in 1075, designed by Desmond Clen-Murphy, for Aurum Designs, London 1976; 6.5” (16.5cm) high; 9.7ozt.

£200-300

143

AN ARTS & CRAFTS THREE PIECE SILVER TEA SET, BY AMY SANDHEIM. tapering circular form, with corded borders, applied bands of acorns & oak leaves around the upper bodies and a spot-hammered finish all over, London 1923; the tea pot 9.1” (23cm) long; 25.8ozt (3).

£1000-1500

145

BY THE DUCHESS OF SUTHERLAND CRIPPLES GUILD. a George V swing-handle sugar basket, of shaped circular outline with bead borders and the body chased with flowers & insects, the base stamped “D.S.C.G” below a Ducal coronet, by Millicent, Duchess of Sutherland*, Birmingham 1913, together with a silver strainer with a pierced border, by Amy Sandheim, London 1936; the basket 2.8” (7.3cm) high; 5.5ozt (2)

*The Duchess of Sutherland Cripples Guild was formed in 1900 by Lady Millicent St. Clair-Erskine. The Guild was formed in an attempt to help the disabled children working in many of the Staffordshire Pottery factories, often with unsafe working practices. The disabled children were taught craft skills and produced items that were sold through The Guild and the money was used to fund The Guild and to provide help to the children.

£100-150

146

A 19TH CENTURY AUSTROHUNGARIAN SILVER SWEETMEAT DISH.

of oval outline, with a border decorated in high relief with flowers & fruits and the centre with a fixed pierced divider, with a makers mark to the base, probably c.1880; 7” (17.7cm) long; 8ozt.

£150-250

147

A MODERN FINE SILVER TUMBLER CUP.

circular form, with a gilt interior and bearing the Millennium hallmark, by Barry Witmond, Sheffield 2000; 2.6” (6.5cm) high; 7.35ozt.

£200-300

148

151

A LATE VICTORIAN SILVER MOUNTED GREEN GLASS NOVELTY LIQUEUR FLASK.

modelled with an eagles head, coloured eyes and the loop handles forming wings, by Hukin & Heath, Birmingham 1894, together with a late Victorian silver mounted communion jug, with a cross finial & scroll handle, inscribed, by Thomas Thomason & Co, Birmingham 1898; the latter 8.4” (21.5cm) high (2).

£200-300

152

A VICTORIAN SILVER TEA POT.

of circular form, with a bellied body and decorated with applied leaves, floral engraving and a flower finial, by Charles Reilly & George Storer, London 1848, together with a Victorian silver milk jug, crested, makers mark overstriking another, and an Elizabeth II silver coffee pot with applied cut-card decoration, by A. Haviland-Nye, London 1989; the coffee pot 9.4” (24cm) high; 48.8ozt (3)

Ivory Submission Reference: UVYT2LWZ

A GEORGE III SILVER COFFEE POT.

of a substantial size & gauge, rounded rectangular form, decorated with profusely applied fruiting vines, embossed & chased foliate scrolls, a bird finial and raised on a stepped base, makers mark unclear, London 1815; 12.25” (31cm) long; 46.7ozt

Ivory Submission Reference: HJMQEZ51

CITES permit is included. Exporting outside the EU will require an additional export permit.

£1000-1500

149

A GEORGE V SILVER ROSE BOWL. of circular form, with a moulded border and on a spreading foot, monogrammed & inscribed, by F.H Adams Ltd, Birmingham 1917; 8.1” (20.7cm) diameter; 26.1ozt.

£350-450

150

A LATE 19TH/ EARLY 20TH CENTURY FRENCH SILVER MOUNTED CLEAR GLASS CLARET JUG.

vase-shaped, decorated in high relief with flowers and foliage and with a loop handle, by V. Boivin, Paris c.1900; 12” (30.5cm) high.

£300-400

CITES permit is included. Exporting outside the EU will require an additional export permit.

£500-600

153 *

A PAIR OF EDWARDIAN SILVER CANDLESTICKS.

with spool-shaped capitals, detachable nozzles, knopped stems and on shaped square bases (loaded), by Fordham & Faulkner, Sheffield 1907, together with a pair of Art-Nouveau dwarf candlesticks (loaded bases), by A & J Zimmerman Ltd, Birmingham 1907; the largest pair 9.4” (24cm) high (4).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

* Buyers premium of 30% (25% plus VAT)

154 *

A GEORGE V SCOTTISH SILVER QUAICH. conventional form with a turned wooden base, inscribed “TO AIR MARSHALL SIR HUGH TRENCHARD FROM THE OFFICERS OF N0 29 GROUP R.A.F ON THE OCCASION OF HIS MARRIAGE 17TH JUNE 1920”*, by Brook & Son, Edinburgh 1919, together with a late 19th/ early 20th century French silver two-handled cup & cover, with a bud finial, makers marks unclear c.1900; the quaich 6.5” (16.5cm) diameter; 29.5ozt (2)

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£300-400

155 *

AN EDWARDIAN SILVER BREAD BASKET.

of navette outline, with a punch bead border, pierced sides and embossed swags, by James Dixon & Sons Ltd, Sheffield 1904, together with a near pair of George III bonbon dishes, a porringer, inscribed & crested, 2 sugar bowls and a small two-handled dish, mixed makers & dates; the basket 10.75” (27.3cm) long; 32.75ozt (7).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£300-400

156 *

AN EDWARDIAN SILVER ARTNOUVEAU ROSE BOWL.

of shaped circular outline, with a moulded border, applied stylised leaves and a pierced foot, gilt interior & a with a lift-out plated grille, by Elkington & Co, Birmingham 1904; 10” (25.3cm) diameter; 36.8ozt.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£400-500

157 *

A PAIR OF GEORGE V SILVER CANDLESTICKS.

on canted square bases (loaded), with spool-shaped capitals, detachable nozzles and on knopped stems, by Crichton Brothers, London 1919; 10.25” (26cm) high (2).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

158 *

AN EDWARDIAN SILVER HOT WATER JUG.

circular form, with a scroll handle and the whole profusely embossed & chased with fruits and foliage, by Atkin Brothers, Sheffield 1901, together with an Edwardian silver café au lait pot, with a waisted body and corded borders, by Hukin & Heath, London 1907; the latter 7.25” (18.5cm) high; 29.2ozt (2).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£250-350

159

A VICTORIAN TWO-HANDLED SILVER CUP.

circular form with straight sides, the body with embossed fluting, the twin angular handles and upper & lower frieze’s decorated with acorns and oak leaves, raised on a spreading foot and engraved with a presentation inscription “PRESENTED BY THE OFFICERS, NON-COMMISSIONED OFFICERS AND MEN OF THE WEST SOMERSET ROYAL YEOMANRY CAVALRY TO MR HENRY FRY IN APPRECIATION OF HIS GENEROUS HOSPITALITY DURING MANY YEARS”, bearing the emblem of the regiment above the date “MAY 22ND 1886”, by Martin Goldstein, London 1879; 7.1” (18.2cm) high; 28.2ozt.

£300-400

160

A LATE 19TH CENTURY FRENCH SILVER MEAT PLATE. of shaped oval outline, with a reeded and shell border, crested, by Henin Freres, Paris c.1870; 17.9” (45.5cm) long; 42.6ozt.

£400-500

161 *

A GEORGE III SILVER TWO-HANDLED CUP OR PORRINGER. of campana form, with reeded twin loop handles and on a collet foot, by John King (probably), London 1771; 4” (10.2cm) high; 5.6ozt.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

162 *

A GEORGE II SILVER PINT MUG. of baluster form, with an ‘S’-scroll handle and raised on a circular foot, initialled on the handle “W” over “I.M” & inscribed on the base “HUGH TRENCHARD FROM HIS GODFATHER LONDONDERRY 3RD JULY 1921”, by John Wisdome, London 1724; 4.5” (11.5cm) high; 10.5ozt.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

163 *

A LATE VICTORIAN SILVER INKSTAND.

rounded rectangular outline, with gadroon & shell borders, two pen depressions, raised on ball & claw legs and fitted with two mounted cut-glass ink bottles and a central box, inscribed, by John Grinsell & Sons, London 1898; 11.25” (28.5cm) long; 26.1ozt.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£250-350

164

A VICTORIAN THREE-PIECE SILVER COFFEE SET. with lobed, baluster bodies, engraved decoration and scroll handles, gilt interiors, by Robert Harper, London 1861; the coffee pot 11.25” (28.5cm) high; 50ozt (3)

Ivory Submission Reference: L5PDSJJX

CITES permit is included. Exporting outside the EU will require an additional export permit.

£600-800

165 *

AN EDWARDIAN SILVER INKSTAND.

of rectangular outline with incurved corners, decorated with tongue & dart borders and fitted with two mounted clear glass ink bottles, by John Grinsell & Sons, London 1902, together with a smaller silver inkstand, with one mounted clear glass ink bottle, inscribed “TO AIR MARSHALL SIR HUGH TRENCHARD, BART. ON THE OCCASION OF HIS MARRIAGE FROM THE OFFICERS OF NO. 207 SQUADRON ROYAL AIR FORCE”*, by Edward Barnard & Sons Ltd, Birmingham 1919; the former 10” (25.3cm) long; 20.6ozt (2)

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

166

AN EDWARDIAN SILVER FOUR-PIECE TEA & COFFEE SET. of rounded oblong form, with fluted lower bodies and on flat bases, monogrammed, by E.J Partridge, Birmingham 1904; the coffee pot 8.4” (21.5cm) high; 61.1ozt (4).

£600-700

167 *

A LATE 18TH/ EARLY 19TH CENTURY FRENCH PARCELGILT BEAKER. of campana form, with engraved floral decoration and on a raised & chased circular foot, by Louis-Jacques Berger, Paris c.1800, together with a George III baluster mug, London 1766 (no makers mark) and a George II cream jug, by Richard Kersill, London 1744; the beaker 5” (12.7cm) high; 14.1ozt (3).

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

168

A GEORGE I SILVER MUG. of baluster form, with an ‘S’-scroll handle and inscribed on the base “ANTHONY BEDFORD RUSSELL EASTER SUNDAY 1930”, by William Fleming, London 1717; 3.5” (9cm) high; 7.6ozt.

£300-400

169

A GEORGE III IRISH SILVERGILT MUG. of campana form, with a scroll handle and the body chased & embossed with foliage, initialled, by Edward Power, Dublin 1818; 2.6” (6.6cm) high; 2.7ozt.

£150-250

170 *

A GEORGE VI SILVER FIGURE OF A SOLDIER.

realistically modelled in full uniform, raised on a textured square base and mounted on an ebonised plinth, the applied presentation plaque inscribed “PRESENTED TO MARSHAL OF THE ROYAL AIR FORCE THE VISCOUNT TRENCHARD* G.C.B., G.C.V.O., D.S.O., LL.D BY 1ST BATTALION THE ROYAL SCOTS FUSILIERS 1ST MAY 1916”, by Goldsmiths & Silversmiths Co., Ltd, London 1946; 12” (30.5cm) high overall

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£300-500

171 *

AN 18TH CENTURY TWO-BOTTLE SILVER STAND. with three shaped circular sections moulded scroll & shell borders, twin ‘S’scroll handles, fitted with two mounted cut-glass bottles and a central octagonal glass dish, by George Frederick Herlitz, Amsterdam 1730; 10.5” (26.7cm) long; 27.1ozt.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£300-400

A GEORGE VI SILVER REGIMENTAL FIGURE - THE ROYAL SCOTS FUSILIERS. realistically modelled in full uniform, raised on a textured square base, inscribed “9TH SEPTEMBER 1893-30TH APRIL 1947”, mounted on an ebonised plinth and the applied plaque inscribed “PRESENTED TO THE VISCOUNT TRENCHARD* COLONEL OF THE ROYAL SCOTS FUSILIERS BY THE OFFICERS, WARRANT OFFICERS, NON-COMMISSIONED OFFICERS AND MEN OF HIS REGIMENT AFTER 53 YEARS SERVICE IN THE REGIMENT”, by Goldsmiths & Silversmiths Co. Ltd, London 1946; 14.5” (36.8cm) high overall

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£400-600

Boxes & Miscellanea

173

174

A GEORGE V CASED SILVER POCKET ANEROID BAROMETER.

resembling a pocket watch, inscribed to the reverse, the silvered dial with retailers “NEGRETTI & ZAMBRA, LONDON”, the case by Fred Thoms, London 1927, together with a collapsible beaker contained in a nickel pocket watch case; the barometer 2” (5.1cm) diameter (2).

£100-150

174

EIGHT VARIOUS VESTA CASES. early 20th century, comprising of seven silver vesta cases including a small square example embossed with a golfer on each side, marked “925, STERLING” and makers mark “GJ”, probably North American, together with a silver plated vesta case, some of the above initialled; the latter 2” (5.1cm) long; 4.9ozt weighable silver (8).

£200-300

175

A 19TH CENTURY AUSTROHUNGARIAN PARCELGILT SNUFF BOX.

of rectangular form, with engineturned decoration, a husk & scroll thumbpiece and the cover inset with a painted panel of mother-of-pearl, makers mark “IS”, Prague 1840, together with an engraved card case/ wallet, a cigarette box and a rectangular vinaigrette; the card case 3.8” (9.8cm) long; 9.6ozt (gross).

£150-250

176

AN ELIZABETH II PART SILVER & ENAMEL DRESSING TABLE SETNAVAL INTEREST.

comprising of a compact, two comb holders and a lipstick dispenser, each decorated with blue enamel and with an applied Naval coronet, by Adie Brothers Ltd, Birmingham 1951, together with five silver mounted cut-glass jars/ bottles, a loose cover and a mounted blotter, initialled, by two different makers, London 1925-28; the largest jar 6.6” (16.7cm) high; 6.5ozt weighable silver (11).

£120-160

177

A LATE 19TH CENTURY CONTINENTAL SILVER TEA CADDY. of bombé form, with a lion finial, decorated in relief with classical figures in landscape scenes, foliate scrolls & husks, with pseudo marks and import marks for John George Smith, London 1899; 5.5” (14cm) high; 7ozt.

£100-150

178

AN EDWARDIAN SCENT/ TOILET WATER SET. with four silver mounted cut-glass bottles, each with applied monograms to the covers and each shaped to fit a leather travelling case (inscribed), by Percy Whitehouse, London 1905; the case 6.25” (15.7cm) long.

£150-250

179

A GEORGE III SILVER SNUFF BOX. rounded rectangular form and with reeded decoration, gilt interior, by Thomas Phipps & Edward Robinson, London 1803, together with three Dutch boxes, a small patch or pill box and a cased travelling icon; the largest box 3.1” (8cm) long; 6ozt (6).

£150-250

180

ELEVEN VARIOUS METAL LIGHT/ MATCH HOLDERS. the largest 6.1” (15.5cm) long (11).

£200-300

181

THIRTEEN WOODEN/ LACQUER LIGHT/ MATCH HOLDERS. including a plated example, initialled & dated; the largest 8.2” (20.8cm) long (14).

£100-150

182

A PAIR OF VICTORIAN SILVER CANNISTERS.

one for use as a candle holder and the other a go-to-bed, of cylindrical form, with pull-off covers and knop finials, by Joseph & John Angell, London 1838, together with an Edwardian silver matchbox/ light holder combined, by James Deakin & Sons, Chester 1901, a Berry’s patent travelling match holder, crested & initialled and a brass goto-bed inset with hardstones; the cannisters 2.75” (7cm) high; 6.3ozt weighable silver (5).

£120-160

183

A LATE VICTORIAN HEART-SHAPED SILVER MATCH/ LIGHT HOLDER. with a punch-bead border, embossed decoration and on ball feet, by Stokes & Ireland Ltd, Chester 1896; 4.25” (10.6cm) long; 2.1ozt. £80-120

184

NINE SNUFF BOXES.

to include two horn examples, a tortoiseshell box, a papier-maché box, a pewter box, a continental silver & enamel box the cover inset with a coin, a burr-wood example and three other boxes; the largest 3.4” (8.7cm) long; 4.3ozt weighable silver (10).

£100-150

185

A VICTORIAN SILVER EAR TRUMPET. with an extending ear-piece, by Charles Shaw, London 1846; 8.6” (22cm) high; 4.1ozt.

£100-150

186

A GEORGE III SILVER VINAIGRETTE. canted rectangular form, the cover engraved with stylised crescents, gilt interior, by Samuel Pemberton, Birmingham 1781, together with a George IV rectangular vinaigrette, with a suspensory loop to one end, engine-turned decoration and a gilt interior, by Ledsam & Vale, Birmingham 1821 and a Victorian shaped rectangular vinaigrette with engraved decoration, gilt interior, by David Pettifer, Birmingham 1854; the largest 1.1” (3cm) long; 0.96ozt (3).

184

188

A GEORGE V 9CT. GOLD SLIDEACTION CIGARETTE CASE. rounded rectangular, with engineturned decoration, applied initials to the cover and the interior inscribed, by Goldsmiths & Silversmiths Co. Ltd, London 1929; 4.8” (12.3cm) long; 5.4ozt (168grams).

£2500-3000

189

£150-200

187

A VICTORIAN SILVER VINAIGRETTE. shaped rectangular, with a suspensory loop to one side, a foliate thumbpiece and the pierced grille with floral scrolls, initialled, by Nathaniel Mills, Birmingham 1842, together with a George III vinaigrette, makers mark “IT”, initialled, Birmingham 1819 and a George IV vinaigrette with reeded borders, by William Simpson, Birmingham 1826; the latter 1.5” (3.9cm) long; 1.55ozt (3).

£150-200

A WILLIAM IV SILVER VINAIGRETTE. rectangular, with a raised foliate scroll border, engine-turned decoration and a suspensory ring to one side, initialled, gilt interior, by Francis Clark, Birmingham 1831, together with another rounded rectangular vinaigrette, initialled, (A/F), 3 circular patch boxes and a modern continental box with a felt lining, mixed makers & dates; the largest vinaigrette 1.5” (3.8cm) long; 1.4ozt (6).

£120-160

190

A 19TH CENTURY SILVERGILT RECTANGULAR VINAIGRETTE. decorated with textured banding and a vacant cartouche, the grille with a bird & flowers, marks partially lost, Birmingham 1816 (possibly); 1.25” (3.2cm) long; 0.55ozt.

£100-150

194

THE WORSHIPFUL COMPANY OF FISHMONGERS.

an Edwardian silver box, rounded rectangular form, with gadrooned borders, the cover engraved with the crest & motto of the company and inscribed “Fishmonger’s Company 9th July 1902”, by Mappin Brothers, Chester 1902; 3.3” (8.5cm) long; 4.5ozt.

£100-150

195

AN EDWARDIAN SILVER DRESSING TABLE MIRROR.

with a textured finish, by Sarah Jones, London 1905, together with another hand mirror & matching brush, initialled, a mesh purse, initialled and a silver mounted comb, mixed makers & dates; the largest mirror 12.1” (31cm) long (5).

£100-150

196

A 19TH CENTURY FRENCH SILVER & NIELLO-WORK SNUFF BOX. rectangular with rounded corners, the body decorated with geometric designs and the cover with an applied gold thumbpiece, gilt interior, indistinct mark to the cover; 3.3” (8.5cm) long; 3.5ozt.

£200-300

191

A WILLIAM IV SILVER VINAIGRETTE. rectangular, with engraved decoration, inscribed “JESS” on the cover, the grille pierced with a flower & scrolls, gilt interior, by Joseph Willmore, Birmingham 1833, together with a William IV smaller engraved vinaigrette, initialled “E.C” over “M.D” on the cover, gilt interior, by Nathaniel Mills, Birmingham 1828; the former 1.25” (3.2cm) long; 0.62ozt (2).

£120-160

192

SILVER MINIATURES OR TOYS.

5 chairs, 2 tables, a matched threepiece tea set, a bookcase, a candlestick, a wooden mounted two-handled tea tray, a tea caddy and 4 charms, mixed regions makers & dates, mostly British and some Dutch, together with a continental silver articulated fish with coloured glass eyes, unmarked; the fish 5.5” (14cm) long; 6ozt weighable silver (19).

£100-150

AN EDWARDIAN SILVER TEA CADDY. bombé form, with embossed & chased decoration, a loop handle and gilt interior, by George Nathan & Ridley Hayes, Chester 1904, together with a pair of George III Feather-edge scissor snuffers, a small chamberstick and a Chinese napkin ring; the tea caddy 4.1” (10.5cm) long; 14ozt (4).

£150-250

197

A LATE 19TH/ EARLY 20TH CENTURY FRENCH SILVER & ENAMEL BOX. rectangular form, with bright-cut engraved borders, the cover decorated with a romantic scene within an oval polychrome border, the cover and sides with blue enamel & the base with geometric engine-turning, gilt interior, import marked for George Stockwell, London 1927; 3.5” (8.8cm) long; 6.1ozt.

£200-300

198

A VICTORIAN SILVER TRICKOPENING VESTA CASE.

rounded rectangular form, with niello decoration and a gilt interior, by Henry William Dee, London 1871; 2.1” (5.3cm) long; 1.22ozt.

£80-120

199

A VICTORIAN GLASS MOUNTED SILVERGILT SCENT BOTTLE. of square section, with embossed foliate decoration, a wrythen-fluted cover and the shield-shaped cartouche initialled “M”, by Arthur Willmore Pennington, Birmingham 1891, together with a small 19th century Russian silver & niello-work circular box, St. Petersburg (unknown master), and a modern silver & gold case with engineturned decoration, by W.H Manton Ltd, Birmingham 1959; the latter 3” (7.1cm) long; 3.4ozt (3).

£150-200

200

A GEORGE III SILVER TOOTHPICK BOX.

canted rectangular form, with scratch engraved borders, by Thomas Willmore, Birmingham c.1800 (no date letter), together with a George III silver vinaigrette, with a curved body, initialled, by Joseph Willmore, Birmingham 1806, a George V small rectangular box with engine-turned decoration and a Dutch toy or miniature tea caddy; the toothpick box 2.1” (6.5cm) long; 2.6ozt (4).

£200-300

201

AN EARLY 20TH CENTURY PAINTED METAL ADVERTISING VESTA CASE. resembling a wicker case of “MOET & CHANDON” champagne, together with a gilt-metal box with a painted inset in the cover, 2 gilt-metal & agate boxes and a German buckle; the vesta 2” (5.1cm) long (5).

£100-150

202

NORWEGIAN SILVER:-.

a pair of silver & enamel peppers in the form of owls, a glass mounted pepper caster, a pair of silver & blue enamel pepper casters, a small silver & enamel dish and 4 metal cigarette lighters, together with a continental silver vesta case with a slide-out mechanism, mixed makers & dates; the largest lighter 3.5” (8.8cm) long; 7ozt (11).

£120-160

203

A LATE 18TH/ EARLY 19TH CENTURY SILVER MOUNTED HORN SNUFF MULL.

with a curly end, the metal-mounted rim inscribed “Robt McFarlane” and the cover with an applied thistle initialled & inscribed “Dinna Forget”, unmarked c.1800; 3” (7.6cm) long.

£100-150

204

FOURTEEN VARIOUS VESTA CASES. three made of silver (a pig, a purse/ bag & an engraved example with a fob seal attached) and the following brass/ metal examples: a bust, Punch, trousers, champagne bottle, pig, elephant, owl, a figure with a conical hat, a musical instrument, a fish and a child, mixed makers & dates; the largest 2.4” (6cm) long; 2.9ozt weighable silver (14).

£100-150

205

A 20TH CENTURY DUTCH SILVER BOX.

oval form, profusely embossed & chased with a landscape scene of windmills, buildings, boats on the river, fisherman, maids & farmers, by Gebruder Niekerk of Schoonhoven c.1950; 6” (15.2cm) long; 11.1ozt.

£150-200

206

A 20TH CENTURY LEATHER DRESSING CASE.

fitted with the following silver mounted items:- 4 glass flasks, 2 circular jars (+ 2 smaller), an oval box, 2 tubular jars, 4 brushes, a mirror, a button hook & shoe horn (steel blades), also fitted with a notepad/ blotter, a thread case, leather box and 2 pouches, all pieces initialled to match and contained in original leather case (with original dust case), retailed by Asprey’s, by George Henry James, London 1925; the case 19.8” (50.5cm) long.

£200-300

208

A 19TH CENTURY PRESSED BURR WOOD BOX.

rectangular form, the cover decorated with a lion hunt, titled “CHASSE AUX LIONS” and the base with alternating stripes & chevrons, together with an oval tortoiseshell mounted box & cover depicting a fishing scene, unmarked and a navette-shaped tortoiseshell box, with inlaid decoration and the hinged cover opening to reveal a mirror; the former box 3.5” (9cm) long (3).

£150-250

209

TWO PAIRS OF 20TH CENTURY JAPANESE SILVER CHOPSTICKS. tapering form, with engraved decoration and connecting chains, marked “925” and “STERLING”; 8.6” (22cm) long; 3.8ozt (2).

£200-300

210

A 20TH CENTURY SILVER TABLE LIGHTER.

207

A LATE 19TH/ EARLY 20TH CENTURY CROCODILE LEATHER DRESSING CASE.

fitted with 5 silver mounted cutglass jars, a mirror, an ink/ light box, a wallet, a box and a manicure set, the silver by mixed makers & dates; the case 13.5” (34.3cm) long.

£150-250

in the form of a horn, with a screwout wick, by Walker & Hall, Sheffield 1936, together with a George VI baby rattle with a coral teether, makers mark partially worn, Birmingham 1937, a trio of Victorian wine labels, kidney-shaped and incised “PORT”, “SCOTCH” & “BRANDY”, by William Comyns & Sons, London 1895, another George III rectangular wine label with a bright-cut border and incised “MARSALA”, by Thomas Phipps & Edward Robinson, London 1808 and an unmarked example incised “SHERRY”; the lighter 4.5” (11.4cm) high; 3.95ozt (7).

£200-300

211

A MIXED LOT.

to include a Georgian mounted cutglass scent flask, an engine-turned card case, a pair of Chinese miniature/ toy tureens & covers, a scent flask depicting Napoleon, 2 thimble holders, a circular vinaigrette, a filigree case, a giltmetal notepad, a dressing table box and 3 folding fruit knives, mixed makers & dates; the card case 3.8” (9.7cm) long; 7.2ozt weighable silver (14).

£200-300

212

A CASED LATE 19TH/ EARLY 20TH CENTURY SILVER MOUNTED TORTOISESHELL DRESSING TABLE BOX OR CASKET.

rectangular form, the interior fitted with sewing implements and contained in original case; 8” (20.2cm) long.

£200-300

213

A CASED SET OF SIX SILVER BUTTONS.

circular form, each with a salmon in a textured ground, makers mark “WG” only, contained in original fitted leather box, retailed by Hamiton & Inches of Edinburgh, together with a George II bun pepper caster, a George III silvergilt baby rattle with a coral teether, initialled, makers mark “IB” or “IR”, London 1804, a Chinese menu card holder in the form of a fan, a small scent bottle/ flask, a continental box and a George III ovoid vinaigrette, with a lift-out pierced grille, marks partially worn; the case 7.8” (20cm) long; 5.25ozt weighable silver (7).

£100-150

214

A LATE VICTORIAN THREE-COLOUR SILVER PENCIL.

(red, black & blue), with coloured enamel sliders, a reeded body and a suspensory ring, incuse makers name, by S. Mordan & Co, London c.1890 together with 2 other Sterling silver pencils and a faceted hardstone mounted seal; the largest pencil 4.75” (12.1cm) long (4).

£200-300

216

A 19TH CENTURY SILVER VINAIGRETTE.

215 AN EDWARDIAN GOLD MOUNTED SILVER BOX.

of rounded rectangular form, the cover with an applied gold rope border, surrounding a micro mosaic insert of a dog (detached & broken but present) and the body inscribed “ROME 1843”, makers mark “C&R”, London 1909, together with 9 other various boxes/ cases, mixed makers and dates; the former box 3.25” (8.2cm) long; 24ozt (silver) 16grams (18ct.) (10).

£500-700

rounded rectangular form, with crosshatch engraving, a foliate thumbpiece and a pierced grille decorated with floral scrolls, inscribed, by Nathaniel Mills, Birmingham c.1835 (date letter unclear), together with a George V silver snuff box, rectangular form with rounded corners, decorated with an engine-turned cover & base, reeded sides and a floral border, gilt interior, by Lawrence Emmanuel, Birmingham 1911; the latter 2.5” (6.3cm) long; 3.3ozt (2).

£200-300

217 A LATE 19TH/ EARLY 20TH CENTURY CHINESE SILVER MOUNTED PIN CUSHION.

of oval outline, the sides decorated in relief with figures, animals, trees & buildings, by Wang Hing, Hong Kong c.1900, together with a pair of miniature or toy tankards, a Imperial Fruit Show medallion, a pair of miniature or toy trophy cups, a continental miniature or toy drinking vessel, 2 wine coasters (one lacking its wooden insert) and a miniature or toy playing card box, mixed makers & dates; the largest coaster 4.8” (12.3cm) diameter; 19.3ozt (10).

£200-300

218

A GEORGE V 9CT. GOLD PROPELLING PENCIL. with a cylindrical body, engine-turned decoration and a button release, initialled “W.W”, by Sampson Mordan & Co., London 1929; 4.8” (12.5cm) long (extended).

£200-300

219

222

A 20TH CENTURY SILVER DRESSING TABLE BOX. of rectangular outline, the body with engineturned decoration and an applied gold name plaque on the cover inscribed “Mary” and the interior fitted with a mirror & various hinged compartments, by Goldsmiths & Silversmiths Co. Ltd, London 1936; 19.8ozt.

£300-400

A LATE 19TH/ EARLY 20TH CENTURY PRESSED TORTOISESHELL BOX. shaped rectangular outline, the cover with three putti with instruments inside a shaped vignette, together with four tortoiseshell paper knives (one with a silver handle), a Far-Eastern tortoiseshell beaker, a Barbados souvenir box and two coins; the silver handled paper knife 15.25” (38.7cm) long (9).

£200-300

220

A LATE 19TH/ EARLY 20TH CENTURY CHINESE FILIGREE SILVER CARD CASE.

shaped rectangular outline, with applied birds & dragons and contained in original box, retailed by Khechoungming, unmarked c.1900; the box 4.5” (11.5cm) long; 2.1ozt.

£150-250

221

TWO LATE 19TH/ EARLY 20TH CENTURY ITALIAN SILVERGILT & ENAMEL COMPACTS.

one shaped oval and the other canted rectangular, the oval example decorated on the cover with classical figures and a cherub, the rectangular one with a romantic scene, both with engraved decoration and marked “800” & “ITALY” c.1900; the largest 3.1” (8cm) long; 5ozt (gross) (2).

£200-300

223

A GEORGE VI 9CT. GOLD CIGARETTE CASE, BY CARTIER LTD. of rectangular form, with a sapphire-set button release and the whole decorated with diagonal lines, the interior engraved with two crests, London 1937; 4.2” (10.5cm) long; 4.5ozt (140.5grams).

£2000-3000

224

AN EARLY VICTORIAN DRESSING BOX. the Coromandel box with brass mounts, a jewellery drawer and a Bramah lock (no key), the interior fitted with 11 silvergilt mounted bottles/ jars, initialled, by William Neal, London 1843; the box 13” (33cm) long.

£200-300

226

A LATE 19TH/ EARLY 20TH CENTURY FRENCH SILVERGILT SNUFF BOX. of oval form, the whole with engine-turned decoration and the cover inset with a miniature portrait of a lady, marked to the inside rim with a makers mark (“A, device, D”), in a lozenge-shaped punch, c.1900, together with a navette-shaped mother-of-pearl mounted box, initialled and unmarked, and a mother-of-pearl & silver overlay étui, with faceted sides and marked indistinctly to the inside rim; the snuff box 3” (7.7cm) long (3).

£200-300

225 A GILT-METAL ÉTUI. with a waisted body, engraved decoration, reeded borders and a suspensory ring & chain, the interior missing most of its implements, together with a French gilt-metal mounted étui (also missing most of its implements), a gilt-metal mounted circular glass scent flask, a silver mounted opaline glass scent bottle and two silver mounted coloured glass scent bottles; the former étui 4.5” (11.5cm) long (6).

£200-300

227

A GEORGE V SILVER MOUNTED HARDSTONE BOX. rectangular form, with applied gold initials to the cover and a shagreen striker to the base, retailers mark of “Asprey”, by George Betjemann & Sons, London 1921, together with an Edwardian silver mounted tortoiseshell tea caddy, by Martin, Hall & Co, Sheffield 1905; the latter 3.8” (9.8cm) high (2).

£200-300

228 A MIXED LOT.

to include 3 silver mounted scent bottles, a cased cheroot holder, a Far-Eastern silver vesta case, an oriental brass vesta case, a silver bookmark, a vesta case decorated with faux tortoiseshell, a silver seal, initialled, a silver mounted ruby glass scent bottle and a vesta case in the form of a flask; the ruby scent bottle 3.1” (8cm) high (11).

£120-160

229

THREE SILVER BOOK MATCH HOLDERS.

one with two-tone gold stripe decoration, initialled, probably North American, one with bevelled sides and an applied crest, inscribed, by William Neale & Son Ltd, Birmingham 1934 and an engraved example, initialled, by Boots Pure Drug Company, Birmingham 1946; the largest 2.5” (6.3cm) long; 3.85ozt (3).

£70-100

233

230

FIVE ENGRAVED VESTA CASES.

to include three Dutch silver examples, one kidney-shaped silver vesta case, by Cornelius Desormeaux & James Francis Hollings, Birmingham 1900, and a metal one with a trickopening; the largest 2.3” (5.8cm) long; 2ozt (5).

£60-80

231

SIX CONTINENTAL SILVER VESTA CASES.

to include a lozenge-shaped vesta, initialled, 2 depicting romantic scenes, an engraved rounded oblong vesta and 2 German embossed vestas, mixed regions & dates; the oblong example 2.75” (7cm) long; 4ozt (6).

£120-160

232

FIVE SILVER VESTA CASES.

comprising of one with diagonal fluting, by Rolason Brothers, Birmingham 1893, a Victorian rounded oblong vesta with crosshatched decoration, makers mark “E&B”, Birmingham 1884, a plain rounded rectangular vesta with a button-release, by Charles Rawlings & William Summers, London 1860, and 2 continental examples with textured finishes (one rounded oblong & the other rectangular); the largest 2.25” (5.7cm) long; 4ozt (5).

£80-120

233

THREE SILVER VESTA CASES.

a North American example decorated with floral scrolls and the applied enamel Arms of Canada, a vesta with an applied enamel motif of rampant lions supporting a serpent-like creature within a corded border, by William Neale, Chester 1900 and one with an applied enamel spread eagle, makers mark partially worn, Birmingham 1886; the North American one 2.4” (6.2cm) long; 1.6ozt (3).

£100-150

* Buyers premium of 30% (25% plus VAT)

228

234

SEVEN VARIOUS SILVER VESTA VASES. mixed makers & dates, some initialled; the largest 2.6” (6.5cm) long; 5.8ozt (7).

£120-160

235

FOUR SILVER VESTA CASES.

to include a continental niello example with a slide-out mechanism and a serpent button, unmarked, a filigree vesta, one with a crocodile-skin finish and an applied shield-shaped cartouche (vacant) and one in the form of a bag/ case, mixed regions & dates; the niello vesta 2.25” (5.7cm) long; 3.4ozt (4).

£100-150

236 *

A GEORGE V SILVER “BALL” TABLE LIGHTER. mounted on a gimble and with a hippopotamus tusk handle, by Andrew Barrett & Sons, London 1911; 11.8” (30cm) long.

*Marshal of the Royal Air Force The Viscount Trenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

237

ROSENBERG, M: DER GOLDSCHMIEDE MERKZEICHEN. 1922-1928, with dust wrappers (in four volumes).

£50-70

239

A VICTORIAN SILVER PRIZE MEDALCREWKERNE INTEREST. of circular form, with a suspensory ring, engraved on the front “Prize medal for English Elocution” and “Adjudged to Master John Wall Row* by Impartial Umpires June 1841”, by John & Henry Lias, London 1840; 1.9” (5cm) diameter; 0.75ozt * John Wall Row (18261866), was a local boy and awarded the above prize at the age of 15. He married Lydia Hodge, resided at Gouldsbrook House and owned a sail cloth factory on North Street.

£400-500

240

A GEORGE III SILVER NUTMEG GRATER. of canted rectangular form, with a pull-off cover and base and engraved decoration, by Thomas Wilmore, Birmingham 1798; 1.25” (3.2cm) long; 0.55ozt.

£120-160

238*

A GEORGE V SILVER PRESENTATION TROWEL. with an ebonised turned handle, inscribed “THE FOUNDATION STONE OF THE CHURCH OF ST. ALPHAGE, HENDON. WAS LAID BY AIR CHIEF MARSHALL SIR HUGH MONTAGUE TRENCHARD*, BART.

G.C.G., D.S.O., CHIEF OF THE AIR STAFF ON THE 4TH OF JANUARY 1927”, below the emblem of the R.A.F, by Blunt & Wray Ltd, London 1926; 12.5” (31.7cm) long

*Marshal of the Royal Air Force The Viscount PTrenchard GCB, OM, GCVO, DSO (1873 - 1956).

£200-300

238

240

239

MISCELLANEOUS OBJETS D’ART:-.

a pair of Far Eastern silver spoons, a silver butter spreader, a silvergilt acorn knop spoon, a spoon with a mother-of-pearl bowl, a silver & enamel spoon, a pair of plaques in the form of a coat of arms, an embossed copper plaque, a photograph frame with agate bosses, 2 eyeglasses, 2 wooden boxes, a pair of gilt-metal clips, a papier-maché box, a treen box, a small micro-mosaic plaque, 2 pencils, 3 dip pens, a cased meerschaum pipe, a mounted mother-of-pearl box, 2 lace bobbins & another sewing implement, a rounded rectangular metal snuff box and a small model of a clock; the copper plaque 7.4” (18.7cm) long; 7ozt weighable silver (31).

£200-300

242

A LATE 19TH/ EARLY 20TH CENTURY GOLD PROPELLING PENCIL.

with an engine-turned body, a bloodstone-set terminal and applied suspensory ring, unmarked c.1900, together with a horn snuff box (A/F), a gold toothpick, a gold & enamel cased pencil, a silver toothpick, 2 silver pencil holders, a silver swizzle stick and a silver propelling pencil; the latter 4.6” (11.7cm) long (9).

£100-150

243

A 20TH CENTURY BAHRAIN GOLD 10 DINARS - ISA TOWN.

one side with the bust of Isa bin Salman Al Khalifa (ruler of Bahrain 1961-1999) facing left, and the reverse with a crowned coat of arms within an octagon, dated “1388-1968”, the script in both Arabic & English, inside a gold mount with suspensory ring; 1.25” (3.2cm) diameter; 17.7grams (gross).

£300-400

244

A CASED ELIZABETH II 9CT. GOLD, THE ROYAL WARRANT HOLDERS ASSOCIATION MEDAL.

inscribed “The Viscount Marchwood 2002” and the ribbon with a 9ct. gold clasp inscribed “Past President”, contained in original fitted box, together with a smaller silvergilt example, the clasp inscribed “Viscount Marchwood”; the former 1.2” (3cm) diameter (2).

£200-300

245

A 20TH CENTURY 9CT. GOLD MOUNTED CIGAR CUTTER.

with engine-turned decoration, by S. J Rose & Son, Birmingham 1955, together with 2 pairs of cufflinks, a threepence piece, a small silver shot flask, initialled. a miniature portrait of a lady painted on porcelain and 8 opium weights; the cigar cutter 2.8” (7.2cm) long (16).

£100-150

246

A CASED 19TH CENTURY BANDED AGATE SEAL.

with a faceted tapering body and the oval matrix engraved intaglio with a coat of arms and motto, contained in original fitted case, retailed by Hugh Bros Seal Engravers; the seal 4” (10.2cm) high.

£100-150

248

247 A 19TH CENTURY TIBETAN PARCELGILT LADY’S BELT.

T-shaped, with three woven wire straps, applied filigree mounts and inset with turquoise fragments, unmarked; 18.5” (47cm) long (approx); 10.2ozt.

£150-200

A QUANTITY OF MOTHER-OF-PEARL GAMING COUNTERS. in various shapes, also including some bone examples; the largest ones 2.1” (5.5cm) long (qty).

£200-300

244

247

249

PLACIDO ZULOAGA (1834 - 1910).

A damascened watch holder of oxidised steel with clip and suspensory chains inlaid with scrolling patterns in gold and silver . The reverse engraved with PZ monogram, 16.5 cms. long

*Placido Zuloaga is considered a master of his craft, inspired by the art of the Nasrid dynasty in the Alhambra.

£300-400

250

A RARE 17TH CENTURY GILT BRASS SEALING WAX HOLDER.

dated 1653 and inscribed ‘Thomas Stanfall, disce mori,’ and ‘I was in Sheffield made & many can prove that I was not made by any man’. Each end is hinged , one with seal of T.S. and a bird, with overall engraved and pricked decoration of flowers and acorns, 14 x 2 x 1.5cm.

£400-600

251

MINIATURE PORTRAIT OF A GENTLEMAN.

with long brown natural wig and wearing lace jabot and burgundy coat, oil on card, c. 1690, 6.5 x 5.5cm in gilt metal frame with spiral cresting.

£300-400

252

MINIATURE PORTRAIT OF A LADY.

wearing dark crimson dress over a white chemise, oil on copper (?) 3.75 x 3.25 cm c. 1720 in gilt metal frame with spiral cresting.

£250-350

253

MINIATURE PORTRAIT OF A GENTLEMAN.

wearing dark green coat, white waistcoat and stock, English School c. 1810 , watercolour on ivory ,7 x 6 cm , gilt metal frame

Ivory Submission Reference: VUVMQ4D8

CITES permit is included. Exporting outside the EU will require an additional export permit.

£150-250

256

AN OVAL ENAMEL SNUFF BOX.

white, the cover painted with a hunting scene within gilt scroll borders, the sides painted with stag hunting, rabbits and flowers, gilt metal mounts 8.5 x 10cm, an enamel snuff box painted with a harbour scene 5 x 8.5cm and a German porcelain snuff box painted with figures in a formal garden 6 x 8cm (3).

£250-350

254

MINIATURE PORTRAIT OF A GENTLEMAN.

wearing black coat , frilled white shirt and stock, watercolour on ivory English School c. 1810, 6.5 x 5.25 cm

Ivory Submission Reference: XBH6R6C4

CITES permit is included. Exporting outside the EU will require an additional export permit.

£150-250

255

ATTRIBUTED TO JOHN BARRY (F.1784 - 1827).

Miniature portrait of a gentleman wearing black coat, white chemise and stock, powdered hair worn en queue, watercolour on ivory 7 x 5.5cm. Gilt metal frame with bright cut border; reverse with gilt metalwork, seed pearl crest and initials.

Submission Reference: 37397BN4

CITES permit is included. Exporting outside the EU will require an additional export permit.

£500-700

256

* Buyers premium of 30% (25% plus VAT)

263

261

ENGLISH SCHOOL C.1835.

257

AFTER ANDREW PLIMER.

Miniature portrait of a gentleman believed to be Sir Brook Brockley, with powdered hair and wearing brown coat and white stock, on ivory, 6 x 4.5 cm gilt frame and a portrait of a young gentleman with powdered hair wearing frilled shirt and brown coat on ivory in wood frame, 6.5 x 4.5 cm (2)

Ivory Submission References: 3BPK7A45 AND PRDBZL84

CITES permit is included. Exporting outside the EU will require an additional export permit.

£300-400

258

JOSEPH DANIEL.

Miniature portrait of a young lady wearing white and yellow dress on ivory (cracked), 6.5 x 5.5 cm in gilt frame with pearl border

Ivory Submission Reference: RYHSY94L

CITES permit is included. Exporting outside the EU will require an additional export permit.

£150-250

259

INDIAN SCHOOL 19TH C.

Miniature portrait of an Indian princess wearing elaborate pearl necklace and headdress and holding a flower, on ivory 5 x 6 cm, in gilt frame with mother of pearl reverse

Ivory Submission Reference:

U745YNBP

CITES permit is included. Exporting outside the EU will require an additional export permit.

£100-150

260

THOMAS HULL.

Miniature portrait of a lady wearing white dress and bonnet with black lace shawl on ivory, 4.5 x 3.25 cm in gilt metal and hairwork frame and a lady in grey dress and lace bonnet c.1770 ,4.25 x 3.5 cm in gilt frame (2)

Ivory Submission References: LC4B2VD7 and 7L1SCK6U

CITES permit is included. Exporting outside the EU will require an additional export permit.

£250-350

263

AFTER RICHARD COSWAY.

Miniature portrait of a young gentleman wearing black coat, head and shoulders, on ivory 5.75 x 4.75 cm in gilt frame

Ivory Submission Reference: P45NG8HG

CITES permit is included. Exporting outside the EU will require an additional export permit.

£150-200

262

ATTRIBUTED TO WILLIAM EGLEY.

Miniature portrait of a clergyman, half length, on ivory 7 x 5.5 cm set in leather folding frame

Ivory Submission Reference: C2W9JVAP

CITES permit is included. Exporting outside the EU will require an additional export permit.

£200-300

Miniature portrait of a lady wearing grey silk dress, head and shoulders, on ivory ,4.5 x 3.5 cm set in the lid of an 18th c. French Vernis Martin snuffbox with gold mounts 8 cm dia

Ivory Submission Reference: BWKQDEYH

CITES permit is included. Exporting outside the EU will require an additional export permit.

£300-400

264

SAMUEL COTES.

Miniature portrait of a gentleman wearing blue coat and lace cravat, head and shoulders, signed with initials and dated 1757, on ivory 3.25 x 2.75 cm in garnet set gold frame

Ivory Submission Reference: YRAE7TYP

CITES permit is included. Exporting outside the EU will require an additional export permit.

£300-400

265

ENGLISH SCHOOL C. 1820.

Miniature portrait of an officer in uniform with red facings, head and shoulders,on ivory, 6.5 x 5.5 cm

Ivory Submission Reference: 943TVE3L

CITES permit is included. Exporting outside the EU will require an additional export permit.

£180-250

265

266

MANNER OF JOHN BOGLE.

Miniature portrait of a gentleman wearing dark blue coat with gold buttons, white stock, 4.5 x 3.5 cm in fish skin folding case

Ivory Submission Reference: 2GWMG5CS

CITES permit is included. Exporting outside the EU will require an additional export permit.

£200-300

267

ENGLISH SCHOOL LATE 18TH C.

268

ENGLISH SCHOOL.

Miniature portrait of a child wearing white bonnet, on ivory 3.75 x 2.75 cm, the reverse of the frame with blue eglomise panel and seed pearl initials 5 x 4 cm and a silver and paste pendant set with a navette shape portrait of a lady,overall 6 x 3.5 cm (3)

Ivory Submission References:

VUXJ8ZQ1 & 1PL92XYN

CITES permit is included. Exporting outside the EU will require an additional export permit.

269

ENGLISH SCHOOL C. 1820.

Miniature portrait of a lady wearing white dress, on ivory 6.75 x 5.5 cm and a Continental portrait of a lady with hair dressed with flowers and wearing pearl necklace and embroidered red shawl 6 x 5.25 cm (2)

Ivory Submission Reference: 92CNM4MN & J2UFWSR7” CITES permit is included. Exporting outside the EU will require an additional export permit.

£80-120

270

ENGLISH SCHOOL.

A Regency miniature portrait of a lady wearing black dress , 6.5 x 5.25 cm , portrait of a lady wearing white and yellow dress,7 x 6 cm , portrait of a lady with elaborately dressed hair c. 1900 , 9 x 7.25 cm and a Victorian portrait of a lady in pierced metal mount on ivory panel (4)

Ivory Submission Reference: RMLG0RF2

£100-200

A family group of four miniature portraits comprising a lady, gentleman and their two daughters, each head and shoulders, on ivory, pair 3.5 x 2.75 and pair 2.75 x 2.25 cm in gilt metal frames (4)

Ivory Submission Reference:

CW2JXC7E

CITES permit is included. Exporting outside the EU will require an additional export permit.

£300-500

CITES permit is included. Exporting outside the EU will require an additional export permit.

£100-200

271

ENGLISH SCHOOL C. 1826.

Miniature portrait of a young officer wearing red tunic and shoulder plate of 53 Foot, half length on ivory 8.25 x 7 cm. Indistinctly signed and dated.

Ivory Submission Reference: TLZCK2XL CITES permit is included. Exporting outside the EU will require an additional export permit.

£100-200

ENGLISH SCHOOL C. 1900.

Miniature portrait of a gentleman wearing grey suit and spotted tie, probably photographic, 6.5 x 5.5 cm in 12 ct. gold frame

Ivory Submission Reference: KDHQ7318 CITES permit is included. Exporting outside the EU will require an additional export permit.

£100-200

273

CIRCLE OF WILLIAM EGLEY.

Miniature portrait of a lady in black with red shawl and lace collar and veil, on ivory 10 x 8 cm

Ivory Submission Reference: 1Y5NGDYN CITES permit is included. Exporting outside the EU will require an additional export permit.

£300-400

274

CIRCLE OF CHRISTIAN ZINCKE.

Miniature portrait of a lady , her black coat trimmed with white fur, enamel, 4 x 3.25.

£400-600

275

CIRCLE OF HENRY BONE.

Miniature portrait of Roger Aschen with grey beard and wearing black jacket, enamel 7.25 x 5.75 cm.

£300-400

276

CUNARD LINE INTEREST. A SILHOUETTE GROUP. showing two officers on board ship, one holding a sextant, the other a log; below are five gentlemen, including one with a telescope, one with a bag of money (inscribed £40,000) and one with a bunch of keys, 44x 54 cm. Ink heightened with gilding.

*Family tradition has it that the group commemorates the first Transatlantic crossing by Samuel Cunard and Company’s vessel in 1839.

£800-1000

Lot 428. ROGER HILTON, CBE (1911-1975) RED SUN (1974)

Signed with initials and dated 74, gouache and charcoal, 59 x 50.5cm.

Estimate: £3000-5000

TUESDAY 24 TH SEPTEMBER

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

ARTIST'S RESALE RIGHT ('DROIT DE SUITE') ( ‡ )

Pictures and original prints by European artists are subject to a resale royalty if the hammer price exceeds 1000 Euros. This has now been extended to include living artists and all European artists who have died since 1952. The buyers of such lots agree to pay Lawrences this royalty and we shall forward it to the artists’ collecting agents. The rate varies as follows:

€1000.00 to €50,000 – 4%

€50,000.01 to €200,000 – 3%

€200,000.01 to €350,000 – 1%

€350,000.01 to €500,000 – 0.5%

Exceeding €500,000 – 0.25%

ARR is capped at €12,500

The artists to whom this applies are marked (‡) after the lot number in the catalogue.

RICHARD KAY

Picture Specialist

T. 01460 73041

E. richard.kay@lawrences.co.uk

Prints, Watercolours & Drawings

277

AFTER ARNOLDUS MONTANUS (1625-1683)

DIE UNBEKANTE NEUE WELT, ODER BESCHREIBUNG DES WELT-TEILS AMERIKA UND DES SUD LANDES

Four engravings of Boavista, St. Francisco de Campeche, Alagoa ad Austrum and De Stadt St. Martin, from the set of twelve, published c.1673. (4)

£400-600

278

GIOVANNI BATTISTA PIRANESI (1720-1778)

VASI, CANDELABRI, CIPPI, SARCOPHAGI, TRIPODI, LUCERNE (Pls 41, 57)

Two, etchings (from the set of 114), after the 1778 edition (each image paginated upper right corner), each with central horizontal crease where formerly folded, framed as a pair

67 x 36cm and 60 x 52cm approx. (2)

£500-700

284

279

WILLIAM HAYES (1729-1799)

PHEASANT; BULLFINCHES

Two, etchings with hand colouring, each signed, titled and dated 1779 in margins

30.5 x 43.5cm.; and 44 x 31.5cm.; with ‘The Bantam-Cock’, also by Hayes (not signed in ink), etching with hand colouring, published 1771, 33.5 x 28cm. (3).

£80-120

280

AFTER GEORGE STUBBS, ARA (1724-1806)

BROWN HORSE MASK (Siltzer 270)

Mezzotint, by G. T. Stubbs, apparently a later restrike, originally published by Robert Sayer, 1773, Image 40.5 x 56cm.

£200-300

281

HERBERT THOMAS DICKSEE (18621942)

A BRITISH BULLDOG

Etching, printed by Frost & Reed, 1913, on vellum, signed in pencil

36.5cm diameter.

£150-200

282

ITALO-DUTCH SCHOOL, CIRCA 1600 FOUNTAIN DESIGNS

Two, graphite, on paper formerly gummed onto support sheets

Each 32 x 20cm. (2).

£200-300

283

FOLLOWER OF GIOVANNI FRANCESCO GRIMALDI (1606-1680)

TRAVELLERS WITH A DOG ON A PATH NEAR A TOWN

Red chalk

14.5 x 18cm.

£120-180

284

STEFANO DELLA BELLA (1610-1664) MAN ON HORSEBACK, GESTURING BEHIND

Graphite, lightly executed, ink framing lines

Sheet 15.2 x 13cm approx.

£200-300

285

CIRCLE OF JAN VAN GOYEN (15961656)

VILLAGE VIEW, WITH CHURCH AND OTHER BUILDINGS BY A RIVER, WITH A BOAT

Black chalk and grey wash

8 x 18.8cm.

£120-180

* Buyers premium of 30% (25% plus VAT)

286

ITALIAN SCHOOL, 17/18TH CENTURIES

A FOLIO OF FIVE OLD MASTER DRAWINGS

Comprising a study of a standing

Classical figure, ink and wash, 16.5 x 9.5cm.; Figures harvesting, red chalk, 13 x 18cm.; Classical ruins, inscribed, graphite and grey wash, 22 x 18cm.; and after Raphael, ‘Lot and his Daughters fleeing the Destruction of Sodom’ and ‘Jacob complains to Laban’ [Palazzo Apostolico], sepia ink and wash, 22.5 x 26cm., unframed (5)

Provenance: London, purchased from the dealers Annabel Popovic and Richard Philip; Private Collection.

£300-500

287

SAMUEL HIERONYMUS GRIMM (1733-1794)

A VIEW IN PICARDY

Signed and dated 1770, watercolour with pen and ink

19 x 24cm.

Provenance: London, Sothebys, November 21st 1968, lot 77; London, Leger Galleries, November 1971; Chedworth, Newman Fine Art, April 2015.

£600-800

288

290 THOMAS ROWLANDSON (17561827)

THE WAGGONER

Signed, watercolour with pen and ink, in a veneered frame

14.5 x 10.5cm.

£100-150

291

ANTHONY DEVIS (1729-1816)

FIGURES BY ABBEY RUINS

Pen and grey ink with grey wash, traces of pencil

30 x 43cm.

Provenance: London, Abbott & Holder.

£200-300

JOSHUA GOSSELIN (1739-1813)

NEAR GUILDFORD (?)

Pen and brown ink with coloured washes

16 x 21.5cm.

Provenance: By descent in the family of the artist; London, Abbott & Holder, April 2000 (£350).

£150-200

289

CAPTAIN FRANCIS GROSE (17311791)

BAYHAM ABBEY, SUSSEX; BUILDINGS AT ROBERTSBRIDGE

Two, pen and ink and coloured washes

Each 10 x 15.5cm. (2)

Provenance: Randall Davies; Dudley Snelgrove; London, Benjamin C. Hargreaves, January 1994 and January 1999 (£175 and £200 respectively)

Illustrated: ‘Grose’s Antiquities of England of Wales’, engraved by Godfrey or by Sparrow.

£150-200

292

ANTHONY DEVIS (1729-1817)

A VIEW FROM THE FIELDS ABOVE THE PARSONAGE, ALBURY, SURREY; VIEW ON THE ALBURY ROAD

Two, the latter signed with monogram, pen and grey ink with coloured washes

13.5 x 20cm and 13 x 19.5cm. (2)

* In 1780, Devis moved to Albury House near Guildford in Surrey where he built the mushroom-shaped painting studio seen in one of these subjects. The tiny hut became known as ‘Mushroom Hall’ but its use did not lead to Devis’s greater renown as he was not to show any new works publicly after 1781.

Provenance: London, Leger Galleries, June 1985; Spink-Leger.

£200-300

293

CORNELIUS VARLEY (1781-1873)

TIVERTON, DEVON

Signed, titled and dated ‘June 1824’, pencil

38 x 27.5cm.

* St Peter’s Church in Tiverton dates from 1073 and was praised effusively by Pevsner for being ““a gorgeously ostentatious display of civic pride””.

Provenance: London, Abbott & Holder, June 2103 (£475).

£100-150

294

NICHOLAS POCOCK (1740-1821)

FRIGATES AND OTHER VESSELS

Signed and dated indistinctly, watercolour with pen and black ink 21.5 x 32cm.

with a coloured etching by Pocock of a similar subject, signed and dated 1816(?), 21.5 x 32cm, each in maple veneered frames. (2).

£100-150

THOMAS SHOTTER BOYS (1803-1874)

THE CATHEDRAL PORCH, REGENSBURG

Signed and dated 1836, watercolour and pencil, heightened with touches of white

27.5 x 22cm.

Exhibited: Nottingham University Art Gallery, Centenary Exhibition, 1974, no. 37; London, Thomas Agnew and Sons Ltd

Provenance: London, The Fine Art Society Ltd, February 1960; London, Sothebys, November 16th 1989, lot 109.

£2500-3500

296

GEORGE CUITT JUNIOR (1779-1854)

TWO BOTANICAL STUDIES, ONE WITH A BUTTERFLY

A pair, both signed and dated 1827, watercolour and bodycolour

Each 25.5 x 19.5cm approx; set into a diptych, the inner wings comprising two landscape scenes with a country house and a watermill, these possibly by James Burrell Smith; with a similar diptych, comprising four subjects by a later, unidentified hand (two of the subjects copying the ‘Burrell Smiths’ mentioned above), each image 25 x 19cm approx.; each gilt glazed wing with trailing motifs on the friezes (2)

* The finely drawn and richly coloured subjects by Cuitt are an atypical curiosity. He was born in Richmond, Yorkshire and studied under his father before becoming an accomplished etcher, much inspired by Piranesi’s etchings of Roman antiquities. Cuitt taught in Chester and published painstakingly resolved etchings of historical architectural subjects. Upon his return to Yorkshire, he built a house at Masham and published his collected works, ‘Wanderings and Pencillings amongst the Ruins of Olden Times’, a title which encapsulates his most characteristic subject matter. He died at Masham in 1854 and these two diptychs originate from a collection in that village.

£500-800

297

EDWARD LEAR (1812-1888)

THEBES

Inscribed and dated ‘Thebes.July 4.1848’, also inscribed and dated ‘Thebes/4 July 1848’, inscribed with artist’s notes, pen and ink and watercolour heightened with white 23 x 42.5cm.

Provenance: London, Spink & Sons Ltd; Private Collection, USA; Private Collection, London

* Lear visited Egypt four times: 1848, 1853, 1854 and 1866-7. In a letter to his friend Chichester Fortescue, Lord Carlingford, in 1849, Lear was exuberant: ‘I strongly long to go to Egypt for the next winter as ever is, if so be as I can find a sufficiency of time to allow of my passing 4 or 5 months there. I am quite crazy about Memphis & On & Isis & crocodiles and ophthalmia & nubians, and simooms & sorcerers & sphingidoe. Seriously the contemplation of Egypt must fill the mind, the artistic mind I mean, with great food for the rumination of long years.’ (Lady Strachey, The Letters of Edward Lear, London, 1907, pp. 8-9.)

£1500-2000

298

EDWARD LEAR (1812-1888)

ZANTE

Inscribed ‘Zante. April2/1848/21’, pen and brown ink heightened with white over pencil, on buff paper 26.25 x 44cm.

* Lear first visited the island of Zante in 1848, returning in May 1863 in order to make sketches for his volume of lithographs, ‘Views in the Seven Ionian Islands’. Lear struggled to find ‘picturesque combinations of landscape’ on Zante and, indicating his frustrations, he described the plain as ‘one unbroken contrivance of future currant-dumplings and plum-puddings’. Nonetheless, one could hardly deny that Lear has found an impressive vista in this composition.

Provenance; London, Guy Peppiatt Fine Art Ltd, from whom acquired by the owner.

£1500-2500

299

WILLIAM JOY (1803-1867)

A STIFF ONSHORE BREEZE WITH A DISMASTED MERCHANTMAN

FOUNDERING ON THE ROCKS

Signed and dated 1856,watercolour

27.5 x 38cm.

£300-400

300

WILLIAM FREDERICK MITCHELL (1845-1914)

A PADDLE TUG TOWING A FRIGATE

Signed, numbered 110, watercolour and pencil

49 x 72cm.

Provenance: Acquired from the artist’s son by the owner’s father.

£400-600

301

WILLIAM FREDERICK MITCHELL (1845-1914)

BEACHED VESSELS AFTER A STORM

Signed, numbered 230, watercolour and pencil, heightened with white 50.5 x 72cm.

Provenance: Acquired from the artist’s son by the owner’s father.

£400-600

302

WILLIAM FREDERICK MITCHELL (1845-1914)

HMS CHARYBDIS

303

REGINALD BARRATT (1861-1917)

AN ARAB WITHIN RUINS, CAIRO

304

HENRY STANIER (C.1832-1892)

A FIGURE BY A POOL AT THE ALHAMBRA

Watercolour

50.5 x 34cm.

£200-300

305

HENRY JOHN SYLVESTER STANNARD (1870-1951)

THE RESTFUL HOUR

Signed, also signed and inscribed on a label affixed to the new backboard, watercolour

43.5 x 90.5cm.

£150-200

306

FLORENCE SMALL (1860-1933)

PORTRAITS OF IAN MACKINNON (ne JAMESON, 1908-1972); AND HIS SISTER, ISLA

Signed and dated 1903, numbered 2201, watercolour with pen and ink, heightened with touches of white 9.5 x 12.5cm.

Provenance: Acquired from the artist’s son by the owner’s father.

£120-180

Signed and dated ‘Cairo 90’, watercolour 45 x 26.5cm.

£300-500

A pair, each depicted standing full length, he wearing a kilt, she wearing a white tulle dress, both signed, he also dated indistinctly, pastels on buff paper

Each 108 x 53cm approx (2)

Provenance: By descent in the family of the sitters.

£400-600

307

ANTONIO DE SIMONE (1851-1907)

HMS POLYPHEMUS IN THE BAY OF NAPLES

Signed and dated 97, gouache 26 x 49.5cm.

* The ‘Polyphemus’ was a torpedo ram cruiser: a fast-moving vessel with a shallow draft designed to penetrate enemy harbours and to pierce vessels with a protruding underwater lance. Launched in 1881, ‘Polyphemus’ was sold for breaking in 1903.

£200-300

308

WILLIAM LIONEL WYLLIE, RA (18511931)

BY FJORD

Signed, inscribed with title, watercolour

23 x 32.5cm.

* Possibly the title refers to Byfjorden, a fjord in Vestland county, Norway. The 15-kilometre long fjord separates the island of Askøy from the mainland Bergen Peninsula.

£200-300

309

ARCHIBALD THORBURN (18601935)

SEA TROUT BY A GRASSY BANK

Watercolour and bodycolour, probably a preparatory study

19.5 x 35cm.

Provenance: Auchterarder, Paul Hayes Gallery, where purchased August 8th 1991 (£1725); thence by descent.

£800-1200

311

REGINALD BARRATT (1861-1917)

VIEW FROM GIUDECCA, VENICE

Signed and dated 1907, also signed and inscribed on label on the backboard, watercolour

32 x 51cm.

Exhibited: London, The New Gallery, Summer Exhibition, 1907 (label on backboard).

£400-600

312‡

BLANCHE ODIN (1865-1957) POPPIES

Signed, watercolour

28 x 37.5cm.

Provenance: Edinburgh, Taylor & Brown.

£400-600

310

THOMAS SIDNEY COOPER, RA (1803-1902)

SHEEP ON A HEATH, RAIN CLOUDS BEYOND

Signed and dated 1864, watercolour and traces of pencil 16 x 23.5cm.

£120-180

Oil Paintings

314

MANNER OF ANNIBALE CARRACCI (C.1560-1609)

BOY WITH A DOG

Oil on canvas

25.5 x 20cm.

Provenance: Sothebys, Ludwigsburg, nr. Stuttgart, Schloss Monrepos, October 9-14th, part lot 450.

£200-300

313

AFTER RAPHAEL (1483-1520)

MADONNA DELLA SEDIA

Oil on canvas, painted circular

71.5 x 65cm.

* After the famous original of 1514 (Florence, Palazzo Pitti).

£300-500

315

NORTH ITALIAN SCHOOL, CIRCA 1600

PORTRAIT OF A CLERIC

Quarter length, wearing clerical robes, oil on copper, within an oval mount

19.5 x 17cm.

£200-400

316

FOLLOWER OF JACOPO BASSANO (1510-1592)

LAMENTATION OVER THE DEAD CHRIST

Oil on canvas

64.5 x 73cm.

£400-600

* Buyers premium of 30% (25% plus

317

ITALIAN SCHOOL, 17TH CENTURY

CHRIST AND THE CANAANITE WOMAN

Oil on canvas

60 x 72cm.

£300-400

318

FOLLOWER OF PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI (1657-1706)

PEASANT FAMILY WITH GOATS IN A ROCKY LANDSCAPE

Oil on canvas

54 x 84cm.

£450-600

319

VENETIAN SCHOOL, 18TH CENTURY

CHRIST AND THE WOMAN TAKEN IN ADULTERY

Oil on canvas, apparently cut down

77 x 127.5cm.

£600-800

320

AFTER FRANCESCO GUARDI (1712-1793)

CAPRICCIO WITH RUINED ARCH, FISHERMAN ON BRIDGE

Oil on canvas

25 x 30cm.

£600-800

321

322

FOLLOWER OF ABEL GRIMMER (C.1570-C.1619)

A MOUNTAINOUS RIVER LANDSCAPE SCENE WITH FIGURES TENDING SHEEP, A TOWN BEYOND Oil on panel

15 x 19cm.

£600-800

321

FOLLOWER OF FRANCESCO TIRONI (1745-1797)

ST MARK’S CLOCKTOWER, PIAZZA S MARCO, VENICE

Oil on canvas

22.5 x 31cm.

Provenance: Robert Shofforth (?), old handwritten label on stretcher, surname indistinct.

£250-350

323

FOLLOWER OF GERRIT ADRIAENSZ. BERCKHEYDE (1638-1698)

FIGURES WITH A HORSE CROSSING A RIVER, A TOWN BEYOND Oil on panel

18 x 23cm.

£150-200

324

MANNER OF PHILIPS WOUWERMAN (1619-1668)

FIGURES AND HORSES BY A BRIDGE

A pair, one signed ‘W. King’, oil on canvas, carved wood gilt frames

Each 35 x 40cm. (2)

Provenance: Mettingham Castle, Suffolk, the home of the Safford family from the late 18th century until 1867.

£800-1200

325

CIRCLE OF JAN WYCK (1645-1700)

ITALIANATE SCENE WITH FIGURES AND LIVESTOCK BY A BRIDGE IN AN EXTENSIVE LANDSCAPE

Oil on canvas

104.5 x 201cm.

£3000-5000

327

CIRCLE OF JAN FRANS VAN BREDAEL (1686-1750)

FIGURES WITH BOATS ON THE EDGE OF A LAKE, A TOWN BEYOND

Oil on copper

30.5 x 43cm.

£500-800

328

MANNER OF TOBIAS STRANOVER (1684-1756)

GARDEN SCENE, WITH A PEACOCK UPON A PILLAR, A FOUNTAIN BEYOND

Oil on canvas

123.5 x 68.5cm.

£400-600

326

CIRCLE OF RACHEL RUYSCH (1664-1750)

STILL LIFE OF MIXED FLOWERS IN A GLASS BOWL UPON A LEDGE, WITH A FLY, A BEETLE AND BUTTERFLIES

Oil on canvas

60 x 46cm.

£1500-2000

329

FOLLOWER OF ROBERT PEAKE THE ELDER (C.1551-1619)

PORTRAIT OF HENRY FREDERICK, PRINCE OF WALES (1594-1612)

Half length, wearing a brocaded red and cream tunic, ruff collar, holding a plumed hat under his left arm, oil on panel

51.5 x 41.5cm.

* The sitter was the eldest son and heir apparent of King James I and VI. Widely seen as a capable and charismatic heir, the Prince died of typhoid fever aged just 18. His brother Charles (1600-1649) became Prince of Wales in 1616 and succeeded to the throne in 1625.

Provenance: Collection of Lord Thurso, Caithness; Ballater, McEwan Gallery, 1993, by whom sold to the vendor.

£2000-3000

330

MANNER OF WILLIAM SCROTS (FL.1537-1554)

PORTRAIT OF EDWARD VI

Quarter length, wearing a brocaded tunic and hat, oil on canvas

52 x 40cm.

£500-800

331

FOLLOWER OF ROBERT BYNG (1666-1720)

PORTRAIT OF A YOUNG LADY

Full length, seated, wearing an ochre dress with blue mantle, holding flowers, oil on canvas, gilt frame with scroll- and flowerhead decoration

124 x 100cm.

£350-500

332

FOLLOWER OF JOSEPH HIGHMORE (1692-1780)

PORTRAIT OF A LADY

Half length, wearing a blue dress, oil on canvas, within a painted oval

73.5 x 61cm.

* Early portraits by the Somerset artist Richard Phelps (1710-1785) are similar.

£200-300

333

CIRCLE OF HUGH BARRON (1747-1791)

PORTRAIT OF A LADY

Quarter length, wearing a blue-green dress, gauze headdress and a black neck ribbon, oil on canvas, mounted oval, period frame with sanded gilt mount

71 x 51.5cm.

£600-800

334

CIRCLE OF FRANCIS MILNER NEWTON, RA (C.1728-1794)

PORTRAIT OF A GENTLEMAN

Quarter length, wearing a blue coat and red waistcoat, each with brocade, oil on canvas

73.5 x 61cm.

£500-700

335

CIRCLE OF SIR GEORGE HAYTER (1792-1871)

PORTRAIT OF JOHN AYRTON PARIS (1785-1856), PHYSICIAN

Quarter length, wearing academic robes, oil on canvas, apparently reduced in size at the lower edge

76 x 61.5cm.

* Paris made early causal connections between cancer and the risk of working in copper-smelting; he explored the occurrence of accidents in mining; he lectured on chemistry to the Royal Geological Society; and he was an advocate of complementary medicine and herbalism. He is thought to have invented the optical device known as the thaumatrope. Paris was elected President of The Royal College of Physicians in 1844.

Provenance: By descent in the family of the sitter.

£300-500

* Buyers premium of 30% (25% plus VAT)

336

FOLLOWER OF SIR FRANCIS GRANT, PRA (1803-1878)

PORTRAIT OF A LADY, TRADITIONALLY IDENTIFIED AS ELIZABETH KNIGHT (nee SPELMAN) (1762-1800), WIFE OF SAMUEL KNIGHT

Seated half length, wearing a russet dress with fur collar and a jewelled brooch, oil on canvas

89.5 x 69cm.

£400-600

337

CIRCLE OF SIR FRANCIS GRANT, PRA (1803-1878)

PORTRAIT OF SAMUEL KNIGHT (1754-1835)

Seated half length, wearing a dark suit and spectacles, oil on canvas

89.5 x 69.5cm.

£250-350

338

CIRCLE OF HENRY WILLIAM PICKERSGILL, RA (1782-1875)

PORTRAIT OF A GENTLEMAN

WEARING A FEZ, POSSIBLY TURKISH OR NORTH AFRICAN

Bust length, wearing a dark green tunic, in a landscape, oil on canvas

39.5 x 33cm.

£300-500

339

CIRCLE OF GEORGE ARNALD, ARA (1763-1841)

‘THE COMING STORM’: FIGURES ON A WOODED TRACK, CASTLE RUINS BEYOND

Bears indistinctly inscribed label verso (with old attribution to Richard Wilson), oil on panel

40 x 53cm.

* Similar to a composition by Arnald at Calke Abbey (1804).

£150-200

340

ENGLISH SCHOOL, 1827

FIGURES BY A CLASSICAL ARCH IN AN ITALIANATE RIVER LANDCSCAPE

Inscribed ‘Bridge of Constantine/ in Italy June20th 1827/ Janet Hutchin..’, oil on board

27 x 39cm.

£120-180

341

CIRCLE OF JOHN WOOTTON (16821764)

RIVER LANDSCAPE SCENE: AN ELEGANT PARTY WITH FISHERMEN Oil on canvas, shaped top 156.5 x 136.5cm.

Provenance: By family repute, purchased from the contents sale at Orleans House, Twickenham, probably c.1926.

£3000-5000

341

342

WILLIAM WEST (1801-1861)

FIGURES BY A ROCKY RAVINE

Signed, oil on canvas

69 x 89.5cm.

£600-800

343

JOHN JOSEPH BARKER OF BATH (1824-1904)

VIEW NEAR CONWAY

Signed, also signed and inscribed ‘Conway’ verso, oil on canvas

69.5 x 90cm.

£250-350

344

E** SPALL (?1835-1905)

MEETING AT THE FORD; THE MAIDEN VOYAGE

A pair, both signed, oil on canvas

Each 24 x 34cm. (2)

* Apparently a pseudonym for Etty Horton.

£100-150

345

WILLIAM BROMLEY (FL.1835-1888)

BIRD NESTING

Signed and dated 1864 (?), bears signature and title on old label on stretcher, oil on canvas

34 x 44.5cm.

£700-1000

346

CIRCLE OF WILLIAM JABEZ MUCKLEY (1829-1905)

STILL LIFE OF A VASE OF FLOWERS

Signed with initials EB in monogram, oil on canvas

36.5 x 25cm.

£150-200

347

JOHN PHILLIP RA (1817-1867)

THE TAMBOURINE BOY Oil on canvas, unframed 92 x 71.5cm.

£200-400

348

K** BURNLEY (?) (CIRCA 1880)

COUNTRY GIRL, RESTING

Signed indistinctly, oil on canvas

59.5 x 49cm.

£150-200

349

GEORGE HENRY BOUGHTON, RA (1833-1905)

PORTRAIT STUDY OF A YOUNG LAD

Signed and dated 1857 (incised), oil on paper or card, arched mount

21.5 x 17.5cm.

Provenance: A label on the backpaper reads ‘Very early example of George/ Boughton RA by whom it/ was given to Mr Montague [unclear] Robb’. This is presumably a reference to the artist’s inlaws, as Boughton married Katherine Robb.

£400-600

350

WILLIAM SHAYER (1787-1879)

COUNTRY GIRL WITH HER DOG AT A SPRING

Apparently unsigned, oil on canvas

43.5 x 34cm.

£400-600

351

WILLIAM SHAYER (1787-1879)

THE FISHERMAN’S COTTAGE

Signed, oil on canvas

69 x 89.5cm.

Exhibited: Southampton Art Gallery, 1987, no.18

Provenance: London, Cooling Galleries.

£1000-1500

352

ARTHUR CHARLES DODD (FL.1878-1891)

THE BONE OF CONTENTION

Signed, oil on canvas

29 x 39cm.

£500-700

353

FRANK S. BERWICK (D.1900)

THE SPORTSMAN’S TEAM

Signed and inscribed ‘Yours sincerely/Frank S. Berwick’ and dated indistinctly (98?), oil on canvas

24 x 34.5cm.

* Apparently a pseudonym for John Gifford.

£150-200

354

SAMUEL HENRY ALKEN (1810-1894)

THE HUNT; THE KILL

A pair, one signed, oil on board

Each 29.5 x 44.5cm. (2)

Provenance: London, Roy Miles Fine Paintings (as Alken Senr).

£1000-1500

355

A** W** WATSON (CIRCA 1900)

DROVING HOMEWARDS

Signed, oil on canvas

59.5 x 105.5cm.

* Formerly attributed to Arthur William Watson (1860-1922), presumably a member of the Watson family from Lancashire, but apparently unrecorded.

£400-600

356

BENJAMIN EASTLAKE LEADER (1877-1916)

MOUNT’S BAY, CORNWALL, BY MOONLIGHT

Signed, oil on canvas

88.5 x 115cm.

Exhibited: probably London, Royal Academy, 1910, no.258 (as ‘Moonlight on Mount’s Bay’).

£800-1200

357

JOHN WILSON CARMICHAEL (18001862)

SPANISH XEBECS AND FISHERMEN WITH A BRITISH FRIGATE OFF A MOUNTAINOUS COAST

Signed and dated 1842, inscribed indistinctly on the stretcher (the word ‘Cape’ legible), oil on canvas

34 x 49.5cm.

£2000-3000

358

ALFRED DE BREANSKI (1852-1928) THE VALLEY OF BORROWDALE

Signed, also signed and inscribed with title verso, oil on canvas 60 x 90cm.

£4500-6000

359

JOHN CAMPBELL MITCHELL, ARSA (1861-1922)

SHEEP ON A HEATH

Signed, oil on panel 19 x 34cm.

£150-200

360

FRANCIS ABEL WILLIAM ARMSTRONG, RBA (1849-1920)

LOCK SCENE, PROBABLY ON THE STOUR NEAR DEDHAM, SUFFOLK

Signed and dated 1902, oil on canvas

60 x 90.5cm.

£400-600

361

THOMAS DANBY (1818-1886)

A SHELTERED POOL

Signed indistinctly lower left, oil on canvas

25 x 35cm.

Provenance: Salisbury, The Jerram Gallery (label verso).

£100-150

362

JOSEPH MELLOR (1827-1888)

A WOODLAND WATERFALL

Signed, oil on canvas

44 x 33.5cm.

£100-150

363

WILLIAM MELLOR (1851-1931)

FALLS ON THE BURBADGE, NR

GRINDLEFORD BRIDGE, DERBYSHIRE [sic]

Signed, inscribed with title verso, oil on canvas 44.5 x 27cm.

£200-300

364

SIR ALFRED EAST, RA, RBA (1844-1913)

A GLARE BEFORE THE STORM, HAYLE, CORNWALL

Signed with monogram, also bears inscribed labels on backboard, oil on board

Provenance: According to an inscribed label verso ‘Presented to the Stall for the ““Cottage Club for/ Japanese Sailors at Tilbury”” - at the sale of work [..]/ held at The Church House, Westminster, November 1900/ by Mrs Lasenby Liberty.’

Sir Arthur Lasenby Liberty (1843-1917) was the majority shareholder of the Liberty department store. In 1889, together with his second wife, Emma Louise nee Blackmore, publisher Charles Holme and Sir Alfred East he travelled to Japan to study the indigenous arts and crafts of the country.

£200-400

365

JAMES DOYLE PENROSE, RHA, JP (1862-1932)

FRA ANGELICO: ‘Fra Angelico worked without payment: he prayed before beginning any work for Divine guidance in its conception’ Apparently unsigned, oil on canvas 34.5 x 24cm.

£250-350

366

GEORGE WILLIAM HORLOR (1823-C.1898)

GUARDING THE FLOCK

Signed with initials, also signed (or bears signature) on a label on the overlap, oil on canvas, unframed 61 x 91.5cm.

£600-800

367‡

ARTHUR SPOONER (1873-1962)

HARVEST TIME

Signed, oil on canvas 55 x 65.5cm.

£2000-3000

368

EDWARD LEAR (1812-1888)

CORFU FROM THE VILLAGE OF ASCENSION

Signed and inscribed on a paper strip on the stretcher: ‘Corfu from the village of Ascension/ painted for Alfred Seymour Esqr by - Edward Lear/ 1857’, oil on canvas Sight 37 x 23cm.; canvas size 38.5 x 24.5cm.

Provenance: Alfred Seymour, MP, JP (18241888) of Knoyle House, Wiltshire; and later of Trent, Dorset

* Lear travelled to Corfu in December 1855 in order to join his ‘most intimate friend’ and judge, Franklin Lushington. He stayed until 1863 and then returned in 1877.

Having been swiftly enchanted by Corfu (‘it really is a paradise..’ he raved to his sister Ann), Lear found much to adore on the island. Early in the Summer of 1856, Lear determined this theme from above the village of Ascension (now Analipsi), looking across to the Citadel of Corfu and the distant but clearly defined mountains of Albania. He later wrote to Ann that ‘The whole island is in undulations from the plain where the city is, to the higher hills on the west side; & all the space is covered with one immense grove of olive trees - so that you see over a carpet of wood wherever you look; & the higher you go, the more you see, & always the Citadel & the Lake, & then the Straights, with the great Albanian mountains beyond.’

Lear delighted in the pleasing blend of trees, the coastal landscape and the distant snow-capped mountains and he adored the rampant wildness of the olive groves. In June 1856 Lear wrote delightedly to Ann that he intended to devote ‘a good bit of time to illustrating this little promontory for it is… full of interest, as the old city of Ascension (Coreyra) was built on it, ancient coins and marbles are still being found.’ The subject is at once scrupulously realistic and yet imbued with a sense of poetic wonder: Lear was quickly enraptured by splendid panoramas such as this.

Lear worked with an exacting and accomplished technique in thinned oil, with no detail proving to be too trivial to be deserving of his meticulous brushwork. The Pre-Raphaelite intensity of his vision was derived in part from his companionable acquaintance with William Holman Hunt from 1852, the two joined on occasions by Rossetti and Millais too. Having worked on substantially larger canvases en plein air, it is possible that Lear developed subjects as ambitious as this on the spot.

£25000-35000

369

WILLIAM RAYMOND DOMMERSEN (1859-1927)

THE MARKET PLACE, VALENCIA, SPAIN

Signed and dated 1886, also signed with monogram, titled and dated 86 verso, oil on canvas

60 x 49.5cm.

£300-500

370

MANUEL LOPEZ CANTERO (FL.C.1900)

THE REAL ALCAZAR, SEVILLE

Signed, oil on canvas

52.5 x 65.5cm.

£1000-1500

371

HEINRICH MICHAELIS (B.1837)

DRESSED FOR THE BALL

Signed ‘Heinr. Michaelis’, oil on canvas

119.5 x 89cm.

£200-300

372

JEAN JACQUES ROUSSEAU (1861-1911)

RIVER SCENE, IN TWILIGHT MIST

Signed and dated 1899, oil on canvas

37 x 60cm.

£200-300

374

MAURICE LEVIS (1860-1941)

LA SEINE AUX ANDELYS

Signed, also signed and inscribed on a label on the stretcher 21 x 26cm.

£500-700

370

373

WILHELM VELTEN (1847-1929)

AN ARDUOUS JOURNEY; A PAUSE FOR DIRECTIONS

A pair, both signed and inscribed ‘Munchen’, oil on panel

Each 22.5 x 31cm. (2).

£600-900

373 374

375‡

JANE CHAULEUR OZEEL (18791965)

BARQUES A MAREE BASSE (CALE DE LOCTUDY)

Signed, bears printed label on stretcher, oil on canvas

44.5 x 53.5cm.

£500-700

376

FELIX MALARD (1840-1908)

FRANCISCAN MONKS DISPENSING CHARITY, NEAPOLITAN COAST (?)

Signed, oil on canvas

57 x 98.5cm.

£500-700

377‡

RUDOLPH ANDREE (1887-1970)

VENICE, WITH THE S MARIA DELLA SALUTE

Signed, oil on board

67 x 96.5cm.

£500-700

378

GIUSEPPE GIARDIELLO (1877-1920)

FISHING BOATS OFF CAPRI

Signed indistinctly lower left, oil on canvas 34 x 54cm.

£400-600

379‡

HUGO GOLLI (B.1921)

GONDOLAS ON A QUIET BACKWATER, VENICE

Signed ‘Vallin’, oil on canvas

58 x 88cm.

£2000-3000

380

RUSSIAN SCHOOL, 19TH/20TH CENTURY

THE PROTECTING VEIL OF THE MOTHER OF GOD

Egg tempera on prepared panel, two insert splints verso, unframed 31 x 26.5cm.

Provenance: London, Temple Gallery (label verso).

£120-180

Modern Prints, Watercolours & Paintings

381

JAMES ABBOTT MCNEILL WHISTLER, RBA (1834-1903)

AFTERNOON TEA (Way 147; Levy 114)

Lithograph, c.1895, printed by Auguste Clos, published by Ambroise Vollard, the only state

Sight 29.5 x 19cm.

Provenance: London, P. & D. Colnaghi & Co Ltd.

£300-400

382

WALTER RICHARD SICKERT, RA (18601942)

SUSSEX PLACE, REGENT’S PARK (Bromberg 197)

Etching, published by Ernest Brown & Phillips at the Leicester Galleries, 1929 (the plate etched 1920), signed in pencil

Image 17 x 20.5cm.

£400-600

383

MAX LIEBERMANN (1847-1935)

DIE BLEICHE (ALTMANNERHAUS IN ZANDVOORT) (Schiefler 25)

Etching, 1892, signed in pencil Image 14 x 19.5cm.

* Derived from the oil ‘Hollandische Dorfecke’, illustrated in Karl Scheffler’s book ‘Max Liebermann’, p. 139 (Munich, 1922), a copy of which accompanies this lot (2).

£150-250

384‡

JOSEF ALBERS (1888-1976)

HOMAGE TO THE SQUARE: SOFT SPOKEN

Screenprint, c.1969 59.5 x 59.5cm.

£200-300

385‡

AFTER JACK MILLER (1945-2004)

RICK’S BAIL BONDS; MOBIL; MEATS, GROCERIES, LIQUOR; PHIL’S DINER

Four, lithographs printed in colours, each signed, titled, dated 77 and numbered 47 or 49 from the edition of 50, one unframed 50.5 x 77cm.

£300-400

386‡

SHEILA ROBINSON (1925-1988)

THE CAT

Colour linocut, signed and dated 1961 41.5 x 60.5cm.

Illustrated: Malcolm Yorke & Gill Saunders, ‘Bawden, Ravilious and the Artists of Great Bardfield’ (V& A Publishing, 2015), p.121 (another example shown).

Another impression of this subject, the most commercially successful of the artist’s numerous cat themes, was exhibited at the Royal Academy in 1961.

£800-1200

387‡

JOHN BRUNSDON (1933-2014)

EDALE

Colour etching, signed, titled and numbered 110/350

Image 45 x 80cm; sheet 57 x 79.5cm.

£120-180

388‡

GRAHAM SUTHERLAND, OM (19031980)

THE SWIMMER; ROSES (Tassi 147, 148)

Two, colour lithographs, 1973-1974, each signed and numbered VIII/XV, printed by Mourlot Paris and published by Teodorani, Milan

66.5 x 46.5cm.and 67.5 x 47.5cm. (2)

£600-800

389‡

NORMAN ACKROYD, CBE, RA (B.1938)

CARTMEL FELL

Lithograph and screenprint in colours, 1996, signed and numbered from the edition of 100, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet

75.5 x 57cm.

£500-700

390‡

NORMAN ACKROYD, CBE, RA (B.1938)

ORANMORE CASTLE, DAYBREAK (1999)

Etching with aquatint, on Japanese paper, signed, titled, numbered 42/90 and dated 99 in pencil in the margin

32 x 48cm.

£150-250

391‡

DAME ELISABETH FRINK, DBE, RA (1930-1993)

BELLEROPHON (from ‘CHILDREN OF THE GODS’) (Wiseman 150)

Etching with aquatint, 1988, on wove paper, signed and numbered 7/70 in pencil, published by the artist, printed at Kelpra Studio, London

54 x 37cm.

£300-500

392‡

MICHAEL ROTHENSTEIN, RA (19081993)

COCKEREL

Woodcut with screenprint, printed in colour, signed and numbered 21/75 34 x 38cm.

£150-250

393‡

MICHAEL ROTHENSTEIN (19081993)

GIANT COCKEREL

Colour woodcut, 1987, signed and numbered 11/75 60.5 x 84.5cm.

£400-600

394‡

JOHN PIPER (1903-1992)

ST ARMAND-DE-COLY, DORDOGNE (Levinson 197)

Screenprint, printed by Kelpra Studio, published by Marlborough Fine Art, signed and numbered 20/70

58 x 77cm.

£200-300

395‡

RICHARD HAMILTON, CH (19222011)

PORTRAIT OF DEREK JARMAN (Lullin181)

Pigment transfer print in colours, 1996-7, printed by Permaprint, signed, titled and numbered 26/40 39 x 38.7cm.

Provenance: Richard Salmon Ltd; sold at auction for the Elton John Aids Foundation, May 20th 1997.

£600-900

396‡

AFTER ROBERT LENKIEWICZ (19412002)

PAINTER WITH LISA (ARISTOTLE AND PHYLLIS THEME)

Screenprint, published by Washington Green, 1998, signed and numbered 42 from the edition of 395 (there were 50 artist’s proofs), titled 80 x 75cm.

£400-600

399‡

SIR MICHAEL CRAIG-MARTIN, CBE, RA (B.1941)

HOPE (PINK)

Screenprint, 1998, signed, dated and numbered 22/40 in pencil verso, published by Alan Cristea Gallery, London, the full sheet printed to the edges

40 x 142cm.

£700-1000

400‡

SIR MICHAEL CRAIG-MARTIN, CBE, RA (B.1941)

HOPE (BLUE)

Screenprint, 1998, signed, dated and numbered 5/40 in pencil verso, published by Alan Cristea Gallery, London, the full sheet printed to the edges

40 x 142cm.

£700-1000

397‡

CRAIGIE AITCHISON, CBE, RSA, RA (1926-2009)

AFRICA

Colour screenprint, 1996, signed in green ballpoint

Image 53.5 x 22cm.; sight 99 x 68.5cm.

£500-700

398‡

AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976)

GREAT ANCOATS STREET

Reproduction print, signed and numbered 816/850 in pencil, with blind stamp, unframed 26.25 x 36.5cm.

£800-1200

401‡

DAMIEN HIRST (B.1965)

After SUIKO (from ‘THE EMPRESSES’)

Laminated giclee print on aluminium composite panel, screenprinted with glitter, Heni Editions H10-4, edition number 1017/3310, unframed

100 x 100cm.

£500-700

402

ANNA-LOU ‘ANNIE’ LIEBOVITZ (AMERICAN, B.1949)

JOHN CLEESE (BAT-LIKE)

Signed within image by Cleese (faded), also signed more boldly on dealer’s label on backboard, photographic print on board

100 x 75cm.

Provenance: Collection of John Cleese

Exhibited: London, Beetles Gallery, ‘John Cleese: The California Collection’, September 2013.

£1000-1500

403‡

MAX BEERBOHM (1872-1956)

CONVALESCENCE OF HIS ROYAL HIGHNESS

Signed, inscribed with title, pen and black ink with brown and grey washes

20 x 31.5cm.

* Beerbohm often caricatured Edward VII, for whom he showed no admiration. In 1923, a suite of eight Beerbohm drawings of the late King was shown at The Leicester Galleries in London. The press showed its loyalty to the monarchy and was harsh in its condemnation of Beerbohm’s mordant tone. To pacify Royal sentiment, the drawings were removed from display and some were acquired by the Royal Family. But many images of the King by Beerbohm remained in circulation from other sources. This subject shows the monarch resting a gouty foot and drinking Bovril (a favourite beverage of his since its invention in 1886). It lacks much sense of evident empathy for the King’s painful condition.

£1800-2500

404‡

DOROTHY MARGARET & ELIZABETH

MARY ALDERSON ((1900-1992 AND 1900-1988)

BAY HORSE IN A STABLE

Two, both signed, dated 1933 and 1939, watercolour

Each 22.5 x 28.5cm approx (2).

£100-200

405‡

LIONEL EDWARDS (1878-1966)

FIGURES RIDING ON A WOODLAND PATH

Signed, watercolour and pencil

48 x 36.5cm.

£600-900

406‡

JOHN CYRIL HARRISON (1898-1985) SNIPE TACKING

Signed, watercolour and pencil

32.5 x 22cm.

Provenance: London, Vicars Brothers Ltd.

£300-400

407‡

JOHN SKEAPING, RA (1901-1980)

GREY HORSES OF THE CAMARGUE

Signed and dated 71, watercolour and gouache

54.5 x 74.5cm.

£400-600

408‡

JOHN SKEAPING, RA (1901-1980)

GOING DOWN

Signed and dated 67, watercolour and gouache

53 x 72.5cm.

£400-600

409‡

GORDON GEORGE BENINGFIELD (1936-1998)

HARVEST MOUSE AT THE NEST; SHORT-TAILED VOLE

Two, both signed, watercolour heightened with white, the latter a vignette

32 x 22.5cm.; and 14.5 x 17cm.(2)

Provenance: London, The Moorland Gallery (no date).

£250-350

410‡

JOHN KING (1929-2014)

NEW FOREST HUNT

Signed, watercolour

36 x 53cm.;

with another view of hunting country by the same hand, signed, 35.5 x 53cm. (2).

£100-200

411‡

JOHN BROMFIELD GAY-REES (19121965)

WARTIME KITCHEN

Signed and dated 2.VIII.40, watercolour and pencil

51.5 x 67.5cm.

Provenance: The family of the artist.

£100-200

412‡

JOHN BROMFIELD GAY-REES (19121965)

EINSTEIN MEDITATIONS

Signed and dated 16.IX.41, watercolour and pencil with pen and black ink

67.5 x 51.5cm.

Provenance: The family of the artist.

£200-300

413‡

JOHN BROMFIELD GAY-REES (19121965)

LADY BY A WINDOW

Signed and dated 1938, coloured pastels on dark brown paper 58 x 44cm.; with a self portrait sketch, signed and dated ‘II.47’, pastels, 46.5 x 29.5cm. (2).

£150-200

414

LOUDON SAINTHILL (AUSTRALIAN, 1918-1969)

COSTUME DESIGN

Signed and indistinctly dated, watercolour and gouache over pencil, a sketch

47.5 x 35cm.

£150-200

415‡

WILLIAM HEATON COOPER (19031995)

SKIDDAW (1972)

Signed, watercolour 34.5 x 63cm.

£800-1200

416‡

PETER BIEGEL (1913-1988)

THE SOMERSET HUNTER CHASE, WINCANTON, 16-5-46

Signed, inscribed with title, pastels on pale grey paper

20.5 x 26.5cm.

Provenance: By descent in the family of Michael Bucknall, shown riding ‘Roberts’on the right of this composition.

£200-300

417‡

JO TAYLOR (B.1969)

STUDY OF A HORSE

Signed, mixed media (watercolour, crayon, gouache, charcoal and collage)

73.5 x 77cm.

£200-300

418‡

GRAHAM OAKLEY (1929-2022)

THEY WERE REALLY GLAD TO SEE THAT THE TWO MEN HAD GIVEN UP TRYING TO SEND MICE TO THE MOON AND HAD EMBARKED ON A USEFUL CAREER

“ (from ‘THE CHURCH MICE AND THE MOON’)

Signed, watercolour and bodycolour with pen and ink, unframed

20.5 x 25cm.

Illustrated: Graham Oakley, ‘The Church Mice and The Moon’ (2015), a signed copy of which accompanies this lot. (2)

Provenance: Crewkerne, Lawrences, October 12th 2018, lot 1837 (at that time consigned for sale by the artist).

£120-160

419‡

NIGEL LAMBOURNE (1919-1988)

SEATED NUDE, BRUSHING HER HAIR

Signed twice, inscribed with a few artist’s notes, black and red crayon 50 x 35cm.

£150-200

420

DORA CARRINGTON (1893-1932)

RECLINING FEMALE NUDE

Pencil

Sight 21 x 32.5cm. (2)

Provenance: London, Gallery

Edward Harvane, ‘A Summing Up’ [Bloomsbury Group], FebruaryMarch 1973, no.24, as ‘Naked Female’, £45 (a copy of the catalogue and the receipt accompanies the lot).

£700-1000

421‡

MARY FITZPAYNE (B.1928) SNOWBALLING

Signed and inscribed on a label on the backboard, pen and black ink over pencil

42.5 x 35cm.

£300-400

422‡

MARY FITZPAYNE (B.1928)

THE METHS DRINKERS, CAMBERWELL, c.1954-1955

Pen and black ink

21 x 25cm.

* Fitzpayne practised her drawing skills on the streets of Leeds but was later drawn to Camberwell. She focused increasingly upon the homeless and those living rough on the city’s streets, determined at all times to show her sympathy for their situation and her concern for their plight. The closely worked ink technique and the communality of these men evoke the spirit of some of Goya’s etched subjects.

£120-180

423‡

MARY FEDDEN, OBE, RA (19152012) HORSE

Signed and dated 1978, watercolour and gouache

13 x 15.5cm.

£800-1200

424

ATTRIBUTED TO FRANCES HODGKINS (NEW ZEALAND, 1869-1947)

VILLAGE BUILDINGS

Watercolour and gouache on light brown paper Image 42 x 42cm.

Provenance: By descent in the family of Mary Duckworth, a close friend of the artist Katherine Church (1910-1999) who knew well artists such as Hodgkins, John Piper, Ivon Hitchens, Julian Trevelyan, Mary Fedden, Keith Vaughan and Alfred Wallis. Church sat for portraits by Hodgkins in 1937 and 1939.

* We are very grateful to Jonathan Gooderham for his assistance with the cataloguing of this lot.

£1000-2000

425‡

MARY FEDDEN, CBE, RA (1915-2012)

JULIAN AND THE VINE

Signed and dated 1986, also signed and inscribed with title on a label on the backboard, watercolour 19.5 x 14.5cm.

£2000-3000

426‡

BEN NICHOLSON, OM (1894-1982)

GOBLET (recto)

Signed and inscribed verso ‘BN OVERLEAF/ Susan + Geoffrey’ and ‘OVER’ with an arrow, black fibre tip; lilac wash, black ink and pencil design verso, a fragment, slightly irregular 15.2 x 16.5cm.

Provenance; Sir Geoffrey Jellicoe, RA, VMH (1900-1996) and Susan, Lady Jellicoe (1907-1986); Roger Mayne (1929-2014), photographer; and by descent.

£2500-3500

427‡

BEN NICHOLSON, OM (1894-1982)

TICINO

Watercolour and pencil, laid onto brown card. irregular shape

8.5 x 18.5cm.

* Bears inscription on backboard ‘Lent to Susan + Geoffrey + to become/ their property when I pop off’, apparently in the artist’s hand.

Nicholson lived at Ticino after his marriage to Felicitas Vogler in 1958. The contrast between St Ives and Switzerland must have been considerable in many ways but the wholly new environment inspired a revived vigour in Nicholson’s work. The coupled settled by Lago Maggiore and built a house just outside Brissago in the Canton of Ticino.

Provenance: See previous lot.

£3000-4000

* Buyers premium of 30% (25% plus VAT)

428‡

ROGER HILTON, CBE (1911-1975)

RED SUN (1974)

Signed with initials and dated 74, gouache and charcoal Sheet 59 x 50.5cm.

Provenance: London, Waddington Galleries Ltd, circa January 1987; bt. Sir Michael Culme-Seymour, Bt. (1909-1999); His executors’ sale, Crewkerne, Lawrences, July 11th 2014, lot 1970 (£4600); Private Collection.

* ‘Humour entered his late work when, confined to bed during the last two-and-a-half years of his life, he found emotional release through the painting of gouaches in which hectic colours and childlike drawing combined with his aesthetic cunning and immense zest for life.’

(Frances Spalding, ‘20th Century Painters and Sculptors’, Woodbridge, 1990, p.239)

£3000-5000

429‡

JOHN PIPER, CH (1903-1992)

GARN FAWR II

Signed and inscribed with title, watercolour and gouache with pencil

37 x 55.5cm.

Provenance: London, Marlborough Fine Art Ltd, 1968; Rafael Calza Esq. (labels on backboard).

£4000-6000

430‡

WILLIAM THOMAS WOOD (18771958)

EARLY SPRING

Signed and dated 1900, oil on board

33 x 44cm.

£250-350

431‡

ROBERT HUGH BUXTON (18711965)

HUNTING SCENE IN DEVON

Signed, oil on canvas

43 x 74.5cm.

£150-200

428

432‡

JOHN KING (1929-2014)

THE SOUTH DORSET ABOVE RINGSTEAD BAY

Signed, inscribed ‘S. DORSET’ and dated ‘91, watercolour

36 x 53cm.

Provenance: London, Malcolm Innes Gallery.

£150-250

433‡

JOHN KING (1929-2014) HUNTING SCENE

Signed and dated 83, inscribed ‘CORYTON’ verso, oil on canvas

49 x 74.5cm.

* Coryton may refer to the South Devon Hunt.

£400-600

434‡

RAOUL MILLAIS (1901-1999)

ASCOT GOLD CUP RACE, 1937: OMAHA AND QUASHED

Signed and dated 37, oil on canvas

49.5 x 59.5cm.

* This race, the 125th, was attended by an estimated crowd of 150,000. Nine horses started, with Omaha rated the favourite. The track was very heavy from recent rain, and the favourite lost to the filly Quashed.

Provenance: London, The Fine Art Society Ltd, March 1957.

£800-1200

435‡

CHRISTOPHER SANDERS, RA (1905-1991)

FRENCH FARM, PROBABLY BRITTANY

Inscribed with title on overlap, oil on canvas

59.5 x 69.5cm.

Provenance: By descent in the family of the artist.

£500-700

436‡

CHRISTOPHER SANDERS, RA (1905-1991)

A WILD GARDEN

Inscribed with title on overlap, oil on canvas

59.5 x 69cm.

Provenance: By descent in the family of the artist.

£1000-1500

437‡

ARTHUR HAYWARD (1889-1962)

BOATS BY SMEATON’S PIER, ST IVES

Signed, oil on thin panel

22.5 x 26cm.

£1000-1500

438

TERENCE LOUDON (1900-1949)

A BOWL OF MIXED WHITE FLOWERS

Signed (incised), oil on canvas

59.5 x 49.5cm.

£200-300

439‡

JOHN BROMFIELD GAY-REES (19121965)

PORTRAIT OF A LADY

Seated, half length, wearing a dark suit and hat, signed and dated 38, also signed and inscribed ‘Leverhulme 1939’ verso, oil on thin panel

69 x 38.5cm.

Provenance: The family of the artist. £150-250

440‡

JOHN JOHNSTONE (B.1941)

A VISIT TO THE STUDIO

Signed, also signed and inscribed on a label verso, mixed media on board 101.5 x 95cm.

£400-600

441‡

ANTOINE BLANCHARD (1910-1988)

PARIS: LE CHATELET; PORTE ST DENIS

A pair, both signed, each also signed and inscribed with title verso, oil on canvas

Each 45 x 53.5cm. (2)

Provenance: Australia, Mt Eliza (Victoria) Omell Manyung Galleries. £3500-4500

442‡

ETHEL WALKER (B 1941)

SPRING GREEN

Signed, oil on board 34 x 38cm.

Provenance: Broadway, Richard Hagen.

£200-300

443‡

PHYLLIS MARY ‘BILLIE’ WATERS (1896-1979)

COMPOSITION (1964)

Signed and inscribed with artist’s address and title and date on the frame, oil on Masonite 60 x 49.5cm.

Provenance: London, Sothebys, June 24th 1985, lot 485

* During her time at Newlyn in Cornwall (1926-31), Waters met Ben Nicholson and Wilhelmina BarnsGraham. Those artists’ approaches to abstraction proved to be influential to Waters and they drew her away from her more representational themes.

£500-800

443

444‡

JEFFREY STRIDE (B 1946)

VIEW IN THE LOT VALLEY

Signed, oil on canvas, unframed 88 x 220.5cm.

Provenance: London, Pall Mall, The Galleria, April 2008 (either ‘The River Bank’, no.7; or ‘Still Evening on the River’, no.16).

£200-400

445‡

ALAN COTTON (B 1938)

VENICE- SALUTE AND GONDOLAS AT SUNSET

Signed, also signed and inscribed with title and dated 1989 verso, oil on canvas board

24.5 x 29cm.

£400-600

446‡

MICHAEL UPTON (1938-2002)

ROPE FACTORY (1986)

Oil on board

27.5 x 22cm.

Provenance: London, Anne Berthoud Gallery; bought by Tim and Liz Capon (label on backboard).

£200-300

447‡

RAY AUSTIN CROOKE (AUSTRALIAN, 1922-2015)

CATTLE IN A LANDSCAPE

Signed, oil on Masonite

44.5 x 59.5cm.

Provenance: London, Bonhams, Travel & Exploration, December 4th 2013, lot 4.

£700-1000

448‡

KONRAD SMIGIELSKI (1908-1999)

TROMPE L’OEIL: NUDE ON A BEACH

Signed and dated ‘A.D. 1981’, oil on Masonite, unframed 35 x 23.75cm.

Provenance: Lawrences Crewkerne, November 16th 2000, lot 310A

(consigned from the artist’s estate, £400); October 17th 2008, lot 1425, £340).

£150-200

449‡

RUPERT NORMAN SHEPHARD (1909-1992)

‘BAR STILL LIFE, THE SALISBURY’

A near pair, both signed, one dated 1939, one inscribed with title on overlap, oil on canvas, each in the artist’s own handmade frames 60 x 42cm and 60 x 39.5cm. (2)

Provenance: By descent in the family of the artist

* The Salisbury, in St Martin’s Lane, Covent Garden, was built in 1899. Named for Lord Salisbury, the Victorian Prime Minister, the pub was formerly known as ‘Salisbury Stores’ and its famous etched windows bear the ‘SS’ emblem.

£500-700

450‡

RUPERT NORMAN SHEPHARD (1909-1992)

DUCKS & HENS, WORTH [MATRAVERS, DORSET], 1947

Signed and dated 1947, inscribed with title on overlap, oil on canvas, in the artist’s own handmade frame 29 x 54.5cm.

Provenance: By descent in the family of the artist.

£150-200

451‡

RUPERT NORMAN SHEPHARD (1909-1992)

STILL LIFE - BASKET & CHRYSANTHEMUMS

Signed and dated 1945, inscribed with title on overlap, oil on canvas, in the artist’s own handmade frame 29 x 54.5cm.

Provenance: By descent in the family of the artist

Exhibited: London, NEAC at The Mall Galleries, 1947 (label on reverse of frame).

£250-350

452‡

RUPERT NORMAN SHEPHARD (1909-1992)

PROVENCALE LANDSCAPE, NEAR UZES

Signed and dated 1967, oil on canvas, 44.5 x 60cm.

Provenance: By descent in the family of the artist

Exhibited: London, NEAC at The Mall Galleries, 1947 (label on reverse of frame).

£250-350

453‡

RUPERT NORMAN SHEPHARD (1909-1992)

LES MAQUIGNONS, GOULT, FRANCE

Signed and dated indistinctly (1964?), inscribed twice on canvas edges, oil on canvas, in the artist’s own handmade frame

49.5 x 59.5cm.

Provenance: By descent in the family of the artist.

£250-350

454‡

RUPERT NORMAN SHEPHARD (1909-1992)

WILD FLOWERS

Signed and dated 1985, watercolour and pencil

43.5 x 34.5cm

Provenance: By descent in the family of the artist

Exhibited: Tenterden, Caxton House Gallery (label on backboard).

£120-180

455‡

RUPERT NORMAN SHEPHARD (19091992)

CHATEAU DE GRIGNAN, DROME

PROVENCALE, FRANCE

Signed and dated 1978, inscribed ‘Chateau de Grignan’, watercolour with pen and black ink and pencil 26.5 x 41.5cm

Provenance: By descent in the family of the artist.

£120-180

456‡

BREON O’CASEY (1928-2011)

BIRD IN THE WOOD

Signed and dated 2002 and also inscribed with title verso, oil on board 41.5 x 59.5cm.

£2000-2500

457‡

DAVID SHEPHERD, CBE, FRSA (19312017)

‘PETE’S WARTHOG’

Signed, inscribed ‘””Pete’s Warthog””/ from David - Nov ‘12’ 1980 with love’ on reverse of frame, oil on canvas 16.5 x 24.5cm.

£3500-4000

456

Lot 853. A VICTORIAN NATURAL PEARL AND DIAMOND

CENTREPIECE FOR A CHOKER

Estimate: £5000-7000

Jewellery & Watches

WEDNESDAY 25 TH SEPTEMBER 10AM

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

IMPORTANT INFORMATION

Weights and measurements are approximate guidelines only.

The photographs in the catalogue are not always a true representation of the colour or size of gem stones and prospective buyers are advised to satisfy themselves in this respect.

Coloured stones, including jade, are often treated to enhance their colour or clarity. Prospective buyers should assume all coloured stones may have been treated, unless stated to the contrary in the catalogue description.

Where a lot is accompanied by a gemmological certificate it is important to note that the contents are not guaranteed by Lawrences and should only be treated as additional useful information.

MIRANDA BINGHAM

Jewellery Specialist

T. 01460 73041

E. miranda.bingham@lawrences.co.uk

458

A QUANTITY OF JEWELLERY IN A GREEN LEATHER JEWELLERY BOX. including a seed pearl flowerhead brooch, a Victorian black enamel, seed pearl and gold mourning brooch, a black onyx and seed pearl brooch, a gilt metal lorgnette, a 22ct gold wedding band, 2.9 grams, a pair of banded agate drop earrings, a gold plated seal with carnelian matrix, a gold signet ring, 5.3 grams and various other items.

£200-300

459

A QUANTITY OF JEWELLERY IN A BLACK LEATHER JEWELLERY BOX. including a garnet and gold cluster ring, a turquoise and rose-cut diamond cluster ring, a lady’s 9ct gold wristwatch by Benson, a gold and zircon bar brooch, a 22ct gold wedding band, 3.4 grams, a ruby and gold bar brooch, a single row graduated cultured pearl necklace, and various other items.

£100-200

460

A QUANTITY OF JEWELLERY. including a Victorian pinchbeck mourning brooch, mounted with hair to both sides, an 18th century paste brooch of foliate design mounted with pink and white paste stones in silver, a shell cameo brooch depicting an angel, a malachite and micromosaic brooch depicting ruins, a chalcedony brooch mounted with a foliate design of turquoise cabochons, in a gold mount and various other paste buckles etc.

£150-200

462

A QUANTITY OF JEWELLERY. including a lady’s gold and diamond wristwatch on an expanding bracelet, a 9ct gold, carnelian and bloodstone spinning fob, an Indian half hinged bangle (broken), an amethyst and pearl oval-shaped brooch, assorted stick pins, a 22ct gold wedding band, 3.8 grams, a wide 9ct gold wedding band, 6.9 grams, a half pearl and rose-cut diamond five stone ring, set in 18ct gold, an 18ct gold buckle ring, set with a sapphire and a diamond (one diamond missing), and various other items.

£200-400

461

A QUANTITY OF JEWELLERY. including a sapphire and diamond insect brooch, a carved shell cameo brooch, with foliate decoration, in a metal mount, a Victorian blue enamel and marcasite brooch, a gold hinged bangle with rope and ball scrolling decoration set with small pearls (damaged), a pearl and 9ct gold bar brooch, a pearl and gold stick pin, a citrine and pearl set brooch, set in gold, a gold and pearl open crescent brooch, a white and black paste set brooch and a pair of gold coloured metal lorgnettes.

£150-250

463

A QUANTITY OF JEWELLERY. including a garnet and gold pendant and necklace, a gold cruciform pendant and chain, five gold and gem set openwork pendants, a pair of 9ct gold cufflinks, a garnet and gold pendant, an 18ct gold circular brooch centred with a cushion-shaped diamond, and various other items.

£300-500

464

A QUANTITY OF JEWELLERY. including a carved shell cameo cruciform pendant depicting classical figures in gold, a micromosaic pendant, two reverse painted intaglio brooches, depicting racehorses, a paste set starburst brooch, an enamel and gilt metal buckle, a boxed set of six enamel and gilt metal dress buttons, a silver pair cased pocket watch and various other items.

£100-200

465

AN AQUAMARINE, DIAMOND AND PEARL SET BROOCH.

the oval-shaped aquamarine is set with a circular-cut diamond and three small pearls to each side, in yellow gold, 5.8cm long, 4.8 grams, together with a sapphire and diamond openwork brooch, set in gold, 6cm long, 5.4 grams and a pearl and diamond cluster brooch, set in silver and gold, 4cm long, 4 grams.

£400-600

466

AN AQUAMARINE AND DIAMOND CLUSTER BROOCH.

the oval-shaped aquamarine is set within a surround of circular-cut diamonds, in gold, 6.5cm long, 4.8 grams, together with a Victorian turquoise, pearl and gold heart and arrow brooch, 5cm long, 5.2 grams, a gem set and 9ct gold double heart brooch, one stone missing, 4cm long, 2.2 grams and a Victorian 15ct gold brooch set with a sapphire and rose-cut diamonds, 4.5cm long, 4.4 grams.

£200-300

468

EIGHTEEN ASSORTED MICROMOSAIC PLAQUES. some depicting classical ruins, others depicting birds amongst foliate and other classical scenes.

£100-150

467

A VICTORIAN GOLD AND GEM SET HALF HINGED BANGLE.

mounted to one side with rope and ball decoration, set with ovalshaped aquamarines and garnets, internal measurements 4.5 x 5.5cm., 12 grams, together with a carved shell cameo brooch depicting a bacchante, in a 9ct gold frame, the cameo 5.5 x 4.5cm., 17 grams, a seed pearl and 9ct gold foliate brooch, 3cm dia., 4 grams and an amethyst and 9ct gold foliate openwork pendant, 4cm. long.

£250-300

469

A CARVED SHELL CAMEO BROOCH. depicting the head and shoulders of a bacchante, in a gilt metal frame, together with a carved shell cameo depicting Medusa, a carved shell cameo brooch possibly depicting St. John the Baptist, a carved coral cameo depicting a classsical woman, and two other cameos.

£100-150

470

A COLLECTION OF LATE 19TH CENTURY AND EARLY 20TH CENTURY CAMEOS. including examples in shell, porcelain and conch shell, depicting various classical figures and scenes.

£150-200

471

AN EMBROIDERED EVENING BAG BY CARTIER.

of rectangular-shape, foliate design, red with gold decoration, with rosecut diamonds and black onyx set to the clasp, signed Cartier to the inside, 13 x 19cm., in a red box by Cartier.

£400-600

472

A 9CT GOLD GATE LINK BRACELET. with engraved decoration to the links, the padlock clasp with inscription, 21 grams, together with a 9ct gold fancy watch chain, 8.3 grams, a 9ct gold circular locket, 4 grams and a 9ct gold and turquoise paste brooch, 3.8 grams.

£350-400

473

A 9CT GOLD CURB LINK ALBERT WATCH CHAIN.

each link stamped 9 375, with a 9ct gold swivel clasp at each end, 38cm long, 32 grams.

£400-500

474

A 9CT GOLD WATCH CHAIN. formed with oval-shaped hammered and plain links, with a 9ct gold swivel clasp, 39.5cm long, 22.6 grams.

£250-300

475

A 15CT GOLD CURB LINK BRACELET.

suspending three gold charms, 18.5cm long, 17.7 grams.

£250-300

476

A 9CT GOLD LONG GUARD CHAIN. formed with oval hammered links, to a bolt clasp, 134cm long, 34 grams.

£300-400

477

A GOLD FLAT CURB LINK BRACELET.

With concealed clasp, 22cm long, 48 grams.

£600-800

478

AN AMETHYST AND GOLD BRACELET.

the 9ct gold fancy link bracelet is collet set with six circular-cut amethysts, 19.5cm long, 15.4 grams.

£200-250

479

AN 18CT TWO COLOUR GOLD FANCY LINK WATCHCHAIN. with bolt and swivel clasp, 49cm long, 26 grams.

£1200-1500

480

AN 18CT TWO COLOUR GOLD BRACELET.

the rectangular links with foliate engraved decoration, with concealed clasp, 19.5cm, 58 grams.

£1500-2000

481

A LATE VICTORIAN 9CT GOLD FETTER & TWIST GUARD CHAIN. with lobster claw clasp for hanging a watch, stamped 9ct, 64cm long, 15grams.

£450-500

477

482

A SAPPHIRE, DIAMOND AND 9CT GOLD FANCY GATE LINK BRACELET. mounted with circular-cut sapphires and diamonds, with concealed clasp, 19.5cm long, 20.4 grams.

£300-400

483

A 10G 99.9% GOLD INGOT ON 9 CARAT GOLD CHAIN. the rectangular ingot with female bust on obverse and stamped Suisse 10g FeinGold 999.9 on reverse, on 9ct gold chain, 45cm long, total weight 13.3 grams.

£500-600

484

A GOLD FANCY LINK BRACELET. with engraved decoration to the clasp, 18cm long, 22.6 grams.

£700-900

485

AN 18CT GOLD BRACELET. suspending 9ct gold assorted charms, 17.5cm long, 21 grams.

£300-400

486

A 9CT GOLD CURB LINK ALBERT WATCH CHAIN.

each link stamped 9 375, suspending a 9ct gold ‘t’ bar and a 9ct gold medallion, 32cm long, 43.5 grams.

£550-650

487

A 9CT GOLD BRACELET. formed with oval-shaped foliate engraved links, with padlock clasp, 16.5cm long, 21 grams.

£250-300

488

A 9CT GOLD CURB LINK WATCH CHAIN.

each link stamped 9 375, suspending a 9ct gold ‘t’ bar, 39cm long, 26.5 grams.

£300-400

489

AN 18CT GOLD BRACELET. of plaited design with gold ball decoration, concealed clasp, 18cm long, 23 grams.

£500-600

490

A 9CT GOLD ALBERT WATCH CHAIN. formed with long and short gold links, suspending a 9ct gold ‘t’ bar and a gold half sovereign, 1914, mounted in a 9ct gold pendant mount, 37cm long, 32 grams.

£450-500

491

A 9CT GOLD MUFF CHAIN. collet set with oval-shaped turquoise stones, 158cm long, 18.9 grams.

£200-300

492

A 9CT GOLD HALF HINGED BANGLE. designed with screw fittings, internal measurement 6cm dia., 30 grams, together with a 9ct gold conforming ring, 7.2 grams, size O 1/2, both hallmarked for 1998.

£500-600

493

A 14CT GOLD NECKLACE. formed with fancy oval-shaped and rope links, 49.5cm long, 9.3 grams, together with a 14ct gold flat snake link necklace, 48cm long, 22.5 grams.

£500-600

494

A 9CT GOLD CURB LINK WATCH CHAIN.

each link stamped 9 375, with a 9ct gold claw and bolt clasp, suspending a 9ct gold ‘t’ bar, 36cm long, 28 grams.

£300-400

495

A 15CT GOLD FANCY GATE LINK BRACELET.

with engraved foliate decoration to the middle links and with padlock clasp, 19.5cm long, 27 grams.

£600-700

496

A 9CT GOLD THREE ROW NECKLACE.

formed with oval-shaped plain links, to a bolt clasp, 39.5cm long, 40 grams.

£450-500

484

497

A 9CT GOLD CURB LINK CHARM BRACELET. each link stamped 9 375, with padlock clasp and suspending many assorted gold charms, including a half sovereign, 1906 and one silver swivel seal, total weight 61 grams.

£600-700

498

A 9CT GOLD OPENWORK FANCY LINK BRACELET. each openwork panel mounted with a quatrefoil design, with padlock clasp, 17cm long, 26 grams.

£300-350

499

A 9CT GOLD WATCH CHAIN. formed with circular hammered links, 147cm long, 23 grams.

£300-400

500 A 9CT GOLD CURB LINK CHARM BRACELET. with padlock clasp and suspending assorted gold charms, 17cm long, 25 grams.

£300-400

501

A 9CT GOLD LONG GUARD CHAIN. formed with oval-shaped links and mounted with small pearl beads, 146cm long, 28 grams.

£350-450

502

A 9CT GOLD FANCY LINK WATCHCHAIN.

suspending a 9ct gold ‘t’ bar, 41.5cm long, 47 grams.

£650-700

503

AN 18CT GOLD WATCH CHAIN. suspending a 9ct gold propelling pencil, with engine turned decoration, maker’s initials S.J.P., hallmarked for Birmingham 1970, a 9ct gold penknife, and two gold charms, total weight 35 grams.

£500-600

504

A GOLD OVAL-SHAPED PENDANT. engraved with a crest and the motto Nous Maintiendrons (We will Maintain), and inscribed with the initials TMLDB to the reverse, 6 x 5cm., on a gold chain, total weight 47 grams.

£500-600

* Buyers premium of 30% (25% plus VAT)

505

A GOLD WATCH CHAIN. formed with fancy long and short links, to a clip and bolt clasp, suspending a fancy gold ‘t’ bar, 34cm long, 30.2 grams.

£700-800

506

A 9CT GOLD HERRINGBONE LINK LONG GUARD CHAIN. 145cm long, 42 grams.

£500-600

497

507

A 15CT GOLD CURB LINK BRACELET. with concealed clasp and mounted with assorted seals and charms, total weight 65 grams, 18cm long.

£1000-1500

508

AN 18CT GOLD BRICK LINE NECKLACE. with concealed clasp, 44cm long, 48 grams.

£800-1000

509

AN AQUAMARINE AND DIAMOND THREE STONE RING. the step-cut aquamarine is set with two circular-cut diamonds, in 18ct gold, 2.8 grams, size O, together with a sapphire and diamond triple cluster ring, the three oval-shaped sapphires are set within a surround of rose-cut diamonds, in gold, 2.7 grams, size N, a diamond three stone ring, set in 18ct gold, 2 grams, size M and a diamond cluster ring, set in 18ct gold, 1.6 grams, size L. £150-200

513

A DIAMOND SOLITAIRE RING. mounted with a circular-cut diamond in 18ct gold, 2.7 grams, size N, together with another diamond solitaire ring, set in 18ct gold, 3 grams, size P and a diamond three stone ring, set in gold, 2.5 grams, size R 1/2.

£150-200

514

A GOLD SOVEREIGN. 1915, in a 14ct gold pendant mount, total weight 10.5 grams.

£300-350

518

510

A GARNET AND GOLD MOURNING RING.

set with an oval-shaped garnet engraved with a cross, inscription to the reverse dated for 1859, with knotted decoration to the shoulders, 7.4 grams, size S, together with a ruby and diamond gypsy ring, set with a circular-cut diamond and two circular-cut rubies, in 18ct gold, 4.4 grams, size S 1/2, and a 22ct gold gypsy ring set with a circular-cut diamond, 3.2 grams, size K 1/2.

£300-400

511

A LARGE GOLD RING. of rectangular-shape, 26 grams. Size L.

£500-600

512

A GENTLEMAN’S 18CT GOLD SIGNET RING.

of plain design, hallmarked for Birmingham, date letter rubbed, 18.9 grams. Size P 1/2.

£500-600

508

515

A 9CT GOLD SOVEREIGN CASE. engraved with initials to the front case, 3.2cm dia., 11.6 grams.

£150-200

516

A GOLD AND ENAMEL PROPELLING PENCIL BY W. THORNHILL & CO. with black, red and blue enamel decoration, engraved with an Earl’s coronet for the Earls of Suffolk and Berkshire, 8cm long, 27 grams.

£300-400

517

AN 18CT GOLD PROPELLING PENCIL BY S. MORDAN & CO. with an agate terminal, 12cm long, 12.8 grams.

£400-500

518

A 9CT GOLD LIGHTER BY GARRARD & CO. with engine turned decoration to both side, with maker’s initials, 5.5 x 3.8cm., 41 grams.

£1000-1200

519

A 9CT GOLD CIGARETTE CASE.

of square form, with engine turned decoration to both sides, hallmarked for Birmingham 1937, with presentation inscription to the inside dated for 1945, 8.5cm square, 89 grams.

£1200-1500

520 A RUSSIAN SAPPHIRE AND DIAMOND SET GOLD MATCHBOX HOLDER.

with hammered decoration, with applied flower set with an oval cabochon sapphire and rose-cut diamonds, stamped with 56 zolotniks, 17.2 grams, 4.5 x 3cm.

£400-600

521

AN 18 CARAT GOLD AND ENAMEL MATCH BOX.

of rectangular plain form, enamelled with a coronet and cypher for the Earls of Suffolk and Berkshire, 4 x5cm., 53 grams.

£1800-2000

522

AN ART DECO SILVER, DIAMOND AND RUBY COMPACT BY ASPREY & CO. LTD.

the case with engraved silver and gold decoration, mounted to the front case with a circle of rose-cut diamonds, and with calibre-cut and cabochon rubies and circular-cut diamonds, hallmarked for London 1936, with maker’s mark, 6cm square, 96 grams.

£400-600

523

A PAIR OF GOLD AND ENAMEL CUFFLINKS.

each formed with an oval-shaped link with white and blue enamel decoration and a torpedo link, together with four gold and enamel dress studs, and a 9ct gold bar brooch mounted with a pearl, 7.5cm long, 3 grams.

£150-200

THREE MOTHER OF PEARL AND GOLD DRESS STUDS BY CARTIER.

each square-shaped mother of pearl stud centred with a pearl, each signed Cartier, 3.5 grams.

£100-150

525

A PAIR OF 18CT GOLD AND PLATUNUM CUFFLINKS. of oval-shape, the central panel of platinum with engine turned decoration and set within a border of 18ct gold, 8. 9 grams.

£250-300

526

A PAIR OF 18CT GOLD CUFFLINKS. of oval shape, each with engine turned decoration and engraved with a crest, 13.6 grams.

£400-500

527

A PAIR OF MOTHER OF PEARL, SAPPHIRE AND DIAMOND CUFFLINKS.

each mother of pearl link is centred with a circular-cut sapphire within a surround of rose-cut diamonds, in yellow gold, 8.3 grams, in red leather case by Garrard & Co. Ltd., 24 Albemarle St. W.

£250-300

528

A PAIR OF GARNET AND GOLD CUFFLINKS.

each link mounted with an ovalshaped cabochon garnet in yellow gold, together with a pair of carnelian and yellow gold ovalshaped cufflinks and a pair of lapis lazuli and yellow gold oval-shaped cufflinks, total weight 39 grams.

£500-700

529

A PAIR OF 9CT GOLD CUFFLINKS. the rectangular panels with engine turned decoration, stamped 375, in fitted case, together with a propelling toothpick, stamped 375, 5cm long, total gross weight 12 grams (2).

£60-80

530

A PAIR OF 18 CARAT TWO COLOUR GOLD AND DIAMOND SET CUFFLINKS.

each oblong link mounted with a cluster of circular-cut diamonds, 11 grams.

£300-400

531

A PAIR OF 9CT GOLD CUFFLINKS. the square panels with textured cut design, stamped 375, 15.6grams, in fitted blue leather case by Garrard.

£200-250

532

A PAIR OF ENAMEL AND 18CT GOLD SHOOTING CUFFLINKS.

each oval-shaped link depicting a shooting scene, hallmarked for Birmingham 1926, maker’s initials C & F., 9.6 grams.

£250-300

533

A PAIR OF ESSEX CRYSTAL AND 18CT GOLD CUFFLINKS.

each reverse painted crystal link depicting a pheasant, a red setter and two hounds, 11.4 grams.

£250-300

534

A CARVED PINK TOURMALINE SCARAB STICK PIN.

536

A VICTORIAN DIAMOND STICK PIN. in the form of a fox mask, set overall with rose-cut diamonds, with emerald eyes, in an ornate carved gold mount, 5.6 grams.

£200-300

537

AN 18CT GOLD STICK PIN BY ELSA PERETTI FOR TIFFANY & CO. in the shape of an apple, 3.2 grams.

£80-120

538

AN EARLY 19TH CENTURY DIAMOND STICK PIN.

the diamonds are cut to form the shape of an urn, set in gold, 1.8 grams, with fitted case.

540

A MID 19TH CENTURY GOLD AND ENAMEL STICK PIN.

depicting a mastiff, inscribed around the gold mount ‘L’amitie Lancelot Fidelite’ and signed to the reverse W.B. Ford 1869, 6.4 grams, with fitted case.

£100-200

541

A RUBY AND DIAMOND FLAG STICK PIN FOR THE ROYAL YACHT SQUADRON.

mounted with calibre-cut rubies and circular-cut diamonds, surmounted with a gold crown, in gold, 1.9 grams, with fitted case.

£150-200

542

544

set in gold mount, together with a gold heart-shaped stick pin mounted with old-cut diamonds, a pink enamel, diamond and gold flowerhead stick pin, a baroque pearl and gold stick pin, a gold stick pin mounted with a coin, and an enamel, diamond and gold stick pin.

£100-200

535

A MID 19TH CENTURY ENAMEL AND GOLD MINIATURE BROOCH.

depicting a spaniel, in a gold buckle frame, inscribed to the reverse W. Essex 1863, 3.5cm dia., 10.4 grams, in a fitted case by Hancocks & Co., Bruton Street, Bond Street, together with a mid 19th century enamel and gold dog stick pin, inscribed to the reverse W. Essex 1861, 3.8 grams, and another enamel and gold dog stick pin, with ruby eyes, 2.7 grams.

£150-200

£300-400

539

A DIAMOND SET GROUSE STICK PIN.

realistically formed, set with rose-cut diamonds, with cabochon ruby eye, in gold, 2.2 grams.

£200-250

A PEARL AND 9CT GOLD NAVAL CROWN BROOCH.

mounted overall with graduated half pearls, 5.2cm long, 3 grams, together with an enamel and 9ct gold naval brooch, 5.5cm long, 4.2 grams.

£250-300

543

A DIAMOND NAVAL CROWN BROOCH.

set with graduated rose-cut diamonds, in 9ct white gold, 5cm wide, 5 grams.

£150-200

A DIAMOND, ENAMEL AND GOLD REGIMENTGAL BROOCH FOR THE ROYAL ENGINEERS.

centred with the monarch’s initials for George V in rose-cut diamonds, with an enamel blue border and scroll and an outer surround of laurel leaves, with gold and enamel crown surmount, 3cm wide, 10.3 grams, with fitted blue leather case by The Goldsmiths and Silversmiths Company Ltd., 112 Regent Street, London W, together with a gold and enamel brooch for The Royal Fusiliers and one for The Royal Navy.

£250-300

545

A DIAMOND AND ENAMEL REGIMENTAL BROOCH FOR THE 1ST KING’S AFRICAN RIFLES. millegrain set with circular-cut diamonds, with blue and red enamel decoration, in 9ct gold, 2.8cm wide, 5.4 grams.

£500-700

546

A DIAMOND AND GEM SET YACHTING BROOCH. the flags spelling out the name Elizabeth, set in 18ct gold, 7.5cm long, 9.4 grams.

£1200-1500

551

AN 18CT GOLD OPEN FACED POCKET WATCH.

the gold dial with foliate decoration and black Roman numerals, with foliate engraved and cartouche decoration to the back case, engraved to the cuvette, ‘Examined by Frederick Dent, watchmaker to the Queen, Strand, London’, the case numbered 33956, 29 grams, 35mm dia.

£250-300

547

AN 18TH CENTURY GILT METAL PAIR CASED POCKET WATCH. the white enamel dial with Roman numerals, the movement signed J. Richards, London, the outer case depicting a pastoral scene, 50mm dia., 94 grams.

£200-300

548

A LADY’S 18CT GOLD OPEN FACED POCKET WATCH.

the white enamel dial with Roman numerals, one hand missing, with engraved foliate decoration to the back case, inscribed with initials within a cartouche, 30mm dia., 23 grams.

£150-200

549

A 9CT GOLD OPEN FACED POCKET WATCH BY WALTHAM, U.S.A. the signed white enamel dial with Roman numerals and subsidiary seconds dial, with presentation inscription to the inner case, hallmarked for Birmingham 1938, case maker’s initials A.L.D., 50mm dia., 81 grams.

£200-300

550

AN 18CT GOLD OPEN FACED POCKET WATCH.

the white enamel dial with Roman numerals and subsidiary seconds dial, with engine turned decoration to the back case, case numbered 17976, with metal inner case, with watch key, 40mm dia., 56 grams.

£600-800

* Buyers

552

AN 18CT GOLD QUARTER REPEATING HALF HUNTING CASED POCKET WATCH.

the white enamel dial with Roman numerals and subsidiary seconds dial, chapter ring with black enamel Roman numerals, 50mm dia., 107 grams.

£800-1000

553

AN 18CT GOLD AND DIAMOND SET BUTTONHOLE WATCH.

the white enamel dial with black Arabic numerals, set within a surround of rose-cut diamonds, numbered 512824 to the inside case, engraved to the back case with the initials MB below a coronet, 2.5cm dia., 17 grams.

£600-800

554

AN 18CT GOLD HALF HUNTING CASED POCKET WATCH.

the white enamel dial numbered 73506, with black Roman numerals, the movement signed Thomas Russell & Son, Liverpool & London , hallmarked for Chester 1879, inscribed with a crest to the reverse, 55mm dia., 144 grams.

£600-800

555

AN 18CT GOLD HALF HUNTING CASED POCKET WATCH. the white enamel dial with Roman numerals, the movement signed John Ashworth & Co., Manchester, hallmarked for London 1880, 54mm dia., 135 grams.

£600-800

554

556

AN 18CT GOLD FULL HUNTING CASED POCKET WATCH. the circular dial with Arabic numerals and subsidiary seconds dial, glass missing, engraved with a monogram to the back case, 45mm dia., 48 grams.

£400-600

557

AN 18CT GOLD FULL HUNTING CASED POCKET WATCH BY JOHN BENNETT, LONDON.

the signed white enamel dial with Roman numerals and subsidiary seconds dial, hallmarked for London 1877, with engraved cartouche decoration to the front case, 50mm dia., 107 grams, with watch key.

£800-1200

558

A 19TH CENTURY GOLD, PEARL AND ENAMEL OPEN FACED POCKET WATCH BY GREGSON A PARIS. the signed white enamel dial with Roman numerals, with half pearls set to the bezel, the reverse with enamel decoration depicting a seated classical woman, 52mm dia., 72 grams.

£600-800

559

A 19TH CENTURY CONTINENTAL GOLD AND GEM SET HALF HUNTING CASED POCKET WATCH.

the unusual gold dial with engraved decoration, black Roman numerals, the front and back case with embossed foliate two colour gold decoration and set with circular garnets and turquoise cabochons, the movement signed Terond, Alliez & Bachelard, 40mm dia., 43 grams.

£250-300

560

A 14CT GOLD OPEN FACED POCKET WATCH BY HAMILTON WATCH CO., U.S.A.

the signed circular dial with Arabic numerals and subsidiary seconds dial, engraved with the initials F.J.R to the back case, 45mm dia., 50 grams.

£300-500

561

AN 18CT GOLD OPEN FACED POCKET WATCH.

the white enamel dial with black Roman numerals, inscribed with a monogram to the back case, 37mm dia., 41 grams.

£150-200

562

AN 18CT GOLD FULL HUNTING CASED POCKET WATCH BY RUSSELLS LIMITED, 18 CHURCH STREET, LIVERPOOL.

the signed white enamel dial with Roman numerals and subsidiary seconds dial, with presentation inscription to the inner case, hallmarked for Birmingham 1930, case maker’s initials R & S., three quarter plate movement, 50mm dia., 97 grams.

£300-400

563

AN 18CT GOLD OPEN FACED POCKET WATCH.

the gold coloured foliate engraved dial with Roman numerals, with foliate engraved decoration to the back case, 35mm dia., 27 grams, with watch key and in fitted case.

£300-400

564

AN 18CT GOLD OPEN FACED POCKET WATCH.

the foliate gold coloured dial with Roman numerals, with foliate engraved and cartouche decoration to the back case, three quarter plate movement, numbered 67991 to the inside, 40mm dia., 44 grams.

£300-500

565

A 9CT GOLD OPEN FACED POCKET WATCH BY OMEGA. the signed white enamel dial with Arabic numerals and subsidiary seconds dial, the movement numbered 9507133, hallmarked for Birmingham 1941, 45mm dia., 64 grams, with fitted case.

£400-600

566

A 9CT GOLD OPEN FACED POCKET WATCH BY J.W. BENSON, LONDON. the signed white enamel dial with Roman numerals and subsidiary seconds dial, the three quarter plate movement inscribed ‘The New Ludgate’, hallmarked for London 1933, 50mm dia., 75 grams.

£350-400

567

AN 18CT GOLD FULL HUNTING CASED POCKET WATCH. the white enamel dial with Roman numerals and subsidiary seconds dial, numbered 12804 to the inner case, engraved with a crest to the front case, 35mm dia., 44 grams.

£250-300

568

AN 18CT GOLD OPEN FACED POCKET WATCH BY A. LANGE & SOHN, GLASHUTTE, DRESDEN.

the signed white enamel dial with Roman numerals and subsidiary seconds dial, three quarter plate movement, with engine turned and cartouche decoration to the back case, 50mm dia., 87.6 grams.

£1000-1500

569

AN 18 CARAT GOLD SLIM HALF HUNTING CASED POCKET WATCH BY ASPREY.

the signed silvered dial with Roman numerals, engraved with a crest for the Earls of Suffolk and Norfolk to the reverse, 45mm dia., on a fancy gold watch chain, suspending a gold and bloodstone fob, total weight of watch and chain 55 grams.

£800-1000

570

AN 18CT GOLD OPEN FACED POCKET WATCH.

the white enamel dial with Roman numerals and subsidiary seconds dial, three quarter plate movement numbered 293870, hallmarked for London 1912, case maker’s initials R & S., 46mm dia., 67 grams, together with a 9ct gold watch chain, suspending a 9ct gold ‘t’ bar, 35cm long, 15.7 grams, in fitted case by Hancock’s & Co., 88 & 89 Bruton St, Bond Street.

£1000-1500

571

575

A LADY’S 18CT GOLD WRISTWATCH BY MOVADO.

the signed circular dial with Arabic quarters and subsidiary seconds dial, on an 18ct gold fancy link bracelet with ladder clasp, 22mm dia., 23 grams.

£400-500

576

A LADY’S GOLD WRISTWATCH BY LONGINES.

the signed blue coloured octagonalshaped dial with a circular-cut diamond at 12 o’clock, on a black leather strap, 26mm dia.

£350-450

577

A LADY’S ART DECO GOLD WRISTWATCH.

A LADY’S VINTAGE MECHANICAL SILVER BRACELET WRISTWATCH BY OMEGA DE VILLE.

the signed rectangular-shaped brown dial with baton numerals, with Omega logo to the winder and to the bracelet clasp, reference number 8270, 40mm wide, 100 grams.

£600-800

572

A LADY’S ART DECO DIAMOND AND PLATINUM COCKTAIL WATCH.

the rectangular-shaped dial with Arabic numerals, with baguette-cut and circular-cut diamonds set to the bezel and to the shoulders, on a black leather strap, 17 grams.

£150-200

573

A LADY’S DIAMOND AND 18CT WHITE GOLD WRISTWATCH BY JAEGER- LECOULTRE.

the signed circular dial with Arabic quarters and baton numerals, with circular-cut diamonds set to the bezel, on an 18ct white gold snake link bracelet, 15.5cm long, 16.5 grams.

£300-500

574

A LADY’S 9CT WRISTWATCH BY JEAN RENET.

the signed square-shaped dial with baton numerals, on an integrated textured 9ct gold bracelet with ladder clasp, 17cm long, 35 grams.

£200-300

the rectangular-shaped dial with Arabic numerals, with presentation inscription to the back case, on a cord band, 16 grams.

£200-250

578

A LADY’S 9CT GOLD WRISTWATCH BY J.W. BENSON, LONDON.

the signed circular dial with baton numerals, on an integrated 9ct gold mesh link bracelet, 16.5cm long, 28.5 grams.

£150-200

579

A LADY’S 18CT GOLD WRISTWATCH BY PIAGET.

the signed circular dial with dagger numerals, on an integrated brick link bracelet, 18mm dia., 23 grams.

£400-600

568

570

569

571

580

A LADY’S 18CT GOLD WRISTWATCH BY LONGINES.

the signed circular dial with Arabic quarters and baton numerals, on an integrated 18ct gold brick link bracelet with ladder clasp, 16cm long, 30 grams.

£350-400

581

A LADY’S 18CT GOLD WRISTWATCH BY PATEK PHILIPPE.

the square-shaped dial with Arabic quarters and diamond-shaped numerals, on an integrated gold fancy link bracelet, signed Patek Philippe to the clasp, with presentation inscription to the reverse dated for 1959, 17.5cm long, 48 grams.

£800-1000

582

A LADY’S 18CT GOLD OYSTER PERPETUAL LADY-DATEJUST WRISTWATCH BY ROLEX.

signed circular gold coloured dial, with Rolex logo to the winder and to the bracelet clasp, serial number 589958, reference number 6517, on an 18ct gold bracelet, with one extra link, and also sold with a stainless steel and gold bracelet by Rolex, 25mm dia.

£2000-3000

583

A LADY’S 18CT GOLD PANTHÈRE WRISTWATCH BY CARTIER.

the signed square-shaped dial with Roman numerals, cabochon sapphire winder, serial number 86691115542, quartz movement, on a Cartier bracelet with deployant clasp, with five extra bracelet links, 22mm, with Cartier guarantee, booklet, red leather box and outer box by Cartier.

£4500-5000

584

A LADY’S STAINLESS STEEL AND GOLD PLATED OYSTER DATEJUST WRISTWATCH BY ROLEX.

the signed circular white dial with Roman numerals, serial number 9778674, model number 69173, with Rolex logo to the winder, on a Rolex bracelet with deployant clasp, 28mm dia.,

With Rolex guarantee and with green suede pouch by Rolex.

£1500-2000

585

A LADY’S 18CT GOLD PANTHÈRE WRISTWATCH BY CARTIER.

the signed square-shaped dial with Roman numerals, quartz movement, numbered to the reverse 10702 M205789, on an 18ct gold bracelet with deployant clasp, 23mm, with red leather box by Cartier.

£4000-5000

586

AN 18CT GOLD ‘NEPTUNE’ WRISTWATCH BY ELIZABETH GAGE.

the signed circular dial with dot and dagger numerals, no 10 of an edition of 100, with engraved scrolling decoration to the bezel and to the bracelet, with deployant clasp, quartz movement, 94 grams, 40mm dia., with green leather case by Elizabeth Gage.

£4000-5000

587

A LADY’S 18CT GOLD PANTHÈRE WRISTWATCH BY CARTIER. the signed square-shaped dial with Roman numerals, cabochon sapphire winder, serial number 10702 and numbered MG215048, on a Cartier bracelet with deployant clasp, 22mm.

£4000-5000

588

A LADY’S STAINLESS STEEL AND GOLD OYSTER PERPETUAL DATE WRISTWATCH BY ROLEX. the signed circular dial with baton numerals, with Rolex logo to the winder and to the bracelet clasp, on a Rolex bracelet with deployant clasp, 27mm dia.

£1000-1500

589

A GENTLEMAN’S GOLD WRISTWATCH BY INTERNATIONAL WATCH CO. SCHAFFHAUSEN.

the signed circular dial with dagger numerals, 35mm dia, strap missing.

£600-700

590

AN 18CT GOLD WRISTWATCH BY ROLEX.

the signed rectangular-shaped dial with Arabic numerals and subsidiary seconds dial, numbered to the reverse 2943 30907, circa 1930, on a non Rolex 9ct gold bracelet, 52 grams.

£1000-1100

591

A GENTLEMAN’S 18CT ROSE GOLD MECHANICAL CHRONOGRAPH WRISTWATCH BY CYCLAR.

the signed black dial with Arabic numerals, numbered 20 3910 to the reverse, on a black leather strap with gold plated deployant clasp, 38mm dia.

£600-800

592

A GENTLEMAN’S STAINLESS STEEL MECHANICAL WRISTWATCH BY JAEGER-LECOULTRE.

the signed circular dial with Arabic and dagger numerals, numbered to the reverse 512329, on a brown leather strap, 35mm dia. Circa 1940.

£300-400

593

A GENTLEMAN’S STAINLESS STEEL AUTOMATIC WRISTWATCH BY ETERNA-MATIC KONTIKI.

the signed blue dial with baton numerals and date aperture, on a stainless steel bracelet with deployant clasp signed Kontiki, 38mm dia.

£200-300

594

A GENTLEMAN’S STAINLESS STEEL MECHANICAL OYSTER WRISTWATCH BY TUDOR ROYAL.

the signed circular dial with Arabic numerals, with Rolex logo to the winder, inscribed to the reverse, Original Oyster Case by Rolex, Geneva, 35mm dia., on a brown leather strap.

£300-400

595

A GENTLEMAN’S STAINLESS STEEL AUTOMATIC CONSTELLATION WRISTWATCH BY OMEGA.

the signed circular dial with baton numerals and date aperture, with Omega logo to the winder, on a stainless steel bracelet by Omega, with Omega logo to the deployant clasp, 36mm. Circa 1960.

£200-300

596

A GENTLEMAN’S GOLD PLATED AND STAINLESS STEEL AUTOMATIC SEAMASTER WRISTWATCH BY OMEGA.

the signed circular dial with Arabic and dagger numerals, subsidiary seconds dial, with Omega logo to the winder, 35mm dia., on an unrelated bracelet.

£200-300

597

A GENTLEMAN’S STAINLESS STEEL AUTOMATIC WRISTWATCH BY OMEGA.

the signed circular dial with baton numerals and date aperture, with Omega logo to the winder, on an Omega bracelet with logo to the deployant clasp, 36mm dia.

£200-300

598

A GENTLEMAN’S GOLD WRISTWATCH BY BAUME & MERCIER FOR ASPREY.

the white enamel dial signed Asprey Baumatic, with Roman numerals and date aperture, numbered to the reverse 443737 35117, 35mm dia, on a brown leather strap.

£300-400

599

A GENTLEMAN’S STAINLESS STEEL AUTOMATIC WRISTWATCH BY OMEGA.

the signed circular grey dial with baton numerals, with Omega logo to the winder, 35mm dia., strap missing.

£200-300

600

A STAINLESS STEEL MECHANICAL WRISTWATCH BY ROLEX.

the signed circular dial with Arabic numerals and subsidiary seconds dial, numbered to the back case 051630, model number 3892, 30mm dia., on a fabric strap.

£200-300

601

A GENTLEMAN’S STAINLESS STEEL OYSTER PRESICION WRISTWATCH BY ROLEX.

the signed circular honeycomb dial with dagger numerals, with Rolex logo to the winder, reference number 6422, serial number 69035, 35mm dia., on a brown leather strap.

£300-500

602

A GENTLEMAN’S STAINLESS STEEL AND GOLD OYSTER PERPETUAL DATEJUST WRISTWATCH BY ROLEX. the signed blue dial with baton numerals, with Rolex logo to the winder, model number 16013, case number R205622, on a Jubilee bracelet, with Rolex logo to the deployant clasp, 37mm dia. Circa 1970.

£1500-2000

603

A GENTLEMAN’S STAINLESS STEEL CHRONOMETER WRISTWATCH BY BREITLING.

the signed black dial with baton numerals and luminous hands, numbered to the reverse A44355 and 728436, on a Breitling strap, 45mm dia., with a spare black leather strap by Breitling.

£800-1000

604

A STAINLESS STEEL OYSTER JUNIOR SPORT WRISTWATCH.

the signed circular dial with Arabic numerals and subsidiary seconds dial, the winder stamped Oyster Patent, numbered to the reverse 92262 2784, on a brown leather strap, 32mm dia.

£400-500

605

A STAINLESS STEEL VENTURA AUTOMATIC WRISTWATCH BY HAMILTON.

with asymmetric dial and partially visible movement, serial number TSG YLQ K5H, reference number H245150, on a black leather strap. In original box with papers and warranty.

£200-300

608

606

A STAINLESS STEEL WRISTWATCH BY HENNING KOPPEL FOR GEORG JENSEN.

signed circular white enamel dial with date aperture, numbered to the reverse 007202, quartz movement, 38mm dia., on a brown leather strap.

£350-400

607

A GENTLEMAN’S STAINLESS STEEL OYSTER ROYAL WRISTWATCH BY ROLEX.

the signed circular dial with baton numerals, the winder stamped Rolex Oyster, case number 318138, on a black leather strap, 30mm dia., Circa 1940, sold with original receipt from Dobbies Ltd., Nairobi.

£600-800

A GENTLEMAN’S 9CT GOLD AUTOMATIC WRISTWATCH BY OMEGA.

the signed gold coloured dial with baton numerals and date aperture, with Omega logo to the winder and to the bracelet clasp, on an integrated 9ct gold mesh bracelet, 18cm long, 73 grams.

£1000-1200

609

A STAINLESS STEEL AIRCREW PILOT’S ANTI-MAGNETIC WRISTWATCH BY OMEGA.

the signed circular black dial with Arabic numerals and luminous sword hands, marked to the reverse 6645 101000 6B/542 2118/53, 37mm dia, with NATO strap, the movement is a calibre 283 30mm T3, number 13060774.

The watch has been recently serviced.

£1000-1500

610

A GENTLEMAN’S STAINLESS STEEL AUTOMATIC SPEEDMASTER WRISTWATCH BY OMEGA. with red coloured dial, Omega logo to the winder and to the strap buckle, serial number 55324423, reference number ST1750032, on a red leather strap, 40mm dia., with black leather racing car wheel case by Omega and outer box by Omega.

£1500-2000

604

607

611

A GENTLEMAN’S 18CT GOLD CENTENAIRE 61 AUTOMATIC WRISTWATCH BY ETERNA-MATIC.

the signed circular dial with baton numerals and date aperture, on an integrated bracelet of woven design, with Eterna logo to the winder, 35mm dia., 84 grams, with box by Eterna-Matic.

£2000-2500

612

A GENTLEMAN’S STAINLESS STEEL ROYAL AUSTRALIAN NAVY WRISTWATCH BY CABOT WATCH COMPANY.

the black dial signed CWC, with Arabic numerals, mechanical chronograph, numbered to the reverse 6645-99-924-3306 116/70, 40mm dia, with green material strap.

£2000-2500

613

A GENTLEMAN’S STAINLESS STEEL AND GOLD OYSTERQUARTZ

DATEJUST WRISTWATCH BY ROLEX.

signed circular gold coloured dial, with Rolex logo to the winder and to the bracelet clasp, case number 9 129260, on a stainless steel and gold bracelet, 35mm dia.

£2500-3000

614

A GENTLEMAN’S STAINLESS STEEL OYSTER PERPETUAL DATE GMTMASTER AUTOMATIC WRISTWATCH BY ROLEX.

the signed black dial with white baton quarters and dot numerals, serial number T417604, reference number 16700, 40mm dia., with green leather case and outer box by Rolex, with Rolex guarantee and tags.

£6500-8500

615

A GENTLEMAN’S 18CT GOLD OYSTER PERPETUAL DAY-DATE WRISTWATCH BY ROLEX.

signed circular gold coloured dial, with Rolex logo to the winder and to the bracelet clasp, serial number 621024, reference number 1803, on an 18ct gold bracelet with deployant clasp, 35mm dia.

616

A GENTLEMAN’S 18CT GOLD OYSTER DAY-DATE WRISTWATCH BY ROLEX.

the signed circular dial with baton numerals, with Rolex logo to the winder, serial number E298339, model number 18238, on a gold President bracelet with deployant clasp, 35mm dia

With Rolex guarantee, papers, brown leather case and outer box. With three extra gold links.

£9000-12000

617

A GENTLEMAN’S STAINLESS STEEL MECHANICAL DAYTONA OYSTER WRISTWATCH BY ROLEX.

the signed silver coloured dial with baton numerals, model number 6263, serial number 4961865, on a stainless steel bracelet, 39mm dia.

Circa 1980

£8000-10000

THE CASE FITTED WITH INCORRECT NON ROLEX PUSHERS.

£30000-40000

From A Private Collection of Cameos

618

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

of oval form, possibly depicting Venus and Cupid, in a double sided ornate gold mount, the cameo 5 x 4.3cm., 47 grams.

£400-500

619

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

depicting Demeter, wearing a crown of wheat sheaves, in a gold locket mount, with engraved decoration to the reverse, 3.5 x 3cm., 11 grams.

£200-300

620

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

depicting Diana, the goddess of Hunting, in a gold mount, 3 x 2.5cm., 6.7 grams.

£100-150

621

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

depicting Ajax the Greater, in profile, wearing a helmet, in a gold mount, 3.8 x 3cm., 6.5 grams.

623

A 19TH CENTURY CARVED CONCH SHELL CAMEO BROOCH.

depicting Cupid, in a scrolling gilt metal frame, signed Lamant to the reverse, the cameo 5 x4cm., 26 grams.

£200-300

624

A LAPIS LAZULI CARVING DEPICTING MEDUSA. on an oval-shaped crystal mount, 5cm wide, 24.5 grams.

£100-150

625

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

£150-200

622

A 19TH CENTURY AMETHYST CARVED CAMEO BROOCH.

depicting Hera, Queen of Olympus, in a gold openwork mount, with rope decoration, 2 x 1.6cm., 3.5 grams.

£150-200

depicting the head and shoulders of a Georgian noblewoman, in an ornate gilt metal frame, the cameo 5 x 4cm., 31 grams.

£200-300

626

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

depicting Dionysus, wearing an animal pelt and a crown of vine leaves on his head, in a gold frame, 4.5 x 3.5cm., 7.2 grams.

£200-300

627

A 19TH CENTURY CARVED SHELL CAMEO BROOCH.

depicting a classical scene, signed Lamant to the reverse, in a gold ornate frame, the cameo 4.5 x5.5cm., 23 grams.

£300-400

628

A RUBY AND DIAMOND CLUSTER RING.

the oval-shaped ruby is set within a surround of circular old-cut diamonds, in 18ct yellow gold, 2.8 grams. Size P 1/2.

£200-250

629

A DIAMOND CLUSTER RING.

mounted overall with graduated single-cut diamonds, with a further single-cut diamond set to each shoulder, in 18ct gold and platinum, 3.6 grams. Size Q 1/2.

£200-300

630

A SAPPHIRE AND DIAMOND THREE STONE RING.

the rectangular-shaped sapphire is set with two circular-cut diamonds, in 18ct yellow gold and platinum, 3.2 grams. Size U.

£400-600

631

A SAPPHIRE AND DIAMOND CLUSTER RING.

the circular-cut sapphire is set within a surround of eight cushion-shaped diamonds, in gold, 5.4 grams. Size P.

£250-300

632

A DIAMOND SOLITAIRE RING.

the round brilliant-cut diamond weighs approximately 0.70 carats and is set in 18ct white gold, 2.3 grams. Size J 1/2.

£500-700

633

A SAPPHIRE AND DIAMOND RING.

mounted with a row of calibre-cut sapphires within a surround of circular-cut diamonds in gold, 3.9 grams. Size N 1/2.

£250-300

634

A SAPPHIRE AND DIAMOND GYPSY RING.

the yellow gold band is set with a circular-cut sapphire and two circular-cut diamonds, 5.5 grams. Size Q.

£400-500

635

A DIAMOND AND PLATINUM TWIG RING.

mounted with five marquise-cut diamonds, hallmarked for London 2010, 8.3 grams. Size O.

£700-900

636

A JADE AND DIAMOND CLUSTER RING.

the oval-shaped cabochon jade is set within a surround of circular-cut diamonds, in 18ct white gold, 7 grams. Size O.

£400-600

637

A SAPPHIRE AND DIAMOND TRIPLE CLUSTER RING.

mounted with three circular-cut diamonds, within a surround of circular-cut diamonds, in gold, 4.1 grams. Size P 1/2.

£400-600

638

A DIAMOND HALF HOOP RING. set with baguette-cut and circularcut diamonds, in white gold, 4.5 grams. Size N 1/2.

£500-700

639

A SAPPHIRE AND DIAMOND CLUSTER RING.

the oval-shaped sapphire is set within a surround of circular-cut diamonds, in 18ct gold, 4.3 grams. Size N 1/2.

£300-500

640

A SAPPHIRE AND DIAMOND CLUSTER RING.

the central circular-cut sapphire is set within a surround of circular-cut diamonds and sapphires in 18ct gold, 4 grams. Size O.

£250-300

641

A DIAMOND CLUSTER RING. the three central brilliant-cut diamonds are set within a surround of smaller brilliant-cut diamonds, in 18ct white gold, 4.2 grams. Size O.

£600-800

642

AN AMBER AND 18CT GOLD RING.

the oval amber cabochon set within a three claw setting on plain shank, 7.6 grams. Size N.

£150-200

643

A DIAMOND FULL CIRCLE ETERNITY RING.

set with circular-cut diamonds, in white gold, 3.8 grams. Size O.

£300-400

644

A SAPPHIRE AND DIAMOND THREE STONE RING.

the rectangular-shaped sapphire is set with two brilliant-cut diamonds in platinum, 3.8 grams. Size O1/2.

£400-600

645

A SAPPHIRE AND DIAMOND FULL CIRCLE ETERNITY RING.

mounted alternately with squareshaped sapphires and circular-cut diamonds, with engraved scrolling decoration to the mount, 4 grams. Size P.

£400-600

646

A MALACHITE AND DIAMOND RING. the oval openwork section of malachite is set with two bands of circular-cut diamonds, in 14ct gold, 9.8 grams. Size L.

£300-500

647

A DIAMOND AND SYNTHETIC RUBY RING.

mounted with rows of calibre-cut synthetic rubies and circular-cut diamonds, in platinum, 11.6 grams. Size H.

£300-400

648

AN EMERALD AND DIAMOND CLUSTER RING.

the cut cornered rectangular-shaped emerald is set within a double surround of circular-cut diamonds in white gold, 6.3 grams. Size M.

£400-600

649

A GARNET AND DIAMOND CLUSTER RING.

the circular-cut garnet is set within a surround of circular-cut diamonds, in 18ct gold, 4 grams. Size N.

£250-300

650

A SAPPHIRE AND DIAMOND RING.

the oval-shaped sapphire is set with four circular-cut diamonds to each side, in 18ct gold, 5.6 grams. Size P.

£300-400

651

A SAPPHIRE, DIAMOND AND GOLD RING.

653

A DIAMOND HALF HOOP RING.

mounted with seven circular-cut diamonds, in 18ct white gold, 3.9 grams. Size O.

£150-200

654

A SAPPHIRE AND DIAMOND RING.

mounted with an oval-shaped sapphire and an old-cut diamond within a half surround of rose-cut diamonds, 2.8 grams. Size P.

£150-200

655

A DIAMOND FULL CIRCLE ETERNITY RING.

millegrain set with circular-cut diamonds in 18ct white gold, 2.7 grams. Size I.

£400-600

656

A RUBY AND DIAMOND CLUSTER RING.

mounted with circular-cut rubies and diamonds, in white gold, 8 grams. Size L.

£500-700

657

661

A LATE VICTORIAN DIAMOND FIVE STONE RING.

mounted with five graduated old-cut diamonds, with rose-cut diamond highlights in gold carved setting, 2.9 grams. Size O.

the 18ct gold band is set with two marquise-cut diamonds and three circular collet set sapphires, 8 grams. Size V.

£500-600

652

A DIAMOND AND ENAMEL RING. the red guilloche enamel is centred with a circular-cut diamond, in 18ct yellow gold, hallmarked for London 1967, maker’s mark JHL, 5.8 grams. Size M 1/2.

£250-300

A SAPPHIRE AND DIAMOND HALF ETERNITY RING.

mounted to one side with circularcut diamonds and square-shaped sapphires in 18ct gold, 2.5 grams. Size N.

£150-200

658

A RUBY AND DIAMOND HALF ETERNITY RING.

mounted to one side with circularcut diamonds and square-shaped rubies in 18ct gold and platinum, 3 grams. Size M.

£250-300

659

A 14CT GOLD DOUBLE FOX MASK RING.

realistically formed as two fox heads with ruby eyes, 8 grams. Size G.

£250-300

660

AN AQUAMARINE AND DIAMOND RING.

the step-cut aquamarine is set with six circular-cut diamonds to each shoulder, in 18ct white gold, 4.5 grams. Size L 1/2.

£400-500

£400-450

662

A DIAMOND TWO ROW RING. set with circular-cut diamonds in 18ct gold, hallmarked for London 1989, 6.1 grams. Size R.

£600-800

663

A RUBY AND DIAMOND RING.

mounted with four circular-cut rubies and six circular-cut diamonds, in 18ct gold, inscription to the inside dated for 1938, 2 grams. Size P.

£275-350

664

A SPINEL AND GOLD RING. mounted with a cushion-shaped purple spinel in a gold mount, with rope and ball decoration to the shoulders, 7 grams. Size F.

£250-350

665

A DIAMOND SOLITAIRE RING. the cushion-shaped diamond is collet set with three circular-cut diamonds to each shoulder, in platinum, 4 grams. Size L.

£300-400

666

A DIAMOND AND PLATINUM RING. the platinum band is mounted with circular-cut diamonds, 5.1 grams. Size K.

£250-300

667

AN 18CT GOLD AND DIAMOND RING BY ELSA PERETTI FOR TIFFANY & CO.

centred with a gold heart with a circular-cut diamond to each shoulder, signed to the inner shank, 2.5 grams. Size K.

£300-400

668

AN ARTS AND CRAFTS SILVER AND GEM SET BROOCH.

of circular form, mounted with two circular moonstones, two zircons, two aquamarines and two chrysoprase, with two gilt metal leaves, 4.3cm dia.

£150-200

669

A CITRINE, DIAMOND AND GOLD FOLIATE BROOCH, CIRCA 1940.

formed as four flowerheads, one sent with oval-shaped citrines and each centred with a circular-cut diamond, in 14ct two coloured gold mount, 4cm wide, 16 grams.

£1100-1500

670

TWO SIMILAR DIAMOND AND GOLD DRESS CLIPS.

each of scrolling design, set with circular-cut diamonds, with French marks, one 5.0cm long, the other 5.5cm long, total weight 22 grams.

£400-600

671

AN 18CT GOLD AND RUBY NECKLACE, CIRCA 1940. formed with graduated gold drops set with circular-cut rubies, on a fancy link chain, 37cm long, 23 grams.

£600-800

672

AN AGATE INTAGLIO BROOCH.

possibly depicting a representation of Aurora, in a 9ct gold mount, 3.8cm wide, 14.2 grams.

£200-300

673

A 19TH CENTURY LAVA CAMEO BRACELET.

formed with carved oval cameos depicting the head and shoulders of Greek and Roman goddesses, mounted in gold, 19cm long, 41 grams.

£500-700

674

676

AN ENAMEL AND DIAMOND MINIATURE PORTRAIT BROOCH.

depicting Heracles in profile, his head covered by the pelt of the Nemean lion, set within a surround of rose-cut diamonds, in silver and gold, 3 x 2.5cm., 7 grams.

£250-300

675

AN AQUAMARINE AND GOLD PENDANT.

mounted with two oval-shaped aquamarines separated by a gold knife edge setting, in 9ct gold, on a fine link chain, the pendant 4.5cm long, 3.5 grams.

£250-300

A SAPPHIRE, PEARL AND GOLD BRACELET.

mounted with quatrefoil openwork sections, each centred with a circular-cut sapphire within a surround of small pearls, 20.5cm long, 13.4 grams.

£500-700

677

A DIAMOND LOZENGE-SHAPED BROOCH.

the openwork design is set overall with graduated old-cut diamonds, 6cm wide, 9.1 grams.

£800-1000

678

AN ART DECO DIAMOND PLAQUE BROOCH PENDANT.

the rectangular-shaped openwork mount collet set with a circular oldcut diamond and overall with graduated cushion-shaped diamonds, with detachable brooch fitting, 5.6cm wide, 13 grams.

£2500-3000

682

679

A VICTORIAN SAPPHIRE AND DIAMOND BANGLE.

the gold bangle mounted with a heart set with rose-cut diamonds and centred with an oval-shaped sapphire, internal measurements 5.5cm dia., 5.5 grams.

£200-300

680

A VICTORIAN PEARL AND DIAMOND STARBURST BROOCH.

centred with a circular-cut diamond and set overall with graduated half pearls, in gold, with detachable brooch fitting, 3cm dia, 7.2 grams.

£250-300

681

AN EDWARDIAN DIAMOND NECKLACE.

formed with five graduated old-cut diamonds, suspending a diamond drop on a knife edge setting, in platinum, on a fine link chain, 41cm long, 2.4 grams.

£500-700

AN EARLY 20TH CENTURY OPAL, RUBY AND DIAMOND PENDANT.

formed as three graduated gold wreaths each centred with a foliate carved opal, centred with a circularcut ruby, with rose-cut diamond set bow surmounts, 6.5cm long, 9.8 grams.

£600-800

683

A VICTORIAN GOLD HALF HINGED BANGLE.

mounted to one side with rope and ball decoration, internal measurements 5.2 x 5.8cm., 14 grams.

£100-150

684

A 19TH CENTURY GOLD MOURNING BROOCH.

of rectangular form, the centre section with plaited hair in chased and engraved mount, inscribed to the reverse Mrs Ann Cave obt 20th Sept 1839 ae 64, Mr John Cave obt 24th January 1840 ae 70, 2.7cm wide, 5.2grams gross weight.

£150-200

685

AN ART DECO PERIDOT AND DIAMOND BROOCH.

the rectangular-shaped peridot is set within a geometric openwork mount set with rose-cut diamonds, 2 x 2.5cm., 7 grams.

£350-450

686

AN AMETHYST SINGLE STONE BROOCH.

the oval-shaped amethyst is set in a platinum and 18ct yellow gold mount, 6.5cm long, 7 grams, with green leather case by Liberty.

690

A SINGLE ROW GRADUATED NATURAL PEARL NECKLACE.

£150-200

687

A VICTORIAN GOLD LOCKET PENDANT.

with black enamel decoration to the front, on a gold fancy link neckchain, the locket 5cm long including the bale, total weight 30 grams.

£400-500

688

A TOURMALINE AND GOLD BRACELET.

mounted alternately with ovalshaped green and pink tourmalines, in yellow gold, 17.5cm long, 7.2 grams.

£150-200

689

A VICTORIAN MOONSTONE, RUBY AND DIAMOND HORSESHOE BROOCH.

the pear-shaped moonstone is set within a horseshoe set with rose-cut diamonds and circular-cut rubies, in silver and gold, 4cm wide, 4.4 grams, brooch mount probably added later.

£250-300

the one hundred and twenty eight pearls graduate from approximately 3.5mm to 6.0mm, to a paste set clasp, 68cm long, 24 grams

A verbal report from GCS, London states that twenty one of the pearls are beaded cultured pearls, these are marked in black, the remainder are natural saltwater pearls.

£400-600

691

A SINGLE ROW NATURAL PEARL NECKLACE.

the one hundred and four button and partially round shaped pearls graduate from approximately 2.5 to 4.3mm to a round gold clasp mounted with rose-cut diamonds and centred with a pearl, 45cm long, 9.5 grams

Accompanied by report number 5784-2926 from GCS, London, dated 28th June 2024, stating that the pearls are natural saltwater. The necklace includes eight beaded cultured pearls near to the clasp and these are indicated in black.

£200-300

692

A VICTORIAN SEED PEARL AND AMETHYST NECKLACE.

the four strands of seed pearls are set to three seed pearl flowerhead clusters each centred with a foil backed amethyst, 45.5cm long.

£200-300

693

AN EARLY 20TH CENTURY 15CT GOLD, BLACK ONYX AND DIAMOND BANGLE.

set to one side with a section of oval-shaped black onyx centred with an old-cut diamond, hallmarked for Chester 1902, internal measurements 7cm dia., 15 grams.

£500-600

694

AN LATE 19TH CENTURY TURQUOISE AND DIAMOND CRUCIFORM PENDANT.

formed with rectangular-shaped turquoise cabochons with rose-cut diamonds set to the foliate compass points, in gold, 4.5 x 3.2cm., 5.7 grams, in fitted red leather case by E. & W. Smith, 30 Maddox Street, Regent Street.

£400-600

695

AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND BROOCH. the scrolling mount centred with three circular old-cut diamonds, and overall with rose-cut diamonds, with two small pearls and with circularcut sapphires set to the terminals, in gold, 4.5cm wide, 4.6 grams.

£350-400

696

AN EARLY 20TH CENTURY SAPPHIRE, DIAMOND AND 15CT GOLD HALF HINGED BANGLE.

mounted to one side with two circular-cut diamonds and three sapphires, with embossed foliate and rope decoration, internal measurements 5 x 5.5cm., 12.8 grams.

£500-600

697

AN EARLY 20TH CENTURY TOURMALINE AND PEARL BROOCH. of foliate scrolling form, set with two circular-cut green tourmalines, one oval-shaped green tourmaline and overall with half pearls, in 15ct gold, 4cm wide, 3.4 grams.

£200-300

698 A CARVED CONCH SHELL AND 9CT GOLD BRACELET.

formed with oval cameos depicting the head and shoulders of classical woman, each separated by gold openwork links, with concealed clasp, 17.5cm long, 9.2 grams.

£200-300

699

A TOURMALINE AND GOLD SPIDER BROOCH.

mounted with an oval-shaped pink tourmaline and a circular green tourmaline in 9ct gold, 6.5cm long, 5 grams, in fitted case by Aldred & Son, Great Yarmouth.

£250-300

700

A JADE AND DIAMOND BROOCH. the oval-shaped jade cabochon set with circular-cut diamonds to each side, in 18ct gold and platinum, 6cm long, 5 grams.

£150-200

701

AN ART NOUVEAU TURQUOISE, PEARL AND GOLD PENDANT. the 9ct gold openwork mount is centred with an oval-shaped turquoise and suspends a pearl drop, on a fine link chain, the pendant 3.5cm high, 3.4 grams.

£250-300

702

A VICTORIAN GOLD AND PEARL NECKLACE.

centred with a foliate cluster set with half pearls, with further half pearls set to the foliate drops, on a fancy link gold chain, 38cm long, 9.6 grams.

£250-300

703

A PAIR OF BANDED AGATE DROP EARRINGS.

each earring formed with a batonshaped banded agate drop suspended from an agate bead, with gold hook fittings, 4cm long, 9 grams.

£200-300

704

A GEORGIAN GARNET AND DIAMOND PENDANT.

formed with a pear-shaped garnet cabochon mounted with a star motif set with cushion-shaped diamonds, suspended from a circular garnet mounted with a diamond set star, in gold closed back settings, later chain, the pendant 4cm long, 8.5 grams.

£200-300

705

A BLACKAMOOR PENDANT. formed as a blackamoor with gold decoration, 2.5cm high, together with a fist with gold decoration, 3cm long, 4 grams.

£400-600

706

AN ART NOUVEAU SILVER, AMETHYST AND PLIQUE À JOUR ENAMEL PENDANT.

mounted with three oval-shaped foil backed amethyst cabochons, stamped Depose to the reverse, on an Art Nouveau silver chain, the pendant 5cm high, total weight 24.9 grams.

£1000-1500

707

A TWO ROW GRADUATED CULTURED PEARL NECKLACE. the pearls graduate from approximately 4.9mm to 8.5mm to a gold clasp mounted with old-cut diamonds, 40cm long, 43 grams.

£150-180

708

A VICTORIAN GOLD AND AMETHYST BROOCH.

of circular form, centred with a circular foil backed cabochon amethyst in an ornate gold mount, with locket compartment to the reverse containing plaited hair, 3.8cm dia., 14.5 grams.

£250-300

709

AN EARLY 20TH CENTURY DIAMOND OPEN CRESCENT BROOCH.

mounted with graduated circular old-cut diamonds, in silver and gold, 5.5cm long, 7.1 grams.

£350-400

710

A BELLE ÉPOQUE DIAMOND AND PEARL BROOCH PENDANT.

the scrolling openwork mount set overall with circular-cut and rose-cut diamonds, suspending a cushionshaped diamond, with diamond set bow surmount and suspending a pearl drop, in silver and gold, 5cm high, 7.2 grams.

£300-350

711

AN EARLY 20TH CENTURY RUBY AND DIAMOND CLUSTER BAR BROOCH.

the cushion-shaped ruby is set within a surround of circular-cut diamonds, with two further diamonds set to each shoulder, 5cm long, 4.8 grams

A verbal report from GCS, London states that the ruby shows no indications of heating.

£1200-1500

712

A CITRINE, SAPPHIRE AND ENAMEL BROOCH.

the oval-shaped citrine is set within a gold surround mounted with square-shaped sapphires and with black and gold enamel decoration, 3.5cm wide, 12 grams.

£400-500

713

A VICTORIAN OPAL AND DIAMOND BROOCH PENDANT.

of circular openwork foliate form, mounted with heart-shaped solid white opals and circular-cut diamonds, in silver and gold, with detachable brooch and pendant fittings, 3.2cm dia., 11.9 grams.

£800-1000

714

A VICTORIAN SAPPHIRE AND PEARL HEART-SHAPED PENDANT.

the central heart set with three circular-cut sapphires and overall with half pearls in 15ct gold, within a gold and pearl set openwork surround, on a 9ct gold chain, the pendant 3cm high, together with a pair of 9ct gold and pearl set drop earrings, 3cm long, total weight 9 grams.

£250-300

715

A PAIR OF DIAMOND STUD EARRINGS.

each earring set with a circular-cut diamond, in gold.

£100-150

716

A SCOTTISH SILVER AND GEM SET BROOCH.

mounted with an oval-shaped amethyst, three oval-shaped citrines and assorted sections of agate, 5.5cm wide, 25.8 grams.

£200-300

717

AN EARLY 20TH CENTURY BLACK ONYX AND DIAMOND BROOCH. formed as three sections of black onyx and set overall with rose-cut diamonds, in gold, 7cm long, 6.9 grams.

£300-400

718

720

AN EARLY 20TH CENTURY DIAMOND FOLIATE SPRAY BROOCH.

mounted with graduated old-cut diamonds in silver and backed in gold, 5cm high, 9.1 grams.

£500-600

721

A 19TH CENTURY MINIATURE PORTRAIT OF A BLACK SPANIEL. depicted with its tongue hanging out, within a border of half pearls, in gold closed back mount, 3.2cm dia., 8.1 grams.

£150-200

719

A 19TH CENTURY DIAMOND CORONET BROOCH. mounted with four circular old-cut diamonds and overall with rose-cut diamonds, in silver and gold, 2.7cm wide, 2.2 grams, with box.

£250-300

A VICTORIAN 15CT GOLD, SAPPHIRE AND DIAMOND HALF HINGED BANGLE.

mounted to one side with a scrolling design set with a circular-cut diamond and two circular-cut sapphires, internal measurements 5 x 5.5cm., 10.3 grams.

£1000-1200

712

725

A DIAMOND BRACELET. mounted with nine circular-cut diamonds in square-shaped settings, on a gold bracelet, 18cm long, 10 grams.

722

A VICTORIAN PEARL, ENAMEL AND 15CT GOLD HALF HINGED BANGLE.

centred with a half pearl within a star motif decorated with blue enamel, with embossed rope and ball decoration to each side, internal measurements 5 x 6cm., 17.2 grams.

£300-400

723

A SAPPHIRE AND DIAMOND SNOWFLAKE PENDANT.

centred with an oval-shaped sapphire within a surround of oldcut diamonds, with rose-cut diamonds set to the foliate openwork mount, and an outer border of collet set old-cut diamonds, 2.8mm dia., 6.3 grams.

£800-1000

724

A DIAMOND PENDANT.

millegrain set overall with graduated circular-cut diamonds, in 18ct white gold, on a fine link chain, the pendant 4.5cm long, 4 grams.

£990-1200

£1400-1800

726

A PERIDOT AND PEARL CIRCULAR BROOCH.

of flowerhead form, set with circularcut peridots and half pearls in gold, 2.3cm dia., 3.6 grams.

£550-650

727

A VICTORIAN 15CT GOLD CIRCULAR BROOCH.

in the Etruscan style with rope and ball decoration, locket compartment to the reverse, 4cm dia., 10 grams.

£400-500

728

AN EDWARDIAN PERIDOT AND PEARL HALF HINGED BANGLE.

the circular-cut peridot is set within a scrolling design of half pearls, in gold, internal measurements 4.8 x 5.2cm., 9 grams.

£660-750

729

A PAIR OF VICTORIAN CHALCEDONY, ENAMEL AND DIAMOND DROP EARRINGS.

each earring formed with a chalcedony drop suspended from an gold surmount with white enamel decoration and a cushionshaped diamond, 4cm long, 6 grams.

£550-650

730

A RUBY AND DIAMOND BROOCH. of domed circular design, set with marquise-cut rubies and cushionshaped diamonds, within a surround of old-cut diamonds, in silver and silver gilt, 3.2cm dia., 13 grams.

£300-400

731

AN EDWARDIAN DIAMOND AND PEARL BROOCH.

the oval-shaped mount is centred with an untested pearl, within an openwork surround of graduated round old-cut diamonds, 3.8cm wide, 7 grams.

£300-500

732

A VICTORIAN AMETHYST AND GOLD CRUCIFORM PENDANT.

set with oval-shaped amethysts in a two colour gold mount with foliate decoration, centred with a rose-cut diamond, 7 x 5.5cm., 11 grams.

£1400-1800

733

A LATE 19TH CENTURY RUBY AND DIAMOND BROOCH. designed as two interlocking hearts set with circular-cut rubies and cushion-shaped diamonds, each suspending a diamond drop, set in gold, 3.5cm long.

£1200-1800

734

A VICTORIAN GOLD SNAKE MOURNING RING.

the centre section containing hair, the border formed as a snake with rose-cut diamond eyes, 6.2 grams. Size Q.

£250-300

735

A POST MEDIEVAL GOLD POSY RING, CIRCA 1650-1750. the gold band is decorated with three concentric bands of incised, asymmetrical chevrons, and with an incised design of a rectangular framing ridge, the inside has the inscription in italics, Death to mee is gaine. DA., followed by a small maker’s mark of the initials R over W in a shield-shaped recess, 3 grams, size H.

£1000-1500

736

AN EARLY 20TH CENTURY SAPPHIRE, RUBY AND DIAMOND DOUBLE HEART RING.

mounted with a pear-shaped sapphire and ruby within a surround of circular old-cut and rose-cut diamonds (two stones missing), with further diamonds set to the bow surmount, in silver and gold, 3.2 grams. Size N.

£300-500

737

A VICTORIAN DIAMOND FIVE STONE RING.

mounted with five graduated cushion-shaped old-cut diamonds, in 18ct gold, hallmarked for London 1885, 3.9 grams. Size N 1/2.

£300-500

738

A VICTORIAN 18CT GOLD AND AGATE MOURNING RING.

the shield-shaped section of agate engraved with initials, with black enamel and gold decoration to the shank, inscribed to the inside ‘My loving Eliza, who departed this life 6th Dec 1868 ae 43 years’, in fitted red leather case, 8.7 grams. Size R 1/2.

£250-300

742

A SCOTTISH DIAMOND AND ENAMEL PLAQUE RING.

739

A DIAMOND SOLITAIRE RING.

mounted with a cushion-shaped old cut diamond in claw setting, with openwork scrolling shoulders, in gold, 5.3 grams. Size N.

£300-500

740

A VICTORIAN AMETHYST AND DIAMOND RING.

the pear-shaped foil backed amethyst is set within a surround of rose-cut diamonds, in silver and gold, with foliate engraved decoration to the shank, 5 grams.

Size K.

£700-800

741

A VICTORIAN DIAMOND FIVE STONE RING.

set with five graduated round oldcut diamonds, with rose-cut diamond highlights in 18ct gold, 3.5 grams. Size N 1/2.

£600-800

the blue enamel centre is mounted with a rose-cut diamond motif, depicting a thistle if turned one way, a vase of flowers if turned the other way, within a border of rose-cut diamonds, with engraved foliate decoration to the reverse, the foliate shank with bifurcated shoulders, 4.7 grams. Size N.

£800-1200

743

A VICTORIAN DIAMOND FIVE STONE RING.

mounted with five graduated old-cut diamonds, with rose-cut diamond highlights in carved gold mount, 4 grams. Size R.

£1000-1500

744

A SAPPHIRE, DIAMOND AND GOLD BROOCH.

the textured openwork gold mount is set with graduated oval-shaped cabochon sapphires and three circular-cut diamonds, 5cm wide, 23.8 grams.

£600-800

745

A PAIR OF SAPPHIRE AND DIAMOND CLUSTER STUD EARRINGS. each earring set with a circular-cut sapphire within a surround of circular-cut diamonds, in gold, 3.2 grams.

£150-200

740

743

746

A PAIR OF DIAMOND AND CULTURED PEARL DROP EARRINGS. each earring set with a cultured pearl measuring approximately 7.2mm suspended from a foliate mount of circular-cut diamonds, in 18ct white gold, 2.2cm long, 2.7 grams.

£300-350

747

A DIAMOND AND GEM SET HALF HINGED BANGLE.

centred with an oval-shaped opal within a surround of baguette-cut and circular-cut diamonds and pearshaped tanzanites, with further circular-cut diamonds set to the black onyx shoulders, in white gold, internal measurements 4.5 x 5.5, 25.8 grams.

£800-1200

748

A CARNELIAN PENDANT ON A GOLD NECKLACE.

the carved and pierced section of carnelian depicting a Japanese woman amongst foliage, on an 18ct gold collar necklace, the pendant 7cm long.

Provenance: ex lot 67 Bonhams, New York, 23rd May 2033, The Collection of George and Charlotte Schulz.

£600-800

749

AN 18CT GOLD COLLAR NECKLACE. formed with expanding links, 36cm long, 104 grams.

£2500-3000

750

AN ITALIAN 18CT GOLD FANCY LINK NECKLACE BY FOPE.

43cm long, 33 grams.

£1500-2000

751

AN 18CT GOLD NECKLACE. with graduated ball decoration, 42cm long, 26 grams.

£1000-1500

752

AN ITALIAN 18CT GOLD FANCY LINK NECKLACE BY FOPE. 42cm long, 45 grams.

£2000-2500

753

AN 18CT GOLD FANCY LINK NECKLACE. formed as a double row of overlapping circular links with engraved decoration, 44.5cm long, 48.3 grams.

£1500-2000

754

A PAIR OF 18CT GOLD AND DIAMOND HALF HOOP EARRINGS.

the mount of ball design centred with a section of circular-cut diamonds, with post and cage fittings, 2cm high, 14.2 grams.

£750-850

755

AN EMERALD AND DIAMOND FROG PENDANT.

mounted overall with circular-cut diamonds, with emerald eyes, in yellow gold, on a 9ct gold chain, the pendant 2cm wide, total weight 4.6 grams.

£300-400

756

A PAIR OF 18CT GOLD AND DIAMOND EARRINGS.

759

A PAIR OF DIAMOND, RUBY AND SAPPHIRE DROP EARRINGS.

each earring formed with collet set circular-cut diamonds, rubies and sapphires, in 18ct white and yellow gold, 6cm long, 8.3 grams.

£750-850

760

A PAIR OF DIAMOND STUD EARRINGS.

set with brilliant-cut diamonds weighing 1.07 carats in total in 14ct white gold.

the mount of swirling form and set with a line of circular-cut diamonds, with post and cage fittings, 2cm high, 13.8 grams.

£600-800

757

AN AQUAMARINE AND AMETHYST CRUCIFORM PENDANT.

formed with sections of amethyst and aquamarine in 18ct white gold, on an 18ct white gold chain, the pendant 4cm long, including the pendant loop, together with a pair of aquamarine and amethyst drop earrings, formed with briolette drops, in 18ct white gold, total weight 19 grams.

£600-800

758

A CULTURED PEARL FOUR ROW BRACELET.

mounted with uniform cultured pearls measuring approximately 4.44.9mm, with 18ct yellow gold spacers, set with circular-cut diamonds, 21cm long, 32 grams.

£1800-2000

£500-600

761

A PAIR OF DIAMOND STUD EARRINGS.

each earring set with a brilliant-cut diamond weighing approximately 0.65 carats, in 18ct white gold.

£1000-1200

762

A PAIR OF RUBY AND DIAMOND DROP EARRINGS.

of foliate form, set with circular-cut rubies and diamonds, in 18ct gold, 3cm long, 5.8 grams.

£400-600

763

A DIAMOND AND 18CT WHITE GOLD PENDANT.

the white gold openwork pendant set overall with circular-cut diamonds, with further diamonds set to the bale, on an 18ct white gold fine link chain, the pendant 4cm high, including the bale, 9 grams.

£600-700

764

A DIAMOND AND GOLD STYLISED HEART-SHAPED PENDANT.

mounted with circular-cut diamonds and set in 18ct white gold, on a fine link 18ct white gold chain, the pendant 4cm wide, 10 grams.

£400-500

765

AN AMETHYST SINGLE STONE PENDANT.

the pear-shaped briolette amethyst drop mounted in yellow gold, on a fine link 14ct yellow gold chain, the pendant 3.3cm high, 9.6 grams.

£450-550

766

A PAIR OF DIAMOND AND 18CT GOLD HALF HOOP EARRNGS. each earring of wirework design, collet set with circular-cut diamonds, with post and cage fittings, 3cm high, 13 grams.

£400-500

767

A SINGLE ROW UNIFORM TURQUOISE BEAD NECKLACE. formed with turquoise beads measuring approximately 18.0mm., 49cm long, 207 grams.

£250-300

768

A FOUR ROW UNIFORM CULTURED PEARL NECKLACE.

the pearls measure approximately 8.2-8.5mm to a 9ct gold slide clasp, 44cm long, there are six artificial pearls at the end of each row.

£300-500

769

A GOLD AND SAPPHIRE HINGED BANGLE.

mounted with square-shaped multi coloured sapphires, in yellow gold, internal measurements 4.5 x 5.0cm., 18.4 grams.

£300-500

770

A SAPPHIRE HINGED BANGLE.

mounted with two rows of circularcut sapphires in white gold, internal measurements 4.5 x 5.0cm., 27 grams.

£600-800

771

A DIAMOND FOLIATE SPRAY BROOCH.

in the form of a rose and set overall with circular-cut diamonds, 6cm high, 17.6 grams.

£1000-1500

772

A 20TH CENTURY 18CT GOLD OPENWORK PANEL BRACELET. of abstract and textured form, with concealed clasp, 18.2cm long, 67 grams.

£2000-2500

773

A DIAMOND AND RUBY FOLIATE BROOCH.

mounted with two circular-cut rubies and overall with circular-cut diamonds in yellow and white gold, 5cm high, 8 grams.

£350-450

774

AN 18CT GOLD AND GEM SET BROOCH.

depicting a cherub and a goat pulling a carriage of flowers, mounted with two circular-cut rubies and a sapphire, with enamel decoration, 5cm long, 17 grams.

£600-700

775

A DIAMOND AND GEM SET BUTTERFLY BROOCH. the wings formed with carved sections of tourmaline within a surround of circular-cut diamonds, in gold, 6.5cm wide, 15 grams.

£200-300

776

A SAPPHIRE AND DIAMOND BRACELET.

set with a line of circular-cut diamonds within a border of circular-cut sapphires in 9ct yellow gold, 19.5cm long, 15 grams.

£500-700

777

TWO 18CT GOLD, SAPPHIRE AND RUBY BRACELETS.

each mounted with collet set circular cabochon rubies and sapphires, one 20.5cm long, the other 18cm long, total weight 6.6 grams.

£500-600

778

A TAHITIAN AND AKOYA CULTURED PEARL NECKLACE.

the pearls graduate from 3mm to 10mm to an 18ct white gold ball clasp, 50cm long.

£780-850

772

779

A PAIR OF TAHITIAN CULTURED PEARL AND DIAMOND STUD EARRINGS.

each mounted with a pearl measuring 13-13.5mm, suspended from a trefoil of brilliant-cut diamonds weighing 1.04 carats in total, in 18ct gold.

£3500-4000

780

A PAIR OF SOUTH SEA CULTURED PEARL AND DIAMOND EARRINGS.

each mounted with a pearl measuring 13mm, set with three brilliant-cut diamonds weighing 0.60 carats in total in 18ct yellow gold.

£2300-3000

781

A TAHITIAN CULTURED PEARL AND DIAMOND PENDANT.

mounted with a pearl measuring approximately 11.8mm, suspended from a brilliant-cut diamond weighing 0.30 carats in 18ct white gold, on an 18ct white gold neckchain.

£1800-2200

782

A PAIR OF TAHITIAN CULTURED PEARL AND DIAMOND STUD EARRINGS.

each earring set with a pearl measuring approximately 10.8mm., suspended from a brilliant-cut diamond, the diamonds weigh 0.30 carats in total, in 18ct white gold.

£2200-2500

783

A 9 CARAT GOLD SNAKE LINK NECKLACE.

39.5cm long, 55 grams.

£800-1000

784

A PAIR OF AMETHYST AND DIAMOND EARRINGS. of trefoil design, each earring set with three circular-cut amethysts within a surround of circular-cut diamonds, in gold, with post fittings, 2.5cm wide, 10.7 grams.

£500-700

785

A PAIR OF DIAMOND, SAPPHIRE AND RUBY EARRINGS.

of plaited design, each earring set with tapered baguette-cut diamonds, and calibre-cut sapphires and rubies, in gold, 2cm high, 5 grams.

£600-800

786

A SAPPHIRE, DIAMOND AND GOLD FOLIATE SPRAY BROOCH. the two flowerheads set with an oval-shaped sapphire and circularcut diamonds, in 9ct gold, maker’s initials D & F., 5cm long, 8.8 grams.

£250-300

787

AN 18CT GOLD, PEARL, DIAMOND, RUBY AND SAPPHIRE FLOWERHEAD BROOCH.

centred with a cultured pearl, within a surround of four circular-cut diamonds, two circular-cut sapphires and two circular-cut rubies, hallmarked for London 1970, maker’s initials H.G.M., 4.5cm wide, 22.7 grams.

£600-800

788

A DIAMOND HALF HOOP RING. set with seven graduated collet set old-cut diamonds, in 18ct gold, 2.1 grams. Size M.

£250-300

789

A DIAMOND THREE STONE RING. mounted with three graduated circular-cut diamonds, the central diamond weighs approximately 0.75 carats, the two side diamonds weigh approximately 0.40 carats each, in 18ct gold, 2.4 grams. Size L.

£800-1000

790

A SAPPHIRE AND DIAMOND THREE STONE RING.

the rectangular-shaped diamond weighs approximately 1.20 carats and is set with two rectangularshaped sapphires, with a baguette-cut diamond to each shoulder, in platinum, 6.5 grams. Size S.

£3000-3500

791

A STAR SAPPHIRE AND DIAMOND RING.

the cabochon sapphire is set with four circular-cut diamonds in white gold, 5.5 grams. Size L.

£1500-2000

792

A DIAMOND SOLITAIRE RING. set with an emerald-cut diamond in platinum, 5 grams. Size O

Accompanied by report number 12028936 from GIA dated 20th May 2002, stating that the emerald-cut diamond weighs 1.05 carats, and has D colour with VS2 clarity. Fluorescence: None.

£3500-4500

793

A DIAMOND SOLITAIRE RING. set with a round brilliant-cut diamond, in 18ct white gold, 4.4 grams. Size M 1/2

Accompanied by report number 11019652 from GIA dated 15th March 2000, stating that the round brilliantcut diamond weighs 0.86 carats, and has H colour with VS2 clarity. Fluorescence: Medium blue.

£1300-1800

794

A DIAMOND THREE STONE RING. set with three brilliant-cut diamonds, in platinum, 5.5 grams. Size N

796

Accompanied by report number 13716332 from GIA, dated 4th March 2015, stating that the centre round brilliant-cut diamond weighs 0.40 carats and has F colour with VS2 clarity. Fluorescence: None.

£800-1000

795

A DIAMOND HALF ETERNITY RING. mounted with graduated circular old-cut diamonds, in platinum, the mount with engraved sides, 5.6 grams. Size N 1/2.

£1000-1200

A SAPPHIRE AND DIAMOND THREE STONE RING. the cushion-shaped sapphire is set with a brilliant-cut diamond to each shoulder, in 18ct white gold, 4.8 grams. Size O

Accompanied by report number 5784-2756 from GCS, London, dated 19th June 2024, stating that the natural cushion-shaped sapphire weighs approximately 4.90 carats and shows no indications of heating. Origin: Sri Lanka (Ceylon).

£1500-2000

797

A DIAMOND FIVE STONE RING. set with five graduated cushionshaped diamonds, with rose-cut diamond highlights, in 18ct gold and platinum, 3 grams. Size Q.

£500-700

798

A DIAMOND THREE STONE RING. mounted with three brilliant-cut diamonds, in 18ct gold, 3.7 grams. Size O.

£500-700

799

AN EMERALD AND DIAMOND RING. the oval-shaped emerald is set with six circular-cut diamonds to each side, in 18ct gold, 6.2 grams. Size L.

£1500-2000

800

A DIAMOND CLUSTER RING. centred with a brilliant-cut diamond within a surround of six similar brilliant-cut diamonds, in 18ct gold and platinum, 4 grams. Size N.

£500-600

801

A DIAMOND FIVE STONE RING. mounted with five graduated circular old-cut diamonds in later 18ct gold carved mount, 5.5 grams. Size N 1/2.

£600-800

802

A DIAMOND SNOWFLAKE RING. mounted overall with circular-cut diamonds, in white gold, 6.5 grams. Size N.

£500-700

803

AN ART DECO DIAMOND CLUSTER RING.

the openwork design mounted with circular old-cut diamonds, in 18ct gold, 4.7 grams. Size R.

£1000-1500

804

A RUBY AND DIAMOND RING. centred with a row of five rectangular-shaped rubies within a border of rose-cut diamonds, in yellow gold, 5.4 grams. Size P 1/2.

£500-700

805

A DIAMOND FIVE STONE RING. mounted with five graduated cushion-shaped diamonds, in claw settings, 2.6 grams. Size K 1/2.

£500-700

806

A DIAMOND SOLITAIRE RING. mounted with an old-cut diamond weighing approximately 0.85 carats, with three small diamonds set to each shoulder, in platinum, 4.2 grams. Size M 1/2.

£1000-1200

807

AN EMERALD AND DIAMOND CLUSTER RING.

the cut cornered square-shaped emerald is set within a surround of circular-cut diamonds in platinum, 6.3 grams. Size P.

£600-800

808

AN 18CT GOLD, SAPPHIRE AND TURQUOISE RING. CIRCA 1960. of openwork abstract design, mounted with circular-cut sapphires and oval-shaped turquoise cabochons, maker’s mark SK, 20 grams. Size N.

£600-800

809

AN AQUAMARINE AND DIAMOND RING.

the step-cut aquamarine is set with two baguette-cut diamonds to each shoulder, in platinum, 6 grams. Size O.

£800-1000

810

AN EMERALD AND DIAMOND RING BY MAPPIN & WEBB. centred with a row of square-shaped diamonds within a border of calibrecut emeralds in 18ct gold, signed to the inside and hallmarked for London 1995, 6.8 grams, with box and outer box by Mappin & Webb. Size S.

£600-800

813

811

A DIAMOND CLUSTER RING. the central brilliant-cut diamond is set within a double surround of circular-cut diamonds, in 18ct gold, hallmarked for London 1976, 6.4 grams. Size Q.

£1200-1500

812

A SAPPHIRE, RUBY AND DIAMOND SWIVEL ETERNITY RING.

set with calibre-cut sapphires and rubies and circular-cut diamonds, 6.6 grams. Size L.

£600-800

A DIAMOND SOLITAIRE RING. the round brilliant-cut diamond weighs approximately 0.50 carats and is set in white gold, 3.2 grams.

Size M.

£600-800

814

A SAPPHIRE AND DIAMOND CLUSTER RING.

the oval-shaped sapphire is set within a surround of ten brilliant-cut diamonds, in 18ct gold, 5.3 grams.

Size N 1/2.

£1500-2000

815

A BLACK OPAL AND GOLD RING.

the lozenge-shaped solid black opal is mounted within a scrolling border on an 18ct gold band, hallmarked for London 1992, 11.3 grams. Size P.

£1000-1500

816

A SAPPHIRE AND DIAMOND CLUSTER RING.

the oval-shaped sapphire is set within a surround of marquise-cut and brilliant-cut diamonds in 18ct gold, 4.4 grams. Size N 1/2.

£2500-3000

817

A PINK TOPAZ AND GOLD RING. the rounded rectangular-shaped pink topaz is within an ornate 14ct gold mount, with foliate decoration to each shoulder, 4.2 grams. Size N.

£1500-2000

818

AN AQUAMARINE AND DIAMOND RING.

the step-cut aquamarine is set with three brilliant-cut diamonds to each shoulder, in 18ct white gold, 6 grams. Size K.

£1800-2200

819

A DIAMOND SOLITAIRE RING. mounted with an emerald-cut diamond weighing 1.55 carats in platinum, 6.9 grams. Size J.

£4000-5000

820

AN AQUAMARINE AND DIAMOND RING.

the oval-shaped aquamarine is set within an openwork surround of circular-cut diamonds, 8.2 grams. Size M.

£800-1000

821

A VICTORIAN RUBY AND DIAMOND BROOCH.

the central cross design is set with a cushion-shaped ruby and four cushion-shaped diamonds, within a surround of graduated cushionshaped and rose-cut diamonds, in silver and gold, 3cm wide, 5.8 grams Accompanied by report number 5784-2586 from GCS, London dated 20th May 2024 stating that the natural cushion-shaped ruby weighs approximately 1.20 carats and has no indications of heating. Origin: Myanmar (Burma-Mogok).

£2000-3000

822

AN 18CT GOLD LEOPARD PIN BROOCH BY CARTIER. with emerald eyes, numbered 656111, and signed Cartier, with French marks, 2.5cm long, 6.7 grams.

824

AN EARLY 20TH CENTURY DIAMOND BRACELET.

centred with a circular old-cut diamond within a surround of baguette-cut diamonds, with singlecut diamonds set to the openwork mount, on an 18ct gold expanding bracelet, 16cm long, 8 grams.

£500-700

£400-600

823

825

A DIAMOND BROOCH.

designed as an orchid, set overall with marquise-cut, baguette-cut and circular-cut diamonds, in white gold, 6.5cm long, 24.5 grams.

£1500-2000

826

AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND BROOCH. the oval openwork mount is set with six oval-shaped sapphires and overall with graduated old-cut diamonds, 4.5cm wide, 9 grams, in fitted case by Carrington & Co. Ltd., 130 Regent Street, W.1.

£1500-2000

827

A VICTORIAN AQUAMARINE AND DIAMOND BROOCH. the octagonal-shaped aquamarine is set within an openwork foliate scrolling mount set with circular oldcut diamonds, in silver and backed in gold, 3.5cm wide, 9.7 grams.

£800-1200

AN EARLY 20TH CENTURY DIAMOND BROOCH.

the foliate openwork design is centred with five graduated collet set old-cut diamonds and millegrain set overall with further old-cut and circular diamonds, in white gold, 6.5cm long, 11.9 grams.

£1000-1500

828

A DIAMOND SOLITAIRE RING. the round brilliant-cut diamond weighs 1.10 carats and is set with an emerald-cut diamond to each shoulder, in platinum. Size K Accompanied by report number 12984932 from GIA, dated 2nd January 2004, stating that the round brilliant-cut diamond measures 6.50-6.52 x 3.91mm and weighs 1.01 carats, that it is internally flawless with D colour, and has no fluorescence.

£16000-18000

829

A DIAMOND SOLITAIRE RING. set with a round brilliant-cut diamond, with two marquise-cut diamonds set to each shoulder, in platinum, 5 grams. Size K 1/2 Accompanied by report number F2G94954 from International Gemmological Institute, Antwerp, dated 12th January 1999 stating that the natural round brilliant-cut diamond weighs 1.01 carats, has D colour and is internally flawless.

Fluorescence: None.

£15000-20000

821

823

824

825

827 826

822

830

A DIAMOND SOLITAIRE RING.

set with a round brilliant-cut diamond in platinum, 3.9 grams.

Size H 1/2

Accompanied by report number 12794009 from GIA dated 29th August 2003, stating that the round brilliant-cut diamond weighs 1.10 carats, and has D colour with VS2 clarity. Fluorescence: None.

£4500-5500

831

A VICTORIAN DIAMOND BAR BROOCH.

set with a cushion-shaped old-cut diamond weighing approximately 1.95 carats in platinum, 5.5cm long, 5 grams.

£2500-3000

832

AN 18CT GOLD BRACELET WATCH BY BOUCHERON.

the concealed square shaped dial with Arabic quarters, on a woven plaited design bracelet, signed Boucheron to the reverse and numbered 8332 with one extra link for the bracelet. 76 grams

From a Private Collection of Jewellery

£2000-3000

833

A VINTAGE 18CT GOLD BROOCH BY TIFFANY & CO. of tear-shaped with engraved dot decoration, signed Tiffany & Co to the reverse, 4cm long, together with a pair of conforming clip earrings, similarly signed, 3cm long, total weight 24 grams.

£1800-2500

834

AN AQUAMARINE AND DIAMOND PENDANT.

the oval-shaped aquamarine is set with four circular-cut diamonds and suspends an oval-shaped aquamarine drop, in gold, 4cm high not including the pendant loop, 7 grams.

£1000-1500

835

A VICTORIAN DIAMOND BROOCH PENDANT.

the oval openwork mount centred with a flowerhead set with circular old-cut diamonds, within a surround of graduated rose-cut and old-cut diamonds, in silver and gold, with detachable brooch fitting, 4cm wide, 14 grams.

£1000-1500

836

A PAIR OF EARLY 20TH CENTURY EMERALD AND DIAMOND CLUSTER EARRINGS.

each earring set with a rectangularshaped emerald in gold setting, within a surround of graduated circular-cut diamonds, 2cm high, 7.7 grams.

£2000-3000

837

AN ART DECO SAPPHIRE AND DIAMOND BRACELET.

formed as eight flexible sections, each centred with a line of graduated calibre-cut sapphires within a border of circular-cut diamonds in square mounts, and each divided by a circular-cut diamond in hexagonal-shaped mount, 21cm long, 30 grams.

£4000-6000

838

A DIAMOND, PEARL AND GEM SET BUTTERFLY BROOCH.

the body formed with an ovalshaped sapphire and a baroque pearl, the wings set with two circular-cut rubies and two circularcut emeralds and overall with rose-cut diamonds, in silver and backed in gold, 5.5cm wide, 15 grams.

£2000-2500

839

AN ART DECO SAPPHIRE AND DIAMOND BRACELET.

mounted with sections of five calibre-cut sapphires and five circular-cut diamonds, with concealed clasp, 18.5cm long, 23 grams.

£2000-2500

840

A LATE 19TH CENTURY/EARLY 20TH CENTURY DIAMOND THREE STONE RING.

the central cushion-shaped diamond is set with two circular oldcut diamonds, with rose-cut diamond highlights, in carved yellow gold mount, 3.8 grams. Size M.

£2000-3000

841

AN ART DECO DIAMOND AND BLACK ONYX SOLITAIRE RING.

the old-brilliant diamond weighs approximately 2.20 carats and is set within a surround of black onyx in gold, 4 grams. Size J 1/2.

£6500-8000

842

A DIAMOND AND EMERALD TARGET RING.

set with an old brilliant-cut diamond weighing approximately 2.60 carats within a surround of calibre-cut emeralds, with further calibre-cut emeralds set to each shoulder, in a later 18ct yellow gold mount, 6 grams. Size L.

£6000-8000

838

837

839

841

843

A DIAMOND SOLITAIRE RING.

the round brilliant-cut diamond is set with circular-cut diamonds to each shoulder, in platinum, 3.4 grams. Size K

Accompanied by report number 7441786371 dated 23rd September 2022 from GIA stating that the round brilliant-cut diamond weighs 0.93 carats and has H colour with SI2 clarity and faint fluorescence.

£1200-1800

844

A DIAMOND HEART-SHAPED SOLITAIRE RING.

the heart-shaped diamond is set with circular-cut diamonds to each shoulder, 4 grams. Size I

Accompanied by report number E2312157987 dated 27th September 2023 from E.D.R stating that the heart-shaped diamond weighs 1.70 carats and has D colour with VS1 clarity and slight fluorescence.

£10000-12000

845

A DIAMOND CLUSTER RING.

the cut cornered square shaped brilliant cut diamond is set within a surround of circular-cut diamonds, with further diamonds set to the shank, in platinum, 5.9 grams. Size K Accompanied by report number 1119797068 dated 19th January 2011 from GIA stating that the diamond weighs 1.71 carats and that it has F colour with VS2 clarity and no fluorescence.

£9000-12000

846

A DIAMOND BOW BROOCH. millegrain set with graduated circular-cut diamonds, in platinum, 4cm wid, 6.7 grams.

£3300-4000

847

A RUBY AND DIAMOND SUNBURST BROOCH.

set with circular-cut rubies within a surround of baguette-cut and circular-cut diamonds, in platinum, 4cm wide, 19 grams

Accompanied by report number 24838 from The Gem & Pearl Laboratory, London, dated 16th July 2024, , stating that the rubies are natural and that no evidence of heat treatment was observed. Origin opinion: Burma.

£5000-7000

844

843

846

847

848

A DIAMOND AND SAPPHIRE NECKLACE. formed with five rows of faceted sapphire beads to a centrepiece set with seven circular collet set diamonds, with baguette-cut and circular-cut diamonds, and suspending five sapphire bead and diamond drops, the centrepiece can be removed to wear as a separate pendant, 115 grams. £6500-8500

849

A DIAMOND THREE STONE RING. mounted with three cushion-shaped old cut diamonds measuring approximately 1.42, 3.04 and 1.61 carats, set in platinum. Size L.

£25000-30000

850

A DIAMOND AND FANCY YELLOW DIAMOND RING. the emerald-cut diamond weighs 3.37 carats and is set with a fancy yellow half moon-cut diamond to each side, in 18ct yellow gold. Size J Accompanied by report number 14137642 from GIA, dated 3rd January 2005, stating that the emerald-cut diamond measures 9.96 x 7.84 x 4.91mm, weighs 3.37 carats, has E colour with VVS2 clarity, and no fluorescence.

£55000-65000

851

A SINGLE ROW GRADUATED NATURAL PEARL NECKLACE. the ninety five pearls graduate to a gold lozenge-shaped clasp, 59cm long Accompanied by report number 320599/20067780 from AnchorCert dated 14th May 2024 stating the pearls measure 4.4-7.5mm and that they are natural saltwater pearls, except 44 and 48 from the clasp end which are beaded cultured pearls.

£4500-5500

852

AN OPAL AND DIAMOND BROOCH PENDANT. the oval-shaped solid white opal is set within a double surround of round oldcut diamonds in yellow gold, with further diamonds set to the pendant loop, with detachable brooch fitting and gold chain, the pendant 3 x 2.5cm, not including the pendant loop.

£3000-5000

853

A VICTORIAN NATURAL PEARL AND DIAMOND CENTREPIECE FOR A CHOKER. centred with an oval-shaped natural pearl within a foliate mount set with four cushion-shaped diamonds, and overall with graduated cushion-shaped diamonds, in silver and backed in gold, 4cm wide, 16 grams, on a black velvet ribbon, 33.5cm long

Accompanied by report number 5784-3354 from GCS, London dated 6th August 2024 stating that the pearl measures approximately 11.0 x 13.6 x 9.5mm and that it is a natural saltwater pearl.

£5000-7000

Lot 977. A GEORGE III MAHOGANY BREAKFRONT BOOKCASE, CIRCA 1780.

*Provenance: The Property of a Lady. Shown in a watercolour sketch of the drawing room at Bells House, Wimborne dating from c.1942 when the property belonged to the vendor’s family.

Estimate: £12000-15000

Furniture, Clocks, Rugs & Works of Art

THURSDAY 26 TH SEPTEMBER 10AM

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm

Wednesday 25th September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

HAYLEY WOOLDRIDGE

Furniture Specialist

T. 01460 73041

E. hayley.wooldridge@lawrences.co.uk

Clocks and Scientific Instruments

854

A 1980S JAEGER - LECOULTRE ATMOS RIVOLI CLOCK. movement calibre 540, the 4 3/4” skeletonised dial above a balance wheel and spirit level base, stamped serial number 632441, within an ebonised case, with original paperwork, height 23cm, width 20cm.

£600-800

855

A JAEGER LE COULTRE ATMOS CLOCK, CIRCA 1970. with white chapter ring, skeletonised movement and gilt brass framed case, serial number 381398, height 22.5cm, width 18cm.

£300-400

856 A JAEGER LE COULTRE CLASSIC V ATMOS CLOCK, CIRCA 1970. with white chapter ring, skeletonised movement and gilt brass framed case, serial number 248487, with storage case and papers, 22cm high, 18cm wide.

£350-450

857

A LATE 19TH CENTURY FRENCH REPEATER CARRIAGE CLOCK. the plain five-glass case with swing carrying handle, the white enamel dial with black Roman numerals, indistinctly signed ...smiths & Son, ...Strand, London, spring-driven movement with platform escapement, height 18.5cm inc. handle.

£180-220

858

A FRENCH MINIATURE GILT METAL TRAVELLING TIMEPIECE. late 19th/early 20th century, the case with carrying handle and engine turned decoration, upon ball feet, height 6.5cm.

£100-150

859

AN EARLY 20TH CENTURY BRASS REPEATER ALARM CARRIAGE CLOCK.

late 19th century, the enamel dial signed Dent, Paris, with alarm striking on a bell and push repeater button, height 17.5cm inc handle.

£180-220

860

A LATE 19TH CENTURY FRENCH BRASS REPEATER CARRIAGE CLOCK.

by Henri Jacot,having a white enamel Roman dial, the 8-day two train movement striking on single gong, back plate stamped H.J. “Parrot” trademark over serial number 9142, with winders,18cm high inc. handle.

£150-200

861

A 19TH CENTURY FRENCH STRIKE REPEATER BRASS CARRIAGE CLOCK.

the circular enamel dial with Roman numerals and subsidiary alarm dial to an eight day movement striking to a gong, the gilt case with Corinthian columns and finely chased diamond pattern detail, height 20cm.

£200-300

862

A LATE 19TH CENTURY BRASS REPEATER CARRIAGE CLOCK. the silvered chapter ring with Arabic numerals, the brass case with Corinthian columns to the corners and a stepped base, the two-train movement with silvered lever platform escapement and repeater button, height 19.5cm inc. handle.

£200-300

854

855

863

A 19TH CENTURY FRENCH ROSEWOOD MANTEL CLOCK.

the painted dial and two train movement signed Henry Marc, Paris, serial no. 18423, the case with viewing platform, brass carrying handle and stepped base, with winder, height 25cm, width at base 16cm.

£150-200

864

A FRENCH NOVELTY BRASS AND COPPER COMBINATION TIMEPIECE.

by the Cahoon Bros, in the form of a lantern, comprising of aneroid barometer, thermometer and glass encased compass to the top, signed to the clock dial, height inc. handle 27cm.

£200-300

A LATE 19TH/EARLY 20TH CENTURY OAK WALL CLOCK OF UNUSUAL SMALL SIZE. the 8” enamel dial inscribed Joyce, Cam.rly, Whitchurch, on single fusee chain driven movement, with pendulum and winder, 28cm across.

£300-500

866

A SUBSTANTIAL LATE 19TH CENTURY MAHOGANY BRACKET CLOCK.

the 8” brass dial with silvered chapter ring, Roman numerals, Chime/Silent and Westminster chimes dials, signed Turner, London, the dome top case with cast brass pineapple finials, Corinthian columns, pierced side grilles and carrying handles, with locking pendulum, winder and case key, height 47cm, width 43cm, depth 24cm.

£800-1200

867

A 19TH CENTURY BLACK SLATE MANTEL CLOCK AND MALACHITE GARNITURE.

the 5.5” white chapter ring to a visible counterwheel and eight day movement striking on a bell, with circular aneroid barometer below, the case set with malachite inlay and ornate gilt detail, height 49cm, width 36cm; together with a pair of matching pedestal tazzas on stepped bases, height 27cm.

£200-300

864

865

866

868

A 19TH CENTURY FRENCH BOULLE CLOCK BRACKET.

the red tortoiseshell with decorative scrolling brass inlay and ormolu mounts in the Classical style, width 38cm, height 24cm, depth 18cm.

£80-120

869

A VICTORIAN WALNUT CHIMING BRACKET CLOCK.

the 6 3/4” dial painted dial signed Aubert & Co, 252 Regent St, London, Roman numerals and strike/silent dial, to a three train movement striking the quarter hours on a bell, the Gothic style case with brass architectural mounts, pierced side grilles and repeater pull, with pendulum, winder and case key, height 60cm, width 40cm, depth 25cm.

£500-700

870

A 19TH CENTURY FRENCH EBONISED AND INLAID MANTEL CLOCK, CIRCA 1860.

the gilt metal and enamel dial signed Henry Marc, Paris, to a two train movement striking half hourly to a bell, stamped Hy Marc, serial no. 17879, the wasted ebonised case inlaid with brass, faux tortoiseshell, mother of pearl and ivory birds, gilt metal mounts including two Crusader figures, the back with original paper label for Camerer, Kuss & Co, with pendulum and winder, height 64cm, width 41cm Ivory Registration Completed: 6FPETVFM

CITES permit is included. Exporting outside the EU will require an additional export permit.

£250-350

871

A FRENCH NEO-CLASSICAL GILT BRASS CLOCK GARNITURE.

19th century, the painted enamel dial signed J W Benson, Old Bond St London, the two train movement striking the half hours to a bell, serial number 23479, the arched architectural case with engraved decoration and four columns terminating in white metal winged feet, height 25cm, and a pair of matching candlesticks, height 24cm.

£200-300

872

A FRENCH BISQUE PORCELAIN FIGURAL MANTEL CLOCK.

19th century, the 3 3/4” painted enamel dial to a porcelain case mounted by finely modelled Classical figures and bust depicting the Arts, the movement stamped Japy Freres, serial number 10900, height 38cm, width 27cm.

£100-150

869870

871

AN EARLY 20TH CENTURY OAK CASED BAROGRAPH.

possibly by Short & Mason of London, the bevelled glass case with single drawer containing charts, stamped registration number, width 38cm, depth 22cm.

£100-150

A 19TH CENTURY ROSEWOOD MARINE STICK BAROMETER.

the ivory dial signed James Turkill, Middlesborough, with engraved ivory dial registering from 27-31, adjustor knop and thermometer set below, the case with suspension ring, weighted cylindrical brass cistern cover, and brass gimble, height 92cm

Ivory Registration Completed 7LCVHVE9

CITES permit is included. Exporting outside the EU will require an additional export permit.

£150-250

Works of Art and Miscellaneous

878

AFTER GIAMBOLOGNA (1529-1608), BRONZE OF A PACING HORSE.

early 20th century, light brown patina, upon a later wooden plinth, overall height 33cm, overall width 26cm.

£500-700

879

AFTER THOMAS FRANCOIS CARTIER (1879 - 1943).

bronze of a Setter, with green painted finish, signed T Cartier to base, height 20cm, length 46cm.

£200-300

880

PIERRE-JULES MENE (1810-1879).

a 19th century bronze of a Whippet upon an oval base with fan and foliage detail, signed P J Mene, 17cm high.

£300-400

881

A LATE 19TH CENTURY CONTINENTAL BRONZE OF A BARKING DOG.

modelled in a seated pose upon a naturalistic base, unsigned, height 14cm, width 19cm, depth 11cm.

£100-150

882

A GRAND TOUR BRONZE OF THE MEDICI LION.

18th/19th century, well worn brown patina, upon later ebonised stepped wooden base, overall height 31cm, width of base 36cm, depth 19cm.

£300-400

883

REGINALD FAIRFAX WELLS (1877 - 1951), ‘CHILD ON A CUSHION’, CIRCA 1900.

a rare patinated bronze, signed Reg F Wells, No.1, height 11.5cm, width 5cm, depth 7cm

* The plaster master cast of Child on a Cushion was exhibited at the seventh Exhibition of the International Society of Sculptors, Painters and Gravers, London 1907.

£500-700

884

AUGUSTE MOREAU (1834 - 1917), BRONZE FIGURAL GROUP.

depicting Venus and Cupid, signed ‘Moreau’ to a straight sided oval base, height 25cm, width 26cm.

£200-300

885

AFTER PIERRE JULIEN (17311804), A LARGE BRONZE STUDY, THE DYING GAUL.

the wounded figure collapsed against an oval shield, on a naturalistic base, unsigned, raised on a reconstituted square plinth with moulded decoration, height of bronze 62cm, overall height 107cm.

£800-1200

886

AN ITALIAN BRONZE STUDY OF A BACCHANLIAN FIGURE.

19th century, modelled reclining upon a lion pelt with outstretched limbs, on a rectangular rouge marble base, height 26cm, width 24cm.

£200-300

887

AFTER HENRI FUGERE (1872-1944), BRONZE OF A CHILD.

modelled as a seated girl, feeding herself with a cat upon her shoulder, signed C A Brule and H Fugere (indistinctly), height 23cm, width 9cm.

£150-200

888

A PAIR FRENCH BRONZE PLAQUES, BARDENIENNE FOUNDRY.

19th century, depicting maidens holding water urns, signed F Barbedienne, within ebonised frames, original paper labels to verso, plaque size 29cm x 7.5cm, framed size 40cm x 19.5cm.

£250-350

PAUL DUBOIS (FRENCH 1829 -

19th century brown patinated bronze of the ‘Chanteur Florentine’, signed and dated P Dubois 1865, F Barbedienne and reduction stamp, A 19TH CENTURY WALNUT TABLE TOP COLLECTOR’S CABINET. the doors with brass sliding locks enclosing nine drawers with turned bone handles, containing a variety of specimens and other objects, including tree seeds, vegetable ivory palm, lava, coral, shells, animal parts, alligator’s egg, an iridescent beetle, fossils, wax seals in turned wood containers, pieces of Civil War (?) soldier’s hardtack (with arrow impression), some items in handwritten paper scraps/envelopes, height 29cm, width 43cm, depth

A SET OF 19TH CENTURY GRAND TOUR PLASTER MEDALLIONS. of varying oval and rectangular size, 62 in total, mounted within two octagonal glazed cases, 37cm x

892

THREE VICTORIAN SAILOR’S SHELL VALENTINES.

late 19th century, each set with an octagonal arrangement of shells, radiating from a central panel, within glazed wooden cases, diameter 26cm.

£800-1200

893

A REGENCY SAILOR’S SHELL VALENTINE.

worked in a variety of colourful specimens, arranged as central star formation and flowerheads, housed within a deep octagonal glazed case, height 10cm, diameter 35.5cm.

£600-800

894

A LATE 19TH/EARLY 20TH CENTURY CREWELWORK PANEL.

the large floral patterned embroidery upon linen, the edges bordered with braiding, 176cm x 91cm.

£100-150

895

A 19TH CENTURY SILKWORK SAMPLER.

finely embroidered with the alphabet, borders of flowers, acorns, lines of prose, figures and geometric patterns, actual size 43cm x 26cm.

£60-80

893

896

A MID-19TH CENTURY PICTORIAL WOOLWORK SAMPLER.

illustrating the alphabet, birds, a cat, an Oriental figure, buildings and vases of flowers, by Amy Martin Aged 11 Years 1862, within a birds eye maple frame, overall size 68cm x 63cm.

£150-200

897

A 19TH CENTURY NEEDLEWORK SAMPLER.

with poetic verse, bordered by flowers and fruit, by Elizabeth Messenger July 16 1835, actual size 31cm x 33cm.

£80-120

898

AN 18TH CENTURY NEEDLEWORK OF A BIBLICAL SCENE.

depicting Christ and three females figures within an extensive landscape, woven with silk and chenille threads, raised stumpwork and incorporating woolwork and tapestry sections, in a glazed and double frame, 49cm x 60cm, framed size 63cm x 74cm.

£150-200

899

A LATE 18TH CENTURY RELIGIOUS PICTORIAL SAMPLER.

illustrating Adam and Eve with the Tree of Knowledge and animals in the Garden of Eden, Bible wording below, by Mary Jones Aged 9 Years 1789, actual size 43cm x 28cm.

£100-150

898

900

A LATE 18TH CENTURY EMBROIDERED SAMPLER. of unusual subject matter, illustrating the alphabet, prose and Royal emblems for the Prince of Wales (Feathers), Viscount, Baron, Duke, Marquis, Earl, King and Archbishop, within a border of flowers, by Frances Stanton Aged Eight Years, July 25 1799, 33cm x 30cm.

£80-120

901

A 19TH CENTURY PICTORIAL NEEDLEWORK SAMPLER. profusely worked in different colours, illustrating a central image of a stag and magpies, the motto ‘Thou Faithful unto Death and I will give Thee a crown of life’, framed by planters of flowers, by Susanna Spencer Aged 9 Years 1837, overall size 48cm x 43cm.

£150-200

902

A 19TH CENTURY SAILOR’S WOOLWORK PICTURE.

of a clipper ship with three tall masts, within a neutral sky and blue sea background, under a modern glazed frame, actual size 29cm x 41cm.

£200-300

903

A CHINESE EXPORT LACQUERED GAMES BOX.

19th century, of octagonal form containing seven lidded compartments and six card trays, a few mother of pearl playing counters and a quantity of hand-written notes in Chinese and English, on carved paw feet, height 13cm, width 37cm, depth 31cm.

£150-200

905

A 17TH CENTURY EBONISED TABLE TOP COLLECTOR’S CABINET.

904

A PAINTED CAST IRON WEATHER VANE.

in the form of a running fox, height 47cm, width 76cm.

£100-200

of rectangular form with bone inlaid top and sides, and brass corner mounts, the drop down front enclosing eight drawers with decorative bone inlaid borders and brass handles, containing various natural specimens of shells, animal parts, fossils etc, height 22cm, width 30cm, depth 19cm.

£200-300

906

AFTER THE ANTIQUE, ‘THE WRESTLERS’.

Carrara marble, upon a polished grey marble base, height 45cm, diameter 54cm, depth 27cm.

£800-1200

A CORNISH SERPENTINE STONE TABLE LAMP.

in the form of a lighthouse upon a rough cut stone base with cut away steps, height 71cm.

£150-200

A 19TH CENTURY FRENCH TERRACOTTA GROUP.

modelled as a courting couple, seated upon naturalistic base of flowers and ferns, signed and dated ROUCOURT 1769, height 47cm, width 44cm, depth 30cm.

£300-400

A CONTINENTAL 18TH CENTURY OCTAGONAL PAINTED ‘MARRIAGE’ BOX.

the hinged lid and sides decorated with scenes of a young couple and cupids, within borders of flowers and love motifs, height 15cm, width 35cm, depth 26cm.

£100-150

910

A GEORGE III TORTOISESHELL TEA CADDY.

the red velvet lined lid with white metal initialled plaque and escutcheon, enclosing two lidded compartments with turned ivory handles, upon turned ivory feet, height 11cm, width 13cm, depth 8.5cm

Ivory Submission Reference: R2EDDN74

CITES permit is included. Exporting outside the EU will require an additional export permit.

£200-300

913

A BRASS MOUNTED MORRIS DANCING SHAKER STICK.

probably 19th century, affixed with multiple bells in four sections to a wooden shaft, length 71cm.

£250-350

911

AN ANTIQUE CONTINENTAL PARQUETRY BOX.

the hinged lid enclosing a fleur de lys patterned paper lined interior, single compartment with drawer below, locked with wooden peg, height 18cm, width 46cm, depth 25cm.

£100-150

912

A GEORGE III PARTRIDGE WOOD TEA CADDY.

of canted form with boxwood stringing and ivory escutcheon, two lidded compartments to the interior, width 18cm; together with a 19th century mahogany tea caddy with Greek key and diamond pattern inlay, containing three removable lidded compartments, width 26cm (2)

Ivory Submission Reference: 4SN74EN2

CITES permit is included. Exporting outside the EU will require an additional export permit.

£80-120

914

A GEORGE III INLAID PARTRIDGE WOOD TEA CADDY.

of sarcophagus form with parquetry border decoration, ivory escutcheon and brass lion’s head ring handles, the interior containing two hinged lidded compartments and later blue glass mixing bowl, height 18cm, width 32cm, depth 15cm

“Ivory Submission Reference: H2J1WZCY”

CITES permit is included. Exporting outside the EU will require an additional export permit.

£100-150

915

AN EARLY 20TH CENTURY TURNED HARDWOOD HAT STRETCHER.

with plastic measuring chart to the base, height 34cm, depth 31cm.

£100-200

916

A GEORGE III STYLE PAINTED NOVELTY TEA CADDY.

in the form of a house, hinged roof revealing a vacant interior, 23cm high x 16cm wide x 14cm deep

* Formerly the property of the collector Alex Wilson.

£50-70

917

A PAIR OF REGENCY BRONZE AND ORMOLU CASSOLETTES.

each with a fir cone finial to a pierced reversible cover, candle sconce to underside, the urn form bodies to square pedestal bases bearing ormolu Neoclassical motif mounts, height 34cm.

£700-800

922

A 17TH CENTURY MILITARY LEATHER BLACK JACK/WATER CARRIER.

with rope twist and square ‘beaded’ stitched seams, height 33cm, width 23cm.

£150-250

918

A GEORGE III TORTOISESHELL TEA CADDY.

the domed lid with turned wood finial to an interior green velvet lining and two compartments, white metal cartouche to the front, height 15cm, width 15cm, depth 9cm.

£200-300

919

A 19TH CENTURY RUSSIAN DOUBLE ICON.

depicting the Virgin Mary with the Infant Christ, and Adult Christ in white metal, set within a heavily carved Florentine style giltwood frame, in glazed wood case with hinged door, height 44cm, width 57cm, depth 13.5cm.

£200-300

920

A COCO DE MER BOX (LODOOICEA MALDIVICA).

with hinged lid opening to reveal a twinned division interior, height 12cm, width 22cm, depth 24cm.

£200-300

921

A PAIR OF OTTOMAN DAMASCENED STEEL CALLIGRAPHER’S SCISSORS. 19th century, with elaborate gold scrolling foliage, length 25.5cm.

£250-300

923

A 19TH CENTURY CARVED OAK COLLECTOR’S CHEST.

with thirteen shallow drawers containing 42 plaster plaques of the Parthenon Marbles, after the originals by John Henning in 1811, height 41cm, width 48m, depth 34cm.

£200-300

916

917

918

924

A ROMAN OIL LAMP ON LATER PEDESTAL STAND.

A large bronze Roman oil lamp with long spout, globular body with opening to the top and heart shaped handle mount, height 12cm, width 33cm, on a later pedestal stand with circular top on a tall column and raised circular base with three short legs, 60cm high. The lamp probably 1st Century BC/1st Century A.D.

£400-600

925

AN UNUSUAL AND EARLY PRICKET CANDLESTICK WITH FITTED ROMAN OIL LAMP.

A Roman Bronze oil lamp with long spout, circular hinged lid and palmette handle, fitted on a pricket candlestick with central spike, circular stepped drip pan and baluster column, on a triform petal base with three lion-paw feet, height 35.5cm, width 16cm

Provenance: Christies of London Auction 24th April 1978, at which time the stand was catalogued as 5th - 6th Century A.D. and the lamp 1st Century B.C./A.D. A similar candlestick was offered by Christies in June 201 described as Byzantine 6th to 9th Century. In their catalogue they refer to a similar candlestick in Ronald Michaelis ‘Old Domestic Base-Metal Candlesticks’ of 1978, which describes a comparable stick as ‘probably one of the earliest bronze specimens of a tripod pricket in existence.

£1800-2500

926

A ROMAN TERRACOTTA FRAGMENT. carved with the numerals IXX or IXXI, with faded German hand written label to verso, partial translation referencing Legio XXI Rapax, Loyalty to the Emperor and Julio Claudia, mounted upon a metal stand, height 21cm inc stand, width 14cm.

£80-120

925

924

926

927

A FRENCH NAPOLEONIC PRISONER OF WAR STRAW WORK BOX. early 19th century, the hinged and mirrored lid with sloping sides, opening to reveal a multiple compartmental interior with central pin cushion, single drawer to base with turned bone handle, height 17cm, width 32cm, depth 32cm.

£150-250

929

A CHARLES II BRONZE MORTAR. with wide flared rim, the body with a Royal cypher to front and back depicting a lion and unicorn and ‘C.R’, height 11.5cm.

£100-150

930

A VICTORIAN OAK AND BRASS ADJUSTABLE READING STAND. with sectional ornate pierced brass work and weighted page holders to a ratcheted stand, upon turned feet, height 23cm, width 27cm, depth 24cm.

£100-150

931

928

JEAN-BAPTISTE CARPEAUX (18271875), LE CHINOIS.

a Parian style bust of a young man with long plaited hair, signed B Carpeaux, Susse Freres Edits stamp and initials G.R., upon a green glazed wasted base, height 32cm.

£200-300

A LARGE MID-20TH CENTURY DAPPLE GREY ROCKING HORSE. with original horse hair mane and tail, leather bridle, saddle and rubber stirrups by Thorowgood, upon pine trestle base, height 132cm, length of base 174cm, depth 51cm.

£500-700

930

931

928

927

Furniture

932

AN 18TH CENTURY STYLE INLAID SATINWOOD CABINET.

the upper section with broken scroll pediment over double glazed doors and adjustable shelving, single long drawer and cupboard base, enclosing three sliding trays, flanked by turned column supports, inlaid throughout with partially stained Adams-style scrolling foliate, flowerhead, swag and figural detail, height 174cm, width 123cm, depth 39cm.

£1000-1500

933

A FRENCH GILT GESSO DISPLAY CABINET.

19th century, the pink striated marble top over glazed sides and a sliding door, opening to reveal a shelved interior lined with red wine velvet, moulded Classical architectural motif detail throughout, height 168cm, width 137cm, depth 50cm.

£400-600

934

A GENTLEMAN’S BUTTONED LEATHER LIBRARY ARMCHAIR.

the brown buttoned leather with brass studding, on walnut shell carved front legs with ball and claw feet, height 87cm, width 80cm, depth 75cm.

£200-400

935

A 19TH CENTURY ROSEWOOD LIBRARY TABLE.

with red leather inset top to overhanging ends, two drawers and stretchered supports, height 74cm, width 122cm, depth 66cm.

£300-500

936

A PAIR OF CREAM PAINTED SIMULATED BAMBOO ELBOW CHAIRS.

early 20th century, the spindle backs to curving arms and cane seats, with ebonised detail, two seat cushions, height 85m, width 54cm, depth 43cm.

£200-300 936

932

934

937

940

A REGENCY MAHOGANY METAMORPHIC LIBRARY CHAIR/STEPS.

after a design by Morgan and Sanders, with reeded decoration, the bar back to caned seat and scrolling arms, with a push-button mechanism transforming into three tread library steps, on sabre legs, height 93cm, width 55cm, depth 56cm.

£1000-1500

A REGENCY STYLE MAHOGANY METAMORPHIC LIBRARY CHAIR/STEPS.

after a Morgan and Saunders design, having reeded top and back rail supported by reeded uprights and scrolled arms over a cane seat, standing on sabre reeded front legs opening to form four leather covered steps , 91cm high, width 55cm, depth 60cm.

£200-300

938

A LIMED OAK COLUMN PEDESTAL. with fluted detail upon a turned cylindrical pedestal base, height 102cm, diameter of top 37cm, base 52cm square.

£100-200

939

A VICTORIAN BURR WALNUT AND EBONISED CREDENZA. of breakfront and concave form, with gilt metal mounts and inset Sevres style porcelain plaques, the central and glazed size doors

941

A PAIR OF CREAM PAINTED HEPPLEWHITE STYLE ELBOW CHAIRS.

late 19th century, the frames with moulded beaded and flowerhead detail, the padded backs, armrests and seats upholstered in floral pale pink silk, height 95cm, width 62cm, depth 53cm.

£200-300

942

A GEORGE III WALNUT WINGBACK ARMCHAIR.

the outswept arms and bow front seat over carved cabriole legs, upholstered in raised chenille with an Adams style pattern, height 113cm, width 85cm, depth 65cm.

£150-250

943

A MAHOGANY AND MARQUETRY TRAY TOP BEDSIDE CUPBOARD. 19th century, with satinwood banding, stringing and floral marquetry panels and roundels, upon tapering square legs, height 83cm, width 41cm, depth 33cm.

£100-150

944

A LOUIS XVI STYLE FRENCH KINGWOOD AND ORMOLU WRITING TABLE.

early 20th century, the wavy edged top inset with green leather writing surface, two drawers and opposing dummy drawers upon cabriole legs, ornate gilt metal mounts, height 78m, width 136cm, depth 71cm.

£600-800

940

944

945

A FRENCH KINGWOOD MARQUETRY BEDSIDE TABLE.

late 19th century, with brass galleried top over three drawers, chamfered corners, shaped front and side aprons and slender cabriole legs, height 71cm, width 41cm, depth 35cm.

947

A MID-19TH CENTURY FRENCH KINGWOOD PIER CABINET.

the white marble top over a crossbanded and quarter veneered panelled door inset with Sevres style porcelain plaques, gilt metal mounts throughout, height 116cm, width 82cm, depth 35cm.

£300-400

948

946

AN EARLY 20TH CENTURY FRENCH TWO TIER KINGWOOD ETARGE.

the quarter veneered shaped rectangular top and under shelf upon slender legs, gilt metal mounts, height 76cm, width 48cm, depth 37cm.

£200-300

A 19TH CENTURY PIERCED BRASS FIRE FENDER. with ornate pierced concentric circle design and flowerhead detail, some as applied mounts, width 144cm, depth 29cm.

£80-120

949

AN 18TH CENTURY MAHOGANY WINE COOLER. the hinged square top with carved fluted border enclosing original lead liner, the cupboard base upon square legs and leather covered casters, height 87cm, width 45cm, depth 45cm.

£200-300

950

A SET OF FOUR LATE 19TH CENTURY WALNUT BRIDGE CHAIRS. with brass studded leather backs and drop-in seats, scrolling arm supports and turned fluted front legs, height 92cm, width 55cm, depth 51cm.

£400-500

947

951

A WALNUT AND BEECH LEATHER BUTTON BACK LIBRARY CHAIR. late 19th/early 20th century, the deep brown leather upholstery with copper studding, on turned supports, fluted front legs and casters, height 94cm, width 71cm, depth 73cm.

£300-400

952

A GEORGE III STEEL SERPENTINE FENDER. with ornate pierced feathered scroll and flowerhead roundel decoration to a beaded and C- scroll border, width 143cm.

£70-90

953

A PAIR OF REGENCY STYLE GILTWOOD CONSOLE TABLES. 20th century, each with a pink and grey marble top upon carved eagle supports, their wings outstretched, perched upon a painted rocky base, height 82cm, width 92cm, depth 43cm.

£2000-3000

954

A REGENCY MAHOGANY CELLARETTE. of octagonal form with ebonised stringing, brass lions mask ring handles, on square tapering legs and brass caps and casters, the interior with original lead lining, height 58cm, width 52cm, depth 34cm.

£200-300

955

A REGENCY ROSEWOOD AND BRASS CARD TABLE.

inlaid with pierced banding, rondels and palmettes, the fold-over and swivel top revealing a baize lined

956

A GEORGE II WALNUT ELBOW CHAIR.

the ladder back to shepherd’s crook arms above bird and flower tapestry drop-in seat, the cabriole and pad

957

AN EARLY 19TH CENTURY RED WALNUT DROP LEAF TABLE. the oval top to tapering cylindrical legs and pad feet, height 71cm, width 121cm, depth 50cm deep (136cm fully open).

£150-200

958

A MID-19TH CENTURY AUSTRALIAN CAMEL BACK SOFA.

the button back and serpentine seat to carved scrolling cedar legs and brass casters, the back legs eucalyptus, upholstered in a gold thread floral patterned rose pink fabric, over the original woolbag covering, height 97cm, width 137cm, depth 68cm

* Exhibited as part of the ‘Treasures From Private Collections’ presented by The National Gallery Women’s Association at Sotheby’s, Melbourne 1993.

£250-350

959

AN EARLY 19TH CENTURY MAHOGANY PARTNERS DESK. of unusually small size, the inset green leather top over three frieze drawers and pedestal base, fitted with six drawers and shelves to the opposing side, height 71cm, width 136cm, depth 95cm.

£400-600

956 958

962

A 19TH CENTURY WALNUT CHEST OF DRAWERS.

of small proportions, the eight narrow drawers with ebonised turned handles, height 95cm, width 57cm, depth 41cm.

£400-600

960

AN EARLY 18TH CENTURY WALNUT LOWBOY.

the quarter veneered and featherbanded top over three drawers, upon cabriole legs and pointed spade feet, height 71cm, width 71cm, depth 50cm.

£700-900

961

A REGENCY STYLE RED LACQUER POLE SCREEN, CIRCA 1920.

the rectangular panel with gilt and painted Chinoiserie decoration of a lady, to a turned column and tripod base with pad feet, height 131cm, width of panel 32cm.

£80-120

963

AN EARLY 18TH CENTURY WALNUT AND OYSTER VENEERED CHEST OF DRAWERS.

circa 1700, the oyster veneered and crossbanded top over four drawers with semi-circular boxwood stringing, the base with moulded edge and shaped apron upon high bracket feet, height 75m, width 82cm, depth 55cm.

£800-1200

964

A 19TH CENTURY GILTWOOD CONSOLE TABLE.

the shaped grey marble top upon a central scroll support and side brackets with moulded foliate scroll and flowerhead detail, height 56cm, width 89cm, depth 43cm.

£150-200

961

963

965

A MID-19TH CENTURY IRISH ARBUTUS WORK TABLE.

probably Killarney, the hinged lid parquetry decorated, inlaid with an octagonal panel of a star and chequerboard inlay, enclosing an empty paper-lined well, upon a faceted column, quatre form base and carved paw feet, height 72cm, width 59cm, depth 41cm.

£400-600

966

A WILLIAM AND MARY OYSTER VENEERED WALNUT CHEST OF DRAWERS.

the top with swirl and heart satinwood line inlay, over two short long and three long drawers, upon turned bun feet, height 86cm, width 102cm, depth 57cm.

£2500-3500

967

A SUBSTANTIAL DUTCH COLONIAL BRASS BOUND HARDWOOD CHEST. 18th century, possibly padouk wood, with brass embellishments and side carrying handles, height 65cm, width 147cm, depth 70cm.

£300-400

968

A GEORGE III MAHOGANY BASS BOUND PEAT BUCKET.

with brass swing handle, height 60cm inc. handle, diameter 36cm.

£100-200

969

A MID-19TH CENTURY WALNUT BREAKFRONT SIDE CABINET.

with Classical style gilt metal mounts and ornate scrolling boxwood inlay, the central cupboard door flanked by glazed cupboards enclosing a shelved interior, height 105cm, width 181cm, 41cm deep.

£300-400

970

A SET OF FOUR REGENCY EBONISED DINING CHAIRS.

with bar and lattice backs to cane seats, upon bamboo effect turned supports, height 86cm, width 45cm, depth 43cm.

£250-350

971

A LATE VICTORIAN BRASS EAGLE LECTERN.

the realistically cast eagle forming the bible rest, it’s claws on a cup and cover, the ringed cylindrical column with bands of repeated ornament, the stepped spreading circular base, on four cast claw feet, bearing a foundry stamp for Singer & Sons, Frome and London, 185cm high ***Inscribed around the base ‘To The Glory Of God And In Loving Memory Of Ethel Buchan Who Entered Into Rest January 16 1888 By Her Grandfather An Three Sisters’.

£300-500

MAHOGANY PEDESTAL WINE TABLE. the eight sided galleried top upon a turned column and tripod base, carved with palmette detail, height 67cm, diameter of top 31cm.

£200-300

URN/NIGHT STAND. with square galleried top and slide out candle stand, upon square tapering legs, height 70cm, width 24cm, depth 24cm.

£150-200 the oval backs to dished seats upon square tapering legs, height 94cm,

A GEORGE III INLAID MAHOGANY CELLARETTE, CONVERTED TO A

of small proportions, the octagonal hinged lid revealing a lift out tray and green fabric lined interior, on square tapering legs and brass casters, high 62cm, width 36cm,

A GEORGE III INLAID MAHOGANY

of serpentine outline, the central drawer flanked y deep cellarette drawers, one with original lead lining, upon square tapering supports, height 88cm, width 175cm, depth

966

965

977

A GEORGE III MAHOGANY LIBRARY BREAKFRONT BOOKCASE, CIRCA 1780. with Chippendale style fret cut scroll pediment to astragal glazed doors, enclosing a wallpaper lined interior with twelve adjustable shelves, the cupboard base with moulded fielded panels and roundel detail, height 255cm, width 188cm, depth 50cm.

*Provenance: The Property of a Lady. This bookcase is shown in a watercolour sketch of the drawing room at Bells House, Wimborne dating from c. 1942 when the property belonged to the vendor’s family (see overleaf).

£12000-15000

* Buyers premium of 30% (25% plus VAT)

Lot 977 shown in a watercolour sketch of the drawing room at Bells House, Wimborne c. 1942

978

A UNIQUE LATE 19TH CENTURY IRISH MARQUETRY TABLE.

the rectangular top inlaid with initial ‘T’ border, flower and leaf detail, the corners illustrating a pocket watch, motto ‘Here Sometimes Counsel Take and Sometimes Tea’, entwined monogram MGR, and Latin motto ‘Te Veniente Die Te Decedente’ (The day you come to die’), to ebonised letter T supports, height 60cm, length 90cm, depth 51cm; together with a 19th century photograph miniature of it’s original owner, Mary Grace Ram (nee O’Brien)

979

A PAIR OF GEORGE III MAHOGANY AND BURR YEW CARD TABLES.

the quarter veneered fold-over tops with oval inlaid burr yew panel and satinwood stringing, baize lined upon square chamfered supports, height 74cm, width 92cm, depth 46cm.

£800-1200

980

A LATE 19TH CENTURY WALNUT STATIONARY CABINET.

the hinged lid over two doors with ebonised recessed roundel detail, opening to reveal letter compartments, a perpetual calendar and three drawers with various contents including two ceramic inkwells, height 38cm, width 46cm, depth 29cm.

£150-200

981

A WILLIAM AND MARY MINIATURE YEW WOOD CHEST OF DRAWERS, CIRCA 1690. the four drawers with brass flowerhead drop handles, three with hidden locking/release feature to bases, upon turned bun feet, height 30cm, width 35cm, depth 22cm.

£1000-1200

982

A 17TH CENTURY AND LATER BLACK JAPANNED CHEST ON STAND. with gilt Chinoiserie decoration throughout (the sides later), the rectangular top with two short and three long drawers upon a later stand with single drawer and turned supports united by a wavy peripheral stretcher, height 124cm, width 101cm, depth 59cm.

£600-800

983

A PAIR OF CHINESE BLACK LACQUERED JARDINIERE STANDS.

decorated in gilt of scene with a pagoda within a landscape and scrolling foliage, height 96cm, diameter of top 40cm.

£300-400

984

A CHINESE BLACK LACQUERED JARDINIERE STAND.

of double diamond form, decorated with a landscape and foliage in gilt and lacquer, height 89cm, approx. width 88cm, approx. depth 56cm.

£200-300

985

A LATE 19TH CENTURY CHINESE HARDWOOD RECTANGULAR JARDINIERE. heavily carved with dragons among clouds to a lower border of flowerhead geometric detail, raised on square feet, height 28cm, width 68cm, depth 29cm.

£80-120

981

Garden

986

A LATE 18TH /EARLY 19TH CENTURY MARBLE GROUP OF THE THREE GRACES.

upon a metal support, height 102cm, width 102cm, depth 37cm.

£500-700

987

A 19TH CENTURY LEAD STATUE OF A NUDE SEATED CHILD. modelled feeding a dove upon a naturalistic base, height 34cm, width 22cm, depth 22cm.

£150-200

988

A PAIR OF GARDEN PAINTED TERRACOTTA URNS AND COVERS. in the Antique style with acanthus leaf decoration, upon square socle bases, height 83cm, base 23cm square.

£150-200

989

A 19TH CENTURY TERRACOTTA BUST OF GRECIAN MAN. height 74cm, width 62cm, 30cm at base.

£500-700

987

Mirrors and Lighting

990

A ROCOCO STYLE GILTWOOD WALL MIRROR.

late 19th/early 20th century, the bevelled rectangular plate to a foliate C-scroll and flowerhead frame, height 200cm, width 97cm.

£300-400

991

A GEORGE III GILTWOOD LOOKING GLASS.

the later bevelled plate to a rectangular frame with inset beaded border, mounted with moulded floral swags cascading from an urn surmount, overall height 137cm, width 77cm.

£300-400

992

A REGENCY GILT GESSO CONVEX MIRROR.

surmounted by a carved giltwood eagle to a reeded and ball studded frame, 93cm diameter.

£400-600

993

A PAIR OF 19TH CENTURY GILTWOOD RETANGULAR WALL MIRRORS.

each with shell crest, moulded swag and flowerhead decoration to an arched frame, height 94cm, width 38cm.

£200-300

994

A GEORGE III WALNUT AND PARCEL GILT WALL MIRROR.

the fret carved scroll frame with a Prince of Wales feathers cresting, the bevelled plate with gilded inner border, height 100cm, width 55cm.

£200-300

990

991

994

995

A PAIR OF 20TH CENTURY CHIPPENDALE REVIVAL CARVED GILTWOOD MIRRORS.

the upright rectangular plates within scroll pierced and carved frames with pagoda tops and surmounted by Ho Ho birds, height 115cm, width 56cm.

£800-1000

996

997

AN EARLY 20TH CENTURY PAINTED AND CARVED BLACKAMOOR STANDARD LAMP.

modelled as a male Nubian figure, elaborately dressed, holding aloft a ten branch light upon a foliate carved shaped base, wired for electricity, height 196cm.

£1000-1500

A 19TH CENTURY GILT METAL THREE BRANCH CEILING LIGHT.

of Classical design, the central ebonised column with three hanging chains to scrolling foliate branches, wired for electricity, height 65cm, diameter 78cm.

£200-300

998

A VENETIAN CARVED POLYCHROME AND GILDED BLACKAMOOR TORCHERE.

early 20th century, typically modelled as a female figure wearing arabesque decorated clothing, upon an octagonal ebonised and gilt wooden plinth, fitted for electricity, height of figure inc. lamp 147cm, overall height 179cm.

£600-800

999

A LATE 19TH CENTURY GILT METAL TABLE LAMP. with Classical leaf and scroll casting to the tapering column and triform base, height inc. fitting 80cm, width 21cm.

£80-120

1000 A PAIR OF 19TH CENTURY BRASS APPLIQUE WALL LIGHTS.

cast with Classical motif detailing, stamped serial number to the reverse, height 34cm; together with a brass triple branch candelabra with sconce, similarly decorated, height 41.5cms.

£150-200

995

Oak and Country

1001

A 19TH CENTURY CARVED OAK ARTIST’S LAY MODEL OF A HORSE. with articulated limbs, neck and tail, on a block base with height adjuster, height 49cm, length 52cm, depth 20cm.

£1000-2000

1002

AN 18TH CENTURY OAK SPOON RACK.

the three tiers containing twentyfour spoon slots, height 39cm, width 48cm, depth 19cm

* Formerly the property of the collector Alex Wilson.

£150-200

AN 18TH CENTURY SCUMBLED PINE ALMS BOX.

the heavy iron hinged top with two coin slots, the front having an edge moulded panel with an applied cross, pierced with keyhole, with Hines Collection label, height 38cm, width 31cm, depth 17cm

*Originally consigned for auction as part of the Hines Collection, Wilkinsons, December 2022, and bought by the collector Alex Wilson.

£100-150

A 17TH CENTURY CARVED OAK PANEL.

depicting the Virgin Mary with the infant Jesus and two other figures above a ‘Green Man’ face, 26.5cm x 15cm, together with a softback book titled English Misericords by Marshall Laird.

£60-80

1005

AN 18TH CENTURY OAK SLOPE FRONTED BOX.

the hinged sloping lid enclosing a lidded compartment, with replacement key, height 22cm, width 33cm, depth 27cm

* Formerly the property of the collector Alex Wilson.

£100-150

1001

1002

1003

1006

A PAIR OF 17TH CENTURY OAK FIGURAL FURNITURE MOUNTS.

each carved as cherub term with scroll and fruit detail, height 31cm, width 8cm.

£70-90

1007

AN 18TH CENTURY OAK HANGING CANDLE BOX.

the sloping lid with heavy iron hinge, height 46cm, width 28cm, depth 22cm

* Formerly the property of the collector Alex Wilson.

£80-120

1008

A 19TH CENTURY BAVARIAN CARVED WALNUT BOOK STAND.

in the form of an eagle with wings outstretched, height 42cm, width 55cm, depth 35cm.

£100-150

1009

A PAIR OF 17TH CENTURY OAK FIGURAL CARVINGS.

probably furniture mounts, each depicting a bare breasted female figure, height 21cm, width 10cm; together with a pair of antique fruitwood (?) mounts of sarcophagus form, height 40cm, width 15cm (4)

* Formerly the property of the collector Alex Wilson.

£80-120

1010

AN 18TH/19TH CENTURY WALNUT RIDDLE BOARD.

with carved lattice patterned surface, 50cm x 47cm

* Formerly the property of the collector Alex Wilson.

£60-80

1011

AN 18TH CENTURY OAK CANDLE BOX.

with decorative pierced hanging holes, height 52cm, width 17cm.

£70-90

1012

SIX 19TH CENTURY TURNED LIGNUM VITAE HORSE TETHERING BLOCKS.

with banded linear decoration, the largest 11.5cm diameter

* Formerly the property of the collector Alex Wilson.

£80-120

1008

1010

1012

for Ginger, Cloves and Nutmeg, 22cm high; together with a further 20th century spice tower, for Mace, Cloves and Nutmeg, 15cm high, a 19th century lignum vitae barrel string box, 10cm long, and a 19th century turned and carved wood butter pat, illustrating a cow within a field, 10.5cm diameter (4).

£100-150

1014

TREEN: A 19TH CENTURY MAHOGANY SNUFF BOX. modelled as a Gentleman’s shoe with brass pique detail and sliding cover, 13.5cm long; together with a smaller similar example, 10.5m long.

TREEN: AN EARLY 19TH CENTURY YEW WIG STAND. the domed circular top on tapered knopped baluster column and circular base,

1016

A SUBSTANTIAL 18TH CENTURY AND LATER OAK REFECTORY TABLE. the single plank top upon ring turned and block legs, united by stretchers, height 79cm, length 338cm, depth 85cm.

£1000-1500

1017

AN 18TH CENTURY OAK PRESS CUPBOARD. with projecting cornice and downward pendant finials above inlaid panelled cupboards flanked by half barley twist columns, the central carved with ‘GM EG 1734 Anno Domi’, enclosing four small drawers, over triple drawers and fielded panelled cupboard base, height 142cm, width 133cm, depth 56cm.

£400-600

1017

1013

1014

1015

1018

AN 18TH CENTURY FRENCH

PROVINCIAL CHESTNUT PANELLED BED FRONT.

with carved flower decoration in low relief, brass studding and turned spindles, the recessed scroll and rectangular panels to a central vacant ‘window’, height 143cm, width 183cm.

£100-200

1020

A 17TH CENTURY AND LATER OAK REFECTORY TABLE.

the four plank top over a carved frieze apron, stretchered block and turned legs, height 74cm, length 167cm, depth 73cm.

£400-600

A 19TH CENTURY OAK BOX SEAT HALL BENCH. the triple panel back carved in the Dutch style of figures in landscape settings, the arms carved lion’s head arms, all over scrolling foliage detail and mask detail to the lower panel, height 93cm, width 151cm, depth 49cm.

£300-400

1019

1020

1019

1021

AN 18TH CENTURY OAK GATELEG TABLE.

of small proportions, the oval top upon unusual triangular gateleg action on turned and block supports, height 68cm, width 35cm (fully open 92cm), depth 82cm.

£100-150

1022

A 17TH CENTURY OAK SIX PLANK COFFER.

the front carved with two panels of Gothic tracery detail, the interior inset with candle box, height 49cm, width 101cm, depth 34cm.

£150-200

1023

AN 18TH CENTURY OAK LOWBOY. with three drawers over a shaped fret cut apron, upon slender cabriole legs and pad feet, height 65cm, width 74cm, depth 45cm.

£200-300

1024

A 17TH CENTURY OAK AND MARQUETRY COURT CUPBOARD.

the upper trapezoidal section centred by cupboard door between bulbous turned supports, over a long carved drawer and under shelf, height 116cm, width 127cm, depth 44cm.

£1500-2000

1025

A PAIR OF 19TH CENTURY ASH AND ELM WINDSOR CHAIRS.

the high spindle backs with pierced splats to saddle seats and turned supports, joined by crinoline stretchers, height 107cm, width 58cm, depth 44cm.

£200-300

1026

AN EARLY 19TH CENTURY ASH AND FRUITWOOD WINDSOR CHAIR.

the spindle comb back to shepherd’s crook arms and narrow elm seat, upon turned supports united by an H-stretcher, old remnants of green paint to underside, height 100cm, width 55cm, depth 35cm.

£150-200

1027

A PAIR OF 19TH CENTURY ASH AND ELM WINDSOR CHAIRS.

the high spindle backs with pierced splats to saddle seats and turned supports, joined by crinoline stretchers, height 107cm, width 58cm, depth 44cm.

£200-300

1028

A 19TH CENTURY YEW AND ELM WINDSOR CHAIR.

the spindle back with wheelback splat to shepherd’s crook arms and saddle seat, the turned supports united by a crinoline stretcher, height 98cm, width 55cm, depth 39cm.

£150-200

1030

A 20TH CENTURY CARVED ‘BLACK FOREST’ BEAR HALL BENCH.

with two upright bears supporting the naturalistic seat and ends, the back also carved with two bears facing one another within tree branches and foliage, height 89cm, width 177cm, depth 41cm.

£1500-2500

1029

A JACOBEAN STYLE CARVED OAK HALL CUPBOARD. carved with mythical creatures, rope twist and foliate detail, the panelled door enclosing two fixed shelves upon turned baluster supports and undershelf, height 152cm, width 72cm, depth 43cm.

£150-200

1031

A 17TH CENTURY OAK SIDE TABLE.

the three plank top over a single drawer, upon turned multiple knop supports, height 70cm, width 78cm, depth 55cm.

£100-150

1032

1034

A LATE 17TH/EARLY 18TH CENTURY OAK SIDE TABLE.

the rectangular top with moulded edge over a single drawer, raised on turned and block supports united by a box stretcher, height 73cm, width 118cm, depth 59cm.

£200-300

AN 18TH CENTURY OAK BIBLE BOX.

the sloping lid with chip carved edging to a vacant interior bearing remnants of wallpaper, possibly period to the box, the sides and front carved with arc and foliate detail, height 27cm, width 75cm, depth 41cm.

£150-200

1033

A 17TH CENTURY AND LATER LEATHER BOUND DOME TOP TRUNK.

with brass studwork decoration, the hinged top bearing the initial ‘C’, iron strapwork and side carrying handles, the interior with 19th paper lining and London retailer’s label, height 34cm, width 70cm, depth 43cm.

£200-300

1035

A 19TH CENTURY PRIMITIVE WEST COUNTRY ELM PIG BENCH.

the rectangular top upon angled legs, height 34cm, length 156cm, depth at widest point 43cm.

£300-400

1036

A 17TH CENTURY LEATHER BOUND DOME TOP TRUNK.

the exterior with all over decorative studwork, initialed M.T. and the date 1662, with iron carrying handles and two drawers to base, height 43cm, width 78cm, depth 46cm.

£250-350

1033

1037

A SUBSTANTIAL EARLY 18TH CENTURY OAK DOUBLE GATELEG TABLE.

the hinged oval top upon spiral turned gates and stretchers, single drawer to end, height 76cm, width 65cm (185cm fully open), length 163cm

length 140cm, depth 76m

* Formerly the property of the collector Alex Wilson.

* Formerly part of the contents of Goodrich Court, Herefordshire, demolished in 1949.

£200-300

£500-700

1039

A NEAR PAIR OF 17TH CENTURY OAK BACK STOOLS. the original brass studded leather upholstery with concentric oval stitched detail, on turned and block supports, height 96cm, width 47cm,

A 17TH CENTURY OAK BACK STOOL. the fielded panelled back with fluted side column detail, the solid seat upon turned and block stretchered supports, height 83cm, width 42.5cm, depth 34cm.

A 17TH CENTURY OAK AND IRON BOUND STRONG BOX. probably German or Spanish, the hinged lid opening to reveal a compartmental interior above an arrangement of small drawers behind two doors, ornate pierced ironwork throughout and carrying handles, height 24cm, width 41cm, depth 31cm.

£300-400

1038

1039

1041

1040

Rugs and Carpets

1042

A ROOM SIZE MAHAL CARPET, MID20TH CENTURY.

the madder field of all over floral design within buff and indigo trailing vine borders, 380 x 270cm.

£400-600

1043

A KASHAN CARPET, CIRCA 1970. the soft mint green field with an all over design of palmettes and vines enclosed by pale camel floral borders and meandering vine guard stripes, signed in the border, 365 x 265cm.

£1000-1500

1042

1043

A TABRIZ CARPET.

the indigo floral field centred by a blood red pole medallion enclosed by cusped spandrels and borders of flowering vines flanked by guard stripes, 370 x 295cm.

£300-400

1045

A TEKKE CARPET, CIRCA 1910. the madder field with columns of quartered guls enclosed by borders of octagons flanked by guard stripes and barber poles, 285 x 230cm.

£200-300

A KASHAN CARPET, CIRCA 1970. the soft dove grey field with an all over design of palmettes and scrolling vines enclosed by borders of meandering vines, flanked by ivory guard stripes, 350 x 250cm.

£700-900

1047

A KASHAN RUG, CIRCA 1950. the raspberry field of vines centred by an indigo medallion framed by cusped spandrels and meandering vine borders and reciprocal guard stripes, 222 x 137cm.

£200-300

1050

A BIDJAR RUG.

the indigo Herati field with central lozenge enclosed by borders of samovar motifs and carnation guard stripes, 178 x 130cm.

£300-400

1049

A KHAMSEH RUG, CIRCA 1920. the angular lattice field of hexagons containing stylised chickens, plants and tribal devices enclosed by borders of angular vines and flowerheads, 175 x 140cm.

£250-350

A SARAB RUNNER. the camel diamond lattice ground enclosed by serrated brick red spandrels and borders of slant leaves and rosettes flanked by carnation guard stripes, 308 x 105cm.

£300-400

1051

A MALAYIR RUNNER. the terracotta Herati field with a column of ivory diamond medallions framed by ivory borders of angular vines and guard stripes, 293 x 67cm.

£250-350

1052

A YOMUT TURKMEN MIN CARPET, SOUTH EAST CASPIAN REGION, CIRCA 1890.

the soft madder field of dynack guls enclosed by ivory borders of latch hook slant leaf angular vines flanked by barber poles, 332 x 220cm.

£300-400

1053

A SAROUKH CARPET, CIRCA 1960. the soft terracotta field with an all over design of floral vines enclosed by ivory borders of meandering vines flanked by sky blue carnation guard stripes, 475 x 305cm.

£1200-1500

1054

A SAROUK RUG.

the deep indigo floral field centred by a sky blue medallion framed by meandering vine borders and guard stripes, 225 x 138cm.

£350-450

1053

1054

1055

A BAKHTIARI RUG.

the field with a one way design of stylised trees and plants enclosed by madder borders of polychrome flower heads and ivory guard stripes, 202 x 147cm.

£200-300

1056

A KASIM USHAG RUG, SOUTH CAUCASUS, CIRCA 1890. the madder central panel with an ivory and indigo medallion containing a latch hook motif framed by stylised dragons, and indigo spandrels enclosed by narrow ivory borders of stellar devices and angular vines flanked by barber poles, 230 x 153cm.

£450-650

1057

A KARABAGH OR KURDISH LONG RUG, CIRCA 1910.

the terracotta field of stellar devices around a column of latch hook medallions framed by ivory borders, 350 x 146cm.

£250-350

1058

A ROOM SIZE KIRMAN CARPET, SOUTH EAST PERSIA.

the ivory field with all over design of scrolling flowering vines and urns framed by an indigo and pink palmette border, 490cm x 352cm.

£600-800

1058

1055

Lot 1091.

A RARE

EARLY 19THC SWISS MUSICAL BOXFRANCOIS NICOLE

Estimate: £8000-12000

Collectors

VIEWING

THURSDAY 26 TH SEPTEMBER

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm

Wednesday 25th September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

SIMON JONES

Collectors & Sporting Specialist

T. 01460 73041

E. simon.jones@lawrences.co.uk

1059

LEICA ‘RED DIAL’ RANGEFINDER CAMERA. A Leica IIIF ‘red dial’ rangefinder camera, circa

STEAM LOCOMOTIVE - ‘DOVER’. A 3 1/2inch gauge steam locomotive and tender, Schools Class ‘Dover’. With a piece of track, no boiler certificate. Locomotive 65cms long. £2000-3000

1059

1060

1061

1061 detail

1062

RARE STUMPWORK SAMPLER.

Probably 18thc, the sampler of rectangular form with a raised design and worked in coloured thread. Including rows of flowers and birds, and mounted in a more modern frame. Sampler 29cms by 16cms, frame 36cms by 23cms.

£300-500

1063

UNUSUAL EARLY SAMPLER.

18thc or 19thc, of rectangular form and worked in colour threads. With two figures to the top section, and with rows and blocks of flowers and leaves. The lower section appears to be unfinished, unframed. 40cms by 20cms.

£100-200

1064

A LARGE SCALE SCRATCH-BUILT WOODEN MODEL YACHT - ‘JOHN MATTHEWS’.

in full sail, on stand, 142cm high overall, 136cm long.

£200-300

1065

EARLY 20THC MODEL EDWARDIAN CAR - SMOKING COMPANION.

1066

19THC MUSICAL BOX - P.V.F ST CROIX.

A Swiss musical box with an eight air mechanism, with change/repeat and start/stop levers. With a songsheet to the inside of the lid, and marked for ‘PV.F St Croix (Suisse)’. Case 50cms by 22cms, cylinder 27.5cms long.

£200-300

1067

SWAINE & ADENEY GOLD TOP RIDING WHIP.

Possibly for a lady, a Swaine riding whip with a 15ct gold handle, the shaft partially covered in crocodile skin and a gold collar. Stamped to the handle, 55cms long.

£100-150

1068

A HARDY BROS HARDY’S ANGLERS KNIFE NO.2.

A Hardy Anglers Knife No 2, with five various implements including scissors and knife. 9cms long.

£100-150

1069

COCO DE MER BOWL (LODOICEA MALDIVICA).

Early 20thc and possibly made by Ernst Plank from an association with Bing, with a wooden and steel construction and rubber tires. With two hidden hinged compartments inside, some repairs required. 18cms long.

£300-500

A large Coco de Mer nut, carved into a double section bowl with pierced handle. With carved decoration around the rim and handle, 27.5cms across at widest point.

£150-200

1070

TRIBAL INTEREST - ASHANTI HEAD REST & WOODEN STRIGIL.

A small African Ashanti head rest, with a curved top and some carved decoration, and with two metal rings suspending a lead weight and stone (14.5cms across, 13.5cms high). Also with a small wooden strigil (16.5cms long). (2).

£80-120

1071

CMC BOXED MODEL CARSMASERATI & BUGATTI.

Three model cars by CMC, including a Maserati 250F (471 of 2000), a Bugatti TYP 35, 1924, and a Auto Union TYP C, 1937. Also with their boxes and perspex cases, and two books on racing cars.

£100-150

1062

1065

1072

19THC SCRAP ALBUM INCLUDING DRAWINGS & OTHER ITEMS.

A large and interesting Victorian leather bound scrap book, with a variety of cut outs, drawings, cards and other items including Animals, Children, King William IV, pencil drawing of a Huntsman and hound, a painting of a Brigande, Robert Burns, James Watt, Chinese Borders engraving, watercolour of a flower, pencil drawing of a cat signed Frank Schoder, and many more. Album 38cms by 27cms.

£100-200

1073

QUEEN ELIZABETH II - SIGNED PHOTOGRAPH.

A portrait photograph of Queen Elizabeth II, signed in ink and dated 1993. Mounted in a blue leather frame. Photograph 21cms by 15cms, frame 33cms by 26cms

*Given to Sir John & Lady Gray, Sir John was a former British Ambassador to Belgium.

£300-500

1074

ROYAL SIGNED PHOTOGRAPH - DUCHESS OF KENT.

A framed photograph of Katharine, Duchess of Kent, signed in ink ‘With my graditude, Katharine, 1995’, mounted and in a leather frame. Photograph 16.5cms by 11.5cms, frame 25cms by 20cms.

*Given to Sir John & Lady Gray, Sir John was a former British Ambassador to Belgium.

£80-120

1075

ROYAL SIGNED PHOTOGRAPHS INCLUDING PRINCESS MARGARET & PRINCE ANDREW.

Three signed photographs, including Princess Margaret in 1992, mounted in a red leather frame (frame 28.5cms by 23.5cms), Prince Andrew in 1994, also in a leather frame (28.5cms by 23.5cms), and the Duke and Duchess of Gloucester (Richard and Birgitte) in 1992, also in a leather frame (frame 28.5cms by 23.5cms). (3)

*Given to Sir John & Lady Gray, Sir John was a former British Ambassador to Belgium.

£80-120

1076

ROYAL SIGNED PHOTOGRAPHS - BELGIUM.

Including a signed photograph of King Albert II of Belgium and Queen Paola of Calabria, mounted and framed (frame 32.5cms by 26.5cms), and a signed photograph of Prince Philippe of Belgium (later King of Belgium), signed in gold ink ‘To Sir John Gray, Phillipe of Belgium, dated 99 and mounted in a frame (frame 33.5cms by 27.5cms). (2)

*Given to Sir John & Lady Gray, Sir John was a former British Ambassador to Belgium.

£100-150

1073

1077

MARAGARET THATCHER & JOHN

MAJOR SIGNED PHOTOGRAPHSPOLITICAL INTEREST.

Including a photograph of Margaret Thatcher in a blue leather frame (signature faded, frame 28.5cms by 22.5cms), and a large signed photograph of John Major in a leather frame (frame 32.5cms by 27.5cms). (2).

£60-100

1078

KING CHARLES III & PRINCESS

DIANA SIGNED CHRISTMAS CARD.

A Christmas card from 1985 from the then Prince Charles and Princess Diana, with a photograph of Charles, Diana and the two boys, and signed in ink ‘ Mrs Matravers, from Charles and Diana’. Also with its original envelope.

*This card was sent to an owner of a Duchy home, and has remained in the family.

£400-600

1079

KING CHARLES III & PRINCESS

DIANA SIGNED CHRISTMAS CARD.

A Christmas card from 1992 from the then Prince Charles and Princess Diana, with a photograph of William and Harry and signed in ink ‘from Charles and Diana’.

*This card was sent to an owner of a Duchy home, and has remained in the family.

£250-350

1080

ROYAL WEDDING CAKE INCLUDING PRINCE WILLIAM & KING CHARLES.

Including a piece of cake from the wedding of William and Catherine in 2011, in its original tin. Also with a piece of cake from the wedding of Charles and Camilla in 2005 (in its tin), a common prayer book from the Coronation of Queen Elizabeth in 1953 (in its box). (3).

£80-120

1081

GUCCI - BLACK LEATHER ‘NEW PELHAM’ SHOULDER BAG.

A Gucci Black New Pelham leather shoulder bag, with compartments inside and a stamped label ‘Gucci, Made in Italy’. Also with a Gucci dust bag. Approx 33cms across.

£150-250

1082

GUCCI - PINK FLORA BAMBOO HANDBAG.

A seemingly unused Gucci Pink Flora Peggy Bamboo handbag, with detachable shoulder strap and dust bag. Makers label inside. Approx 42cms high.

£300-400

1081

1083

A SCRATCH BUILT MODEL BEAM ENGINE.

intricately engineered with a 7 inch spoked fly wheel, all mounted on a wooden base, the base 45.5cm x 17cm.

£100-150

1084

COLLECTION OF TRIBAL ITEMS & PROVENANCE - DEMOCRATIC REPUBLIC OF THE CONGO.

A fascinating collection of items acquired by a Rev J R M Stephens whist working as a Missionary in the Belgian Congo in the late 19thc/early 20thc. Including a tribal wooden stool inset with brass studs and coins (39cms diameter, 29cms high), a large and heavy bronze hinged ring anklet (used as currency, 17.5cms diameter), a carved tribal ancestor figure (52.5cms high), a carved hardwood paddle (173cms long), and a carved wooden spear with sheets of metal to the shaft and mirror inserts (124cms long). With a letter of provenance from the Baptist Missionary Society from 1894, and a photograph of the Rev Stephens with some local children in 1902.

£200-300

1085

VINTAGE MOTOR RACING POSTERSILVERSTONE 1962.

A vintage poster from the ‘14th International Trophy Meeting, Saturday 12th of May 1962’ at Silverstone. With admission and other details and mounted in a clip frame. 75cms by 50cms.

£80-120

1086

THE ‘LOTHIAN’ STEREOSCOPE.

A ‘Lothian’ stereoscope made by Andrew Baird, Edinburgh, assembled with various loose parts and in its original box. Also with various Stereo cards, including USA (Steamer, Washington, Niagara etc) and other cards.

£80-120

1087

ANDREW BELLIS CELLO BOW & DOUBLE BASS BOW.

A cello bow made circa 1999/2000, the octagonal stick with a natural finish and figured pernambuco, the ebony frog with silver mounts and mother of pearl eyes, and with a compliment slip from the maker with information (71cms long). Also with a larger bow, probably for a double bass, with a ebony frog and plated mounts (72cms long).

£300-500

1088

19THC POLYTHON DISC PLAYER & VARIOUS GERMAN DISCS.

A Victorian walnut cased Polython, with a winding handle at the front of the box and with a lithographed print on the inside of the lid. With approx 48 discs (9 1/2ins, 24cms diameter) made in Germany.

£200-300

1089

LATE 19THC/EARLY 20THC SILK VELVET & EMBROIDERED PANEL, LACE PARASOL & OTHER TEXTILES.

A late 19thc/early 20thc silk velvet panel, with a deep border of embroidery including boteh (possibly Indian, 116cms by 112cms). Also with a reversible Japanese black and pink silk cape, and a cream silk shawl with pink ombre fringe (116cms by 110cms), and a late 19thc/early 20thc cream lace parasol.

£80-120

1090

VICTORIAN MUSICAL BOX - 8 AIR. A Victorian musical box with an 8 air movement and ‘bells in sight’, with start/stop and change/repeat levers. With a songsheet to the lid and marked for ‘Picard Lion, Geneve’, and in a simulated rosewood and mahogany case. Case 41.5cms across, cylinder 15.5cms long.

£200-300

1084

1088

1087

1083

1091

RARE EARLY 19THC SWISS MUSICAL BOX - FRANCOIS NICOLE.

A rare early 3 air mandolin musical box by Francois Nicole, an unusual and high quality key wound Swiss musical box with a 26cms long cylinder, with rigid notation markings and fine teeth (approx 219), with named levers on one side of the box and winding hole, and with a small lever on the other side which releases the mechanism. With a retailers plaque inside for ‘Ruegger, Place De Bel-Air, A Geneve’ and also one to the lid, and with a number to the base (serial number, 5747), in a fruitwood case with brass recessed handles and with its winding handle. Plays part of the overture of La Gazza Ladra by Rossini. Case 40cms across

*According to Roy Ison’s research, it is believed that all early musical boxes with rigid notation lines on the cylinder were made by Francois Nicole. There are three known Nicole boxes with Ruegger plaques, with this being the fourth.

The Serial Number #5747 dates the box to circa 1826/27, shortly before the time when François Nicole began to stamp his name on the combs. The grid markings, as on the cylinder of #5747, became referred to as “rigid notation”; it bespeaks an early movement by François Nicole, the only maker known to have used it; in such, the cylinder is scored with both circumferential & lateral lines to give a grid that helped the pinners judge where the pin pricks were to be made prior to drilling. Tooling improvements later obviated the need for such markings.

My thanks to the Musical Box Society of Great Britain for their help in providing these details and confirming that this is made by Francois Nicole,

This has passed through the family from a relation connected to the Luttrell family of Dunster Castle, they were believed to have travelled widely through Europe in the 19thc and its possible it was acquired at that time.

*To listen to the music box playing, please contact Lawrences and we will send a link.

£8000-12000

1092

TAXIDERMY - VICTORIAN CASED PUFFIN (FRANTERCULA ARCTICA).

A Puffin specimen in a glazed and wooden case, with a painted backdrop and with a hand written label inside ‘Puffin, Fratercula Arctica (Linn), Carnarvon, North Wales, June 1888, G H Storer’, and with part of a label on the back. Case 42.5cms high.

£100-150

1093

VICTORIAN MAHOGANY SCRAP SCREEN.

A large and impressive Victorian four fold mahogany scrap screen, the panels with a variety of ‘scraps’ to each side. 186cms high.

£100-200

1094

EARLY 19THC TRAVELLING MICROSCOPE - CARY.

An early 19thc travelling microscope by Cary of London, with a rack and pinion adjustment with the case forming the base of the micoscope. In a small fitted mahogany case. Case 9cms by 7.5cms.

£100-150

1095

TAXIDERMY: A PAIR OF HOOPOES (UPUPA EPOPS).

A pair of Hoopoes, perched on tree branches and mounted in a naturalistic setting. In a glazed and wooden case, 49cms high

*This does not require a licence to sell in the UK.

£200-300

1096

TAXIDERMY - CASED BITTERN.

A large Bittern, mounted in a naturalistic setting and with a painted back board. In a glazed and wooden case. Case 77.5cms high, 47cms across

*This does not require a licence to sell in auction.

£100-200

1097

TAXIDERMY - CASED HERON.

A large cased Heron, set in a naturalistic setting and in a glazed and wooden case. Case 77.5cms high, 55cms across.

£100-200

1098

19THC DOLL’S HOUSE & FURNITURE.

A 19thc wooden dolls house with painted stone facade, with a door opening from the front to reveal four rooms. Also with a qty of dolls house furniture, including a metal wood effect French bed, fireplaces, furnitures and accessories (various damages). 74.5cms high, 63.5cms across.

£80-120

1099

LARGE LEATHER BOUND LACE SAMPLE BOOK & NEEDLEWORK BOOKS.

A fascinating large leather bound album from the late 19thc/early 20thc, containing a collection of old lace samples stitched onto card pages. Included are French, Flemish/Belgian examples, many with annotated notes. Also with a packet of newspaper cuttings, and a packet of Australian patterns and threads, and ephemera.

Album 48cms by 30cms, also with two Needlework related books, ‘Needlework as Art’ by Lady M Alford, 1886, and ‘Needlework Through the Ages’ by Mary Symonds, 1928, and in a slip case.

*Formally owned by Blanche Moffat (1862-1942) of Goodrich Court in Herefordshire. She was a member of the Midland Lace Guild, and possibly one of the founding members.

£200-300

1100

RARE LATE 17THC DOUBLE SIDED SAMPLER - 1691.

A rare double sided religious sampler by Dorothy Ward, 1691, one side embroidered with various religious psalm’s in a variety of colours, a section including her name and the date, and also with birds, numbers and other motifs. The other side (mounted the other way up) with further religious prose, stitched within a black silk frame on a black silk border. Sampler 34cms by 22cms, overall 42cms by 29cms

*This has been kept within an album of lace and other textiles (see lot 1102), which has kept the colours strong over that time. It has been kept folded inside the album until now.

£1000-1500

1101

ANTIQUE ‘SPOT’ SAMPLER.

A small unframed sampler worked on fine linen. Often referered to as ‘Spot Samplers’ as the motifs are arranged across the fabric in a random fashion, thestylised plants and flowers are worked in colourful threads which have kepy their vibrant colours. Width 26cms by 32cms

*This has been stored within an album of lace and other textiles (see lots 1100 and 1102).

£100-200

1102

ANTIQUE ALBUM OF NEEDLEWORK & TEXTILE SAMPLES.

An interesting small paper album or book, containing a collection of lace and needlework samples. Most are mounted on coloured card and stitched into place on the pages. There are also examples of beadwork, some woven textiles and plaited braids, some of the items have the intials ‘DW’ (probably for Dorothy Ward). There is also a hand written letter in the book which gives a little of the history and a possible date of the contents to the late 17thc.

*We are also selling a sampler that came out of this book in a seperate lot (lot), made by Dorothy Ward in 1691.

£300-500

1099

1108

1103

VINTAGE SHAWLS & CREAM SILK PANEL.

Including an early 20thc green fine woollen shawl with vibrant embroidered decoration at each end (244cms by 70cms), a fine cream muslin shawl or sari decorated with boteh and worked in gold metallic thread (some damage to the fabric and gold borders, 530cms by 145cms), and a panel of cream silk embroidered with flowers and worked in gold metallic thread (96cms wide by 46cms, some splitting and damage). (3).

£80-120

1104

COLLECTION OF VINTAGE LACE INCLUDING SHAWLS & OTHER ITEMS.

A qty of late 19thc/early 20thc lace, comprising shawls, edgings, and a specimen of old tatting made by Lady Montegue with attached label, also with a qty of children’s white cotton garments.

£100-150

1105

VINTAGE SHAWLS.

Including a late 19thc/early 20thc cream woollen shawl with Paisley border (some damage and thinning of the fabric, 344cms by 165cms), a smaller cream wool shawl (130cms by 124cms), a dusky pink woven fringed shawl with a folded/hemmed edge (172cms by 132cms), and a fine woven red/pink shawl of striped design (500cms by 112cms). (4).

£80-120

1106

VINTAGE SHAWLS & TEXTILES.

Including a late 19thc/early 20thc green fine woollen shawl with vibrant embroidered decoration at each end (280cms by 52cms), a pale cotton shawl with dark blue decoration at each end (some staining to the fabric, 146cms by 76cms), a a yellow silk cover with woven silver metallic thread decoration, and lined with green silk, a small dark red silk velvet cap decorated with metallic thread, a skein of silk, woven purse, woven gold coloured metallic thread pouch and other items.

£80-120

1107

VINTAGE SHAWL & TEXTILES.

Including an early to mid 20thc cream net table covering with a floss embroidery of flowers and boteh (170cms by 164cms), a red fine wool shawl embroidered with flowers, foliage and boteh, worked in vibrant coloured silk threads (260cms by 58cms), a silk panel with a striped design (108cms by 112cms, some wear/damage to the silk), a pair of late 19thc/early 20thc runners, each with an applique design of trailing poppies onto a cream fabric back (each 134cms by 120cms), and a panel of striped silk with three joins and a fringe along one side (134cms by 120cms). (6).

£100-150

1108

LARGE VICTORIAN MUSICAL BOX.

A large Swiss musical box, with change/repeat and start/stop levers, apparently with a 10 air mechanism (no songsheet) and with an internal winding handle. With a typed letter of information, stating it is made by C Paillard & Co (no obvious makers name), in a Rosewood effect case and branded with a serial number underneath (38144). Cylinder 23.5cms long, case 48.5cms across.

£300-500

1109

COLLECTORS CABINETCOLLECTION OF SEWING ACCESSORIES.

An interesting collection to include button hooks, shoe horns & glove stretchers, the silver handles decorated in a variety of manners; one in the form of Punch, two in the form of a Tigers heads, some enamelled examples, hardstones/agate, masks etc, together with another silver cased sewing set (steel blades). The majority housed in a seven drawer collectors cabinet. Cabinet 33cmL x 26.5cmH x 28.4cmD.

£100-150

1110

RAILWAY INTEREST - COLLECTION OF BADGES, BUTTONS & OTHER ITEMS.

An interesting collection of Railway items, including various buttons (GWR, GCR, S.R, LNER etc), various badges, whistles and other items. Also with an LMS silver plated teapot, LNER cutlery, and a Great Eastern table cloth from the Great Eastern Hotel.

£100-150

1111

VINTAGE ENAMEL SIGNMONSTERS LEMON SQUASH. A vintage double sided pictorial enamel sign, made for Monsters Lemon Squash. 54cms high.

£300-400

1112

ENAMEL PICTORIAL SIGNSPRATT’S CAT FOOD.

A vintage square shaped enamel sign, for ‘Spratt’s Cat Food, puts pussy into fine form!’. Marked ‘SPL 354’, and with dripped holes to each corner. 30cms square.

£300-500

1113

SOMERSET CRICKET SIGNED BAT, PENNANT & OTHER ITEMS.

A variety of Somerset Cricket related items, including a signed cricket bat from 2007 (Div 2 Champions) and in a case, two sets of Norwich Union stumps used at Somerset in the 1990’s, a Somerset signed pennant from the 2001 Cheltenham & Gloucester final, a signed cricket shirt (2007 Div 2 County Champions), also with a Ron Roberts programme signed by various players (see list).

£150-250

1114

LESNEY - LARGE COLLECTION OF BOXED MATCHBOX SUPERFAST TOYS.

A large collection of boxed Lesney Matchbox toys, running from No 1 Dodge Challenger, No 2 S2 Jet, No2 Rescue Hovercraft, No 3 Porsche Turbo, No 4 57 Chevy, No 5 US Mail, No 6 Mercedes Tourer, No 7 VW Golf, No 8 De Tomaso etc, through to No 75 Helicopter. All boxed and with a list attached of the various models, also with a boxed Ford Sierra.

£400-600

1115

AUSTIN MOTOR COMPANY - 9CT GOLD SMITHS DE LUXE WRISTWATCH.

A Smiths De Luxe 9ct gold wristwatch, ‘Presented by the Austin Company Ltd in their Golden Jubilee Year to J Kingsland, 25 years service’. With a silvered dial and subsidiary seconds dial, with a leather strap and in a presentation leather case, and with a certificate.

£100-150

1116

TAXIDERMY INTEREST - TWO MOUNTED FISH PLAQUES BY ALLAN ALLISON OF KINROSS.

A cast of a fish caught at Loch Sionascaig in 1990, with a brass plaque with information and mounted on oak board, with information to the reverse and a label for Allan Allison in 1993 (board 75cms long). Also with another similar example by Allan Allison, a cast of a fish caught at Loch Loyal in 1982, with a brass plaque with information and mounted on a mahogany board (board 83cms long). (2).

£100-200

1117

NEGRETTI & ZAMBRA TELESCOPE & LEATHER CASE.

‘The Macleod’ three drawer brass telescope with a leather grip, marked for Negretti & Zambra and in a fitted leather case. Fully extended 86cms high.

£80-120

1118

19THC LINCOLN STAMP ALBUMS & OTHER ALBUMS.

Various albums including three Lincoln albums with a variety of used 19th stamps, including France, Great Britain (1d black, 2d blue’s etc), Holland, Italy, Spain, China, Sweden, Hong Kong, India, Australian States, Newfoundland, Canada, USA and others (two more sparse, one with fuller content), also with a Suffolk stamp album with Great Britain stamps (19thc and 20thc), USA, India, Japan and many more, some smaller albums etc.

£80-120

1119

EARLY 20THC POSTCARD ALBUMS.

Three interesting albums of postcards from the early 20thc, collected by a Miss Lane and with various notes on many of the cards. including Great Britain (Ireland, Scotland, Sudbury, Maidenhead, Wellington, Cardiff, Penarth, Llantrisant and other Welsh cards, Churches, Weston Super Mare, Allerford, Minehead, Arundel, Chard, Wiviliscombe, Clevedon, Brighton and many more). Also with cards of Canada and other foreign cards, Exhibition cards, family cards, greeting cards and many more.

£100-150

1120

GREAT BRITAIN STAMP COLLECTION.

A collection of Great Britain mostly mint 20thc stamps, including definitives, 1988 High Value Castle Stamps (£1-£5), QE II £1-£5 stamps, stock book with stamp booklets, Silver Jubilee 1977, Silver Jubilee 1935 and many more. Also with sheets of stamps and other stamp booklets.

£80-120

1121

GREAT BRITAIN 19THC & 20THC STAMP COLLECTION.

A collection of 19thc and 20thc used and mint stamps, including an album with 19thc stamps, including 1d red’s (perf and imperf), 2d blues, Foreign Bill Stamps, Penny reds on envelopes, Uniform Penny Postage etc,, also with 20thc stamps including Edward VII through to George VII. Also with four other albums with QE and other used and mint stamps including definitives. Some examples in places are black and white photocopies (5).

£80-120

1122

LARGE BRITISH COMMONWEALTH STAMP COLLECTION.

Three large albums of 19thc and 20thc British Commonwealth used and mint stamps, 1st album including Falkland Islands and South Georgia, Malay States, Fiji, Gambia, Gibraltar, Gold Coast, Grenada, Hong Kong, Hyderabad and India (nice selection), Indore, Jaipur, Jamaica, Kenya & Uganda, Malta, New Zealand, New South Wales, Newfoundland and many more. 2nd album with Aden, Ascension, Australia, Barbados, Bermuda, British Hondurus, Canada, Cape of Good Hope, Ceylon, Cochin, Cyprus and many more. 3rd album including Orange Free State, Papua New Guinea, Patiala State, Penang, Malaya, Queensland, St Lucia, St Vincent, Straits Settlements, Victoria, Trinidad, Toga and many more. Some black and white photocopied examples in places.

£300-500

1123

BRITISH & COMMONWEALTH STAMP COLLECTION.

A collection of stamps purchased through Warwick & Warwick Investment Service, some with certificates. Including a Edward VII £1 green, 2d blue, Newfoundland mint stamps, Falkland Islands set to £1, Ireland (half crown, five shillings and ten shillings), 1d black, St Kitts set, Australia Air Mail block of 6, 1d black with black Maltese Cross, New Zealand Smiling Boys etc.

£100-150

1124

IDEAL STAMP ALBUMS & OTHER STAMP ALBUMSGREAT BRITAIN & COMMONWEALTH.

Various old stamp albums including The Ideal Stamp Album, with Great Britain (1d blacks, 2d blue’s, 1d red’s, QV £1 used stamp, and also 20thc stamps), the rest of the album quite sparse with World content (India, Hong Kong, Canada etc). An album with GB and Commonwealth stamps (QV to 20thc, Australian States, New Zealand, Canada, Newfoundland etc), two more Ideal Albums with varied 19thc and early 20thc World content (USA, Sweden, Japan, France and many more), various other albums, and loose envelopes and stamps.

£200-300

1125

VARIOUS STAMP ALBUMS - GREAT BRITAIN & WORLD STAMPS.

Various albums of stamps, including a Lincoln stamp album with 19thc used stamps (Australian States, Porto Rico, USA, India, Germany etc, and GB Uniform Penny Postage. Also with three Simplex Junior Albums with World content, Canada, China, Denmark, Newfoundland, Japan, Italy, India and Indian States, Great Britain (19thc and 20thc used and mint stamps), Sweden, Russia, and many more, a large Ideal Stamp Album with sparse content including GB 19thc and 20thc stamps (1d blacks, 1d red’s, 2d blue etc), Cape of Good Hope, Japan etc, two folders/stock books with GB 20thc stamps (many pages with multiple examples of the same stamps), also with USA, India (mint and used) and other stamps, an empty album and some First Day Covers.

£150-250

1126

STAMP COLLECTION - 19THC & 20THC WORLD STAMPS INCLUDING CHINA.

An interesting worldwide collection of 19thc and 20thc stamps in photo albums and binders. Including Central & South American Countries (Argentina, Chile, Peru, Mexico, Brazil etc), also with Japan classics with some forgeries, China from Dragons (1897 red revenue, 1c, 2c and 4c mint), Austria, Czech, Brazil with early issues, France, Belgium, Barbados, Greece, USA, Canada, Hong Kong, Italy, Cape of Good Hope and many more. Many with information inside including typed notes.

£500-700

1127

POSTCARD ALBUMS, CIGARETTE CARDS & STAMP ALBUM.

Two postcards albums with an interesting mixture of subjects from the early 20thc, including Military cards, Comic Cards, Actresses, GB cards (Porlock, New Barnet, Uxbridge, Minehead, Torquay, Colyford, Motor Trials on Porlock Hill, Dart & Co Cider Factory, Newnham on Severn, etc), SS Canada, Military Hut Isolated for Measles and many more. Also with a cigarette card album with various subjects (Players Victoria Cross, Smith’s Famous Explorers, Phillips Guinea Gold cards, B D V Cigarettes How to do it Series, Ogden’s Military Training, Cope’s card, Black Cat Cigarettes, and many more), Sovereign Stamp Album, and also with photographs, cuttings etc.

£100-150

1128

GREAT BRITAIN STAMP ALBUM -19THC & 20THC.

A well laid out Windsor album from 1840, including 1d black (x4), 2d blue’s, 1d red’s, 1847-54 embossed trio cut to shape, QV 5 shillings, QV £1 used (faults), Seahorse stamps to 10 shillings, George VI to £1, and some QEII.

£300-500

1129

BRITISH & COMMONWEALTH STAMP COLLECTION.

Great Britain & Commonwealth duplicated accumulation with GB 1969 £1 Cook Booklet (x10), 1971 Wedgwood £1 booklet (x10), very useful British overprints and covers, Nauru seahorse stamps including 10/mint, Kuwait 1951 10/ block of 8, Postal Agencies in Eastern Africa, 1957 5 rupees sheet of 40 (x3), and many more. Including Kuwait, Morocco, Tangier, Australian States, Levant, Gibraltar etc.

£400-600

1130

BRITISH & COMMONWEALTH STAMP COLLECTION.

Great Britain and British accumulation in stockbooks, including mint QE 11 stamps (Grenada, Bermuda to £1, St Vincent, Antigua Gibraltar, St Helena etc), QEII definitives including unused blocks, Cape of Good Hope, Cyprus, Hong Kong, Malta, India, Gibraltar and many other countries, 1d red’s and some QV etc. Also with an album of covers.

£200-300

1130A

VINTAGE POSTCARD ALBUMS – GREAT BRITAIN, USA & MANY MORE

An interesting collection of early 20thc postcards including a large vintage postcard album with foreign content (Malta, Corfu, Crete, Greece, Italy, Spain etc), Great Britain cards (The Lizard, Worthing, Weymouth, Great Yarmouth, SS Corsican, Trains, silk cards, The Massacre of Armenians etc, 2nd postcard album including a large selection of USA cards (Union Station, Steamer Ships, and many more), some GB cards, Louis Wain etc. Also with some loose postcards etc.

£100-200

1130A1129

Wine & Spirits

1131

WARRE’S VINTAGE PORT - 2016.

A set of six 750ml bottles of Warre’s Vintage Port 2016, in an unopened wooden case. Case 33cms by 28cms

*Part of a large private collection

*Please note that Auctionet cannot assist with postage outside of the UK.

£150-200

1132

CHATEAU PICHON COMTESSE RESERVE - CASED.

A set of 12 bottles of Chateau Pichon Comtesse Reserve 2018, in an unopened wooden case. Case 51cms by 33cms

*Part of a large private collection.

*Please note that Auctionet cannot assist with postage outside of the UK.

£300-500

1133

LYNCH-BAGES PAUILLAC 2014CASED.

A set of 12 bottles of Lynch-Bages Pauillac 2014, in an unopened wooden case. Case 50cms by 33cms

*Part of a large private collection

*Please note that Auctionet cannot assist with postage outside of the UK.

£400-600

1134

GRAHAM’S VINTAGE PORTMALVEDOS 1992.

6 bottles of Graham’s Malvedos Vintage Port, 1992 and in an unopened wooden case. Case 41cms by 23.5cms

*Please note that Auctionet cannot assist with postage.

£200-300

1135

GRAHAM’S VINTAGE PORTMALVEDOS 1992.

6 bottles of Graham’s Malvedos Vintage Port, 1992 and in an unopened wooden case. Case 41cms by 23.5cms

*Please note that Auctionet cannot assist with postage.

£200-300

1136

WINE - CHATEAU TALBOT 1996.

12 bottles of Chateau Talbot 1996, 750ml and in an unopened wooden case. Case 50cms by 32.5cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1137

WINE - CHATEAU TALBOT 1996.

12 bottles of Chateau Talbot 1996, 750ml and in an unopened wooden case. Case 50cms by 32.5cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1138

WINE - CHATEAU CANTEMERLE HAUT MEDOC.

A set of 12 bottles of Chateau Cantemerle Haut Medoc 2000, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1139

WINE - CHATEAU CANTEMERLE

HAUT MEDOC.

A set of 12 bottles of Chateau Cantemerle Haut Medoc 2000, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1140

WINE - CHATEAU POTENSAC

MEDOC CRU BOURGEOIS.

A set of 12 bottles of Chateau Potensac Medoc Cru Bourgeois 1996, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£200-300

1141

WINE - CHATEAU TALBOT 1996.

12 bottles of Chateau Talbot 1996, 750ml and in an unopened wooden case. Case 50cms by 32.5cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1142

WINE - CHATEAU CANTEMERLE

HAUT MEDOC.

A set of 12 bottles of Chateau Cantemerle Haut Medoc 2000, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1143

WINE - CHATEAU CANTEMERLE

HAUT MEDOC.

A set of 12 bottles of Chateau Cantemerle Haut Medoc 2000, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1144

WINE - CHATEAU POTENSAC MEDOC CRU BOURGEOIS.

A set of 12 bottles of Chateau Potensac Medoc Cru Bourgeois 1996, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£200-300

1145

WINE - CHATEAU POTENSAC MEDOC CRU BOURGEOIS.

A set of 12 bottles of Chateau Potensac Medoc Cru Bourgeois 1996, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£200-300

1146

WINE - CHATEAU CANTEMERLE HAUT MEDOC.

A set of 12 bottles of Chateau Cantemerle Haut Medoc 2000, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.

£300-500

1147

WINE - CHATEAU POTENSAC MEDOC CRU BOURGEOIS.

A set of 12 bottles of Chateau Potensac Medoc Cru Bourgeois 1996, in an unopened wooden case. Case 50cms by 33cms

*Please note that Auctionet cannot send this outside of the UK.”

£200-300

Lot 1219. A RARE WHITEFRIARS

BANJO VASE - MEADOW GREEN

Estimate: £1500-2000

19th/20th Century Design

THURSDAY 26 TH SEPTEMBER

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm

Wednesday 25th September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

ARTIST'S RESALE RIGHT ('DROIT DE SUITE') ( ‡ )

€1000.00 to €50,000 – 4%

€50,000.01 to €200,000 – 3%

€200,000.01 to €350,000 – 1%

€350,000.01 to €500,000 – 0.5%

Exceeding €500,000 – 0.25%

ARR is capped at €12,500

The artists to whom this applies are marked (‡) after the lot number in the catalogue.

SIMON JONES

19th/20th Century Design Specialist

T. 01460 73041

E. simon.jones@lawrences.co.uk

Model No 366, a vintage light elm sideboard, with a two door cupboard above a single drawer, with a flanking single cupboard with cutlery tray. Supported on beech tapering legs. 114cms across by 43cms deep, 82cms high.

£150-250

1149

RARE ERCOL DRESSING TABLE MIRROR.

An unusual free standing and adjustable Ercol mirror, with a light elm and beech base supporting a

1151

UNUSUAL DANISH COPPER CEILING LAMP BY HOLM SORENSEN & CO.

An interesting Danish Svend Aage Holm Sorensen torch cut patinated brass onion lamp model 6395 with makers label for ‘Holm Sorensen made in Denmark’. Approximately 40 cm wide and 42 cm high.

£200-300

1152

PAIR OF ARTS & CRAFTS FIRE DOGS - MANNER OF GIMSON.

A pair of cast iron fire dogs in the manner of Gimson, with a larger and smaller foliate pierced roundel supported on a curved strut. 65cms and 63.5cms high.

£80-120

1153

ALFRED MULLER FOR BELMAG OF ZURICH - MID CENTURY TABLE LAMP.

A mid century lamp designed by Alfred Muller, the ‘Quick 1500’, with a painted metal shade, supported on a chrome arm and mounted on a circular base. Marked inside the shade ‘Belmag, Zurich’. Shade 30cms diameter, approx 40cms high overall.

£100-200

1154

MOUSEMAN INTEREST - SET OF ‘KINGPOST’ ROBERT INGHAM OAK DINING CHAIRS.

A set of six Yorkshire School oak dining chairs by Robert ‘Kingpost’ Ingham, each with shaped rails and tan leather seats. With a carved signature on the side of each chair, 85cms high.

£200-300

1151

1153

door and gently curved sides, with horizontal and vertical chip carved decoration and exposed tenon joints. Supported on heavy sleigh type legs with block fronted feet. 182cms high, 92cms wide, 55cm deep.

Sydney Barnsley first came across Pinbury Park in the early 1890’s, the building and location captivated the young London based architects. The run down picturesque charm of the buildings in the heart of the idyllic Cotswolds was all that the young idealistic men could have dreamed of. In 1901 when Lord Bathurst was newly married he took the property back for his own use. He allowed Gimson and the Barnsley Brothers to used Daneway House as workshops and showrooms, premises that were big enough to allow Gimson to expand his furniture making business and take on staff. It is Danebury that this Wardrobe will have been made. The cupboard perfectly evokes the ideal of Arts and Crafts furniture that William Morris proposed in 1898:

So I say our furniture should be good citizens furniture, solid and well made in workmanship ... Made on the proper principles of joinery: also I think that except for movable things like chairs, it should be made of timber rather than walking sticks.

On the market for the first time with a direct line of descent through the family of one of the most important Cotswold School Patrons. In use on a daily basis as useful, practical and much loved cupboard this piece of furniture typifies all that we expect to see in the best Cotswold school furniture. This is a further piece from the collection from Pinbury which came to the market in 2009.

£8000-15000

1156

JOHN MAKEPEACE WORKSHOP - DESIGNER DESK BY R D EVANS.

An unusual small writing desk, made from fumed oak, sycamore and walnut, the oak with a lime wax. The writing section folds over and the top section rises upwards and locks into place with struts and small catches, with four small drawers to the interior and suppprted on slender legs. With a note inside, stating it was made by R D Evans in 1989 in his second year at Parnham House. 80cms across, 84.5cms high when top section is in place.

£600-800

1157

AN ART DECO MIRRORED COCKTAIL CABINET.

An Art Deco glass cocktail cabinet, with sliding doors to the centre with horse motifs and with an internal shaped shelf, with cupboards to each side with stylised figure which revolve and reveal glass shelves inside. Supported on a glass base, 116cms high, 109cms across.

£1000-1500

1158

HULSTA - SET OF GERMAN DESIGNER CHAIRS.

A set of six tubular chromed cantilever chairs, with leather seats and backs (two in green, and four in gray). With attached labels to the back of each chair, 94cms high. (6).

£200-300

DRYLUND - DANISH MID CENTURY DRINKS CABINET.

A circa 1960’s Rosewood drinks cabinet, with an extending top to reveal a drinks surface underneath, with a central cupboard with shelf inside and flanking cupboards, and flush chrome handles. 103cms across, 34.5cms deep, 78.5cms high

*This lot comes with a CITES licence. No 24GBA10NYCSS1.

£300-500

1156

1157 1159

1161

1160

BILL OGILVIE (AUSTRALIAN, BORN 1935) - BRONZE SCULPTURE ‘FLIGHT’.

A large bronze limited edition sculpture ‘Flight’, the bronze sculpture with arms outstretched and balancing on one foot. The sculpture is suspended by wire at the back of the head, Signed to the foot, 87, 2/9. 45.5cms high, 56.5cms from the hand to the balancing foot.

*Purchased from a Gallery in Melbourne in the 1980’s. Artists Resale Rights applies to this lot.

£300-500

BILL OGILVIE (AUSTRALIAN, BORN 1935) - LARGE BRONZE SCULPTURE OF A NUDE.

A large bronze figure of a nude female figure, with her hands

1162

LALIQUE - SET OF COLOURED GLASS ANGEL FISH & LALIQUE DISPLAY CASE.

A shoal of 22 glass fish by Lalique, in a wide range of colours including green, blue, black, yellow, clear etc. Each with an etched glass signature, ‘Lalique, France’. Each 4.5cms high. Also with a Lalique perspex display case, in which the fish could be displayed (case 40cms across, 32cms high).

£500-700

1160

1162

1161

1163

LALIQUE GLASS OPALESCENT CEILING LIGHT - COQUILLES.

A large opalescent and frosted glass ceiling light in the Coquilles design, with four pierced holes and metal chains for hanging. Moulded mark, ‘R Lalique’. 29.5cms diameter.

£300-500

1164

SET OF LALIQUE GLASS WALL LIGHTS- COQUILLES.

A set of four unusual Lalique opalescent and moulded wall lights, with two pierced holes on each side and with four metal brackets for fixing to a wall. Each with etched marks, each 29.5cms across.

£400-600

1165

SEAMAN SCHEPPS DESK CLOCK, LALIQUE GLASS FIGURE & LALIQUE HORSE.

A small rock crystal glass desk clock by Seaman Schepps, with an iridescent dial and baton numerals, and set with a small stone (probably turquoise), marked to the dial ‘Seaman Scepps, Est 1904 (7.5cms diameter). Also with a modern Lalique frosted glass figure of a reclining lady, in the form of a mascot, etched marks ‘Lalique, France’ (12cms high), and a frosted glass model of a horse (17.5cms long). (3).

£100-150

1166

LALIQUE - CRYSTAL GLASS JAGUAR.

A modern Lalique crystal glass figure of a crouching Jaguar. Etched mark, ‘Lalique, France’, and Lalique sticker to the base. 20.5cms long.

£60-100

1167

LALIQUE OPALESCENT GLASS DISH.

A Lalique opalescent shallow glass dish, with a pattern of swirling bubbles. Signed to the base, ‘R LALIQUE, FRANCE’. 28cms diameter.

£100-150

1163 1164

1168

HANNAH BARLOW - 19THC DOULTON TYG.

A three handled Doulton stoneware tyg, with sgraffio decoration of various cattle on a buff ground. Impressed marks, ‘Doulton Lambeth, 1874’, monogram mark for Hannah Barlow, 416. Damages, 15cms high.

£80-120

1169

SET OF ROYAL DOULTON PLATESGIBSON GIRLS.

An unusual set of eight Royal Doulton portrait plates by Charles Dana Gibson for Royal Doulton. 23.5cms diameter. Also with some postcards of the Gibson girls. (8).

£100-150

1170

LARGE ART POTTERY OWLATTRIBUTED TO ROGER GUERIN (BELGIUM 1896-1954).

1173

A bronze sculpture of a pheasant rising into flight, signed to the base and dated ‘95’. 17cms high.

£80-120

1172

ERIC RAVILIOUS - WEDGWOOD NURSERY ALPHABET MUGS.

Probably by Roger Guerin (Belgium 1896-1954), a large stoneware model of an Owl perched on a rocky outcrop. With a blue and brown mottled glaze, unmarked, with a photocopy of what appears to the same model illustrated from Gres D’art Guerin. 45.5cms high.

£100-150

Two alphabet nursery mugs designed by Eric Ravilious for Wedgwood, transfer printed, one with pink bands and one with blue bands. With printed marks, 8cms high.

£300-500

1175

DENNIS CHINA WORKS VASE - OWL.

A vase in the Owl design, painted with Owl masks on a blue and green ground. Various impressed and painted marks, ‘Dennis China Works, ST Des, No 1, 2001, and potters marks. 20.5cms high.

£80-120

DENNIS CHINA WORKS TRIAL VASELION HEAD.

A trial vase in the Lion Head design, with Lion masks on a yellow ground. Various impressed marks, ‘Dennis China Works, S T Des, Trial 2, 2006 and potters marks’. 18.5cms high.

£80-120

1176

LARGE DENNIS CHINA WORKS TRIAL VASE - SOOTY TERN.

A large ovoid shaped vase in the Sooty Tern design, painted with a bird on a purple and pink ground above fish. Various impressed and painted marks, ‘Dennis China Works, 2003, ST Des, Trail 1, and potters marks. 46cms high.

£200-300

1177

DENNIS CHINA WORKS TRIAL VASEFIG.

A bottle shaped vase with a slender neck and ovoid body, painted with figs and leaves on a green and orange ground. Painted and impressed marks, ‘Dennis China Works, ST Des, Trial 3, 2007, and potters marks’. 33.5cms high.

£80-120

1178

LARGE MOORCROFT LIMITED EDITION ‘CARP’ VASE.

A large Moorcroft ‘Carp’ vase designed by Sally Tuffin in 1991, No 10 of 100 and painted with Fish and aquatic plants on a green ground. With a certificate, a signed typed letter from John Moorcroft and original receipt. Various marks to the base, ‘S T Des, Moorcroft, 10/100, J Moorcroft signature’. 26.5ins high, 67.5cms high.

£800-1200

1183

RARE LLADRO ZEBU & ORYX.

Including a boxed model of an African Zebu in a matt finish (24.5cms long). Also with a boxed Lladro model of an Oryx in a matt finish (36.5cms high). (2).

£150-250

1184

CONTEMPORARY BRONZE SCULPTURE OF A DOG - SIGNED.

A contemporary verdigris bronze sculpture of a recumbent Dog, possibly a Wolfhound or Greyhound. Signed to the side of the base with initials (possibly ‘JGC’) and dated 05. 11cms high, approx 22cms across.

£80-120

1185

ERIC RAVILIOUS - WEDGWOOD ALPHABET MUG & PLATE.

A Eric Ravilious designed Alphabet nursery mug with pink coloured bands (8cms high). Also with a Eric Ravilious designed Alphabet pattern side plate, also made by Wedgwood (17.5cms diameter). (2).

£150-200

LOVE.

Modelled as a Penguin and its chick in a matt finish, Model No 2519 and in its box. 22cms high.

£100-150

* Buyers premium of 30% (25% plus VAT)

1186

ERIC RAVILIOUS - WEDGWOOD ALPHABET BOWLS.

Designed by Eric Ravilious for Wedgwood, two bowls in the Alphabet design, one with a yellow band and one pink. Both with printed marks to the bases. Yellow bowl 17cms diameter, Pink 16.5cms diameter. (2).

£150-250

1190

1187

SWEDISH ART GLASS ‘GRAAL’ BOWL - STUDIO AHUS.

A ‘graal’ pink and green coloured glass bowl, designed with leaves and flowers. Signed to the base, ‘Studio Ahus, Sweden, 1989, Graal, Nypon Ros’, and signed by Hanne Dreutler & Arthur Zirnsack. 12.5cms high, rim 14cms diameter, approx 18cms wide overall.

£100-150

1188

TROIKA BOTTLE VASE & OTHER ITEMS.

A Troika bottle vase of disc form with tapering neck, with a stylised design to each side against a white glazed ground (17cms high). Also with a smaller cube vase with circular base (damages, 9.5cms high), and a square dish (12cms square). All with painted marks, ‘Troika, Cornwall, England’, ‘AL’ potters mark for Anne Lewis. (3).

£100-150

1189

WILLIAM DE MORGAN - PAIR OF POTTERY TILES.

A pair of William De Morgan Persian designed tiles, painted with a floral design in turquoise, green and other colours on a white ground. Both with impressed Sands End marks to the reverse, 15cms square. (2).

£150-250

1190

ROYAL DOULTON ‘SKYFALL’ BULLDOG.

A boxed Royal Doulton model of a bulldog ‘Jack’, DD007 and made in 2012. In its original box, 10cms high.

£100-150

1191

HEREND PORCELAIN ANIMALS.

Including a pair of rabbits with blue fishnet decoration (Model No 5332, 13.5cms high), a Herend Cockerel (Model No 5031,14cms high), and Herend Duck (Model No 5022, 6cms high). (3).

£80-120

1192

AUSTRIAN COLD PAINTED BRONZE FIGURE - ARGENTOR WIEN.

A small cold painted bronze figure of lady, with a shawl draped over one arm and mounted on a square base. Marked to the base, ‘Argentor Wien’. 12cms high.

£80-120

1193

MARY SPENCER WATSON (19132006) - LARGE CARVED SCULPTURE ‘THE PIPER’. (D)

A large carved stone sculpture of ‘The Piper’, the figure crouched with the instrument reaching its feet. With an incised signature to the reverse of the figure. Height 66cm, width 38cm, depth 43cm

*This figure was exhibited at the Dorset County Museum in 1976, it was purchased from an auction in 1994, and the buyers wrote to the artist who confirmed that this and another figure they purchased were by her (see copy of a letter). In the letter she states its possibly made in course Bathstone. Artists Resale Rights applies to this lot £2000-3000

1193

1194

CLIVE BOWEN (B 1943) - LARGE STUDIO POTTERY SLIPWARE BOWL. (D)

An unusually large two handled stoneware bowl, the interior with a slipware glaze and painted motifs. Unsigned, 49.5cms across, rim 44cms by 40cms diameter

*Purchased directly from the potter, circa 1990.

*Artists Resale Rights applies to this lot.

£100-150

1195

ROYAL WORCESTER ‘MONTHS OF THE YEAR’ PORCELAIN FIGURES.

A full set of 12 Months of the Year figures, designed by Freda Doughtly for Royal Worcester. (12).

£150-200

1196

RETRO CHAMPAGNE FLOATING ISLAND -PIPER HEIDSIECK ‘PISCINE’.

An unusual retro champagne holder with a weighted base so it floats in a swmming pool, with a compartment for the champagne and 4 plastic glasses, with a folding lid which encloses the Island, and with an additional champagne glass (made of glass). Approx 46cms high.

£100-150

1197

RARE ST IVES POTTERY COAT HOOK & STAND - BERNARD LEACH INTEREST.

Including two rare St Ives pottery items, including a stoneware glazed coat hook (16.5cms high), and a stoneware glazed pen stand with incised design (possibly one of two, 13.5cms long), both with impressed St Ives marks (coat hook with clear mark, stand - mark less clear). Also with a pair of turned elm candlesticks, used in Bernard Leach’s cottage on the fireplace.

*These items were found within a desk that belonged to Laurie Leach, Bernard’s second wife and inherited by their son Maurice. The candlesticks were apparently used in the sitting room of Pottery Cottage.

£80-120

1198

LARGE SABINO ART DECO GLASS VASE.

A large opalescent and frosted glass vase, designed with birds in flight in relief. Signed to the base, Sabino, Paris. 39cms high.

£80-120

1199

LARGE WEMYSS TYG - DUCKS.

An unusual and large Wemyss three handled tyg, painted with Mallard Ducks amongst aquatic plants, with impressed marks and retail mark for Thomas Goode (damages, 19.5cms high, rim 21.5cms diameter). Also with a Wemyss cabbage rose vase (16cms high). (2).

£100-200

RARE DOULTON LAMBETH PLAQUEESTHER LEWIS.

A rare 19thc Doulton Lambeth faience plaque, painted with a mountainous landscape scene, possibly France or Switzerland. Signed to the back ‘E Lewis’ (Esther Lewis), ‘The Priant Vaud, 165’. Plaque 39.5cms by 29.5cms.

£100-200

1201

HEREND - KANGAROO GROUP.

A porcelain figure of a red fishnet Kangaroo, with a green joey in its pouch. Model No 15328, with printed and impressed marks. 14.5cms high.

£100-150

1202

HEREND - PAIR OF GIRAFFES.

A Herend porcelain group of a pair of Giraffes, with a green fishnet design. Marked to the feet with Herend mark, and number 735. 19.5cms high.

£150-250

1203

HEREND - PAIR OF RABBITS.

A Herend porcelain group of two Rabbits, with a green fishnet design, Model 5332. With printed and incised marks to the base, and also with signature and date to the base (1928, Eva Vastagh). 14.5cms high.

£80-120

1204

HEREND - FIGURE OF A KINGFISHER.

A Herend porcelain figure of a Kingfisher with a fish in its mouth. Brightly painted with green and red fishscale pattern, Model No 5168. 12.5cms high.

£80-120

1208

HEREND OWL, PELICAN & PARROT.

Three porcelain models by Herend, including an Owl perched on a rock (Model 5106, 12cms high), small Pelican (5170, 8cms high), and a miniature model of a Parrot on a tree stump (7cms high). (3).

£80-120

1209

HEREND RABBITS INCLUDING MINIATURES.

Including a pair of rabbits with red fishscale design, one nibbling on a leaf (8.5cms high), a pair of rabbits with blue fishscale design and circular base (5cms high), a miniature rabbit seated on a leaf (leaf 4.5cms high), and two tiny miniature rabbits (2cms high). (5).

1211

ROYAL COPENHAGEN & BING & GRONDAHL ANIMALS.

Various animal figures including a large Bing & Grondahl Polar Bear (Model 1785, 29.5cms long), and Mouse (1801) a Royal Copenhagen Wirehaired Terrier (Model 2967, 16cms high), a Royal Copenhagen Dalmatian (Model 3501), two Royal Copenhagen Polar Bears (321 and 929), and Scottish Terrier (3476). (7).

£100-150

1212

ART GLASS VASE - SIGNED.

An interesting art glass vase of purple colour with blue roundels, overlaid in gilt with foliage. With an etched signature to the base, ‘TCW’. 12.5cms high.

1205

HEREND - LARGE PORCELAIN CORMORANT.

A large porcelain figure of a Cormorant, with a fish under one foot and on a shaped base. With a printed mark and number 44. 22.5cms high.

£80-120

1206

HEREND - FIGURE OF A COCKEREL, RAM & PIG.

A brightly painted figure of a Cockerel (14cms high), a figure of a Ram with green fishscale and gilded decoration, Model No 15379, 10.5cms long, and a figure of a standing pig (8cms long). (3).

£100-150

1207

HEREND SWAN, PAIR OF DUCKS & ANOTHER BIRD.

Three Herend porcelain models, including a Swan with green fishscale pattern (14cms high), a pair of nesting ducks (Model 5026, 7cms high), and a Herend bird (possibly a Lapwing, model 15376, 9.5cms high). (3).

£100-150

£60-100

1210

HEREND PORCELAIN ANIMALSINCLUDING UNICORN & FROG.

Various porcelain figures including a Frog on a lily pad (4cms high), a seated Unicorn (8cms high), a Mouse (6cms high), Angel Fish (6cms high), and two miniature cats. Each with fishnet decoration, most in green and one in red. (6).

£100-150

£60-100

1213

ROYAL COPENHAGEN & BING & GRONDAHL DOGS.

Including various Bing & Grondahl models of dogs, including a large collie (model 1663, 26.5cms across), a large standing figure of a German Shepherd (model 1854, 19cms high), Pekinese (model 2114), a Bulldog (model 1992), and a Puppy (model 1983). Also with two Royal Copenhagen Dogs, Pekinese Puppy (model 445), and Pekinese sitting (model 1772). (7).

£100-200

1201

1202

RUSKIN HIGH FIRED VASE & ROYAL LANCASTRIAN LUSTRE VASE.

A tall slender high fired Ruskin vase, dated 1910 and with impressed marks to the base (20.5cms high). Also with a Royal Lancastrian lustre vase with a floral design, with a potters mark for William Mycock (rim repaired, 19cms high). (2).

£150-250

1215

SWEDISH GUSTAVSBERG SILVER OVERLAID VASE.

A large two handled Argenta vase designed by Wilhelm Kage, silver overlaid with a nude figure to each side and foliate border. With impressed and printed marks, 20.5cms high.

£100-150

WEMYSS POTTERY JUG -

An unusual jug with a slender neck and bulbous body, with an angular handle and painted with pink carnations and leaves. With an impressed and painted mark,

LARGE

TREMAEN POTTERY HARBOUR LAMP & ANOTHER LAMP.

Two pottery lamp bases, including one large Harbour lamp base with shade (46cms high including light fitting), also with a smaller Tremaen pottery lamp (24cms high). (2).

1214

1215

1219

RARE WHITEFRIARS BANJO VASEMEADOW GREEN.

A rare Whitefriars banjo vase in the meadow green colourway, pattern no 9681 and with its original pattern number label on the base. 32cms high

*This was purchased by the vendor in 1970 in Bristol, and has remained with them ever since.

£1500-2000

1219

1220

LARGE WEMYSS PIG - EXON POTTERY. A large Wemyss pig made at the Exon Pottery in Devon, painted in black and white and splashes of pink. With painted and impressed marks, Wemyss, Exon, 2046, B Adams. 25.5cms high, approx 42cms long.

£400-600

1222

JOHN UHT (1924-2010) - BRONZE

LIMITED EDITION GROUP OF DANCERS.

A set of three bronze figures of dancers, each balanced on one foot and mounted on a circular marble base. No 2 of 6 castings made and with the original bill of sale from The Furneaux Gallery in 1968. With an associated slender white marble plinth, the bronze signed on the sole of each foot. Group 30cms high, marble plinth 69cms high.

£200-300

1223

ROGER PERKINS (BORN 1952). A MONUMENTAL RAKU FIRED DISH COVERED IN CRACKLE GLAZE. Roger Perkins (born 1952). A monumental raku fired dish covered in a white crackle glaze with polychrome decoration, 52cm x 47cm.

£300-500

1221

HUGO ELMQVIST (SWEDEN 18621930) - ART NOUVEAU BRONZE VASE.

A large bronze patinated Art Nouveau vase, with a long slender neck and bulbous body and with leaves and vines in relief. Signed to the lower section, ‘Hugo Elmqvist’. 30cms high.

£200-300

* Buyers premium of 30% (25% plus VAT)

1224

UNUSUALLY LARGE MOORCROFT VASE - LIMITED EDITION ‘QUEENS JUBILEE’.

An unusually large trial vase in the Queen’s Jubilee design, 1 of 3 made and signed by Emma Bossons. With various painted and impressed marks, ‘Trial 27-5-02, For the Queens Jubilee 2-6-02, Emma Bossons, 1 of only 3. 39cms high.

£500-700

1225

MOORCROFT TRIAL VASEHIBISCUS.

A trial Moorcroft vase in the Hibiscus design, wit purple flowers and green leaves on a blue and cream ground. With impressed and painted marks, ‘Moorcroft, Trial 11-4-00. 23.5cms high.

£100-150

1220

1221

1224

1226

MOORCROFT VASE - CAROUSEL.

A Moorcroft vase with a tapering neck, painted in the Carousel design on a blue and green ground. With its box and outer sleeve. With painted and impressed marks, signed by Rachel Bishop, no 445. 28.5cms high.

£80-120

1227

MOORCROFT TRIAL VASE - FLORIAN YACHT.

A bottle shaped vase in the Florian Yacht design, made for the Centenary of Moorcroft in 1997 and made as a trial piece. With its box and outer sleeve. Impressed and painted marks, ‘Trial 2.11.98. 23.5cms high.

£100-150

1228

MOORCROFT VASE - SNAKESHEAD.

A bottle shaped vase in the Snakeshead design, dated 95 and with its box and outer sleeve. 31cms high.

£100-150

1229

MOORCROFT VASE ‘RACHEL’LIBERTY.

A limited edition vase in the Rachel design, No 28 of 50 made, designed and signed by Rachel Bishop and retailed by Liberty. With painted and impressed marks and dated 15.5.03. 24cms high.

£200-300

1228

1227

1229

1230

MOORCROFT JUGS ‘IRIS’ & ‘COCKLESHELL ORCHID’COLLECTORS CLUB.

A slender jug in the Iris design, made for the Moorcroft Collectors Club and dated 96 (24.5cms high). Also with another Moorcroft jug in the Cockleshell Orchid design, no 98 of 150 made, signed by Nicola Slaney and also made for the Moorcroft Collectors Club (24cms high). Both with boxes and outer sleeves.

£150-200

1231

MOORCROFT VASES - ‘LIZARD ORCHID’ & ‘TULIPS’ VASE.

Including a slender vase in the Lizard Orchid design, signed by Philip Gibson, No 253 and dated 29.03.04 (21cms high). Also with another modern Moorcroft vase in the Tulips design, dated 23.05.03 (14cms high). (2).

£100-150

1232

MOORCROFT ‘CAROUSEL’ GINGER JAR & SMALL VASE ‘PRAIRIE SUMMER’.

Including a small vase in the Prairie Summer design, dated 2001 (13cms high), and a lidded ginger jar in the Carousel design, designed by Rachel Bishop and numbered 96 (15.5cms high). (2).

£100-150

1233

MOORCROFT VASE ‘CAROUSEL JASMINE’ & ‘CAROUSEL’ VASE.

1237

MOORCROFT VASES - QUEEN OF THE NIGHT & OTHERS.

Including a squat vase in the Queen of the Night design, signed by Anji Davenport and made for the Collectors Club (12cms high, not boxed), also with a modern ginger jar in the Pansy design, 79 of 100 made (11cms high, boxed), and a miniature vase in the Little Gem design, 116 of 150 made (6cms high). (3).

£120-150

1238

ANTIQUE MOORCROFT LIDDED DISH & TWO OTHER ITEMS.

An antique lidded Moorcroft dish in the Orchid design (16cms diameter), a bowl in the Hibiscus design (16cms diameter), and a small dish in the Columbine design (11cms diameter). (3).

£80-120

1239

ANTIQUE MOORCROFT POTTERY.

A mixed lot including a small pomegranate dish (7.5cms dia), small Orchid ashtray with original paper label (10.5cms across), small leaf and berry bowl (10cms diameter), and other items. (6).

£100-150

1240

A VICTORIAN COPPER & BRASS OIL LAMP - ATTRIBUTED TO W A S BENSON.

An oil lamp attributed to W.A.S Benson, the lamp base made in brass and copper and with a Hinks & Son lamp fitting. With a copper shade, shade 29.5cms diameter.

£300-500

A Moorcroft vase in the Carousel Jasmine design, number 123 and in its box (23.5cms). Also with a squat vase in the Carousel design, no 127 (11cms high). Both with boxes and outer sleeves. (2).

£100-150

1234

PAIR OF MOORCROFT VASESPOMEGRANATE.

A pair of William Moorcroft squat vases, painted in the pomegranate design on a blue ground. With impressed marks and painted signatures. 11cms high.

£150-200

1235

MOORCROFT VASE - PHOENIX.

A Moorcroft vase with a long slender neck, in the Phoenix design, dated 1997 and signed by Rachel Bishop. Boxed and with outer sleeve. 21cms high.

£80-120

1236

MOORCROFT VASES - ‘BRYONY & ACCOLADE’.

Including a squat vase in the Accolade design, signed by Emma Bossons and dated for 2004 (11cms high), and a small vase in the Bryony design, signed by John Moorcroft, dated and with its certificate (14cms high). Both boxed. (2).

£100-150

1240 1229

* Buyers premium of 30% (25% plus VAT)

1230

1241

WEDGWOOD FAIRYLAND LUSTRE BOWL.

Designed by Daisy Makeig-Jones for Wedgwood, circa 1925, the interior in the ‘Jumping Faun’ design, the exterior in the ‘Woodland Elves III design. With a printed mark to the base and pattern number Z5481. Also with a more modern Chinese wooden stand. 25cms diameter. £1000-1500

Lot 1378. CHINESE GUANGXU

PERIOD POWDER BLUE & GILDED VASE.

Estimate: £1000-1500

Ceramics & Oriental Works of Art

THURSDAY 26 TH SEPTEMBER

VIEWING

Saturday 21st September 9.30am - 12.30pm

Monday 23rd September 9.30am - 4.30pm

Tuesday 24th September 9.30am - 4.30pm

Wednesday 25th September 9.30am - 4.30pm

BIDDING

IN ROOM Attend and bid in person.

ONLINE Bid live via auctionet.com (0% surcharge) or via the-saleroom or easyliveauction.com (subject to additional fees).

COMMISSION BID Leave an absentee bid in person, by phone or email BY PHONE Bid by telephone (subject to availability).

CONDITION REPORTS FOR CERAMICS

Condition Reports for Ceramics:

Under no circumstances will we confirm that a lot is in perfect condition.

Condition reports will not be given on items estimated at less than £500 and will only be given on items above £500 at our discretion.*

The onus rests with the buyer to satisfy themselves as to the condition of lots on which they wish to bid.

Condition reports will be in writing only and will be generated only by the ceramics department.

Condition reports will not be given after the close of business of the day before the sale.

SIMON JONES

Ceramics & Oriental Works of Art Specialist

T. 01460 73041

E. simon.jones@lawrences.co.uk

British & European Ceramics

1242

19THC ENGLISH PORCELAIN TEA SERVICE - ROSES.

Possiby by Spode, each piece painted with sprays of roses and gilded leaves and rims. Pattern No 7521 (and impressed O34 mark), and including 12 tea cups, 12 side plates, and 12 saucers. (36).

£80-120

1243

MEISSEN BLUE & WHITE DINNER SERVICE.

A large part service, each painted to the centre with flowers and foliage, with further sprays of flowers to the rim. Comprising 12 dinner plates (25cms diameter), 11 side plates (21.5cms diameter), 12 large bowls or dishes (23.5cms diameter), two gravy boats, and various dishes. Second quality, each item with cancelled marks.

£300-500

1244

SEVRES - SET OF SIX PORCELAIN CABINET PLATES.

A set of six Sevres porcelain plates, each painted to the centre with a courting couple within landscape scenes. With a cobalt blue and gilded rim, with marks to the reverse ‘S.60, Sevres, Dore, 62’. 23.5cms diameter. (6).

£200-300

1245

LARGE GERMAN POTTERY COCKATOO & FAIENCE

COCKATOO’S.

A large pottery figure of a Cockatoo perched on a tree stump, with painted and impressed marks including Made in Germany and factory mark (44cms high). Also with two similar models of Cockatoo’s, each brightly painted and perched on tree stumps, with a painted mark to the base (25cms and 24.5cms high). (3).

£100-150

1246

SPODE COPELAND HAND PAINTED

‘FISH SERVICE’ - J FENN.

A large oval dish and a set of 12 plates, each hand painted with a variety of fish in aquatic scenes, and with a cobalt blue and gilded border around the rims. Each named on the back with the name of the fish, Salmon (large oval dish), Bream, Dace, Carp, Tench etc, each signed ‘J Fenn’ and each marked for Spode Copelands China, and pattern numbers for each plate. Plates 22.5cms diameter. (13).

£200-300

1247

LARGE ANTIQUE ITALIAN MAIOLICA PLAQUE.

Possibly 18thc and from the Deruta region, the rectangular plaque painted with the Madonna & Child in relief, and with a repeating painted border to the rim. Various damages and restoration, and mounted within a wooden frame. Plaque 43.5cms by 33.5cms, frame 46cms by 37cms.

£300-500

1248

COALPORT BOXED COFFEE SET.

A set of six porcelain coffee cups and saucers, each painted with sprigs of flowers and with cobalt blue and gilded decoration. In a fitted case, and with printed marks, ‘Coalport, England, AD1750’, Y266S on the cups. Case 34cms by 29cms.

£80-120

1244

1246

1249

LARGE 18THC DELFT TABACCO JAR.

A large 18thc Dutch delft blue and white jar, titled ‘Rappe’ and painted with flowers and foliage. With a brass lid, 32.5cms overall, jar 28.5cms high.

£200-300

1250

GEORGE JONES - MAJOLICA LIDDED CHEESE DISH.

Circa 1870’s, moulded in relief with dragonflies amongst bull rushes and water lilies on a dark blue ground. With indistinct marks and pattern number to the base, approx 32cms high.

£300-500

1251

RARE PAIR OF STAFFORDSHIRE RABBITS.

A pair of 19thc Staffordshire figures of Rabbits, each figure lying down and nibbling on a leaf, and painted with black patches on a white body. Restoration and damages, 24.5cms long, 13cms high.

£150-250

1252

RARE ROYAL DOULTON SPIRIT BARREL - HUNTING INTEREST.

An interesting pottery sprit barrel with a hunting scene, with silver plated mounts and suspending a small bucket and with a Fox shaped stopper. With printed marks to the bucket, and with a registration mark underneath and makers mark (probably Hukin & Heath), and with a written label on the reverse about its history. 25.5cms high.

1254

PAIR OF 19THC DUTCH DELFT VASES & ANOTHER VASE.

£100-150

1253

CASED LIMOGES COFFEE SET & SILVER GILT SPOONS - ALEXANDER CLARK, LONDON.

A set of eight porcelain coffee cans and saucers, heavily gilded with cobalt blue sections and a foliate design. In a fitted leather case by Alexander Clark Co, Court Jewellers, London, the items marked for Limoges and also with the retailers name, and with eight silver gilt spoons. Case 45cms by 32cms.

£150-250

A pair of 19thc delft vases, with a narrow neck and ovoid body and Goat mask handles, painted on each side with fishing scene and a lady on a horse in a landscape, painted marks to the base (31cms high). Also with a large Delft vase (damaged, 32cms high). (3).

£100-150

1255

PAIR OF CONTINENTAL PORCELAIN BUSTS.

Probably French, a pair of late 19thc/early 20thc porcelain classical style busts, mounted on square bases. With painted marks to the base ‘EJ’ and crossed swords, and incised marks. 26.5cms and 26cms high. (2).

£80-120

1256

19THC MAJOLICA JARDINIERE STAND.

A Majolica circular jardiniere stand, with a raised design with fish amongst aquatic plants on a blue ground. Unmarked, 49cms high.

£150-250

1251

1257

LARGE PAIR OF CONTINENTAL LIDDED URNS - ‘EN GRISAILLE’.

A pair of continental lidded urns, with panels on each side ‘en grisaille’ with cherub figures within landscape scenes against a cobalt blue and gilded ground. With a separate lid with slender neck, each with a painted mark to the base , damages. 30.5cms high. (2).

£60-100

1258

MEISSEN PORCELAIN BIRD - SNIPE.

A 20thc porcelain model of a Snipe, naturalistically painted and perched against a tree stump. Based on a design by Joachim Kaendler, with ‘Crossed Swords’ mark and impressed number 2073. 19.5cms high.

£150-250

1259

LARGE MEISSEN PORCELAIN FIGURE GROUP - ‘A RURAL FEAST’.

A large late 19thc porcelain figure group or centrepiece, with young musicians, cherubs including one seated on a goat, and a lady and gent, on a rococo style base. With cancelled marks to the base and some damages, and impressed number C59. 36cms high.

£300-500

1260

18THC ENGLISH PORCELAIN BLUE & WHITE DISH.

1263 1262

Probably by Worcester, the deep dish with a wide rim and painted with a fisherman in a boat within a landscape scene including a willow tree, with further sprays of flowers to the interior and exterior. Painted workman’s marks to the reverse. 21cms across.

£80-120

1260a

PAIR OF 18THC DERBY FIGURES & ANOTHER PAIR OF FIGURES.

Including a pair of 18thc Derby Ranelagh dancers with candle sconces, with bocages and on scroll shaped bases, patch marks to the bases (28cms high). Also with another pair of Derby figures, with baskets of flowers and bocages and on scroll bases (missing sconces), 28cms high. (4).

£150-250

1261

MEISSEN & DRESDEN CABINET CUPS & SAUCERS.

Including a pair of Dresden cabinet cups and saucers, with alternating panels of courting couples and flowers on a pink ground, with pseudo Meissen marks (saucers 14cms across). Also with a Meissen cup and saucer, encrusted with flowers and leaves and painted with flowers and insects (saucer 12cms diameter), and a Meissen lidded cup and matching saucer (saucer 12.5cms diameter).

£80-120

1262

MEISSEN PORCELAIN COCKEREL & HEN.

Including a Meissen porcelain figure of a Hen laying an egg, Model No 395 and on a naturalistic base (21cms high). Also with a larger Meissen model of a Cockerel, Model No 394 and also on a naturalistic base (25cms high). Both with Meissen Crossed Swords marks and incised marks. (2).

£500-700

1263

1264

MEISSEN FIGURE GROUP & A WINGED CHERUB.

BERMUDA INTEREST - SET OF TEN HEREND CABINET PLATES & MENU HOLDERS.

A set of 10 Herend cabinet plates, each hand painted with various flowers from Bermuda. With a basket weave rim and each marked to the reverse with the name of the flower (Hibiscus, Oleander, Allamanda, Easter Lily etc), also with four Herend menu holders also painted with Bermuda flowers. Plates marked for ‘Herend Handpainted, 521’. (14)

*These were purchased in Bermuda in the early 2000’s and were obviously made specifically for the Bermuda market.

£200-300

Including a figure group of a boy and girl by a tree stump, the boy holding an instrument with a basket of flowers to the naturalistic oval shaped base, with Meissen Crossed Swords mark and incised ‘25’ (14cms high). Also with a Meissen figure of a winged cherub playing a gilded horn, Meissen mark and incised number ‘0195’ (15cms high). (2).

£100-150

1265

NAPOLEON INTEREST - 19THC PEARLWARE COMMEMORATIVE JUG.

An early 19thc pearlware and silver lustre jug, in coloured enamels with Napoleon on each side riding a horse, and with the caption ‘Boney’s return from Russia to Paris’. 13.5cms high.

£150-250

1266

NELSON INTEREST - EARLY 19THC COMMEMORATIVE JUG.

A pearlware transfer printed jug, made in memoriam with a portrait oval on one side, Victory to the reverse, and with a cartouche listing his honours. 14.5cms high.

£150-250

1267

UNUSUAL ENGLISH MAJOLICA WALL BRACKET - STAG.

An unusual wall bracket, naturalistically modelled as a Stag and painted in tones of yellow, green and pink. Unmarked, 26.5cms high, 16.5cms across at widest point.

£100-150

1268

19THC WEDGWOOD JASPER WARE FRAMED PANEL.

A rectangular shaped panel, with depictions of Bacchanalian cherubs in low relief including some with instruments. Mounted in a frame and with information to the reverse, panel 21.5cms by 9cms.

£100-150

1269

SPODE PAINTED CABINET PLATESFRUIT.

11 Spode cabinet plates, each hand painted with a variety of fruit and a gilded border around the rim. Each fruit named on the reverse (including Damson, Crab Apple, Cherry, Raspberry, Peach etc), and pattern no Y6613. 22.5cms diameter. (11).

£80-120

1270

VIENNA - PAIR OF SPANISH PORCELAIN HORSES & RIDERS.

A pair of blanc de chine Spanish riding school horses and riders, each on an oval shaped base. Both marked to the base ‘Vienna’ mark and ‘Wien’, Model No 1390 and 1592. Both 24.5cms high. (2).

£100-150

1271

SET OF THREE OWL PORCELAIN OIL LAMPS & ANOTHER OWL LAMP.

A set of three similar late 19thc porcelain oil lamps in the form of Owl’s, probably continental and each on a naturalistic base, all converted to electricity (unmarked, 15cms high to top of head). Also with a British porcelain owl oil lamp, with leaves and flowers in relief to the base and converted to electricity (impressed Victorian Registration mark, 16cms high to top of head). (4).

£100-150

1272

LARGE SEVRES STYLE PORCELAIN CHARGER - LOUIS XIV.

1273

PAIR OF SEVRES STYLE PORCELAIN CHARGERS - KING LOUIS XV.

A large porcelain charger, painted in the centre with a portrait of King Louis XIV, and with eight further portraits of his consorts against a bleu celeste ground and gilded decoration. With names of the figures to the reverse, and with pseudo Sevres painted marks. 50cms diameter.

£300-500

A pair of similar large porcelain chargers of slightly different sizes, each painted with a portrait in the centre of King Louis XV, with eight further portraits of his consorts on a bleu celeste ground and gilded decoration. Each written with names to the reverse, and both with pseudo Sevres painted marks. 50cms and 46cms diameter. (2).

£300-500

1274

LARGE 18THC DELFT DISH.

An 18thc Dutch delft blue and white dish, painted to the well with a vase of flowers, the wide rim painted with further flowers and foliage. Painted mark to the reverse and number 490. 35cms diameter.

£80-120

1275

PAIR OF ROYAL WORCESTER MOON FLASK VASES.

A pair of 19thc Royal Worcester aesthetic vases in the Chinese style, the moon shaped vases painted with flowers and foliage on a yellow ground. With gilded necks and handles, and on gilded shaped bases. Both with Royal Worcester printed marks to the base, 20cms high.

£100-150

1276

A LARGE MEISSEN PORCELAIN SHALLOW DISH.

A large 19thc dish painted to the centre with birds perched on branches in a naturalistic landscape, and surrounded by insects and gilt border. Meissen crossed swords mark to base, 31cm diameter.

£150-200

1273

1272

1277

MEISSEN PORCELAIN FIGURE

GROUP & ANOTHER FIGURE.

A Meissen late 19thc figural group, with a birdcage in the centre on a table and flanked by three figures including a seated gentleman playing an instrument. Model No 2897, second quality, 14.5cms high), also with a Meissen figure of a flowerseller (14cms high). (2).

£200-300

1278

ROYAL CROWN DERBY - BOXED

IMARI MINIATURE TEA SET.

A Royal Crown Derby miniature tea service, including an oval shaped tray (19.5cms across), miniature teapot (8cms high), milk jug, sugar bowl and small tea cup and saucer. Pattern No 1128, and in its original box. Box 31cms by 24cms.

£100-150

1279

18THC NIDERVILLER FRENCH DISH.

A late 18thc oval shaped dish, painted to the centre with a village scene, and with insects around the rim. Painted mark to the reverse. 21.5cms across.

£60-100

1280

MEISSEN & MEISSEN STYLE PORCELAIN.

Including a small Meissen tea cup and saucer, painted with a courting couple within a border and against a yellow ground (saucer 11cms diameter, cancelled marks), a small Meissen style cup and saucer painted in puce with a cherub within a panel (saucer 10.5cms diameter), a Meissen style bell (10cms high), a large Meissen style cup, saucer and plate (plate 22cms diameter), and Meissen lidded jar (damaged, 10.5cms high).

£80-120

1281

A LATE EIGHTEENTH CENTURY NEALE & CO SOLID BLUE

JASPERWARE BOWL C. 1790. finely decorated with scenes of domestic employment by Lady Templeton, the lower body with engine turning, unmarked, 18cm diameter x 7.5cm high.

£200-300

1282

18THC LONGTON HALL LIDDED VASE & BOW PORCELAIN VASE.

An 18thc Longton Hall lidded vase and cover, with a floral encrusted lid, the body moulded and painted with flowers (14cms high, various damages). Also with a 18thc Bow vase of flowers (17cms high, damages). (2).

£80-120

1283

PAIR OF MEISSEN BLANC DE CHINE FIGURES.

A pair of large 19thc Meissen blanc de chine figures of a lady flower seller and a gent, with encrusted flowers to the figures and the bases. Meissen crossed swords and incised numbers. Some damages, 40cms and 39cms high.

£150-250

1284

SET OF FOUR ANTIQUE DELFT TEA CADDIES.

1285

BELLEEK FIRST PERIOD JARDINIERE.

A Belleek first period jardiniere, applied with flowers and foliage around the top section of the body, with moulded decoration to the lower half. Printed black mark to the base, rim 19cms across, 17cms high.

£100-150

1286

VIENNA CABINET CUP & SAUCER, BERLIN CUP & ANOTHER CABINET CUP.

A Vienna cup and saucer, the cup painted with a figure and a cherub within a shaped panel, with dark red ground and gilded decoration, marked underneath to the cup (Baukunst, saucer 12cms diameter). Also with a Berlin porcelain cup with an unusual shaped handle, painted with a figure playing a harp and motto ‘Nieverlasse sie uns’, and a cabinet cup painted with various masted ships and figures, signed and with initials to the base. (4).

Probably 18thc, an unusual set of four blue and white delft tea caddies, each side painted with figures beside flowering trees, birds and flowers. Missing their lids, each with a painted mark to the base, 11.5cms high. (4).

£200-300

£80-120

1287

A LATE 20TH CENTURY LIMITED EDITION WEDGWOOD BONE CHINA PLAQUE DEPICTING THE NOBLE LINE OF WEDGWOOD.

lithographic print on bone china depicting the Wedgwood family in the grounds of Etruria Hall, after the painting by George Stubbs, limited edition of 500, printed marks to reverse, in a wooden frame, 39cm x 27cm overall.

£100-150

1288

AN EIGHTEENTH CENTURY WEDGWOOD CREAMWARE PUCE ENAMEL DECORATED PLATTER C. 1770.

with floral decoration by James Bakewell, printed marks to base, 23.5cm x 18.5cm.

£200-300

1289

RARE 18THC WORCESTER TEA BOWL & SAUCER - MIMOSA.

A rare Worcester blue and white tea bowl and saucer in the Mimosa pattern, with a crescent mark to each piece. Saucer 10cms diameter.

£200-300

1290

RARE 18THC WORCESTER BLUE & WHITE SAUCER.

A rare 18thc saucer in the ‘Leaf scroll border floral’ pattern, with a workmen’s mark and collection label to the base (Zorensky Collection). 11.5cms diameter.

£150-200

1291

18THC WORCESTER BLUE & WHITE CREAMBOAT.

An 18thc creamboat painted in the ‘Two porter landscape’ pattern. 12cms long.

£80-120

1297

LARGE HAMMERSLEY BONE CHINA TEA & DINNER SERVICEPALMETTO.

Pattern No 1047 and retailed by Thomas Goode, comprising a teapot, hot water jug, 12 tea cups and saucers, milk jug and sugar bowl, 6 dinner plates, 8 dessert plates, egg cups, toast rack, bowls, and variety of other items (see list in the images).

£150-250

1292

18THC WORCESTER STRAP MOULDED TEA BOWL & SAUCER.

A Worcester blue and white tea bowl and saucer in the Fisherman and Willow pattern. Saucer 11.5cms diameter.

£100-150

1293

THREE 18THC WORCESTER BLUE & WHITE TEA BOWLS.

Three Worcester tea bowls in rare patterns, including ‘Heron on a floral spray’, ‘Zig Zag Fence’, and one painted in a formal geometric design with workmen’s marks. (3).

£200-300

1294

A PAIR OF PEARLWARE RECUMBENT DOGS, PROBABLY ENOCH WOOD. Circa 1820, one a spaniel, the other a greyhound, both recumbent and on painted bases. 16cms long (2).

£300-400

1298

HEREND - LARGE DINNER, TEA & COFFEE SERVICE ‘GUSTAV’.

A large tea and dinner service in the ‘Gustav’ design, each painted with a central flower and further flowers.

The dinner service including 20 dinner plates (25cms diameter), 12 soup bowls (24cms diameter), 9 side plates (20cms diameter), and various other items including a platters, triangular dish, sauceboat and other items. Also with a tea and coffee service, including a teapot (16cms high) and coffee pot (21cms high), 10 tea cups and 12 saucers, 11 coffee cups and 11 saucers, tea plates etc.

£600-1000

1294

1295

AN EIGHTEENTH CENTURY WEDGWOOD CREAMWARE TRANSFER PRINTED ARMORIAL CHARGER.

of shaped form centrally decorated with a coat of arms supported by two rampant lions surrounded by a floral border, unmarked, 34cm diameter.

£80-120

1296

ROYAL WORCESTER PART DESSERT SERVICE - ‘AUSTRALIAN FLOWERS’ BY ANDREW SHUCK.

An unusual part dessert service, comprising five plates (23cms diameter) and two comports (23.5cms diameter), each painted with a variety of Australian flowers to the centre, and with a foliate border to the rim. Marked to the reverse, ‘The Mrs Ellis Rowan Series, Australian Flowers, Flavelle Bros Ltd’, two plates and one comport are signed ‘A Schuck;. (7).

£100-200

1296

1299

LARGE BOHEMIAN GLASS VASE.

A large green tinted and clear bohemian glass vase with an elongated neck, inset with various coloured glass roundels and with gilded foliate decoration and a gilded rim. Unmarked, 43cms high.

£80-120

1300

ANTIQUE WINE GLASS, RUMMERS & OTHER GLASS.

Including a possibly 18thc wine glass with a trumpet shaped bowl, tear drop to the stem and conical foot (19cms high), also with two glass rummers, a wine glass with faceted bowl and opaque twist stem (17.5cms high), two firing glasses, a small glass with a faceted stem (13.5cms high), and various other glasses.

£80-120

1301

BOHEMIAN GLASS GOBLET & CRANBERRY GLASS BELL.

A bohemian ruby flash and white glass goblet, the bowl with alternating painted panels of children and flowers and with gilded decoration (20cms high). Also with a large cranberry and yellow glass bell with clapper (28cms high). (2).

£60-100

1302

19THC ETCHED GLASS‘SUNDERLAND BRIDGE’ & OTHER GLASSES.

Including a 19thc whisky glass, etched with a view of Sunderland Bridge, and with a name to the reverse (Wm Breet Coulson, 9cms high), a 19thc whisky glass etched with various Masonic symbols (8.5cms high), a continental glass with gilded decoration including a man with his dog (9cms high), and a glass painted with weapons within a shield (9.5cms high). (4).

£60-100

1303

18THC & OTHER WINE GLASSES, & LARGE ENGRAVED GLASS GOBLET.

A mixed group of antique wine glasses, including an 18thc wine glass with an engraved ogee shaped bowl, faceted stem and conical foot (14cms high), a hand blown wine glas with gilded decoration to the bowl, opaque twist stem and conical foot, a large goblet engraved with leaves and foliage and with the name ‘Wm Thomas Yard 1764 (21cms high), and five other glasses. Various damages. (8).

£60-100

1304

18THC SEAL WINE BOTTLETUDWAY.

A 18thc green glass bottle with a tapering neck and kick up base, with a raised seal and initials ‘I.P.T’, probably from the Tudway family in Wells. 27cms high

*By family repute, from the Tudway family of Milton Lodge in Wells.

£150-250

1305

ANTIQUE LARGE WINE GLASS & TWO SIMILAR ENGRAVED GLASSES.

Probably 19thc, a large wine glass with a bucket shaped bowl, , with a opaque double twist stem within a spiral, and with a conical foot (19cms high). Also with an interesting antique glass engraved with leaves, berries and a bird in flight, with a opaque twist stem and a central spiral, and with a conical foot (16cms high), and a similar glass engraved with leaves, flowers and a butterfly (16cms high) (3).

£100-150

1306

ANTIQUE OPAQUE TWIST CORDIAL GLASSES.

Probably 18thc, including two similar glasses with ogee shaped bowls and conical foot (15.5cms and 15cms high), also with another cordial glass with fluted ogee shaped bowl and conical foot (15.5cms high). (3).

£80-120

1306

1305

1307

18THC WINE GLASSES.

Three similar shaped wine glasses, each with trumpet shaped bowls, one with a single tear drop to the stem (16.5cms high), one with an elongated tear drop (18cms high), and one with a clear stem (17.5cms high). (3).

£80-120

1308

EARLY 19THC SUNDERLAND BRIDGE RUMMER & TWO OTHER RUMMERS.

A bucket shaped bowl engraved with a view of Sunderland Bridge, the front engraved with initials within a panel, and surrounded by flowers and leaves (14cms high, with original receipt from 1997). Also with a large 19thc rummer engraved with leaves and flowers (13.5cms high), and another large glass rummer engraved with the date 1834, and also with leaves, berries and initials (15cms high). (3).

£100-150

1309

18THC OPAQUE TWIST ALE GLASS & OTHER ALE GLASSES.

An 18thc ale glass, with a funnel shaped bowl and engraved with hops and barley, with an opaque twist stem and conical foot (18.5cms high). Also with two similar ale glasses (both engraved with hops and barley, 18cms high). (3).

£80-120

1310

18THC OPAQUE TWIST WINE GLASSES.

Four similar 18thc wine glasses, each with bell shaped bowls, opaque twist stem and conical foot. Two engraved with grapes, vines and birds in flight, and with the numbers ‘24 and 30’ to the foot. Two engraved glasses, 17cms and 16.5cms, the others 16.5cms and 16cms high. (4).

£100-150

1311

18THC WINE GLASSES.

Four 18thc wine glasses, one of drawn trumpet shape and with a large tear to the stem (15cms high), another glass with an elongated tear to the stem (15.5cms high), and two other glasses (17.5cms and 17cms high). (4).

£80-120

1312

18THC WINE GLASSES - OPAQUE TWIST.

Including a small glass with an ogee fluted bowl, engraved with flowers and leaves and with an opaque twist stem (14cms high), a glass with ogee shaped bowl and opaque twist stem (12.5cms high), a larger wine glass engraved with grapes, vines and a bird in flight, with opaque twist stem (14.5cms high), and another glass with opaque twist stem and engraved bowl (13cms high). (4).

£100-150

1310

1312

1313

18THC RED COLOUR TWIST WINE GLASS & OTHER ANTIQUE GLASSES.

An interesting 18thc wine glass, with a narrow bell shaped bowl engraved with a butterfly and flowers, with a red and white spiral twist stem, a small wine glass engraved with grapes, vines and a bird in flight, and with a conical foot (14.5cms high), and two other antique glasses (16cms and 15cms high). (4).

£100-150

1314

ANTIQUE FIRING GLASS - OPAQUE TWIST, & OTHER GLASSES.

A late 18thc firing glass, engraved with grapes and vines, with an opaque twist stem and wide flattened foot (10cms high), also with two other firing glasses with opaque twist stems (11.5cms and 10cms high), and another firing glass. (4).

£60-100

1315

18THC AIR OPAQUE TWIST WINE GLASS & VARIOUS OTHER GLASSES.

A small wine glass with a moulded ogee shaped bowl and opaque twist stem (13.5cms high), an 18thc wine glass with engraved ogee shaped bowl and faceted stem (12.5cms high), and four other various glasses (15cms, 14cms, 10cms and 9.5cms high). (6).

£80-120

1316

18THC AIR TWIST WINE GLASS & OTHER GLASSES.

A 18thc wine glass with tapering bowl, air twist stem and conical foot (15.5cms high), a wine glass with bell shaped bowl and opaque twist stem (16cms high), a larger glass with a central knob to the stem (18.5cms high), and three other glasses. (6).

£100-150

1317

EDINBURGH CRYSTAL ‘THISTLE’ - DECANTER & SETS OF GLASSES.

Various items in the ‘Thistle’ design, including a decanter and stopper (30.5cms high), set of six wine glasses (14cms high), 6 brandy glasses (13cms high), 5 whisky tumblers (10cms high), and 6 liqueur glasses (two different sizes) (24).

£150-250

1318

UNUSUAL GLASS BIRD CAGE - PROBABLY MURANO, & GLASS DOME.

Probably Murano, an unusual bird cage made in glass, with thin strips of glass forming a dome and sides, and with blue glass panels around the base. With a bird mounted to the top, and with a water bottle on one side, mounted on a wooden plinth and with a glass dome. Some damages, approx 50cms high overall, dome approx 56cms high.

£80-120

1319

MURANO GLASS MODEL OF A SHIP & ANOTHER GLASS SCULPTURE.

An unusual glass model of a three mast ship or frigate, with figures on board and mounted under a glass dome and with a glass plinth (approx 44cms high). Also with a glass sculpture of exotic birds, flowers and Stags, under a glass dome and with a glass plinth (approx 42cms high). (2).

£80-120

208 * Buyers premium of 30% (25% plus VAT)

1313

1320

SET OF FRENCH SILVER MOUNTED & GLASS WINE JUGS.

A set of four late 19thc/early 20thc glass wine jugs, in two pairs with French silver mounts and engraved with a bird amongst foliage. The fluted glass body with engraved initials within an oval panel. With impressed marks to the silver mounts, one pair 28cms high, other pair 23.5cms high. (4)

*The initials refer to the Wessel family, and have passed by descent.

£200-300

1321

PAIR OF NOVELTY GLASS & SILVER PLATED CLARET JUGS - DUCKS.

Modelled in the form of Ducks, with coloured glass bodies and silver plated heads and feet. 26.5cms high. (2).

£200-300

1322

PAIR OF 19THC ENGRAVED RUMMERS - SHIPS.

A pair of large rummers, engraved with a steamer ship on one side, and with the names of Maria Clarke and George Clarke within oval panels, dated 1845 and engraved with flowers and foliage. With a faced lower section, 11cms high. (2).

£150-200

1323

CLICHY ANTIQUE PAPERWEIGHT & ANOTHER PAPERWEIGHT.

A Clichy millefiori cane paperweight with twisted ribbons (4.5cms diameter), and a smaller cane paperweight (3.5cms diameter). (2).

£100-150

1324

A PERSIAN (ISFAHAN) GREEN GLASS SADDLE FLASK.

A Green Glass (yellow/amber) saddle flask possibly late 17th/early18thc. 29.5cms high.

£100-150

Chinese & Japanese Ceramics and Works of Art

1325

CHINESE PORCELAIN VASEGUANGXI MARK.

Guangxi mark (1875-1908) and probably period, with a flared rim, narrow neck and covered in a dark blue glaze. Guangxi character marks to the base, 34cms high

*This vase has been inherited through the family, their relation Earl Granville who was a Captain in the Navy at that time was in China in the 1920’s, and it was probably acquired at this time.

£600-800

1326

CHINESE CANTON TORTOISESHELL CARVED PANEL.

A 19thc Canton rectangular shaped panel, carved with various figures and pagoda buildings and mounted within an ebonised frame. Panel 23cms by 8cms`.

£100-150

1327

LARGE CHINESE BLUE & WHITE DISH - QIANLONG.

An unusual octagonal shaped dish, painted with a Deer within a landscape scene including a building, rock work and trees, with sprays of flowers to the rim and repeating border. 37cms by 37cms at widest point.

£300-500

1328

LARGE PAIR OF JAPANESE KUTANI LIDDED JARS.

A pair of late 19thc/early 20thc Japanese porcelain lidded jars, each painted with birds amongst flowering tree branches. With a dome top cover and an inner lid, each with character marks to the base. Some damages, 31cms high. (2).

£100-150

1329

UNUSUALLY LARGE FLOOR STANDING CHINESE VASE.

An unusually large floor standing 20thc vase, of garlic mouth form and painted with birds amongst flowering trees and foliage. With character marks around the top section, 106cms high.

£300-500

1330

CHINESE FAMILLE ROSE MANDARIN TANKARD.

Qianlong period, of large size and painted with various figures in conservation within a shaped panel. Also with smaller panels of flowers on a red spotted ground, and with a Dragon shaped handle. 14cms high.

£80-120

1331

PAIR OF CHINESE BRONZE BUDDHIST LIONS.

20thc, the bronze lions in a seated position and with a bell around their necks, mounted on rectangular shaped bases with decoration in low relief. 18cms high overall.

£80-120

1332

CHINESE CLOISONNE LIDDED CENSOR.

Probably 19thc, with a dog shaped finial and pierced gilded lid, the globular body with flowers and foliage and mask shaped handles. Supported on three squat legs, 18cms high.

£80-120

1325 (detail) 1325

1329

1335

19TH CENTURY CHINESE TONGZHI FAMILLE ROSE PORCELAIN DISH.

1337

JAPANESE BRONZE DRAGON CENSOR.

A 19thc pedestal dish of roughly oval form, painted on both sides with Court figures and attendants, including figures in a room setting and one seated on a horse. 28cms long.

£100-150

1333

LARGE 19THC CHINESE CANTONESE VASE.

A large 19thc Cantonese vase, with various panels painted with court figures and attendants, also painted with flowers, leaves and insects on a yellow ground, and with applied dogs of fo and lizards to the neck and top of the body. Various damages and repairs, 60cms high.

£150-250

1334

18THC CHINESE FAMILLE ROSE DISH - STAFFORD’S OF LONDON.

A 18thc large dish, painted with flowers and rock work within a fenced garden, with further sprays of flowers to the rim. The reverse with a large receipt from Stafford’s, New Bond St, London, to Sir Llewellyn Soulsby in 1953. 38cms diameter.

£200-300

1336

LARGE CHINESE SILK & EMBROIDERED DRAGON ROBE.

A large early 20thc blue silk robe, embroidered with Dragon’s within circular panels above waves. With various buddhist symbols and multi coloured bands to the lower section, and with a material lining (approx 145cms high). Also with a yellow silk skirt, wig, hat, and another garment. *This has been inherited through the family, it was apparently custom made for their grandfather who was a large man at 6ft 4ins. This and the other items were apparently used as a fancy dress outfit during the 1920’s and worn to the Chelsea Arts Ball.

£400-600

Meiji period, a square shaped censor with canted corners. With Dragon’s in relief on each side within shaped panels, with suspended rings on each corner and supported on small feet. With character marks within a seal on the base, 20cms square.

£80-120

1338

CHINESE BLUE & WHITE MOON FLASK VASE & OTHER CERAMICS.

A small late 19thc/early 20thc blue and white moon flask vase, painted with Dogs of Fo to each side and applied handles (14.5cms high), a small imari bowl (11cms diameter), a small hexagonal dish (11.5cms across), a famille rose plate (16cms diameter).

£60-100

1334

1339

CHINESE JADE ANIMAL CARVING. Probably early to mid 20thc, a small pale jade carving of two entwined animals seated on a leaf. 3.5cms long.

£100-150

1340

JAPANESE GOLD LACQUERED BOX & INDIAN WOODEN DEITY.

Including a small gold coloured lacquered box, of square shape and with fan shaped panels (7.5cms high, top 7.5cms square). Also with an Indian carved figure of a Deity, the figure playing an instrument and mounted on a stepped plinth (16.5cms high). (2).

£80-120

1341

ANTIQUE BRONZE VESSELS & CHINESE CENSOR.

Including a large bronze vase with a shaped rim and raised lines running across the body (possibly Japanese, 28cms high), a Chinese bronze archaic vase (24cms high), a small bronze censor with panels in low relief and three slender legs (no lid, 12.5cms high), and a large Chinese bronze censor, polished and now with a copper finish (24cms across, 16.5cms high). (4).

£100-150

1342

ANTIQUE FAR EASTERN BRONZE GILDED BUDDHA.

Possibly Burmese, the bronze figure with a crown and seated in contemplation with one hand upturned. With traces of gilding in places, and on a stepped base.

18.5cms high.

£100-150

1343

LATE 19THC CHINESE BLUE & WHITE VASE & DRAGON BOWL.

Including a late 19thc slender blue and white vase, painted with a scholar and attendants, vase of flowers and various foliage, with a lid with dog of fo finial (probably not original to the vase), 22.5cms high excluding lid. Also with a late 19thc blue and white Chinese bowl, painted with Dragon’s amongst clouds and flaming pearls (23cms diameter), both with four character marks to the bases. (2).

£80-120

1344

CHINESE WUCAI DISH.

A 19thc Wucai dish painted in the Ming style, the centre painted with a Buddhist Lion surrounded by precious objects and buddhist motifs, and with lotus flowers and foliage. Bearing a pseudo six character mark for the Wanli Emperor, but probably mid to late 19thc in date. 28cms diameter.

£150-250

1345

CHINESE BRONZE GONG.

A large cylindrical bronze gong with a Dragon design, bears an inscription ‘Siege of Nanking, Sept 1913. With a bracket and replacement beater. 44cms high overall including hook.

£80-120

1339

1342 1344

1346

EARLY 20THC CHINESE SILK ROBE.

An early 20thc midnight blue ground Chinese silk robe with a vibrant blue silk lining, deep ivory coloured sleeve bands embroidered with fish, flowers and foliage. The main body of the robe embroidered with creatures and floral motifs worked in varying shades of blue silk, the central opening at the front is edged with a band of embroidery with spherical toggles to fasten. Approx 105cms high.

£200-300

1347

EARLY 20THC CHINESE SILK ROBE.

1348

CHINESE SILK SHAWL & ORIENTAL GARMENT.

1349

PAIR OF CHINESE BLUE & WHITE PORCELAIN VASES.

1350

19THC CHINESE FAMILLE ROSE JAR.

An early 20thc black silk fringed shawl, embroidered with flowers and foliage and worked in brightly coloured threads (93cms by 80cms, excluding fringe). Also with an oriental incomplete garment fashioned from a black shawl decorated with orange embroidered flowers (possibly Japanese). (2).

£80-120

An early 20thc midnight blue ground Chinese silk robe with a pale blue lining, deep pink coloured sleeve bands embroidered with flowers. The main body of the robe embroidered with flowers and creatures, the hem with crashing waves worked in varying shades of blue silk, the central opening at the front has two two ties to fasten. Approx 110cms high.

£200-300

A pair of late 19thc/early 20thc vases, of slender baluster form and painted with a bird perched on a tree branch and amongst flowers and foliage. Painted double circle marks to the base, 30.5cms high.

£80-120

A 19thc baluster shaped famille rose jar, painted with flowering tree branches and rockwork. With a painted double circle mark to the base, no lid. 23cms high.

£100-150

1351

LATE 19THC CHINESE BLUE & WHITE PORCELAIN SLEEVE VASE & LIDDED JAR.

A large late 19thc Chinese blue and white sleeve vase, painted with dogs of fo amongst clouds and a repeating border around the rim and base including bats, character marks to the base (some damage, 31cms high). Also with a late 19thc blue and white lidded jar, painted with Dragons and flaming pearls amongst clouds, also with character marks to the base (damages, 25cms high). (2).

£100-150

1352

COLLECTION OF 20THC JADE DISCS & ASSORTED ITEMS.

A mixed lot of 20thc jade and hardstone items, including a rectangular shaped jade plaque with rounded corners, carved with a dragon and on a small wooden stand (8.5cms high), a jade pierced plaque with a Chinese figure (5.5cms high), a small pierced jade figure standing next to a vase (4.5cms high), a jade disc carved with animals on one side and character marks to the reverse (6.5cms high), and various other items. With a variety of wooden stands.

£80-120

1353

CHINESE CLOISONNE ENAMEL ‘LOTUS’ CENSER.

A Ming style cloissone lotus censer of bombe form, with two loop bronze handles and rim, the censer decorated with flowers and foliage. With a Jingtai mark, but probably made in the first half of the 19thc. 24cms across from handle to handle, rim 20cms diameter, 16.5cms high overall to top of handles. Also with an elaborate wooden stand.

£400-600

1354

CARVED CHINESE WOODEN DOG OF FO.

20thc, a large carved wooden Dog of Fo or Buddhist Lion, with its paw resting on a ball. 23.5cms high, approx 32cms across.

£80-120

1355

CHINESE CANTON TORTOISESHELL FAN.

Late 19thc, a tortoiseshell brise fan, the outside carved with a variety of the figures, flowering trees and buildings, and with pierced sticks. Mounted in an arched shaped frame. Frame 55cms across.

£80-120

1356

CHINESE CARVED FRAME & MILITARY PORTRAIT OF SIR FRANCIS FESTING - CLAUDE HARRISON (1922-2009).

A large Chinese hardwood frame, carved around the outside with Dragon’s and Bats and stamped to the reverse with a retailers name of ‘Hop Wo Cheung, 6 Lao Tai Street, Hong Kong’. With a painting on canvas of General Festing by Claude Harrison, signed and with Chinese character marks to one corner. With letters on the reverse giving details about the artist and sitter. Frame 69cms by 64cms (excluding metal hangers), portrait 50cms by 45cms

*Sir Francis Festing, GCB, KBE, DSO, DL, was a senior British Army Officer who held many important posts during his career. He was the Commander of British Forces in Hong Kong from 1945-46, and 1949, and it was painted around this time.

£300-500

1352

1353

1356

1357

LARGE CHINESE 17THC BLUE & WHITE JAR.

A large transitional jar circa 1640, painted with flowers and foliage and with a later wooden lid. Restoration and damages, 32cms high.

£100-150

1358

CHINESE KANGXI FAMILLE VERTE TEAPOT & OTHER ITEMSWINKWORTH COLLECTION.

A Kangxi period famille verte teapot, painted with antiques and with replaced silver lid and spout, with a label relating to the W.W.W Winkworth collection from 1929 (10cms high). Also with a small famille verte kangxi jar, painted with figures within a landscape scene (restoration to the rim, 11.5cms high), and a famille verte kangxi cup (7cms high). (3).

£300-500

1359

CHINESE SNUFF BOTTLES & JAPANESE CARVED NETSUKE.

Including a Beijing red glass snuff bottle, carved in relief with prunus (no stopper, 6.5cms high), a carved agate snuff bottle with stopper (7.5cms high), and a Japanese carved wooden netsuke in the form of acorns and a leaf (4.5cms long). (3).

£80-120

1360

CHINESE JADE BI DISC.

A 20thc copy of a Han Dynasty jade bi disc, carved to one side with chilong in low relief, the reverse with repeating carved motifs. With a wooden stand and in a fitted box, 10cms diameter.

£80-120

1361

UNUSUALLY LARGE JAPANESE IMARI JARDINIERE.

An unusually large Japanese Imari jardiniere, painted with birds, flowers and foliage and a repeating pattern around the rim. 50.5cms diameter, 47cms high.

£150-250

1358

1362

CHINESE ARMORIAL BLUE & WHITE LIDDED TUREEN - ADMIRAL SIR EDWARD HUGHES.

A large late 18thc blue and white oval shaped lidded tureen in the Fitzhugh pattern, with a pineapple shaped finial and monogram initials to the lid. The base with a Crest for Admiral Sir Edward Hughes (17201794) and Latin motto ‘Tria Juncta in Uno, Forward’ (Order of the Bath)), with double strand handles and moulded leaves. 33.5cms across (handle to handle, rim 27.5cms by 23.5cms.

*Admiral Sir Edward Hughes was a Royal Navy Officer who commanded the East Indies Station. Other items from this service have appeared in auction on occasion.

£200-300

1363

LARGE 18THC CHINESE PUNCH BOWL - ACROBATS.

A large and unusual Chinese porcelain punch bowl, painted on one side with acrobats on a tightrope and amongst a group of other figures, also painted with an extensive landscape view, and smaller panels of birds perched on tree branches. Various damages, 38cms diameter.

£150-250

1364

CHINESE ARMORIAL PLATES & OTHER ITEMS.

Probably Qianlong, a pair of Chinese octagonal famille rose Armorial plates, with a crest and latin motto (Fortitudo), damages, 21cms diameter. Also with a Chinese bowl (23cms diameter), a plate painted with rockwork and flowers (23.5cms diameter), and an Imari dish (22cms diameter). (5).

£80-120

1365

MICA INDIAN PAINTINGS.

A set of 11 paintings of Indian Castes, painted on mica in colour and mounted on modern card (approx 15cms by 10.5cms). Also with a hand written list describing some of the subjects (writing quite difficult to read).

£200-300

1366

CHINESE SILK SKIRT & OTHER ITEMS.

Including a late 19thc/early 20thc pale blue Chinese silk skirt, decorated with embroidered panels edged with braid and applique motifs, an early 20thc Chinese silk top with small embroidered figures decorating the collar and a colourful fringed hem, and a length of embroidered silk (possibly a sleeve band. (3).

£80-120

1367

CHINESE PORCELAIN PLATTER & CELADON GLAZED DISH.

A Qianlong period blue and white Chinese platter, painted with Deer within a landscape scene (39cms across). Also with a Chinese celadon glazed dish, painted with birds, insects and flowers, with a painted mark to the base (26cms diameter). (2).

£80-120

1362

1363

1368

EARLY CHINESE GILDED CLOISONNÉ BOWL.

Late Ming period or possibly early Qing (Kangxi), the small cloisonne bowl designed with flowers and leaves to the centre, with repeating motifs around the rim and base rim. 12cms diameter.

£300-500

1369

LARGE JAPANESE LACQUERED BOX & FAIRY TALE FIGURES.

A late 19thc/early 20thc large lacquered lidded box, with gilded decoration in the form of flowers and leaves. Inside are a number of Japanese figures, and with a label of information ‘Japanese Fairy Tale, given to the Admirals little daughter by visiting the Japanese Royal Navy, Portsmouth 1909. Box 35.5cms by 28cms.

£80-120

1370

19THC CHINESE FAMILLE VERTE JARDINIERE & CLOISONNE BOWL.

19thc, the jardiniere painted with a bird and insect amongst flowers and rockwork. With a double circle mark to the base, 22cms high, rim 25cms diameter. Also with a shallow Chinese cloisonne bowl, decorated with Dragons and Bats and with character marks to the base, on a wooden stand (approx 20cms across).

£80-120

1371

CHINESE SILK EMBROIDERED SLEEVES.

A pair of late 19thc/early 20thc silk sleeves, embroidered with Storks or Pelicans amongst flowers and foliage, and both mounted in frames. Frames 61cms by 22cms.

£80-120

1372

PAIR OF CHINESE LIDDED GINGER JARS & OTHER ITEMS.

A pair of 20thc yellow ground lidded ginger jars, each painted with birds perched on flowering tree branches (13cms high), also with a cracked ice lidded ginger jar with character marks to the base (15cms high), a pair of clobbered 19thc Cantonese vases (16cms high), and small Cantonese vase (14cms high). (6).

£80-120

1373

JAPANESE SIGNED WATERCOLOUR OF AN EGRET, & ANOTHER PAINTING OF GOLDFISH.

Probably late 19thc, a watercolour/gouache of an Egret perched on one leg, signed and mounted in a bamboo effect frame (50cms by 32cms, frame 63cms by 45cms). Also with a further painting of goldfish, signed and by the same hand (32.5cms by 24.5cms, frame 46cms by 37cms. (2).

£100-150

1374

ANTIQUE CHINESE SILK ROBE.

A late 19thc/early 20thc silk Chinese robe, with deep ivory silk sleeve bands embroidered with floral motifs worked in shades of blue silk. The cross over fastening is edged with a band of embroidery and woven braid with spherical metal toggles to fasten. 127cms high.

£200-300

1375 PAIR OF CHINESE LIDDED TUREENS.

A pair of 19thc Chinese export lidded blue and white tureens, painted with figures and buildings within a landscape scene to the lid and interior, also with sprigs of flowers to the exterior of the bases. 24cms by 21cms.

£80-120

1376

LARGE 18THC CHINESE PUNCH BOWL.

An unusually large porcelain punch bowl, painted with fruit and flowers to the exterior and spray of flowers to the interior, and with a greek key border around the base. Damages, 38cms diameter.

£150-250

1377

LARGE CHINESE 19THC CANTONESE VASE.

A large vase with various shaped panels painted with various court figures and attendants, birds and flowers, and with mask handles. With domed top lid with dog of fo finial (lid possibly not original to the vase), various damages. 68cms high overall.

£100-200

1374

1378

CHINESE GUANGXU PERIOD POWDER BLUE & GILDED VASE.

A Guangxu (1875-1908) mark and period Chinese power blue vase, of globular form and with a waisted neck, the body with gilded decoration in the form of deer within a landscape scene, the neck with a Monkey perched within tree branches, and with various borders of gilded repeating motifs. With six character marks to the base, 37.5cms high.

£1000-1500

1379

JAPANESE EXPORT KAKIEMON STYLE PORCELAIN TANKARD.

Probably Meiji period, the small tankard brightly painted with flowers and leaves in red, green and blue colours and with a curved handle. 14cms high.

£100-150

1380

ANTIQUE INDIAN BRASS CEREMONIAL HEAD.

An interesting ceremonial brass head, with a recess at the base and could have been mounted. 11cms high

*Purchased from Paul Nugent and Reg Longden at the Grosvenor Antiques Fair in London.

£100-150

1381

ACADEMIC STUDY COLLECTION OF CHINESE CERAMICS & BRONZES.

A fascinating study collection of Chinese ceramics, bronzes and other items. Comprising early painted pottery from the Neolithic period, to Han and Tang dynasty pottery figures, animals, vessels and architectural structures; some Song dynasty black glazed bowls; an early Ming blue and white provincial bowl, two 18th century blue and white octagonal export dishes and a punch bowl; a bronze tripod ding, a two handled bronze bowl and a bronze loop-handled jar. In varied condition, many with damages and repairs.

*This collection was put together over many years, to give an insight into Chinese society and culture through their objects.

£600-800

1378

1378 (detail)

English Style for Swedes

British interior design has, at various times, pla s i g nificant role in the appearance of Swedish h o In t h e 18t h centur y C h ippen d a l e an d Hepp l ew h

we r e n a m es t h at S w ed i s h f u rni tu r e m a k e r s a n d interior desi g ners had to reckon with as their p a books became more widel y distributed. The inf l w as particu l ar l y strong in Got h en b urg d uring t h century when nearly every well-to-do f amily f ur their homes in the English style. Around the tur the 20th century, the ideas that emerged f rom t Arts & Cra f ts movement also began to spread a m Swedish intellectuals in the f ield o f art and cra f

English furniture and interior design was very p in Sweden in the 1970’s. By the mid-decade, Swedish interior design magazines were filled with living rooms, libraries, and g entlemen’s rooms in what was called “English style.” In simple terms, this meant rat h er som b re interiors, pre d ominant l y in green an d brown, with leather and maho g any furniture. “En g lish maho g any” became a frequently used term and a

The wingback armchair “Nestor” was introduced in IKEA’s 1977 catalogue. In the Swedish trade press, the model was described as an “English club chair” and a “timeless, sturdy armchair with a gentleman’s club feel.”

of television programmes presented on Swedish television. Emmerdale Farm premiered on June 10, 1975. The Onedin Line had already been airing for three years by then. Additionally, a large part of the population (at least the male population) was glued to English league football, which was shown on Saturday afternoons in the immensely popular programme Tipsextra since its inception in 1969. But is English furniture and interior design more popular now than it was in the 1970’s?

In Bertil O. Wedin’s article “The Recliner: A New Status Symbol for the English Man,” published in the fourth issue of Möbler & Miljö in 1978, the focus was on a type of furniture that wasn’t traditionally found in English homes: “The recliner is a distinct piece of furniture. It’s the man’s toy. It doesn’t have to match the living room’s style, just as sports cars in brochures don’t fit in with 17th-century houses. In the homes of English trendsetters, you might find that everything is antique except the recliner, which looks as if it’s been taken from the cockpit of Flash Gordon’s spaceship.” Pictured is Kenneth Bergenblad’s Cicero, designed in 1979.

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Auction Information

BIDDING INFORMATION:

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Yo u can bi d in the room or leave a commission bi d (in person, or by phone or email). Online bi dd ing is available with A u ctionet.com, in a dd ition to the-saleroom an d easyliveA u ction.

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BUYERS PREMIUM

A premi u m of 30% inc. VAT will be charge d on all lots p u rchase d in o u r Fine Art sales. Any lots p u rchase d online will be s u bject to an a dd itional fee from the online platform provi d ers with the exception of A u ctionet, where NO a dd itional fees apply. VAT is not applicable on books an d u nframe d maps.

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ARTISTS’ RESALE RIGHTS (‡)

In some cases, yo u may be liable for the payment of Artists’ Resale Right (Droit d e S u ite). The artists to whom this royalty applies are marke d (‡) next to the lot n u mber.

VAT ON HAMMER PRICE

In some cases, yo u may be liable for the payment of any VAT on the hammer price. (*) Next to the lot n u mber in d icates that VAT at the rate of 20% is payable on the final hammer price, pl u s b u yer’s premi u m. Please see cla u se 5 in o u r terms & con d itions.

PAYMENTS

Payments can be ma d e online via the A u ctionet platform. Yo u can also pay by bank transfer or by d ebit or cre d it car d . Car d payments ma d e over the telephone are s u bject to a limit of £1500. N.B. We d o not accept cash payments.

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B u yers nee d to satisfy themselves regar d ing any an d all of the above.

CONDITION REPORTS

Images an d con d ition reports are available for all lots online. The relevant d epartment will be please d to give a dd itional information or images u pon req u est.

Commission form

Sale date . .

Lawrences is requested, without legal obligation of any kind, to bid on the following lots up to the figure stated. I agree with your usual conditions of sale and the conditions overleaf. I understand that, in the case of a successful bid, a premium of 30% (25% plus VAT) on each lot will be payable on the hammer price.

Name: Mr/Mrs/Miss . . .

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Bids must be received by the auctioneers by 9am on the morning of the sale.

Lot No.Description

No.Description

Conditions

1. The auctioneers will endeavour to purchase lots at the lowest possible price.

2. If two or more bids for the same item are received, bidding will start at one bid above the underbidder’s maximum bid

3. The auctioneers are not responsible for wrong lot numbers entered

4. Successful bidders will be notified and items despatched only after receipt of payment.

5. An appropriate charge is made for despatch.

6. Telephone bids: these are accepted at the auctioneer’s discretion. All such bids must be confirmed in writing, no responsibility is taken for the incorrect transcription or failed connection.

Special conditions

GLOSSARY OF PICTURE CATALOGUING TERMS

A work catalogued with the forename(s) and surname or recognised designation of an artist in our opinion is or is probably a work by the artist, e.g. NICHOLAS HILLARD. Nevertheless, intending buyers are reminded that while a full designation is our highest category of authenticity, no unqualified statement as to authorship is made or intended. A full cataloguing does not necessarily imply a full warranty.

Attributed to NICHOLAS HILLARD

In our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Studio of NICHOLAS HILLARD

In our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

Circle of NICHOLAS HILLARD

In our opinion a work from the period of the artist and showing his influence.

Follower of NICHOLAS HILLARD

In our opinion a work executed in the style of the artist but not necessarily by a pupil.

Manner of NICHOLAS HILLARD

In our opinion a work executed in the style of the artist but of a later date.

After NICHOLAS HILLARD

In our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated in our opinion the work has been signed/ inscribed/ dated by the artist.

Bears/with signature, inscription, date

In our opinion the signature/inscription/date are not by the hand of the named artist.

The term ’ascribed to’ may in certain cases be used to denote a traditional attribution based on style, though this attribution is not necessarily confirmed by the auctioneers. A work catalogued as ‘School’ accompanied by the name of a place or country and a date means that in our opinion the work was executed at that time and in the location, e.g. South Netherlands School, circa 1520. All references to signatures, inscriptions and dates refer to the present state of the work, i.e. as at the time of inspection for the purpose of cataloguing.

CONDITIONS OF SALE

All sales are subject to the Notices and Conditions of Sale, copies of which are posted in the Accounts office and are available on request.

Important notices

Buyers are reminded that, in accordance with all sales conducted by Lawrences, a buyer’s premium of 30% (25% plus VAT) on each lot is payable on the hammer price in our Fine Art (hammered) Sales.

A buyer’s premium of 25% (20.84% plus VAT) plus a lot fee of £5 inc. VAT on each lot will be payable on the hammer price in our Timed Online sales.

We accept most debit and credit cards.

IMPORTANT NOTICE APPLICABLE TO ALL LOTS IN THIS CATALOGUE

Some catalogue descriptions indicate some damage, repairs and/or restoration.

This is a guide only and does not constitute a full condition report or a guarantee for other lots where no reference to condition is made.

Purchasers must satisfy themselves as to the condition of each lot.

All items are described within the Auctioneer’s view, but authenticity must be confirmed by the buyer.

All measurements are approximate.

(‡) Next to the lot number indicates that VAT at the rate of 20% is payable on the final bid price (hammer price), plus buyer’s premium.

BIDDING NUMBERS

In order to obtain a bidding number you will need to open an account and you may be asked to furnish us with any one or all of the following:

1. Photo ID (Driving Licence/Passport)

2. Utility bill or document dated within the last three months showing your address

If you have any queries about this please contact the Accounts Department on 01460 73041 or email enquiries@lawrences.co.uk

Our viewing and sale day procedures are correct at the time of going to press.

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Conditions of Business

These conditions of business for auctions held at the premises of Lawrence Fine Art Ltd. consist of:

(1) Information for Buyers (which sets out information for buyers who will be subject to the Terms of Sale);

(2) Terms of Consignment (which are the contractual terms that sellers at auctions are subject to); and

(3) Terms of Sale (which are the contractual terms that bidders and buyers at auctions are subject to).

Copyright: Copyright in this documentation is vested in the Society of Fine Art Auctioneers and Valuers (“SOFAA”), whose members are licensed to adopt the documentation and adapt it to their own professional activity. Any other use requires the express permission of SOFAA.

(1) INFORMATION FOR BUYERS AT AUCTIONS

1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

3. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

4. Buyer’s Premium. The Terms of Sale oblige you to pay a buyer’s premium at 30% inclusive of VAT (25% plus VAT) in our Fine Art (hammered) Sales and a buyer's premium of 25% inclusive of VAT (20.84 plus VAT) on the hammer price plus a lot fee of £5 inc. VAT on each lot purchased in our Timed Online sales. VAT is not applicable on books and unframed maps.

5. VAT. Items in our catalogue may be marked in the following way: (*) indicates that VAT is payable by the buyer on the hammer price as well as being an element in the buyer’s premium. VAT will be chargeable at the standard rate (presently 20%).

6. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale at clause 12.4.

7. Electrical goods. These are sold as “antiques” and for collection and display only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

8. Export of goods. If you intend to export goods you must find out:

a. whether an export licence is needed; and b. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

9. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

10. Financial Checks. As auctioneers we may have to conduct various checks into our customers under the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 and related legislation. Unless we confirm we already have this information, on registration you will be required to provide the following:

a. For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document);

b. For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity;

c. For trusts and estates, details and ID documentation for executors/ trustees and details of beneficiaries; please contact us for further information.

You may be asked for further information if we deem this necessary. If you are bidding for another person (your “Principal”) you will be required to provide the above information for yourself and your Principal, along with a signed letter from your Principal authorising you to bid Further information about ID requirements is available on 01460 73041 or enquiries@lawrences.co.uk. If we deem that you have not provided sufficient information for us to complete our anti-money laundering and terrorist financing checks to our satisfaction, we may refuse to register you to bid and we may postpone completion of or cancel any contract made by you and the Seller in the event you have made a successful bid

11. Commission bidding. You may leave commission bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute commission bids as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids we may prefer the first bid received (where this can be reasonably ascertained). Please enquire in advance about our arrangements for the leaving of commission bids by telephone or email.

12. Methods of Payment. *We do not accept over the counter cash payments. Payments can be made online via Auctionet, by Bank Transfer or by card payment. N.B. Card payments made over the telephone are subject to a limit of £1500. Goods will only be released on receipt of cleared funds. Usually any cheques will need to be cleared before you can take the goods away. Please discuss with our office in advance of the sale if you plan to use other methods of payment. (*Please note, under EU regulations there is an upper limit of 10,000 euros equivalent).

13. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect goods promptly. Any delay may involve you having to pay storage charges

(2) TERMS OF CONSIGNMENT

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Consignment carefully. Please note that if you (or another person acting on your behalf) provide goods to us to sell on your behalf at our auction, this signifies that you agree to and will comply with these Terms of Consignment.

Please note that these Terms of Consignment relate to auctions held at our premises only. We have separate terms for online only auctions.

1 Definitions and interpretation

1.1 To make these Terms of Consignment easier to read, we have given the following words a specific meaning:

“Auctioneer” means Lawrence Fine Art Auctioneers Ltd a company registered in England and Wales with registration number 02734034 and whose registered office is located at Goodwood House, Blackbrook Park Avenue, Taunton, Somerset, TA1 2PX or its authorised auctioneer, as appropriate;

“Bidder” means a person who places a bid for Goods at our auction;

“Buyer” means the person who makes the highest bid for the Goods accepted by the Auctioneer;

“Commission” means the commission that we charge you on the sale of the Goods as set out in Clause 5 below;

“Consumer” means an individual acting for purposes which are wholly or mainly outside that individual’s trade, business, craft or profession;

“Consumer Contracts Regulations” means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013;

“Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

“FCA” means the Financial Conduct Authority;

“Goods” means the goods that you consign to us for sale at our auction;

“Hammer Price” means the level of the highest bid for the Goods accepted by the Auctioneer by the fall of the hammer;

“Money Laundering Regulations” means the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 as amended;

“Premium” means the premium charged to the Buyer on the sale of the Goods in accordance with the Terms of Sale;

“Price” means the total of the Hammer Price, Premium and any applicable VAT;

“Proceeds” means the Price less the Commission, the Premium, any expenses incurred to your account and any applicable VAT;

“Reserve” means the minimum price at which the Goods may be sold;

“Seller” means the owner of the Goods and any agent who consigns the Goods for sale on the owner’s behalf (if applicable);

“Terms of Consignment” means these terms of consignment;

“Terms of Sale” means the terms of sale for bidders or buyers at our auctions;

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf (such as an agent and/or the Auctioneer);

“VAT” means any value added tax or equivalent sales tax; and

“Website”` means our website available at www.lawrences.co.uk

In these Terms of Consignment the words “you”, “yours”, etc. refer to the Seller. The words “we”, “us”, etc. refer to the Auctioneer. If the consignment of Goods to us is made by an agent we assume that you (as owner of the Goods) have authorised the consignment and authorised the agent to contract on your behalf. All obligations that apply to the Seller under these Terms of Consignment shall apply to the owner of the Goods and their agent, jointly and separately. Any reference to a ‘Clause’ is to a clause of these Terms of Consignment unless stated otherwise.

2 Information that we are required to give to Consumers

2.1 A description of the main characteristics of the auction-related services that we are providing to you as set out in these Terms of Consignment or otherwise agreed with you in writing.

2.2 Our name, address and contact details as set out in these Terms of Consignment and/or on our Website.

2.3 The rate at which we will charge you the Commission plus any applicable VAT on the sale of the Goods as set out in Clause 5.

2.4 The fee that we will charge you plus any applicable VAT as set out in Clause 18 if either the Goods are unsold at auction or the Goods are withdrawn by you from the auction after the Goods have been catalogued and/or marketed by us prior to the auction in any way.

2.5 The arrangements for collection of any unsold Goods as set out in Clauses 18 and 20 and terms regarding payment of any Proceeds due to you set out in Clause 17.

2.6 If you have any complaints, please get in contact with us using the contact details set out on our website.

3 Procedure for consigning Goods for sale at auction

3.1 If you consign Goods to us for sale at auction, you will need to provide us with the following information about you, in a form acceptable to us:

3.1.1 Your legal name and proof of identity (as set out in Clause 3.2) and other information as we may required to conduct such checks under the Money Laundering Regulations as we deem necessary;

3.1.2 Information about the Goods (as set out in Clause 12);

3.1.3 Your bank account details;

3.1.4 Your address, contact details and email address;

3.1.5 Your VAT registration number (if applicable); and

3.1.6 Your confirmation of whether you are selling the Goods as a Trader or as a Consumer.

3.2 We may have to conduct various checks into our customers under the Money Laundering Regulations and related legislation. In this regard we will require the following for the consignor of property to us:

3.2.1 For individuals, official photo identification (driving licence, passport or equivalent) and proof of address (if this is not included in your ID document);

3.2.2 For corporate entities, the certificate of incorporation (or equivalent) with your official name, registered number (if any) and registered address, as well as details and ID documentation for directors and beneficial owners of the entity;

3.2.3 For trusts and estates, details and ID documentation for executors/trustees and details of beneficiaries; for further information please contact us at Lawrence Fine Art Auctioneers, The Linen Yard, South Street, Crewkerne TA18 8AB, 01460 73041, or enquiries@lawrences.co.uk

3.3 If you do not provide us with, or we are not satisfied with any of the above information, or other information we require for anti-money laundering and terrorist financing checks, we may refuse to accept consignment of your Goods for sale in our auction and we may postpone or cancel the contract for sale between you and a successful bidder.

3.4 You must provide the Goods to us by any stated deadline (at your expense). We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4 The contract between you and the Buyer

4.1 The contract between you and the Buyer will be formed when the hammer falls accepting the highest bid for the Goods at the auction.

4.2 You may directly enforce any terms in the Terms of Sale against a Buyer and/or a Bidder to the extent that you have suffered damages and/or loss as a result of the Buyer and/or the Bidder’s breach of the Terms of Sale.

4.3 If you breach these Terms of Consignment, you may be responsible for damages and/or losses suffered by a Buyer, Bidder and/ or by us. If we are contacted by a Buyer and/or a Bidder who wishes to bring a claim against you, we may in our discretion provide the Buyer and/or Bidder with information or assistance in relation to that claim.

4.4 We normally act as an agent only and will not have any responsibility for default by you or the Buyer.

4.5 We may delay completion of, or cancel, any contract for sale where we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction, or where we have concerns about the Buyer in relation to the Money Laundering Regulations and related legislation, or where we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability.

5 Commission

We will charge you a commission on the sale of the Goods calculated as a percentage of the Hammer Price at the following rates:

Fine Art Sales: 15% + VAT

Timed Online Sales: 15% + VAT plus a lot fee of £5 + VAT on all lots

6 Loss and Damage to Goods

6.1. We are not authorised by the FCA to provide insurance to you. However, subject only to Clauses 6.4 and 6.5, we accept liability for Goods from the time we take possession of the Goods until the hammer falls.

6.2 Our liability for Goods is limited to our lower pre-sale estimate for the lot before the sale, or the Hammer Price if the lot has sold, or to the Reserve if the lot is unsold

6.3 To justify accepting liability for Goods as set out above, we will charge you 1.5% of the Hammer Price plus VAT.

6.4 The liability accepted by us in Clause 6.1 does not include any liability for loss or damage to the Goods that is caused by or results from: (i) any inherent vice or defect affecting the Goods; (ii) acts of God, flood, drought, earthquake or other natural disaster; (iii) acts of terrorism, civil commotion, riots or war; or (iv) nuclear, chemical or biological contamination.

6.5 If you (or your agent) instruct us in writing not to assume liability for Goods, the Goods remain entirely at your risk unless and until the Goods pass to the Buyer or are collected by you or on your behalf. In this case Clauses 6.1 – 6.4 will not apply.

7 Photographs

We reserve the right to photograph all Goods. The copyright in such photographs will be owned by us, along with the text of the auction catalogue. Photography fees will apply to lots offered in our specialist fine art sales, at a rate to be agreed with the valuer when consigning your items for sale.

8 Minimum bids and our discretion Goods will normally be offered subject to a Reserve agreed between you and us before the auction in accordance with Clause 9. We may sell Goods below the Reserve provided that we account to you for the same sale proceeds as you would have received had the Reserve been the Hammer Price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal Reserve.

9 Reserves

9.1 Reserves must be reasonable and may not exceed our lower pre-sale estimate for that lot. We may decline to offer Goods which, in our opinion, would be subject to an unreasonably high reserve (in which case the Goods carry the storage and insurance charges set out in these Terms of Consignment).

9.2 Agreed reserves can be lowered by you on 'My Pages'.

9.3 Where a Reserve has been agreed only we may bid on your behalf and only up to one bid below the Reserve (if any) and you may in no circumstances bid personally or ask anyone else to bid on your behalf.

10 Electrical items

10.1 You must test any electrical items that you wish to consign to us for sale using external contractors. We will not accept any Goods that are not certified as safe by an electrician (unless they are antiques).

10.2 If we notify you that we will not accept uncertified electrical Goods, you must remove such Goods promptly at your expense following such notification. If you do not collect the Goods within seven days of our written notice to do so, we may dispose of the Goods at your expense.

11 Unsafe Goods

If in our opinion any of your Goods, in particular those which are soft furnishings, infringe safety regulations, we will not offer these Goods for sale. You must remove such Goods at your expense. If you do not collect such Goods within seven days of our written notice to do so, we may dispose of the Goods at your expense.

12 Warranties and information about the Goods

12.1 You must provide us with all information that you have relating to the provenance, export/import history, condition, attribution and authenticity of the Goods (and any additional information that may be relevant).

12.1.1 All handwritten documents and manuscripts, including books and printed books with extensive annotations, over fift y years of age require an export license. This includes: Any document or manuscript (in any case not being printed matter) over 50 years of age. Any archive of manuscripts and documents in any medium, created and/or accumulated by an individual, family, corporate body or institution, which has survived or been preserved as evidence of their purpose and activities over 50 years of age. An architectural, scientific or engineering drawing produced by hand over 50 years of age.

12.2 In addition to any warranties implied by law, you warrant to us and the Buyer that:

12.2.1 any information that you provide in relation to the Goods is complete, correct and up to date;

12.2.2 the Goods will match any description of the Goods that you provide to us;

12.2.3 as far as you are aware, the main characteristics of the Goods set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by us at the auction) are correct.

12.2.4 to the best of your knowledge, the Goods have been lawfully imported and lawfully and permanently exported as required by the laws of any country in which the Goods were located; required declarations upon the export and import of the Goods have been properly made; and any duties and taxes on the export and import of the Goods have been paid; and

12.2.5 you will pay all taxes and duties potentially due on the sale of the Goods.

12.3 You warrant that the Goods are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

12.4 Where you are acting on behalf of another person, you warrant that:

12.4.1 you have conducted appropriate customer due diligence on the ultimate owner(s) of the Goods in accordance with all applicable anti-money laundering and sanctions laws, consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence;

12.4.2 you will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so;

12.4.3 the arrangements between you and the ultimate owner(s) in relation to the Goods or otherwise do not, in whole or in part, facilitate tax crimes; and

12.4.4 you do not know, and have no reason to suspect, that the Goods are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate owner(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

12.5 You must let us know promptly, and in any event before the auction, if you find out that the warranties in 12.3 and 12.4 above are incorrect and/or if any of the information you have provided to us relating to the Goods is incorrect or incomplete and/or if the Goods do not match the description that you provided to us or the main characteristics of the Goods set out in the auction catalogue.

12.6 Any information that you provide in relation to the Goods may form part of the contract between both of us and the Buyer and you acknowledge that the Buyer may have a statutory right to reject the Goods if the information provided is incorrect.

12.7 If we have to refund the price of any Goods to the Buyer due to the Goods being a Deliberate Forgery, you must promptly, and in any event within seven days, reimburse to us any Proceeds that we have transferred to you for those Goods following receipt of our written notice requesting you to do so.

13 Transfer of ownership of the Goods

You warrant and undertake to us and the Buyer that you are the true owner of the Goods (or are properly authorised by the true owner to sell the Goods on the owner’s behalf) and you currently have and will have the right to sell the Goods to the Buyer with good and marketable title free of any third party rights or claims at the time when ownership of the Goods is to be transferred

14 Indemnity

You will indemnify and keep us fully indemnified against any and all liability, loss, damage, costs (including reasonable legal fees and any VAT in relation to such fees) and expenses which we may incur or suffer as a result of any breach of Clauses 12 or 13 by you or anyone acting on your behalf, including without limitation, if we are required to refund the price of any Goods to the Buyer as a result of your breach of these clauses.

15 Terms of Sale

You agree that the Goods will be sold to the Buyer in accordance with our Terms of Sale, a copy of which will be displayed in the saleroom and printed in our auction catalogue.

16 Authority to deduct commission and expenses and retain premium and interest

You authorise us to deduct our Commission at the stated rate and all expenses incurred on your account from the Hammer Price, plus any applicable VAT. You consent to our right to charge the Buyer and retain beneficially the Premium plus any applicable VAT paid by the Buyer in accordance with our Terms of Sale and any interest earned on the sale proceeds until the date of settlement.

17 Settlement

17.1 Provided that the Buyer has paid for the Goods and we have completed necessary checks under the Money Laundering Regulations, we will usually pay the net sum due to you after 20 working days of the last day of the auction for Catalogued sales and Timed Online sales. Payment will be made by bank transfer unless agreed otherwise.

17.2 If the Buyer has not paid for the Goods, we will not submit payment to you. In this case no settlement will be made. We will however discuss

with you the rights that we may exercise under Clause 9 of our Terms of Sale in relation to a Buyer’s failure to pay. We will not release the Goods to the Buyer until we have received payment in full of the Price for the Goods and have completed necessary checks under the Money Laundering Regulations.

17.3 You must notify us in writing if your bank account details change. We will not be responsible for any payments made to the incorrect bank account if this is because you have not provided us with the correct bank account details.

17.4 If we make payments to your bank account in error, we may request reimbursement by sending you an invoice.

17.5 We may deduct any sums that you owe to us from the Proceeds.

18 Unsold and withdrawn items

18.1 If the Goods are unsold at auction, you authorise us to negotiate a sale by private treaty not later than the close of business two BUSINESS days following the last day of the auction. In this case you will pay to us the same charges as if such Goods had been sold at auction and, so far as appropriate, these Terms of Consignment will apply to any such sale.

In addition to Clause 18.1, we may, with your consent, re-offer unsold Goods at a future auction (or by private treaty thereafter as set out in Clause 18.1 above) but we may recommend a variation in estimates or Reserve. Where, in our opinion, Goods are unsaleable, we will notify you and you must collect such Goods from the saleroom within seven days of the date of our notice to do so. If you fail to collect such Goods promptly, we may charge you reasonable storage charges at a daily rate.

18.2 If any Goods are withdrawn from the auction after being catalogued and/or marketed by us prior to the auction in any way, you will pay us a charge comprised of the sum of the Vendor’s commission, the buyer’s premium, the illustration cost, the loss and damage warranty and other expenses in relation to that Item. VAT will be levied upon all these charges at the prevailing rate. These charges will be calculated upon Lawrence’s published high estimate.

18.3 Any sale that takes place via a timed online auction is covered by the Right of Withdrawal according to the law on distance selling. If the buyer makes use of his Right of Withdrawal, Lawrences Auctioneers reserves the right, without prior notice to the Seller, to re-list the item again on a timed online auction in accordance with the terms and conditions that follow point 5 above. Items sold at live auctions are not subject to the right of withdrawal.

18.4 Lawrences Auctioneers accepts no financial responsibility to the seller for changes in the item’s final sale price as a result of a resale.

19 Withdrawal of the Goods by us

19.1 We may (acting reasonably) at our discretion at any time withdraw your Goods from our auction:

19.1.1 for legal, reputational or operational reasons (including if you fail to provide evidence to verify your identity or your title to the Goods to our satisfaction);

19.1.2 if we reasonably believe that you may be, or are about to be, in breach of these Terms of Consignment; or

19.1.3 if we reasonably believe the Goods to be a Deliberate Forgery.

20 Warehousing

20.1 We have no liability for Goods that you deliver to our saleroom without sufficient sale instructions. We reserve the right to charge you a minimum warehousing charge of £5 per lot per day plus any applicable VAT.

20.2 We will notify you to ask you to remove any of your unsold or withdrawn Goods. Unsold and withdrawn Goods will be subject to the charges set out in Clause 20.1 above if you do not remove them within seven days of the date of our notification requesting you to do so.

20.3 If you do not remove your unsold or withdrawn Goods within thirty days of the date of our notification we may either: (a) sell such Goods and set off charges from any net proceeds of sale; or (b) at your expense dispose of such Goods.

Our liability to you

21.1 We will not be liable to you for any loss of opportunity or disappointment suffered as a result of participating in our auction.

21.2 In addition, neither we nor the Buyer shall be responsible to you and you shall not be responsible to the Buyer or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of

us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

21.3 Subject to Clause 21.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Proceeds due for the Goods if sold or the Reserve if unsold

21.4 Notwithstanding the above, nothing in these Terms of Consignment limits the liability of us or our employees or agents for:

21.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

21.4.2 fraudulent misrepresentation; or

21.4.3 any liability which cannot be excluded by law.

22 Notices

22.1 All notices between you and us regarding these Terms of Consignment must be in writing and signed by or on behalf of the party giving it.

22.2 Any notice referred in Clause 22.1 may be given:

22.2.1 by delivering it by hand;

22.2.2 by first class pre-paid post or Recorded Delivery; or

22.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

22.3 Notices must be sent:

22.3.1 by hand or registered post:

a. to us, at our address set out in these Terms of Consignment or at our registered office address appearing on our Website; and

b. to you, at the last postal address that you have given to us as your contact address in writing.

22.3.2 by email:

a. to us, by sending the notice to the following email address: enquiries@lawrences.co.uk

b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

22.4 Notices will be deemed to have been received:

22.4.1 if delivered by hand, on the day of delivery; or

22.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or

22.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have

Postage and Packing

The responsibility for the collection of purchases rests with the buyer.

Auctionet offers different transport solutions.

They can ship to countries all over the world and use a variety of transport companies depending on size, value and end- destination.

You will receive an e-mail with a tracking number once the parcel is booked and you will be notified of the name of the transport company providing the service.

Transit time is normally set to 7 days but can take up to 14 days .

All transportation is covered by a basic transport insurance. You can also choose to add additional shipping insurance.

Delivery will only start after we have confirmed receipt of your payment both for the item and the shipping invoice.

been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 22.2.3).

22.5 Any notice or communication given under these Terms of Consignment will not be validly given if sent by fax, any form of messaging via social media or text message.

23 Data Protection and Privacy Statement

If you have consented, we will send you marketing material that we consider may be of interest to you

We will not share your data with any third party except for delivery of our material (Auctionet).

You may ask to unsubscribe at any time by emailing: remove@lawrences.co.uk Our Privacy Policy can be viewed at www.lawrences.co.uk/Privacy

24 General

24.1 Each of the clauses of these Terms of Consignment operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

24.2 We may change these Terms of Consignment from time to time, without notice to you. Please read these Terms of Consignment carefully, as they may be different from the last time you read them.

24.3 Except as otherwise stated in these Terms of Consignment, each of our rights and remedies: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Consignment or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Consignment is not a waiver of that or any other right. Partial exercise of any right under these Terms of Consignment will not preclude any further or other exercise of that right or any other right under these Terms of Consignment. Waiver of a breach of any term of these Terms of Consignment will not operate as a waiver of breach of any other term or any subsequent breach of that term.

24.4 These Terms of Consignment are between you and us. No person other than you, the Buyer or us will have any rights to enforce any of these Terms of Consignment.

24.5 These Terms of Consignment and any dispute or claim arising out of or in connection with them (including any non- contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

Please be aware that there may be export restrictions on some items and you are responsible for complying with any relevant export or import laws.

For further information, please email post@lawrences.co.uk

(3) TERMS OF SALE

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

1 Definitions and interpretation

1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning:

“Bidder” means a person participating in bidding at the auction;

“Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer;

“Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source;

(b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described;

“Hammer Price” means the level of the highest bid for a Lot

“Lot(s)” means the goods that we offer for sale at our auctions;

“Money Laundering Regulations” means the Money Laundering, Terrorist Financing and Transfer of Funds (Information on the Payer) Regulations 2017 as amended;

“Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4;

“Reserve” means the minimum hammer price at which a Lot may be sold;

“Sale Proceeds” means the net amount due to the Seller;

“Seller” means the persons who consign Lots for sale at our auctions;

“Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;

“Terms of Sale” means these terms of sale, as amended or updated from time to time;

“Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

“VAT” means Value Added Tax or any equivalent sales tax; and

“Website” means our website available at www.lawrences.co.uk

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2 Information that we are required to give to Consumers

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

2.8 We also refer you to your warranties as a Bidder and Buyer as set out in clause 6.

3 Bidding procedures and the Buyer

3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us (Paragraph [10] of the Information for Buyers in the Sale Catalogue refers). You must also satisfy any security arrangements we have in place before entering the auction room to view or bid

3.2 We strongly recommend that you attend the auction in person if possible. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute commission bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid, unless our failure to do so is unreasonable. Where two or more commission bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

3.9 Important information for bidding live on the-saleroom.com Bidders are strongly advised not to rely solely on the webcast audio to place live bids as both the audio and video can lag behind the sale by a varying degree. Please place live bids only by the textual information displayed on the bidding window which will accurately reflect the current state of bidding.

4 The purchase price

As Buyer, you will pay:

a. the Hammer Price;

b. a buyer’s premium at 30% inclusive of VAT (25% plus VAT) in our Fine Art (hammered) Sales and a buyer's premium of 25% inclusive of VAT (20.84% plus VAT) on the hammer price and a lot fee of £5 inc. VAT on each lot purchased in our Timed Online sales. VAT is not applicable on books and unframed maps.

c. any artist’s resale right royalty payable on the sale of the Lot; and d. any VAT due.

5 VAT

5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6.1 You warrant that the funds used for settlement are not connected with any criminal activity including tax evasion, and that you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.

6.2 Where you are bidding on behalf of another person, you warrant that:

6.2.1 you have conducted appropriate customer due diligence on the ultimate buyer(s) of the Lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, and you will retain for a period of not less than 5 years the documentation evidencing the due diligence;

6.2.2 You will make such documentation promptly available for immediate inspection by an independent third party auditor upon our written request to do so;

6.2.3 the arrangements between you and the ultimate buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes;

6.2.4 you do not know, and have no reason to suspect, that the funds used for settlement are connected with, the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation, or have been charged with or convicted of money laundering, terrorist activities or other crimes.

7 The contract between you and the Seller

7.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

7.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

7.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

7.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7.5 In addition to any other rights we may have to cancel a contract for sale under these Terms of Sale, in the event:

7.5.1 you are in breach of your warranties in clause 6; or

7.5.2 we have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

7.5.3 we have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay completion of a sale, delay release of a Lot or cancel the sale of a Lot.

8 Payment

8.1 Immediately following your successful bid on a Lot you will:

8.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations – please refer to Paragraph [10] of the Information for Buyers in the Sale Catalogue ); and

8.1.2 pay to us pay to us the Total Amount Due by Bank Transfer, or by debit or credit card payment. Card payments made over the telephone are subject to a limit of £1500. Goods will only be released on receipt of cleared funds. Usually any cheques will need to be cleared before you can take the goods away. We do not accept cash payments. Please discuss with our office in advance of the sale if you plan to use other methods of payment. (*Please note, under EU regulations there is an upper limit of 10,000 euros equivalent).

8.2 If you owe us any money, we may use any payment made by you to repay these debts.

9 Title and collection of purchases

9.1 While you are bound by the contract for the purchase of the Lot from the fall of the hammer on your successful bid, ownership in the Lot will not pass to you until:

9.1.1 you have paid us in full the Total Amount Due in cleared funds for that Lot;

9.1.2 you have provided us with the information set out in clause 8.1.1; and

9.1.3 we have completed our enquiries pursuant to the Money

Laundering Regulations and related legislation.

You may not claim or collect a Lot until you have paid for it and ownership has passed to you

9.2 Unless notified otherwise, you will (at your own expense) collect any Lots that you have purchased and paid for either:

9.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal, storage and insurance charges in relation to that Lot, unless the delay was caused by our continuing investigations under Clause 7.5.2.

9.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

9.5 If you do not collect the Lot that you have paid for within 90 days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but (unless the delay was caused by our continuing investigations under Clause 7.5.2) will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.

10 Remedies for non-payment or failure to collect purchases

10.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

10.1.1 take action against you for damages for breach of contract; 10.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you;

10.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

10.1.4 remove, store and insure the Lot at your expense;

10.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due;

10.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

10.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

10.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

10.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

11 Health and safety

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

12 Warranties

12.1 The Seller warrants to us and to you that:

12.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction;

12.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and

12.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

12.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

12.3 Please note that many of the Lots that you may bid on at our auction are second-hand

12.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in

particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

12.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded

Descriptions and condition

13.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

13.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot.

13.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

13.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed

14 Deliberate Forgeries

14.1 You may return any Lot which is found to be a Deliberate Forgery to us within twelve months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

14.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if:

14.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or

14.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

14.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

14.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

15 Our liability to you

15.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

15.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

15.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot.

15.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for:

15.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977);

15.4.2 fraudulent misrepresentation; or

15.4.3 any liability which cannot be excluded by law.

16 Notices

16.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

16.2 Any notice referred in Clause 15.1 may be given:

16.2.1 by delivering it by hand;

16.2.2 by first class pre-paid post or Recorded Delivery; or

16.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

16.3 Notices must be sent:

16.3.1 by hand or registered post:

a. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and b. to you, at the last postal address that you have given to us as your contact address in writing; or

16.3.2 by email:

a. to us, by sending the notice to the following email address: enquiries@lawrences.co.uk

b. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

16.4 Notices will be deemed to have been received:

16.4.1 if delivered by hand, on the day of delivery;

16.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 16.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery as set out in Clause 15.2.3).

16.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

17 Data Protection and Privacy Statement

If you have consented, we will send you marketing material that we consider may be of interest to you

We will not share your data with any third party except for delivery of our material (Auctionet).

You may ask to unsubscribe at any time by emailing: remove@lawrences.co.uk

Our Privacy Policy can be viewed at www.lawrences.co.uk/Privacy

18 General

18.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

18.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

18.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

18.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

18.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

18.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or nonexercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

18.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

based upon recommended terms of sale by the Society of Fine Art Auctioneers and Valuers 24/3/2023