Landscape Studio 2019 (The Archives)

d e pa r t m e n t o f g e o s c i e n c e s a n d n at u r a l r e s o u r c e m a n a g e m e n t university of copenhagen

The Archives slotsholmen Landscape studio 2019

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Colofon S t udent s

Jeppe Okkels Andersen

Niels Dyring

Lise Lowensteen

Signe Emmery Schumann

Tibor Borbely

Gunnvá Fossaberg Ellingsgaard

Anton Juel Lund

Steven Singh

Alexandru-Catalin Bunea

Chengcheng Feng

Alexandros Georgios Memetzidis

Anca Ioana Vetreneanu

Maria Louisa Camitz Hollyoake

Anastasia Georgali

Vladimír Novák

Anna Maud Von Bülow

Maria Paula Canon Bermudez

Pernille Henriksen

Philip Jonathan Patzner

Juelun Wei

Ping Chang

Leah Løffler

Marina Podhraski

Miltiadis Chatzistamoulos

Bettina Anja Käppeli

Vita Rehberger

Malthe Mørk Clausen

Cayn J. L. Wilmsen

Patricia Schmidt Sandager

Line Stampe Dahl

Qingfeng Li

Emilie Oppedal Sandven

Permane nt te am

Pr ac t ic al inf or m at ion

Peter Lundsgaard Hansen, plh@ign.ku.dk- Course responsible Torban E. Dam, toda@ign.ku.dk (field trip planning responsible) Jens Nyboe Andersen, jensnyboeandersen@gmail.com

Modellab is situated on the first floor - above Skallingen and below Versailles. You can use the materials that have been thrown in the bin. Please keep Modellab clean and organized. We will use this space a lot and we are not the only ones using Modellab. Contact person: Carsten Johansen, cajo@ign.ku.dk (ModelLab)

Editorial tea m Calum Mitchell, calumtmm@gmail.com Peter Lundsgaard Hansen, plh@ign.ku.dk

Special tha nks to : Georg Boyes Fond for the contribution to Landscape Studio 2019 We are greatful for the stimulating walks, talks, lectures and discussions with the our fellow colleauges from The University of Copenhagen and offices.

Curation/ru nn ing office Peter Lundsgaard Hansen

You can buy materials for modelling in the Students Shop in Modellab or in Tutein & Koch, address; Farvergade 8, 1463 København All lectures will be held in Versailles if not otherwise indicated.

Supervision; the team of supervisors are available during the course (see calendar where it says Studio work). Please remember to make appointments in advance by mail. Throughout the course there will be opportunity to work with vertical projection in groups and during design talks.

www.landscapestudio17.tumblr.com Picture opposite side: BLOX and behind Slotsholmen seen from Langebro.

April 2019

By Peter Lundsgaard Hansen

university of copenhagen

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Table of Contents In t r oduct i on T h e A rc hives

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Landscape Studio is the Method

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L a n d b ryggen

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T he P r oj ects

Gro u p 1

H arb ou r Nic he s

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Gro u p 2

H afn i a Viridis

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Gro u p 3

Th e G ree n Tra ns ition

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Gro u p 4

A rch i ve Prom e na de

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Gro u p 5

C h ri sti ans Bry gge Pa rk

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Gro u p 6

C hri st i ans Bry gge Coa s ta l La nd

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Sø ren K ie rk e ga a rds Ga rde n

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C al en dar

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By Peter Lundsgaard Hansen

university of copenhagen

The Archives Landscape Studio engages with project sites that enable pushing the practice of design and planning in directions that brings new insight and new approaches to otherwise well known design challenges. Such is also the case this year. With the working title of The Archives – a capital kindness project Landscape Studio will work with a well know area in Copenhagen and with well known urban challenges.

Slotsholmen and Christians Brygge

Slotsholmen is a manmade island (holm). Frederiksholm Canal, Slotsholms Canal and Børsgraven separate it from the medieval quarters of Copenhagen. Between the bridges Langebro and Knippelsbro its edges towards the inner harbour and defines Christians Brygge.

The island houses the Danish parliament –called Christiansborg.

Today Slotsholmen is known for the Black Diamond (The Royal Library), Tøjhus Museum Arsenal, The War Museum, The Brewery of King Christian IV, The Nebelong

“Slotsholmen’s central location, like other medieval quarters in Europe, makes it a unique place in Copenhagen. ” building, Børsen (the old stock exchange by Christian IV), The Jewish Museum and lately BLOX (by OMA and not on the Slotsholm island itself) has been built.

Also close to Slotsholmen we find The National Museum, The naval Church of Holmen (Christian IV) and Glyptoteket.

From the built a number of detached public spaces can be named: Thorvaldsens Plads, The Royal Library Garden, The Horse track, Søren Kierkegaards Plads, Christiansborg Slotsplads.

Slotsholmen’s central location, like other medieval quarters in Europe,

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a capital kindness project

makes it a unique place in Copenhagen. Perhaps this place, more than any other place in the metropolitan landscape, holds exceptional historical, cultural and political significance to the capital and to Denmark. Today Slotsholmen is also a work place, an educational centre and a place where thousands of tourist’s visit every year.

Problem direction

However, Slotsholmen is also a place where good intentions have their limitations. Infrastructural challenges have collided massively over time and access to Slotsholmen from the harbour side is difficult and unwelcoming.

“a place where good intentions have their limitations. Infrastructural challenges have collided massively over time and access to Slotsholmen from the harbour side is difficult and not welcoming.”

Environmental issues such as car noise and pollution are high due to the O2 Ring road that divides Slotsholmen from the harbour along Christians Brygge. The consequence from the traffic is that the eastern tip of the island, where a bridge connects the ring road to Niels Juels Gade, has all but disappeared in roads and bridges. In a greater context Christians Brygge has become the missing link that divides Kalvebod Brygge and Islands Brygge with the renewed docks of Havnegade.

Furthermore, as we have just learned, Slotsholmen consists of a wide range of built structures and public spaces. Each fall under different ownership and agencies and this makes planning for a coherent whole difficult because different interests are at stake. It is a special situation where everyone knows the price of everything and the value of nothing. It is in this light

Slotsholmen, 1855 , 1:25.000

that our professional motivation for working with this exact landscape should be seen and understood.

Capital Kindness

With The Archives, Landscape Studio wishes to introduce a new urban practice called Capital Kindness. With it we wish to appeal for more generosity to achieve better functions, stronger identity and more beautiful urban landscapes in metropolitan cities. The urban

“a new urban practice called Capital Kindness. With it we wish to appeal for more generosity to achieve better functions, stronger identity and more beautiful urban landscapes in metropolitan cities.”

areas along Christians Brygge are detached and they are the rational result of buildings and based on economical, political and administrative decisions.

However, Capital Kindness will take the position that it is the nature of landscapes that they do not respond to ownership, economy, politics, cultural heritage, the past, the present and the future. Landscapes are systems at work and when we try to make them otherwise they become greenery. It is with this approach that Landscape Studio wishes to turn detached areas into a connected landscape system along Christians Brygge.

The assignment

The Archives are to be developed along the inner harbour along Christians Brygge and with the Royal Library Garden as one of the significant anchors to Slotsholmen.

The assignment is to plan, design

By Peter Lundsgaard Hansen

university of copenhagen

landscape studio 2019

Parliment Christiansborg

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The Stock Exchange

The Horse riding Track The Library Garden

Knippelsbro

The Royal Library

Christians Brygge The inner habour

Langebro

Slotsholmen before 1924

“Capital Kindness will take the position that landscapes do not care about ownership, economy, politics, cultural heritage, the past, the present and the future. Landscapes are systems at work” and communicate a detailed vision for a future park system. The assignment poses a project site and

a strategic site (see ill’s.). With the concept of an emerging Capital kindness the assignment must also contribute an on-going examination of nature and culture in the city. The combination of largescale contextual dedications to the medieval town, the inner harbour and to Slotsholmen and small-scale interventions to secure functionality and local identity relates directly to the professional span between the two disciplines – Planning and Design.

Thus, each proposal must elaborate

on the relation to its urban context along and in proximity to existing and site-specific cultural heritage. (or future) bicycle routes, and peFurthermore the proposal must destrian path can be identified, designed in greater detail and used for such proposes. As one important “functionality and prerequisite for the assignment is local identity relates that Christians Brygge becomes car directly to the profesfree (limited access) in the future sional span between by way of a tunnel under the inner the two disciplines – harbour (se p.13). Furthermore, the extension to the ‘diamond’ is reloPlanning and Design.” cated underground to reestablish consider principles for sustainabil- the connection to the harbour. ity on different levels depending on the proposed idea. Interventions

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nicates cultural heritage, water cleaning facilities, recycling, bicycles, short time parking, sport, wildlife, flora and the relation to the seabed of the harbour.

Exit

The proposals for The Archives must reflect and contributes to an on-going discussion regarding nature and culture - its structural, environmental, economical and political significance in our cities today. A special focus should be given to the edge of the urban fabric along Christians Brygge and the inner harbour.

Landscape Studio 2019 embraces creative solutions to classic challenges. Good luck and be Kind!

Christians Brygge and the inner harbour seen from Knippelsbro, April 2019.

Landscape archetypes and program specifications The conceptual archetype of the Garden (hortus), the Path (access) and the Monument (the built) defines both the aim and the tools for the assignment.

Their inherent potentials as agents for transformation (and thus as means to study the site) are to be elaborated in this studio and developed (making and unmaking) in the drawings.

These landscape archetypes can be understood and worked with

separately and/or as tightly interconnected wholes. Furthermore abstractions and stylized forms of these landscapes are expected and welcome.

The Garden is a dedicated place with a defined edge. Like a membrane it has an inside that protects it from the outside with its enclosed edges. Entrances make access to the garden and its world possible. The garden is destination.

The Path is access. Access is everything.

The Monument is memory, orientation and navigation.

The landscape archetypes should be elaborated and specified for each proposal. The following program specifications can be seen as inspiration to expand your ideas: A limited number of smaller pavilion buildings and monumental structures (landscapes) can, depending on the proposed ideas, be identified and used; entrances to the park system; a working botanical/house/maintenance; horticultural and pastoral typologies (incl. movement and designated places); structures that imitate or otherwise commu-

Project site & aerial photo of Strategical site: Slotsholmen, Christians Brygge and the inner harbour.

By Peter Lundsgaard Hansen

Christiansborg Slotsplads

Thorvaldsens Plads

Parliment Christiansborg

The Stock Exchange

The Horse Track

Knippelsbro

The Library Garden

Ch Søren Kierkegaards Plads

BLOX

The Inner Habour

Langebro

ns

ia

t ris

The Brewery

e

gg

The Royal Library

y Br

Project site and strategic site. Høje mülebordsblade, 1842-1899

tunnel

Collision sheet: Project site and strategic site.

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‘Bergman’ office VCD

The Royal Artillery Grounds 2

10 library

supplies

bench

curtain 1 library

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1:1500 library kitchen / lockers

enter / exit 12+1

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Example of THE OFFICE. Studio Versailles, 2nd floor.

Landscape Studio is the Method We want to be where language is made. Everything we make, build, write, unmake and rebuild in the office evolves around this endeavour. Poets must write - we must draw. This is Landscape Studio.

Landscape Studio - Ideas

Ideas are the parent of change and the fuel that drives creative work in Landscape Studio. However,

ideas are never enough. In the studio what matters is how ideas are achieved, how they are transformed from vocalized language into concepts, strategies and to physical form. Defining such a specialized process warrants a unique direction in which architectural ideas are developed beyond imagination and metaphor. So, in developing our designs we continuously en-

courage that the idea must expand and sediment itself in the drawing to achieve direction.

Ideas are shared fast. In the studio, we experience the force of contingency and the improbable combinations of events when ideas are exchanged between fellow designers. However, the result can be messy when ideas are lost in translation or they fall into the category of

good intentions. The design process suffers if the exchange has no direction and no medium that supports observation and inquiry. Therefore, we try to slow down the exchange of ideas at certain intervals in order to achieve the desired expansion.

Analogue drawing techniques and simple models play central roles in this process and they are both slow and fast at the same time.

By Peter Lundsgaard Hansen

university of copenhagen

Landscape Studio Drawing

Design Conversation is a Landscape Studio method preformed under a powerful vertical projector in a curated room we call thick space.

However, it is still drawing and we still use pencil and paper when we work.

The drawing is the medium through which we are connected to the idea. It can be a fragile situation.

We make hand drawings to perform, repeat and rehearse in order to construct the physical grammar needed

to transform vocalized language into drawings that can perform the idea.

It is often iconic landscape typologies that we find in our language.

Through these repeated activities and actions the idea can expand beyond the metaphor. We draw structures of the landscape typologies: the entrance (what kind? primary or secondary? context? how many?), a path (where to? how wide? the material? soft or hard?) and a forest (scale? what kind? how do you establish it? do we have a reference? draw the dots!). We continue to a

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thicket, a clearing, a row of trees, buildings and etc. We draw every word we can and then we write a new word.

Although the conversation works as a forward movement, the mediation between computer and hand drawings - the hybrid nature of pencil and projected image – allow us to turn back, rewind, zoom in and examine. We continue with the making and unmaking of the image. We look at it again. We draw and withdraw.

Welcome to Landscape Studio.

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The Campfire Design Studio : Design conversations in landscape architecture education. / Hansen, Peter Lundsgaard; Dam, Torben; Le Goffic, Virginie Corinne; Braae, Ellen Marie.

In: Edinburgh Architecture Research, Vol. 34, 2016, p. 6380.

Research output: Contribution to journal › Journal article Simple Models Create Steep Learning Curves in Academic Design Studio. / Hansen, Peter Lundsgaard; Dam, Torben; Le Goffic, Virginie Corinne; Braae, Ellen Marie.

In: Fusion Journal, Vol. 003, 2014.

Research output: Contribution to journal › Journal article

By Peter Lundsgaard Hansen

The Projects slotsholmen

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Landbryggen Market space Knippelsbro Cafe

Lawn Petanque

Library garden

Crop fields Meadows Everyday library

The Royal Library

Orchard

A

B

Lapidarium Sculpture gallery Crop fields

Lawn

Event space

B

A

Cafe Harbor bus dock

Playground

DAC

Crop fields Lille Langebro

Pump track

Danhostel Stage Crop fields Bicycle lane Tunnel

Langebro

Scenic path

1:5000 Take a walk through the fields of rye, barley and hops just outside the old brewery. Perhaps you have cold beer served in the café on Kierkegaards Plads, made from the very crops you just passed. Sit and enjoy the apple trees in the orchard, have a taste of the lovers apple (kæresteæblet) also known as Malus domestica ‘Kronprins

Frederik’. Experience the scenic path as you pass beautiful meadows and wander below the canopy of the woodland wedges.

Lawns invite you to picnic in a perfect setting, overlooking the ecologically rich riverland as well as the inner harbour.

Scenic path Hops field

The Representative Island

Christians Brygge and the island Slotsholmen are uniquely representative of Denmark. By housing institutions like the Danish parliament, the Royal Library, various ministries, as well as cultural institutions like the Danish Architecture Center, the area exudes power and representation.

Yet it is missing Denmark’s signature, its most iconic landscape: the farmland.

62% of Denmark is agricultural land. This landscape is deeply interwoven not only with the country’s but also with the ordinary people’s history. Landbryggen brings the farmland to the center of Copenhagen. A combination of crops, lawns, meadows and river-

Bike path Rye field

Lawn

Riverland

Historic underground of Slotsholmen

1:500 Section A: The fields on Søren Kierkegaards Plads are made up of various crops, lawns and hard surfaces and thus shape a diverse experience.

Group No. 1 | Tibor Borbely, Lise Lowensteen, Philip Jonathan Patzner, Vita Rehberger

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fast bicycle lane and scenic pedestrian path

lawns, meadows and crops in a field structure

woodland wedges

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culture spots

land provides the urban dwellers with the feeling, the atmosphere of the danish countryside. It’s a place where you can take a break from your everyday life and enjoy the flora, the scents and sounds of the farmland that has taken over the area.

The Urban Farmland

The design approach of Landbryggen is to create a landscape by using the language of the rural scenery. The elements of the danish landscape are translated

“Denmark’s signature, its most iconic landscape: the farmland.” into architectural elements. The farmland is represented by fields of various crops, changing seasonally. The riverland reflects the roughness of nature, a rocky landscape starting out with a just few dispersed plants, then developing with natural succession.

The woodland wedges resemble the danish production forestry as much as the wilder groves and windbreaks found in the landscape. The meadows stand for the grassland vegetation known in rural settings. The typical orchards are featured in the design and combined with the production of berries. ‘Royal’ apple varieties

The woodland wedges divide the massive Kierkegaards Plads into smaller sub-spaces. The scenic path meanders through the fields, while the decks provide acces to the water. reference the historical impact of Christian IV on the place.

The Cohesive Landscape

As Christians Brygge becomes Landbryggen, the site changes from a fragmented, barren area full of sealed surfaces into a diverse, verdant farmland. Cars are diverted through a tunnel, making the area exclusive to pedestrians and cyclists. The design

approach creates a coherent open space that connects the very different architecture as well as the waterfront. Cohesion in the temporal aspect is ensured by embracing and staging landscape dynamics like natural selection within the woodlands, seasonally changing crops and the evolving riverland. Functionally various culture spots are located throughout the area. On the southern end seating stairs overlook a stage

for open air plays or concerts.

The everyday library invites passers-by to stop for a read or to swap a book. Kierkegaards Plads features an event area while the areas below the bridges cater to younger culture with parkour installations and a pump track.

Event space Hard surface

Riverland

Flower bed with seating edge

Historic underground of Slotsholmen

Section B: Variations of nature, the flower bed with its blooming aspects contrasts with the rough surfaces of the riverland.

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Group No. 1 | Tibor Borbely, Lise Lowensteen, Philip Jonathan Patzner, Vita Rehberger

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Harbour Niches C

C´ The reflective space

B

Concept diagram - showing the 3 different pools placed along the harbour edge at Christians Brygge.

B´ The active space

The inviting space

Concept diagram showing the pacthes of meadow and wedges of trees.

A A´

Experiencing the Harbor Edge

Concept diagram - showing the interventions across the whole area of Christians Brygge.

Christians Brygge is located on the historic island Slotsholmen, positioned in the heart of Copenhagen. The harbour suffers from car traffic, making it an unpleasant space for both pedestrians and cyclists passing through. The project aims to unify the fragmented harbour and introduce generous green areas into it.

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Harbour Niches works on three levels, the first area is located on the edge of the harbour where diverse experiences are created with pools. The second layer are large bodies of vegetation - low patches of meadows and lawns with forest wedges spanning over them. The third layer consists of smaller interventions. Together they transform the harbour into a destination full of experiences.

Along the harbour edge running from Kalvebod bølge to the tip of Slotsholmen, three different areas with pools are created. They are the new attractive spaces for everyday activities, each with different characters and varying degrees of openness or intimacy.

The pools work as a counterbalance to The Black Diamond and The Blox, which are both standing on the edge.

The first pool is placed in the western part of the harbor near Langebro bridge. It is an important viewpoint while passing from Christianshavn to Central Copenhagen. Therefore, the area is named ”The Inviting Space” as its role is to draw people in and interactive elements are placed to

spark interest. The pool has varying depths with components like climbing rocks which are used to create playful experiences for younger users.

The second pool is positioned in Søren Kierkegaard’s square.

It plays a central role in Christians Brygge, as it is the largest open space, located next to the The Black Diamond Library. This area becomes ”The Active Space” and the pool plays an important role as a destination for swimming and socialising.

The third pool area is placed in the narrow part of the harbour, replacing the Library Archives. The pool is shallow and acts as a water mirror, reflecting the sky and trees. Dense vegetation surrounds it, this is a calmer area for recre-

BB Section of the active space showing the density of the wedge of trees and the niches created by the terrain differences.

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Group 2. Anna von Bülow, Maria Hollyoake, Patricia Sandager and Vladimir Novak

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The active pool area in Søren Kierkegaards square, where the steps invites to water and leisure activities. ation and relaxing- a “Space For Reflection”.

Generous Areas of Vegetation The large bodies of vegetation are similar to the building blocks that constitute the structure of the city. Users can walk freely through them, experiencing the openness of the meadow and lawn after passing through a forest wedge that spans from the buildings to the harbour front.

The patches of low vegetation are angled, leading users through the area and defining the middle part of the harbor which is a shared space for pedestrians and cyclists. Open rooms are created by the wedges, characterised by a central part with a looser grid of trees and a denser character in the extremities.

The Niches

Niches are placed points for active or passive recreation. They are defined by a raised edge or a wall, attached either to the harbour edge or the inner edge consisting of large bodies of vegetation. They form little nooks inside larger areas where people can gather, stop to actively engage with each other or relax.

Forest wedge Café Meadow

Gravel

Statues

Sauna Lawn

Standing on the Tip On the tip of the eastern part of Christians brygge, a raised viewpoint is positioned to catch the morning sun and enjoy the view of the harbour. From a distance it marks the entry point to the harbour and the beginning of Slotsholmen, which was for years buried under the wide ring road, restoring the image of Slotsholmen as an island.

1:500 AA Athmosphere of vegetation and pools creating an inviting space.

Forest wedge

Wooden deck

1:2000 Zoom-in of the “active space” at Søren Kierkegaards Square.

1:300 CC Calm and shallow pool for reflexion and contemplation.

Group 2. Anna Von Bülow, Maria Hollyoake, Patricia Sandager and Vladimir Novak

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Hafnia Viridis

U N I V ER SI T Y OF COPE N H AGE N

LANDSCAPE

HAFNIA VIRIDIS Bertel Thorvaldsens Plads

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Christiansborg Slot Riding Grounds

Royal Library Garden

HAFNIA VIRIDIS Christiansborg Palace

Inside out / outside in connection between harbour and inner city

A

Urban forest

Brewery The Royal Libary Garden &KULVWLDQVERUJ 3DODFH Søren Kierkegaards Plads

Inside out and outside in connection between the harbour and the inner city

B Urban forest

Wooden pier edge

Wooden egde walk

B

The Royal Libary

Design concept: Connects between the city and the harbor.

7KH 5R\DO /LEDU\ *DUGHQ Urban forest Søren Kierkeegaards Plads Lille Langebro Wooden egde walk

Pathway

View point

Royal Library

Scuplture yard Urban forest

BLOX Sculpture glade

Wooden pier edge

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1: 6250

The first layer includes the urban forest, the 2nd the pathway and the 3rd the edge.

Concept

Slotsholmen is the historical place for people.

Slotsholmen and the water edge. heart of Copenhagen, and its The name Hafnia refers back to The proposal foresees two The main axis extends throughbuildings include a broad va- the origin of Copenhagen as it main interventions. First, an im- out Slotsholmen across Chrisriety tiansborg Riding third layer consistGrounds for forest an A of museums, the Royal was once called Hafnia meaning proved connection between the The Library, and the Danish par- harbor. The new green identity Bertel Thorvaldsens Plads.the and path system throughout “...the connection and the liament. The design proposal of the design proposal refers to 1: 6250 interweaving between the area.The second intervention works :RRGHQ HJGH ZDON enhances the connectivity of the Viridis. with three layers (urban forest, city and the water.�

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Three layers are working together Diagram The concept works city and the harbor edge through the coherency and to implement quality of the water edge which area.

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Slotsholmen is the historical heart 7KUHH OD\HUV DUH ZRUNLQJ WRJHWKes a broad variety of museums, to improve the connection to the and vice versa. All three layers Market square of Copenhagen.

The manmade is- place for children and adults.

HU LQ WKH GHVLJQ FRQFHSW 7KH ÂżUVW The third layer of the design conUrban Forest Urban Forest Wooden pier land houses today a broad variarlayer includes the reconstruction of cept creates an urban connection Harbor ity of museums, the Royal Libary the old canals next to Børsen and E\ ZRUNLQJ ZLWK FRKHUHQFH LQ WKH +DIQLD Q Copenhagen, Danhostel DQG WKH SDUODPHQW 7KH DUHD RႇHUV the Royal Library, to enhance the fragmented area of Slotsholmen (latin for Copenhagen that Nykredit Havn the harbor front at Christians Brygge will become a green wall of trees with a wooden pierBLOX Seenedge from which Christians 1:2000 new landscape a water needs to be historical structure of Slotsholmen. and implementinafront ones was called ‘Harbour’) Viridis, adj. green (gen.

3.: Pernille Henriksen, Bettina Anjawater.

Käppeli, All Qingfeng Li, Steven along the three layersSingh empowered its sojourn quality. The Second layer is toGroup improve the conpolur. viridum) design concept enhances the connection to the island, surrounding together improve the connection Urban forest Langebro Urban forest nectivity of the area, mediates betight tree rows will lead the visitor inside-outside from the city to the

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together enhance the connection and the interweaving between the city and the water.

Tree Rows as Guidance

A guidance structure consisting of tightly planted tree rows next to the main roads guiding to the project site and helps to lead the users from the city to the water edge.

Already existing tree rows are intensified by new plantings, while the main focus is on a new axis through the center of Slotsholmen. The new axis creates a new visual connection between the upcoming Metro Station at Gammel Strand, Søren Kierkegaards Plads, and the water.

Brewery

The garden behind the Royal Library gets through this intervention integrated into the concept and becomes a part of the axis.

Three Layers for Coherency

The design language is directed by the movement of people between the attractions of Slotsholmen and help to divide the public space into three layers: Urban forest, pathway, and edge.

The urban forest takes the role as a mediator due to its nesting with the city and creates a buffer zone between the buildings and the water edge. A tight planted tree grid defines the appearance of the urban forest and during its time growth, selective thinning

The Royal Danish Arsenal Museum

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The water edge with its pier offers a lot of different possibilities to stay and to get in touch with the water.

YEAR 1

year 1

YEAR 25

year 25

YEAR 50

year 50

Plant strategy for the urban forest over 50 years. During time some tree groups will establish. will prevail and form attractive groups of trees. To maintain the densely urban forest structure new trees will be planted.

Between forest and water edge a path system takes place. Cobblestone and gravel create together an ingenious connection from the financial district in the south

to the Børskaj in the north and offers enough space for cyclists and pedestrians to passing through.

Temporary art projects increases the attractiveness of the space underneath BLOX and between the buildings at The Royal Library.

Along the water edge, a wooden pier offers sojourn quality and leads through linear shaped vegetation patterns, which create smaller niches to stay and a scenic landscape to discover. Due to its different elevations, to get in touch with the water will be possible for the visitor.

All three layers together ensure a coherence design language of this new urban park and invite people to discover and to stay.

The Royal Library Urban Forest Harbor

Section A

1:2000 Group 3.: Pernille Henriksen, Bettina Anja Käppeli, Qingfeng Li, Steven Singh

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The Green Transition The Tip

Christiansborg Slot Old Stock Exchange

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Library garden

Concept diagram: The area is devided into two landscapes

Black Dimond Perennial garden

B Zoom in

A B Meadow hills

A BLOX

Zone diagram: The area is divided into 4 zones of activities

Picnic area

Sports area

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1:5000 scale In order to connect the city with the canal, a dense vegetation will function as a green transition towards the open harbour landscape. From the urban forest closest to the city the vegetation gradually opens up towards the harbour, and sloped meadows are binding the larger structures closer together.

The project area is situated in the central harbor of Copenhagen, and contains a mixture of old historical buildings and some of the most prominent modern buildings in the city; Blox and the Black Diamond.

Through the years the area has undergone a lot of changes and the result is an incoherent structure where the old and the new

BLOX CafĂŠ

Section AA

1:500

buildings have little that binds them together. The buildings, especially BLOX and The Diamond stand like monoliths in a landscape that only orientate itself towards the water and lack a connection to the older parts of the area and the city.

The project consists of two main elements; a flat open-floored forest, and a landscape with hilly

Topogrphy diagram: One of the landscapes has a distinkt terrain meadow that slopes towards the harbour. These areas are defined by a curve that divides the area in two, and also creates a main path for both bikes and pedestrians.

The project creates a transition zone between the city and the harbor canal, and between different architectural languages.

While walking along the halfmoon walkway visitors will be on the edge of two main landscape with the option of freely crossing to both sides. The transition to urban forest is suggested by aligned trees and corten steel guides on the ground surface.

A corten steel plated wall with

Group No. 4 Niels Dyring, Marina Podhraski, Emilie Oppedal Sandven, Ioana Vetreneanu

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various height and tilted towards the canal is the base for the southern part. Several entrances into the hilled meadow sits within the niches of the wall, and creates a space to sit down and rest.

Hilled meadow

Swimming, sunbathing, picnicking and other water activities are placed at the harbor edge, in the hilled meadow area. The area itself is raised 1.5 meters inland but lowered towards the water, in order to connect more with the water. Some of the hills are maintained in a wilder way, letting the grass grow tall and perennials spread over the hill tops. The rest of the hills are maintained as a lawn, to accommodate picnic, and other lawn activities. The harbour edge is partly accompanied by a wooden deck, in order to give a purpose for visitors and a place to sit near the water.

Urban forest In the urban forest different activities take place under the canopies. Some of the existing tree structures have been preserved, creating straight alignments in the forest. Trees represent the connection

“These areas are defined by a curve that separates the area”

throughout the landscape which will have four zones; sport area with different activities, a public playground with nearby event plaza, a new library garden with

The Meadow Hills gives a contrast to both BLOX and The Black Dimon’s strick and polished facades, giving the area a human scale different seasonal flowers and experiences and a street food place with viewing point over the northern harbor.

A playground portraying a maritime universe with a ship stranded in the sand is the main attraction near the historical buildings. Behind the central historical building functions an intimate cafe for parents which accompany their children to the playground.

The western side of the project holds opportunities for outdoor exercise in the heart of the city.

Basketball, volleyball and outdoor exercise facilities have designated spaces in the woodland composition, while the transition under the bridge serves in bouldering activities.

Meadow landscape

Section BB

1:500

Playground

The Black Dimond

Meadow hills

Meadow hills Bike path

Visualisation point

Swimming area Wooden platform

1:1000

Meadow hills

Zoom in: Showing the area between BLOX and the Black Dimond

Playground

Café

Group No. 4 Niels Dyring, Marina Podhraski, Emilie Oppedal Sandven, Ioana Vetreneanu

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Archive Promenade

Concept

Diamond Garden

Søren Kirkegårds Garden

Promenade landscape

Søren Kirkegårds square

Christians Garden

Garden Landscape

1:6250

Design proposal for Christians Brygge :Archive promenade Slotsholmen is undeniably the core of Copenhagen. A powerful island located in the middle of the city centre which houses the main power institutions that rule the country. The landscape has been shaped throughout time, layers of history and human interactions with the en-

vironment. However, the landscape has adopted an identity where concrete and highways are taking over nature.

Concept

The Archive Promenade aims to create landscape archetype that brings back the interaction with nature and the archive of urban cultural layers. The actions of landscape layers composed by the Promenade landscape and a Garden Landscape combine the

Surface Landscape

urban cultural layers together and offers interaction with nature and layers of history. A strong surface landscape frames the transition between the main landscapes.

Concept section Archive Promenade Group 5. Chengcheng Feng, Maria Paula, Jeppe Okkels, Signe Emmery Schumann

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Garden Landscape

The garden landscape is composed by flowerbeds that vary in complexity, vegetation and spatial experiences. The vegetation such as trees, flowers and shrubs play an important role in each garden same as light, shade, texture, smells and colours. The Garden Landscape is a core of the Archive Promenade that softens the contrast of the city and harbour in a colourful way. The Landscape is composed by Christians garden, Søren Kirkegårds garden and diamond garden. Each garden is like a musical note in the landscape composition that creates a meaningful and strong Garden Landscape.

Søren Kirkegårds Garden Søren Kirkegårds Garden frames and creates scenario of contrast with playful garden patterns. The angular flowerbeds and colourful character of its vegetation complimenting the presence of the

“Each garden is like a musical note in the landscape composition”

Søren Kirkegårds Square is a semi-enclosed scenery that offers a place of contemplation

Brewery Garden

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Søren kirkegårds garden

Søren kirkegårds Square

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Black Diamond, the old Brewery and the water. The garden is composed by perennials, annuals, shrubs, roses and trees. The vegetations patterns either welcome the visitor with a colourful entrance or frames different views of the water with soft plantation and hedges that also guides and provide shelter from the wind.

A path system in different character offers a variation of route and experiences. The curved intimate path leads to places where you gently get lost and easily get seduced by the colourful flowers and the scenarios unfolding in-between.

1:1450

The Garden Landscape is composed by flowerbeds that vary in complexity, vegetation and spatial experiences.

Example of Vegetation flowering phase

AA Enclosed spatial experience sketch from Søren Kirkegårds Square Group 5. Chengcheng Feng, Maria Paula, Jeppe Okkels, Signe Emmery Schumann

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Christians Brygge Park The Danish Parliament Christiansborg Slot The Urban

Kn The Library Garden

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Blocking urban expansion

The Black Diamond

Søren Kierkegaards Plads Introducing the grown

Blox

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The Urban cracks into the grown

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The project aims to redirect the attention from the built towards the grown. Vegetation is introduced between the build to state that urban structures cannot conquer everything. It is intended to create contrast between the built and the grown to bring balance to the landscape of Slotsholmen.

Current Status

Christians brygge is a harborfront in the central part of Copenhagen, running from Knippelsbro to Langebro. Along the brygge lies Slotsholmen, an artificial island, surrounded by canals. The main uses of the buildings in the area are institutional and cultural. Towards the harbor front the

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space between the built mostly consist of concrete and stone surfaces, with an obvious absence of greenery. By redirecting the traffic underground and removing the road, identity throughout Christians brygge can be strengthened by implementing a green corridor along the coastline.

1:1500 The urban forest creates a human scale in the large open spaces that are surrounded by massive buildings the city centre of Copenhagen. The city forest create a human scale in the large open spaces between the built.open spaces into an human scale

Gradient diagram

The Concept

The project aims to create a symbolic statement to the powerful governmental buildings where the decisions are being made. It is intended to state that natural resources must be protected from the continuous urban sprawl.

One main component is a long bench, metaphorically serving as a wall that protects the grown.

The design responds against the massive building volumes by introducing a sufficient amount of vegetation in the form of a curvy shaped urban forest. The protecting bench runs as an edge against the green, framing the change of scenery when entering the urban forest. Green vegetation will create calmness and isolation from

Group 6: Miltiadis Chatzistamoulos, tkn760, Line Stampe Dahl, tkj847, Anastasia Georgali, sjn383, Cayn Wilmsen, kmc242

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Standing in the urban environment with the back against the built. The Bench creates an edge into the green scenery at Søren Kierkegaardsplads dense forest se The Urban ow meets the water. Paving also become more welcoming to the ou w ne e nt h adjusts to the different sceneries. visitors, thus creating different ev events area The Urban Forest cafe area Whíle heading from the urban sensors with different purposes. k la c e B nd context into the grown, cobble- The Urban favors the social, The View point T h amo Di stones are exchanged with gravel Urban Forest favors both the exOpening in m u i The Bench ar es id tu that is placed around the forest ploration and secludedness, while p a st La pavement m and in the meadow area. Like- The ‘Coastal’ Meadow favors the solitary trees r iu dissolving a d pi La wise, the paths are affected by this recreation and calmness. less dense / more openings succession of the scenes. Starting from the urban, where the flow is The ‘Coastal’ Meadow h nc expected to be fast, the paths are e open / low vegetation-meadow eB Th wide and open, whereas, when 5 10 25 n heading towards the harborfront, The urban slowly dissolves into the green, where the bench cracks the paths become more narrow the city. However the design in the Danish coastal landscape. and slow in order to represent the acknowledges that city always natural atmosphere.

Therefore the concept conprevails, therefore The Bench cludes to three different scener“from hard to soft, ies: The Urban scenery,The Urban Outro from built to grown” Forest scenery and The ‘Coastal’ By introducing the large amount of grown to the area, the environMeadow scenery. ment around the large built will partly cracks, letting the urban in and allowing people to visit the The Gradient grown and stroll through. The ur- By walking from the urban to the ban forest gradually turns into a harborfront the basic elements of urban ‘coastal’ meadow towards the park are evolving and changthe harborfront, with a tall herb ing from hard to soft, from built layer of grasses and flowers. The to grown. The transformation changing of scenery from the ur- happens in the vegetation, the ban, into the grown, eventually pavement and the path. The strict ending up in the open towards urban trees turn into looser structhe harborfront simulates the ex- ture, with dense forest pattern and perience of walking from city scattered trees along the harborthrough the forest towards the sea front where the ‘coastal’ mead- The bench as a transition element Group 6: Miltiadis Chatzistamoulos, Line Stampe Dahl, Anastasia Georgali, Cayn Wilmsen

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Christians Brygge Coastal Land Royal Stables Børsen -0,5 Lake

The Riding Tracks

Riverbed

Cobblestones Riverbed

Old Brewery

+2

Knippelsbro

+2

Royal Library Garden

The Black Diamond

Beach Café Outdoor seating

View point +3,5

+3 View point

+0,5

Harbour bus

Beach -0,5

Cobblestones Platform Harbour Pool -2,5

Island

The Circle Bridge

Riverbed +2

BLOX

Lake Cobblestones -1 Bicycle Bridge

Riverbed +0,5 +2 Langebro

+2 Tunnel for O2somerthing” Masterplan “ Shore Proposed tree Existing tree

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Christianshavn Ramparts Kalvebod Bølge

Masterplan 1:5000, displaying the components of Christians Brygge Coastal Land Christians Brygge Coastal Land is a new contemporary harbour landscape, that emphasizes a transition from the historical urban cityscape, through a landscape consisting of diverse Danish coastal nature typologies, ending up at the existing harbour front.

Along the project site, a riverbed is curving its way through, dividing the land into two. On the side of the riverbed, closest to the medieval city center, an urban floor of cobblestones is spread out, in order to enhance the urban atmos-

phere. On the opposite side, islands of Danish coastal nature typologies rise, contributing to the ongoing discussion of city nature.

This frames the opportunities for new recreational experiences at the harbour front, as you now walk from urban floor to coastal nature, before reaching the historical harbour front.

The Riverbed

Stretching from Kalvebod Bølge in south, to the tip of Slotsholmen in North, a riverbed is meandering through the landscape creating a redefined city shore. The riverbed

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1. creating a new shoreline, 2. Placing “islands of coastal nature”, 3. Making a riverbed and a harbour pool. creating a transition from urban to coastal nature to the historical harbour front works as an anchor, holding on to the historical city center inwards while introducing a landscape consisting of Danish coastal nature outwards. The riverbed runs through the terrain, from below

the sea level, and up to the urban floor, creating different depths on its way, to retain rain water. That ensures water management- and coastal protection as well.

Group 7: Alexandros Memetzidis, Leah Løffler, Malthe Mørck Clausen, Ping Chang

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Visualisation overlooking the inner part of The Harbour Pool, the new beach and The Black Diamond, from the island

Coastal nature

The islands, that are emerging on the side of the riverbed closest to the harbour, are formed by the coastal nature typologies you find throughout Denmark. At the new

“... from urban floor to coastal nature” harbour pool, a beach is introduced, as a dune landscape, planted with dunegrasses. Along the two lakes, reeds are appearing.

Salt marshes, that are rising from Beach Café

Outdoor serving

the lakes, become meadows, the higher the terrain is, and groups of trees, with - and without understory, are placed throughout the islands. Within the riverbed, diverse dynamic biotops occur, according to the level of the seaor rainwater. Fragments of the riverbed will remain dry biotops with rocks and gravel.

Urban floor

The cobblestone pavement acts as shared space for pedestrians and bicycles, making a democratic space for people to be in.

Urban floor

Meadow

The urban floor differs in width, according to the location of the riverbed, making different spatial experiences through the area.

Along the riverbed, a promenade is located, separated with smaller light poles, to create a safe space for pedestrians, that are strolling through the site.

New harbour pool Between BLOX and The Black Diamond the riverbed evolves into a redefined shoreline, where

Beach Dune landscape

Harbour Pool

Island

a modern harbour pool unfolds as a mediator between the urban cityscape and the wilderness of the isolated island facing Christianshavn. Christians Brygge Harbour Pool will provide swimming facilities, wherefrom you can enter the water from a raised platform or from the new beach.

The adventurous visitors can access the new island by crossing the lowest part of the pool.

Island Standing on pillers

Harbour

Historical underground (Other entreprise)

Section 1:1000, showing the transition from the urban floor, through the new harbour pool, the island of coastal nature and the harbour Group 7: Alexandros Memetzidis, Leah Løffler, Malthe Mørck Clausen, Ping Chang

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Søren Kierkegaards Garden The Exchange Building

The Blossom Tip

Knippelsbro

The Royal Stables The Library Garden The Royal Arsenal Museum

A’

The Royal Library

The Invisible Promenade Black Diamond Lapidary

The Sculpture Hill

1

BLOX

A The Transition

Lille Langebro

Langebro Restaurant Tunnel

Masterplan, 1:5000 Søren Kierkegaard’s Garden is the vision of culture and nature in complement. A meandering path system urges one to slow down and appreciate the scenery of cultural colossus in pastoral landscapes.

Meandering pathsystem

Slotsholmen is the very heart of Copenhagen where cultural heritage, recreational hotspots and political power collide. However, years of fragmented development has caused an imbalance in the transformation of the former industrial site. Today the area consists of detached spaces and heavy infrastructure. How can this place be changed into a coherent landscape that foster value to the unique setting?

A Romantic Harbour Garden

Søren Kierkegaards’s Garden is a mosaic of history, culture and nature; the perception of nature in this landscape garden equals the value of the grown

and the built environment. The meandering paths flows through the area, where interesting views, perspectives, and spaces open up along the route. With the green lawn as the unifying surface, the life of the museums and archives are brought outside to the park. The garden has a unique location at the harbour, where the generally unchanged form of edge along Christians Brygge and new programming together tell the grand story of the harbour.

The canals and lakes divide the garden into a composition of water and land interwoven with smaller bridges.

Trees

Ground vegetation

Group 8: Alexandru-Catalin Bunea, Anton Juel Lund, Gunnvá Fossaberg Ellingsgaard & Juelun Wei

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Take a walk on the Culture Side At the arrival from city to garden a grid of high stemmed trees in gravel and plinths announces the entrance. The paths are divided into three types; the main paths (3,6 m), the narrow paths (1,2 m) and, the beaten tracks (<0,5m) through high grasses and wild

“The garden is a mosaic of history, culture and nature”

flowers. Each type of path has its own character and offers different rhythms of experience.

Together with the vegetation and the terrain, the paths lead one around in the garden giving interesting vistas and unexpected sceneries around the corner.

Patches of perennials are placed on distinct locations around in the garden to persuade one to take a pause at the bench, while higher and more dense vegetation is used as architectural elements to shape the open spaces and to create interesting rooms within vegetational volumes.

The garden includes dramatic landscape features of canals, lakes, bridges, hills, pavilions among other elements. Special areas are distributed throughout out the area, such as The Wild Gap in between the Royal Library, where nature is growing freely and man is the guest. The 200 m long Invisible Promenade offers a quiet hideaway close to the waterfront. The Intimate Garden extends the atmosphere of the

The meandering pathsystem, the hilly terrain and the various vegetation types allows the visitor to wander around and experience Søren Kierkegaard’s Garden Royal Library to the outside, and The Sculpture Hill reveals the hidden gems of the Lapidary and exhibits it in a natural scenery.

Søren Kierkegaard’s Garden is a green democratic space, where homo urbanus can mend in natural environments. One is likely to walk into politicians in debate, families on a picnic break from their museum tour, joggers on a run, and young people having fun on the harbour side.

The Wild Gap Black Diamond

The Bird Island

The Lake Bridge The Intimate Garden

In a City Context

Søren Kierkegaard’s Garden is a landscape system that will work to regulate microclimate for the area, while reducing the noise pollution from the major road.

Hundreds of newly planted trees will enhance the air quality and increase the numbers of insects and birdlife. On a wider scale the garden connects with green infrastructure of the medieval fortifications as well as the inner harbour seabed.

Pavilion

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Perennial Garden

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3.0 2.5

The Stairs

Detail plan 1, 1:1000

Section A-A’, 1:1500. The section shows the spatial variation of the pastoral harbour garden with different sceneries throughout.

Group 8: Alexandru-Catalin Bunea, Anton Juel Lund, Gunnvá Fossaberg Ellingsgaard & Juelun Wei

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Intro Individual work Collision

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Site visit Studio work handin 1 1/2

Field trip handin 2

handin 1

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Studio work final paper handin

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Studio work handin 3 Rotating Sally & 1st paper upload

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Studio work mockup & presentations

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Studio work & posters

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Examination

handin Exam posters digital upload 14.06.19 11.00 h

Course calendar Phases and places

The assignment is phased (curated through our activities), open and with few initial limitations and can be divided into three overall phases.

In the first phase the assignment is to produce a collision (combination of collage techniques, drawing, notation and visionary thinking). This phase can be seen

as an overall explorative study of the edges, the garden, narrative, problems and potentials â&#x20AC;&#x201C; creatively elaborated in conceptual ideas for change.

The second phase is to develop a master plan. The third phase focuses on selected sites within the master plan to develop, explore and to detail their inherent potential for change. To support the

assignment and the learning outcome the course entails fieldwork and reference studies in Germany and Switzerland.

The calendar shows the scheduled activities. Since the course is a full time course, it is expected that the students/groups, outside of the scheduled activities, find the necessary time for preparation.

NOTE. Be aware that changes may occur. Therefore remember to check your emails every morning or afternoon.

*Vertical Design Conversation

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Kr. Himmelfartsdag

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Prep.

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identity

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10.00 h *VDC and handin 1 1/2

Program & Collision

Tobias Røder 09.00 10.30

Preparation

*VDC

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Design by reference Field work, detail reference studies handin 2

First Group models/ Sitevisit/sketch/ notations/ handin 1 1/2

Preparation

PLH & co.

2. Påskedag

afternoon

morning

13.00 - 17.00 09.00 - 12.00

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Intro

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Landscape studio 2019