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Voice-Tribune July 2026

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JULY 2026

Rare 203 Year Old Stone Copy of

DECLARATION

of INDEPENDENCE

on Display in Louisville

Plan Your PERFECT DAY

Your Guide to the Perfect Louisville Wedding

Les Claypool Milestone Season for

LOUISVILLE BALLET

ALL IN ON LOVE

Wedding Fashion at

BELTERRA

CASINO RESORT

75TH ANNIVERSARY Women in Film

KENTUCKY

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August 29 T H E H E N RY C L AY


To the Many Voices of Louisville, Love is in the air. As summer unfolds, I know many proposals are happening, whether here in Louisville or at a destination chosen specifically for that magical moment when someone asks the “big question.” There is something timeless about watching two people choose one another and decide to build a future together. Recently, someone asked me an interesting question: “Is marriage just a religious thing?” I loved that question because, while faith may certainly be part of it for many people, at its core marriage is really about something even more universal: commitment. More specifically, it’s about deciding where you want to spend the one thing you can never get back; your time. Time is our most valuable resource. When two people choose marriage, they are making a promise to share their time, their dreams, their challenges, and their lives with one another. It is an act of faith, trust, and hope. It is a decision to move forward together, knowing that the future is never guaranteed but choosing each other anyway. As I reflected on that idea, I couldn’t help but think about another extraordinary commitment we celebrate this month. This July marks the 250th anniversary of our nation’s founding. On July 4, 1776, fifty-six individuals signed the Declaration of Independence and committed themselves to something larger than themselves. They took a leap of faith not unlike the one made in marriage. They pledged their lives, their fortunes, and their sacred honor to the creation of a new nation built upon the radical idea that people could govern themselves. For the first time in history, individuals from different backgrounds, cultures, professions, and colonies united around a common purpose. They believed in the right of citizens to choose their leaders, to support or challenge those leaders, and to participate in shaping the future of their communities. It was a bold commitment, one that required sacrifice, courage, and an unwavering belief in what could be. In many ways, both marriage and democracy depend on the same thing: people choosing to invest in something greater than themselves. This month’s issue celebrates those commitments in all their forms. We explore weddings and the many ways today’s couples are creating celebrations that reflect who they are. From intimate gatherings to grand celebrations, from family traditions to modern expressions of love, each story reminds us that no two journeys look exactly alike—and that’s something worth celebrating. At their best, weddings tell a story. They honor where we have been, the people who helped shape us, and the future we hope to build together. They remind us that while styles and trends may change, the reasons we gather remain remarkably consistent: love, connection, family, and community. As you turn these pages, whether you’re planning a wedding, remembering your own, celebrating an anniversary, or simply reflecting on the commitments that have shaped your life, I hope this issue inspires you. After all, the most meaningful commitments, whether to a person, a family, a community, or a nation, begin with the same simple choice: showing up, day after day, and choosing it again. Thank you for being part of our VOICE-TRIBUNE family. Don’t Miss Out! Get your tickets to Best Dressed Kentucky 2026, benefiting the Louisville Ballet. We look forward to celebrating fashion, philanthropy, and community with you. Warmly,

Amelia Frazier Theobald Publisher & CEO, The VOICE-TRIBUNE VOICE-TRIBUNE JULY 2026

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Editor’s Note Weddings remain one of our most enduring cultural rituals. They offer a rare public acknowledgment of private commitment, where togetherness is both witnessed and affirmed by community. What endures is not the perfection of the event, but the sense that love, in its most grounded form, is a practice of choosing and re-choosing each other within the ordinary day-to-day ups and downs of shared life. I hope those who may be looking to make that promise find inspiration in these pages. Take care,

Alisha Proffitt Chief Director of Editorial & Editor

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JULY 2026 VOICE-TRIBUNE


PRESIDENT/CEO, AMELIA FRAZIER THEOBALD OPERATIONS MANAGER, MARY ZOELLER CHIEF DIRECTOR OF EDITORIAL & EDITOR, ALISHA PROFFITT CHIEF REVENUE OFFICER & DIRECTOR OF SALES, JULIE KOENIG CHIEF GRAPHIC DESIGNER, JOSH ISON COPY EDITOR, RENAE ISON SOCIAL MEDIA MANAGER & EXECUTIVE ASSISTANT, BRYLEA PEACH ACCOUNT EXECUTIVE & FASHION DIRECTOR , CLEO HEINE CHIEF EVENT PHOTOGRAPHER & DIRECTOR, EDITORIAL PHOTOGRAPHER & VIDEOGRAPHER, GRAPHIC DESIGNER, KATHRYN HARRINGTON FASHION & EDITORIAL PHOTOGRAPHER, MATT JOHNSON FASHION & EDITORIAL PHOTOGRAPHER & VIDEOGRAPHER, ANTONIO PANTOJA DISTRIBUTION, KELLI & RAGAN VAN HECKE, JILL & JOHN MINNIX, TANNER BATEMAN CONTRIBUTING WRITERS: ALISON CARDOZA, ALISHA PROFFITT, JACKIE ZYKAN, KELSEY KNOTT, KEVIN MURPHY WILSON, LAUREN TAYLOR CARR, LINDA COTTER, REMY SISK, RUSS BROWN, TRACY SOUDER CONTRIBUTING PHOTOGRAPHERS: GIOIA PATTON, JACKIE ZYKAN. KORTNEE KATE PHOTOGRAPHY, LOUISVILLE BALLET, MARK MULLOY, MARTY KING, UOFL ATHLETICS

VOICE-TRIBUNE JULY 2026

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FEATURES

38

12 America250: Iconic Stone Declaration of Independence copy on view in Louisville By RUSS BROWN Photos Provided

16 White Picket Real Estate: A Louisville Brokerage Built Around Community By VOICE-TRIBUNE Photos By Matt Johnson

20 Robert Lukes By RUSS BROWN Photos By Matt Johnson

22 Worth the Wait: A Conversation with Dwight Rich, CFP®, Founder of Rich Wealth Management By VOICE-TRIBUNE Photo By Matt Johnson Sponsored

28 Lights, Camera, Kentucky: Abi Van Andel on building a creative career, championing women in media, and why the Bluegrass State is fertile ground for filmmakers. By Lauren Taylor Carr Photos Provided

32 A Milestone Season for Louisville Ballet By VOICE-TRIBUNE Photos By Louisville Ballet

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JULY 2026 VOICE-TRIBUNE

Monumental, Gaudy, and Full of Hot Air: Claire Ashley on Inflatable Art By Kevin Murphy Wilson Photos Provided

44 Monarch Artist Feature: Joe Autry By Kelsey Knott Photos By Matt Johnson

50 Les Claypool talks Golden Eggs and Parrot-Oxes By Lauren Taylor Carr & Kevin Murphy Wilson Photos Provided

56 Jackie Zykan Maître Liquoriste + Perfumer + Herbalist

60 All in on Love: Wedding Fashion at Belterra Casino Resort Photos By: Antonio Pantoja, Kathryn Harrington & Matt Johnson Styled By Cleo Heine Sponsored

88 Celebrate Her Moment in Style with Glasscock Boutique: Making a fashionable impression as the mother of the bride By Remy Sisk Photos Provided by Glasscock Boutique


ON THE COVER: YOLANDA EVANS-JOHNSON & JOHN JOHNSON PHOTOGRAPHED BY KATHRYN HARRINGTON AT BELTERRA CASINO RESORT

94 The Soundtrack of “I Do” Couples Bring Bands Back to Weddings By VOICE-TRIBUNE

96 Is a Micro Wedding Right for You? By VOICE-TRIBUNE

98 Plan Your Perfect Day: Your Guide to the Perfect Louisville Wedding By VOICE-TRIBUNE Sponsored

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120 108 Strength, Stamina, and Success By Alison Cardoza Photos By Matt Johnson

Community Engagement By: Dr. Jason Roop

122 Louisville Calendar

110 Grit Like Britt: Coach’s son proved inspiration for Kings’ surprising USF title By RUSS BROWN Photos Provided

125 SOCIETY

147

THANK YOU TO SPONSORS

114

60 >

Emily & Dylan Harris Wedding Photos By Kortnee Kate Photography

Where Luxury Meets Results: The Oasis Spa Experience By Alison Cardoza Photos By Matt Johnson VOICE-TRIBUNE JULY 2026

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A Higher Standard of Real Estate Representation Strategic advice. Elevated marketing. Exceptional results. Backed by local expertise and a global network, Laura Rice & Associates delivers a real estate experience designed to exceed expectations.

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559 Sunnyside Drive

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3212 Grand Lakes Drive

Louisville, Kentucky | Sale Pending at $798,000

1574 Wales Run Road

Louisville, Kentucky | Sold at $565,000

5511 Apache Road

17106 Deer Crossing Trail

Fisherville, Kentucky | Offered at $984,900

Louisville, Kentucky | Under Contract at $750,000

4009 Mosswood Lane

Louisville, Kentucky | Offered at $460,000

1302 Conservatory Lane

Louisville, Kentucky | Sold at $606,500

11812 Garden Grove Way

Louisville, Kentucky | Offered at $375,000

©2026 Lenihan Real Estate, LLC. All Rights Reserved. Sotheby’s International Realty® and the Sotheby’s International Realty Logo are service marks licensed to Sotheby’s International Realty Affiliates LLC and used with permission. Lenihan Real Estate, LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each franchise is independently owned and operated. Any services or products provided by independently owned and operated franchisees are not provided by, affiliated with or related to Sotheby’s International Realty Affiliates LLC nor any of its affiliated companies.

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12 JULY 2026 VOICE-TRIBUNE


ICONIC STONE DECLARATION OF INDEPENDENCE COPY ON VIEW IN LOUISVILLE By RUSS BROWN | Photos By Matt Johnson & Provided The original parchment of the Declaration of Independence with the signatures of all 56 delegates to the Second Continental Congress, who unanimously approved the document on July 4, 1776, has been on permanent public display in the rotunda of the National Archives Building in Washington DC since 1952. However, the image most familiar to Americans is the engraving of the Declaration by Wiliam J. Stone in 1823 because it’s the reproduction most illustrated in history books, displayed in schools, libraries and sold as souvenirs. Only about 30 of Stone’s copperplate facsimiles of the Declaration, part of 200 copies in parchment that were commissioned by Secretary of State John Quincy Adams, are estimated to still be in existence. And Kentuckiana residents can get a closeup look at one, thanks to prominent Louisville attorney Mark Malloy and his family. This rare 203-year-old piece of American history was unveiled in January at the Sons of the American Revolutionary Genealogical Library in downtown Louisville and will remain on display until Labor Day weekend as part of the city’s America250 celebration. “We are so fortunate here in Louisville that we have an incredibly rare original of the Stone copy for our community and our nation to see firsthand,” Mayor Craig Greenberg said at the unveiling. “To be reminded of the ideals and challenge to keep working towards the goals set forth in the Declaration of Independence.” How it got here is a story in itself primarily due to Mark’s father William P. Malloy, a Male High and University of Louisville graduate, and a U.S. Army veteran during WWII who became a collector of manuscripts and art after setting up his law practice in Louisville. “It’s as fascinating as it can be,” Mark -- who describes himself as a “history nut” -- said of the origins of the Declaration, the copies that followed, and how one of the artifacts came into his dad’s possession. “Manuscripts and art, those were passions dad had; he was a lover of history.” By 1820 the original document was deteriorating, so Jefferson ordered the production of 200 copies to ensure its survival for future generations and hired Stone, an engraver in Philadelphia, to produce a copper plate engraving. “It was a wet ink transfer onto the plate, and he produced the exact size, 24x30, literally identical,” Mark said. “Then Congress authorized 200 copies printed on parchment, designed to be able to be preserved longer. Copies were distributed to the surviving signers, government officials, universities and others. William Malloy learned from the head of the International Manuscript Society that a copy was in the Scriptorium in Beverly Hills, Calif. (which is now closed). He contacted the owner, had it authenticated, then purchased it. “His intent had always been not to keep the document for himself, but to give back to this community,” Mark said. “He was incredibly proud of what he had been able to achieve with a public school education here in Jefferson County. He was a lover and collector of art, manuscripts, documents of all kinds, but first and foremost, he loved this community. And if there is one word among many that would define my family and my family members, I would use the word patriots.” So William gifted the copy to Jefferson County in 1986. Then Jefferson County Judge Executive Harvey Sloane said at the time that the gift was fitting for a county named after Thomas Jefferson, who wrote the first draft of the Declaration of Independence and whose statue, named the Jefferson Monument, in front of Louisville Metro Hall (formerly the Jefferson County Courthouse) was dedicated in 1901. The document sat in a climate-controlled cabinet in the rotunda of the Courthouse for years until the case began deteriorating, prompting a transfer in 2014 to a climate-controlled storage area in the UofL Archives. Finally, a decision was made to bring it back out into public view to correlate with the 250th anniversary celebration. Mark Malloy said he inherited his own love of history not just from his dad, but also his mother, Katie, who met William when both were serving as law clerks at different firms in nearby buildings in downtown Louisville. VOICE-TRIBUNE JULY 2026

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“Mother was every bit as much a lover of history as pop,” Mark said. “For a person with no further education than high school, my mother was one of the most well-informed, well-read people I ever knew. My two brothers and I all very much inherited from both our parents their love of history. Not just in this community, but in the nation and the world too.” However, he noted that his interest in Louisville’s copy of the document and its current access to the public goes beyond his parents’ influence. “I’m not passionate about this because it’s something my family did,” he said. “I’m passionate about this because I really do think it’s pretty darn cool. Think about the history of this country and what the Declaration of Independence embodies. If we are still the society that I hope to goodness we are, and if we do embody the ideals I honest to goodness hope we still do… then it’s just really pretty daggone cool that something as rare as this is here, and we have a chance to use it as a community to perhaps open eyes, maybe help educate the next generation.” Drew Hight, marketing and public relations manager for the SAR Library, said the free exhibit has been popular, although he didn’t have specific numbers. The SAR library at 809 West Main St. (across from Louisville Slugger Museum) is open from 8:30 a.m.-4:30 p.m. M-F and the third Saturday of every month from 9 a.m.- 4 p.m. After Saturday, Sept. 5, it will be returned to a storage facility at UofL. Hight said no concrete plans have been made to display the Stone document again in the future, but that possibility hasn’t been ruled out. Additional information may be obtained at library.sar.org/the-1823-stone-declaration.

14 JULY 2026 VOICE-TRIBUNE


VOICE-TRIBUNE JULY 2026

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16 JULY 2026 VOICE-TRIBUNE


A LOUISVILLE BROKERAGE BUILT AROUND COMMUNITY By VOICE-TRIBUNE • Photos By Matt Johnson

When Kyle Elmore entered the Louisville real estate industry in 2015, he saw an opportunity to create a new kind of real estate experience. After several years in the business, he launched White Picket Real Estate in 2020 with a vision for a locally founded, independent brokerage centered on relationships, expertise, and community involvement. “When I founded White Picket in 2015, I saw an opportunity to create a Louisville-based brokerage that combined high-level professionalism with a more personal, community-centered approach,” Elmore says. “Real estate is one of the most important decisions people make, yet too often the experience feels transactional.” White Picket was created with Louisville at its heart and core. Rather than immediately expanding into multiple markets, Elmore focused on building a company that understood the city’s neighborhoods, culture, and people. That local knowledge remains one of the brokerage’s defining qualities. “Louisville has always been at the heart of who we are and always will be,” Elmore says. “Every neighborhood in Louisville has its own personality, history, and sense of place.”

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That philosophy impacts the way White Picket guides clients through the home buying and selling process. Whether someone is attracted to the historic character of the Highlands, the family-oriented neighborhoods of the East End, or downtown living, the team understands that choosing a home often means choosing a lifestyle and a community. Elmore’s background in communications, government relations, and startup finance helped establish the culture and strategy behind White Picket. Those experiences emphasized the importance of relationships, strategic planning, adaptability, and responsible growth. Today, the brokerage continues to prioritize transparency, collaboration, and personalized service. The early years of building the company came with challenges, particularly as a newer face in a competitive Louisville real estate market. “The real estate industry is highly competitive, and as an outsider who was not born and raised in Louisville, I had to prove that I could deliver results while maintaining an exceptional client experience,” Elmore says. Over time, White Picket grew through strong client relationships, referrals, and a commitment to its values. There was no single moment when Elmore felt the company had outgrown its startup roots. Instead, growth came through a series of achievements that confirmed the company’s direction. “What has been most rewarding is that even as we’ve grown, we’ve maintained the culture and values that helped us connect with the city and succeed in the first place,” he says. Community involvement remains an important part of White Picket’s identity. The brokerage encourages each agent to support a locally run charity that aligns with their own passions and mission, reflecting the company’s commitment to strengthening Louisville beyond real estate transactions. Looking toward the future, White Picket plans to continue growing while protecting the personal approach that helped establish its reputation. “We are proud to be locally founded and operated as an independent, boutique brokerage and not some corporate conglomerate and we will always remain true to that vision,” Elmore says. As Louisville continues to evolve, White Picket’s mission remains focused on helping clients find their place in a city that values connection, neighborhood pride, and community.

18 JULY 2026 VOICE-TRIBUNE


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20 JULY 2026 VOICE-TRIBUNE


By RUSS BROWN • Photos By Matt Johnson With the current focus on America 250, I recently had the pleasure of interviewing 103-year-old Robert “Bob” Lukes, a United States Navy World War II veteran (Lieutenant Junior Grade) who has lived in Louisville most of his life and now resides in a retirement community in the city. Lukes was commissioned as part of the historic V-7 program and served in the Pacific Theater as an officer aboard the USS Saint Croix Attack Transport, in support of combat operations in territorial waters of Guadalcanal, Guam, New Guinea, and Leyte. He was also part of the “Magic Carpet Ride,” the Navy’s massive transport of more than 3 million troops home from the Pacific. The Navy V-7 program was an expedited World War II-era U.S. Naval Reserve Midshipmen’s School launched in June 1940 to rapidly train 36,000 reserve officers. The goal was to prepare officers for commands in the vastly expanding Navy fleet in preparation for a potential U.S. entry into the war. Authorized by President Franklin D. Roosevelt, candidates were required to have a recognized college degree, with subsequent requirements adding specific math and science prerequisites. Following a 30-day indoctrination, candidates were put through an intensive 90-day officer training pipeline, commissioning them as ensigns in the Naval Reserve. Trainees initially served one month at sea as seamen, followed by rigorous academic and tactical training ashore for three to four months. As the son of a master machinist, Lukes grew up in California -- in Huntington Beach and San Francisco. He joined the U.S. Navy Reserve while working in the stock room of a hospital in Bakersfield before enrolling in the University of San Francisco, a Jesuit college, where he majored in chemistry. Why USF? “Well, the number one reason was I got a free ride because the head nun at the hospital was a friend of the president,” he said. “One thing I learned at a Jesuit school is you can never win an argument with a Jesuit.” After graduating he was called to duty. “One day I was graduating, the next day I was on my way to the Navy.” He was sent to Notre Dame, one of six universities that served as V-7 training centers for the 90-day program. “I was made an officer and a gentleman,” Lukes quipped. He then specialized in electrical engineering in classes run by MIT before being assigned to the St. Croix (“we called the ship “the Crux”), where he was the officer in charge of radar operation and maintenance. That was an extremely important position, of course, even though he didn’t see any combat. “Our ship traveled all over the Pacific, but I never fired a shot in anger,” Lukes said. “The Navy didn’t want a ship in combat if they didn’t trust the captain.” “He was in his 70s. I don’t think I would have trusted him either,” he joked. “Dad had the good fortune of never being in combat,” said his daughter, Marguerite, who lives in Brooklyn, N.Y. “They were moving 2,000 troops from one place to the other. But they still had to know where all the (enemy) ships were and there were some scary times for him with the radar.” After the end of the war, Lukes returned to Notre Dame on the GI Bill for his PhD in chemistry, embarking on the road that led to Derby City. While working in Erie, Pa., he got a job offer from General Electric in the mid-1950s and spent over 30 years in Appliance Park before retiring. A question about what he liked about Louisville when he moved here gave Lukes another chance to exhibit his sharp wit. “The main thing I liked was getting out of Erie,” he said with a grin. “Dreary Erie, the mistake by the lake.” Although his hearing and eyesight have become a challenge, as well as mobility, he enjoys watching KET programs and spending time outside when able. Lukes, who has outlived three of his six children, has six grandchildren and five great grandchildren. A daughter, Anita, and two grandhildren live in Louisville. His neat, ranch-style home is filled with handiwork from his main hobby, woodworking -- including tables of various sizes, lamps, clocks, bowls. He also built quilting stands and frames for his wife, Mary, along with a cradle that has been handed down through five generations. His talent in that area surfaced early, when he built a kayak while living in Bakersfield and used it for nocturnal explorations of the irrigation canals in the Central Valley near Bakersfield. Later in life, in addition to woodworking, he enjoyed traveling and volunteering as a reader for the blind. He was commissioned as a Kentucky Colonel by Gov. Louie B. Nunn, and was appointed as a member of the Alternate Energy Project Review Committee by Gov. John Y. Brown Jr. in 1982. Lukes has lived through three major milestone anniversaries in U.S. history: Sesquicentenial (1926); Bicentenial (1976); and Semiquincentenial (2026). VOICE-TRIBUNE JULY 2026

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By VOICE-TRIBUNE • Photos By Matt Johnson • Sponsored You’ve been in financial services for nearly 30 years. What made you go out on your own? After nearly 20 years at Merrill Lynch, I had built something I was genuinely proud of—deep client relationships and a clear vision for how financial planning and investment management should be delivered. But I kept running into the same challenge: I wanted the freedom to serve clients without the constraints that could come with a large institution. Going independent allowed me to do exactly that. Rich Wealth Management was founded on a simple idea: the client’s interests should always come first. Independence gives me the flexibility to provide advice tailored to each client’s unique goals and circumstances, without outside influences. It was the best professional decision I’ve ever made. My only regret is that I didn’t do it sooner. What’s the biggest mistake you see people in their 50s and 60s make? Waiting. People often come to me at 58, 62, or even later with substantial assets and a lot of uncertainty. One of the most common things I hear is, “I wish I’d started this sooner.” The good news is that thoughtful planning and a well-designed investment strategy can often accomplish more than people realize. The mistake isn’t being late; it’s allowing regret or embarrassment to prevent you from taking the next step. I’ve never judged anyone for where they’re starting. What matters is where they’re going. We can’t change the past, but we can create a clear plan and a strategy designed around your goals, your needs, and the future you want to build. You hold the CFP® designation and operate as a fiduciary. Can you break that down? The CFP® designation represents a rigorous standard of education, experience, ethics, and ongoing professional development. It’s one of the most respected credentials in the financial planning profession. Being a fiduciary means I am legally obligated to act in my clients’ best interests. That may sound like something every advisor does, but not all financial professionals are held to the same standard at all times. At Rich Wealth Management, fiduciary responsibility isn’t just a legal requirement—it’s the foundation of how we serve clients. Every recommendation begins with one question: “What’s best for the client?” VOICE-TRIBUNE JULY 2026

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What does a first conversation actually look like? Is it intimidating? Not at all. I tell people to think of it less like a job interview and more like sitting down with someone who’s genuinely interested in understanding your story. We talk about your life—where you are today, where you’d like to be, and what concerns or opportunities are on your mind. Of course, the numbers matter, but they’re really just the language we use to talk about your goals and your future. Most people leave that first meeting feeling relieved. They finally have a clearer picture of where they stand and what their next steps might be. That’s a great feeling for both of us. What do you wish more women understood about wealth and retirement planning? That they’re often better at it than they give themselves credit for. In all my years doing this, I’ve never had a woman crash and burn her own portfolio before coming to me. Men are far more likely to gamble and chase FOMO investments. Women are just more rational with money — and the research backs that up. Studies consistently show that women tend to be more disciplined, more patient, and less prone to the reactive decision-making that can quietly destroy long-term returns. Some of my sharpest, most engaged clients are women who finally decided it was time to take the wheel — or were forced to by the death of a spouse. Either way, they show up ready. They’re remarkable. What do you do when you’re not talking about money? I travel whenever I can. There’s something about experiencing a new place and a different culture that resets your perspective in a way few things can. I’m also a guitar enthusiast—some might say obsessive, although my family has been remarkably patient over the years. I have a particular appreciation for vintage American-made instruments, which tend to cost more than they probably should. I’ve run the numbers. I’ve simply chosen not to share them. (Laughs.) Last question: What do you want someone reading this to walk away knowing? That good financial planning isn’t about being wealthy—it’s about having choices. It’s about having the freedom to retire on your terms, travel when you want, support the people you love, and spend less time worrying about market headlines and more time enjoying life. That kind of confidence and freedom is attainable for many people who are willing to create a plan and stay committed to it. And perhaps most importantly, you don’t have to figure it all out on your own.

That’s what I’m here for. 24 JULY 2026 VOICE-TRIBUNE


Rich Wealth Management is an independent wealth management firm based in Louisville, Kentucky. To schedule a complimentary and confidential consultation with Dwight Rich, CFP®, visit richwealthmanagement.com or call (502) 398-6850. Investment Advisory Services offered through Sound Income Strategies, LLC, an SEC Registered Investment Advisory Firm. Rich Wealth Management and Sound Income Strategies, LLC are not associated entities. VOICE-TRIBUNE JULY 2026

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MAKE HISTORY AT THE FRAZIER

KENTUCKY’S PREMIUM WEDDING DESTINATION The Frazier Kentucky History Museum offers an eclectic selection of large spaces from our spaceous loft and picturesque rooftop garden to boutique cocktail hours in our hidden speakeasy. Make your special day perfect Where the World Meets Kentucky and Gets Married.

829 W. Main St. | FrazierMuseum.org

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1226 E. Breckinridge Street 40204 Offered for $669,900 DEBRA POTH

502.552.7728

2001 Starmont Road 40207 Offered for $829,000 JOANNE OWEN

502.648.5330

2005 Eastern Parkway 40204 Offered for $575,000 JAMES PETERWORTH

502.724.4150

Scan to view this month’s collection of featured properties

3250 Lexington Road 40206 Offered for $699,900 JUDY WATSON

502.240.9334

1202 Wellington Place 40207 Offered for $525,000 JAMES DANIEL CONNER

502.649.9964

7806 Cedar Ridge Court 40059 Offered for $2,195,000 STOUGH-BARLOW TEAM

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By Lauren Taylor Carr • Photos Provided According to its mission statement, Women in Film Kentucky (WIFKY) is a Louisville-based nonprofit dedicated to supporting the professional growth and success of women working across film, video, and other screen-based media by offering access to a broad network of resources, job opportunities, mentorship, and training. We recently caught up with Abi Van Andel, Vice President of the organization’s Board of Directors, to discuss her own journey as an actor and producer. (Spoiler alert: she has worked alongside Anne Hathaway, Mark Ruffalo, and Robert De Niro) Van Andel also shared why she believes Kentucky offers a uniquely rewarding environment for filmmakers and other creative practitioners currently pursuing the cinematic arts. VOICE-TRIBUNE: Can you tell us a bit about your background? Like, where did you grow up, and when did you first become interested in theater and film? Abi Van Andel: “I grew up in rural Michigan on a farm. I guess I was just kind of always interested in acting in plays-I was in church plays, school plays, that type of thing growing up. I think I was almost in high school by the time I learned you could go to college or university for acting. I just loved telling stories and being on stage, connecting with people. The hard work and effort that it takes to put on a play and to present it and have it hopefully resonate with the audience made me want to begin to look into that further. I kept my grades up because a lot of my family did not go on to further their education after high school, so I was one of the first ones to get a four year degree. I applied to many places and was accepted to Syracuse University in New York [State] where I got my BFA in acting. After school, I kind of bounced around to different states doing theater work. I wanted to explore the US a little bit, because a lot of my family continued to live in West Michigan, and I kind of just wanted to see what was out there. I worked and lived in Maine, California, Pennsylvania, and then came to Kentucky to work with the Shakespeare Festival in August of 2008. At that time I was focusing on classical work, Shakespeare, and theater only, but once getting here to Kentucky I had the opportunity to start doing some commercials. I did student films and indie films, and that kind of grew, and I just really loved how very different it is from stage work. I loved the process and I loved connecting with the crew. It’s so interesting to tell the pieces of the story, because at times it’s not chronological and it’s a bit disjointed. Sometimes the scene partner is not even there, or maybe the camera doesn’t fit, so it’s interesting to see the different things you have to work around when filming. Also, you don’t get that same initial audience reaction right away. It takes so much time to put it together and to get it out there and to present it. It’s a year and a half later and you’re watching it in the theater and being like ‘Oh yeah, I remember all of that!’ Interestingly, instead of being on the other side when you are doing a play, when you’re doing a film you are a member of the audience watching and you can kind of experience it with the audience members who might be seeing it for the first time as well. It’s a different kind of connection and it’s pretty cool.” VT: What was your impression, or what sort of things did you notice working alongside such giants as Robert De Niro in “Alto Knights,” as well as Mark Ruffalo and Anne Hathaway in “Dark Waters?” VOICE-TRIBUNE JULY 2026

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AVA: “I loved ‘Dark Waters’ and it was my biggest opportunity before the pandemic. The set was wonderful, and Mark Ruffalo is very kind and very nice. I got quite a number of days on set with him and I played his paralegal in the movie, so I was his right hand gal. All of my scenes were pretty much only with him. I had a few other scene partners, but being with him was a superb treat. Robert De Niro was awesome, and obviously so professional. He’s been doing this for pretty much his entire life. It’s crazy to see someone [like that] in person, and all of his mannerisms-his facial movements, the way he moves his hands, hearing his voice-is just wild! I’ve watched so many of his movies, and I’ve seen and heard him through the screen, but now I get to do it with my own ears and eyes.” VT: Since you are a big environmentalist, the “Dark Waters” role was a good fit for you ideologically, but do you find it hard to play a character that embodies everything you despise or would normally oppose? AVA: “Oh, no, I love everything! I love to get into all facets of it really. I think it’s a safe exploration of humanity, and I think it’s fun as a human to get to try on different characters with different life experiences using your imagination. If I’m not booking like lawyers and judges or people that are very ambitious and put together, my 180 role that I book a good deal of is actually what I lovingly call ‘Trash Mom’[LAUGHTER]. That’s the lady that is not great at raising her kids and usually puts herself first above their needs. That role is usually up against harder circumstances and really struggling, and I love those characters. It’s really fun to explore that, without having to live through it, which I think is what acting and theater is all about.” VT: What prompted you to get involved with the Women in Film Kentucky group, and what is it all about? AVA: “The original co-founders are Laury Christensen and Lauren Fulwiler and they were the President and Vice President [of the Board] a handful of years ago when it first started. I saw it on social media and I recognized a few faces when they were doing their preliminary meetings, and as they were discovering what this thing should be, I reached out and was like ‘Let me know if you all have a mailing list, because I’m interested in that.’ So I think with the growing film industry here, it’s kind of a natural progression. Many of the larger film markets and areas of the industry, not just in the US but the world, many of them have Women in Film chapters. It’s just a natural step of things growing to kind of get a group together that is focused on this one specific issue. I think in many workforces gender inequality is an issue, but particularly in the film industry, it’s just a very male dominated field. Gathering the women together and supporting each other and lifting each other up, helps with the resources and the ability to be hired.

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I think in many areas of work it’s not just a resume that’s coming across the desk. There’s this element of vouching for people too. The more women we can get on set who have worked with other women, we can offer and suggest more women for placement in crew and producing positions. It [WIFKY] has really grown so much in the past few years. We’ve been a non-profit for 3 years now, and our mailing list is a few hundred people now. We have great turnouts at our networking events where people can just connect, talk, and meet. We’re having awesome events under Tara Coco Guptill’s leadership. She is the new president and I’m the VP now for the next 3 years. She’s [Guptill] a screenwriter as well, so we’ve brought back some amazing writer’s groups, and screenwriting sessions under her leadership, and people are really responding to that. It’s been a great avenue, because you don’t need a big expensive camera, or really anyone’s permission or access to be able to engage with the writing aspect of the industry. As women, we have different stories to tell and different points of view. I think that the world is hungry for that at the moment.” VT: How can folks throughout the region get involved? Do they have to already be working in film, or can their interests be aspirational? And are your events ONLY for women? AVA: “Aspirational, for sure! We are kind of across the board that way. We have everything from seasoned veterans who have been in many different positions for decades to brand new people, so it is for everyone. There’s a newsletter that people can sign up for and you don’t have to be a member to receive the newsletter, and that’s through our website. Of course, you can follow us on social media too. We try to post everything there as well, as far as what we’re doing. Every different event we try to be really clear about who is invited. The one we just had was a networking event for creative folks in the business and that was open to all genders and all experience levels. People who just wanted to grow their network, essentially, and that worked out so well. Some of the events are members only, some of them are for women only. We try to clarify for every single event we’re running who this is for and we invite them in.” VT: What are your hopes for the future of the film industry in Kentucky? AVA: “I hope that the sky is the limit, quite honestly. It seems like it’s trending in that way, absolutely. There’s so much growth that can be had and there’s so many good people steering the growth of the industry here. I have full faith in the way things are going. We’re laying some amazing track for things to continue to grow and to be sustainable.” For more information visit, womeninfilmky.org.

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Company Artists Amber Wickey and Daniel Scofield in The Brown-Forman Nutcracker, choreography by Val Caniparoli. Photo by Kateryna Sellers

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By VOICE-TRIBUNE Photos Provided

Louisville Ballet is entering a major period of growth, transition, and expansion heading into its 75th anniversary 2026–2027 season. Across education, leadership, facilities, partnerships, and new programming, the organization is advancing multiple initiatives at once while preparing for a milestone year that blends new work, classical storytelling, and community engagement across Kentucky and beyond. One of the key access initiatives, Ballet Bound, launched its audition tour beginning June 6 and ran through June 21, 2026. Developed in partnership with Olmsted Parks Conservancy, the program held community auditions at multiple Louisville parks and at the Louisville Ballet studios downtown. Designed for children ages 7 to 9, it was created to reduce financial and geographic barriers to early classical ballet training. Approximately 20 children were selected for a tuition-free, year-long training program during the 2026–2027 season. Participants receive classical ballet instruction, dance attire, access to professional teaching artists, and performance opportunities. At the end of the program, up to five students may receive full scholarships to continue training at The Louisville Ballet School through high school, while additional participants may be offered tuition assistance to support continued study. Leadership changes have also marked a major transition period for the organization. CEO Leslie Smart stepped down after approximately 3.5 years in the role and transitioned to the Board of Directors, where she will co-chair the 75th Diamond Anniversary celebration. During her tenure, the organization secured more than $18.5 million in philanthropic support. That period also saw record ticket sales, multiple sold-out performances, and expanded programming reach across Kentucky and Indiana, along with increased engagement in both performance and education initiatives. Her leadership included several long-term institutional developments. These included the launch of a joint arts administration degree program with Bellarmine University and collaborations with Norton Healthcare focused on medical and dance therapy initiatives. The organization also developed a Holocaust-themed production that expanded into educational programming and documentary work. A national search for a new executive director has been underway, while senior leadership and the board have continued managing dayto-day operations during the transition. Louisville Ballet has advanced a $9 million public-private investment initiative aimed at strengthening infrastructure and expanding artistic programming. The funding includes $3 million from the Commonwealth of Kentucky, $3 million in private lead support, and $3 million in donor matching commitments. The investment is directed toward facility upgrades at the Ballet’s studios and school, including building repairs, HVAC replacement, roof work, new studio flooring, and improvements to dancer training and wellness spaces. This initiative has also supported expanded statewide touring and the return of live music collaborations in performances. These efforts are intended to enhance artistic quality and audience experience while reinforcing the Ballet’s cultural presence across Kentucky.

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Dancers in The Louisville Ballet School’s Summer Intensive program. Photo by Kateryna Sellers

The investment aligns with broader organizational development efforts, including expanded education programming and planning for the upcoming anniversary season. Educational outreach continues through a documentary project titled Illumination: Art, Education & Truth, which is scheduled for release on Kentucky Educational Television later in 2026. The film is based on Louisville Ballet’s production Light: A Humanity and Holocaust Project and explores the creation and impact of that work, focusing on remembrance and education through the arts. An accompanying study guide has been developed for middle and high school classrooms to extend the project’s educational reach. The documentary is planned for a public television release in the fall, followed by a private screening. Academic programming has expanded as well through a new Bachelor of Arts in Arts Administration: Dance, created in partnership with Bellarmine University. The program is designed for dancers in Louisville Ballet’s Studio Company and professional ranks, allowing them to continue full-time training and performance schedules while completing a college degree. Coursework is delivered online through Bellarmine alongside hands-on professional experience at the Ballet. The curriculum focuses on arts leadership, including marketing, fundraising, policy, and management, and includes internships with Louisville Ballet and other arts organizations. The inaugural cohort is scheduled to begin in August 2026. Looking ahead, the 2026–2027 season will mark Louisville Ballet’s 75th anniversary and will feature a wide-ranging lineup that combines classical storytelling, contemporary choreography, and seasonal tradition. The season opens with Hamlet & Ophelia in August 2026, performed outdoors as part of the Shakespeare festival, followed by Frankenstein in October 2026, a gothic production staged for Halloween. The holiday season includes The Brown-Forman Nutcracker in December 2026, performed with the Louisville Orchestra. In February 2027, the company will present Carmen, a reimagined modern staging of the classic work. The season concludes in March 2027 with Bourbon & Ballet: A Choreographers’ Showcase, highlighting new and contemporary choreographic voices. Together, the season reflects a balance of large-scale narrative works, seasonal tradition, and new choreography, anchored by the milestone anniversary and continued artistic expansion. Louisville Ballet will be joining us to participate in the VOICE-TRIBUNE’s Best Dressed Kentucky 2026 event, where dancers will perform and model. Proceeds from the event will support Louisville Ballet during this monumental season. Taken together, these developments position Louisville Ballet in a sustained phase of expansion and preparation. The organization is building on initiatives already launched, continuing facility improvements, advancing education and partnership programs, and preparing for a 75th anniversary season that reflects both its history and its evolving artistic direction. For more information and ticket purchases, visit: louisvilleballet.org/season/ 34 JULY 2026 VOICE-TRIBUNE


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CLAIRE ASHLEY ON INFLATABLE ART By Kevin Murphy Wilson • Photos Provided According to her website bio, Scottish-born, Chicago-based artist Claire Ashley “mines the language of painterly abstraction, monumental sculpture, and slapstick humor to investigate inflatables as painting, sculpture, installation, and performance costume.” We recently caught up with Ashley during a visit to Louisville to talk about the artists who have inspired her—including local legend Sam Gilliam, her work with students at Kentucky College of Art + Design, and the creative path that led her to become one of the most distinctive voices in contemporary visual art. VOICE-TRIBUNE: Can you tell us a bit about your background, education, and experience? Claire Ashley: “I think there are a few key pieces of biographical information that might help readers understand my pathway as an artist. I am from Edinburgh, Scotland where I came of age in the 1980s immersed in the fluorescent palette of pop culture and synth-pop/new wave music. Scotland is a very colorful place. People paint their houses, inside and out, with high-chroma colors as a way of coping with the often-formidable weather. My parents were teachers and had a yacht, so we would sail for six weeks every summer during our school holidays off the west coast of Scotland. I am embarrassed to say how long it took me to realize how influential that experience was in the development of my love of large swaths of billowing sail cloth filled with air. Finally in terms of the Scottish piece of my puzzle, I will say that Scottish humor, physical comedy, and a deeply ingrained self-deprecating personality trait as a kind of national requirement, seeps into my thinking and position as an artist. I have also been raised on a diet of art school. There is no other place like it. I have been lucky enough to be trained in two: I received my MFA from the School of the Art Institute of Chicago [Chicago, IL]; and my BFA from Gray’s School of Art [Aberdeen, Scotland]. And I am privileged to have taught in two over the last thirty-three years: at the Kentucky College of Art + Design in Louisville, KY; and at the School of the Art Institute of Chicago in Illinois. I mention this because I would not be making the work I do without having to stay abreast of all the incredible work in the artworld, connect with new generations of student artists, and retool to keep up with new technologies in my teaching. And the last piece of recent biographical information is that I now live in the cornfields of Illinois with my old husband and a menagerie of pets. My three offspring have flown the coop and are living their best lives in various parts of the world. I have built a giant red barn, so I finally, in my 50s, have enough room to make the large-scale inflatable work that I am known for.” VT: Are there any specific artists that inspired you or that you wanted to emulate, or alternatively were there any that you knew you didn’t want to be like? VOICE-TRIBUNE JULY 2026

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CA: “Yes! I am inspired by loads of people, but the major players would be Elizabeth Murray, Niki de Saint Phalle, Sam Gilliam [who once called Louisville home], Claude Monet, Jessica Stockholder, Rebecca Horn, Joan Eardley, and Henry Moore among many others.” VT: How would you describe your visual art in general? CA: “I usually describe my work as obnoxious, monumental, gaudy, and full of hot air. But if I am being more serious, I say that I work with inflatable sculpture as the surface for painting to live and breathe, becoming a tattooed skin of sorts on a kind of hybrid body. These sculptural paintings also become performance costumes and, once kinetic, lumber through the landscape on twelve sets of legs. I find the inflatable form compelling, as it exists in two states - both as flaccid skin and taut volume - metaphors for our bodily processes: inhaling/ exhaling; taught/wrinkled skin; flaccid/erect organs etc. These self-portraits take up space. They make their presence felt. They vibrate with raunchy, energetic life being lumpy, imperfect, and real.” VT: Have your materials, techniques, or interests evolved over the years? CA: “I have become more interested in ways to be more environmentally conscious in the last five years. When we moved out to the cornfields we bought an electric car, installed solar panels, allowed the prairie to regrow on our property, began composting more seriously, and of course we continued recycling albeit with more trouble as the garbage companies out here do not have recycling pick-ups like in Oak Park where we raised our kids. In my work I’ve been experimenting with making my own bioplastics. This concoction is sometimes mixed with paint, or poured into a tray and allowed to dry and shrink. This creates small seaweed-like forms. I’m also trying to modify found plastics from my recycling bin to create small scale embellishments on the inflatable’s surface. And I’m testing out small solar panels attached to the surface of the inflatable to power the fans. I am, however, a maximalist so these experiments are by no means ‘purist.’ I like to think that the work becomes a kind of rolling stone, gathering clues of its pathway through the world on its hide. I’ve been gathering dirt and plant matter on dog walks around my property in Illinois, and experimenting with seaweed from my native Scotland, with a view to using them as a myriad of clues on the bodies of my Anthropocene-like forms. They are maximal conglomerations of the world rather than minimal singularities.” VT: Looking back, what has been the most exciting part of being a professional artist? CA: “I feel supremely privileged to have been able to spend my life following my own quirky set of questions that stretch the traditions of painting, sculpture, and performance art. Although there have been ‘many, many, many’ failures, experiments, and dead-ends along the way, I have made my own set of artistic discoveries and inventions. And I’ve been incredibly lucky to be able to collaborate with other artists on projects that have extended my line of questioning in new and surprising ways too. And I’m still excited about being an artist – work begets work – you never run out of things to do.” VT: So, what comes next for you? CA: “I’m about to travel to Mumbai, India to teach a high school summer intensive art class with Uncommon Labs Asia. I’m also in an exhibition with my super-heroes Nick Cave, Momoyo Torimitsu, Nicole Banowetz, Nancy Davidson, and Andy Warhol, called ‘Fresh Air: Inflatable Sculptures’ at the Cameron Art Museum in Wilmington, NC [It opened on June 19, 2026]. And I’m going to have some dedicated time in my studio in July and August to work on a new group of ‘Standing Stone’ inflatable sculptures. I’ve been thinking of them as ghosts, remnants, residue of ancient monuments and landscapes. They are portable modern monuments for ancient pagan rituals, a tongue-in-cheek nod to the American passion for inflatable garden ornaments, slamming against the towering authenticity of Stonehenge, or in my case the Callanish Standing Stones on the Isle of Lewis in Scotland.” For more information about the artist, visit clairehelenashley.com. VOICE-TRIBUNE JULY 2026

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By Kelsey Knott • Photos By Matt Johnson

If you’ve made it out to the Monarch for a show, you’ve already been surrounded by Joe Autry’s work. A visual artist with sculptures spanning from the Highlands to Latvia, Autry brings life and spirit to the places giving him the space to create. When asked about his art, Autry says, “It’s in my DNA, my blood.” His long-lost grandfather had a similar skill set and the ability to create and fix anything. At his other grandparents’ home, his uncle had a wood-carving room that contributed to his early interest. “When my uncle finished a piece, everybody in the family would go wild over who was getting it. He wouldn’t sell his work. It became a part of my subconscious.” Supporters outside of his family blazed his path as well, from family friends offering found materials to his high school art teacher connecting him to a bronze sculpture mentor at age 17. “That was my first taste that art can be a spiritual practice.” During the 2009 ice storm, the fallen trees were a revelation leading him back to wood carving, inspiring sculptures carved by chainsaw at a low point in his life–one tree the first year, a 30-foot tree the next, five trees the third year, and nine trees the fourth. Alongside his artist path was his encounter with yoga practice, healing some internal suffering after much loss. He even taught yoga for years, traveling to India to study it. His latest work is healing and uplifting in nature, creating a sense of wonder for the viewer. The energy he brings to the studio is unrushed and trust-based, keeping clients satisfied and forming the most prolific work in the city. “That’s the thing that keeps me wanting to do it. They trust me, and I trust the process–starting the journey into the unknown. It works out a hundred percent of the time.” His versatility of materials to manipulate keeps all avenues to expression open. Bronze, wood, chainsaw carving, marble, granite, metal, and ice have all found their way to his hands. “I like exploring all materials. All have their own dialogue and set of tools to be used.” Traveling internationally has been critical in honing his craft and learning from other sculptors. His interest in ice sculpture landed him in Perm, Russia, a sister city, after carving for friends’ parties and fundraisers. “The universe started throwing crazy stuff at me–I didn’t even really have the right tools or clothes and I’d never been out of the country. I was carving with the greats and was underprepared, but they invited me back after practicing for a year, and I ended up winning a spirit award. I started getting invited all over the world to create through this network of sculptors.” In Japan, he teamed up with a Russian friend for a snow sculpture competition, winning first place in their first year and becoming the first ever American-Russian duo to win. In Germany, an indoor ice sculpting event near a cruise port exposed his work to those moving along the Baltic Sea. With an evolving perspective through travel, Autry has sculpted full-time for almost two decades. VOICE-TRIBUNE JULY 2026

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A Portland native with a Corydon upbringing, Autry confirms that “Louisville is the secret center of the universe.” A river town where everything’s on the move and carries the spirit of Muhammad Ali, he doesn’t doubt that there’s something in the ether here, filled with people wanting to do interesting things. “It’s not hard for me to be inspired, because I just think this life is a miracle. Once I realized this was my gift, I got pretty hungry to do it.” Autry gives flowers to Barney Bright, Billy Hirst, and Julius Friedman, who paved the way before him. Autry believes that our culture benefits from everyone finding and doing their thing, striving for their best, and he hopes his work inspires this in others. “We have to take time for ourselves, to be ourselves and explore what we’re good at because I think all of us have an internal calling.” Outside of art, Autry’s two daughters and wife fuel his sense of purpose. “My family is my unit of sanctuary, my nucleus.” His wife is developing a Montessori forest school, earning him the school handyman role, nodding to his past practical jobs in remodeling, painting, tile and masonry work. Head to the Monarch in the next couple of months to see Autry’s new series highlighting other artists and art institutions in our city hanging up, and find more of him on Instagram @autryjoe.

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TALKS GOLDEN EGGS AND PARROT-OXES By Lauren Taylor Carr & Kevin Murphy Wilson | Photos Provided

Although his longtime role in the metal-funk-rock outfit Primus keeps him firmly in the spotlight, that endeavor is just one of many creative ventures currently occupying legendary bassist Les Claypool. In fact, Claypool released three new records this year alone: a collection of Primus rarities, A Handful of Nuggs; a live album from Colonel Les Claypool’s Fearless Flying Frog Brigade, The Return of the Live Frogs Vol. 1; and The Great Parrot-Ox and the Golden Egg of Empathy, a studio LP created with Sean Ono Lennon under the Claypool Lennon Delirium banner. When he’s not making music, Claypool oversees a thriving wine label, Purple Pachyderm Pinot Noir by Claypool Cellars, and serves as chief designer for his own bass guitar company, Pachyderm Instruments. As if that weren’t enough, he is also taking pre-orders for his debut graphic novel and illustrated fable, Frizzle Fry: The Phantoms of Barrington Hall, which arrives in October. We recently caught up with the renaissance man and rock icon for a wide-ranging three-way conversation about creative partnerships, family, the so-called “paper clip conundrum,” and more. Kevin Murphy Wilson: I’m getting ahead of our plan here, but I just saw that [Kentucky-born master musician] Billy Strings sat in at one of your “Claypool Gold” shows this summer for his first live performance since his infamous skateboarding accident. And because you also officiated at his wedding, I was wondering what you can tell us about that friendship and if there are any plans for more intentional collaborations in the future? Les Claypool: “A handful of years ago, I was playing a festival with ‘the Delirium’ and my wife came up to me and said, ‘There’s this band that played earlier in the day and here’s their setlist.’ I looked at the setlist and the first song started with ‘L,’ the second song started with ‘E’ the third song started with ‘S’ the next song started ‘C,’ so on and so forth. It spelled out my name. I was like, ‘Well, that’s a little weird and kind of creepy.’ He [Billy Strings] and his bandmates were big fans, though, so they came over to meet me. I don’t remember meeting Billy that evening, but I met his band. And then, my daughter forced me to get Instagram a handful of years ago as well. Up to that point my idea of being on social media was going on Craigslist and looking for old Chrysler parts. But she said, ‘You know, you really need to get in touch there, Dad.’ So, I got an Instagram account, and I didn’t know what to do with it. I just started posting fishing pictures. And Billy would always comment on my fishing pictures. So, we just kind of connected over that and became friends. We eventually started fishing together and we actually started working on a studio record, but we just have never finished it.” Lauren Taylor Carr: Going back to the beginning of your musical journey, was there a specific bass player or band that inspired you to pick up the instrument? LC: “Kirk Hammett [future founding member and lead guitarist of Metallica] was my friend in high school and was a huge influence on me. He’s pretty much the one that got me into music. He wanted me to sing for his band, which became [thrash metal pioneers] Exodus, but I was just too bashful. I couldn’t sing for shit at the time and I still can’t sing very well. Anyway, I met this other guy in high school who had a band and he was kind of a ‘hot shot guitar player’ and they needed a bass player because nobody wanted to play bass back then. Everybody wanted to be Eddie Van Halen. So, I bought a bass and was in his band. Like most guys where I grew up, we were listening to people like Rush, Led Zeppelin and whatnot. So, Geddy Lee, and John Paul Jones were my early influences on bass. Then Stanley Clarke [Return to Forever], Larry Graham [Sly and the Family Stone], and some people like that.” KMW: I know that later on Kirk Hammett also invited you to audition for Metallica following the tragic 1986 death of [original bass player] Cliff Burton. Even though it didn’t work out, did preparing for that session impact your approach to making music at all? VOICE-TRIBUNE JULY 2026

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LC: “I met Cliff right before he died. And then when he did die, I got the call to come down and audition. And I didn’t really know a lot about Metallica. I had the Ride the Lightning album because Kirk had given it to me. But I wasn’t really into the metal scene, I was into more obscure, more experimental stuff. But in the process of learning those Metallica songs to do the audition, it did start influencing me and some of the Primus material like ‘Frizzle Fry,’ especially ‘Frizzle Fry,’ which I wrote pretty much right after I auditioned for Metallica. There were a lot of changes to that song, you know, it’s a pretty intricate song, and there are some heavier elements to it. So, yeah, that experience definitely started influencing the way Primus was sounding.” LTC: We’re still digesting your latest LP, The Great Parrot-Ox and the Golden Egg of Empathy. There are some really timely themes unfolding within it. Can you break it down a little for our readers? And, like, what inspired you and Sean Ono Lennon to go down that particular rabbit hole? LC: “You know, when ‘Shiner’ [Claypool’s nickname for Sean Ono Lennon] and I decided it was time to start making another ‘Delirium’ record, knowing we wanted to do something special for our third record. We talked about maybe doing an animated piece, we talked about doing a stage show, some sort of ‘Rock Opera,’ but trying to do some sort of conceptual thing does make it a lot harder, because you’re putting up parameters. I’m a very spontaneous person in the studio, and even with my writing, and when you have a narrative you have to follow, it makes it a little more difficult. We had a few different ideas floating around until one day he [Sean Ono Lennon] started talking about this ‘paper clip conundrum,’ which is an actual theory…it’s a ‘mind study,’ and I said, ‘That will be a great concept for this thing.’ So, we started going down the path of this ‘paper clip theory,’ which is the notion that if you give AI a task and tell it to do this task most efficiently, it will do that task to the ‘nth degree,’ to the point where it will absorb all resources on the planet and eventually the universe. So, that was sort of the conduit for the story, whereas actually, the moral of the story has to do with the erosion of empathy we’re seeing on the planet.”

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KMW: The music business seems stranger than ever. In this day and age, and at this point in your career, how do you even measure success? LC: “Everybody has a different way of measuring success. I talk about this to young people all the time. People say, ‘So how do you become successful?’ Well, first of all, you have to define what ‘success’ means to you. Is success a lot of money, is success a lot of sex? [LAUGHTER] Is it getting to do what you want to do, or is it being famous? You know, there are all kinds of things. For me, it has always been about being able to do what I want to do without anybody really telling me a direction or whatever. Obviously, I have my friends and people that I respect that I’ll bounce ideas off of and whatnot. I’ve always said my resume, or my headstone, is going to look pretty cool just because of all the amazing and wonderful people I’ve gotten to befriend and work with…some of them my heroes and some of them new people. So, that to me is my favorite aspect in terms of what I’ve done with my career.” LTC: Looking back from this juncture, what are you most proud of generally speaking? LC: “What I’m most proud of is that I just had my 30th wedding anniversary. Me and my wife [sic] have been together 37 years [total]. I have an amazing family. I’ve raised a couple of spectacular kids. So, that’s what I’m most proud of. And then, being able to go out and travel around in a shiny box [Claypool’s tour bus], which I’m sitting in right now, having my wife with me, doing shows with my friends, and going camping on the days off…that’s pretty incredible!” For more information visit LesClaypool.com. VOICE-TRIBUNE JULY 2026

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BEAUTY FOR ALL

4121 SHELBYVILLE ROAD, LOUISVILLE, KY 40207

JMICHAELSSPAANDSALON.COM

502.742.8790


Celebrate Wedding Season In Style

EXCLUSIVELY AT

4938 Brownsboro Rd. | rodes.com 502.753.7633 | @rodeslouisville


By Jackie Zykan Every year towards the end of July I find myself exploring escape routes from the heat of the Midwest. Cold water, daytime highs in the 60 degree range, basically airconditioning but turned into a multi day vacation. Mid winter can fuel the same desires, but in the opposite direction of the thermometer, and over the course of time I start to understand the migration patterns of those folks we refer to as “snow birds”. Unfortunately, given the current climate we find ourselves in, both economically as well as environmentally, some of us may find ourselves having to push through these most intense moments of summer heat closer to home this year. Despite the quest to find shade and air conditioning, pools or even lake time, keep in mind that long term heat can take a toll on your body and mind. This month let’s look at a solution to balance the books a bit and keep hydrated naturally. HYDRATION IS KEY Our bodies require more than just water to hydrate. Thank you, osmosis. Balancing sodium, potassium, and magnesium are key. When we sweat, we don’t just lose water, we lose electrolytes as well and therefore need to replace them to keep the engine running optimally. Even if you aren’t profusely exercising or spending copious amounts of time in the heat, your body is still living through summer and working round the clock to maintain stasis during the hottest period of the year. There is a giant market for electrolyte beverages out there, most of which contain artificial flavorings and colorants. As with most things, convenience has its price and of course natural alternatives exist. There are various plants you can incorporate into your lifestyle to support hydration through electrolyte balance naturally such as cucumbers, violets, hibiscus, melons, citrus fruits, avocado, bananas, mango, and coconut. Adding these to your water and a pinch of salt can work wonders when you’re trying to make up for lost liters. If drinking salt water isn’t your jam, I’m happy to share a versatile salted honey syrup I keep throughout the season for a quick quench. 56 JULY 2026 VOICE-TRIBUNE


HOW TO HONEY It’s sweet. It’s hydrating. And it’s full of nutrients to support you during the summer heat. It’s delicious, and that’s an opinion held highly by all sorts of creatures on this earth. This doesn’t change the fact that it’s not exactly easy or fun to mix into cold drinks. The density will increase with the temperature drop and can leave you with golden swirls sinking to the bottom of your glass. The trick to incorporating honey in bevies is to dilute it into a syrup first. Honey is naturally antimicrobial and on its own will maintain shelf stability. Once we add water to it, or anything really, the clock towards expiration starts ticking. I recommend keeping this bottle in the refrigerator so that it is ready to go all summer long, and definitely keep it in a pumping glass bottle for easy use and less mess! SALTED HONEY SYRUP • ½ c Local honey • ¼ c Water • 1 Lemon, squeezed and strained • 1 Orange, squeezed and strained • ⅛ tsp Sea salt Directions: Combine all ingredients in a small saucepan and stir over low heat to dissolve components. Allow the mixture to cool, then pour into a glass bottle with a pump top. Store in the refrigerator. SO MANY USES What you’ve made is an electrolyte syrup, and you can use it to sweeten anything your heart desires. Stirring into still or sparkling water, tea, coffee, and even drizzled over berries or ice cream are just a few of the many ways to use this bright and refreshing, balancing and hydrating wonder syrup. If you were wondering about cocktails, the answer is YES! This syrup makes a delicious start to a fresh squeezed miel margarita (Shake 2 oz tequila + 1 oz salted honey syrup + 0.75 oz fresh lime juice). BUYING CITRUS FOR SQUEEZING When we are buying citrus in bulk, sometimes the easier path is to grab the best looking bag of fruits and move on. This can also shave some cents off of the final price, however it comes with a tradeoff. Purchasing citrus for slicing or eating whole is a much different animal than purchasing it for squeezing. If it makes sense for your budget, opt instead to choose citrus fruits individually. Look for the rinds that are smooth and thin, with fruit that is slightly soft to the squeeze. These lovelies will yield the most juice per fruit, as well as go a bit easier on your hands when it comes time to juice. When foraging wild plants always be completely certain of identification and follow the rule of “when in doubt, don’t”. Only take what is needed, leaving plenty for our native pollinators and fauna. Avoid harvesting from areas which are exposed to pesticides or other chemical applications. The statements in this article are for entertainment purposes only and are not meant to diagnose, treat, or medically advise. Please drink responsibly, you are loved by many. VOICE-TRIBUNE JULY 2026

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Planning a Wedding? Let Heitzman Cater Your Special Day

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WEDDING FASHION AT BELTERRA CASINO RESORT Photos By: Antonio Pantoja, Kathryn Harrington & Matt Johnson Styled By Cleo Heine • Sponsored

At Belterra Casino Resort, it’s love that takes the jackpot. Set along the scenic Ohio River in southeastern Indiana, this destination blends countryside views with resort luxury, where chandeliers, grand interiors, and sweeping event spaces turn every wedding moment into a winning hand. But there’s no need to gamble when it comes to finding your perfect wedding-day style. Against this backdrop of casino resort glamour—brightened by floral arrangements from Susan’s Florist—this wedding fashion spread goes all in. At Belterra, romance isn’t a gamble; it’s the surest bet on the floor. Featuring Couture Closet’s stunning bridal gowns alongside fashions from Rodes For Him | Rodes For Her, styled by Cleo Heine, and with gorgeous hair and makeup by the team at J Michaels Spa & Salon, there’s something here for every member of the wedding party—each look ready to hit the aisle like a winning hand.


Photo By: Antonio Pantoja

Production Credits: Location: Belterra Casino Resort Featured Fashions: Couture Closet & Rodes For Him | Rodes For Her Jewelry: Aesthetics in Jewelry Floral Arrangements: Susan’s Florist Stylist: Cleo Heine Hair & Makeup: J Michaels Spa & Salon Styling Assistant: Amanda Danielson Models: Yolanda Evans-Johnson, John Johnson, Zoe Pitts, Cody Cooper, Jackson Skelton, Kara Menges, Lauren Carr, Kevin Wilson Photography: Antonio Pantoja, Kathryn Harrington, & Matt Johnson Creative Vision Team: Amelia Frazier Theobald, Cleo Heine, & Brylea Peach Production Team: Mary Zoeller, Margaret Streeter, Amanda Danielson, Brylea Peach & Alisha Proffitt VOICE-TRIBUNE JULY 2026

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Photo By: Matt Johnson

Meet Nichole Grieve, Event Meeting Manager at Belterra Casino Resort. Belterra helps couples plan every detail of their wedding, from tastings and rehearsals to day-of coordination, creating a convenient and memorable celebration. Book with Belterra for an exceptional wedding experience. Dress By: Rodes For Her

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Photo By: Antonio Pantoja

Michael Ellis Chef at 19 Steak and Seafood

Featured Dish: Bone-In Duroc Pork Chop; three-cheese grits, sauteed spinach, chipotle demi-glace, hickory smoke finish

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Photos By: Antonio Pantoja

Rob Seiter Lead Server 19 Steak and Seafood

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Private Dining Room In 19 Steak And Seafood

Featured Cocktail: Smoked Old Fashioned; 24-Hour Smoked Makers Mark Bourbon, Amarena Cherry, Charred Orange Rind, House Made Orange Simple Syrup, Angostura Bitters

Ring by Aesthetics in Jewelry

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Models:

Lauren Carr

& Kevin Wilson Her: Rodes For Her Him: Rodes For Him Jewlery: Aesthetics in Jewelry

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Models:

Zoe Pitts & Cody Cooper Her: Rodes For Her Him: Rodes For Him

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Photo By: Matt Johnson

Models: Lauren Carr & Kevin Wilson Her: Rodes For Her Him: Rodes For Him Jewlery: Aesthetics in Jewelry

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Models:

Zoe Pitts & Cody Cooper Her: Rodes For Her Him: Rodes For Him

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Couple Feature: Lauren Carr & Kevin Wilson (Dating)

Dress & Veil: Couture Closet Suit: Rodes For Him Jewelry: Aesthetics in Jewelry Flowers: Susan’s Florist

Bracelet: Aesthetics in Jewelry Photo By: Antonio Pantoja

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Models:

Lauren Carr

Dress & Veil: Couture Closet Jewelry: Aesthetics in Jewelry Flowers: Susan’s Florist

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Models: Lauren Carr & Kevin Wilson Dress & Veil: Couture Closet Suit: Rodes For Him Jewelry: Aesthetics in Jewelry Flowers: Susans Florist

Photos By: Matt Johnson

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1957 Chevrolet Bel-Air Provided by Dicky and Bonnie Browning (Bonnie has worked for Belterra since it opened in 2000) VOICE-TRIBUNE JULY 2026

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Photo By: Antonio Pantoja

Couple Feature: Yolanda Evans-Johnson & John Johnson (Recently Married)

Her: Rodes For Her Him: Rodes For Him Jewelry: Aesthetics in Jewelry

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Photo By: Kathryn Harrington

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Photo By: Antonio Pantoja

Models:

Yolanda Evans-Johnson & John Johnson

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Photo By: Kathryn Harrington

Models:

Yolanda Evans-Johnson & John Johnson Dress: Couture Closet Suit: Rodes For Him Jewlery: Aesthetics in Jewelry

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Photos By: Antonio Pantoja

Suit: Rodes For Him

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Models:

Yolanda Evans-Johnson & John Johnson Dress & Veil: Couture Closet Suit: Rodes For Him Jewlery: Aesthetics in Jewelry Flowers: Susan’s Florist

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Photos By: Kathryn Harrington

Couple Feature: Congrats To Jackson & Kara On Their Recent Engagement <3

Suit: Rodes For Him Dress & Bow: Couture Closet Jewelry: Aesthetics in Jewelry Flowers: Susan’s Florist 80 JULY 2026 VOICE-TRIBUNE


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Photos By: Antonio Pantoja

Sunglasses: Rodes For Her Scarf, Headpiece, Gloves: Couture Closet

Jewelry by Aesthetics in Jewelry Gloves: Couture Closet Flowers: Susan’s Florist

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Couple Feature:

Zoe Pitts & Cody Cooper Dress: Couture Closet Suit: Rodes For Him Jewelry: Aesthetics in Jewelry

1989 BMW e30 Provided By Robert Streeter

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Photos By: Kathryn Harrington

Models:

Zoe Pitts & Cody Cooper Dress & Clutch: Rodes For Her Veil: Couture Closet His Fit: Rodes For Him Jewelry: Aesthetics in Jewelry

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Him: Rodes For Him Her: Rodes For Her

Designed by legend Tom Fazio, Belterra’s world-class championship course was ranked in the top 30 casino golf courses in the U.S. by Golfweek. VOICE-TRIBUNE JULY 2026

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MAKING A FASHIONABLE IMPRESSION AS THE MOTHER OF THE BRIDE By Remy Sisk • Photos Provided By Glasscock Boutique • Sponsored

When gearing up for your daughter’s (or son’s) wedding, there can often be months of meticulous planning to take part in – and at times, seemingly insurmountable to-do lists to work your way through to help make the big day go off without a hitch. Amidst the cakes and caterers, be sure not to let one important detail slip through your fingers: your wedding outfit! Jeff Hunter of Glasscock Boutique is helpfully here to offer some insightful tips toward making a fashion splash at this unforgettable occasion. “Now this one’s for all of the mothers out there shopping for the perfect mother-of-the-bride/groom dresses for the big day: Good news, there are plenty of options that will make you feel beautiful and confident,” Hunter assures. “Gone are the days of matronly dresses for mothers; nowadays, it’s all about feeling fashionable and confident in a look that reflects your personal style.” It can certainly be intimidating to begin the task of curating what to wear to your child’s wedding, walking the difficult line of making an individualized statement and splash without pulling focus from the newlyweds. But that’s where Hunter and his team at Glasscock come in. “With over 45 years of business, Glasscock Boutique – along with lead bridal consultants and staff – is here to guide you through the latest mother of the bride/groom dress etiquette,” he says, “helping you choose an outfit that will make you feel fabulous while still adhering to wedding customs.” While it could be tempting to select a look suited to your personal taste, Hunter explains that several established factors should go into the process of planning the perfect ensemble. For example, the venue plays a part – are we talking formal? Semi-formal? Casual? Additionally, pay attention to the wedding party’s color scheme. “Use the couple’s set wedding dress code as a guide to finding color,” he shares. “Wear colors that look nice on you and complement the wedding colors; however, this doesn’t mean you’re supposed to wear the wedding color theme – you want to stand out and not blend in with the backdrop.” Should you decide to make an appointment with a consultant, he enumerates some considerations to keep in mind, and coming prepared with these details and preferences will help make the process as efficient (and successful) as possible. Such factors include the date of the wedding, venue, budget, any colors in mind, if you’re going with a dress or separates, and desired length of what you’ll be wearing. He also encourages bringing shoes and undergarments to the appointment. It’s a lot to take into account, admittedly, but Hunter assures that putting in a bit of work up front will yield some much-needed peace of mind as you get closer to the big day. “Ideally the to-be-weds get their outfits early in the process – one year to nine months out – and the mothers should plan to find theirs shortly after,” he offers. “This ensures that everyone has plenty of stress-free time to get alterations if necessary.” To start working on your perfect and personalized look, schedule an appointment with a Glasscock consultant by calling 502.895.0212. VOICE-TRIBUNE JULY 2026

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Glasscock Boutique has access to sizes 00-26, including custom pieces and over 50 designers with a price point for all. Designers available but not limited to: Carolina Herrera

Monique Lhuiller

Badgley Mischka

THEIA

Reem Acra

Chiara Boni La Petite Robe

Jovani

John Paul Ataker

Gemy Maalouf

Greta Constantine

Frascara

Park 108

LaFuori

Sachin and Babi

Kim Newport

Tom and Linda Platt

Rebecca Vallance

Daymor

Audrey & Brooks

Morilee

Catherine Regehr

Mac Duggal

Halston

Kay Unger

Teri Jon

Nicole Batki

Lucian Matis

Plus many others

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Photo By ENG_HK (via Pexels.com)

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COUPLES BRING BANDS BACK TO WEDDINGS By VOICE-TRIBUNE • Photos By ENG_HK & YURTSEVEN (via Pexels.com) For a while, wedding entertainment has followed a familiar script. A DJ arrives with a laptop, a playlist packed with crowd favorites and a carefully timed mix of slow dances, sing-alongs, and enough late-night hits to get that one uncle wound up and internet famous. But the winds, they are changing. Live bands are making a comeback. Across Louisville, many couples are opting to trade playlists for the experience and unpredictability that only live music can bring. Live music has a unique way of giving a space a pulse and bringing people together. A DJ can play “September.” A live band can make the entire crowd feel like Earth, Wind & Fire just pulled into NuLu for one night only. The intimacy of a live performance can elevate any event in a really big way. Louisville has always had a happening music culture, and we locals know this. We have a wide array of venues, festivals, and a thriving community of musicians. This is a city that appreciates a good performance. It makes sense that couples planning weddings here are leaning into that sentiment. Live music creates moments that cannot be duplicated. That is the fun of it. Wedding planners are noticing that guests stay engaged longer when a live band is performing. Instead of drifting toward their phones or disappearing to the bar, people tend to stay connected to what is happening in the room. The entertainment becomes part of the experience instead of background noise. There is also the very attractive visual factor. A band brings movement and personality to a reception space. And yes, bands have gotten remarkably versatile. Gone are the days when couples had to choose between a cover band stuck in one genre or a DJ with endless song options. Today’s wedding bands move effortlessly across genres, often within the same set. Some even learn custom songs for first dances or surprise performances. The resurgence of live music doesn’t stop with cover bands, though they remain the champions of late-night sing-alongs. A great cover band knows exactly when to launch into a crowd favorite, keep the momentum rolling, and coax even the most reluctant guests onto the dance floor. They bring the excitement of a concert while delivering the songs people already know and love. At the same time, some Louisville couples are looking for something different than the standard wedding playlist and are inviting local musicians to share their original music. The city’s thriving music scene offers a wealth of singer-songwriters, Americana groups, indie artists, jazz ensembles, and acoustic performers whose own material can create an atmosphere that feels authentic and memorable. It also gives couples a chance to support local talent while introducing guests to artists they may not have discovered otherwise. In a city that values its creative community, booking a local musician can feel like a special wedding favor for everyone in attendance. Of course, DJs still have their place. Many celebrations successfully combine both, bringing in a live band for the main reception before handing the late-night dance floor over to a DJ. It is the wedding equivalent of having an opening act and a headliner. But for couples who want to keep guests talking, live music is something difficult to replicate. A great band doesn’t just show up and play songs. They read the room. They uplift energy. They turn a crowd of strangers into a chorus. It seems fitting that live bands are reclaiming center stage. After all, wedding photos capture what the celebration looked like. A great band helps people remember what it felt like. VOICE-TRIBUNE JULY 2026

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By VOICE-TRIBUNE • Photos By Breno Cardoso (via Pexels.com) For decades, many couples envisioned their wedding day as a grand celebration filled with hundreds of guests and elaborate décor. But today, couples are increasingly asking a different question: Do we really need a big wedding to have a meaningful one? The growing popularity of micro weddings suggests the answer is often no. Defined as weddings with fewer than 50 guests (sometimes as few as 10 or 20), a micro wedding isn’t simply a smaller version of a traditional celebration. For many couples, it’s a conscious decision to prioritize intimacy over scale. But is a micro wedding the right fit for you? You Want Meaningful Time With Every Guest

You Feel Pressured by Expectations

One of the most common regrets couples express after large weddings is that they barely had a chance to speak with everyone who attended.

Guest lists can be one of the most stressful parts of wedding planning. Family expectations, workplace relationships, and social obligations can quickly turn a list of loved ones into a list of acquaintances.

If the thought of spending your wedding day rushing from table to table sounds exhausting, a micro wedding may be appealing. A smaller guest list allows more time for conversations and shared moments with the people who matter most.

A micro wedding requires couples to be intentional about who receives an invitation. While that can be difficult, many couples find it liberating.

Ask yourself: Would you rather greet 200 guests briefly or spend quality time with 30 of your closest family members and friends?

The question becomes: Who do we genuinely want beside us when we say “I do?”

You Value Experiences Over Tradition

You Prefer Intimacy Over Attention

Micro weddings can give couples more flexibility to design a day that feels uniquely theirs.

Not everyone dreams of being the center of attention in front of hundreds of people.

Instead of a ballroom reception, you might host a private dinner at a favorite restaurant. Instead of a large venue, you could exchange vows in a garden, historic home, art gallery, or family property.

Some couples feel more comfortable sharing personal vows, emotional moments, and meaningful traditions in a smaller setting.

Couples who choose micro weddings often find themselves asking not, “What are we supposed to do?” but rather, “What would make this day feel most like us?” Your Budget Has Other Priorities Contrary to popular belief, a micro wedding doesn’t automatically mean a cheap wedding. Some couples spend less overall, while others invest the same budget differently. •A smaller guest list can allow for: •Elevated dining experiences •Premium photography and videography •Luxury accommodations •Unique venues •Extended wedding weekends

If the idea of a quieter, more personal celebration appeals to you, a micro wedding may align naturally with your personality. A Micro Wedding Isn’t for Everyone Of course, smaller isn’t always better. If you’ve always envisioned a large celebration, have a close-knit extended family, or simply love the energy of a big party, a traditional wedding may still be the perfect choice. Many couples find joy in bringing together dozens, or even hundreds, of people to celebrate one unforgettable day. The key is understanding what matters most to you, rather than choosing a wedding style because it’s trendy at the moment. The Real Question Before deciding on a venue or drafting a guest list, ask yourself one simple question:

•Personalized details and guest gifts

When you look back on your wedding day years from now, what memories do you want to have?

If you’d rather create an exceptional experience for a smaller group than stretch your budget across a large crowd, a micro wedding may be worth considering.

Your answer may tell you whether a micro wedding is the perfect fit, or whether your love story deserves a larger stage. VOICE-TRIBUNE JULY 2026

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By VOICE-TRIBUNE • Sponsored

As you plan your perfect Louisville-area wedding, discover the local experts who can bring every detail of your special day to life. From breathtaking venues and beauty and spa services to custom invitations, exceptional catering, and more, this curated guide connects you with the professionals who will help create a celebration as unique as your love story.

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BAPTIST HEALTH/MILESTONE WELLNESS CENTER is a 70,000-square-foot, full-service luxury fitness facility conveniently located in St. Matthews. A walk through the doors at Milestone immediately highlights what a high-quality, well-rounded gym experience can look like—welcoming, inclusive, and thoughtfully designed to support total well-being. Milestone offers far more than traditional fitness. Members have access to state-of-the-art strength and cardio equipment, over 100 group exercise classes each week, personal training, Pilates Reformer, yoga, aquatics, and specialized programs for active aging, osteoporosis, and medical fitness. Through its partnership with Baptist Health, Milestone uniquely bridges the gap between healthcare and fitness, offering provider-referred medical fitness programs that help individuals safely return to movement after injury, illness, or chronic conditions. Wellness at Milestone also extends beyond the gym floor. The Oasis Spa provides massage therapy, skincare, and body treatments designed to support relaxation, recovery, and self-care. Members can also refuel at the Center Café, which offers smoothies, protein shakes, and nutritious meals to support an active lifestyle. For those focused on nutrition and weight management, Milestone offers the HMR medically supervised weight loss program, combining evidence-based nutrition, coaching, and support for sustainable results. What truly sets Milestone apart is its sense of community. From young professionals and busy parents to retirees and first-time gym-goers, members find an environment that is encouraging, knowledgeable, and free of intimidation. At Baptist Health/Milestone Wellness Center, fitness, health, beauty, and self-care come together—helping members not only feel better, but live better.

THE GILLESPIE Here at The Gillespie, history and elegance come together to create one of downtown Louisville’s most distinctive wedding venues. From the moment guests enter the grand foyer, they are immersed in timeless sophistication, greeted by a dazzling crystal chandelier, ornately painted ceilings, and original floor-to-ceiling marble that speaks to the building’s storied past. Subtle remnants of its history as a grand bank remain, including the brass depository drop box, antique mail chute, and original wrought gates, offering a one-of-a-kind first impression that cannot be replicated. Beyond the gates, The Grand Ballroom unfolds in breathtaking scale and beauty. Spanning 24,000 square feet, the space features gleaming marble floors, soaring 40-foot decorative ceilings, and stately columns that frame celebrations with grandeur. It is a setting designed to elevate intimate gatherings and large-scale celebrations, offering endless opportunities for personalization while maintaining a sense of classic luxury. Above it, the mezzanine level provides an elegant flow for events. Ideal for cocktail hour, it overlooks the ballroom and is adorned with painted ceilings, intricate crown molding, and Swarovski crystal chandeliers. This seamless transition from ceremony to cocktail hour to reception allows couples to host their entire celebration in one connected space, creating ease for guests and a natural rhythm to the day. Located in the heart of downtown Louisville, The Gillespie offers convenience, with walkable access to hotels, restaurants, and photo locations. At its core, The Gillespie is dedicated to making every event feel effortless while allowing each couple’s unique vision to shine through in every detail. VOICE-TRIBUNE JULY 2026

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FRENCH LICK RESORT With dazzling venues, rural charm, and historic beauty, French Lick Resort is where extraordinary weddings come to life. These bucolic 3,200 countryside acres in the hills of the Hoosier National Forest feel like something out of a fairytale. Don’t pinch yourself. Have your pick of one iconic setting after the next as a backdrop to your perfect wedding. Deliver the ultimate “wow” factor with a private ceremony in the iconic West Baden Springs Hotel atrium. A one-of-a-kind domed atrium spanning 200 feet and balcony hotel rooms rising in six tiers around the dome provide panoramic views of the atrium — offering a spectacular venue for your biggest day. Bring a touch of class to your ceremony at the stately, historic Mansion at Pete Dye. This 1929-built mansion overlooks the award-winning Pete Dye Course with 40-mile panoramic views. Nearby, The Pete Dye Pavilion is another unique venue with rustic features and vaulted ceilings, making it one of the resort’s most desired wedding locations. For a rustic feel, The Stables Pavilion is a large open-air venue with a rugged barn-like structure framing a beautiful pastoral view, offering a more casual atmosphere for your “I do” moment. Whether it’s an intimate service in the hotel gardens or a celebration for hundreds in a hotel ballroom, a variety of indoor and outdoor venues give you options in all seasons. And with French Lick Resort’s experienced team of planners, culinary, floral and A/V professionals, every detail of your big day is executed to precision.

PETALS Some people send flowers. Petals builds moments. Custom arrangements for weddings, events, and the days that deserve something beautiful. Plus grab-and-go bouquets, indoor and outdoor plants, pottery, and a boutique full of curated treasures for your home. Something’s always blooming at Petals. In Chenoweth Square, St. Matthews. PetalsLouisville.com · 502-630-3550

Dolfinger’s... Serving Louisville Area Brides For Over 150 Years DOLFINGERS 3937 Chenoweth Square | 502-895-3226 www.dolfingers.com

For over 150 years Dolfinger’s has been setting beautiful tables throughout the Bluegrass. We specialize in both formal and casual tableware and a bridal registry to fit all tastes and budgets. We also offer our customers thoughtful, meaningful gifts for all occasions beautifully wrapped in our very recognized Dolfingers gift box. Please enjoy our website, visit us in Chenoweth Square when you can and don’t hesitate to call any of our knowledgeable staff at (502) 895-3226. Anne Luvisi is our store manager and Anne Borders is our wedding registry coordinator. 100 JULY 2026 VOICE-TRIBUNE


BELTERRA CASINO RESORT & SPA Set along the Ohio River in southern Indiana, Belterra Casino Resort & Spa offers a refined blend of natural beauty, upscale hospitality, and full-service convenience, making it an elegant destination for weddings and celebrations of all sizes. With more than 55,000 square feet of versatile event space, the resort provides a seamless setting where every moment of the wedding experience can unfold in one destination. From grand ballroom receptions to intimate gatherings, couples can choose from beautifully appointed spaces supported by experienced planners and catering professionals dedicated to bringing each vision to life. The property’s scenic riverfront surroundings, luxury accommodations, and resort amenities—including a spa, golf course, and multiple dining options—create a complete guest experience that extends beyond the celebration itself. With thoughtful service, flexible venues, and a commitment to elevated experiences, Belterra Casino Resort delivers a polished and memorable backdrop where weddings feel both effortless and unforgettable.

FRAZIER KENTUCKY HISTORY MUSEUM Kentucky’s storied past and charm come together at the Frazier Kentucky History Museum. With a variety of unique venues, the possibilities are endless for building a memorable romantic rendezvous. Say “I do” overlooking the Ohio River and Louisville skyline with a ceremony in the idyllic oasis of our Merkley Kendrick Jewelers Rooftop Garden, spend your reception dancing the night away in our spacious Fourth Floor Loft, be transported to the 1920s to party like Gatsby with a cocktail hour in the Speakeasy, and so much more. There’s a space for a wedding of every style at the Frazier. Weddings aren’t the only way to celebrate your love story. Kick off the festivities with a rehearsal dinner featuring one of our iconic catering partners. Get into the wedding spirit with an engagement party or bridal shower. Or pop the question in a picturesque setting full of Bluegrass beauty. The Frazier is fully equipped and excited to help you with each step of your journey to happily ever after. The Frazier’s experienced events team makes it easy. With our venue coordinators working to ensure you find the perfect space for all the festivities, and on-site staff always available to make sure your day runs smoothly, you can rest easily and focus on what’s important: having the time of your life! For further information and inquiries, reach out to us at events@fraziermuseum.org!

GLASSCOCK BOUTIQUE KENTUCKY’S PREMIER DESTINATION FOR UNFORGETTABLE MOMENTS For over four decades, Glasscock Boutique has been the trusted name in women’s formal wear. We take pride in offering a curated collection of more than 500 exquisite dresses, available in sizes 00-24, ensuring every woman finds her perfect fit for life’s most special occasions. From exclusive designer collaborations to personalized service that makes you feel celebrated, our legacy is built on helping you find the perfect mother-of-the-bride or groom dress and other formal attire. Explore our collection and experience the elegance that has defined us for over 40 years. VOICE-TRIBUNE JULY 2026

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HOTEL DISTIL For couples seeking a celebration that is exactly like nothing else, Hotel Distil, Autograph Collection offers the epitome of Southern luxury in the heart of Louisville’s iconic Whiskey Row. Blending a storied historic setting with modern sophistication, the boutique hotel creates an unforgettable backdrop where refined design, gracious service, and authentic Louisville character come together seamlessly. With more than 11,000 square feet of flexible event space, couples can host every moment of their wedding journey—from intimate gatherings to grand receptions. The stunning Grand Ballroom showcases timeless architecture and exquisite appointments, while the Outdoor Terrace provides an open-air setting with captivating city and sky views. Elevated by locally inspired cuisine, curated cocktails, and a dedicated events team focused on every thoughtful detail, Hotel Distil crafts a wedding experience that is as distinctive and memorable as the love story being celebrated.

THE PETERSON DUMESNIL HOUSE The Peterson Dumesnil House offers a timeless and elegant setting for weddings, receptions, corporate gatherings, and special events in the heart of Louisville’s historic Crescent Hill neighborhood. Built in 1869, this beautifully preserved Italian villa combines historic charm with modern conveniences, creating a memorable backdrop for celebrations of all sizes. When you host your event at Peterson Dumesnil House, you’ll enjoy exclusive catering services from Clementine Catering, our trusted in-house partner. With more than 40 years of experience, Clementine is known for creating exceptional dining experiences using local, seasonal, and organic ingredients whenever possible. Their team works closely with each client to develop customized menus that reflect personal tastes while accommodating dietary preferences and special requests. Whether you’re planning an intimate rehearsal dinner, business meeting, bridal shower, or a large tented wedding reception, Peterson Dumesnil House offers a versatile and memorable setting. The property features beautifully landscaped gardens for ceremonies, a spacious lawn for receptions, and the historic home with its welcoming wraparound porch for indoor gatherings. Wedding parties will appreciate the newly renovated dressing rooms located on the second floor, providing a comfortable space to prepare before the ceremony. Guests also enjoy the convenience of ample on-site parking, with space for up to 200 vehicles. From the first planning meeting to the final toast, Peterson Dumesnil House offers personalized service, stunning surroundings, and a rich sense of Louisville history. Celebrate your most important moments in a venue filled with character, beauty, and more than 150 years of tradition. 102 JULY 2026 VOICE-TRIBUNE


MELLWOOD ART CENTER Housed within a beautifully restored 1904 factory, Mellwood Art Center is one of Louisville’s most distinctive venues, where historic character and creative energy come together to form a truly flexible event destination. Designed for those who want freedom to imagine without limits, Mellwood offers a collection of unique spaces that can be tailored to weddings and celebrations of every style and scale. From light-filled studios and gallery-inspired rooms to expansive industrial halls such as the Da Vinci Room, each space provides a blank canvas for personalization. The venue’s open-vendor policy allows couples to curate their own team of caterers, planners, and designers, ensuring every detail reflects their vision. With ample on-site amenities, including tables, chairs, staging, and convenient parking, Mellwood supports seamless event execution while preserving its artistic, authentic atmosphere. Located just minutes from downtown Louisville, Mellwood Art Center blends accessibility with a vibrant creative community—offering an inspired setting where unforgettable celebrations are designed and brought to life.

PARKLANDS OF FLOYDS FORK Celebrate your once-in-a-lifetime moment in a space that’s one-of-a-kind! The Parklands of Floyds Fork offers two stunning, versatile venues that perfectly blend natural beauty and effortless functionality. Gheens Foundation Lodge, just 20 minutes from downtown Louisville, features floor-to-ceiling windows, modern architecture, and an adjoining lawn and terrace. Its flexible indoor–outdoor design creates an elegant, light-filled atmosphere ideal for every celebration, from intimate gatherings under 50 guests to grand receptions of up to 300. Hockensmith Barn, located 30 minutes from downtown, blends classic Kentucky charm with refined comfort and style. With soaring ceilings, warm wooden interior, and sweeping views of the surrounding landscape, it offers a picturesque backdrop for cozy ceremonies and lively receptions of up to 225 guests. Every venue rental directly supports The Parklands, helping preserve and maintain more than 4,000 acres of trails, habitats, and community green spaces. Contact us today to start planning your perfect day.” VOICE-TRIBUNE JULY 2026

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J MICHAEL’S SPA AND SALON At J Michael’s Spa and Salon, we believe everyone deserves a space where they feel welcomed, cared for, and a little bit bougie. We’re obsessed with bringing that luxurious, high-end feeling to you without the pretense, especially on your wedding day! Our stylists are here to provide you with any of the following for your big day: Hair • Makeup • Trial Run Hair/Makeup • Hair/Style/Blowout • Manicure/Pedicure • Airbrush Makeup • Sunless Tanning • Flower Girl/10 & Under • Eyelash Extensions • Spa Services • Food and Beverage Contact 502.742.8790 or info@jmichaelsspaandsalon.com for your custom quote.

WATERFRONT BOTANICAL GARDENS Waterfront Botanical Gardens offers one of the city’s most distinctive wedding and event settings where natural beauty, modern elegance, and unforgettable experiences come together. From intimate ceremonies surrounded by beautiful gardens to elegant receptions featuring sweeping views of the city skyline, the Gardens provide a one-of-a-kind backdrop that feels both timeless and uniquely Louisville. Couples and guests alike are welcomed by vibrant seasonal blooms, tranquil water features, and thoughtfully designed spaces that create a sense of escape just minutes from downtown. The Gardens’ Graeser Family Education Center features floor-to-ceiling windows overlooking the landscape, offering a light-filled venue perfect for weddings, rehearsal dinners, bridal showers, and celebrations of every kind. Outdoor plazas and garden pathways allow couples to personalize their day while immersing guests in the beauty of nature. Beyond the celebration itself, choosing Waterfront Botanical Gardens as a venue supports a larger mission: transforming a former landfill into a thriving urban botanical garden where education, community, and environmental stewardship flourish together. Every event held at the Gardens helps sustain programs that inspire thousands of children and visitors each year. Whether hosting an elegant summer wedding or a memorable gathering with family and friends, Waterfront Botanical Gardens offers more than a venue, it offers an experience rooted in beauty, connection, and purpose. Learn more at waterfrontgardens.org/rentals. 104 JULY 2026 VOICE-TRIBUNE


RODES FOR HIM | FOR HER For generations, Rodes For Him | For Her has helped clients celebrate life’s most meaningful occasions with timeless style, exceptional craftsmanship, and personalized service. Whether you’re exchanging vows, standing beside the couple, or celebrating as a guest, our experienced stylists are dedicated to helping you look and feel your best for every wedding occasion. For women, our thoughtfully curated collection features designer apparel, elegant dresses, refined separates, accessories, and special-occasion attire from many of the world’s most respected luxury brands. For men, our expertise in fine tailoring and made-to-measure clothing ensures an impeccable fit, whether you’re selecting a custom tuxedo, a wedding suit, or polished attire for every event surrounding the celebration. From engagement parties and bridal showers to rehearsal dinners, wedding ceremonies, receptions, and honeymoon wardrobes, our team provides individualized guidance every step of the way. We coordinate looks for couples, wedding parties, family members, and guests alike, while offering custom clothing, expert alterations, and wardrobe consultations to ensure every detail reflects your personal style. For more than a century, Rodes has been a trusted destination for those celebrating life’s milestone moments. We are honored to be part of your wedding journey and look forward to helping you mark the occasion with confidence, elegance, and a style that is uniquely your own.

HEITZMAN TRADITIONAL BAKERY & DELI With a 135-year legacy in Louisville, Heitzman Traditional Bakery & Deli brings time-honored craftsmanship and heartfelt hospitality to weddings and special events. Known for its beautifully hand-decorated wedding cakes, the bakery blends classic techniques with customized design to create centerpieces that reflect each couple’s unique vision. Beyond its signature cakes, Heitzman offers full-service catering designed to elevate every part of the celebration. From elegant plated dinners and buffets to passed hors d’oeuvres, dessert tables, and late-night bites, their culinary team creates menus tailored to your event style. Couples can also enhance their experience with bar service, rehearsal dinner hosting, and convenient box lunches for the wedding party. With thoughtfully prepared food, generous portions, and a focus on warm, family-owned service, Heitzman Bakery & Deli delivers a seamless experience from first consultation to final bite. It’s a trusted Louisville tradition for couples seeking both classic charm and customizable wedding-day hospitality. VOICE-TRIBUNE JULY 2026

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Oasis Spa at Baptist Health/Milestone Wellness Center 750 Cypress Station Drive- Louisville, Ky 40207 • www.baptistmilestone.com/spa

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THE OASIS SPA EXPERIENCE By: Tracy Souder & Linda Cotter • Photo By Matt Johnson • Sponsored When it comes to achieving healthy, radiant skin, the difference is often found not only in the products being used but in the expertise of the professionals delivering the treatment. At Oasis Spa at Baptist Health/Milestone Wellness Center, clients experience the perfect blend of advanced aesthetic expertise, luxurious treatments, and the exclusive performance of BABOR skincare. Recognized as the No. 1 professional skincare brand in the European Union, BABOR is known for its clean, luxurious formulations developed under exceptionally high European standards. Manufactured in Germany and trusted by elite spas and skincare professionals worldwide, the brand delivers effective, results-driven skincare designed to support healthy, glowing skin. Unlike mass-market skincare lines found everywhere online and in retail stores, BABOR remains relatively exclusive and is typically available only through select professional providers trained in its specialized protocols. That exclusivity allows clients to experience skincare that feels elevated, personalized, and truly professional. At Oasis Spa, those products are paired with the experience and skill of highly trained providers who understand that no two clients — or complexions — are alike. Our experienced aestheticians bring years of expertise in the aesthetic industry along with extensive knowledge of BABOR skincare and customized treatment techniques. Their focus is not simply relaxation, but treatments that create visible, lasting improvements in the skin. Guests can enjoy results-driven services, including custom facials, HydraFacials ®, and Dermaplaning treatments designed to improve hydration, smooth texture, brighten dull skin, and restore overall radiance. Every treatment is tailored to individual skincare goals while maintaining the calming, luxurious atmosphere Oasis Spa is known for. Oasis Spa also offers advanced medical aesthetic services provided by a Licensed Nurse Practitioner specializing in cosmetic rejuvenation. Treatments include Botox, Dermal fillers, Microneedling, and Laser services, all performed with a focus on safety, expertise, and naturallooking results. Clients also appreciate the opportunity to continue their skincare regimen at home. Oasis Spa proudly offers BABOR retail skincare products, allowing guests to maintain their results using the same clean, professional grade formulations incorporated into their spa treatments. In a beauty industry filled with trends and overwhelming product choices, many clients are returning to what matters most: experienced providers, effective treatments, and skincare that delivers real results. The combination of Oasis Spa’s expert team and the luxury of BABOR professional skincare creates an experience that feels both indulgent and effective. We invite you to discover the Oasis Spa difference for yourself. Experience customized skincare treatments, therapeutic massage, and pampering nail services delivered by our expert therapists. Receive a complimentary BABOR skincare gift with your first custom facial before August 30th. Visit the Oasis Spa and explore our Spa ® ® Boutique offering products by BABOR, SkinCeuticals, and OSEA Malibu along with luxury gift items, apparel, and accessories. Call us today at 502-753-7541 to schedule your appointment. VOICE-TRIBUNE JULY 2026

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By: Alison Cardoza • Photos By Matt Johnson • Sponsored “Stay in front of the wave of life and outrun it as long as you can,” says Daniel Diamond, a Baptist Health Milestone member. At age 65, Daniel is an inspiration to us all. His passion for his work is matched by his commitment to health and wellness. Keeping the brain mentally healthy is essential for success in other areas of life. “I first joined Milestone 10 years ago and remained a member for a couple of years before moving to Los Angeles, where I’m originally from. After the wildfires early last year, my family and I moved back to Louisville, where my wife is from. Rejoining Milestone was one of the first things I did when we arrived. With a demanding yet very enjoyable professional life and a wonderful family, maintaining my strength and stamina is important so I can stay focused and on top of everything. I also find that, for me, physical fitness leads to mental and attitudinal fitness,” says Daniel. “I’ve been in the film industry for over 30 years. At the beginning of my career, I worked in an executive role overseeing financing, distribution, and marketing for films like Austin Powers: International Man of Mystery, Rules of Engagement, and Hardball. More recently, I produced Mother’s Day and Winchester. I am currently working on a thriller based on a true story called Eleven Days,” says Daniel. His gym routine, along with his dedication to family and a career in the movie industry, inspires us all to make time for our health. Daniel focuses on strength training every other day, along with daily cardio. He also strives to improve his flexibility. He tackles his physical health at Baptist Health Milestone so he can succeed and keep up with the demands of life. We all lead busy lives at work or day to day life, but it’s important to slow down and make time for yourself. Relieving stress through cardiovascular exercise and weight training by incorporating simple changes like these into your daily routine can have a profound effect on your workday. 1) Step away from your computer and walk a lap around the office. 2) While seated at your desk, raise your heels off the floor and complete 25 seated calf raises. 3) Stand behind your chair at work and perform straight leg side kicks, 25 on each side. 4) Replace your chair with a stability ball (large workout ball) to improve balance/engage core. 5) Practice box breathing techniques to help control stress. Inhale for 4 seconds, hold your breath for 4 seconds, and exhale for 4 seconds Alison Cardoza ACSM Certified Personal Trainer and Fitour Group Exercise Instructor at Baptist Health Milestone Wellness Center. BS Exercise Science and Sports Medicine with a minor in Health Promotions from University of Louisville. Former UofL Ladybird and NFL Colts Cheerleader.


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COACH’S SON PROVED INSPIRATION FOR KINGS’ SURPRISING USF TITLE By RUSS BROWN • Photos Provided By Chris Redman When the Louisville Kings’ inaugural football season was threatening to veer off the rails when it had barely gotten started, first-year head coach Chris Redman was undaunted. If there was any time that he had been inclined to discouragement, all he had to do was think about his son, a cancer survivor. In the end Britt Redman’s courage, toughness, and perseverance became a valuable blueprint for the Kings’ unlikely charge to the United Football League (UFL) championship last month after an 0-3 start. Britt was diagnosed with testicular cancer in November 2023 during his junior football season at Christian Academy of Louisville (CAL), where he was a standout wide receiver. Tumors had spread to his neck and abdomen. “He had a football-size tumor in his stomach, about like this,” Chris Redman said, pointing to a large solid glass football that was one of the awards the team received, “and he beat it.” Ultimately, Britt underwent six surgeries and numerous chemotherapy treatments. He wasn’t able to attend school, but set a goal of returning for his senior season. He was declared cancer-free in the spring of 2024, and the following fall he was back on the field helping CAL win its third straight Kentucky High School Athletic Association 3A football championship. He was named the Male Comeback Athlete of the Year by UK HealthCare Sports Medicine. He has now been cancer-free for more than two years. Chris relied on that stressful experience when the Kings got off to their rough start before turning their season around and winning seven of their last eight games, capping their remarkable about-face with a 27-20 win over the DC Defenders at Audi Field in the Nation’s Capital. “Amazing where we came from,” Redman said. “But it’s not how you start, it’s how you finish. And these guys (his players) have a lifelong lesson that no matter what happens in life you can fight back. I learned that from my son. When our family went through that it was something I’ll never forget, and we can use that as a positive now. “When you go through tough times you don’t have to stay there. You battle your way out of it. What a great example he showed me. That was a big part of my messages to this team the whole year. Hey, don’t ever doubt yourself and don’t ever quit, and these guys rallied back.” Much like Britt. “He inspires me every day,” Chris said. “I saw a lot of warriors during my time in the NFL, but Britt is the toughest warrior I have ever seen. I saw what he went through and what the medication did to his body -- it breaks down all your cells -- and he just kept fighting. He never said, ‘Why me?’ or ‘Why is this happening?’ Just the next task up. ‘What do I have to beat today?’ And he did it. He beat it -- cancer free.” Britt is getting ready to start his sophomore season at the University of Mississippi, where he plans to earn a business degree in real estate. In addition to his education he is focused on helping other pediatric cancer patients with the “Grit Like Britt Foundation” started by him and his father, which primarily at this early stage provides video consoles and games to patients throughout their treatment. VOICE-TRIBUNE JULY 2026

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“I saw kids younger than me that were going through harder things than me,” Britt said. “Whenever I got through it, I knew that I could help those kids out. I’m a Christian believer and He puts you on the earth for that purpose, to prove that you’re a warrior and be an inspiration to others.” Last year, Britt’s cancer story so impressed ESPN sportscaster Dick Vitale that he invited him to film a video and give a speech to 1,000 people at the V Foundation’s annual Dick Vitale Gala with all proceeds going to the Dick Vitale Pediatric Cancer Research Fund. “Britt was terrific,” Vitale told WDRB’s Rick Bozich following the event. “After we showed the video of everything he battled -- losing all that weight and then coming back to win another state championship -- everybody in the room was cheering. Then he gave a great speech. He did a perfect job of setting the tone of what the night was all about.” Britt was named a member of the gala’s All-Courageous team. Chris Redman also showed courage -- although obviously not in a life-or-death matter like his son -- in making a series of bold changes in his debut as a head coach that reversed the trajectory of the Kings’ season and paved the path to their surprising championship. Along the way to the championship, the Kings players gave their coach a nickname: “The Mayor.” “Whatever he says, whatever he wants to do, it happens,” quarterback Chandler Rogers told The Courier-Journal. “We just got hot and won a lot of games at the end of the year,” Redman said. “It kind of reminded me of when the (Baltimore) Ravens won the Super Bowl. We were gonna find a way. Doesn’t matter if we’re down 3 or 30, we’re gonna end up winning the game. No one batted an eye when this team got down (16-7 at halftime) in the title game and we just kind of chipped our way back.” Redman and his players weren’t the only ones who kept the faith. Fans kept coming, even though there was no indication whatsoever for most of the season that they would be rewarded with a championship. In five home games the Kings drew 55,795 fans to Lynn Family Stadium, an average attendance of 11,195, which ranked second in the league. “Our support was amazing, even through the tough times,” he said. “We lost some games early in the season, but the fans just kept showing up. They never doubted us, never wavered, and we showed Louisville what professional football is all about. This is an incredible example of grit; everybody battles something.” The title meant more to Redman than it would have to most other coaches because he’s a hometown guy, the son of legendary high school coach, Bob Redman, and a star at Male High who spurned offers from every big-time college football program in America as National Player of the Year to stay true to his roots and rewrite the record book as the University of Louisville quarterback. “Just so happy we got to take a trophy back to Louisville,” he said. For information on how to donate to the Redmans’ charity, go to GritLikeBritt.org.

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By VOICE-TRIBUNE • Photos By Kortnee Kate Photography A missing package, a first hello between neighbors, and a little bit of serendipity brought Emily and Dylan Harris to forever. The VOICE-TRIBUNE congratulates the two on their recent marriage and learns more about what led them to say “I do.” Take us back to the beginning; how did you first meet, and what was your first impression of each other? Emily: “We met as neighbors in a Chicago walk-up on the border of Lincoln Park and Lakeview. I lived on the third floor and Dylan was on the second floor. Our introduction was actually sparked by a missing package. One of my roommates thought a package had been stolen, so she slid notes under our neighbors’ doors. Dylan’s roommate reached out to help, and even though the package eventually turned up, the search gave us the perfect excuse to exchange numbers. We invited the guys over for a pre-game before a night out, and I was instantly drawn to how kind and genuine Dylan was. I’m a chronic planner with plenty of energy, but Dylan quickly became my calm—naturally easygoing and grounded.” Dylan: “My first impression of Emily was that she is a ray of sunshine who radiates positive energy. The very first night we met, she greeted me and my friends at her door with friendly hugs. Whenever I describe Emily to people now, I always tell them the same thing: she’s the real-life Elle Woods.” Every love story has defining moments. Was there a particular experience that made you realize you had found your forever person? Emily: “There have been countless moments over the years that made me realize I had found my forever person, so it’s hard to pinpoint just one. What made me confident in choosing Dylan is the depth of his heart—his unwavering love for his family, friends, me, and our dog, Bear. He is a man defined by loyalty, kindness, and a calm presence that grounds our life together. Despite facing family challenges during his childhood, those experiences did not harden him; instead, they shaped him into the most patient, compassionate, and understanding person I know. He navigated those years with remarkable resilience, gaining a deep appreciation for the importance of family and relationships. Today, he leads with grace, respect, and genuine care in every connection he makes. One of the qualities I admire most is the way Dylan embraces and honors the people I love. He treats my mother with sincere affection and has been a steady source of support in the years since my father’s passing. Whether it’s making the trip back to Louisville to be with my family on a difficult anniversary or finding thoughtful ways to keep my dad’s memory alive, Dylan’s empathy knows no bounds. He also showed me the kind of partner he would be when we brought Bear home. As someone who had always dreamed of having a dog, I was surprisingly nervous about becoming a “dog mom” and wanted to do everything perfectly. Dylan’s patience, confidence, and love made that transition feel natural, turning a lifelong dream into a beautiful reality. We both understand that a great marriage requires intention and effort every day, and I am incredibly proud to build a life with someone who values love, affection, and family above all else.” Dylan: “My first visit to Emily’s hometown of Louisville was over the Fourth of July, early in our relationship. She had driven down from Chicago at the start of the holiday week, and I followed a few days later by plane. I still remember the anticipation of meeting her mother and brother for the first time and spending our first holiday weekend together outside of Chicago. My flight arrived a little early, and there she was near baggage claim, holding a coffee and wearing the biggest smile. She was completely beaming with excitement and energy. In that moment, I could tell how much she wanted to share her world with me, and I was genuinely eager to discover the place that had shaped her into the person I was falling in love with. We had an incredible weekend together, and somewhere in the middle of it all, whether Emily knew it or not, I knew that she was someone I could build a future with. Now, every Fourth of July, I find myself looking back on that trip with gratitude for the holiday that quietly changed everything.” What was the most memorable moment from your wedding day, and why does it stand out to you? Dylan: “We chose not to do a first look, so the first time we saw each other on our wedding day was when Emily walked down the aisle. I remember arriving early at the Cathedral of the Assumption and feeling the anticipation build as guests took their seats and the bridal party processed down the aisle. As I waited for Emily, my heart was beating out of my chest. The moment I saw her, everything else faded away.” Emily: “I remember sitting on the party bus outside the church, waiting until 2:28 p.m. to enter the Cathedral. Because the bus was parked right in front, it had a unique view of all the guests arriving and entering the church without anyone seeing me. The tinted windows allowed me to watch the excitement unfold while remaining hidden. Walking down the aisle and seeing Dylan’s face—both of us smiling so big at one another—is a moment I will never forget.” *Another especially meaningful part of the ceremony was having Fr. Robert Casey fly from Boston to officiate the wedding. What made this so special was that he had also married Emily’s parents, Kate and Greg Scinta, in Boston on July 7, 1991, and he is a distant relative of Emily’s. His homily was heartfelt, personal, and full of joy, leaving everyone smiling from ear to ear. VOICE-TRIBUNE JULY 2026

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Marriage is the start of a new chapter. What are you most excited about as you begin this journey together? Dylan: “Seeing as we’re both athletes, Emily and I are both what you would call ‘team players’ in the sports world. We expect a lot from ourselves and our fellow teammates. We lead by example, we’re extremely coachable, and we want the team to succeed as an entity, not as an individual. Emily is the best teammate I could ask for, and I can’t wait to tackle life as a team. I’m excited to continue traveling the world together as a couple. And as our family grows, I look forward to nurturing our current relationships with friends/family near and far, and growing our community in Louisville. I look forward to being challenged by Emily to be the best version of myself and to be the best partner I can be.” Emily: “I look forward to continuing to explore Louisville and our new neighborhood together, taking Bear to the dog park and on adventures, traveling together, learning from Dylan in the kitchen, maintaining a healthy and balanced lifestyle, starting a family, and growing in our faith.” Your family and friends played a role in your celebration. What did it mean to have your loved ones surrounding you on such an important day? Emily and Dylan: “It meant the world to us to have our family and friends surrounding us on such an important day. We both come from large families and have close friends spread all across the country, so we know that traveling for a wedding is a significant commitment. Having loved ones travel from 18 states to celebrate with us was incredibly meaningful, and we are beyond grateful for the love and support they showed us.” If you could describe your relationship in three words or share one piece of advice for other couples planning a wedding, what would it be? Emily and Dylan: “One piece of advice we’d give other couples is to think about ways to maximize time with your guests, especially if many are traveling from out of town. One of the best decisions we made was hosting our wedding at the same location where most of our guests stayed. Having our wedding at the Seelbach Hotel in downtown Louisville allowed us to spend so much more time with family and friends throughout the weekend. We loved running into guests in the elevators, hallways, and lobby, and it created a fun, relaxed atmosphere beyond just the wedding day itself. It was also incredibly convenient for guests, who could fully enjoy the celebration without worrying about transportation at the end of the night. We also highly recommend carving out a few private moments together during the wedding day. We took about 15–20 minutes to enjoy our appetizers and signature drinks, practice our first dance, and simply be together before the festivities continued. It gave us a chance to soak it all in and create a special memory just for the two of us. Finally, every couple is different, but we made a conscious effort to spend as much time together as possible throughout our rehearsal dinner, welcome party, and wedding reception. Looking back, we’re so grateful we experienced those moments side by side and created those memories together.” Where was your wedding held, and what made you choose that venue for your special day? Emily and Dylan: “Our ceremony was held at the Cathedral of the Assumption, and our reception took place at the Seelbach Hotel in downtown Louisville. We fell in love with the Cathedral’s beauty, as it reminded us of the church we attended together in Chicago. We also loved that it is located directly across the street from the Seelbach, making it easy for guests to walk between the ceremony and reception.

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We chose the Seelbach Hotel because of its stunning ballroom and the opportunity to have all of our guests together in one room. It was important to us that everyone could share in every special moment of the celebration. We were also drawn to the Seelbach’s rich history and loved the idea of giving our guests a uniquely Louisville experience during their visit.” Who were the talented vendors behind your celebration? We’d love to hear about the professionals and companies you selected for catering, photography, floral design, entertainment, planning, and any other special details that helped make the day unforgettable. Emily: “We truly loved every one of our vendors and feel so grateful for the team that brought our wedding vision to life. Our florist, J. Elizabeth Designs, was the first vendor we booked. Jill, a family friend, created beautiful floral designs and was an invaluable resource throughout the planning process. For our month-of wedding coordinator, we worked with L&M Detailed Events, and Lorrie Hanners and Melissa Anderson were exceptional. Their organization, expertise, and support allowed us to fully enjoy our wedding weekend. At our venues, Maggie Cyphers at the Cathedral of the Assumption and Taylor Torsky at the Seelbach Hotel were wonderful to work with and helped ensure everything ran seamlessly. One of the most memorable design elements of the reception was our custom dance floor wrap from Nadia’s Elegant Events. Combined with our pink uplighting and florals, it became one of the most talked-about details of the evening. We also worked with Allison Celenza of Hand-Painted Weddings, who designed our invitations, welcome sign, seating chart, menus, and other paper goods. She perfectly captured our pink-and-green vision and created beautiful, personalized details throughout the celebration. Our photographer, Kortnee Kate, was phenomenal. She made us feel comfortable in front of the camera and captured the day so beautifully. We also loved the engagement session we did with her around our new neighborhood with our dog, Bear, which became some of our favorite photos. For beauty, Hair by Scarlett styled our hair, and Michaela Frances Artistry and Louisville Lash handled makeup. Both teams made everyone feel confident, beautiful, and relaxed throughout the day. I found my wedding dress at Rebecca’s Bridal in Louisville, and working with Morgan made the experience unforgettable. After trying on several dresses, she encouraged me to take some time before deciding. I later discovered a Morilee gown called “Serendipity” online, and Rebecca’s had it specially shipped in for me to try on. The moment I put it on, I knew it was the one—and it happened to be the very first dress I had ever saved on Pinterest. It truly felt meant to be. For entertainment, we chose The Company Band, and they absolutely exceeded every expectation. They kept the dance floor packed all night and helped create some of our favorite memories from the reception. Their final song, “Don’t Stop Believin’,” turned into an unforgettable moment as our guests gathered around us, singing along and celebrating together. We also worked with The Mixing Bowl for our wedding cake and Southern Rentals for chairs and custom bars. Every vendor played an important role in making our day feel seamless, personal, and unforgettable.” VOICE-TRIBUNE JULY 2026

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By: Dr. Jason Roop • Photos Provided I’ve always been good at asking questions. As a young boy growing up in East Tennessee, I quickly realized I could keep any conversation going by simply asking, “Why?” That’s just the way my mind works. I’ve never been satisfied with surface-level explanations for why things are the way they are. There has always been something in me that wanted to understand not only how things work, but why they work. Why do people do what they do? Why do some people thrive while others struggle? Why does transformation happen for some and not for others? That tendency has served me well in life, and it’s also gotten me into a lot of trouble. It’s taken me deep into experiences I’d rather forget, and it’s given me insights that were not easily earned. But probably the most important question I’ve ever asked was this: When it comes to helping someone recover from addiction, is the goal to completely overhaul them from top to bottom, inside and out? Or are there good qualities already present that we can identify and build upon? I don’t come from an academic family. My grandfather was a coal miner, and my dad drove a coal truck. I was the first person in my family to attend college, so when I entered a PhD program and my advisor told me to choose a topic I’d love waking up every morning to study for the next three years, it felt like Disneyland. I genuinely love learning. I love figuring out not only how things work, but why they work. I can go all in on some of the most random and unusual topics if they capture my attention. More than anything, I’ve never been content with surface-level answers. The doctoral process gave direction to that curiosity. It provided a structure for asking better questions and a method for pursuing answers. For the first time, my curiosity wasn’t something to manage. It was something to cultivate. And among all the questions I could have pursued, one kept showing up over and over again. How can a person truly experience transformation? Must we erase ourselves in order to change, or is there something already within us that can be leveraged for positive and sustainable growth? I needed to know the answer because, up to that point, I hadn’t done a very good job of experiencing transformation myself. I spent seventeen years in active addiction. I was arrested eighteen times, overdosed four times, was raided by police twice, and eventually found myself homeless in late 2012. After being kicked out of a homeless shelter for sneaking in drugs, I found myself literally living on the streets. In 2013, I finally admitted that I didn’t have the answers and checked into residential treatment. I stayed there for a full year. I met my soon-to-be wife Amanda in the spring of 2014. We got married on October 24, 2014, and I graduated from treatment on October 25. Busy weekend. Years later, while pursuing my doctorate, I discovered something that had never been clearly articulated in the research literature. The answer was yes. There are qualities we can identify and build upon to help people experience meaningful transformation and recovery. Many of those qualities are actually leadership traits. The reason they often go unnoticed is because they are observed through the lens of addiction. They show up as denial, manipulation, stubbornness, perfectionism, and other distorted expressions of otherwise powerful human qualities. Addiction doesn’t create those traits. It hijacks them. If we can separate the person from the behavior, we uncover new territory from which growth can occur. That single question eventually became the foundation of the Trait-Based framework, a model designed to help people identify strengths and build lives rooted in purpose. Ironically, I launched the Trait-Based Model of Recovery at the very same treatment center where I first entered recovery in 2013, nearly ten years to the day after walking through its doors carrying nothing but a trash bag full of torn and tattered clothes. The first time I arrived, I came with nothing. The second time, I arrived with a team prepared to launch a framework that would eventually impact thousands of lives. In many ways, that same spirit of curiosity also guided Amanda and me to Louisville. We realized that if we wanted to continue growing this work, we needed a more connected and accessible home base. We asked a simple question: What if we moved to Louisville? We put our house on the market. The first couple who toured it made an offer. Thirty days later, here we are. We’ve only been here a short time, but we’ve already been blown away by the warmth of this city and the willingness of people to invest in one another. There seems to be a genuine belief here that people deserve opportunities to grow, heal, contribute, and thrive. Maybe that’s why Louisville feels like the right place for this next chapter. After all, some of the most important discoveries in my life began with a question. And maybe the most important question we can ask another human being isn’t, “What’s wrong with you?” Maybe it’s, “What’s right with you?” VOICE-TRIBUNE JULY 2026

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