La Prensa Texas 6.31

This grass roots publication is the life source for a community that is not easily afforded viable access to diverse and accessible media. San Antonio and the surrounding counties have become accustomed to relevant news brought to them in both English and Spanish since 1913.

Yvette Tello

Interim Publisher

y.tello@laprensatexas.com

Ramon Chapa Jr.

Community Liaison

r.chapa@laprensatexas.com

Roxanne Eguia

Editor In Chief

r.eguia@laprensatexas.com

Nicodemus Gonzalez

Graphic Designer

Dr. Ricardo Romo

Contributor

info@laprensatexas.com

José I. Franco

Editor Español

Maria Cisneros

Sales Representative

Roy Aguillon

Digital Editor

La Prensa Texas, Inc., is a Texas nonprofit Corporation. We are under new management and not affiliated with La Prensa Foundation, Inc.; La Prensa Publications, Inc.; La Familia Duran;Duran Duran Inc.; or any of the Tino Duran family companies. We are not responsible for, nor will we be liable for the acts, omissions or debts of La Prensa Foundation, Inc.; La Prensa Publications, Inc.; or any of the Tino Duran family companies.

La Prensa Texas San Antonio is published once a week by La Prensa Texas Inc. San Antonio, Texas (210) 686-0600. Subscription price in the U.S.A. $125 per year (52 issues). The opinions expressed in the editorials of this publication represent the positions and ideology of this newspaper; the opinions expressed by writers and guest columnists are not necessarily the opinions of the management staff or ownership of this newspaper; the contents of which they are solely and exclusively responsible for. Letters from our readers are welcome and will be published, subject to space availability so long as they are signed and have a proper return address. All letters will be reviewed and edited for offensive language, libel, slander, defamation, proper grammar, spelling, and accuracy, according to our style. La Prensa Texas Inc. is not responsible for advertisements that may be deceitful or fraudulent, and does not guarantee in any way the products or services offered, of which only the advertiser is responsible. All Rights Reserved. Published and printed in the United States of America.

By Yvette Tello

In recent weeks, the music industry has found itself caught up in a whirlwind of controversy surrounding a video released by country singer Jason Aldean. The video has sparked intense debate, with some viewers accusing it of being racist, while others argue that it's merely another case of the race card being needlessly played. What are your views on this? Do you think the video was intentionally racist, or do you see it as a misunderstanding blown out of proportion? Let’s talk about it…

Gary Zeinert: “I haven’t seen the video. I have heard the song. I definitely don’t think the lyrics of the song are racist. I really think this is somewhat of a double standard. I grew up in the 80’s listening to NWA, Ice Cube, Eazy-E, The Ghetto Boys, and Public Enemy. The lyrics and videos for some of those songs are 1000 times more racist than any song or video put out by Jason Aldean.”

Jessica Lynn Bergen: “I really don’t see how it’s offensive. It’s the reality we live in. Small towns tend to stand together more than the big cities. I’ve seen our small town come together a few times when there have been children missing, and suspected violence. The big cities? Not a Chance. And after what he was lucky enough to survive. He has a right to use his voice.”

Kelsey Bernard:“It's very simple, if you don't like it don't listen. I think it's an amazing song. Good job Jason!!!”

Tina Chapman: “Anyone reminded of 91 when Garth brooks released Thunder Rolls and everyone freaked out?!?”

Gilbert Dimas: “Nope not at all racist. Blown way out of proportion. Blm, Antifa, and KKK are cancers.”

Jessie Smith: “This will all just turn into another way to polarize people even more. Some can easily say the "offended" group

Let’s Talk About It "Try That In A Small Town"

is being dramatic, but the other side is going to dig in their heels and make an even bigger deal of the song simply because others are offended by it. Aldean however is riding his publicity train all the way to the bank and probably could care less about either side's opinion. You know what they say, ‘there's no such thing as bad publicity’. Donald Trump virtually ran his entire campaign on that ideology.”

John Saito: “There is nothing surprising about the fact that small, isolated communities can be very proud and protective of their particular way of life, though sometimes pathologically so. Browse the videos by Youtubers like Peter Santenello and you'll see this is not unique to any one region, ethnicity, race, religion, etc. Even in big cities, you have neighborhoods with small, tight-knit communities that are very distrustful of outsiders trying to impose their norms with no understanding or regard for what local residents value or need. In short, this is a very human phenomenon. We just don't scale well, still.”

Haley McLucas:“ ‘Try That In A Small Town, for me, refers to the feeling of a community that I had growing up, where we took care of our neighbors, regardless of differences of background or belief. Because they were our neighbors, and that was above any differences.’-Jason Aldean.”

Steve Woolworth : “Racism has always been in country music. It's just now being called out.”

Jason Christenson:” All music that pushes boundaries will offend even when we are the world's offended people.”

Mandie Tyler: “Smart moves as usual you start your own controversy and then your song goes to number one. Then you get all your fans, hyped buying all your stuff and listening to your music. Oldest marketing trick in the book. Still smart though.”

Tiffany Burks: “ I personally like a lot of music and I do like this song. I also find it interesting how people complain about this song and the video yet we have drugs, gangs, coochie popping, violence in other song lyrics and videos and no one complains about that. I know everyone has different opinions but I definitely feel that all the videos on this song in particular are REAL. He didn't make a music video with false photos. If you don't want things that have been done to be out for the world to see or hold against you then don't do it. And no it has nothing to do with race EVERYTHING to do with character.”

Brenda Maddox: “I live in a fairly small town in Texas and that song fits our community well. Love it.”

Kimberly Walton: “Let Freedom ring in song ! Go Jason Aldean!”

Adam Martinez: “Jason Aldean doesn't have the courage to admit the Jim Crow eras, court house video and the blurred out newspapers talking about NAACP wasn't insinuating something. Just like many people defending it don't have the courage to say they don't like brown or blacks as much as whites. Maybe he didn't do it on purpose but he has some pretty bad neo nazis going crazy for it. If they are smart enough to read between the lines then I'm sure these people see it too. Just too scared to admit it. In Uvalde, so many people use the N word and think it's funny. Very disgraceful.”

Jessie Rizo “It’s all relative… take Uvalde. That wouldn’t apply to this town…showed weakness and vulnerability. Take January 6th - insurrection day… same. However, take Nashville TN. The officers didn’t hesitate and eliminated the shooter. Again, it’s just a song and doesn’t apply across the board.”

Courtesy of AnArte Art Gallery

Damien Watel's French upbringing sent him straight to the Ecole de Cuisine Promhote cooking school in Paris.

His Father Jean Pierre , Himself a noted modernist Architect in France and with the love of cuisine and restaurants , was happy to encourage this career move.. An uncle with two restaurants in Dallas gave Watel his American

About the Cover Artist: Chef Restaurateur Damien Watel

start, and he soon jumpstarted his career with a restaurant of his own, ‘Watels’. The wandering Watel then came to San Antonio and opened the legendary, Bistro Vatel, dedicated to the simple but sophisticated French food that Watel seems born to cook. Since opening Bistro Vatel in 1999, Chef Watel has quickly become a leader in San Antonio's premiere restaurant circle, adding his Italian cre -

ation, Ciao Lavanderia shortly after the Bistro.

Chef Watel continued his success with his third concept, a Belgian themed restaurant located in the King William district 'La Frite Belgian Bistro' and a new wine bar, 'Ciao Vino'. These days Damien runs a new location” BISTR09”

on Broadway and doubles as France’s Honorary Consul for San Antonio.

Damien has 3 children, Stephanie Harry and Enzo and is married to Lisa, a chef as well.

He will present his first solo exhibition called “Multitasking” on August 9 from 6-8pm with cham-

pagne & vino and Art talk at 7:15.

This collection illustrates the influences over the years , dog series , people, and architecture. Somewhat similar to the culinary side, creativity comes in spurts and pours out on canvas until satisfied!

Santikos Casa Blanca Es El Hogar Exclusivo Del Traje De Blue Beetle Hasta El 31 De Julio

Por Alexa Romero

Blue Beetle es una próxima película de superhéroes basada en el personaje de DC Comics, Jaime Reyes / Blue Beetle, producida por DC Studios y Safran Company y dirigida por Angel Manuel Soto. El auténtico traje de escarabajo azul llevado por Xolo Maridueña durante el rodaje se exhibe de manera exclusiva en Santikos Casa Blanca hasta el 31 de julio. Invitamos a todos a visitar este traje único, tomar una foto con él y crear un recuerdo que durará toda la vida.

Sinopsis de la película:

Jaime Reyes se gradúa de la universidad, regresa a su ciudad natal y de repente se encuentra en posesión de una antigua reliquia de biotecnología alienígena llamada el Escarabajo. Cuando el Escarabajo elige a Jaime para ser su anfitrión simbiótico, le otorga un increíble traje de armadura capaz de poderes extraordinarios e impredecibles, cambiando para siempre su destino al convertirse en el superhéroe Blue Beetle.

Curiosidades sobre el traje de Blue Beetle

Hechos sobre el traje en la vida real:

Diseñado por la diseñadora de trajes mexicana, Mayes C. Rubeo.

El traje estuvo en desarrollo durante nueve meses. • Se crearon más de 500 diseños antes de llegar al diseño final.

El traje fue creado en colaboración con Ironhead Studios en Los Ángeles, CA.

Cada pieza del traje de Blue Beetle es personalizada, incluyendo el concepto, los diseños

digitales, la impresión en 3D, las telas y las piezas de armadura física; todo fue creado para un ajuste exacto que permitiera a la estrella Xolo Maridueña dar vida al personaje Blue Beetle.

La tela fue diseñada para evocar un patrón derivado de alienígenas, con cada elemento meticulosamente creado para reflejar la naturaleza fuera de este mundo de la biotecnología alienígena del Escarabajo.

Hechos sobre el traje dentro de la historia:

El traje está hecho de biotecnología alienígena y es tanto una armadura como, en cierta medida, piel.

El traje se deriva del Escarabajo, un ser sensible llamado Khaji-da que se fusiona simbióticamente con su anfitrión, en este caso, Jaime Reyes.

El traje está diseñado para proteger a su anfitrión, aunque también puede comportarse de manera impredecible. El traje puede crear cualquier forma de arma que el anfitrión pueda imaginar.

San Antonio Costume Tour

Dates: Thursday, 7/13 to Monday, 7/31

Location: Santikos Entertainment Casa Blanca

Alamo Ranch Pkwy & 1604, 11210 Alamo Ranch Pkwy, San Antonio, TX 78253

ALAMO COLLEGES DISTRICT BID/PROPOSAL INVITATION

The Alamo Colleges District is receiving sealed bids/proposals prior to 2:00 PM (CST), unless otherwise indicated, on the date shown.

CSP# 2023-0043 PURCHASE OF CATERING SERVICES

Deadline: August 22, 2023

Specifications are available by visiting Alamo Colleges District website: www.alamo.edu/purchasing or by emailing dst-purchasing@alamo.edu

Por Franco

La bella señorita Azul Guerrero, hija de Claudia Sánchez y Guadalupe Guerrero, arribó feliz a la dorada edad de las ilusiones.

Sus VX años, qué festejó exitosamente acompañada de su madre Claudia, su hermano mayor Brayan, Sus hermanas Iridian y Argelia Guerrero, así cómo su padrastro Adrián Car-

Azul Guerrero Y Sus XV Años

mona y sus abuelos paternos Argelia y Guadalupe Guerrero (Padre).

Su Fiesta fue en el popular Potranco Rodeo Ballroom, donde su familia ofreció deliciosa cena y baile amenizado por DJ Víctor Velázquez y La Tropa Estrella.

El salón registró llenó total, cómo nunca se había visto en un evento social celebrado en viernes.

Azul, bailo su primer vals con su hermano Brayan Guerrero y su chambelán de honor Jesús González.

Sus abuelos fueron padrinos de coronación. Invitados a la vez disfrutaron de golosinas mexicanas y del pastel conmemorativo. Azul emocionada dijo lo siguiente: "Muchas gracias por estar conmigo en mi fiesta de quince años. Los amo a todos".

El DJ Víctor Velázquez, durante la presentación de padrinos aportó estos datos a La Prensa Texas. Príncipe y Princesa Vladimir y Daniela Guerrero. Adrián Carmona y Argelia Guerrero. Guadalupe

Guerrero y Iridian Guerrero. Chambelán de honor

Jesús González, Claudia Sánchez y Brayan Guerrero. Coronación (Corona) abuelos Argelia y Guadalupe Guerrero. Anillo: Wilber y Sanjui Avilés, Aretes: Jesús González y Odalys

Avilés. Medalla:Emanuel Laborico y Maribel Álvarez. Esclava: Armando y Julieta González. Muñeca: Jonathan González y Kimberly Alfaro. Zapatillas: Brayan Guerrero. Regalo sorpresa: Marce Alvarado y Alejandra Avalos. Vals con su hermano Brayan Guerrero (3er Cielo- No crezcas más. Con su mamá

Claudia Sánchez (Karol

G- Ocean). Abuelo Guadalupe Guerrero (Angela Aguilar- Tu Sangre en mi cuerpo). Y padrino Francisco Cano, así cómo vals sorpresa con tíos y padrinos (Vals del amor- Joan Sebastián/Huitlacoche).

"De está manera terminamos la presentación de Azul Guerrero, de parte de la familia Guerrero los invitamos a disfrutar de está hermosa fiesta y de antemano les Agradecemos su presencia y haber compartido con Azul está inolvidable fiesta. La vida sé torna más linda cuándo compartimos con familiares y amigos".

(Fotos de Franco).

Ezekiel Josai Guevara

Happy 4th birthday - 7/27/2019

Love from his parents Audrey Guevara and Timothy Guevara, brother Timothy Guevara, Grandparents Cindy, Jesse, and Angel (tata).

Carolina Flores: Latina Artist Represents Family, Culture, and Community

By Dr. Ricardo Romo

Latino art might be coming to your neighborhood soon. Cultural centers, small businesses, and nonprofit organizations in large Latino communities are increasingly placing art in their prominent open spaces. Their exhibitions complement rather than compete with galleries and museums. San Antonio Latina artist Carolina Flores found a welcoming venue at the Overland Partners Architectural firm on Jones Avenue, a block from the San Antonio Museum of Art.

Tim Blonkvist, founding Principal of Overland Partners and an internationally recognized architect, invited Flores to exhibit at the firm’s headquarters. Blonkvist notes that his design work synthesizes art, architecture, and the use of natural light. His library is filled with art books, and he peppers his conversations with references to modern and contemporary art.

The firm has clients from around the world, and many who visit his cavernous office space, a renovated warehouse, admire and comment on the artwork of visiting artists like Flores. And importantly, the Overland Partner architects often recommend art they are familiar with for the buildings they design. Jenna Accord of Overland Partners curated the Flores exhibit.

Fort Stockton, Flores’s hometown, is known for its historical past when the U.S. Army fought the last of the Indian Wars. The U.S. Army established Fort Stockton in the late 1850s to open up West Texas to freight companies shipping goods from San Antonio to the Big Bend region and Chihuahua, Mexico. In previous centuries the Comanches and Apaches had made the surrounding area part of their territory, drawn to the region by a large source of water later named Comanche Springs. The Indian Wars came to an end in the 1880s with the capture of the great Indian Chief Geronimo, and soon after, Fort Stockton became a center for sheep and cattle raising. The Texas Writers’ Project noted that Fort Stockton with a popula-

tion of 2,695 in the late 1930s was “half Mexican.”

During the 1940s when Flores’s parents Ramon and Josefina were young adults, the Texas Writers described Fort Stockton in this manner: “Adobe houses fringe the town, which spreads out from its limestone and red stucco courthouse. Fort Stockton is a retail center and livestock shipping point.”

Carolina Flores recalls that in the late 1940s and early 1950s, Fort Stockton’s main street businesses were reserved for White merchants. Mexican Americans could shop on Main Street, but they were only allowed to operate their business in the streets adjacent to the main retail business center. In the 1950s when Flores was in grade school, Fort Stockton’s population

classmates. Not having any art role models to emulate, Flores’s artistic talents lay dormant for the next few years. Fortunately, in the seventh grade, Flores enrolled in Ms. Mary Brown’s art class and her hidden talent resurfaced. Mary Brown took a special interest in Flores and provided her with individual painting classes at her home. For the next two years, until Ms. Brown remarried and moved to Los Angeles, that teacher greatly encouraged her to learn about drawing and painting with oils.

Flores’s high school did not offer art classes, so she devoted herself to music classes at school and created art projects on her own time. She excelled in playing the flute and won a scholarship to Sul Ross University in Alpine, Texas. In 1968 she transferred to the University of Texas at Austin which had a highly recognized art department. There she met fellow art students Santa Barraz, Sam Coronado, Richard Arredondo, and Manuel “Chaca” Ramirez. The UT Austin art program had over 700 students, but only a handful were of Mexican descent.

stood at 4,444.

When Carolina Flores started school she knew nothing about art. Her dad, who worked three jobs to give his children a good life, bought her coloring books. But to her knowledge, no one in her community painted or took any interest in art. In the first grade, she demonstrated an ability to draw, a skill that surprised her and her

Upon completion of her studies at UT Austin, Flores moved to San Antonio in 1974 to enroll in UTSA’s newly created art department. Her first classes were offered in the basement of the Institute of Texan Cultures and at the Southwest School of Art. Flores has fond memories of her classes with Charles Field at UTSA. When fellow students questioned her decision to paint about her culture and history, Professor Field came to her defense. She credits Professor Field’s exceptional mentorship with guiding her through her UTSA program. With a Master in Fine Arts degree [MFA], Flores found work as an illustrator with Dr. Jose Carderas’ IDRA program in the Edgewood School District.

Flores had a breakthrough year in 1989 when the San Antonio Museum of Art [SAMA] presented her work in an exhibit “Influence, Segment II.” She was selected

Carolina Flores, “Primos.” Photo by Ricardo Romo

by guest curator Lucy Lippard, a prominent New York art critic, for the Blue Star IV Exhibit. In 1990 Flores opened her Los Aura Studio at the Blue Star Art Complex and became a full-time artist. U.S. Ambassador to Nicaragua Oliver Garza saw her work in 2000 and chose her art piece “Amapola” for his official residence in Managua,

years of the Chicano Movement in Austin. All of the paintings by Flores in the exhibit were from her UT Austin years.

For the Overland Partners exhibit, “Vale Color,” Flores explained that her colors “are vibrant, pure, and fresh.” In her paintings, viewers are made aware of her West Texas roots which she describes as “images of family portraits, highway landscapes, and neighborhood scenes.” Her powerful rendering of a deepgreen maguey plant that her father planted in their backyard is surrounded by homes in her neighborhood. The painting conveys nature in harmony with human development. The bright reds and singular portions of purple provide an ideal contrast to the long stems of Mexico’s most popular plant.

In the painting “Primos,” Flores presents her father Ramon Flores standing with several of his nieces and nephews. The family group, posed next to a wooden windmill, crowded together showing their closeness. The oldest boy wears overalls indicating the way farmwork is a large part of rural life. A deep blue sky and barren trees common to the winter months nearly fill the background. Flores notes in her artist statement that “In these portraits and landscapes are the stories I want to tell with an emotion of color and line.”

In many of her paintings, Flores celebrates life’s important events: weddings, quinceañeras, and special family gatherings. A large portrait of her 1939 parents’ wedding created from a black and white photo fills an entire wall at Overland Partners. In another painting, young girls involved in a quinceañera celebrate the special coming-of-age occasion. Adding a touch of humor, Flores includes a young girl in a white dress at a quinceañera outdoor dance appearing to look around while a young boy is fixated on his cell phone.

Nicaragua.

More recently, Flores participated in an important exhibit at the MexicArte Museum in Austin, Texas. The art show, Chicano/a Arte, Movimiento y Mas: 1960s to 1980s, curated in 2022 by Museum Director Sylvia Orozco, demonstrated the wide range of creative activity during the early

Carolina Flores reflects and honors her community in her paintings. She finds that family, culture, and tradition are more than enough to fulfill one of her beliefs– that life deserves color. Flores’s desire to find the right colors, themes, and designs continues more than forty years after she began her quest for beauty and story in her paintings.

Carolina Flores in her studio. Photo by Ricardo Romo

Carolina Flores, “Rafael and the Bear.” [Flores’s grandfather Rafael Flores roping a bear]. Photo by Ricardo Romo

Carolina Flores, “Maguey.” Photo by Ricardo Romo

Carolina Flores, “Quinceañera Gathering.”

Photo by Ricardo Romo.

Por Sendero Deportivo

Rieleros actual campeón de la categoría Masters 50+ en Potranco Baseball League, mediante sus directivos Juan Sánchez y Servando Hernández, anunciaron el fichaje del famoso jardinero central Jaime "Zurdo" Morales. Quién vendrá a reforzar la novena en la siguiente temporada. Zurdo Morales, nativo de Agujita, Coahuila, quién estará cubriendo el jardin central, en su larga historia. Ha

Zurdo Morales Firmó Con Rieleros

sobresalido en el béisbol internacional. Fue pitcher del club Frontera en Liga del Norte, estuvo en los entrenamientos con San Antonio Misdions y con selección San Antonio en series mundiales de MSBL, obtuvo 3 anillos ganados en la sede Temple, Arizona.

Resultados de Masters. Rieleros ganó 9-1 a Reds con victoria para Amado Gutiérrez "Sorpresa".

Quién dijo lo siguiente:"Sé me fue la blanqueda te -

niendo 2 outs en la última entrada. Me dieron triple y un jitecito. Ellos también traen bates".

Astros de Pedro Espinoza con Alfredo Obregón ganó su quinto partido ante Yankees con pizarra de 11-6. Perdió Moisés Cervantes con relevó de Juan Martínez.

Broncos doblegó a Rangers 16-7, con triunfo para Hugo Méndez y relevó de Nicho Jacome. Y buena defensiva de Macario Rosas quién de tercera base pasó a cubrir la intermedia. Además del contundente bateo de sus compañeros, lo cual aplaudió el manager Jaime Guerrero, el coach Tomás Muñoz y el magnate Roberto Garza. Por Rangers de Benito Martínez y el coach Ruperto Ortega Perdió Tico Herrera. Quién tuvo relevos de Eleazar Bocanegra y Baldo Montelongo.

En la final del playoff categoría Abierta los Cardenales con su as Orlando Barroso derrotaron

5-2 a Texas Jay's de John Alvarado, la derrota fue pará Derek Vázquez con

relevó de Nick Arguello. "Todavía quedan 2 partidos en la serie Campeón de Campeones" dijo Alvarado.

"Ya sé dio el primer paso. Queremos lograr la captura de Campeón de Campeones. Jay's es un equipo competente", afirmó Nacho García, manager de Cardenales. En

partido amistoso Tomateros de los hermanos Javier y Meño Zapata, derrotaron a Padres de Alan Serna con pizarra de 7-6.

En las fotos aparecen Macario Rosas de Broncos. Juan Sánchez, Zurdo Morales y Servando Hernández. Texas Jay's.

(Fotos de Franco).

Friday, August 11 at 8 p.m.

Espíritu Flamenco, A Special Evening Of Flamenco Dance by the Guadalupe Dance Company

Courtesy of Laura Hernandez Aplin

Photos by Edward Benavides

Celebrando Tradiciones -- Espíritu Flamenco is a special evening of Flamenco dance by the Guadalupe Dance Company accompanied by the musical talents of Flamenco guitarist Steve Arispe, percussionist Edwardo Rios and San Antonio’s own cantaora Chayito Champion.

Celebrating 32 years of unprecedented artistry with over a 20-year history of working with Master Flamenco artists in residence, the Dance Company’s depth of work intrigues audiences and choreographers alike. Regularly incorporating Flamenco into its repertoire of thematic ventures and modeled after its vault of work in Mexican Folklorico, the Dance Company’s Espiritu Flamenco production celebrates the essence of life, relationship, renewal and gratitude. Expect an electric evening where dance

and music come alive on the stage of the Guadalupe Theater!

This performance will be one of the last opportunities to watch a live Flamenco

performance in the Guadalupe Theater at its present brilliance before going under renovation.

WHEN: Friday, August 11, 2023, at 8 p.m.

WHERE: Guadalupe Theater

1301 Guadalupe Street

TICKETS $15 to $30 as well as tables of 4 for $150 and can be purchased online

guadalupeculturalarts.org. 210-271-3151

Here is the link for tickets: https://guadalupe2023.eventive.org/schedule/64b57a338 92f8d0059a9d19b

ALIDAD AMBIENTAL DE TEXAS

paraTi! !hecho

EJEMPLO A

AVISO DE SOLICITUD Y DECISIÓN PRELIMINAR PARA UN PERMISO DE CALIDAD DEL AIRE

NÚMERO DE PERMISO PROPUESTO: 170276

LA UNIVERSIDAD AL ALCANCE DE TODOS

B Comm Constructors, LLC, PO Box 200463, San Antonio, Texas 78220-0463, ha solicitado a la Comisión de Calidad Ambiental de Texas (TCEQ, por sus siglas en inglés) la emisión del Número de Permiso de Calidad del Aire Propuesto 170276, que autorizaría la construcción del silo de almacenamiento a granel de cemento ubicado en 1010 Creekview, San Antonio, Bexar Condado de, Texas 78219. Esta solicitud se presentó a la TCEQ el 12 de septiembre de 2022. La instalación propuesta emitirá los siguientes contaminantes: contaminantes peligrosos del aire y material particulado, incluido el material particulado con diámetros de 10 micras o menos y 2,5

En Alamo Colleges District puedes eligir tu propio camino a un título universitario o certificación, con la seguridad de tener coaching de carrera personalizado de principio a fin.

El director ejecutivo ha completado la revisión técnica de la solicitud y ha preparado un proyecto de permiso que, de ser aprobado, establecería las condiciones en las que la instalación debe operar. El director ejecutivo ha tomado una decisión preliminar de emitir el permiso porque cumple con todas las reglas y regulaciones. La solicitud de permiso, la decisión preliminar del director ejecutivo y el bosquejo del permiso estarán disponibles para su visualización y copia en la oficina central de la TCEQ, la oficina regional de la TCEQ San Antonio y el condado de Carver Library, 3350 East , Texas a partir del primer día de publicación de este aviso. El archivo de cumplimiento de la instalación, si existe alguno, está disponible para su revisión pública en la oficina regional San Antonio

Ya sea que empieces y te gradúes aquí o empieces aquí y termines en otro lado, ponemos la universidad al alcance de todos, y todo tipo de carreras presenciales y en línea.

Puede enviar comentarios públicos o solicitar una reunión pública sobre esta solicitud. El propósito de una reunión pública es para brindar la oportunidad de enviar comentarios o hacer preguntas sobre la solicitud. La TCEQ convocará una reunión pública si el director ejecutivo determina que existe un grado significativo de interés público en la solicitud o si lo solicita un legislador local. Una reunión pública no es una Puede enviar comentarios públicos adicionales por escrito dentro de los 30 días posteriores a la fecha de publicación de este aviso en el periódico de la manera establecida en el párrafo CONTACTOS E INFORMACIÓN DE LA AGENCIA a continuación.

RESPUESTA A LOS COMENTARIOS Y ACCIÓN DEL DIRECTOR EJECUTIVO. Después de la fecha límite para los comentarios públicos, el director ejecutivo considerará los comentarios y preparará una respuesta a todos los comentarios públicos relevantes y materiales o significativos. Debido a que no se han recibido solicitudes de audiencia oportunas, después de preparar la respuesta a los comentarios, el director ejecutivo puede emitir la aprobación final de la La respuesta a los comentarios, junto con la decisión del director ejecutivo sobre la solicitud, se enviará por correo a todos los que hayan presentado comentarios públicos o estén en una lista de correo para esta solicitud, y se publicará electrónicamente en la Base de Datos Integrada de los Comisionados (CID, por sus Cuando estén disponibles, la respuesta del director ejecutivo a los comentarios y la decisión final sobre esta solicitud podrán consultarse a través del sitio Web de la Comisión en . Una vez que tenga acceso al CID utilizando el enlace anterior, ingrese el número de permiso para esta solicitud que se proporciona en la parte superior de este aviso. Este enlace a un mapa electrónico de la ubicación general del sitio o instalación se proporciona como cortesía pública y no como parte de la solicitud o aviso. Para conocer la ubicación exacta, consulte la solicitud. https://tceq.maps.arcgis.com/apps/webappviewer/index.html?id=db5bac44afbc468bbddd360f8168250f&marker=-

Hasta el mínimo detalle de tu experiencia universitaria está específicamente hecho para ti: matrículas económicas para que puedas estudiar y aprendizaje del mundo real para que luego puedas ganar mejores salarios en el sector salud, ciberseguridad, manufactura y más.

Descubre la oportunidad hecha para todos en una universidad hecho para ti.

TCEQ - (APD-ID 143v1.0, revised 05/22) Second Notice for Initial Permit (Uncontested) – Spanish Template This form is for use by facilities subject to air quality permit requirements and may be revised periodically. Page 1 of 2

Puede solicitar ser colocado en una lista de correo para obtener información adicional sobre esta solicitud enviando una solicitud a la Oficina del Secretario Oficial a la dirección a continuación.

CONTACTOS E INFORMACIÓN DE LA AGENCIA. Los comentarios y solicitudes públicas deben enviarse www14.tceq.texas.gov/epic/eComment/ , o por escrito a la Texas Commission on Environmental Quality, Office of the Chief Clerk, MC-105, P.O. Box 13087, Austin, Texas 78711-3087. Si se comunica con la TCEQ electrónicamente, tenga en cuenta que su dirección de correo electrónico, al igual que su dirección postal física, se convertirá en parte del registro público de la agencia. Para obtener más información sobre esta solicitud de permiso o el proceso de permisos, llame al Programa de Educación Pública al número gratuito 1-800-687-4040. Si desea información

También se puede obtener más información de la B Comm Constructors, LLC en la dirección indicada anteriormente o llamando a Sr. Billy Baldwin, Presidente al 210-287-3833.

Enmendada Fecha de Emisión del Aviso: 20 de junio de 2023

Inspiring Excellence: Dr. Naydeen González-De Jesús' Stellar Start as President of San Antonio College

By Sonny Melendrez

Dr. Naydeen

González-De Jesús assumed the esteemed position of the 13th president of San Antonio College on January 9, 2023. She is the second woman president in the school’s near century-long history.

Embracing her new role with vigor, she initiated an ambitious 100-day learning tour, immersing herself in a journey of active listening and exploration. The primary objective of this tour was to gather valuable insights and perspectives from diverse stakeholders, with the ultimate aim of shaping a fresh and dynamic strategy for SAC's future success.

During this transformative period, Dr. Naydeen engaged with a wide spectrum of individuals, ranging from students, faculty, and staff to influential community leaders. She graced numerous events, spanning from high-level conferences and thought-provoking keynotes to more casual gatherings like student pizza parties and orientation sessions.

Throughout this comprehensive and intensive interaction with over 2,000 individuals in just four months, Dr. Naydeen was deeply moved and inspired by

the unwavering passion and belief that everyone shared for San Antonio College. It became evident that the institution held a special place in the hearts of those connected to it, and their collective dedication to its future was resolute.

With profound insight gleaned from her encounters, Dr. Naydeen has laid out her remarkable experiences and key themes she identified during her first 100 days in office.

This special report offers an illuminating account of the activities undertaken, the vision unveiled, and the invaluable perspectives gained. Armed with this wealth of knowledge, she now stands prepared to craft the next strategic steps that will steer our community’s historic college towards an even more promising tomorrow.

For those of us who owe our professional start to San Antonio College, Dr. Naydeen’s leadership and vision of the future is nothing short of awe-inspiring.

Dr. Naydeen’s open letter to the SAC family and the San Antonio community of friends reflects her deep commitment to the success of students, faculty and staff:

(INSERT dr-naydeen-sac-first100-days PDF)

“The next chapter for our college is just beginning and the journey is going to be exciting. I look forward to working with all of you, as we build SAC’s future together.” ~Dr. Naydeen

Find your passion at San Antonio College by visiting: www.alamo.edu/sac

Introducing the 2023 Buick EnvisionWhere Elegance Meets Performance!

By Albert Flores

Buick has always been considered as a luxury brand that delivers style, power, and performance. Well, they have truly outdone themselves with this latest addition to their exceptional lineup. The Envision seamlessly blends striking exterior design, a beautifully crafted interior, cutting-edge electronics, remarkable passenger capacity, impressive fuel efficiency, and a suite of advanced safety features, making it a standout in its class.

Let's start by talking about the exterior finish of the 2023 Envision. Buick has spared no expense in creating a sleek and sophisticated appearance. The flowing lines and bold curves of this crossover are a testament to Buick's commitment to delivering elegance. With its signature waterfall grille, distinctive LED headlights, and available 20inch alloy wheels, the Envision exudes an air of refinement and class that's hard to match.

Once you step inside the Envision, you'll be greeted by a beautifully crafted inte-

rior finish that is truly, luxury. Premium materials are used throughout the cabin, providing a touch and visual delight. The plush leather seats, leatherwrapped steering wheel, and genuine wood accents elevate the Envisions interior to a level of class that is typically found in higher-priced luxury vehicles. The spacious cabin ensures a comfortable ride for all passengers, and with the available panoramic moonroof, you can enjoy an expansive view of the sky above, adding a touch of openness and freedom to the entire experience.

Now, let's delve into the electronics featured in the 2023 Envision. Buick has integrated cutting-edge technology to make every drive a connected and convenient one. The centerpiece is the intuitive and userfriendly 10.2-inch infotainment touchscreen display, which supports smartphone integration, providing easy access to your favorite apps and navigation tools. With the available wireless charging pad, you can keep your devices powered up

without the hassle of cords cluttering the cabin. The Envision also comes with a high-quality sound system that offers an impressive audio experience, ensuring your favorite tunes sound just as they should. When it comes to passenger capacity, the Envision can comfortably accommodate up to five individuals, making it ideal for family outings or road trips with friends. The ample legroom and headspace in both the front and rear ensure that even tall passengers can stretch out and enjoy the journey. With the price of gas lately, let's talk about fuel efficiency. The 2023 Buick Envision has an impressive set of mileage figures, making it a practical choice for those conscious of their carbon footprint and fuel expenses. With an average of 25-30 miles per gallon (mpg) on the highway and around 2226 mpg in the city, the Envision strikes an excellent balance between power and efficiency. Safety is very important in Envision, and Buick has pulled out all the stops to ensure a secure ride for all occupants.

With a suite of advanced safety features like forward collision alert, lane-keeping assist, blindspot monitoring, and automatic emergency braking, the Envision actively helps prevent accidents and provides added peace of mind on the road. Additionally, the Envision is equipped with a comprehensive airbag system and a sturdy frame, earning it top marks in crash safety tests. Now, let's answer the question, how far can the 2023 Buick Envision travel before fueling up? With its fuel-efficient engine and generous fuel tank, the Envi-

sion can travel approximately 450-500 miles before requiring a refueling, depending on driving conditions and driving habits. This makes it a great choice for both daily commutes and long journeys. The 2023 Buick Envision was released by Buick in the fall of 2022, making it one of the latest additions to their impressive lineup of vehicles. In conclusion, the 2023 Buick Envision is an outstanding vehicle that brings together elegance, comfort, and performance in one remarkable package.