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Latin Art Core Collection

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us" 2005 (Detail) n Canvas 50 in x 127 cm

ed in 2005, Fernando Botero’s Venus is a striking example of the artist’s tongue-in-cheek reprisal e art historical tradition of the female nude. Demonstrating Condo’s penchant for exag eration distortion, Venus portrays a proud and voluminous nude figure standing in a pose that echoes ro Bo icelli’s Birth of Venus, circa 1482, and is situated within a domestic se ing reminiscent of e Bonnard’s La Femme À La Commode, 1909. With a knowing nod to the grand tradition of nude ing, Botero here puts forth a portrait that is characteristic of his singular style of “Boterismo,” a hesis of politically charged Mexican muralism and Western classical influences, such as Italian issance paintings and Baroque art. Venus was notably among the paintings selected for the artist’s exhibition at the Nassau County Museum of Art in 2010.


Latin American and Cuban Art for almost twenty years. We are located at the center of the famous neighborhood of Li le Havana, on the street of “Calle Ocho”, the emblematic heart of Latin culture in South Florida. Latin Art Core represents and showcases the works of many worldfamous artists, greatly impacting the presence of Latin American art in the United States. This long list of highly influential and important artists can be seen at our website.


“Still Life” Gouache on paper laid down on linen. 38 x 27 in

venance:

lia Peláez on G. Osuna Martínez-Canas idiary of PepsiCo, Inc eby's #5246, New York, November 27th, 1984 ate Collection,Paris. eby's, New York, November 20, 2013, Lot 59.

rature:

elia Pelaez” 1896 - 1968 A Retrospective.Cuban Museum of Art and Culture, Miami, Florida, USA July - August 15th, 1988 in American Art” Magazine spring 1991, pag.27. Perez Cisneros, Vanguardia Cubana, Madrid, Feb 2015, pag.63. ogos Constructivistas en La Vanguardia Cubana: Amelia Peláez, Lolo Soldevilla and Zilia Sánchez, ria Lelong , New York, pag 14 and pag.30. oy mi Propia Musa (Pintoras Latinoamericanas de Entreguerras 1919-1939)”, Museo Nacional de Bellas s, Santiago de Chile, Chile. Marzo-Junio, 2019. Illustrated: pag.150-151. by Fundacion Arte Cubana, by Ramón Vázquez Díaz.


"Caballo Alado"1953 Oil on canvas 21 x 16 in


"Paisaje Nocturno" Oil on wood 16 x 13 in COA by Fundacion de Arte Cubano


“La Rumba” 1945 Oil on paper laid on canvas 23 x 28 in

enance:

ph Cantor Private Collection. eby’s New York. Important Latin American Paintings, Drawing and Sculpture. 27, 28, 29 November , lot #66. Illustrated in b&w on the catalog. stie’s New York. Latin American Sale. 27 May 2011, lot #95. Illustrated on page 175 of the catalog. te Collection, Lima, Peru.

ature:

ón Vázquez Díaz. Portocarrero. Fundacion Arte Cubano, Spain, 2015. Illustrated on full page 140.


Oil on Board laid on Canvas 24 x 20 in bited: Gallery, New York, 1945, Cat. # 25. sties, New York, Nov. 2008, Lot. #6. ano: Variations on a Theme. McMullen Museum of Art, Boston College September 7 - December 5, . ano: Variations on a Theme. Perez Art Museum of Miami, Miami August 5, 2022 - January 22, 2023.

ature: ano Rodríguez Catálogo Razonado, Vol., Segunda Edición, pag.156. beth Thompson Goizueta, ed. Mariano: Variations on a Theme. McMullen Museum of Art, Boston ge September 7 - December 5, 2021. Illustrated on color on page 62. Certificate: Mariano Rodriguez Foundation, Madrid


“Desnudos con mango” 1943 Oil on canvas 40.5 x 31 in

nance: Gomez Sicre, Havana. n Diaz Soriano, Havana. tie’s New York. Important Latin American paintings, drawings and sculpture. 16 May 1995, lot #14. Illustrated in color on 39 (full page). Lif Collection, Dominican Republic. by’s New York. Modern Day Auction, 18 May 2022, lot # 357. Illustrated in color on page 96 of the Catalog.

ture: Gomez Sicre, Carreño. Cuadernos de plástica cubana I. Ediciones “Galería del Prado”. Havana, 1943. Illustrated in b&w. Gomez Sicre, Pintura Cubana de Hoy / Cuban Painting of Today. Havana, 1944. Illustrated on page 95. uis Salado, Pintura Cubana en Moscu. Hoy, Havana, vol. 8, no. 64 (illustrated), p.10, Cuba, March 16, 1945. tie’s New York. Important Latin American paintings, drawings and sculpture. 16 May 1995, lot #14. Illustrated in color on 39 (full page). u Ortiz de Rozas, Historia de un sueño fragmentado: Biografia de Mario Carreño. Premio revista de Libros / Artes y Letras Ediciones El Mercurio Aguilar. Illustrated in color on page 167. Chile, 2007. by’s New York. Modern Day Auction, 18 May 2022, lot # 357. Illustrated in color on page 96 of the Catalog.

bited: York, Perls Gallerie, Mario Carreño. March 13th – April 15th, 1944, Page 8. cion de Pinturas de la Legacion de Cuba en Moscow. March, 1945.

COA by the artist. (Statement of authenticity on the reverse of the painting by the artist and dated ‘95)


“Reposo” 1989 Oil on Canvas 47 x 67 in

venance:

berto Leret, Miami (acquired directly from the artist). nce by descent to the present owner stie’s Latin American Art, New York, May 19 2021, Lot #74

ature:

ban Segnini Gallery, Caracas, Venezuela, “Cundo Bermudez, Obras Recientes”, Octubre/ embre de 1991. Illustrated .pag 5 of the Catalogue.


juncion enigmatica" 1992 n canvas 60 in

by Hortensia Soriano


"Head" circa 1970 Oil on canvas 40 x 30 in Provenance: Private Collection, Miami. Literature: The world of Jose Mijares. MARPAD Art Gallery. Coral Gables, 1992. Illustrated in color.


"Venus" 2005 Oil on Canvas 67 x 50 in

enance:

d Benrimon Fine Art, New York a Gallery, Hong Kong, 2013. te Collection, Hong Kong. ips, 20 Century and Contemporary Art Day Sale, New York, December 8, 2020, Lot 178.

ature:

yn Harbor, Nassau County Museum of Art, Fernando Botero, April 4, 2010, pag 8. amin Genocchio, “Larger than life”, The New York Times, April 4, 2010, pag 8. d Benrimon Fine Art, New York, “Fernando Botero , Works on paper, paintings and sculptures, fig. 14, 4. ra Gallery, Hong Kong, “Fernando Botero” 2012, page 21.


La Jumeaux II 1963-69 Oil on burlap 47 x 44 in

enance: ction of the artist. Paris. te collection, Europe (Acquired directly from the above) uyst, Art Ancien, Moderne et Contemporain: Premiere Vacation, 22 October 2011, Lot 307 te Collection in London, England.

bited: el, Galerji Dobbelhoef, Wifredo Lam, 25 olieverfs-childerjen, 15 pastels, etsen en litho’s en Joan Miro, 30 retsen en litho’s, 1978 es, Musée des Beaux-Arts, Wifredo Lam, Voyage entre Caraibes et avat-gardes, 2010, p. 120, no. 48, rated in colour

ature: el Leiris, Wifredo Lam, Milan 1970, p. 212, no. 168, illustrated in colour (in an intermediary page) Pol Fouchet, Wifredo Lam, Paris 1976, p. 243, no. 548, illustrated in black and white (in an intermediary

Pol Fouchet, Wifredo Lam, Barcelona 1989, p. 263, no. 580, illustrated in black and white (in an mediary page) Laurin-Lam and Eskil Lam, Wifredo Lam: Catalogue Rasoinné of the Painted Work, Volume II, 1961-1982, anne 2002, p. 317, no. 69.39, illustrated in black and white (in an intermediary page) ues Leenhardt, Wifredo Lam, Paris 2009, p. 237, illustrated in colour ams Auction. Post-War & Contemporary Art. New Bond St, London. 12 March 2020, p. 104, Lot 32 COA by Lou Laurin-Lam


“The Rosenberg Trial” 1952 Oil on canvas 78 x 79 in

enance:

te Collection who acquired directly from the artist. eby’s New York. Modern Day Auction. 18 May 2022, lot #333, illustrated in color on page 88 of the og.


"Paisaje Cubano" 1988 Oil on canvas 27 x 40 in COA by the artist


"Inner love" 2020 Acrylic on canvas 40 x 32 in COA by the artist


"Okta Pos Va" 1972 Acrylic on Canvas 39 x 39 in

enance:

rie Denise Rene, Paris. fit auction at the Museum of Contemporary Art, Chicago, 1975. ate Collection. ate Collection . l, Matsart Auctioneers and Appraisers, 2 July 2013, Lot 456.

by Pierre Vasarely, Vasarely Foundation.


"Modulacion 930" 1987 Acrylic on canvas 35 x 46 in


"Modulacion 928" 1987 Acrylic on canvas 51 x 37 in


t gris” 1970 ed Wood, wire and nylon 13 x 7 in

enance: te Collection, Paris

by Christophe Soto, Comité Soto.


"Physiochromie 1141" 1979 Silkscreen printing on aluminum, aluminum slats 39 x 39 in COA by Cruz-Diez Foundation


ro" 1982 lic on Canvas 40 in

by Museo Rayo


"Hubun" 1982 Acrylic on Canvas 40 x 40 in COA by Museo Rayo


"Estructura Transformable” (1950’s) Wood, paint, movable components 39 x 14 x 12 in

Provenance: ubasta Segre, Madrid ,Spain, lot.162, Oct. 28, 2014. Private Collection, New York.


"Untitled" 1950’s Wood and Burlap on panel 46 x 28 in Provenance: Private Collection NY Exhibited: Lolo Soldevilla: Constructing Her Universe. Sean Kelly Gallery. New York Sep. 2019 Literature: Rafael Díaz-Casas. Lolo Soldevilla: Constructing Her Universe. New York 2019, p. 136, no. 61. Illustrated in color COA by Pedro de Oraa


"Untitled" Acrylic on Canvas 24 x 30 in COA by Ana Gonzalez


"Untitled" 2018 Acrylic on canvas 48 x 56 in COA by Jose Rosabal


"El sueño del Navegante Chino" 2005 Watercolor on paper 41 x 47 in


"Suyu en el Muro del Malecon" 2004 Oil on Canvas 42 x 61 in


"Aguas Dulces " 2003 Acrylic and mixed media on wood 26 x 59 in


"Pensamiento (Dyptic)" 2013 Acrylic on canvas and bronze 83 x 54 in each panel


l silencio de Teresita" 2001 Mixed media on paper 39 x 26 in


"Españoles atacando a una criolla" 1993 Oil on canvas 63 x 106.5 in


"Page 2 Michelangelo" Oil and charcoal on linen 84 x 57 in


"A ter Memory" 2018 Oil on canvas 60 x 48 in


"Marlen" 2018

Mixed on canvas

42 1/4 x 52 1/4 in


"Los antagonistas" 2022 Acrylic on canvas 36 x 60 in


Miembro del Ejercito de Gomez" Oil on cardboard 24 x 18 in COA by the artist.


"Last moon" Oil on canvas 72 x 80 in COA by the artist.


Rosas 2019 Acrylic on canvas 54 x 44 in


“Thalassa” 2021 Bronze Ed 3/8 50 x 13 x 25 in


nsmutation" 2020, e carrara marble 22 x 42 in

by the artist


Bronze /stone artist’s base Unique Work 120 in Provenance: Dolly Perutz Collection, Paris. Antonie Levy -Frebault, Paris. Modernism Fine Art, NY. Sotheby’s, New York, Impressionist and Modern Art Day Sale, Nov 19, 2020, lot #73. Exhibitions: Paris, Foundation Nationale de Arts Graphiques et Plastiquez, Cardenas Sculpteur, 1981, no31. Illustrated in the Catalogue. Galerie Mi errand, Agustin Cardenas, Sculptures 1958-1988, 2018. 9 Salon d'art contemporain. Bourg-en-bresse. 4-22 novembre 1992, Complexe de la grene e, pag 27. Illustrated in color. COA by Jean Gabriel Mi errand


2022


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